Kelburn Garden Party is unequivocally the best small festival in Britain (even the world): a hidden gem on the west coast of Scotland that exceeds expectations year after year. Its first outstanding feature is its location. Nestled in the Kelburn Estate, with its 1,000-year-old trees, waterfalls and idyllic views over the islands of Cumbrae and Arran, there are few festivals that can compete with walking through the surroundings of one of the oldest and most colourful castles in Scotland. Art exhibitions pepper the “Neverending Glen”, and the Thursday before the festival began in earnest was the perfect time for a sunny sneak peek at Kirsten Tingle’s eerie human mycelium sculptures (which had bulbously bloomed by the end of the festival) and Neve Pearce’s interactive tree puppet, Gronto.
Kelburn’s equally exceptional feature is, of course, its music: perfectly curated stages around the beautiful site bristling with every imaginable genre. With Friday afternoon remaining clear, a hike up to the Boat on the Hill stage was a must. Dancing to Glasgow DJ duo Lezzer Quest’s queer electro euphoria while gazing out across the Firth of Clyde on a giant tugboat is an unusual thrill. New stage Giant’s Castle, set in the grounds of the Secret Forest (a children’s maze like no other), was spookily spectacular, as Italo house DJ Peeve set the ramparts alight. While Kelburn is well known for its EDM, rock and punk have started to make more of an appearance. The main Square stage welcomed Edinburgh funk rockers Bikini Body and eco-punk outlanders Snapped Ankles, both of whom never fail to win over a crowd. Meanwhile, the Skinny’s Pyramid stage hosted breakout punk grungers Soapbox for the best mosh pits of the festival, as bodies slid around (safely!) in the gathering mud to “Private Public Transport Sucks!”.
But the wildest moment came when live techno ravers Dogshow, while playing synth and drums in a cart-cage, asked the crowd to spin them around. The result was bizarre: two circle pits erupted around the moving cage, a chaotic human whirlpool that even the band themselves hadn’t anticipated. A chiller time was had with alt-trap Glasgow DJ Iso Yso, who kept the Saloon raving amid Wild West-themed children’s slides. At the Landing – Kelburn’s largest stage for dance music – Jen Cardini’s global beats blew revellers away, from the front of the stage all the way to the colossal log that provides the perfect vantage point of the dancefloor.
Saturday dawns somewhat wetly, so Glasgow DJs Duende and their tropical reggaeton at the Boat are the perfect rejoinder, unless you’re waylaid first by Mungo’s Hi Fi’s incredible secret set in the small surroundings of the Hometown Corner jungle tent. The furthest-away stage in the glen, the Beech Plateau, is the next place to catch techno legend Neil Templar, despite stomping in deep mud to get there.
Coming down from the glen, it would usually be time for a swim, as the deep pools littered along the river (the Kel Burn) are a haven for wild swimmers. This year, the wild weather (caused by two heatwaves either side of the festival that turned the estate from a temperate to a tropical rainforest) means the river is too high for such shenanigans. But despite this, the spirit of Kelburn never dampens.
That spirit is awoken once more when Joshua Idehen, the standout new act of the festival, makes his debut. Political spoken word overlaying house beats (alongside eclectic dance moves that keep the crowd engaged and dancing throughout) is a tricky balance to strike without instruments or even much singing. Idehen, however, does not blink, cruising through his set. “Your Mum Does the Washing” is the absolute highlight, but his crowd-pleasing Talking Heads cover of “Once in a Lifetime” gets hips shaking too.
Other Saturday night-time highlights include indie rockers Tina Sandwich, brass beauties Esa’s Afro-Synth Band at the Viewpoint — another jaw-droppingly pretty stage — and, amusingly, Folkcore DJs at Sheela’s Tent, who fuse happy hardcore with Celtic favourites like “Rattlin’ Bog”; very appropriate for the bog encroaching outside said tent.
Sunday squelches into view with little let-up from the rain, which means it’s time to explore all the wonderful indoor places Kelburn has to offer, including cabaret and music tents, cafés (with real toilets!), and the Blundabus. In the early afternoon, the Blundabus is an unhinged jam tent where shelterers from the rain are press-ganged into playing instruments they don’t know how to hold. This chaos is charming, as one punter sings in an operatic voice: “We’re all in a jacuzzi, we don’t care about the weather…”
Meanwhile, baile funk DJs Femme45’s uplifting rhythms and Bemz’s talented hip-hop are the perfect way to enjoy the sliver of sun on offer later. Sunday night is folk night at Kelburn, meaning anyone who leaves early has sorely missed out on some of the most innovative trad tunes on offer. Here, electro-trad act Valtos are the stand-outs of the festival, drawing a packed-out Square stage as it pours with rain – no easy feat, as shown by how this poor reporter’s phone got so wet during the set that it broke and left them without one for a week! Valtos’s Celtic EDM though never lets up throughout. Perhaps the band had planned to play slower, haunting songs like “Beinn” about reclaiming the Gaelic language, but seeing the rain they went high-energy from the start, with “Ceòl Dannsa” and Peatbog Faeries’ electro-trad cover “Marx Terrace” sending the crowd bouncing. With plenty of shout-outs to the Scottish energy of partying despite the weather, and the world, it was the perfect way to end the main stage.
But Sunday’s other standout act had to be Huartan in Sheela’s. A radical Irish Heilung, fusing Celtic paganism with electronica, this act is a festival must, and one to watch. Finally, is it really a Scottish festival if Mungo’s Hi Fi don’t close it out? Ending by mixing “Rules of the Dance” with Fatboy Slim’s “Born Slippy”, the soundsystem crew never disappoint, and never fail to leave us wanting more.
It was a cruel twist of fate that the first sell-out Kelburn since before the pandemic was also the wettest Kelburn for many years. But the organisers, the bands and the ticket holders refused to let that spoil another magical revel in the glen. In Joshua Idehen’s words: “Don’t let it get you down” — and no one did. One festival-goer (just returned from a sweltering festival on the continent) remarked upon how preferential the rain was to the heatstroke-inducing conditions seen abroad, where bands play during the day to a few people huddled in a tiny bit of shade. With the climate oscillating between a burning laser in the sky and monsoon season, you could do far worse than visiting a shady forest on the west coast of Scotland for an amazing time with the most indomitable people.
Intro Going into Download this year was a minefield of weather checking… do we need wellies or suncream? Reports of boggy campsites and wind-destroyed gazebos somehow turned into a weekend of rough sunburn and self-inflicted dehydration. On arrival, it seems like a lot of organisational work has been done to keep car queues to a minimum around the Donington site as well – a real improvement on last year.
We fight our way into the merch Megastore at the bottom end of The Village, only to find that some of the special collaboration products have already been stripped bare by campers. The Jolie Beauty set is completely cleared out – but we did manage to get our hands on it later on at the Press booth, and holy moly is it good. The lanyard palette is such a cool design, and the colours are so pigmented and perfectly matched to this year’s colourway. As a person who is constantly running around this festival, I can confirm that the ‘Mosh-proof setting spray’ that I used on Saturday and Sunday is the GOAT. Fingers crossed they’re back again next year with at least double the stock.
Issues abound with the much-anticipated Mary Wyatt collection, which once again features some of the best designs we have ever seen on festival merchandise – but just like last year, it’s basically sold out when we arrive early doors on Friday. The main wishlist items, like the Jersey, were gone on Wednesday according to staff, with no restocks. Please hear this as my plea for an additional arena-based Megastore, so that weekenders have a chance of getting their hands on some of this amazing stuff without paying hundreds of pounds (no really, the jersey was going for over £200 on Vinted on Monday…) to shithead resellers. I also could have spent a fortune on the stunning special edition jewellery from The Great Frog, but as you can imagine – they were sold out too!
Anyway, getting into the arena itself was also a bit of a wait – not an improvement despite last year’s complaints about missing early bands due to not having enough staff on the gates. I do think Download would benefit from having a secondary main entry point (maybe along the Opus side?), but I’m not sure how they’d make that work logistically. We’re looking forward to exploring the new set-up around the Avalanche stage area, though – we haven’t had a site restructure this big for a long time.
Friday Opening the Apex stage is metalcore princess Scene Queen, wearing metallic pink cowboy boots, matching fringed arm cuffs, and sparkly daisy dukes. The final song is ‘18+’, with absolutely damning lyrics about underage girls on bands’ tour buses. It feels like the perfect opening commentary on a weekend where Axl Rose is headlining… she’s a force to be reckoned with. It’s a really strong start to the weekend, and she’s pulled a pretty big crowd.
P.O.D are giving us those early noughties nu-metal memories, but there aren’t enough oversized jorts and white tanks around yet for my liking. Guitarist Marcos Curiel welcomed his newborn daughter (born last night!) and the final song is dedicated to her.
Hollywood Undead have spawned a humungous crowd, and rightly so. With samples ranging from Ozzy Osbourne to Slayer mixed into their rowdy rap metal, there’s no debating their right to grace this stage – but I am surprised to hear everything slightly faster and more amped up than recorded. As a mosh pit tactic, it’s working; there are a LOT of people crashing around down there. ‘Everywhere I Go’ is definitely the one everyone knows; they’re even singing it way up the hill.
If you showed me a line-up and said one of these bands is from Berlin, I absolutely would have picked the one with the guy who looks like a Wes Anderson movie protagonist. Over in the Dogtooth tent are Vianova – dark, brooding metalcore with an electronic edge. They’d play in the club I would get turned away from after waiting hours in a plain black T-shirt, trying to pretend I’m cool. The entire crowd is singing along, it’s clear they already have a lot of fans here – and I had an absolutely fantastic time. They’re going straight onto my playlist.
Pendulum might not be the first band someone thinks of when they imagine Download Festival, but after that first booking in 2009 (when the stage was on hard-standing tarmac… honestly, whose bright idea was that? Oh, the head injuries…), they’ve become a solid Download favourite. They amp up the guitars and beats, giving everything a heavier edge than when they play elsewhere, and the arena is absolutely rammed. Despite the joy of having them on the main stage so more people can watch them, it’s sunny and it’s hot – their graphics and lights are getting lost, and this music deserves a shitload of lasers.
“We have a little surprise for you, Download…” they shout, as Rou Reynolds of Enter Shikari fame bounces onto the stage for a truly epic drum and bass remix of ‘Sorry You’re Not A Winner’. This is a collaboration universe I would very much like to see expanded in the future.
Next, we catch another fast and furious set from Electric Callboy, finally back after their unfortunate cancellation in 2024 due to illness – and the fans have really turned out for them. There are so many shell suits in this crowd that if an errant sunbeam hits, the whole place could go up in flames. ‘Tanzneid’ is a solid opener, and I loved the Sum 41 ‘Still Waiting’ cover. I’m always after those special crossover moments at festivals, and I’d really hoped that with Babymetal on the same bill this weekend, we might have seen them do ‘Ratatata’, but I guess the scheduling just didn’t work. I also thought they might do something with German techno legends Scooter (set to play later this weekend), since ‘Hypa Hypa’ is basically a tribute to them. Regardless, it was a scorching set.
Over in the Dogtooth tent, The Primals – Final Fantasy’s in-house band, created especially for the game series (which has its own very fancy arcade area over near The Village for people to play the newest instalment) – have amassed quite the crowd. Despite looking very much like The Blues Brothers, and with quite a number of the crowd waving K-pop-esque light sticks, they actually go hard — I really like them. They’re joined by long-time collaborator Jason Charles Miller (of Godhead fame) for a few songs.
On the Opus stage, Daughtry are bringing that classic rock sound that we haven’t had much of so far today. Lots of pyrotechnics, beautiful sunshine, and the first time this weekend we hear the lyrics “Heavy is the crown”. Definitely up there for band of the weekend – it’s such a good set.
Cypress Hill, another rap crossover choice from the organisers – turns out to be truly legendary. If you aren’t here to have fun, you’re in the wrong place. We are all leaping about like lunatics for ‘Insane in the Brain’ and ‘Jump Around’. You have to remember that, for a lot of us, these are the songs of our childhoods.
I’m fairly sure I will never have anything negative to say about Halestorm. They absolutely crush it once again. Lizzy Hale’s voice is second to none – hell, she could probably do the whole set without a microphone. There’s a lot of fire, she’s rocking a fringed leather jacket, and the ticker tape they spray across the crowd is even marked with their own little logos, very cool. ‘I Miss The Misery’ promotes every single person in this crowd to karaoke legend (to be clear… none of us are doing it well), and it’s one of those really fun moments where you know the notes are hitting everyone’s internal joy trigger at the same time. Their cover of Lady Gaga’s ‘Bad Romance’ is so great too – that would be a live collab I would LOVE to see.
Another nostalgia bump today comes in the form of Wales’ own Feeder. It’s a packed-out Avalanche stage tent, and they really deliver. Those Echo Park hits are the hot-button moments today – ‘Buck Rogers’ and ‘7 Days In The Sun’ have the whole tent singing.
Tonight’s headliner, Limp Bizkit, is where we really see the full force of how many people are at Download this weekend. The arena is rammed – almost impassable. Going to the loos or getting sustenance from one of the vendors might as well require multiple camps along the way, like Everest. Despite the numbers technically being lower than some previous years, something has definitely gone awry in the arena planning (it does all feel a little more cramped, right? Possibly due to the behemoth size of the new Apex stage?). There are already a lot of rumbling complaints about chairs being set up near the front, even past the sound tent.
Bloodstock Festival has had to implement a no-chair zone in the last couple of years, and that’s a much smaller festival. Either way, someone probably needs to take a look at how walkways and paths are set up around the arena, because it was a bit of a nightmare.
Putting on a brave face, the band pay tribute to bassist and founding member Sam Rivers, who sadly died last year, and also to Dougie Millers – a long-time member of Limp Bizkit’s stage truck crew, who tragically died on his way to Download, the truck then crashing into a house local to Donington. A photo of the band and the words “We will love you forever” crosses the screen, and it’s hard to imagine what it must take to get on that stage and perform while mourning your friends.
It’s a bit of a strange set overall. Fred Durst is inexplicably wearing a wig that makes him look like the bastard son of Bob Ross and Richard Simmons, paired with a Babe Ruth Yankees jersey. There are singalong lyrics on screen throughout the entire show (despite the relative catchment age of this festival being people who couldn’t avoid knowing the lyrics to all these songs even if they tried). ‘My Generation’ is great – they’re joined on stage by Lauren Sanderson (who actually looks more like Fred Durst than Fred Durst does today) for ‘Hot Dog’, and some red-hatted fans are invited up for ‘Full Nelson’.
Although I do wish he’d just do us a solid and pop on the signature red cap for ‘Rollin’ – it probably doesn’t matter, as the crowd is absolutely full of them (well, you know, it’s not Pitbull levels of commitment, but a good turnout). It’s a great one to watch the crowd on, because there are a lot of little kids who have clearly been primed for the dance moves before coming – 10/10, jolly good fun.
Unfortunately, ‘My Way’ is cut significantly short due to what seems like a fairly serious accident in the crowd, delaying the show by a good 15 to 20 minutes. It’s unsurprising that LP take such a serious stance on stopping the show, especially knowing exactly what can happen with crowd crushes. Fred kneels on stage with the white lights up to illuminate the crowd as a medical team stretcher the injured person out. The back of the arena has thinned considerably at this point, with a lot of people bowing out early to head back to camp or over to District X.
“I feel like right now we either just say goodnight or we try and rip it one more time?” shouts Fred, to cheers. Closing with another go at ‘Break Stuff’ is a good move, but I can’t help feeling the magic has dissipated (through no fault of the band). I don’t think this is going to go down as one of Limp Bizkit’s most triumphant Download shows, sadly – in fact, I think 2024’s set was probably the stronger one, and why they had so much hype going into tonight’s performance. We can’t win all the time, though – and I love them for still pushing through, even though they must have been feeling horrendous.
Saturday
Ginger Wildheart is gadding about in the press area with his adorable dog this morning, following their main stage opening slot. We head out to catch California band Snot (what a great name), who are bringing early, punky rowdiness to a slightly more overcast day. There’s nothing quite like screaming along to “one two fuck you” to get you going again after not many hours of sleep.
Homegrown rockers South Arcade have one of the best stage setups of the weekend. Giant spray paint cans flank the drum riser, and bright 90s graffiti backdrops create the perfect setting for a strobe-lit romp through their bouncy pop-punk set. There are more women on the main stage this year, and they are absolutely bringing the energy.
I also really rate how many British bands are on the bill this year. Over on the Opus stage, As Everything Unfolds are on at the same time as Drowning Pool, swapping places – and absolutely holding their own. Another female-fronted band slaying it: heavy, doomy, with that hard-edged rock screaming alongside soaring vocals. They’re really, really good. “We are grateful, even if you didn’t expect us, thanks for being here.” They actually retained most of the crowd who had clearly come for Drowning Pool — which doesn’t happen very often at all, and is a real testament to how good they sounded.
Landmvrks are shouty, shouty… very, very shouty – and fully deserving of their extremely smashy mosh pits. We Came As Romans pull a stonking big crowd, but their set is somewhat marred by a noticeable drop in sound quality from the stage. “Download bang your fucking heads let’s go!” would probably have more of the desired effect if we could actually hear it properly.
Those Damn Crows bring in a round of chuggy classic rock, and I think vocalist Shane Greenhall has a genuinely fantastic voice. If you’re a Black Stone Cherry fan, I’m pretty convinced you’ll like them. Big up Wales.
Over on the Apex stage, Babymetal get a second shot at the show, having been biblically shooed off stage in 2024 by thunder and lightning after only a couple of songs. This time, they return with rainbow dragonscale skirts, golden plate armour, signature dance moves, and a clear mission to make their mark. You can argue all you want about the ‘gimmick’ of a J-pop/metal crossover, but there is no denying the talent here. I am absolutely living for all the metal girlies with dual personalities (you know the ones) giving it their best kawaii headbang in the crowd. Once again though… just saying – how cool would it have been to get that ‘Ratatata’ Electric Callboy real-life moment?
Now, I love a bit o’ Bush (juvenile giggle), because at heart I am still a teenage grunge grebo. BUT COME ON. No ‘Glycerine’? Internal screaming. It was a bloody stellar set otherwise though — they really deserve their flowers.
Trivium obviously smash up the Apex stage to an absolutely huge crowd, but the wind is doing strange things to the sound further up the hill. We also really enjoyed the grannies grooving in the middle of the mosh pit – kudos, because those outfits must have been fucking hot to wear all day.
Over on the Avalanche stage, another British band is out here crushing it this weekend. Hot Milk have rows of people spilling out the sides of the tent, screaming “I wanna see so many fucking people across this barrier.” It really feels like British bands and women are at the centre of Download this year, and I love to see it. Closing with ‘Party On My Deathbed’ is a masterstroke in pure adrenaline. “Don’t do anything I wouldn’t do, thank you Download!” they casually shout on the way out, after presiding over absolute carnage in there.
And now for something to soothe my pop-punk soul – The All-American Rejects headline set. Barefoot frontman Tyson Ritter, with his signature uncanny dancing (it’s giving Nathan Elsewhere), somehow looking like he hasn’t aged, or dressed a day different since 2002. Hits like ‘Dirty Little Secret’ and ‘Swing Swing’ are screamed by absolutely everyone, but nothing hits quite like pouring your teenage angst into ‘Gives You Hell’. What an anthem.
At the same time (annoyingly), Architects are ripping up the Opus stage to a crowd so dense it’s basically impossible to move through. We give it our best shot but end up stuck on the fringe before heading off to find a spot in the chaos for tonight’s headliner.
OH and we definitely will not comment on the Ferris wheel shenanigans that occurred directly before GN’R… no, we won’t. Except to say that the forums suggesting it be renamed ‘The Nosh Pit’ did make me snort laugh.
Now, Guns N’ Roses or more specifically Axl Rose – have a bit of a chequered history at Download. There was that one time with bottles of piss being thrown at the stage and the falling over… the fact they’re always bloody late… endless rumours about ridiculous riders, including requests for pre-show roast dinners…
But you can’t deny they’re a classic headline choice. Decades of music, some of the most iconic songs of all time, and a band that’s finally reunited in – at the very least – amicable co-worker status. I do need to caveat this performance with one big, glaring issue before I get into it: the sound up the hill is absolute garbage tonight. Anyone watching from the midway point upwards is probably going to report this as a properly shit show. Despite the enormous stage, towers, and swinging stack amps, the sound just doesn’t carry far enough for the size of the crowd.
If you creep around the outside and come in from the right of the stage, though, it’s a completely different story; the sound is phenomenal. Well… apart from the fact that the fucking waltzers are still allowed to blast their own music during the set. Year after year people complain about this, and yet somehow they remain.
Anyway, predictably, we are treated to an array of interesting outfits from Axl – apparently multiple bedazzled lumberjack shirts are the mark of a seasoned pro. Slash riffing at Donington in the setting sun is undeniably one of those lifetime memories. I spot loads of kids in the crowd who’ll always remember seeing this iconic band in real life – and as we’ve learned with the loss of heroes like Dio, Lemmy, and most recently Ozzy, more shows are never guaranteed.
GNR pay tribute to Ozzy with a giant commemorative backdrop and a cover of ‘Sabbath Bloody Sabbath’, which they also played last year at his final show, ‘Back To The Beginning’ at Villa Park.
Other highlights include opener ‘Welcome to the Jungle’ and ‘Rocket Queen’. And despite the pitch on ‘Knockin’ on Heaven’s Door’ being enough to summon every fox in Leicester, there’s something very endearing about a field full of crusty rockers trying their best to sing along.
Axl changes into a bejewelled black jacket and takes a seat at the piano for his Elton John moment, as the screens fill with a watery deluge for ‘November Rain’. I think we’re all collectively thinking: thank fuck we escaped the real rain this year, and only have to deal with the digital kind.
Laughing, “I dunno… it feels a little weird for us, for it to still be light out,” the band finish up with ‘Nightrain’ and ‘Paradise City’, Axl now in a studded leather jacket. You know what? It is early. There aren’t any fireworks either, and I do feel a bit salty about it, considering we’ve already had two slightly weird endings this weekend.
Also, the dirty rocker-to-glam pipeline for men needs to be studied. This man used to wear a kilt and a wife-beater that looked like it had never been washed, jeans that could stand up on their own, held together purely by the void between the rips — haunted by the ghosts of months-long tour legs. Meanwhile, the rest of them basically look the same as they ever did… just with slightly less enormous hair.
Sunday
Today we went for a wander around the shopping/activities area, now situated where the Avalanche stage used to be. It’s actually a really nice addition – loads of tables for sitting down, plenty of shade, food outlets, and another great new feature in the Hellfire Stage. We caught a brilliant grill demo, then watched a blacksmith making bracelets next door. The fossil and gem shop had a very cool rock trough where you could fill a little jar with shiny bits (honestly, bring your neurodivergent friends here if they need some calm-down time – ideal), and it was also pretty cool that Linkin Park had their own pop-up merch van.
Right. Let’s address something important. I DO NOT WANT THE BOOKTOK GIRLIES TO COME FOR ME. The Rebecca Yarros ‘Fourth Wing’ x Download hype was… not small. From the Download side it was just a small Instagram post about a pop-up, so I went to check it out – and let me tell you… a 45+ minute queue for that was brave. A low army tent with some hastily printed quotes hung up and a small photo setup where you could pose at a desk with a dragon on a screen in the background felt wildly underwhelming. The free commemorative patch was very cool, but this could have been so much better – especially because the fans were absolutely there. If they run something similar again, it has the potential to be a really nice extra… but lads, let me plan it. I can definitely do more.
We also got chatting to some OG indie vendors, including the amazing Scarlet in Chains, who make incredible body harnesses and jewellery. They’d also worked with The Sophie Lancaster Foundation this year on some really fun boot clips. They were metalworking on site, and we had a great chat about how much they love Download too.
On the Apex stage, Unpeople opened the day with a spectacular set, while over in the Dogtooth tent Private School got extremely wild – frontman Khaki diving into the crowd for a proper mosh with everyone.
Kublai Khan TX were also excellent, I’d love to see them back again. “Open that motherfucker up, I need a pit!” says it all. Over on the Opus stage, Mammoth — fronted by Wolfgang Van Halen (yes, that Van Halen) — absolutely killed it. I really love their sound, and he’s a genuinely fantastic vocalist. ‘The End’ is a truly epic track, and I’m so glad I got to hear it live.
I took a trip up the Budweiser tower for a look across the site – notably without the risk of sitting in something questionable on the Ferris wheel, and without the price tag. While up there, I witnessed one of the bar staff remember two people’s previous drink orders before they even asked – legendary behaviour. I did briefly consider stealing one of their denim Levi’s/Bud jackets on the way out… elite branding.
Big shoutout as well to the SwappieFest crew, who were handing out little trinkets throughout the crowd after hosting swap meets all weekend. Someone gave me a shiny sticker that matched my hair, and someone else was giving out 3D-printed Download logo keyrings – so, so cool.
The award for biggest Opus stage turnout of the weekend probably goes to Dogstar. To be fair, they’d deserve it anyway; very solid dad-rock/grunge vibes for your pre-emo era – but let’s be honest, a lot of the draw is Keanu Reeves on bass. Everyone wanted to see him with their own actual eyes. Including me. They were great – if a little stiff, but I did spot one of the coolest things of the weekend: a woman crowdsurfing in a wheelchair while holding up a custom Dogstar skateboard. I later found out it was one of Grandad Skateboards’ custom builds, gifted to the band backstage. They make headliner-specific boards every year, and they’re incredible.
Other bands I caught bits of today that I loved included Bloodywood, metal from New Delhi with one of the most unique sounds on the scene right now.
Once the Dogtooth secret set was revealed to be Skindred, it was obvious that tent was going to be absolutely rammed. While waiting, there was loads of singing, inflatable beach balls flying around – it felt like a full-on party. They’ve been a Download staple forever but haven’t played for a couple of years, so this felt like a proper triumphant return. Announced by F1 commentator Crofty in a Dreadload T-shirt, iconic. “There’s a race on, and I’m here instead!”
Benji appears in a fluffy white horned hat, full white outfit, and matching sunglasses – never disappointing on the outfit front. From the very start, there are waves of crowd surfers, and ‘Nobody’ is pure, riotous fun. They close with ‘Warning’, triggering the legendary Newport Helicopter – rows upon rows of spinning T-shirts stretching outside the tent. This really is their home turf.
The Pretty Reckless, fronted by Taylor Momsen in a white slip dress and stompy black boots, are another example of women absolutely owning the main stage this weekend. Despite her Cindy Lou roots, there’s nothing kitschy here; it’s emotive, confident, and genuinely captivating. ‘Heaven Knows’ is a standout moment.
Spanish band Ankor are another one-to-watch – I’m so glad I caught them. Pure fun, and impossible not to get swept up in their energy, dancing and headbanging along with them.
On the main stage, Ice Nine Kills bring their full cinematic horror experience, complete with an array of bloody props to match their catalogue. Highlights include Hannah Hermione from Creeper joining them for ‘A Work of Art’ (formerly ‘Twisting the Knife’), only to be promptly slaughtered, and Art the Clown making an appearance to decapitate the Download Dog. A cover of NOFX’s ‘Linoleum’ was an unexpected treat, and ‘The American Nightmare’ is still my personal favourite.
Tom Morello on the Opus stage is one of the highlights of the entire weekend. Not only is he incredible in his own right, he’s joined by his son Roman Morello, who actually wrote the riff for ‘Hold the Line’ – which is just ridiculously cool. Imagine touring with your dad at 15.
They also pay tribute to Ozzy with a cover of ‘Mr Crowley’, referencing Roman’s performance with Jack Black at last year’s ‘Back to the Beginning’ show. Huge cheers erupt when Tom flips his guitar to reveal a sign reading “Fuck Tommy Robinson”, before announcing, “…we learned a special English folk song just for today” and launching into Rage Against the Machine’s ‘Killing in the Name’. Honestly, Rage are probably the band I’d most love to see back at Download.
Mastodon take to the stage in the sunshine for a beautifully heavy set, though they do suffer from sound bleed thanks to clashing with Bad Omens. “Thanks for bringing us back to one of the most magical places on earth,” they say, dedicating ‘More Than I Could Chew’ to their “fallen brother” Brent Hinds.
Spineshank in Dogtooth are a magnet for constant crowd surfers, while Bad Omens’ set seems to suffer from a bit too much stop-start energy.
Creeper return once again – their fourth appearance of the weekend (a lot, even for vampires). Emily Strange presents Will Gould’s severed head following the previous show’s guillotine theatrics, casually stating, “I have some sewing to do.” It’s theatrical, chaotic, and brilliant – with gorgeous lighting and a crowd full of painted faces.
Linkin Park headlining Download brings back a flood of memories for me. I was there in 2004, crushed at the front, desperate to see the band whose CD I’d completely worn out. Coming back now, this time as the first female-fronted headliner – feels genuinely significant. For the band, for the festival, and for music more broadly. It really does feel like the start of a new chapter.
That said… the Windows 95-style visuals on the screens are making me laugh – that is exactly what my computer looked like when I was blasting that album back in the early 2000s.
The blend of old and new material is seamless, and the energy is constant. Emily Armstrong’s vocals are absolutely stunning. No, she’s not Chester Bennington – and she’s not trying to be. She even steps back during ‘Crawling’ to let the crowd carry it, acknowledging the weight that song still holds.
Another standout moment: “I wanna see ladies only in the pit right now! Guys, open it up – help them out!” Emily beams, “This makes me so happy,” before launching into ‘Two Faced’. Unfortunately, there are a couple more stoppages due to injuries — dealt with quickly, but there have definitely been more interruptions this year than usual.
‘Numb’ and ‘Heavy Is the Crown’ are absolutely breathtaking live, and the encore of ‘Papercut’ and ‘In the End’ is a perfect, emotional close. For me, this is the best headliner of the weekend and a genuine history-book moment to go with it.
Final Thoughts
To close out the weekend, and to touch on a few things I haven’t mentioned yet – I’ve been keeping an eye on the forums since getting home, and there’s been a lot of discussion around the site layout. A common theme is that it felt overcrowded at times, particularly with the number of chairs and the lack of clearly defined walkways, which made moving between stages more difficult than it should be. There were also repeated comments about there not being enough toilets in the arena, leading to consistently long queues.
One much more serious concern that seems to have been raised far more this year is the issue of sexual assault – particularly towards women. There have been multiple posts and even photos circulating of men in the crowd, with some alleged to be repeat offenders over the course of the weekend. It’s deeply concerning, and something that absolutely needs addressing to ensure Download remains a safe space for everyone.
On a more positive note, I spoke with one of the campsite managers, who mentioned that this year attendees were largely very good about taking their tents and rubbish home with them – which is genuinely great to hear. That said, getting out of the car parks on Monday proved to be a challenge for many, with some people reporting waits of over three hours.
I also want to highlight again how appreciated it was to have more seating areas and shaded spaces this year – it made a real difference across the weekend. However, additional water points would be a very welcome improvement. As always, the BSL interpreters and the sensory tent staff continue to be incredible; the effort and care that goes into making Download more accessible does not go unnoticed, and it’s fantastic to see these provisions in place.
One final shoutout goes to the Lemmy Kilmister tribute ceremony, led by Duff McKagan. The idea of placing some of Lemmy’s ashes inside a fruit machine at Download is so perfectly fitting, a brilliant and heartfelt way to honour him. There’s something really special about knowing a part of him will remain in the places he loved, alongside the music.
All things considered, this may well have been one of my favourite Download festivals to date. The lineup feels thoughtful and forward-looking, pointing towards a new era of rock and metal that feels genuinely exciting. Can’t wait to see what the 2027 picks are…
With Download Festival creeping up on us, the group chat is probably full of set clashes and rabid weather-watch to see if you need to pack wellies or suncream. Let’s face it, it’s probably both. Now I love that we have access to great festival apps these days, live set-times and easy maps… great stuff, excellent use of technology outside of cat videos to be honest.
The problem is: modern festivals are too connected for shenanigans. In the early noughties you could lose your mates for six glorious hours and call it character development. Some of my best stories are about the things we did when we lost everyone to the crowd, like that time our mate Jimmy was so stoned he just joined a queue for a bit so he could chat to people – and ended up being one of the lucky VIP area wristband holders that year… bastard.
Now, with everyone trackable on snap and pin-drops, you have to choose adventure. Reject life-long friendships and go be a silly hobbit for a while, for a treat. Here’s my list of stuff you could stumble into, if you choose…
1. Find Five (the band) and commit to the bit: Somewhere at Download, the spirit of late-90s pop refuses to die. You’re lying if you say you don’t know the lyrics to at least one Five song, that shit is etched into your brain from the school disco and at a month out, you’ve still got time to relearn the choreography. Bonus points if you bring the shockwaves gel and hedgehog your hair in a classic Scott style.
2. Get a tattoo from Old Sarum: The truly committed return home with merch that can’t be lost in a tent collapse. Fan faves: Download totem, the iconic Dog, classic barbed wire around the bicep, bees on your knees, or a beautifully questionable tramp stamp. They usually drop a flash sheet closer to the event, so keep your eyes peeled and your impulse control lower than usual. But like, keep it clean and out of the sun babes, we do not want Sepsis as a going home present.
3. Learn rock sign language from the interpreters: Stage-side interpreters are doing elite-level multitasking: translating lyrics, capturing attitude, and somehow keeping time while the crowd turns into a washing machine. Watch them for five minutes and you’ll realise you’ve been underperforming with your hands your entire life. Bonus points if you learn a few signs and can still headbang without poking yourself in the eyeballs.
4. Sky catapult: There’s something very nostalgic about the screaming, and I always wonder what possesses people to want to do this. Some sort of ancestral longing to feel the force of the trebuchet? Oh well, a classic DL experience, but I caution you to pick whatever meal you eat beforehand wisely. There’s ‘festival memory’ and then there’s “someone filmed it and it’s on TikTok forever.”
5. Join Swappie Fest and become a tiny-gift goblin: Swappie Fest has a famously wholesome Facebook group (500+ members and growing) and the vibe is pure crafty magic: I’ve seen bracelets, keyrings, crochet punky duck charms, sweets, stickers, handmade mini dreamcatchers… you name it. You’ve got enough time to join the fun if you want to be a trinket gifter, get on it!
6. Investigate the mysterious Fourth Wing thing: Apparently there’s some kind of Fourth Wing activation (yes, that Fourth Wing—Rebecca Yarros). At the time of writing there’s only the promo post, meaning nobody knows what’s actually happening. If we can’t get real dragons, I don’t know if I’m emotionally prepared to care… but I know the BookTok girlies are not going to want to miss whatever this is.
7. Do RockFit (or, if you’re unhinged, join the campsite runners): RockFit is a great way to feel like a functioning person before the day turns into pints and pit dust. There’s also the running-partner crowd—people who, for reasons beyond science, want to jog around the campsites in the morning. Meanwhile, the rest of us will be doing what nature intended: slithering out of the tent like a slug at sunrise and drinking whatever hideously warm liquid we find by the door, just to choke down an oat bar.
8. Play Red Hat Round Up: Take a drink every time you see a Fred Durst red cap in the wild. Yes, it’s still everywhere. No, he doesn’t even wear a red cap himself anymore. Yes, I still wish he would. (Pace yourself. You’ve got a weekend to survive.)
9. Dogstar Cosplay: Show up dressed as the Wyld Stallyns. Or better: go as Rufus. Or better still: get a whole group together and turn the mosh pit into the Bill & Ted history montage—Socrates, Freud, Joan of Arc, Genghis Khan, the lot. It’s educational.
10. Hit K‑pop Emo Hunters at the silent disco: Over in the Ace of Spades, K‑pop Emo Hunters runs as a silent disco with two channels playing simultaneously: Emo and K‑pop. That means you’ll watch two completely different dance-floor narratives happening in the same physical space, enjoy the chaos and the musical whiplash and most importantly SEAL THE HONMOON.
That should be more than enough official stuff to get you going, but remember – the best adventures are the ones you never prepare for, so keep your eyes and ears open for anything that sounds like it might be worth retelling over the next few decades of your life…
Bonus side quest: Don’t watch the World Cup—apparently Download wants nothing to do with it…
With Halloween around the corner, BLOODSTOCK has some early treats to share, by way of some fiendishly good bands to announce! No tricks here. Hot on the heels of the recent reveal of special guests BODY COUNT, today BLOODSTOCK can tell you another 10 bands who’ll be treading the boards at Catton Park next summer, and if you’re quick, you might just manage to snap up the last of the standard weekend tickets before the box office goblin swoops in with the giant sold out stamp.
Striding onto the Ronnie James Dio main stage on Sunday, will be the mightyBLACK LABEL SOCIETY. Led by the inimitable, master storyteller Zakk Wylde, do they need any more introduction? Warm up your necks in advance headbangers, you’ll need it. Not ones to be intimidated by that hefty gut punch, Friday sees prime deathcore dealers FIT FOR AN AUTOPSY join the bill.
The Sophie Lancaster stage is no slouch either. Thursday welcomes back Birmingham’s previous Metal 2 The Masses winners, boisterous lads MANTIS DEFEATS JAGUAR. Friday confirms sanguine-soaked black metal squad BLOOD COUNTESS and party sludge noiseniks GURT, both poised to enter the realms of BLOODSTOCK lore.
Keeping the metal heavy on Saturday, bear witness to the bleak sounds of blackened death & grind alchemists OUTERGODS. If you thought Sunday was a good day for a rest after all that, you thought wrong, because abrasive doom/punk/blues fans NOISEPICKER, stoner doomsters ALUNAH, death/thrash beasts FLAYED DISCIPLE, and Norwich doom trio ACID THRONE are fully committed to ensuring you round up your best metal weekender ever in blistering style!
There’s no time like the present to get your tickets ordered and start getting excited – head to theticket store now and be part of history at BLOODSTOCK’s silver anniversary! Wednesday early access is also available in some campsites for those who want to max out their BLOODSTOCK experience. Day tickets will go on sale at a later date. BLOODSTOCK’s 25th anniversary is going to be truly unforgettable.
BLOODSTOCK 2026 is delighted to present RJD headliners LAMB OF GOD, SLAUGHTER TO PREVAIL, JUDAS PRIEST, and SAXON. Over on the Sophie Lancaster stage, the headliners are CRYPTOPSY (None So Vile 30-year anniversary set), WEDNESDAY 13, LEPROUS, and CARPENTER BRUT.
You’ll also be able to see SEPULTURA, MUNICIPAL WASTE, DEATH ANGEL, NORTHLANE, BLEED FROM WITHIN, VENDED, ORBIT CULTURE, THE SCRATCH, IMPERIAL AGE, LIFE OF AGONY, OF MICE & MEN, BIOHAZARD, 200 STAB WOUNDS, THE HELL, BLACK SPIDERS, SHINING, NEVERMORE, EVIL SCARECROW, HEAVYSAURUS, SKYND, PARTY CANNON, BATTLESNAKE, INHUMAN NATURE, KITTIE, CASTLE RAT, GRAPHIC NATURE, BOOTYARD BANDITS, EXCREMENTORY GRINDFUCKERS, HIDDEN INTENT, SELLSWORD, NECKBREAKKER, SEETHING AKIRA, HAMMER, STAMPIN GROUND, URNE, CELESTIAL SANCTUARY, VIKING SKULL, BOUND IN FEAR, IMPERIUM, FROGLORD, MUSHROOMHEAD, DREAM STATE, and TRIVAX.
With many more bands & additional on site entertainment still to be announced, this is the must-attend celebration of 2026!
For the most up to date festival information, visit the official website atbloodstock.uk.com.
BLOODSTOCK 2026 will take place at Catton Park, Derbyshire on 6th – 9th August, 2026.
After an anxious couple of weeks constantly checking the weather apps, the time has finally come to bite the bullet and head to the hallowed ground of Donington Park once again – armed with both suncream and a raincoat. It may be the most controversial line-up year in the festival’s 22 year history, but DAMN it feels good to be home regardless.
Having missed out on the Vengaboys fun on Thursday night (though once again it has been proved that the tent-size-for-big-draw-bands is a problem, with crushing and a lot of people left outside) we are rocking up on Friday morning with hopes and dreams of hitting the Megastore first, for some exclusive merch.
FRIDAY
After an extremely painless ride in (no traffic whatsoever, easy parking, great staff) we trudge up the hill towards the box office to grab our wristbands and head through bag check into the bottom of District X. There’s already a sizeable queue for the Megastore and some kind of troll game going on outside of the massive Co-Op, on its very own stage. New life goal unlocked – headline the Co-Op stage.
Inside the Megastore honestly just gets more bougie every single year and I absolutely adore it. There’s an area with custom Download table games like foosball and air hockey, a full-on coffee bar with tables made out of old drums, and neon lights adorning the walls. On my wishlist (the one where I win the lottery, not what I’m actually buying…) from this year’s offerings is;
A set of Download bedding depicting the main stage
A new version of the Download hot sauce
EVERYTHING from Mary Wyatt’s collaboration
An evil spawn bath duck, birthed from the back of the giant duck
The Parabellum London necklace and ring collaboration
The Great Frog Baphomet limited edition necklace
What I actually got? A Download dog plushie with its own tshirt and battle jacket, for the kiddo. The Mary Wyatt collection had clearly been rinsed by campers over the last two days as there wasn’t a lot left sadly, hoping they see the demand and up the numbers for next year!
There is one thing I’d like to note though, there has been so much confusion this time surrounding weekend arena ticket holders and what they can and can’t do. Initially the advice was changed to, no wristbands and one-time entry via QR code only, making things like a trip out to the Megastore or Co-Op during the day impossible. I believe there was some backtracking on this to allow the code to work as a check-in check-out system instead, and randomly some people were given wristbands (which means they existed/were printed anyway?) but it did lead to a lot of frustration and crossed wires over the weekend. It’s also worth noting that a lot of people do collect and display their wristbands, so it’s a bit sad to see that having an attempted phase-out, especially as physical tickets have already been axed.
Having skipped through the guest area to catch a glimpse of a lush green empty arena, we are treated to the delightful views of the first punters bombing it down the hill to be in for a front-barrier spot at the main stage. Let me tell you, these people were going at full tilt with absolutely no self-preservation awareness whatsoever. 10/10 behaviour, and no-one died.
Main changes to the layout this year involved a slightly adapted shop/food van positioning around the access area (which did help with the flow of people quite a bit in peak times) and the HUGE WIN of the weekend – NEW LOOS. I can’t rave enough about this move away from portaloos to these new actual toilet blocks, flushing toilets and real running water sink areas? Revolutionary! As always, it would be nice to have more of them but really, bravo Download.
Our first band of the day Irish lads The Scratch give everyone a morning workout with a rowdy circle pit, and mark the first of the weekend’s open calls for a Free Palestine – which elicits a huge roar of agreement from the crowd. A great set, the mashup of Irish folk and heavy metal works so well, hope to see much more of them in the future. Over on the Apex stage, SiM bring us Japanese metalcore with ruthless riffage over a sun-baked crowd. I am already loving the diversity of acts booked for the weekend, it’s really something to bring all of this together in the heart of England.
In the Dogtooth tent we are treated to some extremely silly fun with Battlesnake – an Australian heavy metal band who are inexplicably dressed as… angels? The clergy? All I know is, I’d probably be up for going to church if it was more like this. Oh wait, no they’re wearing budgie smugglers under their sheets the bogans, heavy blasphemy, heavy metal. Everyone bloody loves it anyway, the “battle” “snake” chants are verging on ferocious as they end, and I’m going away with a giggle and a new favourite song titled ‘I Am The Vomit’.
Up next Gore yell “Y’all ready for some Texas metal?” before homunculus vocalist Hayley Roughton death-screams our ears off. It’s a heady mix of soaring melody alongside brutal rolling riffs and the crowd is truly rammed and wild. “This is our first ever festival, and we’re not even on our own continent” they joke, but what a fantastic first outing it is for them.
Although we didn’t manage to catch much of Boston Manor’s set, they sounded great and pulled up our Palestine mention count shouting “Our government is complicit in this genocide!” to a sea of raised fists in the crowd. After a quick visit to get our Bunnychow fix (iykyk) we pitch ourselves ready for Rise Against in the baking sunshine. Despite the heat there’s a large crowd gathered in front of the stage full of pyrotechnics, and a giant panda plushie bobbing in the pit is in serious danger of getting toasted.
“We came a long way to have a good fucking time! This is our sixth time at Download, we always have a blast come rain or shine. We come to you tonight as citizens of a country in the throes of tyranny and fascism” is the lead into the 2006 but oh-so-currently-relevant ‘Prayer of the Refugee’. We also spot the now very famous little girl crowd-surfing by using her Dad as a surfboard rocking her way to the front, and sing ourselves hoarse to the iconic ‘Saviour’.
Miles Kennedy is playing to a packed-out Opus, which I must once again have a slight whinge about – it really is a too small/bottlenecked area for the calibre of bands they continue to put over there. Especially since off to the walkway side, the sound bleed between the two stages is horrendous and completely untenable if you actually want to be able to hear. Instead of remaining in the fray, we pop off for a bit of Jimmy Eat World and get our spirits uplifted by reliving our pop punk teens with ‘The Middle’.
Up next though, a personal pilgrimage to see a band that I’ve managed somehow to miss since I saw them with my college friends at Birmingham Academy in 2002. I remember being crushed on the barrier absolutely in awe of Weezer, no barrier for me this evening though – this is a wildly enormous crowd for a nerd-punk band.
The nostalgia button is well and truly pushed as they just play solidly through their iconic catalogue with favourites like ‘Hash Pipe’ and ‘My Name Is Jonas’. They might look a bit like they’re on a day-trip from a residential home, in their khakis and button-up shirts but they sound exactly as good as they always have. ‘The Sweater Song’ has us all screaming along, ‘Island In The Sun’ and ‘Why Bother’ are perfection and there is no shortage of Rivers hitting the tap harmonics, truly just beautiful in the sunshine today. “Is it always like this in England?” they joke, looking out over the sun-bleached bodies, before ripping into ‘You Gave Your Love To Me Softly’ and ‘The Good Life’.
‘Beverley Hills’ gets a new special lyric “…living in Donington Park” and they close with 90’s anthem ‘Buddy Holly’. What a freakin’ epic hit-parade set. Wish I’d crowd surfed.
Onto the main event – tonight’s long-awaited headliner, the mighty Green Day. I ask you, what better a year to hear American Idiot live? The serendipity of this timeline is not lost on me. The arena is packed, we’re all singing along to their Bohemian Rhapsody intro and marvelling at the impressive wall of lighting stacks adorning the stage, as the cameras pan across the crowd to show someone dressed as Trump holding a sign that says “Fuck Trump”. The Green Day ‘drunk bunny’ is careening about the stage in a classing black-shirt red-tie combo, to the Ramones’ ‘Blitzkrieg Bop’.
Rolling right in with ‘American Idiot’ and a cheeky little “I’m not part of Elon’s agenda” lyric change, it’s clear we’re in for a night of classic hijinks as a huge inflatable hand holding the heart grenade is ballooned into centre stage. ‘Holiday’ has everyone dancing around like absolute lunatics, I genuinely think Green Day are a band who have managed to transcend age groups – everyone is up and moving.
Billie Joe is yelling “This administration is a fascist government and it’s our job to fight back!”, and while we do know that he means the USA… he’s not wrong here either, so we join in on the screaming. Calling out for someone to join him on stage, Billie selects a girl dressed as a cheerleader who is frankly frothing with excitement, and proceeds to let her join in singing… except she’s clearly been screaming herself hoarse for the last 30 minutes and sounds like she chain smokes tree bark. Bless.
Tre Cool’s sparkly zebra drum kit is magnificently blazing under the cascading light boxes for ‘Boulevard of Broken Dreams’, which is truly the singalong song for all of us, but if you’ve ever heard the Green Day/Oasis/Travis mash-up it’s REALLY HARD not to sing that instead. Classics ‘Longview’ and ‘Welcome To Paradise’ have us oldies fizzing, but as a Nimrod album fan I can’t help but go wild for ‘Hitchin’ A Ride’, in which we take a pause for a little more Trump trolling;
“You know, we’ve been playing festivals here for thirty years. Back in the nineties people used to shout ‘You fat bastard’. I think I need a taste of that now for Donald Trump… I want everyone to sing ‘You fat bastard’… oh I love it hahaha”.
‘St. Jimmy’ features a huge red ribbon confetti blast and a lot of pyro, ‘Dilemma’ comes with a quick Tom Petty ‘Free Fallin’ intro and ‘21 Guns’ is absolutely flawless. This really feels like Download have hit the nail on the head finally bringing them in as a headliner.
‘Basket Case’ and ‘When I Come Around’ are just brilliant, no notes. The Bad Year blimp being slowly walked through the middle of the crowd is a fun touch for Dookie fans, and we are assured that the fates have decided Green Day deserve a headline set that goes down in history, when it starts to rain immediately following the lyric “here comes the rain again” during ‘Wake Me Up When September Ends’. I couldn’t have written it better myself.
‘Jesus of Suburbia’ gets a “from Ukraine to [the] Middle East” lyric change, and they finish up with ‘Good Riddance (Time of Your Life)’ as Billie Joe shouts “You ain’t getting me off this stage! England, you’re in my heart you’ll never get rid of me!” and a firework display as the rain dies off. I could gush about Green Day, this set, and the choice to book them, forever. Oh and I still love Billie Joe, even if he does look a bit like Michael Sheen in Good Omens these days.
Today is a day for scuttling, there’s a lot of wonderful things to see and do! We check out some skateboarders going full send at the little half-pipe near the main stage before traipsing up the hill to visit Mysticum Luna and have a go at their lucky-dip, then heading over to the Opus stage for the musical whirlwind that is Kim Dracula.
Jazz infused mech-metal with screaming and riffs off the chart, and a little hip-hop/rapping for good measure. It’s a clusterfuck of sounds but I can’t help loving it. The crowd is 90% goth girlies enjoying the weirdness so I guess I’m in good company. Oh and I fully dig the Lady Gaga ‘Paparazzi’ cover, niche.
Zetra over in the Dogtooth tent are sporting a very interesting magic portal in their stage set and are barefoot, daubed in corpse-paint like they’re auditioning for extra Hellraiser Cenobite status. They’re very melodic and quite interesting, but there seems to be something a bit off with the sound.
Hatebreed bring the energy with their signature giant inflatable ball of death and a thrashy circle pit or two. The dust being kicked up can probably be seen from space. Poppy is bopping about in a red and white lace fringed mini-dress, looking a lot less robotic than she does online, and screaming like she’s about to excise a whole host of demons. There’s more than a touch of Babymetal about this that I can’t ignore, but everyone seems to be having a fun time.
Awolnation give stoner rock vibes in the sun, ‘Kill Your Heroes’ and ‘Sail’ are perfect summer listening material (and I really rate the Paula Abdul tshirt). Traversing the gap down into the Avalanche stage area we take a moment to have a look around the various stalls around that area before heading in to see the ethereal Mothica. Dressed like the Corpse Bride and bathed in blue light she jokes with the crowd about it being her ‘New haira, new era’ before crushing a cover of Bring Me The Horizon’s ‘Can You Feel My Heart’.
Australian band Polaris, returning to Download after a couple of years are providing solid heavy metal riffage and getting the crowd to sing Happy Birthday to Lance the lighting guy. Having played in 2023 with a fill-in guitarist owing to the ill health of Ryan Siew, who sadly then passed two weeks following the event – this return holds a special significance, and they truly smashed it.
Speaking of smashing, up next on the Avalanche stage are Swedish melodic electro-metal band Smash Into Pieces, with their LED-masked drummer APOC. There’s a hell of a lot of pyro on this small-ish stage, but the band are absolutely bombing about and enjoying themselves to a very full tent. Sure, ‘Heroes Are Calling’ could easily be the theme-tune to 90’s kids cartoon, but they are undeniably catchy and I like the unusual mix of styles. Singer Chris Adam Hedman Sörbye has an almost country lilt to his vocals and ‘All Eyes On You’ has a very Wild West/gospel feel about it, and ‘Six Feet Under’ is the closer – before APOC heads into the crowd to take selfies with fans, a really nice touch.
Don Broco are taking a simple but loud approach to the main stage, and there’s a huge amount of energy for ‘Gumshield’, but we are back at Avalanche for Scots Twin Atlantic. The lads lead with ‘Salvation’ in to ‘No Sleep’ before the anticipated rain finally arrives and the space in the tent gets rapidly tighter. It’s a stellar set from them though! A very quick run from there to the Dogtooth tent to settle ourselves in for Kittie as the rain turns from mild to ferocious, has us worrying about the state of the rest of the weekend.
I have to bring up the fact that the entire front row for Kittie appears to be female – almost unheard of at Download festival, and something we truly love to see. Coming in hot with ‘Fire’ it is immediately the angsty emo youth extravaganza I wanted it to be. “We are Kittie from London Ontario, Canada! We haven’t been here for fifteen years, a lot of you probably weren’t even born then!” they yell out as the (mostly) women crowd surfers fly at them. ‘Spit’ and ‘Brackish’ are pure teenage-memory fuel and I’m so grateful to be here. This may be my set of the weekend, for pure brutal energy and fun.
On the Apex stage Shinedown are a bit of a culture shock after the raw power of Kittie, singing about love and god-blessing us all, and we do not appreciate a second bout of rain (not really their fault though), and there’s no getting anywhere near The Sex Pistols ft. Frank Carter – that area is just too damn small for what they put on that stage, they sound pretty good though, and I hope Frank manages to hold onto all his jewellery this year. It’s absolutely hooning it down now so we bug out to see a bit of Sylosis instead.
It’s jammed in the tent as the rain pours, but it’s clearly not just about the weather. Sylosis fans are surfing across the barrier at an incredible rate and it is LOUD – a bit of redemption after their horrific sound tech issues at last year’s Bloodstock festival.
Next up Cradle of Filth with a dramatically gothic graveyard-esque stage set and a lot of pyro, as well as a surprise marriage proposal from Dani Filth to his girlfriend Sofiya Belusova, n’aww. Very cute, very cool. Oh and the ring is suitably gothy, she shared a photo of it on her Instagram story later on.
Finally the rain gives over to dry skies and we make our way down the hill to set ourselves up for tonight’s headliner, the ever controversial and divisive – Sleep Token.
As the sun begins to dip behind the horizon, Sleep Token take to the stage, not with a bang but with an unsettling whisper. Their entrance is shrouded in a near-ritualistic calm: ten long minutes of ambient wind chimes wash over the crowd like a dream on the edge of turning dark. Which sounds very nice when I put it like that, but I don’ t even allow wind chimes in my home, so the fact that I’m tolerating this is a miracle.
A huge black sheet masks the stage, but as the melancholy strains of ‘Look To Windward’ begin to leak through, Vessel is already projecting the mysterious ambiance the band have cultivated in the last few years.
Red anemone-like visuals bloomed on the screen, while pulsing purple and blue lights built slowly into a breathtaking visual crescendo. It was immersive from the outset—ticker tape falling like snow, towers strobing in sync, and a huge set made to look like crumbling ruins, complete with staircases and platforms.
Musically, it was heavier live than on record, a common (and welcome) trait among bands with studio polish – and something that was probably a good call to alleviate the “Sleep Token aren’t even metal” naysayers (bro, I saw you rocking out to McFly yesterday shut up).
A moment for the lighting designer because oh my god, what a show. ‘Rain’ saw huge rig squares drop from the ceiling to create tiny slivers of white strand lighting emulating a downpour on stage, and then delicious diffuse warm oranges and reds burned for ‘Caramel’. There is really something to be said for the level of care and production put into a Sleep Token show – which goes a long way to explain why the Download booking team felt so confident in bringing ST to a headline slot.
Vessel himself cuts an interesting profile, with a stunning black and white mask laden with red filigree in his signature Kabuki-esque style, a long hooded duster coat complete with cosplay armour and a feathered back. The theatrics really elevate a headline set in my opinion – I know not everyone feels the same, but some of the most memorable shows have been the ones with spectacular staging (BMTH, Iron Maiden, Kiss, AC/DC to name a few).
A surprise jazz interlude (saxophone, for the second time that day across different acts) and a soft, piano-led ballad added unexpected texture. The crowd was caught between reverence and awe, watching as Vessel ran the stage, hands outstretched—singing “reap what you sow, rain down on me” while bathed in spotlight and mist. It does feel like the kind of time we should all be pulling out our lighters and swaying a bit.
‘The Summoning’ is ethereally gorgeous and I am completely immersed, but it is hard not to notice the definite thinning of the crowd. It’s pretty clear that a lot of people had turned out to give them a chance and were slowly peeling off back to the campsites and District X in search of different entertainments.
I guess that was always going to be the case, but it’s a shame as closing tracks ‘Thread The Needle’ and ‘Take Me Back To Eden’ are heavy with gorgeous emotion. I think you’ve got to acknowledge that it’s okay to have a headliner who evokes whimsy and nostalgia, on the same bill as one who performs for the artistry. Weaving diverse streams together is something I think Download has done really well in the last few years – no easy feat when everyone and their mam has a strong opinion. The verdict? Sleep Token a success, despite the whinge brigade’s pre-determined feelings.
We have a quick catch-up with Heavy Metal Hairdresser aka Simon Tuckwell, who works out of Nottingham but has quickly risen to fame cutting very stylish shags and mullets for the alt community and famous bands alike. He’s here this weekend coiffing backstage to make sure everyone looks their best going on stage – culminating today with his second go round with Korn’s Jonathan Davis, how freaking cool is that?
We check out The Great Frog stand in the press area which is overflowing with awesome stuff that I would like to spend a lot of money on, then head out into the arena to catch a little of Power Trip, who sound a bit like every metal band from a movie that you’ve ever seen. They’re good, but feel a bit lost in the vibe this weekend I think.
Fan faves Jinjer from Ukraine are back again, absolutely throwing it down with their signature blend of Tatiana’s soaring vocals and brutal stormy riffs. They really have had a bit of a meteoric rise in the last few years, and it is so deserved.
Unfortunately Alien Ant Farm on the Opus stage aren’t faring so well. Again, the area is too small to handle the numbers who want to be there, and for some maddening reason the sound is catastrophically garbage. Non-existent vocals, meagre drums and just generally muted speakers are definitely to blame today since the winds have completely died down. Frustrated after barely hearing ‘Movies’ we decide to bail and take ourselves on a little big wheel adventure instead.
Never has there been a better placed ride in the history of festivals than the Download big wheel at the top of the hill, you get a magical view of both stages from the top – so much so that we can see how ridiculously sparse the crowd at Meshuggah is. Now I ask you – where are all the forum warriors who wanted “real metal back at Donington?” because if you’re over there watching Alien Ant Farm instead, after running your mouth – just know we are all judging you hard. On the other hand it is a bit of a shame, cause Meshuggah are actually really good.
Another big pool of people are in the Dogtooth tent awaiting the much-anticipated debut of President, the masked singer being peddled on every front but especially Download organiser Andy Copping’s socials. It’s an interesting opener for sure, I like their sound – but the eagle eyed fans have already spotted some incriminating bracelets, and the family of Charlie Simpson (of Busted/Fightstar fame) standing stage-side throughout. Oh and the fact that a helicopter left site immediately after, presumably for Busted’s London gig that night… so there’s that. Oh and apparently some absolutely mental dude get a President tattoo before they’d even played a show. That’s some wild dedication.
Spiritbox are a stellar main stage grab for Download this year, pulling a huge and messy crowd even in the blazing sunshine on day three. “If you were here in 2022, you were part of one of our favourite memories of our career!” shouts vocalist Courtney LaPlante and it strikes me that Download has been that for a lot of bands, a turning point or a place that has played a massive role in their journey. This is the legacy and the point of bringing fresh blood into the fold – safeguarding music for the following generations of Download goers as well.
Over at the Avalanche it’s a double header of abject silliness, first up – Turbonegro. ‘Get It On’ has everyone in this sweaty tent going berserk, and the band go all out matching the energy. Lipstick and Village People outfits, twirling and jokes, I just love them. “For two years leading up to this show I’ve been in Pre-hab, they gave me warm Carlsberg to prepare me” giggles Duke, and they end yelling “Just a little reminder! Trans women are women, trans men are men, and FREE PALESTINE!” joining the ranks of bands who have used their platforms this weekend to make similar important statements.
Next up, Me First and The Gimme Gimmes hit their palm-tree adorned stage ready for abject joy. Lead singer Spike Slawson is rocking a fully sequinned white jacket, the band are in very fetching purple silk shirts, and the microphone is draped in silver lamé – delightful. Cracking out Dolly Parton’s ‘Jolene’ first was a baller move, everyone loves Dolly – even metalheads. Maybe especially metalheads. ‘Country Roads’ and ‘(Ghost) Riders In The Sky’ also go down a storm with this crowd and I very much enjoyed the attempt to ride a very obviously deflating morose flamingo pool toy.
“You may not know this ladies and gentlemen… but we are a cover band! As such we are fielding requests… if we don’t know it we can learn it, give us seven or eight minutes backstage” they laugh, as people start shouting out progressively funnier options. Chappel Roan, Dua Lipa and Machine Gun Kelly all make it into the wishlist, but ultimately they decide to go with Bruno Mars. Aaaaand then completely don’t play that, instead opting for a little intro of ‘Love Will Tear Us Apart’ into ‘Love Will Keep Us Together’, and the entire crowd singing along. More people should have been here to experience this very fun set.
We do manage to catch a bit of Bullet For My Valentine, who seem to be the ones commandeering the large portion of today’s crowd, curating circle pits and yelling “We’re going to get in trouble with Download and do another one… and we have goals and desires you know… we will headline this stage one day!” which is a bold statement but hey, Sleep Token just did that. “I don’t care if people don’t like that… I don’t give a fuck!” laughs lead singer Matthew Tuck.
Time to grab some food and get ourselves nicely positioned to watch 2025’s epic final headliner. Oh boy has this been a long time coming.
It’s an enormous crowd gathered this Sunday night, with so many clad in souped up Adidas sportswear turned gothy (myself included obviously) in deference to the mighty Korn. Having played the bridesmaid never the bride for a loooong-ass time, I’m beyond excited to see what they can pull out of the bag here.
As the black curtain drops, revealing Jonathan Davis in his signature dreads and a black kilt, the band launch headfirst into ‘Blind’. I have no words, the sound is on point, the stage is once again stunning with clever lighting and the band are truly on top form. “Download, make some motherfucking noise!” is the war-cry they have so rightly earnt as a band on this stage, and the crowd response is nothing short of deafening.
A huge whoop from the guy in the middle of the crowd waving a giant Scottish flag, when Davis brings out the bagpipes for ‘Shoots and Ladders’ and in another moment of serendipity, the rain starts up again out of nowhere. Extremely Scottish coded I must say. Luckily it’s just a small squall and we’re back on our bouncy way.
“Download, are you having a good time?” Davis shrieks, “We’ve been a band for 31 years… We’ve played every stage at this festival – back when it was still called Donington – and after 30 years, FINALLY, we’re headlining.” Which is honestly nearly enough to bring a tear to my eye. It’s true, it shoulda coulda woulda happened way before now but I’m sure there are ‘reasons’.
Anyway, we all join in with our middle fingers in the air to yell the iconic “Fuck that” refrain of ‘Y’all Want A Single’ before the band exit the stage calling out “Thank you so much guys you’re incredible, hope you have a great night!”.
Encore tracks ‘4 U’, ‘Falling Away From Me’ and ‘Divine’ are delivered with explosive energy, dreadlocks flying, and Davis’ iconic mic-jamming madness. Just when we thought it was over, the sky erupts in red and white ticker tape confetti ribbons for ‘Freak On A Leash’. There’s nothing like watching an entire crowd share an experience like this, absolutely everyone is moving.
Crowd surfers fling themselves over the barrier, in a last-ditch attempt to get up close and as it comes to an end, as sadly all the best things do… I am left in awe that a band I have seen many times before can so powerfully become one of the best headliners I’ve ever seen at Download. It might have been a 30+ year journey to get here but my god was it worth it. Bathing in the warm white ‘go-fucking-home’ lights and Richard Cheese’s lounge version of Freak, we are blinking in the realisation that DLXXII is all over in what feels like a mere moment.
Before we crawl into bed to rest for a couple of weeks, some final thoughts about Download Festival 2025…
One of the standout aspects of the weekend was the incredible welfare support available. Lost property was handled efficiently (a rare feat at any major event), and outreach services — including drug and spiking advice — were easy to find near the Megastore. The Safe Concerts For Women and Metal Therapy spaces added an extra layer of wellbeing, and we love to see the Sensory Tent and the incredible BSL interpreters doing their thing at as many bands as they could get to.
Unfortunately, the weekend wasn’t without its low points — namely, the wave of thefts that hit both the arena and the camping areas hard. Numerous reports of bag snatches, pickpocketing, and tent raiding dampened what was otherwise a warm and welcoming atmosphere.
On a much lighter (and cleaner) note as I said before, the toilets were actually good. Yes, you read that right. With real handwashing facilities and improved cleanliness across the board, the bathroom experience was a massive upgrade. While queues still formed during peak times, the quality more than made up for it — a rare festival win.
As for the Opus stage, its layout remains a logistical puzzle. For its current size and popularity, the positioning in that particular field just doesn’t work well — bottlenecks around both exits made access a real headache. A redesign is clearly needed, though how that can be done without major restructuring remains a mystery. I know there’s no obvious solution but it really is quite problematic year on year.
This has been a big year of change and some turmoil I suppose, but I have to hand it to the DL team – I think a lot of good has been done to secure the future of this festival, and lots of site improvement feedback has certainly been taken on board from last year too. Moving with the times has to be a hard balancing act when you’re standing on the shoulders of giants (or, Monsters) but I am relieved to see it pay off. Roll on 2026!
BLOODSTOCK is thrilled to be partnering with premier alternative lifestyle and merchandise brand EMP to unveil the next wave of rising metal talent set to storm the EMP Stage this August.
EMP declare, “After last year’s success, we are absolutely thrilled to announce our partnership again with BLOODSTOCK 2025! As proud sponsors of the 4th stage, EMP is ready to rock alongside the best in metal. Stay tuned for exciting giveaways and exclusive content in the lead-up to the festival. As Europe’s #1 for music, films & TV, gaming merchandise & alt fashion, EMP is honoured to be part of the UK’s biggest independent Metal Festival once again and can’t wait to join forces with BLOODSTOCK to make history on the EMP STAGE!”
A powerhouse mix of fresh faces and underground favourites, these bands represent the fierce diversity and raw energy of the UK and European metal scene.Get to know the bands who’ll be igniting the EMP Stage: Joining Friday’s bill:
DESOLATOR – High-speed, high-impact thrash from Yorkshire, proudly flying the old-school flag.
LUST RITUAL – A doom-laden descent into occult ceremony, invoking heaviness with haunting atmosphere.
INSIDIOUS VOID – Belfast death metal trio unleashing old-school brutality with fresh venom.
SHRIKE – Ambient, orchestral, and utterly epic, if you like cinematic metal this band is for you!
HELLDOWN – South Wales thrash newcomers combining aggression and precision in lethal doses.
TIBERIUS – Edinburgh’s prog rockers, whose infectious energy and technical finesse have already earned them a cult following.
BAD SMELL – Raw, no-frills metal that hits like a pub brawl.
THRASHIST REGIME – Aberdeen’s thrash commandos bringing riff-fuelled chaos with a punk edge.
RITES TO RUIN – Classic metal stylings from a band built for festival stages.
Livening up Sunday’s proceedings:
THE FIVE HUNDRED – Nottingham’s melodic metalcore juggernauts, fresh off a sold-out show at Rescue Rooms and riding high with their latest blistering single.
Z MACHINE – Sax-driven Sheffield heavyweights blending groove and innovation – perfect for Bloodstockers with adventurous ears.
MAATKARE – Metal warriors bringing Egyptian history and mythos to life with fierce riffs and empowering presence.
ORME – Hertfordshire’s slowest power trio, dealing in drone, sludge, and tectonic-level heaviness.
PHON – Worcester’s heavy sludge/grunge trio delivering thick riffs and angsty hooks.
Known for championing emerging artists and killer festival style, EMP returns to BLOODSTOCK with some special offers…
WANT TO WIN WEEKEND TICKETS?
EMP is giving you the chance to win a highly sought after, sold out pair of full weekend tickets to BLOODSTOCK! Head here for how to enter and join the action this summer! GET BLOODSTOCK READY!
To celebrate 2025’s partnership, EMP is helping fans gear up with a 20% discount at their online store. Whether you need band tees, boots, or camping essentials, just use the code BOA20 at checkout and get 20% off your order (minimum spend £39.99).
T&C: 20% off / MOV £39.99. Valid until 21.05.2025. Cannot be used in conjunction with any other promotional codes. Only redeemable once per customer. After entering the code, the discount will be automatically deducted from your shopping basket. Books, media, tickets, Rammstein, Die Ärzte, Die Toten Hosen, Feine Sahne Fischfilet, Broilers, New Balance, Böhse Onkelz, Funko Pop!, vouchers & items that include a donation in the price are excluded from the promotion.
Join us for the UK’s most spectacular weekend of metal and mayhem with your mates this August – and discover the future of metal live on the EMP Stage!
Did you snap up a ticket yet? Day tickets are now running VERY low (only Friday left!), and weekend tickets have also already sold out, so don’t hang about if you want to join the fun this summer! If you already have a weekend ticket, a limited number of Wednesday early access passes are available for an add-on cost of £25 for those who want to max out their BLOODSTOCK experience, staying in any of the standard campsites (including Kyrr if you have a Kyrr-specific ticket) or the campervan field. This option is not available at present for the VIP or accessible campsites.
Head to the ticket store to see all currently available options including pre-bookable car parking.
If you’ve missed out on your preferred ticket type, sign up to official resale partner Tixel. Simply set an alert for notification if your tickets of choice become available, or pre-authorise your card in advance,so no need for constant checking back. Tixel also allows you to safely re-sell tickets to a new home if plans have changed. You can sell ALL ticket types, including instalment plan purchases, plus any tickets sold via Ticketmaster or other third party ticket outlets. Click through to https://tixel.com/uk/bloodstock-tickets for more information on how it works.
If you’re thinking about travel options, consider Big Green Coach, for the closest drop off on site. Check out routes here.
Tonight’s musical aperitif is a cheeky dip into the brat-punk pool of London artist So Good, backed up by band members in pink balaclavas, and singers in stompy doc marten boots. Frontwoman Sophie is decked out in pleated denim, neon pink socks and a matching Beret, spitting feminist anti-fascist lyrics with wild abandon – but giving distinct Leslie Knope’s Pawnee Goddess girl-guide energy.
I’m absolutely here for it, this infectious riot grrrl fun is coming back around, thanks (no thanks) to the state of the world around us right now, and we need more of it. “Her ex boyfriend is from Birmingham you know” Sophie points at one of her singers, “…so this one goes out to him, middle fingers up!” and the crowd obliges by joining in with the salute.
‘I Hate It Here’ about our repeatedly shit Prime Minister situation is very tongue in cheek funny, but also hits the nail on the head in so many ways. The line “…you ain’t stopped abortion just abortion that’s safe…” comes at a time where our news is full of professional victims hiding behind religion and free speech, to attack women in lawfully protected safe zones. Again, this kind of nonsense needs disrupting – and if it comes in the loud bright fun packaging of women’s rage-music, all the better in my opinion.
Just to break up the political discourse for a minute, “I heard a rumour that people from Birmingham have big dicks?” Sophie giggles before launching into ‘If I had A’ – a hilarious lament on penises and a very 70’s-porn twangy backing track.
Finishing up with a dose of blasphemy, ‘I Rewrote The Fucking Bible’ is the ultimate angry girl theme tune. There’s a hint of Lady Sovereign, a bit of Bikini Kill, and a lot of London. Straight on the protest playlist. So Good might already be my biggest band recommendation of the year, and it’s only April.
It’s a packed-out shoulder-to-sweaty-shoulder affair in the O2 tonight, a sold out show for the return of Brit-rock royalty Skunk Anansie. The stage, moody with fog and blue lighting, centres on a drum riser crowned with black inflatable spikes. Drummer Mark Richardson makes his way to the centre of the sea urchin structure to immediate roars of appreciation from the crowd, as Cass and Ace take to the stage below.
The electric opening bars of ‘This Means War’ provide the perfect promenade for a duffel-coated Skin to enter the stage. Like some kind of menacing caterpillar waiting to break free, she bounces in on gigantic metal-plated boots, with a huge hood obscuring her face as she tears through the call-to-arms lyrics. Swapping into trainers and ditching the sleeping-bag for ‘Because of You’, we are treated to the soaring top notes Skin is famous for, the awed silence of the crowd as she holds an impossibly long note mid-song is truly something to behold.
Wearing a hybrid Adidas track top-turned tailcoat with the bouffant arms of a retro Nike shell-suit, and a swathe of leather and fabric kilt-ish skirts, Skin is known for her quirky stage dress – but this might be the one I would most like to own. It is hitting all the right nostalgia buttons for a fairly homogenously aged crowd – big up the 90’s teen crew, I see you all.
“Wonderlustre was released 15 years ago, this is the first single from that album… it’s called ‘God Loves Only You’. They’re loud. You know those Christian nationalists who think God loves only them? How can God love only you? With all the different races and genders?”
A huge roar of agreement erupts as Skin laments,
“They’ve aligned themselves with the far right, the KKK, fascism and Trumpism… which to me seems the opposite of religion. They want to go after immigrants, after women… the only way to defeat them is to go into our communities and families, and BRING EVERYONE BACK TOGETHER!”
“We are Skunk Anansie, we believe everybody is always equal. SMASH FASCISTS, SMASH RACISTS” comes the rallying cry. The following frenzy of the crowd serves a cathartic purpose for the pent-up anger and energy for the current state of the world, it’s obvious everyone needs this.
‘Weak’ is undeniably the anthem of the night, Skin’s voice is stunningly vibrant, perhaps better than I’ve ever heard her – but there is no vying for attention nor eclipsing of the band, who are non-stop pumping the energy as well. It may be as close to a perfect balance as I’ve come across in music, they just deliver on all fronts. The crowd is eventually singing along so loud that Skin gives over the spotlight to the voice of the masses.
Caressing the bald head of one of the security guards, before jumping down to the pit barrier to sing with the crowd during ‘Twisted (Everyday Hurts)’ it doesn’t take long before she has jumped into the melee full throttle.
Another Wonderlustre classic ‘My Ugly Boy’ keeps the hits coming with barely room to breathe, and the room is an absolute furnace with all the jumping. So much so that someone appears to have suffered a collapse near the middle of the room. Skin stops the show to check staff can get out to retrieve the person, and it’s all very quickly and efficiently done. Rolling onto a track from the new album (releasing on May 23rd – ‘The Painful Truth’) called ‘Animal’ – a full heavy metal moment, with a NIN-esque dirty beat behind it. I can tell this is going to be one of my most played albums of the year.
‘Yes It’s Fucking Political’ sees Skin calling for a circle pit, and the momentum of the night shows absolutely no sign of dropping. After a short exit, the encore houses another new one ‘Cheers’ which tiptoes the pop rock line in a very accessible way. I think this is going to be the one that draws in new Skunk fans for the 2020’s.
The iconic ‘Hedonism’ is followed by Led Zep’s ‘Whole Lotta Love’ for a bit of riffy fun while doing band introductions. ‘The Skank Heads (Get Off Me)’ gives another opportunity for Skin to dive into the crowd, in which she calls for “all the girls to the mosh pit!”. Closing out with “We’ll do one more. Something loud? Something fast? Something delicate?” as she puts it, is another new song ‘Lost and Found’ – a slow, but gorgeous almost operatic wind-down, to a furiously dynamic show. As they thank the crowd and send set-list paper aeroplanes shooting out to grabbing hands, I think I can safely conclude that this might rank as my top gig of 2025 already.
As the new ‘Lost and Found’ lyric goes “Heavy is the crown” – but Skunk Anansie are really out here, 31 years into their career – seemingly lifting that crown higher each time I see them.
With 4 months still to go before you can shout BLOODSTOCK is next week, festival HQ has got all the details of some raucous nights out to help you pass the time and get a sneak peek at some of the freshest talent to perform at BLOODSTOCK this August, in rock clubs around the country and at the Metal 2 The Masses tour dates which kick off imminently! Plus, even if you can’t make any of those events, read on for the low down on 8 hellacious acts who’ve already seen off all the challengers to claim spots on the Timothy Taylor New Blood stage, so you can discover your new favourite band right now.
Have you been following the earlier events of BLOODSTOCK’s phenomenally successful Metal 2 The Masses (M2TM) scheme? If not, now’s the time! The final 31 tour dates are locked and loaded! With a different line-up every show, one band from each night will be selected to join the line up on the Timothy Taylor New Blood Stage this August. With 31 regions taking part, across the UK, Poland, Norway, and Cyprus, 2025 marks the biggest Metal 2 The Masses scheme yet! The first final kicks off in Cyprus on April 11, but you can get details of all venues and dates on BLOODSTOCK’s website, Facebook, or by clicking the region below.
Kicking off at the beginning of May are this year’s riotously fun BLOODSTOCK CLUB NIGHTS! Another fun way to get out there and support your local venues and perhaps take home some BLOODSTOCK tickets while you’re at it! With only a very small handful of festival tickets left available to buy, every club night will have a ticket competition on the night and you might just be the lucky winner!
Party nights line up as follows, air guitaring is optional:
Sat 3rd May – York, Bluebox – Deadbolt Sat 10th May – Manchester, Rebellion – Deadbolt Sat 17th May – Bristol, Basement 45 – Apocalypse Sat 31st May – Brighton, Above – Apocalypse Sat 31st May – Southampton, Sobar – Apocalypse Fri 6th June – Glasgow, Cathouse Fridays Fri 6th June – Guildford, All Bar One – Schism Fri 20th June – Cardiff, Metros – Heresy Sat 28th June – Stoke-on-Trent, The Sugarmill – Devil’s Night Sat 12th July – Nottingham, The Sal – Hexx Fri 18th July – Exeter, The Cavern – Altern8 Fri 25th July – London, Elektrowerkz – Voodoo
The best (days and) nights out in August are of course those you can spend at BLOODSTOCK! With such high quality acts applying to the festival this year, here’s the low down on 8 bands who have already been locked in to make everyone wish the New Blood tent was twice the size.
Friday welcomes Mancunians THE MACHINEST (video), offering up a particularly gnarly and intense flavour of industrial extreme metal, for fans of Anaal Nathrakh and The Berzerker. They’ll be joined by Hertfordshire-based squad LOWDOWN (video), firm believers in riffing like their lives depended on it, who’ve just signed to Damage Records for their debut. If you’re a fan of Amon Amarth, Arch Enemy, Ghost, Heilung or Nightwish, save some space in your schedule to catch Northern powerhouse LN (video) and their transcendental blend of Pagan/Viking metal. Did they foresee they’d be joining Saturday’s bill? FORTUNE TELLER (video) is the power metal brainchild of Ross McLennan (Ingested, Viscera, Abhorrent Decimation), paired with Meyrick De La Fuente, Ian Rockett, and Theresa Smith (Metaprism). Saturday also adds prog metallers HEKZ (video), who’ve been splendidly described by Prog magazine as sounding like “Queen having a barney with Dream Theater as Rush and Iron Maiden duke it out on the sidelines.”
Local Derbyshire lads THE CARTOGRAPHER(video) clinch a spot on Sunday’s line up, a spine-shattering embodiment of modern deathcore. Also part of Sunday’s affray, the evocatively named SPITTING TEETH (video) are sure to wake up the pit – if you dare – with their filthy riffs and relentless and punishing live set.
For a change of pace that day but no less captivating, why not check out Belfast’s alt rock tribe PREYRS (video), featuring singer Amy Montgomery. The group were previously nominated for both Best Live Act and Best Artist at the Northern Ireland Music Prize and are sure to make new fans at BLOODSTOCK!
Did you snap up a ticket yet? Day tickets are now running VERY low (only Friday left!), and weekend tickets have also already sold out, so don’t hang about if you want to join the fun this summer! If you already have a weekend ticket, a limited number of Wednesday early access passes are available for an add-on cost of £25 for those who want to max out their BLOODSTOCK experience, staying in any of the standard campsites (including Kyrr if you have a Kyrr-specific ticket) or the campervan field. This option is not available at present for the VIP or accessible campsites.
Head to the ticket store to see all currently available options including pre-bookable car parking.
If you’ve missed out on your preferred ticket type, sign up to official resale partner Tixel. Simply set an alert for notification if your tickets of choice become available, or pre-authorise your card in advance,so no need for constant checking back. Tixel also allows you to safely re-sell tickets to a new home if plans have changed. You can sell ALL ticket types, including instalment plan purchases, plus any tickets sold via Ticketmaster or other third party ticket outlets. Click through to https://tixel.com/uk/bloodstock-tickets for more information on how it works.
If you’re thinking about travel options and your dinosaur isn’t giving you a lift, perhaps consider Big Green Coach, for the closest drop off on site. Check out routes here.
BLOODSTOCK will take place at Catton Park, Derbyshire on 7th-10th August 2025.
BLOODSTOCK’s 2025 Ronnie James Dio stage headliners are TRIVIUM, MACHINE HEAD, and GOJIRA. Headlining the Sophie Lancaster stage will be ME AND THAT MAN, KATAKLYSM, STATIC-X, and OBITUARY. You’ll also be able to see MASTODON, NAILBOMB, MINISTRY, EMPEROR, FEAR FACTORY, LACUNA COIL, HERIOT, ORANGE GOBLIN, CREEPER, KUBLAI KHAN TX, CAGE FIGHT, RIVERS OF NIHIL, FLOTSAM & JETSAM, THE BLACK DAHLIA MURDER, FEUERSCHWANZ, LORD OF THE LOST, PALEFACE SWISS, AUGUST BURNS RED, WARBRINGER, UNDEATH, SPIRIT ADRIFT, THROWN, ALL FOR METAL, BREED 77, HIGH PARASITE, and 3 INCHES OF BLOOD.
Joining them are SHRAPNEL, FAMYNE, KONVENT, THE SPIRIT, GHOSTS OF ATLANTIS, ONE MACHINE, MY DILIGENCE, SHADE EMPIRE, EIHWAR, WATERLINES, PHOENIX LAKE, NEONFLY, WALL, DOGMA, SIGLOS, DEADFLESH, FOURWAYKILL, GNOME, TURIN, LOCK HORNS, OFNUS, ROUGH JUSTICE, IREOSIS, BA’AL, FRAYLE, PENGSHUI, VNDER A CRVMBLING MOON, APATHY UK, and BARBARIAN HERMIT.
Stay tuned for many more bands and on site activities to be announced over the coming months.
With less than three months to go, Download Festival has revealed its thrilling line-up for District X – Download’s renowned festival within a festival. Featuring iconic pop legends Vengaboys, special DJ sets from festival favourites, intimate acoustic performances, electrifying secret sets, new quizzes, live podcasts, comedy, and unique entertainment experiences, District X promises to take Downloaders into another dimension. Taking place from 11–15 June 2025 at the legendary Donington Park, Download Festival continues to redefine festival experiences beyond the main arena. Last remaining weekend tickets are available now at www.downloadfestival.co.uk.
District X expands the Download experience with entertainment running around-the-clock, creating another dimension that sets Download apart. Offering a wide range of activities beyond the music, from immersive performances to interactive events, it ensures festivalgoers have something to enjoy at any hour. This year’s diverse programme makes District X an essential part of the Download weekend, giving fans a richer, broader weekend that extends beyond the main arena.
Headlining this year’s District X programme as one of the most requested bookings of all time, the legendary Vengaboys will take to Donington Park by fan demand, bringing their iconic hits and high-energy performance for a nostalgic and unforgettable party experience.
Joining the party, Cradle of Filth frontman Dani Filth will take to the decks for a blistering DJ set. Expect a nightmarish mix of gothic anthems and metal classics, curated by one of the most recognisable figures in heavy music. Further bolstering the Friday night schedule, Aled Phillips from Kids In Glass Houses joins the District X DJ line-up, kicking off the evening ahead of a special acoustic set from Welsh post-hardcore icons Funeral For A Friend, followed by McFly’s bassist Dougie Poynter who will promise a setlist packed with crowd favourites and unexpected gems. Liam Cormier of Cancer Bats also steps up for a heavy-hitting DJ set with high energy late into the night with a high-octane performance from MODESTEP (DJ Set) – the bass-driven powerhouse known for fusing dubstep with rock and metal – rounding off the night in explosive style.
Further District X highlights include Now That’s What I Call A 00’s Mixtape – a full-throttle throwback party hosted by Sophie K, packed with the biggest noughties anthems and alt-rock favourites. DJ sets from Zoe London and Hang The DJs will bring high-energy genre-spanning selections to the late-night crowd, while She They Press Play delivers a bold and boundary-pushing celebration of alternative culture.
A special highlight for wrestling enthusiasts, District X welcomes the renowned Lucha Britannia wrestling showcase in an exclusive collaboration with festival favourites Slay Duggee. Taking place on Wednesday night, this unique fusion brings an edgy twist to classic wrestling entertainment.
Returning favourites like Emo Drag Karaoke, Silent Disco, and the End of The WorldParty will ensure the party never stops, while new additions such as live podcasts with special guest appearances including an eagerly anticipated session with rock royalty Justin Hawkins (The Darkness). His acclaimed YouTube series, ‘Justin Hawkins Rides Again,’ has captivated music fans worldwide, making his District X appearance a must-see festival highlight. On Wednesdays We Wear Black, who champion inclusivity in the heavy music scene through their sharp humour and unfiltered takes, will also be bringing their much-loved podcast to Download.
District X will also feature a range of brand-new experiences, including interactive quizzes including Green Day, Sleep Token and Korn-themed quizzes with Kitty Cowell, wrestling showcases, bingo with an alternative twist, Never Mind The Download pub quiz, comedy sessions from rising stars, aerobics and sports dayevents. With surprise secret sets scheduled across the weekend, as first revealed by the exclusive Download Family inner circle newsletter earlier this month, attendees can expect the unexpected at every turn.
Download Festival welcomes back DARKFIELD following last year’s surreal EULOGY show, this time with their flagship experience, SÉANCE—an immersive encounter guaranteed to unnerve and captivate. This intense 20-minute sonic performance places 20 festivalgoers inside a pitch-black 24ft container, transformed into a Victorian séance room where immersive 3D audio manipulates the senses. blurring the line between reality and the supernatural.
Flow State Wellness returns to Download with an expanded offering for 2025, providing festivalgoers with a perfect, calming way to start their day at the Outpost. Running every morning, these immersive sessions will guide attendees through breathwork, gentle movement, mindfulness meditations, and sound healing. In addition to morning sessions, Flow State Wellness will also offer daily drop-ins within the main arena, creating space for relaxation and grounding between sets.
New for 2025, Blink will be hosting wellbeing tents in District X, offering a dedicated space to unwind, take part in mindfulness activities, and have open conversations about mental health. Attendees will also have access to free professional single-session talking therapy with qualified psychologists and counsellors, providing vital support in a relaxed and inclusive environment.
Diverse UK is expanding its presence at Download this year, increasing from one space in the arena to two. Their sensory calm spaces offer a vital retreat for neurodivergent festivalgoers and those in need of a quiet, regulated environment, ensuring Download remains a festival that welcomes everyone.
District X is bigger and better for 2025, with enhanced décor, vibrant lighting, and a transformed festival space. The popular ‘Ace of Spades’ venue has been expanded, now welcoming crowds of up to 2,000 fans, while the all-new ‘Gravers Return’ bar and food area offers festivalgoers a lively spot to unwind and recharge. Thrilling skate ramp demos across District X & the Main Arena, and improved accessibility throughout the festival guarantee an unrivalled experience from start to finish.
Families aren’t forgotten at Download DLXXII, with the dedicated Mini Moshers campsite (application required) offering a family-friendly environment to ensure even the youngest rockers have an incredible festival experience. Packed with fun and excitement, Mini Moshers can look forward to live performances from the much-loved Slay Duggee, known for transforming children’s favourite songs and theme tunes into high-energy metal anthems and Rock Kids, whose energetic, interactive shows include everything from epic singalongs and snow machines to their famous ‘wall of hugs’.
This packed line-up confirms that District X remains the ultimate late-night entertainment hub, offering Downloaders an unforgettable festival experience from dusk until dawn. Tickets and full information available at www.downloadfestival.co.uk. Sign up for exclusive news and offers as part of the Download Family at https://downloadfestival.co.uk/family/.
DLXXII will see Green Day, Sleep Token and Korn headline the festival with the likes of Jimmy Eat World, Weezer, Rise Against, Shinedown, Bullet For My Valentine, Spiritbox, Don Broco, Palaye Royale, Meshuggah, Within Temptation, Sex Pistols featuring Frank Carter, Steel Panther, The Darkness, Eagles Of Death Metal, Myles Kennedy, McFly, Jerry Cantrell and many more joining them on the bill.
Download Festival, the greatest rock and metal festival of all time, is now only 100 days away. With the countdown now truly on, celebrate this year’s festival with our round up of Download By Numbers. This year’s festival will take place on 13-15 June 2025 at the spiritual home of rock in Donington Park, Leicestershire. Tickets are available now at www.downloadfestival.co.uk.
DOWNLOAD BY NUMBERS
22 years of Download Festival 9 stages across the site, offering an array of entertainment across the weekend 120+ artists, from headliners Green Day, Sleep Token and Korn on the Apex Stage, to new talent on the Avalanche and Dogtooth Stages, to DJs and secret sets in District X 90,000+ fans set to descend on Donington Park 100,000 expected mosh and circle pit steps per person 30,000 Download t-shirts in production 6000 new Download patches in production 5000 members of crew needed to build the site in 20 days 3690 barrels of beer and cider being brewed 3000 Download rubber ducks in production 3000 Download pin badges in production 1500+ yurts, chalets, tipis and airstreams in RIP Metal Meadow 931.56 acres of land to host Download Festival 300 bottles of champagne on the band riders 200 horns thrown by the Download Dog across the weekend 170 food and drinks traders onsite 150 miles cycled by the Heavy Metal Truants to get to Download each year 127 Big Green Coach vehicles used to get fans to the festival in the greenest possible way 57 golf buggies onsite to transport artists and crew 50 fans heading to the festival on their own to create a community in Camp Loner 48 countries represented by fans 46 tattooists onsite 34 hours of live music 20 British Sign Language interpreters available for customers 17 countries represented on the line-up 8 vegan food outlets 3 secret sets in District X 4 exclusive plush Download Dog designs in production 2 Download Dog groomers onsite 1 and only time McFly have performed 1 unforgettable weekend of the best rock and metal music the world has to offer 0 Kilowatts of unrenewable energy used to power the Rock Retreat
DLXXII will see Green Day, Sleep Token and Korn headline the festival with the likes of Jimmy Eat World, Weezer, Rise Against, Shinedown, Bullet For My Valentine, Spiritbox, Don Broco, Palaye Royale, Meshuggah, Within Temptation, Sex Pistols featuring Frank Carter, Steel Panther, The Darkness, Eagles Of Death Metal, Myles Kennedy, McFly, Jerry Cantrell and many more joining them on the bill.
