DOWNLOAD XXII – 2025 REVIEWED!

After an anxious couple of weeks constantly checking the weather apps, the time has finally come to bite the bullet and head to the hallowed ground of Donington Park once again – armed with both suncream and a raincoat. It may be the most controversial line-up year in the festival’s 22 year history, but DAMN it feels good to be home regardless.

Having missed out on the Vengaboys fun on Thursday night (though once again it has been proved that the tent-size-for-big-draw-bands is a problem, with crushing and a lot of people left outside) we are rocking up on Friday morning with hopes and dreams of hitting the Megastore first, for some exclusive merch.

FRIDAY

After an extremely painless ride in (no traffic whatsoever, easy parking, great staff) we trudge up the hill towards the box office to grab our wristbands and head through bag check into the bottom of District X. There’s already a sizeable queue for the Megastore and some kind of troll game going on outside of the massive Co-Op, on its very own stage. New life goal unlocked – headline the Co-Op stage.

Inside the Megastore honestly just gets more bougie every single year and I absolutely adore it. There’s an area with custom Download table games like foosball and air hockey, a full-on coffee bar with tables made out of old drums, and neon lights adorning the walls. On my wishlist (the one where I win the lottery, not what I’m actually buying…) from this year’s offerings is;

  • A set of Download bedding depicting the main stage
  • A new version of the Download hot sauce
  • EVERYTHING from Mary Wyatt’s collaboration
  • An evil spawn bath duck, birthed from the back of the giant duck
  • The Parabellum London necklace and ring collaboration
  • The Great Frog Baphomet limited edition necklace

What I actually got? A Download dog plushie with its own tshirt and battle jacket, for the kiddo. The Mary Wyatt collection had clearly been rinsed by campers over the last two days as there wasn’t a lot left sadly, hoping they see the demand and up the numbers for next year!

There is one thing I’d like to note though, there has been so much confusion this time surrounding weekend arena ticket holders and what they can and can’t do. Initially the advice was changed to, no wristbands and one-time entry via QR code only, making things like a trip out to the Megastore or Co-Op during the day impossible. I believe there was some backtracking on this to allow the code to work as a check-in check-out system instead, and randomly some people were given wristbands (which means they existed/were printed anyway?) but it did lead to a lot of frustration and crossed wires over the weekend. It’s also worth noting that a lot of people do collect and display their wristbands, so it’s a bit sad to see that having an attempted phase-out, especially as physical tickets have already been axed.

Having skipped through the guest area to catch a glimpse of a lush green empty arena, we are treated to the delightful views of the first punters bombing it down the hill to be in for a front-barrier spot at the main stage. Let me tell you, these people were going at full tilt with absolutely no self-preservation awareness whatsoever. 10/10 behaviour, and no-one died.

Main changes to the layout this year involved a slightly adapted shop/food van positioning around the access area (which did help with the flow of people quite a bit in peak times) and the HUGE WIN of the weekend – NEW LOOS. I can’t rave enough about this move away from portaloos to these new actual toilet blocks, flushing toilets and real running water sink areas? Revolutionary! As always, it would be nice to have more of them but really, bravo Download.

Our first band of the day Irish lads The Scratch give everyone a morning workout with a rowdy circle pit, and mark the first of the weekend’s open calls for a Free Palestine – which elicits a huge roar of agreement from the crowd. A great set, the mashup of Irish folk and heavy metal works so well, hope to see much more of them in the future. Over on the Apex stage, SiM bring us Japanese metalcore with ruthless riffage over a sun-baked crowd. I am already loving the diversity of acts booked for the weekend, it’s really something to bring all of this together in the heart of England.

In the Dogtooth tent we are treated to some extremely silly fun with Battlesnake – an Australian heavy metal band who are inexplicably dressed as… angels? The clergy? All I know is, I’d probably be up for going to church if it was more like this. Oh wait, no they’re wearing budgie smugglers under their sheets the bogans, heavy blasphemy, heavy metal. Everyone bloody loves it anyway, the “battle” “snake” chants are verging on ferocious as they end, and I’m going away with a giggle and a new favourite song titled ‘I Am The Vomit’.

Up next Gore yell “Y’all ready for some Texas metal?” before homunculus vocalist Hayley Roughton death-screams our ears off. It’s a heady mix of soaring melody alongside brutal rolling riffs and the crowd is truly rammed and wild. “This is our first ever festival, and we’re not even on our own continent” they joke, but what a fantastic first outing it is for them.

© Anna Hyams for SFG

Although we didn’t manage to catch much of Boston Manor’s set, they sounded great and pulled up our Palestine mention count shouting “Our government is complicit in this genocide!” to a sea of raised fists in the crowd. After a quick visit to get our Bunnychow fix (iykyk) we pitch ourselves ready for Rise Against in the baking sunshine. Despite the heat there’s a large crowd gathered in front of the stage full of pyrotechnics, and a giant panda plushie bobbing in the pit is in serious danger of getting toasted.

“We came a long way to have a good fucking time! This is our sixth time at Download, we always have a blast come rain or shine. We come to you tonight as citizens of a country in the throes of tyranny and fascism” is the lead into the 2006 but oh-so-currently-relevant ‘Prayer of the Refugee’. We also spot the now very famous little girl crowd-surfing by using her Dad as a surfboard rocking her way to the front, and sing ourselves hoarse to the iconic ‘Saviour’.

Miles Kennedy is playing to a packed-out Opus, which I must once again have a slight whinge about – it really is a too small/bottlenecked area for the calibre of bands they continue to put over there. Especially since off to the walkway side, the sound bleed between the two stages is horrendous and completely untenable if you actually want to be able to hear. Instead of remaining in the fray, we pop off for a bit of Jimmy Eat World and get our spirits uplifted by reliving our pop punk teens with ‘The Middle’.

Up next though, a personal pilgrimage to see a band that I’ve managed somehow to miss since I saw them with my college friends at Birmingham Academy in 2002. I remember being crushed on the barrier absolutely in awe of Weezer, no barrier for me this evening though – this is a wildly enormous crowd for a nerd-punk band.

© James Bridle for Download Festival

The nostalgia button is well and truly pushed as they just play solidly through their iconic catalogue with favourites like ‘Hash Pipe’ and ‘My Name Is Jonas’. They might look a bit like they’re on a day-trip from a residential home, in their khakis and button-up shirts but they sound exactly as good as they always have. ‘The Sweater Song’ has us all screaming along, ‘Island In The Sun’ and ‘Why Bother’ are perfection and there is no shortage of Rivers hitting the tap harmonics, truly just beautiful in the sunshine today. “Is it always like this in England?” they joke, looking out over the sun-bleached bodies, before ripping into ‘You Gave Your Love To Me Softly’ and ‘The Good Life’.

‘Beverley Hills’ gets a new special lyric “…living in Donington Park” and they close with 90’s anthem ‘Buddy Holly’. What a freakin’ epic hit-parade set. Wish I’d crowd surfed.

© Anna Hyams for SFG

Onto the main event – tonight’s long-awaited headliner, the mighty Green Day. I ask you, what better a year to hear American Idiot live? The serendipity of this timeline is not lost on me. The arena is packed, we’re all singing along to their Bohemian Rhapsody intro and marvelling at the impressive wall of lighting stacks adorning the stage, as the cameras pan across the crowd to show someone dressed as Trump holding a sign that says “Fuck Trump”. The Green Day ‘drunk bunny’ is careening about the stage in a classing black-shirt red-tie combo, to the Ramones’ ‘Blitzkrieg Bop’.

Rolling right in with ‘American Idiot’ and a cheeky little “I’m not part of Elon’s agenda” lyric change, it’s clear we’re in for a night of classic hijinks as a huge inflatable hand holding the heart grenade is ballooned into centre stage. ‘Holiday’ has everyone dancing around like absolute lunatics, I genuinely think Green Day are a band who have managed to transcend age groups – everyone is up and moving.

Billie Joe is yelling “This administration is a fascist government and it’s our job to fight back!”, and while we do know that he means the USA… he’s not wrong here either, so we join in on the screaming. Calling out for someone to join him on stage, Billie selects a girl dressed as a cheerleader who is frankly frothing with excitement, and proceeds to let her join in singing… except she’s clearly been screaming herself hoarse for the last 30 minutes and sounds like she chain smokes tree bark. Bless.

Tre Cool’s sparkly zebra drum kit is magnificently blazing under the cascading light boxes for ‘Boulevard of Broken Dreams’, which is truly the singalong song for all of us, but if you’ve ever heard the Green Day/Oasis/Travis mash-up it’s REALLY HARD not to sing that instead. Classics ‘Longview’ and ‘Welcome To Paradise’ have us oldies fizzing, but as a Nimrod album fan I can’t help but go wild for ‘Hitchin’ A Ride’, in which we take a pause for a little more Trump trolling;

“You know, we’ve been playing festivals here for thirty years. Back in the nineties people used to shout ‘You fat bastard’. I think I need a taste of that now for Donald Trump… I want everyone to sing ‘You fat bastard’… oh I love it hahaha”.

© Toddow Young for Download Festival

‘St. Jimmy’ features a huge red ribbon confetti blast and a lot of pyro, ‘Dilemma’ comes with a quick Tom Petty ‘Free Fallin’ intro and ‘21 Guns’ is absolutely flawless. This really feels like Download have hit the nail on the head finally bringing them in as a headliner.

‘Basket Case’ and ‘When I Come Around’ are just brilliant, no notes. The Bad Year blimp being slowly walked through the middle of the crowd is a fun touch for Dookie fans, and we are assured that the fates have decided Green Day deserve a headline set that goes down in history, when it starts to rain immediately following the lyric “here comes the rain again” during ‘Wake Me Up When September Ends’. I couldn’t have written it better myself.

‘Jesus of Suburbia’ gets a “from Ukraine to [the] Middle East” lyric change, and they finish up with ‘Good Riddance (Time of Your Life)’ as Billie Joe shouts “You ain’t getting me off this stage! England, you’re in my heart you’ll never get rid of me!” and a firework display as the rain dies off. I could gush about Green Day, this set, and the choice to book them, forever. Oh and I still love Billie Joe, even if he does look a bit like Michael Sheen in Good Omens these days.

© Anna Hyams for SFG

SATURDAY

Today is a day for scuttling, there’s a lot of wonderful things to see and do! We check out some skateboarders going full send at the little half-pipe near the main stage before traipsing up the hill to visit Mysticum Luna and have a go at their lucky-dip, then heading over to the Opus stage for the musical whirlwind that is Kim Dracula.

Jazz infused mech-metal with screaming and riffs off the chart, and a little hip-hop/rapping for good measure. It’s a clusterfuck of sounds but I can’t help loving it. The crowd is 90% goth girlies enjoying the weirdness so I guess I’m in good company. Oh and I fully dig the Lady Gaga ‘Paparazzi’ cover, niche.

© Anna Hyams for SFG

Zetra over in the Dogtooth tent are sporting a very interesting magic portal in their stage set and are barefoot, daubed in corpse-paint like they’re auditioning for extra Hellraiser Cenobite status. They’re very melodic and quite interesting, but there seems to be something a bit off with the sound.

Hatebreed bring the energy with their signature giant inflatable ball of death and a thrashy circle pit or two. The dust being kicked up can probably be seen from space. Poppy is bopping about in a red and white lace fringed mini-dress, looking a lot less robotic than she does online, and screaming like she’s about to excise a whole host of demons. There’s more than a touch of Babymetal about this that I can’t ignore, but everyone seems to be having a fun time.

© Carolina Faruolo for Download Festival

Awolnation give stoner rock vibes in the sun, ‘Kill Your Heroes’ and ‘Sail’ are perfect summer listening material (and I really rate the Paula Abdul tshirt). Traversing the gap down into the Avalanche stage area we take a moment to have a look around the various stalls around that area before heading in to see the ethereal Mothica. Dressed like the Corpse Bride and bathed in blue light she jokes with the crowd about it being her ‘New haira, new era’ before crushing a cover of Bring Me The Horizon’s ‘Can You Feel My Heart’.

© Anna Hyams for SFG

Australian band Polaris, returning to Download after a couple of years are providing solid heavy metal riffage and getting the crowd to sing Happy Birthday to Lance the lighting guy. Having played in 2023 with a fill-in guitarist owing to the ill health of Ryan Siew, who sadly then passed two weeks following the event – this return holds a special significance, and they truly smashed it.

Speaking of smashing, up next on the Avalanche stage are Swedish melodic electro-metal band Smash Into Pieces, with their LED-masked drummer APOC. There’s a hell of a lot of pyro on this small-ish stage, but the band are absolutely bombing about and enjoying themselves to a very full tent. Sure, ‘Heroes Are Calling’ could easily be the theme-tune to 90’s kids cartoon, but they are undeniably catchy and I like the unusual mix of styles. Singer Chris Adam Hedman Sörbye has an almost country lilt to his vocals and ‘All Eyes On You’ has a very Wild West/gospel feel about it, and ‘Six Feet Under’ is the closer – before APOC heads into the crowd to take selfies with fans, a really nice touch.

Don Broco are taking a simple but loud approach to the main stage, and there’s a huge amount of energy for ‘Gumshield’, but we are back at Avalanche for Scots Twin Atlantic. The lads lead with ‘Salvation’ in to ‘No Sleep’ before the anticipated rain finally arrives and the space in the tent gets rapidly tighter. It’s a stellar set from them though! A very quick run from there to the Dogtooth tent to settle ourselves in for Kittie as the rain turns from mild to ferocious, has us worrying about the state of the rest of the weekend.

© Anna Hyams for SFG

I have to bring up the fact that the entire front row for Kittie appears to be female – almost unheard of at Download festival, and something we truly love to see. Coming in hot with ‘Fire’ it is immediately the angsty emo youth extravaganza I wanted it to be. “We are Kittie from London Ontario, Canada! We haven’t been here for fifteen years, a lot of you probably weren’t even born then!” they yell out as the (mostly) women crowd surfers fly at them. ‘Spit’ and ‘Brackish’ are pure teenage-memory fuel and I’m so grateful to be here. This may be my set of the weekend, for pure brutal energy and fun.

On the Apex stage Shinedown are a bit of a culture shock after the raw power of Kittie, singing about love and god-blessing us all, and we do not appreciate a second bout of rain (not really their fault though), and there’s no getting anywhere near The Sex Pistols ft. Frank Carter – that area is just too damn small for what they put on that stage, they sound pretty good though, and I hope Frank manages to hold onto all his jewellery this year. It’s absolutely hooning it down now so we bug out to see a bit of Sylosis instead.

It’s jammed in the tent as the rain pours, but it’s clearly not just about the weather. Sylosis fans are surfing across the barrier at an incredible rate and it is LOUD – a bit of redemption after their horrific sound tech issues at last year’s Bloodstock festival.

Next up Cradle of Filth with a dramatically gothic graveyard-esque stage set and a lot of pyro, as well as a surprise marriage proposal from Dani Filth to his girlfriend Sofiya Belusova, n’aww. Very cute, very cool. Oh and the ring is suitably gothy, she shared a photo of it on her Instagram story later on.

© Anna Hyams for SFG

Finally the rain gives over to dry skies and we make our way down the hill to set ourselves up for tonight’s headliner, the ever controversial and divisive – Sleep Token.

As the sun begins to dip behind the horizon, Sleep Token take to the stage, not with a bang but with an unsettling whisper. Their entrance is shrouded in a near-ritualistic calm: ten long minutes of ambient wind chimes wash over the crowd like a dream on the edge of turning dark. Which sounds very nice when I put it like that, but I don’ t even allow wind chimes in my home, so the fact that I’m tolerating this is a miracle.

© Anna Hyams for SFG

 A huge black sheet masks the stage, but as the melancholy strains of ‘Look To Windward’ begin to leak through, Vessel is already projecting the mysterious ambiance the band have cultivated in the last few years.

Red anemone-like visuals bloomed on the screen, while pulsing purple and blue lights built slowly into a breathtaking visual crescendo. It was immersive from the outset—ticker tape falling like snow, towers strobing in sync, and a huge set made to look like crumbling ruins, complete with staircases and platforms.

Musically, it was heavier live than on record, a common (and welcome) trait among bands with studio polish – and something that was probably a good call to alleviate the “Sleep Token aren’t even metal” naysayers (bro, I saw you rocking out to McFly yesterday shut up).

A moment for the lighting designer because oh my god, what a show. ‘Rain’ saw huge rig squares drop from the ceiling to create tiny slivers of white strand lighting emulating a downpour on stage, and then delicious diffuse warm oranges and reds burned for ‘Caramel’. There is really something to be said for the level of care and production put into a Sleep Token show – which goes a long way to explain why the Download booking team felt so confident in bringing ST to a headline slot.

© Matt Higgs for Download Festival

Vessel himself cuts an interesting profile, with a stunning black and white mask laden with red filigree in his signature Kabuki-esque style, a long hooded duster coat complete with cosplay armour and a feathered back. The theatrics really elevate a headline set in my opinion – I know not everyone feels the same, but some of the most memorable shows have been the ones with spectacular staging (BMTH, Iron Maiden, Kiss, AC/DC to name a few).

A surprise jazz interlude (saxophone, for the second time that day across different acts) and a soft, piano-led ballad added unexpected texture. The crowd was caught between reverence and awe, watching as Vessel ran the stage, hands outstretched—singing “reap what you sow, rain down on me” while bathed in spotlight and mist. It does feel like the kind of time we should all be pulling out our lighters and swaying a bit.

‘The Summoning’ is ethereally gorgeous and I am completely immersed, but it is hard not to notice the definite thinning of the crowd. It’s pretty clear that a lot of people had turned out to give them a chance and were slowly peeling off back to the campsites and District X in search of different entertainments.

I guess that was always going to be the case, but it’s a shame as closing tracks ‘Thread The Needle’ and ‘Take Me Back To Eden’ are heavy with gorgeous emotion. I think you’ve got to acknowledge that it’s okay to have a headliner who evokes whimsy and nostalgia, on the same bill as one who performs for the artistry. Weaving diverse streams together is something I think Download has done really well in the last few years – no easy feat when everyone and their mam has a strong opinion. The verdict? Sleep Token a success, despite the whinge brigade’s pre-determined feelings.

© Anna Hyams for SFG

SUNDAY

We have a quick catch-up with Heavy Metal Hairdresser aka Simon Tuckwell, who works out of Nottingham but has quickly risen to fame cutting very stylish shags and mullets for the alt community and famous bands alike. He’s here this weekend coiffing backstage to make sure everyone looks their best going on stage – culminating today with his second go round with Korn’s Jonathan Davis, how freaking cool is that?

We check out The Great Frog stand in the press area which is overflowing with awesome stuff that I would like to spend a lot of money on, then head out into the arena to catch a little of Power Trip, who sound a bit like every metal band from a movie that you’ve ever seen. They’re good, but feel a bit lost in the vibe this weekend I think.

© Anna Hyams for SFG

Fan faves Jinjer from Ukraine are back again, absolutely throwing it down with their signature blend of Tatiana’s soaring vocals and brutal stormy riffs. They really have had a bit of a meteoric rise in the last few years, and it is so deserved.

Unfortunately Alien Ant Farm on the Opus stage aren’t faring so well. Again, the area is too small to handle the numbers who want to be there, and for some maddening reason the sound is catastrophically garbage. Non-existent vocals, meagre drums and just generally muted speakers are definitely to blame today since the winds have completely died down.  Frustrated after barely hearing ‘Movies’ we decide to bail and take ourselves on a little big wheel adventure instead.

© Anna Hyams for SFG

Never has there been a better placed ride in the history of festivals than the Download big wheel at the top of the hill, you get a magical view of both stages from the top – so much so that we can see how ridiculously sparse the crowd at Meshuggah is. Now I ask you – where are all the forum warriors who wanted “real metal back at Donington?” because if you’re over there watching Alien Ant Farm instead, after running your mouth – just know we are all judging you hard. On the other hand it is a bit of a shame, cause Meshuggah are actually really good.

Another big pool of people are in the Dogtooth tent awaiting the much-anticipated debut of President, the masked singer being peddled on every front but especially Download organiser Andy Copping’s socials. It’s an interesting opener for sure, I like their sound – but the eagle eyed fans have already spotted some incriminating bracelets, and the family of Charlie Simpson (of Busted/Fightstar fame) standing stage-side throughout. Oh and the fact that a helicopter left site immediately after, presumably for Busted’s London gig that night… so there’s that. Oh and apparently some absolutely mental dude get a President tattoo before they’d even played a show. That’s some wild dedication.

Spiritbox are a stellar main stage grab for Download this year, pulling a huge and messy crowd even in the blazing sunshine on day three. “If you were here in 2022, you were part of one of our favourite memories of our career!” shouts vocalist Courtney LaPlante and it strikes me that Download has been that for a lot of bands, a turning point or a place that has played a massive role in their journey. This is the legacy and the point of bringing fresh blood into the fold – safeguarding music for the following generations of Download goers as well.

Over at the Avalanche it’s a double header of abject silliness, first up – Turbonegro. ‘Get It On’ has everyone in this sweaty tent going berserk, and the band go all out matching the energy. Lipstick and Village People outfits, twirling and jokes, I just love them. “For two years leading up to this show I’ve been in Pre-hab, they gave me warm Carlsberg to prepare me” giggles Duke, and they end yelling “Just a little reminder! Trans women are women, trans men are men, and FREE PALESTINE!” joining the ranks of bands who have used their platforms this weekend to make similar important statements.

Next up, Me First and The Gimme Gimmes hit their palm-tree adorned stage ready for abject joy. Lead singer Spike Slawson is rocking a fully sequinned white jacket, the band are in very fetching purple silk shirts, and the microphone is draped in silver lamé – delightful. Cracking out Dolly Parton’s ‘Jolene’ first was a baller move, everyone loves Dolly – even metalheads. Maybe especially metalheads. ‘Country Roads’ and ‘(Ghost) Riders In The Sky’ also go down a storm with this crowd and I very much enjoyed the attempt to ride a very obviously deflating morose flamingo pool toy.

“You may not know this ladies and gentlemen… but we are a cover band! As such we are fielding requests… if we don’t know it we can learn it, give us seven or eight minutes backstage” they laugh, as people start shouting out progressively funnier options. Chappel Roan, Dua Lipa and Machine Gun Kelly all make it into the wishlist, but ultimately they decide to go with Bruno Mars. Aaaaand then completely don’t play that, instead opting for a little intro of ‘Love Will Tear Us Apart’ into ‘Love Will Keep Us Together’, and the entire crowd singing along. More people should have been here to experience this very fun set.

We do manage to catch a bit of Bullet For My Valentine, who seem to be the ones commandeering the large portion of today’s crowd, curating circle pits and yelling “We’re going to get in trouble with Download and do another one… and we have goals and desires you know… we will headline this stage one day!” which is a bold statement but hey, Sleep Token just did that. “I don’t care if people don’t like that… I don’t give a fuck!” laughs lead singer Matthew Tuck.

Time to grab some food and get ourselves nicely positioned to watch 2025’s epic final headliner. Oh boy has this been a long time coming.

© Andrew Whitton for Download Festival

It’s an enormous crowd gathered this Sunday night, with so many clad in souped up Adidas sportswear turned gothy (myself included obviously) in deference to the mighty Korn. Having played the bridesmaid never the bride for a loooong-ass time, I’m beyond excited to see what they can pull out of the bag here.

As the black curtain drops, revealing Jonathan Davis in his signature dreads and a black kilt, the band launch headfirst into ‘Blind’. I have no words, the sound is on point, the stage is once again stunning with clever lighting and the band are truly on top form. “Download, make some motherfucking noise!” is the war-cry they have so rightly earnt as a band on this stage, and the crowd response is nothing short of deafening.

© Anna Hyams for SFG

A huge whoop from the guy in the middle of the crowd waving a giant Scottish flag, when Davis brings out the bagpipes for ‘Shoots and Ladders’ and in another moment of serendipity, the rain starts up again out of nowhere. Extremely Scottish coded I must say. Luckily it’s just a small squall and we’re back on our bouncy way.

“Download, are you having a good time?” Davis shrieks, “We’ve been a band for 31 years… We’ve played every stage at this festival – back when it was still called Donington – and after 30 years, FINALLY, we’re headlining.” Which is honestly nearly enough to bring a tear to my eye. It’s true, it shoulda coulda woulda happened way before now but I’m sure there are ‘reasons’.

Anyway, we all join in with our middle fingers in the air to yell the iconic “Fuck that” refrain of ‘Y’all Want A Single’ before the band exit the stage calling out “Thank you so much guys you’re incredible, hope you have a great night!”.

© Anna Hyams for SFG

Encore tracks ‘4 U’, ‘Falling Away From Me’ and ‘Divine’ are delivered with explosive energy, dreadlocks flying, and Davis’ iconic mic-jamming madness. Just when we thought it was over, the sky erupts in red and white ticker tape confetti ribbons for ‘Freak On A Leash’. There’s nothing like watching an entire crowd share an experience like this, absolutely everyone is moving.

Crowd surfers fling themselves over the barrier, in a last-ditch attempt to get up close and as it comes to an end, as sadly all the best things do… I am left in awe that a band I have seen many times before can so powerfully become one of the best headliners I’ve ever seen at Download. It might have been a 30+ year journey to get here but my god was it worth it. Bathing in the warm white ‘go-fucking-home’ lights and Richard Cheese’s lounge version of Freak, we are blinking in the realisation that DLXXII is all over in what feels like a mere moment.

© Anna Hyams for SFG

Before we crawl into bed to rest for a couple of weeks, some final thoughts about Download Festival 2025…

One of the standout aspects of the weekend was the incredible welfare support available. Lost property was handled efficiently (a rare feat at any major event), and outreach services — including drug and spiking advice — were easy to find near the Megastore. The Safe Concerts For Women and Metal Therapy spaces added an extra layer of wellbeing, and we love to see the Sensory Tent and the incredible BSL interpreters doing their thing at as many bands as they could get to.

© Anna Hyams for SFG

Unfortunately, the weekend wasn’t without its low points — namely, the wave of thefts that hit both the arena and the camping areas hard. Numerous reports of bag snatches, pickpocketing, and tent raiding dampened what was otherwise a warm and welcoming atmosphere.

On a much lighter (and cleaner) note as I said before, the toilets were actually good. Yes, you read that right. With real handwashing facilities and improved cleanliness across the board, the bathroom experience was a massive upgrade. While queues still formed during peak times, the quality more than made up for it — a rare festival win.

As for the Opus stage, its layout remains a logistical puzzle. For its current size and popularity, the positioning in that particular field just doesn’t work well — bottlenecks around both exits made access a real headache. A redesign is clearly needed, though how that can be done without major restructuring remains a mystery. I know there’s no obvious solution but it really is quite problematic year on year.

This has been a big year of change and some turmoil I suppose, but I have to hand it to the DL team – I think a lot of good has been done to secure the future of this festival, and lots of site improvement feedback has certainly been taken on board from last year too. Moving with the times has to be a hard balancing act when you’re standing on the shoulders of giants (or, Monsters) but I am relieved to see it pay off. Roll on 2026!

© Anna Hyams for SFG

DLXXII: BEYOND THE BANDS

With less than two months to go until the mighty return of Download Festival, DLXXII has unleashed its ‘Beyond The Bands’ offerings, giving Download-goers an even more exciting experience onsite with brand new food, drink, wellness and sport options. Taking place on 11-15 June 2025 at the hallowed grounds of Donington Park, Download will be headlined by Green Day, Sleep Token and Korn. You can buy the last remaining tickets here: www.downloadfestival.co.uk.
 
Brand new for this year’s DLXXII are the Mercian Axe brewery bar where you can find locally brewed beers, the Hair Of The Dog pub complete with roof terrace and beer garden, and brand new arena bar The Iron Harp. Our Low & No bar, Bar Zero returns, as well as the Raven Records’ pop-up vinyl store, which also offers alcohol-free options, coffee and heavy metal talking therapy.
 
For the first time, Download will see live blacksmithing workshops, new immersive experience Darkfield Séance and a Heavy Metal Sports Day. There will also be axe throwing, skate ramps, a new and improved wellness, yoga and talking therapy offering, wrestling, RockFit, live fire cooking demos, daily themed quizzes, and a bigger and better Download MegastoreOld Sarum Tattoo will also be returning to Download this year.
 
This year will see over 160 fantastic food traders across the festival, with returning festival favourites and some brand new ones, with more than ever catering to vegan, vegetarian and gluten free dietary requirements. There will be a huge variety of options on display, from Rock & Roll Toastie to C’est Cheese to Halloumination to late night shawarma at Kebab Kartel to puddings at Custard & Crumble and Yay Churros.
 
Additionally, the Welders Yard food and drink area will be returning to the top of the main arena on an even larger scale, complete with Beer Hall, the aforementioned Bar Zero, and an array of food options, including authentic American smokehouse BBQ, homemade Spanish churros and Bangladeshi / Indian street food.
 
Following on from the recent District X announcement featuring live sets from the likes of Vengaboys, DJ sets, comedy and live podcasts, the DLXXII’s Beyond The Bands offerings prove that Download is much more than just its stellar band line-up, with truly something for everyone to enjoy across the five days. More information and tickets at www.downloadfestival.co.uk

Download 2025: Headliners and 90+ bands revealed

Download Festival, the greatest rock and metal festival of all time, returns for its 22nd edition, reborn and recharged in 2025 as DLXXII. Announced today are three first-time headlinersGreen Day, Sleep Token and Korn—alongside over 90 more colossal names spanning the full spectrum of rock, metal, punk, emo, hardcore, alternative and classic rock.

This year’s festival will take place on 13-15 June 2025 at the spiritual home of rock in Donington Park, Leicestershire.

 General tickets are onsale at 9pm on Thursday 14 November at www.downloadfestival.co.uk.
 
For the first time in Download Festival’s history, next year’s edition will showcase a trio of headliners who are entirely new to topping the main stage. This exciting milestone underscores Download’s unwavering commitment to delivering a fresh, groundbreaking lineup year after year, giving fans even more reasons to be part of this unmissable experience.
 
Also announced today are UK and international heavyweights Weezer, Sex Pistols featuring Frank Carter, Jimmy Eat World, Within Temptation, Eagles Of Death Metal, The Darkness, Poppy, Loathe, Spiritbox, Meshuggah, Steel Panther, Airbourne, Jerry Cantrell, Cradle Of Filth, Alien Ant Farm, CKY, McFly, Don Broco, Mallory Knox, The Ghost Inside, Turbonegro, Sylosis, Whitechapel, Fit For An Autopsy, Lorna Shore, Kittie, Jinjer and so many more.
 
Punk-rock royalty Green Day are set to make their long-awaited debut at Download Festival, headlining for the first time in their 37-year career. Known for their high-energy performances and a career that’s shaped the landscape of rock, Green Day has built a legacy of unforgettable live shows that will electrify the crowd on Friday night. The band are fresh off celebrating two major milestones—the 30th anniversary of their trailblazing album Dookie and the 20th anniversary of the culture-shaping American Idiot—Green Day continues to prove why they’re one of the most iconic and influential bands in the world.
 
The mysterious Sleep Token have skyrocketed since their inception in 2016, and the anonymous masked collective have gone from strength to strength, headlining arenas this month and now about to embark on their very first Download headline set. Clocking up millions of monthly listeners, the alternative rock outfit are set to play the performance of their life at the hallowed grounds of Donington on Saturday.
 
The festival’s grand finale will come at the hands of nu-metal legends Korn, who will also be headlining Download for the very first time. The Californian five-piece formed in 1993 but have never been more relevant, and their recent shows have caused a huge buzz in the rock community. Having inspired the likes of Slipknot, Limp Bizkit, Machine Head and Sepultura during their 31 years of being a band, Korn are well and truly ready to finally headline Download.
 
Download Festival’s Andy Copping says: “Following on from last year’s sold out 21st edition, Download’s legacy not only includes the incredible artists who have performed at the hallowed grounds over the years, but also our unrivalled community, safe and warm atmosphere, and fantastic afterhours entertainment at District X, with something for truly everyone.”
 
The DLXXII line up was announced at a very special Metal Gala launch event at One Marylebone this evening, where the rock and metal elite gathered under one roof. The one and only Paddy Considine (House Of The Dragon, Peaky Blinders), who will be playing at this year’s Download with his band Riding The Low, stars in this year’s announcement video, alongside other Humans Of Download. Like he says in the short film titled ‘Est Momentum’, Download is “a place where legends are born. This is where you belong.”
 
This is only the beginning for DLXXII, with many more acts and surprises yet to be announced. Book your tickets now: www.downloadfestival.co.uk.
 

Summer Encore Festival featuring Queen, Pink Floyd, Amy Winehouse and more!

Summer Encore Festival

Across the three-week online festival, viewers will be able to soak up the sun at Rock in Rio, experience the breath-taking energy of Wembley Stadium, transport themselves back in time to the iconic and electrifying mother of all festivals, Woodstock, travel across the channel to join the crowds at France’s biggest festival Eurockéennes, plus many more, all from their living room. 
 
Each week, the Summer Encore Festival programme will give free access to some of the most memorable concerts and festival performances of all time, from Amy Winehouse’s stunning set at Eurockéennes de Belfort in 2007 to Coldplay’s eye-popping and confetti-filled show at La Cigale in 2012, as well as spectacular shows from The CureEllie GouldingThe LumineersRoyal Blood,  Michael KiwanukaBeck and many more.
 
Festival goers and music lovers will be able to access even more jaw-dropping concerts with the Summer Encore Festival ALL ACCESS pass. Experience the pure magic of Queen’s legendary Wembley Stadium show, Pink Floyd and Paul McCartney’s iconic sets at Live at Knebworth in 1990, Janis Joplin’s renowned Woodstock performance, plus concerts by Wu-Tang ClanThe KillersSam SmithGreen DayBob MarleyThe Who and many more.

Get access here: www.rsvp.stingray.com/encore

QELLO CONCERTS SUMMER ENCORE FESTIVAL – FULL LINE UP:

WEEK 1: 29 JULY – 4 AUGUST
QUEEN                                    LIVE AT WEMBLEY STADIUM
PINK FLOYD                            LIVE AT KNEBWORTH 1990 – VOLUME III
SHAKIRA                                 LIVE FROM PARIS
WU-TANG CLAN                     LIVE IN MONTREUX
MUMFORD & SONS               THE ROAD TO RED ROCKS
ELLIE GOULDING                   LIVE AT MAIN SQUARE 2016*
ENRIQUE IGLESIAS                VINA DEL MAR 2000*
THE LUMINEERS                     LIVE AT MUSILAC 2017*
ROYAL BLOOD                        EUROCKEENNESS 2017*
GREGORY PORTER                NICE JAZZ FESTIVAL 2012*

WEEK 2: 5 AUGUST – 11 AUGUST
THE ROLLING STONES          SWEET SUMMER SUN: HYDE PARK LIVE
PAUL McCARTNEY                 LIVE AT KNEBWORTH 1990 – VOLUME 1
JANIS JOPLIN                          50th ANNIVERSARY OF WOODSTOCK MUSIC FESTIVAL: THE WOODSTOCK DIARIES
SHERYL CROW                      MILES FROM MEMPHIS LIVE AT THE PANTAGES THEATRE
THE KILLERS                           LIVE AT V FESTIVAL 2014
COLDPLAY                              LIVE AT CIGALE 2012*
TOTO                                       VINA DEL MAR 2004*
BECK                                       LIVE AT LES EUROCKEENNES FESTIVAL 2016*
JACK JOHNSON                    MAIN SQUARE 2014*
INXS                                          VINA DEL MAR 2003*

WEEK 3: 12 AUGUST – 18 AUGUST
CARLOS SANTANA                GREATEST HITS: LIVE AT MONTREUX 2011
KATY PERRY                            LIVE AT ROCK IN RIO BRAZIL 2015
THE WHO                                LIVE AT HYDE PARK
BOB MARLEY AND THE      LIVE IN CONCERT
WAILERS
SAM SMITH                             LIVE AT V FESTIVAL 2014
GREEN DAY                            BULLET IN A BIBLE
AMY WINEHOUSE                LIVE AT EUROCKEENNES DE BELFORT 2007*
THE CURE                               TOURNEE 2012 AUX EUROCKEENNES DE BELFORT*
MICHAEL KIWANUKA          LIVE: GAROROCK FESTIVAL 2017*
DAMIAN MARLEY                  EUROCK 15*
OF MONSTERS AND MEN   MAIN SQUARE FESTIVAL 2013*

Leeds Festival 2013 Review

Typically the last 'big' festivals of the summer months in the UK, Reading & Leeds are a special pilgrimage a combined audience of hundreds of thousands of people make every August Bank Holiday weekend. This year I headed to Leeds Fest to check it out, here's what happened!

Arriving on Friday morning, the site was buzzing with campers dampened slightly by a little storm on Thursday evening, but nothing to put off the masses from what was hopefully going to be a great festival.

Don Broco, a Bedford-based alternative rock band took to the Main Stage, and were an unexpected surprise. 'Hold On', probably their most popular tune got everyone going, as did the band's in-time dance moves, steps to the side, hand-claps, a cheeky boyband touch for the popular quartet, who's lead singer had an Elvisy-look going on.

Then it was time for something different, a rapper by the name of Wacka Flocka Flame took to the brand-new Radio 1Xtra Stage, to a huge crowd. His hype man got things bouncing, as the man himself finally arrived 15 minutes late. Wacka wore a Leeds United shirt and some appropriate bling, as his set saw him get a few headbanging fans up onstage,along with a girl plucked from the crowd who 'twerked'. It was an interesting 40 minutes or so.

Just over the way to the NME/Radio 1 stage, where American girl trio HAIM were the main attraction, bringing their guitar-laden hooks to the masses. They played favourites like, 'Forever', 'Falling' and new single, 'The Wire', all from their much-anticipated debut album. One of the best things about HAIM is Este, their bassist. The older sister likes to have coarse, blunt banter with crowds during gigs and is famed for her 'bassface'. You can watch her facial expressions for 45 minutes and be easily entertained. 

Overall, their performance was better than expected and I left happy, as did many others who had squeezed into the tent.

I took a bit of a wander around the Arena site afterwards, taking note of the wide variety of stalls, grabbing a few ponchos for the oncoming storm and taking in some pizza (note: this was at a time when you could actually SIT on the ground and not get covered in mud…)

Then it was time for the sub-headliners, Nine Inch Nails, almost a cult band, such is their feverent support. Being a few rows from the front barrier, I couldn't tell the size of the crowd at the time, but having seen so afterwards, it wasn't very busy, but then that should be expected given Trent Reznor and his merry band have never been notable to a mainstream audience. 

NIN @ Leeds Festival 2013

NIN were good. They missed out a couple of hits, like 'Closer' and 'Hurt', but if a newcomer like me could get into it, I'm sure the hardcore fans were ecstatic with their 80 minute set. Reznor is a tense, serious stage presence and if memory serves me right, he didn't interact with the crowd one bit. At the time I didn't question this, but afterwards it turns out he put out tweets suggesting he was 'lied to' by R&L boss Melvin Benn, which Benn himself has since said is a lie. 

It's all very confusing but what we are led to believe is that Reznor was promised a more extravagent stage show than the one he got, as headliners Biffy Clyro would've had stage priority, it resulted in a bank of lights instead, still impressive but not the full NIN experience. 

There were probably the perfect set-up for what was a definitive headlining performance, from Biffy-motherf***ing-Clyro, as they were known for the evening. 

Some doubted they had it in them to headline a major UK festival, but they delivered in spades, with a strong set packed full of their more recent mainstream hits, with a few golden oldies squeezed in for long-time supporters. Simon Neil, lead singer, was very appreciative of the crowd, telling them, '"It all goes downhill from here…I'm only joking"'. Their 'banter' was limited, but the shirtless trio let their epic music do the talking, which really got the crowd going too. 

Lasers, fireworks, smashed up guitars, sing-a-longs, a massive tree prop, mental mosh pits; the show had it all, and despite the swirling wind and rain it was a fantastic way to close the first night of Leeds 2013.

Saturday came and the site's landscape had changed drastically. Rain had come in a big way, with heavy rain in the night, turning the lush green grass into a mudbath. Wellies were a necessity, as were ponchos, it was 'proper' UK festival weather.

As a result of the poor conditions, I was stationed in the NME Tent for a good few hours and was lucky to see what I saw!

Fatigue seemed to have set in during the first half of Deap Vally's set. At the 20 minute stage, drummer Julie Edwards instructed the crowd to wake up and have fun, reminding them they were at a festival! They promptly did so and the atmosphere was quite good afterwards, shame the music wasn't quite as good. I sort of like Deap Vally, but their music is too samey for my tastes, I liked their energy during the gig though, they played at such a frenetic pace I'm surprised they managed 2 shows in 2 days!

Next up were fellow Americans Fidlar. A little heard of band, but an excellent band, one of my finds of the festival. They played a clutch of quick, simple songs that relied on great riffs and lead singer Zac Carper's hyper vocals. I was reminded of a very low-fi Nirvana, if you want to see for yourself I recommend you check out 'Cheap Beer', the slogan that adorned their merch and the song that really had the crowd going wild. 

I suspect that the crowd was boosted because of the next act. Brummie stars Peace, were as flamboyant as predicted, lead singer Henry Koisser striding out in a leopard print jacket and hat to a loving audience. Tracks 'Follow Baby', and 'Lovesick'', got the best responses and saw the band at their most confident. Sure the live set isn't yet perfect, some of their songs weren't the most interesting in a a live arena, but they are getting there as one of a few bands that could really kickstart the era of the British guitar band.

After a bit of Peace, I ventured into the now spitting rain to find some fresh music. It was the Rock Stage that I found it, with The Computers part way through their set. Instantly I thought I'd been transported back to the 1950s as they were all dressed in slick suits, with even more slicked back hair. Their tunes matched the image, and were a breath of fresh air. Sure the lead singer's attempts at telling a story inbetween songs were a bit manufactured, as were his off-stage antics which saw him join a wet, muddy mosh pit. But it was pure fun, reminding me of The Hives' eccentric set from 2012, in a good way!

Then, then it was Major Lazer time. Now I didn't know what to expect, a pure DJ set? 

Headliner time had come, and the pop-punk of Green Day was blasted from the Main Stage. Now I was a fair distance back, and wasn't massively impressed with the size or energy of the crowd, but to be fair, it was constantly raining, muddy as anything and the band were just okay, nothing more, on reflection. Billie Joe Armstrong annoyed me, with his political speeches and subtle nuances. However, I did enjoy songs off 'American Idiot', which I loved at the time of release, with their comprehensive playing in full of 1994 album Dookie, released the year of my birth, missing the mark for me, but not for the legions of loyal fans down the front.

Come Sunday, the thousands of campers were weary and out on their feet, but ready for a fantastic days's entertainmen The site was still a swampy mudbath, but with forecasts of clear skies and sun, it was looking promising for the final day of the festival.

Similarly to Saturday, I spent a good couple of hours in the same place on Sunday, this time the Festival Republic Tent, a place full of new talent waiting to be discovered. I saw Drenge and Swim Deep, back to back. Both were good in moderation, with outstanding songs, like 'Honey', 'The Sea' and 'She Changes the Weather', from the latter Brummies. Crowds were pretty decent too, with plenty of shoulder-riding and singing going on for the latter. Drenge were slightly more subdued, as the duo rattled through some awesome sounding music, but I'm not entirely sure whether they fit the tone of the stage.

Then it was time to check up on another NME darling, Palma Violets, a group who I was undecided on, their first album deceiving me at times. However, their blistering live set had people jumping around and going crazy. They are energetic, cocky and funny, all great features for a band to have. 'Best of Friends', was the highlight, a song that evokes the spirit of the Libertines when they were in their prime. With a couple of albums under their belt, I can see the southerners living up to the aforementioned hype, they look like they believe it too!

Palma Violets @ Leeds Festival 2013

With that brief foray to the NME tent, it was off to the Main Stage for the remainder of my 2013 festival. White Lies were 4th from the top of the bill, but didn't really live up to expectations. For a start, I wasn't the biggest fan, I think a lot of their material sounds very 'samey', which was true of the performance, a performance hampered by sound problems and a pretty uninterested crowd, most of whom were hanging around for Chase & Status and Eminem later on that evening. Their early hits, 'Fairwell to the Fairground', and 'Death', were nice, but the longer it went on, the longer it felt they were 'going through the motions'.

Up next were Foals, again a band I was wary of. I like a lot of their songs, but had never been impressed by their live performances I'd caught on TV. However, they were great fun, energetic and had some good banter with the crowd, lead singer Yannis ending up in the crowd by the end of their set. Before that though, songs like 'Spanish Sahara' and 'My Number', showed the variation in their song-craft, going from the deep, building tunes to a catchy pop number. The boss of the festival Melvin Benn has since claimed they could headline the festival, which I think was a slight over-exaggeration, although he said the same about the next act, something which may be true…

Chase & Status, an incredible act and a perfect appetizer for what was to come. Their set up saw the duo positioned behind a 'C' and 'S' DJ booth each, with MC Rage effectively the ringmaster of proceedings, dragging out the likes of Liam Bailey as guest vocalists, with Plan B and Delilah projected onto a humongous video screen above their heads. It was impressive to see such a stage show, especially given the problems Trent Reznor of Nine Inch Nails had.

Chase & Status

When tracks like 'No Problem''Let You Go' and 'Hypest Hype', dropped, the crowd went nuts for it, descending into mosh pits and general dancing. It was amazing to see, and one of the loudest, best atmospheres of the festival I had witnesses (more of which later). It was strange, given all I'd heard and read online prior to the festival was that their booking was a poor one, not in-keeping with the tradition of the festival. Sure, that may be correct, but why not move with the times, book popular acts who DO have crossover with the rock, alternative and indie music scene (you'd have been surprised just how many 'metalheads' were enjoying themselves to C&S). I don't see it as an issue, especially as it helps to keep the festival going, something which the next act definitely helped with. 

The rap legend that is Eminem graced the stage for his second headline set, amongst a bunch of questions and fears. I got talking to people around me beforehand and whilst everyone was excited, noone knew what to expect! Old material, new material- a mixture of both? Would he mime? Well whilst that wasn't really clarified (although personally I think he relied on backing track the odd time, but was at his best and actually rapping for the majority of the set), one thing was clear; Eminem was back. 

Whilst a lot of the first half of the set was his newer material, from 'Recovery' and 'Relapse', it was bearable in a live environment. This was partly due to the live band AND DJ he had accompanying him, aswell as the buzzing crowd, still excited from C&S who were devouring his hit-packed set.

My favourite moment of the festival came with the 3 minute medley of older songs, that was, 'My Name Is/The Real Slim Shady/Without Me'. For 3 minutes I was a child again, and it was amazing! As was the special guest for 'Stan', Dido herself. Both of those moments were special and brought much acclaim from the audience. Then a one-song encore came about a great rendition of the intense, 'Lose Yourself', before Em headed off for good. It may have been a fairly brisk, 25 song, 100 minute set, but god was it good. And that was Leeds Fest 2013, done just like that!

So, to round it all off, Leeds 2013 was fantastic, perhaps as an overall experience outing 2012's edition, Foo Fighters and all! We saw the newly anointed Biffy Clyro become the rock gods they were destined to be, a return for the veterans of pop-punk, Green Day and Eminem finish it all off with a blistering display of a hip-hop gig. Other personal highlights were the likes of HAIM and Peace on the NME stage, Chase & Status killing the Main Stage, Major Lazer bringing the party to the tent, aswell as echoes of the Libertines, with Palma Violets giving a confident, humourous performance.

It may have been muddy, it may have been soaking wet; but Leeds Festival 2013 was bloody good!

Photos by Danny Payne

 

Leeds Festival 2013- Green Day Review

For the second consecutive evening, American punk-rock trio Green Day took to the stage, to headline the Reading & Leeds Festival.

It all began with a mysterious pink bunny striding across the stage to 'Blitzrieg Bop', by the Ramones, a surreal, but inviting image as the bunny hyped up the crowd for the main attraction of the day.

Lead vocalist and guitarist, Billie Joe Armstrong seemed to be in fine health, remarkable considering his admission to rehab just last September. He was frequently involving the crowd in an 'EYYY OHHH' chant, that personally grated after a few songs but the crowd seemed to get into it.

The theatrics didn't end there though. A fan was brought up on stage to finish off the chorus to 'Know Your Enemy', t-shirt cannons were produced by Armstrong after a short break, both highlights in what turned out to be a two and a half hour set.

Armstrong was also the ringleader of everything, from telling Leeds they were 'much louder than Reading', to earning his fellow bandmates spontaneous cheers, to starting off some Bono-esque rants against the 'system', which was a little bit tiresome if I'm completley honest and sort of took you 'out' of the gig.

Back to the music and with 30+ songs, the band spanned their history, playing 1994 album, 'Dookie', in full, wih a good few songs from the recent triple album, '¡Uno! ¡Dos! ¡Tre!', and 'American Idiot', the rock-opera that thrust them back into the limelight back in the mid-2000's.

They eventually ended the bonanza with a string of hits from their past with the likes of, 'American Idiot, 'Jesus of Suburbia' and 'Good Riddance (Time of Your Life', the last one seeing Armstrong on his own with an acoustic guitar, a fitting end to a strong set, overall R&L got a pretty good UK festival exclusive!

Green Day @ Leeds Festival 2013

Reading Festival tickets now completely SOLD OUT!

With just over two weeks to go until Reading & Leeds Festivals welcome Early Entry Ticket holders, excitement is at fever pitch and now Reading Festival is completely sold out! This year Biffy Clyro celebrate their monumental ascent to theirfirst ever Reading Festival headline performance and not only this, but they have sold it out too! Their closing set at Reading on Sunday 25th August will be an incredible and unforgettable end to the weekend.
 
Biffy Clyro
For those who didn’t manage to secure a Reading Festival ticket, the same great line-up can be seen across the whole weekend at Leeds Festival, with limited day and weekend tickets still available.
 
Leeds Festival, taking place from 23rd-25th August, is now the only place to see the same exclusive UK festival performances from headliners Eminem, Green Day, Biffy Clyro, as well as Nine Inch Nails, System Of A Down, Fall Out Boy, Deftones, City and ColourWhite Lies and Skrillex.
Other highlights of the 300 artists on the bill include PhoenixChase And StatusFoalsAlt-JJake BuggAzealiaBanksDisclosure, Knife PartyBaauerShikari Sound SystemFuneral For A FriendSpectorWretch 32 andAngel Haze, plus comedians Judah Friedlander World Champion, Russell Kane and Seann Walsh.
 
Those without their tickets to Leeds Festival should book now to make sure they don’t miss out on what has been votedBest Festival by NME, surely the best place to be with your friends this August Bank Holiday Weekend?!
 
TICKET INFORMATION
 
Weekend tickets (Leeds only) £202.50 ● Day tickets (Leeds only) Friday, Saturday and Sunday £90.00 ● Early Entry (Leeds only) permits £15.00 ● Campervan permits £60.00 ● Weekend ticket prices include camping. All prices are subject to applicable booking fees and postage.
 
For any Reading Festival goers seeking parking or campervan tickets, there is limited availability for Campervan tickets, White Weekend Car Park, Green Friday Day Car Park and Green Sunday Day Car Park through See Tickets here.

BBC Introducing stage announced plus many more for Reading & Leeds Festival

BBC INTRODUCING STAGE

One of Huw Stephens’ BBC Introducing Discovery tips, Amber are five guys from Nottingham and London. Their first original song ‘Noah’ is described by Huw Stephens as “a glorious summer tune” and where better to watch it than at Reading & Leeds this August.
 
 
Indie-pop band As Elephants Are hail from High Wycombe and have been making music together since 2011. The band have enjoyed success with their debut single ‘War Cry’ which has received plays from national stations and DJ Mary Anne Hobbs. Their latest offering ‘Youth Blood/Lucifer’ gives more of a taste of their innovative indie-rock.
 
Big Wave are an indie-pop five-piece from Torquay who have recently released their new single 'Goldmine' through Art is Hard Records and have previously performed with bands including Metronomy. Their sunshine-rock style will make for the perfect summer time festival set.
 
Casablanca have received support from Huw Stephens who is a big fan of the London indie band. With comparisons to Bombay Bicycle Club, Cajun Dance Party and Theme Park expect good things from this four-piece when they take to the stage.
 
The melodic Welsh-based indie four-piece Catfish and the Bottlemen are signed to Communion Records. 2013 has seen the band support The 1975 on their UK tour and they will also join Glasvegas on their UK tour date.
 
Securing their place through Futuresound’s competition City of Lights aim to create their own brand of honest rock-pop that will ignite and engage feelings, thoughts & emotions. Meshing the song-writing aptitude of Biffy Clyro with the melodic mastery of UK big guns Snow Patrol and the heart and drive of Thrice, City Of Lights adeptly glide along the tight-rope of having an accessible sound with true longevity.
 
Glasgow based Crusades offer up a big dose of post hardcore, high speed riffs on their recent debut EP ‘Golden Throats’, released to received rave reviews and gaining air play on BBC Radio 1.
 
19 year old East London singer-songwriter Denai Moore only picked up a guitar two years ago but already counts Plan B and Tom Odell amongst her fans. Her debut EP ‘Saudade’ is out now featuring her haunting vocals and soothing mix of folk and soul.
 
Futuresound competition runners-up Glass Caves are building a feverish and faithful following throughout the North of England shifting thousands of their self-released ‘Glass Caves’ EP as well as selling out notable venues across their home county.  The underground buzz spilt over to the masses in April 2013 when BBC Introducing gave the band their coveted BBC Radio 1 Playlist slot.
 
Transatlantic alternative pop trio The Grand formed in 2010. The brooding Wakefield indie rockers come on sounding like Nick Cave wrestling with The National, an attractive proposition that has seen them championed by BBC Radio 6 Music. Their first single ‘Romance Is Dead’ was released in Sept 2012 and the band are currently working on material for their debut album, expected in 2014.
 
Up-and-coming Exeter five-piece I Divide exploded onto the rock scene in 2011 with their debut album ‘What’s Worth More’. They have since toured with Funeral For a Friend, won the 'Best Rock Act' Award at the 2012 South Wales Music Awards and bring their raw energy to Reading & Leeds this Bank Holiday weekend.
 
Four-piece Jaws are quickly making a name for themselves in the West Midlands, performing alongside fellow Birmingham bands Peace and Swim Deep. As well as having a critically acclaimed vinyl-only EP ‘Milkshake’ under their belt, they now have a new single ‘Gold’ due for release at the end of the July. Keep an eye out for their catchy garage pop on the stage this year.
 
Nottingham born songsmith Joel Baker burst onto the scene via the internet with his spellbinding covers including Kanye West and Maverick Sabre. Now stepping out with his own politically minded tunes, he is set for big things.
 
King No-One were crowned the winners at the recent Martin House Centre Stage final having beaten 10 other strong finalists from the West and North Yorkshire areas. Encompassing smooth chilled melodic vibes right through to raw expressive rock, the band are becoming well known in their home town of York for gathering huge crowds whilst busking.
 
In their relatively short existence, Lonely The Brave have performed live at Maida Vale Studios for Dan P Carter's BBC Radio 1 Rock Show and received plaudits from major music titles. Their debut album ‘The Day’s War’ has been a year in the making and with a new member, the band are set to make their mark this year. 
 
Alternative-folk-rock quartet Man Can’t Fly create emotive sounds and memorable hooks. Despite only forming a year ago, the Bradford band have already self-released their debut single ‘Don’t Waste My Time’ which has received numerous plays on BBC Radio 1.
 
Influenced by artists as diverse as Phoenix, Talking Heads and Kanye West, Newcastle’s Mausi bring plenty of energy and a dose of pop with their invigorating live performances. The quartet features siblings Daisy and Thomas Finetto who bring their feel-good vocals and danceable tunes, guaranteed to get the crowd moving.
 
 
Modo Stare is the project of Jon Headley, a musician, writer and producer from the UK and the group won their place on the stage through the Futuresound competition. Their music is built around a blend of old and new, electronic and acoustic, synthetic and organic; mixing 100-year old harmoniums with sparkling synthesizers, out-of- tune pianos with growling bass synths, and antique cuckoo clocks with distorted drum loops.  The project’s debut full-length album ‘This Is How We Know What Love Is’, is almost finished and will be out soon
 
Five-piece Peasants King from South Wales, had their song 'Antidotes' selected as the 'Introducing Track of The Week' – gaining praise from Fearne Cotton, Greg James, Zane Lowe and Huw Stephens. Comparisons have been made to Kings of Leon and Vampire Weekend, so be sure to check them out.
 
Scottish trio Prides are making a name for themselves with their synthpop. Built on the foundations of previous band Midnight Lion, the introduction of a third member Callum has ignited them to a new level in 2013. The band are signed to Island records and have just released their single 'Out of The Blue’, so watch this space.
 
Ruen Brothers are monochrome-clad brothers Rupert and Henry Stansall from Scunthorpe, who share a fascination with the early to mid-1960’s that has set the music industry buzzing since Zane Lowe played their track ‘Aces’ earlier this year. Their sound has been compared to Roy Orbison, but their elaborate melodies and natural swagger are quickly earning them fans in their own right. 
 
Hailing from Nottingham, 17 year old singer Saint Raymond is often described as the next Jake Bugg. A stratospheric rise is surely imminent, much like his debut EP ‘Escapade’ which rose up the iTunes chart following a release on Gabrielle Aplin’s label Never Fade.
 
Kent two-piece Slaves have gained a fearsome live reputation with their political punk. Taking their influences from punk behemoths UK Subs, Crass and Refused, their in-your-face songs have caught the attention of the industry with The Fly describing them simply as “brilliant”.
 
The four young members of Sundara Karma all come from Reading and claim that their indie-infused sound is “more refreshing than sunshine”. Shimmering indie escapism showcased in their debut single ‘Freshblood’ mixes percussive tropical beats with intoxicating sounds of the summer.   
 
Four-piece alternative rock band Theory 59 from Cleethorpes are now a step closer to stardom after their latest single ‘Through The Lies Comes Clarity’ was added to the BBC Radio 1 playlist. With a full length album in the works and a UK tour in their sights, their passionate and energetic offering is set to make its mark on the rock scene sooner than you think.
 
London-based Thumpers have been playing music together since the age of 15 and, having previously been in Pull Tiger Tail, they have reemerged as an alternative pop duo. They have a big emphasis on rhythm with booming drums taking the leading role and will get the crowds moving at the Festivals this year.
 
Producer, singer and multi-instrumentalist Frank Pescod initially made a name for himself creating scores for brands, TV shows and films. Now writing under the moniker To Be Frank, his four-track EP 'Nothing' was recently released via Solebay Music to critical acclaim.
 
Counting Tame Impala as fans, Tripwires will arrive at Reading & Leeds fresh from supporting the band in Switzerland. Their Festival shows will give them the chance to bring their nineties indie sounds to hometown fans in Reading and a brand new audience in Leeds.
 
Since forming their current line-up in 2010, Peterborough quintet We Are Fiction have been performing their unique blend of modern alternative rock to an ever growing passionate fan base across the country. Passion, love and energy are three things you can expect from their shows and music, with many describing them as a heartfelt, captivating and emotive band who possess a unique stage presence and sound.
 
Having cut their teeth on the underground circuit, We Are Knuckle Dragger are a trio hell-bent on unleashing their music to the masses. They have released two EPs, enjoyed support from Dan P Carter on BBC Radio 1 and have recently completed a tour with the Dillinger Escape Plan.
 
Leeds based duo Louisa Osborn and Chris Mulligan are signed to Dead Young Records and have a spark of the black magic which has seen them much talked about on the thriving West Yorkshire music scene. Since their sold out debut launch,Witch Hunt have wowed audiences alongside Wolf Alice, Veronica Falls and at festivals including Live at Leeds and Tramlines; they are runners up in this year’s Futuresound competition.
 
Tipped as one of the UK’s most outstanding up-and-coming independent musicians and producers, Zaheer has already received support from a range of stations including BBC Introducing, BBC Radio 1Xtra and BBC Radio 6 Music. His creativity and disregard for clichéd musical conventions mean he is catching the attention of the music industry, expect big things from him.
 
DANCE TO THE RADIO STAGE AT LEEDS
 
Leeds Festival welcome the return of the influential and innovative Leeds-based record label Dance To The Radio who will be taking over the BBC Introducing Stage on Thursday 22nd August and kicking off the weekend at Leeds in style with the following live bands:
 
Formed in 2010 out of the ashes of a Leeds-based rock band, Black Moth were seduced by the brutal and hypnotic lure of the riff, to emerge translucent, skinned and bleary eyed from their cocoon as a ferocious kick-ass heavy rock outfit.
 
Sheffield’s The Crookes are a four-piece at the forefront of the nascent new pop movement in the UK guitar scene. Set to release their second LP on legendary indie label Fierce Panda this summer and with a cult following already in the bag, be sure to see them for a dance on Thursday night in Leeds.
 
Manchester’s finest Dutch Uncles are a group who have pitched their tents firmly in pop’s left-field with crashing guitars, electronic dueling xylophones, and lead singer Duncan Wallis' eye-popping dance moves.
 
Leeds five-piece Hookworms are often bracketed among the latest wave of psychedelic rock. By only using their initials to avoid any form of ‘celebrity status’ adds to the mystery of the band’s deep, emotive lyrics involving attempted suicide and depression.
 
Leeds’ Menace Beach is the project of members of existing local bands with Rob from Pulled Apart By Horses, Nestor from Sky Larkin and Matt from Hookworms. Their hazy grunge songs have seen comparisons with Splashh and Swim Deep.
 
NEW ADDITIONS ACROSS THE REST OF THE FESTIVAL
 
NME / RADIO 1 STAGE
 
READING SATURDAY 24TH / LEEDS SUNDAY 25TH  
 
Childhood have supported Palma Violets and have been compared to Stone Roses, House of Love and Primal Scream. The ‘fresh-faced’ band are renowned for evoking a feeling of heady joy, if not drug-induced euphoria – a cocky young bunch of lads who have come to shake things up.
 
BBC RADIO 1 DANCE STAGE
 
READING FRIDAY 23RD / LEEDS SATURDAY 24TH
 
Named after a Nigerian state capital, Benin City is Theo Buckingham, Tom Leaper and Joshua Idehen from London. They have gained fans, as well as accolades, for their energetic live performances and have supported Soweto Kinch, VV Brown, Moko and Youngblood Brass band. Album ‘Fires In The Park’ is out now and has been described as ‘a sultry piece of afro dub blues’ in recent reviews.
 
READING SUNDAY 25TH / LEEDS FRIDAY 23RD 
 
Bipolar Sunshine is the solo project of Manchester singer/songwriter Adio Marchant, a recent collaboration with Rudimental saw them run an experiment to create and produce a single in 24 hours and perform it in front of an audience. They succeeded! His debut EP ‘Aesthetics’ has received great reviews and single ‘Rivers’ was recently iTunes’ ‘Single of the Week’.
 
Stay Positive is a London based producer and classically trained violinist who just released his latest EP ‘Blood Brother’ via Stay Positive Industries, which sees a perfectly arranged composition in minimal techno.
 
Aussie duo Parachute Youth cite their influences as Joy Division, New Order, The Smiths, The Cure and The Stone Roses, but their sound is completely modern and goosebump inducing. In their own words, “we're only a two piece but we make a lot of noise.
 
LOCK UP STAGE
 
READING SATURDAY 24TH / LEEDS SUNDAY 25TH  
 
Decade are an alternative rock / post-hardcore band from Bath, formally known as Ready Set Low.  They have supported the likes of Forever The Sickest Kids, D.R.U.G.S and Set Your Goals and have been locked away of late, hard at work making their album, watch this space!
 
FESTIVAL REPUBLIC STAGE
 
READING FRIDAY 23RD / LEEDS SATURDAY 24TH
 
Brighton-based band The Wytches have had their music descried as “a cynical, dark and flowery take on psychedelia, 1950’s surf riffs, desert whips, loungey, melancholic shuffles with a stage performance that puts you under.”
 
READING SUNDAY 25TH / LEEDS FRIDAY 23RD 
 
Overall winners at the recent Futuresound competition final in Leeds, where 60 regional bands compete to win a coveted spot to play at the festivals, were Leeds newcomers Battle Lines. Dark and cerebral, they blend shoegaze guitars with alt-rock and synthpop to create a raw and energetic live show. Reading & Leeds will be their UK festival debut, remember where you saw them first.

Reading Festival 2013 Weekend tickets SOLD OUT

With a month to go until Reading & Leeds Festivals, taking place from 23rd-25th August, excitement for the event is rising as fast as the recent temperature and the best weekend of the summer is hotting up with the news that all Reading Weekend have now completely sold out!
 
EminemThere are now only a limited amount of Sunday Day tickets still available to purchase following the recent sold out announcements for Friday Day Tickets, Saturday Day Tickets and all Early Entry tickets for Reading Festival.
The only way for music fans to guarantee seeing the full amazing Reading & Leeds Festivals line-up is now at Leeds Festival, where fans should take the opportunity to snap up the remaining Early Entry, Day and Weekend tickets and witness the same incredible artists, with UK festival exclusive headline performances from Green DayEminem and Biffy Clyro.
 
If you want to see huge names including Biffy ClyroNine Inch NailsPhoenixAzealia BanksKnife PartyBaauerShikari Sound SystemFuneral For A FriendSpectorWretch 32 and Angel Haze, then a very limited number of Reading Sunday Tickets are still available.
 
As well as the headliners the Festivals will feature over 200 artists, with UK festival exclusive performances from System of A DownFall Out BoySkrillexDeftonesCity and Colour and more. Other exciting names confirmed to perform include Devlin and Wretch 32 on the all new BBC Radio 1Xtra Stage, comedy from Judah Friedlander World Champion and Russell Kane, plus Alkaline Trio and Shikari Sound System playing on the Lock Up and the new Rock Stage respectively.  This year is set to be the best year yet, with more stages, more music and more fun to be had than ever before!

DON BROCO, DEAF HAVANA, SAVAGES AND OVER 30 MORE ACTS ANNOUNCED FOR READING & LEEDS!

Voted ‘Best Festival’ at the NME Awards, this year’s Reading & Leeds Festivals are officially set to be better than ever! Reading & Leeds guarantee special performances, huge headliners and rising stars and are the only place to spend the August Bank Holiday weekend with friends this summer. 

With exclusive UK festival performances from headliners Green Day, Eminem and Biffy Clyro, plus exclusive appearances from Fall Out Boy, System of A Down, Deftones, Skrillex and more, Reading & Leeds can now announce over 30 more names for the Festivals.

 

NEW NAMES FOR THE MAIN STAGE:

READING FRIDAY 23RD / LEEDS SATURDAY 24TH

The Pretty Reckless are fronted by lead singer Taylor Momsen who brings equal measures of seething rage and tempered vulnerability to this New York band’s sound. They have been steadily garnering critical acclaim, have supported Marilyn Manson and Evanescence and are a welcome addition to the Main Stage bill.

READING SUNDAY 25TH / LEEDS FRIDAY 23RD

Four-piece Bedford alternative rock band, and iTunes’ ‘Best New Rock Artist’ of 2012, Don Broco bring their infamously raucous rough-edged riffs to the Main Stage. The band have been gaining momentum in the mainstream as a rock band to watch, and continuing on from their success at Radio 1 they are making a mark on the British rock scene and beyond. Following their thrilling Festival Republic Stage performance at Reading & Leeds last year, they step up to Main Stage for what will no doubt be an insane performance.

 

NME/RADIO 1 LINE-UP GROWS WITH NEW ADDITIONS

READING FRIDAY 23RD / LEEDS SATURDAY 24TH

Night Engine’s take on glam anthems has drawn comparisons to dance-era Bowie, INXS, Kane Gang and Power Station, and indeed they do sound vintage, but this London four-piece bring an infectious modernity to proceedings making them one of the most talked about bands of the past six months.

READING SATURDAY 24TH / LEEDS SUNDAY 25TH

Darwin Deez is to bring his brilliantly entertaining live show to Reading & Leeds’ NME/Radio stage in support of his new album, ‘Songs For Imaginative People’. Don’t miss your chance to witness a rare insight into everything an indie pop star should be.

Also joining will be alternative rock band from Norfolk Deaf Havana, renowned for their soaring melodies and candid lyrics. The band’s success continues to grow and with their highly anticipated new album 'Old Souls’ due out in September this year, be sure to catch them before they get even bigger.

READING SUNDAY 25TH / LEEDS FRIDAY 23RD

Irish folk band Villagers will be bringing their icy melodies and eerie synth-laden indie-folk to Reading & Leeds this year. Since their debut album was shortlisted for a ‘Mercury Music Prize’ in 2010, they have been gaining momentum and their most recent album, ‘Awayland’, released earlier in the year is a thrilling follow-up.

Californian surf-rockers Wavves are bona fide staples on the rock scene thanks to the critical success of their self-titled debut album, which whetted the appetites of critics and fans alike. They have since gone on to play sell-out shows and collaborate with artists such as Big Boi, all the while building on their thrilling live-show energy.

 

BBC RADIO 1 DANCE STAGE EXPANDS
 

READING FRIDAY 23RD / LEEDS SATURDAY 24TH

Alvin Risk is signed to Skrillex’s OWSLA label and is rapidly gaining notoriety for his dark and aggressive dubstep. Slow beats build into grimey climaxes with stadium sized, ethereal choruses, just what you’d expect from Skrillex’s protégé.

READING SATURDAY 24TH / LEEDS SUNDAY 25TH

London four-piece Post War Years bring their brand of polished synth-pop to the expanded three day Dance Stage. With comparisons to both New Order and LCD Soundsystem, Post War Years offer up a fresh take on dance music simultaneously referencing the past, whilst pushing boundaries.

READING SUNDAY 25TH / LEEDS FRIDAY 23RD

Electronic music duo Alexander Odden & Michael Parsberg AKA Pegboard Nerds are best known for their evenly spaced electronica with plenty of synths. The overall melodic and bassy effect makes them key players in the EDM scene and Reading & Leeds welcome them to the Dance Stage.

 

MANY MORE BANDS FOR THE LOCK UP/ROCK STAGE

READING FRIDAY 23RD / LEEDS SATURDAY 24TH

Hardcore connoisseurs Feed The Rhino will be playing the best of their rough, riff-heavy emphatic hardcore stylings for die-hard fans. The five-piece have been acclaimed by the likes of Metal Hammer and Kerrang! and are sure to raise the roof this summer.

Also on the Lock Up Stage is the Canadian four-piece The Creepshow who use horror films as a point of reference for much of their music, which is sure to thrill any slasher fanatics in the crowd. The band are notorious for their frenetically paced, high-energy shows, and will have the crowd singing along in unison.

Rising talent Rat Attack will be thrilling festival goers with their pop-punk indie stylings. The Exeter-based band have been championed by Radio 1’s Zane Lowe and a slew of underground music blogs.

Already established in the hardcore scene, British band Palm Reader offer up some of the best of the genre. Known for their punchy riffs and killer percussion teamed with emotive vocals, you can expect lots of power, energy and undoubtedly a spot of moshing.

Brighton-based band Gnarwolves have been gaining plaudits recently for their contagiously energetic performances. A huge summer awaits them, all topped off with their set on the Lock Up Stage.

READING SATURDAY 24TH / LEEDS SUNDAY 25TH

Manchester based five-piece Sonic Boom Six (SB6) expertly deliver politically motivated narratives about social justice and activism, combined with an eclectic blend of musical influences. From ska and reggae to punk and dubstep, they return to whip Reading & Leeds into a frenzy.

Rising punk band Off With Their Heads are known for their electrifyingly mid-tempo pop teamed with supersonically paced punk. The band’s most recent single ‘Epitaph’ has been gaining heat on underground rock blogs and their performance at Reading & Leeds is sure to put them on the map.

Guitarist, songwriter and singer Chuck Ragan has had an impressive career which has seen him release a live album, three solo albums and head up punk rock band Hot Water Music. He has since gone on to write a book and tour across Europe with his evolved folk-rock sound, and he will be bringing his array of musical experience to the Lock Up Stage this summer.

Ahead of their European summer tour, Anti Vigilante will be gracing the Lock Up Stage. Influenced heavily by ska, they merge hardcore sounds with saxophones and intensely heartfelt lyrics. Their tracks have been championed by the likes of Radio 1’s Mike Davies and they’ve played in the iconic Maida Vale studios, a variety of independent rock festivals, and now play the big ones!

Four-piece punk rockers Sharks are best known for their uncompromising brand of blue-collar punk, packed with songs focusing on rebellion and resistance. Influenced by The Clash, these boys from Leamington Spa are serving up the best in modern rock n’ roll and their show is sure to be a real treat.

Great Cynics are fresh from being touted as a one to watch at Brighton’s Great Escape festival, and performing a live session for Mike Davies’ Radio 1 Punk Show. With notes of folk, grunge and punk in their musical offerings, they are sure to offer something for everyone.

READING SUNDAY 25TH / LEEDS FRIDAY 23RD

Legendary industrial-rock band Filter have spent 20 years contributing to the rock arsenal. From songs about Kurt Cobain, Tomb Raider, and Smashing Pumpkins, they write about contemporary culture, and their albums document the mood of modern youth over the past two decades.

Pioneers of the ‘djent’ genre, which refers to a dense, complex and very hardcore strain of heavy music, Hacktivist are nothing if not innovators. The five-piece incorporate pounding quick-fire grime-inspired rhymes over thunderous riffs, which makes for a unique sound that has earned them accolades from rock critics and fans alike. Check them out on the Rock Stage and make up your own mind.

Three-piece rock band The Virginmarys are adept at touring, with a career which has seen them support the likes of Skunk Anansie, Slash, Feeder and We Are Scientists. They promise an electrifying live performance this year as they turn up the amps and the energy.

American rock trio Beware Of Darkness take their inspiration from the likes of Led Zeppelin and the Black Keys and have supported huge bands including The Deftones since they formed in 2010. Their brooding rock songs from debut album ‘Orthodox’ will be captivating audiences this summer on The Lock Up Stage.

Portland based band Hawk Eyes cite a range of influences from garage rock and post punk to Brit-pop, all of which can all be heard in their music. With a thrilling live show, make sure you catch them on the Rock Stage as they ascend to the realms of the mainstream.

 

FESTIVAL REPUBLIC STAGE WELCOMES NEW NAMES
 

READING FRIDAY 23RD / LEEDS SATURDAY 24TH

LA based four-piece Papa are identified by big, raucous sounds that whip listeners into a frenzy. Their charismatic charm and catchy hooks will ensure a legion of fans at their feet at the Festival Republic Stage.

Also joining the bill are Charlie Boyer And The Voyeurs with their intoxicating blend of grinding guitars, rolling organs and frantic energy. The English five-piece are influenced by the music of 70’s New York, straddling avant-garde rock ‘n’ roll and big, sing-a-long tracks, this band is not to be missed.

READING SATURDAY 24TH / LEEDS SUNDAY 25TH 

Influenced by Arthouse cinema and post punk, Savages have had a phenomenal year and show no intention of slowing down. Starting it with a nomination for the BBC ‘Sound of 2013’ poll, they have been widely regarded as one of the most thrilling live acts around by critics, thanks to their incredible energy and emotion on stage.

Formerly known as Dive, critics’ favourite DIIV are a New York based indie rock band who have a slew of accolades behind them. Their album ‘Oshin’ released last year featured on Pitchfork’s ‘Top 50 Albums Of 2012’ and their unique sonic influences include a mix of world music, krautrock and indie.

One foot in electro and one foot in folk, Dan Croll is adept at making catchy tunes supported by the likes of Radio 1 and BBC Radio 6 Music. Dan and his band join the Festival Republic Stage this year. Enjoy.

Alternative pop rockers Sons & Lovers are known for their catchy guitar melodies and strong lyrical stature. They will be bringing their gentle indie stylings to Reading & Leeds this year.

READING SUNDAY 25TH / LEEDS FRIDAY 23RD

Critically acclaimed electronic music duo Mount Kimbie have made some of the most progressive electronic music over the last few years, and have featured in countless ‘Best Of’ lists. Their beautiful blend of ambient beats and well-produced instrumentalism has earned them the status as some of the best in the game, and they are sure to thrill the Festival Republic Stage audiences this year.

Frankie & The Heartstrings are back with the follow-up album ‘The Days Run Away’ to the much-loved 2008 debut ‘Hunger’. Bernard Butler is the producer this time around, and you can certainly feel his presence on the record. Always great live, it’s a welcome return for Sunderland’s finest.

Musical pairing In The Valley Below will be delivering hushed swirls of male and female vocals forged with dark tales of brooding riddles and romance. The band have received acclaim from NME and MTV, and this show should push them to the next level.

Also joining are Leeds rock ‘n’ rollers China Rats who have clearly been inspired by classic British rock and guitar bands. After being championed by Radio 1’s Huw Stevens and BBC 6 Music’s Tom Robinson, the band are paying homage to the 90’s indie scene while adding dimensions that make the sound their own.

Australian four-piece San Cisco offer up their brash and uncompromising indie to the festival this year. After steadily receiving acclaim from the likes of Radio 1, NME and a wealth of indie blogs, the boys from down under walk the line between soft rock and indie-pop and are sure to live up to the hype.

 

NEW CONFIRMATIONS FOR THE BBC RADIO 1XTRA STAGE
 

READING FRIDAY 23RD / LEEDS SATURDAY 24TH

British rapper Itch brings his blend of UK rap and rock riffs to the BBC Radio 1Xtra Stage this year. His angry and brash foray into the worlds of rock, rapping and social justice create a powerful performance that you won't forget in a hurry.

READING SATURDAY 24TH / LEEDS SUNDAY 25TH 

Championed by Zane Lowe Chicago based Chance The Rapper has spent the last few years injecting a sense of freshness into the rap world with his thrilling take on hip-hop instrumentals, beats, and bars. His second mixtape ‘Acid Rap’ features heavy-hitters including Action Bronson, Black Hippy’s Ab-Soul and childish Gambino. Chance The Rapper has recently served up some unforgettable performances and is definitely one to watch at Reading & Leeds.