Alice Cooper – announces UK, Too Close For Comfort Tour

Icon, pioneer, and Rock And Roll Hall Of Fame inductee – Alice Cooper has achieved so much in his lengthy career.  But most importantly, Alice Cooper remains one the greatest rock shows on the planet.

Returning to the UK for the first time since 2022, in October, Alice and his award-winning band are heading to arenas in Glasgow (14th), Birmingham (16th), Manchester (17th), Leeds (18th) and, for the first time in many years, more up close and in your face shows at London’s Eventim Apollo (20th + 21st).

The Too Close For Comfort tour brings fans closer than ever to Alice with giant video screens blending the live action with pre-recorded scenes to delve deeper into Alice’s world.

Expect spectacle – snakes, guillotines, monsters and more – wreaking havoc on stage nightly. Classics like “Under My Wheels,” “I’m Eighteen,” “Schools Out,” “Poison,” “Billion Dollar Babies,” and “No More Mr Nice Guy” are staples and there are surprises every night, effortlessly drawn from one the greatest catalogues in rock and roll.

Fresh from the success of his latest album ‘Road,’ a concept album about the thrills and spills of touring, Alice is back, accompanied as always by his long-running live band of Ryan Roxie (guitar), Chuck Garric (bass), Tommy Henrikson (guitar), Glen Sobel (drums), and Nita Strauss (guitar).

For ‘Road’, I wanted the band to be involved in the foundation of all the songs,” says Alice. “I only see these guys when we’re on the road. So, I wanted them to be as tight as they are for the show but on all new material. When you have a band this good, I believe in showing it off, and this is my way of doing so.”

Primal Scream, one of Britain’s best-loved rock bands, will join Alice for the tour, in all cities except London.  The Glasgow band have been on an odyssey, making jangly guitar pop to brash rock n roll, incorporating acid house and psychedelia into unique records and live experiences.  Frontman Bobby Gillespie cites Alice’s shocking appearances on 1970s Top of the Pops as a formative influence.

In London, legendary Sex Pistols guitarist and songwriter Glen Matlock will be Alice’s special guest. And on all dates, up and coming acclaimed punks The Meffs will support.

Too Close For Comfort Tour, UK Dates

October 2024

Monday 14 – Glasgow Ovo Arena

Wednesday 16 – Birmingham Utilita Arena

Thursday 17 – Manchester AO Arena

Friday 18 – Leeds First Direct Arena

Sunday 20 – London Eventim Apollo

Monday 21 – London Eventim Apollo

Tickets on Sale:

Three presale: Wednesday 21st February 10am

AEG Presents, AXS, Ticketmaster and venue presales: Thursday 22nd February 10am

General on sale: Friday 23rd February 10am

Highfield 2023!

With Highfield’s 2024 Line up announcement complete, let’s take a look at how 2023 went, and what might be on the cards for this years summer festival

Friday

It was gonna be a stupidly hot weekend, and I will be complaining about that throughout this review. Better stupidly hot than torrential rain though, so no hard feelings. We managed to find a small corner to pitch our tent, a sweat inducing activity. Neighbourly introductions were made followed by a quick trip to the merch stall because the best stuff always sells out quickly. There was a really good selection of designs this year, including tank tops, which were obviously going to be needed in good supply this weekend. To recover from all that very arduous work, we went to cool down in the lake, which was covered in weird grass balls this year for some reason. Luckily those balls made good throwing entertainment for the many many people also looking to cool down.

We caught Stand by Me from California punk band Pennywise on the way into the arena and made it to the stage just in time for Bro Hymn. Admittedly the only one of their songs I know, but I’m glad I made the effort. The energy from the crowd made it a great start to the weekend of live music, with the song’s chant lasting well past the finish of the set. The arena has isolated puddles in places and a brewing swamp on the way out of the front of stage area of the Green stage. Apparently, a heavy thunderstorm had passed over the area just before the festival, pretty fortunate timing.

We hoped to see Yaenniver on the Blue stage after, but there seemed to be some technical issues. About 20 minutes late, someone came to address the modest crowd, letting them know they’re still trying to figure things out. I got my Duolingo done for the day. At 25 minutes, there was a birthday celebration near the front of the crowd, with bubbles and every birthday song they could think of (two). This devolved into drinking songs and then a woman took charge from the shoulders of a friend, directing the chants and keeping us entertained. The act started just as Roy Bianco & Die Abbrunzati Boys started on the Green Stage, which sounded like a silly fun time, so I headed over there. It was a shame about Yaenniver, I was looking forward to seeing her solo stuff.

Von Wegen Lisbeth were going for a “padded cell but make it zesty” look this year, an inflatable orange cushion making up the majority of the backdrop. All instruments were in matching orange, it looked great once the sun set. They played Wenn du tanzt, one of their most famous ones, as second song in the set, mentioning that they might regret it. The crowd was clearly up for it, and after a hell of a lot of dancing and singing, still stuck around for the rest of the set. So, the bands worries were unfounded. I think more bands should play their big stuff sooner, it definitely gets the crowd going. For their song Bitch, the band declared they would no longer be singing that word as part of the chorus and invited the crowd to fill in their own single syllable word, preferable a non-discriminatory one. It’s a nice way of continuing to play older (I mean, is 2016 older now??) songs that you’ve grown past in one way or another, while avoiding the aspects that aren’t up to your standards anymore. The stage was bathed in a rainbow of lights for Meine Kneipe, which was followed by Elon at the end of the set. I don’t know if the latter was put in at short notice because there was time, it felt a little anti-climactic after the fun of the former. But the crowd seemed to disagree with me, so what do I know *shrug emoji*. Either way, great show, these guys have been steadily climbing the line-ups over the years, so we’re sure to see them again in future years.

On a personal note/complaint, there was a pair making their way through the crowd, giving people branded red baseball caps and then taking fake candid shots. Would have been fine, you know, live and let live. HOWEVER, they had a super bright light with them to illuminate the groups definitely candidly wearing their merch. Unnecessary and annoying. And the volunteers/victims didn’t even get to keep the hats.

The Dropkick Murphys set was a hearty combo of foot stomping, pyro and mosh pits. A four-man crab mosh pit had formed around one of the primordial soups that had become part of the arena as the day went on. I managed to dodge the mud puddles to get close enough to feel the extensive fire emanating from the stage. The stage set-up was fairly straightforward otherwise, no fancy screens, only a black backdrop with the and name on it, making it feel more intimate, like a pub with 35,000 patrons, and also fire. Lead singer, Ken Casey, came down into the crowd for Rose Tattoo while the crowd chanted along. The final part of the song was accompanied by a waterfall of sparks cascading down from the top of the stage, meeting the flames shooting from the bottom. It was beautiful and impressive to look at. I wanted to look up some of the song names and found that setlist.fm was being updated in real time, clearly some very dedicated fans in the crowd. The show finished with Shipping out to Boston with all the rambunctious moshing you would expect followed by the more emotional We’ll Meet Again which had people swaying arm in arm.

After grabbing dinner, it was back to the Green stage for tonight’s headliner K.I.Z. The hip hop trio came out all in white with the logo of a fictional psychiatric hospital in green on the back. The matching building on the stage was complete with ambulance. The sign and inside of the building changed throughout the set: from hospital to night club to liquor store to gun shop. Definitely more of a guilty pleasure band, the content is far from politically correct. But if you squint with a healthy dose of irony it’s really good fun. The show was high energy from start to finish, an insane amount of moshing and probably the most consistent crowd participation. It’s cathartic to sing inappropriate stuff sometimes. A superb start to the weekend.

Our tent was pretty much exactly between two late night DJ stages which made for an interesting lullaby by the time we finally got back, but to be fair, we were so spent that it didn’t matter.

Saturday

To no one’s surprise the tent was stupid hot in the morning. Held together by spunk, moxie and ibuprofen I managed to get the desired liquids (coffee) in and the undesired liquid (pee) out of my body, ready for the day. First order of business as always: lake time. The shallows were mad busy so we swam out to the buoys and hung out for a bit. Kind Kaputt were playing on the Beach Stage so we lingered for a while because it was immediately too hot out of the water. Once we braved the sun, got back to the tent and showered the sand and lake gunck off we were ready for day two.

Querbeat were up first on the blue stage. The brass-pop band consists of 13 members, basically a marching band but with more pizzazz. It was so hot I was actually dripping with sweat from very mild swaying. The band had immaculate summer vibes, with giant inflatable flamingo races across the loose but committed crowd. The band wandered into the crowd for a great brass medley including Industry Baby, Hips Don’t Lie and Crazy in Love. Pride and Climate action flags dotted the crowd and the loose mosh pits were more akin to dance floors.

You Me At Six played on the Green stage to a modest crowd. Lead singer, Josh Franceschi, came on in a suit jacket over a white t-shirt. He was excellent at animating mosh pits. Last night’s swamps had been filled in with woodchips giving it a weird doughy texture, but that was better than the dry dust over at the blue stage. It was a good show, but the weather was clearly taking its toll, a lot of patrons stayed in the few remaining shade rather than braving the arena.

Sondaschule are a staple of German festivals and never disappoint. High energy ska-punk from the first note celebrating life and comradery. I managed to keep up for the first few songs, but the heat got to me, and I had to have a little sit down. The lady near me had no such qualms, dancing with gay abandon, not noticing or caring about her beer’s successful escape attempts. The circle pits had several wheelchair users joining in with the festivities. Endless crowd surfers were welcomed with open arms by the securities at the front. For the last song, Bist du Gluecklich?, the band asked everyone to wave their hats. The number that went up made me feel double stupid for forgetting mine at home.

Enter Shikari have steadily grown on me across several festivals. Starting off with a firelarm ringing into Set me on Fire. Juggernauts was accompanied with a slow count up of the years since the late 1800s to now, each year’s average temperature being represented by a colour from blue to dark red. I know it’s not a new image, but there’s something more threatening about seeing it slowly build up and get so red, so quickly. I’ve written myself into a bit of a downer here with no obvious way back, so denial it is: the lead singer had an ungodly amount of energy given he was wearing a leather jacket in this heat. He did some magic show shenanigans, taking his top off and pretending to jump into a cube of screens that made it look like he jumped into water, only for him to appear at the centre barrier with leather jacket and starting into Bloodshot. He stuck around for a while, walking around the crowd and climbing the media tower. His microphone cut out a couple of times but generally it was a really good show and I look forward to their inevitable return.

Tokio Hotel are the epitome of mid 2000s emo in Germany. I didn’t realise they still existed until I saw them on the line-up. They’ve actually kept releasing music semi-regularly since their debut in 2005 but this was their festival debut. Their hit from way back when, Durch den Monsoon, is a cornerstone of any German emo kid so clearly that one had to wait until later in the set. The stage was draped in gold, matching the high school prom vibe of what I was expecting. But instead of an emo band, I was greeted by Bill Kaulitz, the lead singer, in a purple and blue be-sequenced cowboy get up, complete with fringey tassels, hat and assless chaps. Consider me surprised but not disappointed. Bill had a platform filled with fans so that he could a) keep cool and b) give his blond curls the blowing in the wind aesthetic that frankly, we all need in our lives. The set included several outfit changes, all sparkly, all wonderful. The rest of the band stayed in their clothes and looked like a standard rock band. You know, like that Elton John carpool meme. You get it. The show was pretty good, but the new stuff didn’t really grab me which was a shame. The crowd seemed pretty lukewarm as well, also a shame. The actual show was good though, so maybe the music will grow on me.

I arrived over at Giant Rooks in time for Tom’s Diner. Everything was bathed in warm light and the stage felt so warm and inviting. The instruments and amps were all white against a black curtain backdrop. The band cancelled last year due to mental health struggles, so it was wonderful to see them back again. It looked like they were having a great time, smiling and dancing across the stage. The set included the new song Somebody Like You and was generally just a really nice indie show. The crowd sang along so so loud and cheered even louder. The lead singer came down into the crowd for Wild Stare and the set finished on Watershed with a beautiful crowd chorus.

The front of stage area was packed solid for SDP, even the photographers had to wrangle their way through security. The anticipation was building when the curtain finally dropped, revealing the number one party boys of the German festival circuit’s return to Highfield with all the expected energy and flare for hosting an ecstatic night of dancing, singing and jumping. The giant beach balls quickly came out, and by giant I mean giant. The accompanying inflatable ducks were quickly boarded and surfed across the jubilant crowd. Bela B of Die Ärzte (set to play an hour later on the green stage) came on for his feature on Das Lied. Really cool considering SDP grew up with Die Ärzte’s music, must have meant a lot to them. For some reason, as the set went on Vincent and Dag thought the crowd looked like an inviting place to be, not the hot sweaty mess we were. As they made their way through, they quickly realised. Luckily, they made it to the middle barrier unscathed and continued to play several songs from the middle to “the new front row”. A short break after returning to the stage, they ran back on to another set opening song (from previous tours) with all the same energy they had 45 minutes earlier when they first started. And they went on and on until the fireworks finale. Even if you don’t understand every word, or even any, I’d highly recommend these guys, always a highlight.

Die Ärzte are one of Germanys oldest punk rock bands, originating in 1982, they’ve thankfully been more active in recent years, with tours and festival sets. Definitely a more unique set up, the three band members were on equal ground at the front of the stage, Farin on guitar, Bela B on drums and Rod on bass. The stage backdrop was made up of deep red curtains with a giant A made of hexagonal lights. No strangers to self-deprecating humour the opening statement asked if we were ready for two hours of cringe. What followed was two hours of shit talking, missed drum intros and general tomfoolery. The trick to punk is not taking yourself too seriously and it’s clear these guys have decades of experience in that. I think it tried to rain at one point, but it felt like most drops evaporated before they hit the packed crowd. There was a little switch around for Rod to play guitar and sing while Farin took over bass and later in the set Bela B played a solo song. One song was stopped because something had happened in the crowd and the band saw people waving for attention, so they waited until things were sorted out. I didn’t see what was going on, but apparently one guy took a photo of the incidence, which was called out by Bela B and booed by the crowd, rightly so. With things sorted out, the barrage of silly punk continued. It was a long gig, two and a quarter hours, which was hard work for the end of a long, hot Saturday, but worth every second. If you want to put your German to the test, or just enjoy some catchy riffs and great energy, this is definitely the band for you.

Sunday

Sunday morning was a little overcast hinting at a cooler day, but no such luck, the clouds cleared pretty quickly, and the relentless sunshine continued.

The sun was still low enough for the Blue Stage to cast a shadow as we arrived for Lostboi Lino. Festival goers perfectly filled every last remaining bit of shade as if the light was deadly (to be fair, it felt like it by Sunday). Lino came on stage, pink hair, pink puffer jacket, pink trainers, jean shorts. His voice was distorted as he launched into the opening of his 30 minute set. The coat quickly went, revealing a hand drawn white tank top with “Highfield Lino 2023” written on in in fluorescent pink. He was accompanied by a drummer and guitarist, both looking like they were having a great time. There were some technical problems with the microphone in the middle of the set, which Lino used to check we were all drinking enough water. His “lets hear it from the ladies, lets hear it from the gentlemen” calls went on to include those between and outside (the aforementioned categories) before launching into Maenner about defying gender stereotypes, while wearing a dress himself. The microphone issues came back so the set finished with him in a circle pit while the crowd sang the last choruses. It was a lot of jumping and moving for an opening act, really good fun.

Kaffkiez jumped onto the line-up last year after Giant Rooks no longer being able to make it led to some timetable re-arrangements that left a gap. Going from a last-minute opener to 1630 on a Sunday is a pretty good trajectory. The stage was set up like a rural bus stop, complete with bench, postbox and cigarette dispenser. During the indie set, the lead singer asked for whom this was their first festival. After a few people raised their hands, he explained the rules for the biggest declaration of love a group can make, the mosh pit. Hands to yourself, help each other up when someone falls. A little pit opened in front of me and in jumped a group of people who looked like they were still at school or just left. They were mainly women, and it was the softest, friendliest mosh pit I’d ever seen (affectionate).  They were having such a good time and it was heart-warming to see this rite of passage for festival goers. Time to accept that I’m one generation in now, the youth are coming up and it’s wonderful to see.

While the overlap between Kaffkiez and Nothing But Thieves was a shame, there was a sweet spot between the two stage that meant I could catch the end of Nie Allein while waiting for Nothing But Thieves and could head straight down as Welcome to the DCC started playing. These guys have been growing on me the more I see them at festivals and I’m glad I made the time for a whole set this year. The lead singer, Conor Mason, was saying they had played some gigs in the area and had some more dates coming up, declaring his intention to win over anyone who wasn’t going yet. Going back to east Germany might be a bit of a trek, but I’ll definitely keep an eye out for UK dates in future, so his mission had a minimum success of one. It was a good pallet cleanser to have something more rock after a fairly relaxed start. There were some great mosh pits going on much to the Mr Mason’s delight. They finished on Amsterdam and it was great. Also, there was now a bit of wind, also nice.

I went to get a little sweat treat during Nina Chuba, my sugar levels were dipping, and we still had some high energy acts to go (gotta fuel correctly). Nina Chuba’s set had a wonderful tropical vibe to it in the light of the evening sun, the crowd was huge and really enjoying themselves. Light on her feet as she danced across the stage, she was chatting with the crowd, inviting them to sing along and generally having a fun time.

Swiss of Swiss und die Anderen expressed confusion as to why people were with them instead than over at Nina’s show. That felt like a sign of unironic, deep admiration coming from a rowdy, far left punk like Swiss. Their show started with a dramatic build up, but suddenly fell silent, prompting some roadies to come rushing on to stage and start pressing buttons. The band came on to unclimactic silence, acknowledged that their intro was epic and got straight to work. The line-up was generally less political this year compared to previous years, which was bought into sharp focus just by virtue of Swiss und die Anderen standing out through their political statements this year. Same with flags and flares in the crowd, looking back, those were more common in the past. Maybe security is tighter, maybe there’s still a post pandemic sleepiness to more dramatic behaviour. I think a good smoke flare is never out of place at a punk gig (as long as it’s outside and safe etc etc blah blah caveat caveat). I digress. The show was a raucous good time, with mosh pits and clear stances against the far right and pro refugee rescue. It included a cover of the anti-nazi song Schrei Nach Liebe by Die Aerzte and a dingy race between two women from the crowd (because guys always break the boats according to Swiss) across the crowd and then generally round in circles. Apparently, Bloodhound Gang had sued the band for copyright because they ripped off one of their songs (Swiss’s words) but luckily, committing crimes is more fun together and there will be a collection going round for the infringement fine later, so they played Vermisse dich anyway. Which, now they mentioned it, is very similar to Bloodhound Gang’s Foxtrot Uniform Charlie Kilo.

Heaven Shall Burn was the heaviest band on the line up. Complete with long haired headbanging, fire and death growls. Clearly it was time for the pros because this crowd had the fastest circle pit I’ve seen, complete with someone holding a roundabout road sign. Very German, all labelled correctly and probably (German) OSHA compliant. The securities were super into it too, jumping along as they were waiting to pull the crowd surfers across the bar. Having avoided a dust bath up until now, this crowd loosened up the ground to no end, partly obscuring themselves in the process.

Blue stage headliners Beatsteaks started strong, with lead singer coming down to the crowd after just one song. They asked phones to be put away so they could play a gig like the good old days. Surprisingly, people complied, to the point I felt bad for wanting to take a quick video of the ecstatic crowd and their dancing and singing. Maybe it was because the average age of the crowd seemed a little older. The set contained both English and German songs, both of which the crowd was singing along loudly. I could never get into the band when listening to studio recordings, so I was definitely enjoying them vicariously through the people around me. Maybe they’ll click more with me in the future, the live show was definitely great for fans.

Green stage headliner Marteria was definitely one of my highlights. Starting off with the trance-y Paradise Delay through the smoke and flares of Bengalische Tiger and the mesmerising Verstrahlt. As we were on the final straight of the festival I indulged in a little wall of death (as a treat) for Adrenalin. We were all equal parts sweaty and ecstatic from the weekend, a perfect chance to burn every last bit of energy. After having seen him at Southside earlier this year, it’s clear that he belongs in a headliner slot. Not sure if the crowd was watered down with people waiting for the subsequent headliner at Southside Festival, but there was definitely more energy here at Highfield. Marteria’s alter ego Marsimoto made a brief appearance on the screen, announcing his last album for the next year. The show (and thereby the whole festival) finished 10 minutes early, bit disappointing as the vibes were immaculate and the party could have gone on for a few more hours, no question. A fan in a Rostock football shirt (Marteria’s team) was invited to join on stage for the final celebration which was very sweet. For the crowning finish, Marteria dropped the mic aftergingerly asking if he was allowed given it was the end of the festival.

It feels like there’s more international bands returning the Highfield after the pandemic break and they’re all happy to be here. I get the impression that those bands have a dedicated followers in Germany, as well as having fans who will follow them anywhere. As always, it’s been a great festival, the swimming lake was up there as MVP of the weekend. A great line up with plenty to see and relatively light on having to compromise between acts. See you next year Highfield (Tickets went on sale the Monday after).

BLOODSTOCK’S 11 BANDS OF CHRISTMAS



As December extends its frosty fingers, BLOODSTOCK is getting in the festive spirit with some early Xmas gifts by way of another chunky 2024 announcement.  If you’re hoping for some heavy metal next summer, BLOODSTOCK’s got your presents wrapped up with a bow on top!  And if you want to give the gift of heavy metal (yes, we mean a ticket for BLOODSTOCK 2024), you can now download a special festive card when you order at the ticket store to help present it to the lucky recipient! 

Don’t miss BLOODSTOCK’s Festive Facebook Live at 7pm on Dec 7th  for some seasonal fun & oh maybe some prizes… and we suggest you keep your eyes (and your sprouts) peeled for who knows what other treats might be in store across the festival’s socials later this month… 



On the Ronnie James Dio main stage, grindcore & melodic death metal pioneers CARCASS land Sunday’s special guest slot.  The “most influential band out of Merseyside since The Beatles” released their current studio album, ‘Torn Arteries’ in 2021 via Nuclear Blast to colossal acclaim. 

Also appearing Sunday on the RJD main stage are South American progressive sludge metal project, CULTURA TRES.  Last year, the 4-piece, featuring Sepultura’s Paolo Pinto Jr on bass, released their 5th studio album, ‘Camino De Brujos’. 

Black metal icons, SATYRICON will return to the stage for the first time in 5 years to headline Sunday’s Sophie Lancaster stage.  In what are becoming increasingly rare appearances, frontman Satyr informs us: “The way SATYRICON’s attitude has resonated with English fans throughout our journey as a band, has made us feel that playing there isn’t so much a visit, but rather a homecoming. Having decided to do only a few select shows, we can’t go everywhere, but fortunately there are a few places our hearts seem to take us, one way or the other. Like England.”  

The mighty SYLOSIS steam into a Saturday slot on the Sophie stage.  Their latest album, ‘A Sign Of Things To Come’ landed in September and the Brit metal heavyweights told us, “We can’t wait to be back at BLOODSTOCK!  We’ve had some amazing shows over the years, but it feels like next year is going to be really special!”  We can’t wait either!  In the meantime, get a load of new song ‘Descent’ taken from that brand new release. 

Also appearing on Saturday’s Sophie stage are American goth metal project, LUDOVICO TECHNIQUE.  Fronted by enigmatic songwriter and multi-instrumentalist Ben V, they released their most recent album ‘Haunted People’ in 2022.  Check out their epic video for ‘Live As Myself’, taken from that album, here
Ahoy!  Metal pirates RED RUM also grab a Saturday Sophie slot.  If you like your pirate tunes laden with riffs and melodies, RED RUM aren’t to be missed.  Sing along with ‘We Pirates’ taken from their current album, ‘Book of Legends’ out now on Trollzorn Records.  

SADUS bring their death/thrash sounds to BLOODSTOCK’s Sophie stage for the first time ever on Sunday.  The band came off an extended hiatus in 2017 and signed to Nuclear Blast for the recent release of new studio album, ‘The Shadow Inside’.  Check out the lyric video for album track, ‘Ride The Knife’
On Sunday’s Sophie stage bill, expect to see Spanish alt metal collective, ANKOR.  Fronted by Jessie Williams (who hails from Bristol, UK), the band blend metalcore with progressive and electro elements, creating a sound of their very own. 

If you’re a weekend ticket holder, the party starts early for you on Thursday.  Once you’ve set up camp and had your first cold one, prog metal Swedes EVERGREY are set to headline Thursday’s Sophie stage, with earlier evening sets from classic heavy metallers TAILGUNNER and Bournemouth rock n’ roll squad, SOUTH OF SALEM.  

BLOODSTOCK’S HALLOWEEN TREATS

Happy Halloween! Trick or treat?! BLOODSTOCK loves the spooky season and has only fiendishly good news to share! Are you ready? Get set to howl the house down when you see which nine bands are being announced today! There’s also news of everyone’s brilliant fund-raising efforts with details of just how much was raised for two worthy charities from BLOODSTOCK 2023, the ticket deposit scheme launch date, & more. Without further ado… 

Swedish metal legends GRAND MAGUS land a Friday slot on the Ronnie James Dio main stage. It’s already been 4 long years since the doom-infused three-piece dropped album ‘Wolf God’ with Nuclear Blast, but the band themselves have already made mention of their tenth album coming in 2024! Get excited! Last seen at BLOODSTOCK in 2019, refresh your memory of that epic set here

Metal Blade mob WHITECHAPEL serve up a hefty slab of deathcore on Saturday’s main stage. After regretfully pulling out of 2023’s event, you’ve had an extra year to anticipate just how ferocious that pit is gonna be. Watch the video for latest single ‘Without You/Without Us’ or deep dive into the entirety of current album ‘Kin’ here

Florida death metal icons DEICIDE also jet in for a main stage Saturday spot in a UK festival exclusive. It’s all go in the Deicide camp of late, signing a new record deal with Reigning Phoenix Music and putting the finishing touches on their upcoming, 13th full-length album, ‘Banished By Sin’, featuring new guitarist Taylor Nordberg. The first new album since 2018, just give us the release date already! While you’re waiting patiently, check out some classic Deicide via the video for ‘Scars Of The Crucifix.’ 

Oxford-based riff beasts DESERT STORM roll in to wake you up on Friday morning, opening the main stage. Their latest masterpiece ‘Death Battle’ dropped via APF this March, an intoxicating mix of stoner doom and prog metal. If you’re a fan of Clutch and Orange Goblin, you won’t want to miss them. Wrap your ears round their latest track ‘Salt Of The Earth’ here.

Over on the Sophie Lancaster stage, five more treats have been locked in. 
Icelandic psych rock squad THE VINTAGE CARAVAN secure a position on Friday’s bill. The Led Zep fans are currently cranking out their classic rock/prog-infused sounds across mainland Europe, promoting latest release ‘The Monuments Tour (Live)’, unveiled 2 weeks ago via Napalm Records. Watch the live video for ‘Can’t Get You Off My Mind’ here

Londoners EXIST IMMORTAL also bring their metal maelstrom to the Friday line-up. Their self-titled current album, released by Seek & Strike, is available now. Appraise yourself of their sound via their latest single, ‘Emerge’.

Joining them on Friday, are the epic metal ETERNAL CHAMPION from Texas, who marked their tenth anniversary this year. Released by No Remorse Records in 2020, you can listen to their latest LP ‘Ravening Iron’ in full here.

One of alt.music’s hottest rising stars, MIMI BARKS is added to Saturday’s Sophie bill. If you’re looking for something just a little bit different to add flavour to your BLOODSTOCK weekend, perhaps a little doom-trap will be just the ticket. Current release, ‘DEADGIRL’, claimed the full 5Ks from Kerrang. Watch ‘Saw’ from that release now.

GROVE STREET rampage onto Sunday’s roster.  The band have been causing a massive stir in hardcore circles and last month released new album, ‘The Path To Righteousness’. Check out the title track here and see what all the fuss is about.  
BLOODSTOCK is also excited to announce that Timothy Taylor and their Hopical Storm ale have partnered with the 2024 METAL 2 THE MASSES programme.  The 2024 M2TM season is now underway, with bands around the country competing to win a slot on the newly named Hopical Storm New Blood Stage.  If you’re in an unsigned or developing band and would like to throw your hat in the ring, click over to the M2TM page on the BLOODSTOCK site to see information about participating venues/cities. 
In other festival news, BLOODSTOCK would like to thank everyone who contributed to this year’s event’s charity fundraising efforts. A grand total of £13,903 was raised in donations from BLOODSTOCKers for the festival’s two official charities for 2023: The Derbyshire, Leicestershire, and Rutland Air Ambulance (DLRAA) (£5492) and The Sophie Lancaster Foundation (£8411). This comprised: Guest & media donations amassing £10,984, which was split equally between The Sophie Lancaster Foundation and DRLAABar staff generously donating all tips to The Sophie Lancaster Foundation. Alan, the bar’s head honcho, also doubled this donation, making a total of £838.The Rock Society raised £200 via a raffle for The Sophie Lancaster Foundation.The T-Shirt / CD Amnesty raised £1881 for The Sophie Lancaster Foundation.

The Sophie Lancaster Foundation’s Chief Executive, Alison Vincent said: “We are so grateful to BLOODSTOCK and their amazing staff and supporters for their incredible donation of £8,411. This is a huge amount of money for us and will be used to fund more work to support the alternative community and also deliver more sessions in schools about tolerance and respect for others. Thanks to BLOODSTOCK for making us so welcome and for doing all they could to make BLOODSTOCK 2023 the best ever!” 

Commenting on behalf of the Derbyshire, Leicestershire, and Rutland Air Ambulance charity, Tracey Jones, Community Fundraising Executive for Derbyshire said, “We would like to say a big thank you to everyone at BLOODSTOCK Open Air who donated funds to support our lifesaving missions. A special thank you goes to Rachael and Adam for choosing us as one of two charities to support at their festival this year. We rely on generous fundraising and funding to remain operational, and without the support of the local community just like this, the lifesaving missions in Derbyshire and further afield wouldn’t be possible.”

For more information on the important work these charities do, or to donate, please visit:https://www.sophielancasterfoundation.com/ and https://www.theairambulanceservice.org.uk
Want to do a bit more for The Sophie Lancaster Foundation?
Did you catch the amazing set by SKYND headlining the Sophie stage on Thursday at BLOODSTOCK this summer? Perhaps you spotted Skynd’s special pink jacket on stage during her performance or her wearing it earlier in the day?

Skynd has donated this one-off jacket and The Sophie Lancaster Foundation are auctioning it on eBay! Skynd has also signed the protective bag it will come in. The auction is already underway, so go sling in a bid and perhaps you’ll be the lucky winner. The auction ends on November 5th!

Bid here: https://www.ebay.co.uk/itm/314914024832

Skynd says, “A foundation like the Sophie Lancaster Foundation is important today as well as tomorrow, because it does not let us forget what and especially WHY happened to Sophie, but also that prejudice and intolerance have no place. I am grateful and emotionally touched about a foundation like this, where the people involved are committed and have their hearts in it and contribute a part to the fact that prejudice, hate and intolerance have no place anywhere. To be different, to live as you want should not be a reason for hate or violence. I support this foundation and will continue to do so. Say her name: SOPHIE!”

BLOODSTOCK REVEALS SEVEN MORE BANDS INCLUDING FINAL HEADLINER!

If you’ve been hanging on for a few more bands to be revealed for BLOODSTOCK 2024 before snapping up your early bird ticket, this is the announcement you’ve been waiting for, with seven more stellar acts joining the bill.  Don’t wait much longer for an early bird, because the allocation is over 90% sold, and after that, prices will increase. 

Swedish progressive legends, OPETH will headline Friday’s Ronnie James Dio main stage for a very special fan-chosen set.  What’s more, the performance will be their only UK show in 2024.  Frontman Mikael Akerfeldt extols, “So…back to BLOODSTOCK 2024 for us, it appears!  I don’t remember how many times we’ve played the festival, but we do have fond memories from there. ”Filling in” for Heaven and Hell when RJD had passed is one.  Fuck!  Can’t remember a more emotional event on stage for us, to be honest.  Anyhoooo, we’ll be there ‘rocking’ and ‘rolling’ in our own way, playing songs that you’ve chosen (apparently).  Please be gentle. Right now I feel pretty far from being a ROCKER, as I’m writing this sat in my (favourite) greasy sweatpants, and my hair is greasier than ever.  I’m working, you see.  But I promise I’ll have a look in the mirror before we hit the stage. The band will be tight (that’s also a promise). I’ll sing OK (semi-promise). You’ll recognise the songs (I really have no idea, but you picked them!) and, we’ll be IN. THE. ZONE!  All in all, providing the weather’s nice and the beer is cold, the possibilities for a magical night are rather decent.  Wouldn’t you say?  Hope to see (and hear) you there.”  You’d not want to disappoint the man now, would you? 

The mighty HATEBREED are bringing their 30th Anniversary set to Friday’s main stage bill.  Having been forced to cancel their whole UK/European run in 2022, BLOODSTOCK is thrilled to have them return to Catton Park with a stacked set of pit-churning classics.  Will they take the title for most number of crowd-surfers during their BLOODSTOCK set from current record holders Cannibal Corpse?! Killswitch Engage came close in 2023, but were about 40 short… Watch them light up Wacken back in 2018 in this footage for ‘Destroy Everything.’

Avant garde prog extremists ENSLAVED play the Ronnie James Dio main stage on Sunday. Formed back in 1991, these long-time masters of their craft have a veritable horde of tracks across 16 albums to narrow down a set list from. Certain to be a welcome return, ENSLAVED were last seen at BLOODSTOCK in 2015. Check out the epic song ‘Congelia’, taken from current album ‘Heimdal’, out now via Nuclear Blast.
Brazilian thrash outfit NERVOSA land themselves a main stage slot on Friday.  The band have recently rejigged their line up, with founding guitarist Prika Amaral also stepping up to now also front the band.  Witness their ferocity on recent single ‘Endless Ambition’, taken from their imminent ‘Jailbreak’ album, arriving 29th September. 

There’s even more LatAm talent with Brazilian death squad CRYPTA bringing their brutal noise to the main stage on Saturday.  Bassist Fernanda Lira and drummer Luana Dametto formed the band after departing Nervosa back in 2019.  Watch them shred their way through ‘Trial Of Traitors,’ taken from their brand new album, ‘Shades Of Sorrow,’ which was released last month via Napalm Records. 

Calling all power metal fans! BLOODSTOCK is pleased to share that Finnish PM gang, BEAST IN BLACK will be strutting their stuff on the main stage on Sunday. Currently on the road across North America, you can keep up with their tour antics on their official TikTok! Have you checked out their widely-praised third album ‘Dark Connection’ yet?  Watch the video for the most recent single, ‘To The Last Drop Of Blood.’
Bay Area thrash veterans, FORBIDDEN grab a slot on Saturday’s main stage.  Having recently re-booted with a brand new frontman (Norman Skinner) and drummer (Chris Kontos), the band wasted no time laying waste to Belgium’s Alcatraz festival this year.  Check out ‘Twisted Into Form’ from that incendiary set, and warm up your necks in anticipation for BLOODSTOCK 2024!

In related news, BLOODSTOCK’s founder Paul Gregory has had both his career and life story told in a new documentary, ‘Heavy Metal Painter’.  The movie, put together by Toronto-based film-making collective, The Art of Heavy Metal, is set to premiere on the BLOODSTOCK YouTube channel on 10th October.  In the meantime, check out the trailer to whet your appetite and get some popcorn ordered in! 
There are less than 10% remaining of the standard Early Bird weekend tickets, priced at £165 (+ bkg fee).  Once the discounted Early Bird allocation has gone, standard weekend tickets will increase in price to £185 (+ bkg fee), so grab yours and save yourself £20.  Head over to the 2024 ticket store now! 

BLOODSTOCK’s other 2023 Ronnie James Dio main stage headliners are AMON AMARTH and ARCHITECTS.  Across the weekend you can also expect to see CLUTCH, MALEVOLENCE, ROTTING CHRIST, KORPIKLAANI, UNLEASH THE ARCHERS, FLOGGING MOLLY, SEPTIC FLESH, IGORRR, NIGHT FLIGHT ORCHESTRA, HELLRIPPER, GREEN LUNG and INFECTED RAIN, with many more yet to be announced.  Get full festival information over at bloodstock.uk.com.

BLOODSTOCK will take place at Catton Park, Derbyshire on 8th-11th August 2024.

Bloodstock Open Air 2023 – REVIEWED!

FRIDAY

For those of us who can’t get the extra day off work, Festivals are still a three day affair unfortunately, so I’m starting my Bloodstock Open Air 2023 journey here on Friday morning. Surprisingly sunny and warm despite one of the worst summers on record, we are grateful on two fronts – no need for the heavy duty rain gear we would have needed two weeks ago, and that the grass is visibly still green unlike the scorched Sahara situation of last year.

It is nice to note however, that Bloodstock seem to have upped their game a little after the 2022 hellscape, and there are a few more canopy structures around site to offer sun/rain relief. New too is the very cool Jewellery collaboration between Black Feather Designs and BOA, being a stalwart OG Bloodstocker – I was tempted into getting a signet ring, and they are beautifully made. Otherwise, Bloodstock remains largely unchanged and for that I am thankful – it is one of the easiest to navigate sites of all UK festivals and means I’ve got the best chance at seeing heaps of excellent bands this weekend.

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Starting up with Hate on the main stage, who are uncompromisingly heavy and daubed in corpse paint (my first bingo tick of the weekend), followed by Gatecreeper who seem to have swapped set times. Gatecreeper fulfil my hair-windmilling requirement for the festival on day one, opening with the aptly named ‘Sweltering Madness’, play some good solid heavy metal and get an extremely rowdy circle pit going.

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On the Sophie stage, Zetra sound like the band from your 90’s Buffy dreams. Gloomy, emo and deliciously ethereal – if you want to write poems in a graveyard, this is your soundtrack. By your soundtrack, I mean mine. Off to buy some black lace and a scrying gemstone.

Back on the main stage Sacred Reich have worked out whatever the hitch was that meant they had to switch slots with Gatecreeper, and they joke “This sun isnt typical here… I think its cause you’ve got two Arizona bands on today, so you’re welcome” before thanking Gatecreeper for the swap. It’s a great set from them so I’m glad the powers that be managed to work it all out.

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Wild Heat are rocking out in the Jägermeister tent, it sounds like the 80’s and I’m entirely here for it. Looks like everyone else is too because that tent is absolutely overflowing with people cheering them on, and I reckon they could more than handle a bigger stage next time. Fit For An Autopsy also get my stamp of approval, their sound is built from so many different sources and angles it’s a truly unique experience across their set, yes it’s heavy but the underlying melodies are the hook that reels you in. Calling “This is a bucket-list festival for us, we are so glad to be here! We need more crowd surfers, get up there!” they are visibly gaining new fans today.

Fury on the Sophie Stage are absolutely throwing down, it’s classic 80’s metal and I LOVE IT. Twin vocals from Julian Jenkins and Nyah Ifill are the soaring sound of the epic 80’s movie montage – think Karate Kid and Rocky. I know that sounds like I’m placing them in the category of cheesy, but trust me when I say I’m putting them up there with the greats. If you like hair metal, Fury are one hundred percent for you. If you don’t like hair metal, you’re wrong. ‘Hell of a Night’ has a very singable “Monster movies” refrain which has already become an earworm and is therefore entering my playlist immediately.

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Over on the main stage, Heaven Shall Burn are already enjoying themselves “It’s our first time at a festival in the UK, this is pretty special for us”, their stage filled with huge lighting panels and a lot of face-melting pyro. After a two year hiatus from live music before this summer, they’ve come out swinging, heavy and fast enough to entice a whole raft of crowd surfers across the barrier – including someone in a completely pink suit and tophat, very dapper.

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Less production fanfare for the iconic In Flames, but no compromise on power whatsoever. The Gothenburg heavyweights are as raw and brutal as ever, backed up by their intensely interwoven melodies that form their unique sound. I couldn’t rave enough about this band if I tried, after thirteen albums their catalogue speaks for itself, but live – they just have that certain something that draws you in. ‘Leeches’ and ‘Behind Space’ back to back show just how varied this setlist is today, we’re getting the full tour and I’m extremely appreciative.

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Shouting “Do you wanna join our band? Get him up here, no wait, he’s got superhero clothes on he can fucking fly up” Anders brings a fan dressed as a pirate up to join them on stage. “Finally we got a rock star up here!” he jokes, before handing him a mic. “Open a big circle pit for this one, pirate guy, are you ready?”. We love a bit of silliness here for sure, but we love a bit of ‘Take This Life’ more, and wow what a set that was. The last time In Flames played BOA was 2007, it’s been a long fucking time coming, In Flames we trust.

We take a little time to peruse the food offerings before the headliner, and settle on some slow cooked brisket from the most magnificent BBQ van, whose siren blares when the meats are ready. I would now like to be informed of dinnertime this way every day. 10/10 deliciousness, even if the chipotle sauce is still burning.

Closing out the main stage for the night, Killswitch Engage are a strong choice for BOA headliner. It’s an absolutely massive crowd spanning the arena and they come in heavy and melodic with ‘My Curse’ and ‘Rise Inside’. Guitarist Adam Dutkiewicz is rocking cocktail print boardshorts and a cut off Hawaiian shirt whilst bouncing around the stage with utter uncontained glee, as they head into ‘The Signal Fire’“This song is about unity and love, and that’s everything this festival stands for”.

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“I think it’s important to say this to all you people who were picked on. The freaks, the geeks, the weirdos. You are not alone, we are all here for each other” is a lovely supportive sentiment for a big ole metal band to espouse for sure, but becomes slightly ridiculous when followed up with “…what are you pussies doing there in the middle? I thought this was a metal show? Get a circle pit going!”. Nevertheless the band is rewarded with just that, if there’s one thing Bloodstock fans do brilliantly – it’s getting themselves nice and chaotic when asked. Closing with ‘My Last Seranade’ and a fitting tribute to the Ronnie James Dio stage – a cover of ‘Holy Diver’ is the perfect ending to an epic headline set.

SATURDAY

Starting out on Saturday with doomy Urne, who have gathered a decent crowd. It’s not my jam to be honest but there are plenty of approving fans headbanging along this morning.

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Up next is possibly the stand-out performance of the weekend, surprisingly… Royal Republic. A strange pick for Bloodstock, and one that I expected to annoy more true heavy metal fans. What I actually saw, was one of the biggest daytime crowds of the whole weekend, everyone dancing, everyone having a great time and everyone letting the pretence of coolness down for 40 minutes. Royal Republic are Swedish clean-cut rock and roll, dressed like T-Birds in tight denim and leather jackets, they bandy about the stage like they’re trying to embody the spirit of Elvis. There’s a keytar, a moment where drummer Per Andreasson fully stands up on top of his kit, and heaps of crowd interaction, what’s not to love?

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Yelling “These are my hands, I have two… the maximum amount. They would like to meet your hands… clap!” its clear enigmatic frontman Adam Grahn is here for a fun time. “We love metal, and we could have been a metal band… but we also love money” they joke, before giving us a quick and VERY convincing rendition of Metallica’s ‘Battery’. Finishing up with ‘Baby’ which is immediately my new summer road-trip jam, they have solidified their place in BOA history as a surprise hit amongst all the doom.

Employed To Serve get the unfortunate slot of a proper downpour, but manage to throw down some brutality after it clears. Vocalist Justine Jones absolutely crushes the low death metal growls, and they’ve got a very respectable crowd in front of them. Bloodstock veterans Crowbar are back once again with their excellently heavy riffs, and a joke or two about the weather “We’ve had a lot of wind, a lot of rain… it’s fucking England” to a massive crowd of fans.

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Knocked Loose promote as much chaos as their name suggests, and we see the biggest circle pit of the weekend so far, as vocalist Bryan Garris goes absolutely berserk on stage himself.

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Over on the Sophie stage another new one for me is Dakesis, despite the fact that they’ve been at Bloodstock a few times before, I seem to have missed them. Frontwoman Gemma Lawler is an absolute powerhouse vocalist and the band’s prog/symphonic metal is right up my street. Their show is dynamic and exciting to watch, the melodies are on point, and I’d truly be happy to see them hit a main stage slot sometime.

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On the opposite side of the style coin, Abbath (fronted by former Immortal guitarist, Abbath Doom Occulta… what a handle) are bringing us another dose of corpse-paint and creepy tongue waggling. There’s an awful lot of people in the crowd sporting corpse paint today in support, even a few of the photographers were spotted getting gloomified, and the set is worth the hype.

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Walking into the Sophie tent ahead of Gutalax, with no prior knowledge of the band… is nothing short of a fever-dream. Yes yes, I should have realised with the band name, but I wasn’t prepared for what I saw at all. Fans waving toilet brushes (imagine explaining those to security on your way into the campsites) and inflatable excrement flying around the tent, whilst they sing songs about… well, shit, is actually quite fun. I too would like to make it this far in life doing something incomprehensibly weird, I think I’m doing life wrong.

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Triptykon performing Celtic Frost is quite special in and of itself, so I don’t know why it isn’t hitting the button for me today. It’s technically brilliant but I guess I’m missing the little things that engage and endear me to live music, it feels a bit like they’re going through the motions I suppose.

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On the other hand, the incredibly silly but rather excellent TrollfesT are bringing me all the chaotic joy I have been craving. Sorry purists, but I am going to fucking LOVE a band dressed as resplendent sparkly flamingos and I won’t be taking any questions at this time. Looks like I’m not alone in this sentiment, as there are flippin’ heaps of inflatable flamingos in the crowd, and many people sporting flamingo paraphernalia, and surfing their way to the front of a full tent. Joking about how they entered Eurovision but didn’t get through, frankly enrages me. I would absolutely have voted a million times for the band who play folk metal and dance around the stage, but even more so for the band who call themselves “agents of chaos” and cover Britney Spears‘Toxic’. Come on, even the most seasoned metalhead absolutely must find this sort of thing amusing.

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Last up for me on Saturday are Meshuggah. I’m trying not to let my opinion be too obviously jaded by the fact that their lighting for taking photos was the absolute worst… but, after playing their first three songs almost entirely in darkness from the back of the stage, I can’t imagine it was that exciting for anyone else either. Yes it’s heavy, yes it’s gut-twistingly brutal, but they’re known for their saga-length songs that I just don’t always think translate well to headline sets, and there’s no movement or interaction. On the other hand, it’s a bloody enormous crowd and I know they’re on point musically – for the fans, this would be a great night. For everyone else, I’m not sure it hits.

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SUNDAY

Sunday has us checking out some of the other offerings around the arena, there’s always a small but great collection of shops at Bloodstock, with everything from patches for your battle vest, to frog hats and ornate drinking horns. If I am permitted one small gripe this year, it is that the queues for the merch stand on Friday were atrociously long, and it’s placement along the back of the arena meant that it made the walkway a bit difficult to pass at times to get to the New Blood stage. It would be nice to see a second merch stall over in the food court area somewhere, as I believe there had been in years past. I was also super disappointed to find that the S’Tan plushies had sold out on Thursday, so please BOA – order some more in time for Christmas ok?

Checking out All Hail The Yeti on the main stage for some good solid heavy metal, I did find myself giggling at the Stranger Things experience I was getting with the intro to ‘Highway Crosses’. Tribulation are today’s dose of corpse-paint, and in a very cute move they even have little incense sticks stuck into their PA speakers at the front, adorable. Guitarist Joseph Tholl is incredibly talented, and their soaring gothic melodies are truly delicious to the ears.

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Polish death-metallers Decapitated bring the fun and heaps of crowd surfers, with vocalist Rafał Piotrowski whipping his Rapunzel-ian dreadlocks around the stage. It’s a very large and hyped up crowd despite it being Sunday, this is one of the funnest sets of the weekend by far.

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Dead Air (who suffer a typo on the app and were very sweetly presented instead as Dear Air, narf) are playing their bouncy rock and roll in the Jägermeister tent, jumping around in the very limited space and giving the frankly massive crowd a fucking fantastic set. I’d like to see them back!

Ugly kid Joe are bringing the nostalgia, with their funny take on other bands’ logos (note the Motorhead style drum skins, the Britney Spears/Sabbath tshirt, Slayer backdrop etc…) and they’re just damn good fun, even their Ace of Spades cover was decent.

Over in the Sophie tent, I once again feel I’ve stepped into an alternate reality for Church of The Cosmic Skull. Opening with the truly epic ‘Mountain Heart’ I am immediately captured by their sound, 70’s organ and strings with that Pink Floyd/Animals ring to it. The band themselves are a visual force to be reckoned with as well, all dressed in bright white of varying styles, and all white instruments (apart from the rainbow axe sported by frontman and founder Bill Fisher) they look like the kind of cult I would absolutely fall for. It is prog, for sure, but not the self-serving hours of widdling-around and paying no mind to listenability kind. They have a very singable quality which had me playing their spotify channel all the way home. Call me a convert, they were truly one of the stand out bands of the weekend.

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Now for maybe the most exciting set of the weekend, and who could be remotely surprised – it’s Sepultura. If you don’t get hyped up to jump around to this band, your heart might not be installed correctly, because it is impossible not to be drawn in when Derrick Green asks you to jump with him. “Bloodstock! Let’s get it GOING!” he yells, as the crowd surfers rain down on the security guards at the front. “This goes out to all the bands at the festival, and all you motherfuckers out there” is the signal call for everyone to go wild for ‘Refuse/Resist’ and closer ‘Roots Bloody Roots’ just seals their position as one of the best bands I’ve ever seen at BOA… again.

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KK’s Priest stepping up in place of Helloween after their cancellation, means a crowd full of slightly disappointed people wearing their pumpkin outfits in mourning, which is a little funny. Yes, joke along that this is Judas Karaoke if you will, but honestly – it’s good. Solid heavy metal, a lot of running around and fun stuff, can’t complain for a last minute addition. I would have been one of the people who would have liked for Skindred to fill the slot on the back of their hit album, but the forums are full of people who were Skindred-ed out and I do get why.

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I was however, absolutely blown-away by Zeal & Ardor and do feel they could have been an incredible pick for that main stage slot too, despite their relative new-ness. The rammed tent supports my theory, overflowing with equally awestruck people for their bluesy country flavoured metal. It’s hard to categorise them to be honest, and I think that’s some of the draw – finding a new style can be hard in a saturated market but they seem to have cracked it and created something unusual. Opener ‘Church Burns’ is very country, while Götterdämmerung is as black as metal comes, it certainly keeps them interesting.

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Megadeth are taking the final main stage tour of the weekend and the band tshirts are out in force for them, though they are no longer the true end of the festival due to the Sophie stage going one bigger each night (tonight with Biohazard) this feels like a fitting end to BOA 2023. Replete with the classic 80’s imagery, albeit delivered via screens instead of backdrops these days, Megadeth enter a dark stage and stand at the back, with drummer Dirk Verbeuren risen aloft amongst the speaker stacks. Loading up with ‘Hangar 18’, MegaDave (Mustaine) and the band give us that unmistakable ‘Big Four’ production. Yes it’s thrash, but there’s just that clean element of a band who’ve been perfecting something for this long and absolutely nailing it, and the ginormous inflatable unicorn nodding along at the front of the crowd seems to agree.

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Between each song break the arena shakes with a chant of “Mega-deth” and there is no choice but to headbang along to ‘Conquer or Die!’ really is there? “Two words… lookin good! There are so many beautiful faces tonight” are the words that precede ‘Tornado of Souls’ which I personally think is quite accidentally witty. ‘Symphony of Destruction’ is of course excellent, come through my fellow Guitar Hero kids… as is ‘Peace Sells’.

After a brief break (one of the only bands to continue the pretence of going away and coming back for an encore these days) they call out “This is Bloodstock, all metal, all night!” to which the guy next to me loudly replies “PLAY SOME RIFFS OR FUCK OFF”, much to the amusement of all around us. Finishing up with ‘Mechanix’ and ‘Holy Wars… The Punishment Due’ means Megadeth go out as a solid headline choice for Bloodstock, and certainly one to remember.

Over and out Bloodstock 2023, you have been absofuckinglutely magnificent. With the line-up announcements already – I am positive it’s going to be yet another stunner next year.

Note: Following the festival, it was reported that there had been a death in the campsite on Saturday evening. This publication would like to extend their thoughts and condolences to the family and friends of this person, and to the team at BOA. Bloodstock is a close-knit family and this news is extremely sad.

Everything you ever wanted to know about BLOODSTOCK (that’s not bands)

With only a couple of weeks to go, BLOODSTOCK’s here to update you on lots of non-band-related delights at this year’s event, including a diverse range of traders, food stalls, drinks, on-site entertainment, and other facilities at next month’s glorious celebration of heavy metal. Not to mention a bargain deal on this year’s festival t-shirt and info on 2023’s charity partners.  

First up, BLOODSTOCK is very aware of the cost of living squeeze, so is pleased to confirm that the price of the 2023 event t-shirt has been frozen at £25. Head to the merch stand in the main arena over the festival to snap it up! You can also find a range of new merch online now here including super-soft dressing gowns, drinking horns, umbrellas, and the S’tan plush toy/bobblehead!
Whether you’re vegan, veggie, meat-eating, or seeking something gluten-free or halal, BLOODSTOCK has a wide range of food available onsite. Here’s just a few options… burgers, pizza, tacos, burritos, gyoza, waffles, crepes, toasties, smoked meats, chicken, noodles, pies, giant Yorkshire puds, baguettes, fish & chips, fries, hotdogs, kebabs, donuts/churros, mac n’ cheese, wraps, nachos, fudge, the infamous black ice-cream, and more – and Bunnychow is back too! Check out more info here and there’s a handy graphic below to help you keep track of which food stands to head to first. 
For any essentials you’ve forgotten, there’s a supermarket in the Midgard campsite (and a small shop in the main arena) plus Fat Frank’s Camping Store, where for £2 you can even get your air bed inflated for a comfier night’s sleep. 

For those looking to do a little heavy metal shopping in the arena, you’ll be able to pick up patches and badges, CDs/vinyl, or official merch and alt clothing (leggings, t-shirts, denim jackets, leather waistcoats, army surplus, hats… you name it) to rock ‘n roll home accessories, wiccan wares, all types of jewellery (visit the Guitarwrist for items benefiting charity made with used guitar strings and Black Feather Design for BLOODSTOCK’s official 925 silver jewellery range) and if you don’t have one already, surely a Viking drinking horn is an essential addition (other Viking crafts also available). 
When you’re not watching bands, how about a spot of axe-throwing with your pals or visit Firehound Forge, the local blacksmith stall, who may even forge your item while you watch? There’s also the Nordic Spirit Gaming Arena with modern and retro video games to play, the Rock And Metal Gallery (reputed to be the coolest place onsite, metaphorically and literally), the Planet Rock Signing Tent to meet your favourite bands, and fairground attractions, plus you can join a 45-min open air Rockfit class at 10:15am Fri-Sun to get your blood pumping squatting to Slayer, or why not grab a cold beverage and watch some Vikings go to battle right in front of you!
When the bands are done, it doesn’t mean BLOODSTOCK is!  Late night ents kick off with DJs on both the New Blood and Sophie stages ‘til the early hours. Over in the Sophie tent, on Thursday from 12am-2am, DJ Pressplay welcomes you with a selection of tunes from upcoming bands and other metal bangers; Friday from 12am-2am brings The Blood Rave with DJs Little M and Lloyd, marking the 25th anniversary of iconic movie, Blade! Expect EBM, industrial, techno, and heavy beats.

The Sophie tent on Saturday from 12am-2am is the Dark Night of the Scarecrow! Jakk and Jordan from EVIL SCARECROW are joined by DJ Arockalypse to offer up a slab of the best metal and rock anthems. Sunday from 12am-2am, sees DJ Rich Harris (Desertfest) closing the festival in the only way he knows how – loudly and by including guilty pleasure metal whoppers to lodge in your head until Bloodstock 2024!

The New Blood tent sees the return of the very popular silent disco on Thursday and Saturday nights from 11pm-2am – take your pick from three channels of rock & metal, pop & party cheese, or full-on dance, or why not mix it up with all three?! Just turn up and grab a headset. At the other end of the scale, New Blood’s Friday night from 11pm-1am sees DJ Darren Smith serving up a crushing selection of the blackest, darkest, and heaviest music around.

If you’d rather have your fun back in the campsites, get in on Midgard Madness between 11pm – 1am, with some brand new inflatable shenanigans this year. Fan of wrestling? Take on your pal in a sumo wrestler suit! Feeling a bit more athletic? Put your strength and stamina to the test with the Bungee Run! How far can you make it down the track before the bungee catapults you back to the start?!

For the jousters amongst you, take on the Pole Joust challenge. Who can stay on the pole the longest without being toppled to their doom?! Who will be the BLOODSTOCK Almighty Joust Champion?? Bragging rights indeed. A late night Redbull bar will be there to quench your thirst (wings not included).
Each year BLOODSTOCK has various dress themes for those who want to participate. In 2023, we see the return of the very successful ‘Pink For Sylvia’ theme on both Thursday and Friday, in memory of Sophie Lancaster’s mother, the founder of the Sophie Lancaster Foundation. Pink was Sylvia’s favourite colour. Corpsepaint Saturday does what it says on the tin! If you don’t want to do your own make-up, stop by the Sophie Lancaster charity stall in the main arena between 10am – 3pm Sat and they’ll paint your face for a small donation, with all proceeds going to the Foundation. On Sunday, it’ll be Helloween Pumpkins day, so bust out your best pumpkin-themed attire to welcome the mighty HELLOWEEN! 

As part of BLOODSTOCK’s continuing sustainability/green efforts, the cup redemption scheme returns to help keep BLOODSTOCK litter-free!! Open to those 18+, you can redeem prizes for collecting cups! Hand in your stash at Lemmy’s bar to get a stamp on your collector’s card for every 50 cups returned. This year’s prizes are:  

50 cups – 1 free pint / spirit worth £6
100 cups – 15% off Bloodstock merch or 1 meal voucher worth £12 (one transaction only)
250 cups – 1 Bloodstock festival shirt (size subject to availability)
600 cups – Jump the queue to the signing tent for one whole day 
750 cups – Access to Serpents Lair VIP hospitality area for 2 people
1000 cups – Watch a band from side of stage or in the pit for first 3 songs (subject to no closed stage or pyro restrictions).

In addition, the tent donation point returns by Fat Franks in the Midgard campsite! When you’re going home, if you can’t be bothered to lug your tent with you, don’t abandon it to be lonely in landfill! Put it to good use by donating it for charitable benefit.
BLOODSTOCK’s official charity partners for 2023 are The Sophie Lancaster Foundation and Derbyshire Air Ambulance. The ever important work of The Sophie Lancaster Foundation to stamp out prejudice, hatred, and intolerance everywhere is something BLOODSTOCK have been proud to support for many years.

The Derbyshire Air Ambulance Service operates 24/7, 365 days a year, providing a rapid trauma response. They receive no government funding and rely solely on the public’s generosity to keep their helicopters flying and saving lives. BLOODSTOCK is also pleased to confirm that a team from Derbyshire LGBT+ will run a stall too. They are Derbyshire’s only LGBT+ specific support service, supporting all LGBT+ people or anyone who is having issues with sexual orientation or gender identity, including family and friends. Look out for their spots in the main arena (left of the main stage as you look at it) and pop over to learn more about the awesome work these organisations do.

BLOODSTOCK would like to take a moment to celebrate the incredible efforts of Pick Collectors Against Cancer, who have now raised more than $250,000, benefiting band-nominated cancer-related charities all over the world. BLOODSTOCK is very pleased to keep supporting this worthwhile cause, and with everyone’s help, perhaps they can top $300,000 this year. Head to their socials for more info, and look out for Lee from PCAC at the fest.

If you find yourself falling ill or in need of some extra support/assistance while at BLOODSTOCK, head to the MEDICAL / WELFARE TENT in the main arena. You can also visit THE SAMARITANS marquee located in the Midgard campsite for a non-judgemental, confidential chat at any time over the festival event. 
BLOODSTOCK is also pleased to welcome 1625 OUTREACH, a local service that specialise in supporting festival goers in relation to drugs, alcohol, and personal safety. This year 1625 will be working collaboratively with Welfare on site – you can find them in the campsite hub or you can drop them a message on Instagram (@1625_Outreach).  1625 are available to provide…Free & confidential advice about drugs/alcohol.Harm reduction information & resources.Assistance in accessing additional support on site & in the community.Free safety resources (drink spiking covers, condoms, etc).A harm reduction &/or recovery centred safe space to chat.

Every campsite has its own vibe, but if you’re looking for the designated quiet campsite, make a beeline for Ragnarok. Niflheim is the accessible campsite for those who have applied successfully in advance to camp there. Coming on your own and/or a bit anxious about that? Consider joining unofficial Bloodstock group Camp Loners & Newbies, who always camp in a corner of Valhalla. With Ironwood, Midgard, Jotunheim, Asgard, and Hel to choose from too (plus Vanaheim 1 & 2 for our campervan friends & the Serpent’s Lair campsite for VIPers) you’re sure to find your home away from home! Want to chat to fellow BLOODSTOCKers before you get there? There are a number of unofficial Facebook groups, including BMF666.
Looking for directions or travel info including coaches and the official festival shuttle, running from Tamworth train station this year (note: NOT Lichfield, as in years prior)? Click here. For all general event info & frequently asked questions, including box office, main arena, and car park opening times, accessibility, lost & found (inc. lost kids), and much more, go here. You can find this year’s site map of BLOODSTOCK here. Stay tuned to BLOODSTOCK’s official social channels over the next couple of weeks for news all about the festival’s brand new app that you’ll soon be able to download, complete with a helpful clash finder and stage times.

While you’re planning your packing, don’t forget that BLOODSTOCK has introduced a dedicated one-stop-shop featuring all those festival essentials. From the all important cold beers to BOA’s 2023 merchandise, through to camping equipment and much more, BLOODSTOCKers can secure all their must-have items in advance from one online shop, eradicating the need for last-minute scrambles, long queues or searching in multiple online stores for different items. For more info and to explore what you can get, visit the official Bloodstock Festival Preo store

Weekend early bird tickets for BLOODSTOCK 2024 will be available to purchase at the box office on site for £165.  This is the cheapest way to buy a 2024 ticket, minus any online booking or admin fees.  Serpents Lair VIP tickets and campervan pitches will go on sale at 9am on Wednesday 16th August and are expected to sell out quickly, so if you want one, be ready!!  Please note that there will be no VIP Upgrades in 2024. A very limited number of 100 VIP Deposit Scheme tickets will be available at 9am on 1st September. When they’re gone, they’re gone.

Still not got your ticket?! Snap up your standard weekend tickets inc. camping at the ticket store for the bargain price of just £165 (+ fees). Don’t hang about, limited numbers remain!  If you want to make it a family affair, there are child tickets too, priced £45 (+fees) and mini-moshers under age 4 go free. If you can’t make the whole weekend, but don’t want to miss out, limited day tickets are available priced £75 (+fees) for adults and £25 (+fees) for kids. See all options in the ticket store and get excited watching the latest trailer here
BLOODSTOCK’s 2023 Ronnie James Dio main stage headliners are KILLSWITCH ENGAGE, MESHUGGAH, and MEGADETH. Also appearing are HELLOWEEN, IN FLAMES, BIOHAZARD, EMPLOYED TO SERVE, ROYAL REPUBLIC, SACRED REICH, HEAVEN SHALL BURN, SEPULTURA, FIT FOR AN AUTOPSY, CROWBAR, CANDLEMASS, TRIBULATION, SEETHING AKIRA, UGLY KID JOE, DECAPITATED, GATECREEPER, ZEAL & ARDOR, KING 810, ABBATH, URNE, ALL HAIL THE YETI, DEAD LABEL, BOSSK, CHURCH OF THE COSMIC SKULL, BROTHERS OF METAL, PEST CONTROL, GUTALAX, UUHAI, INVISIONS, COBRA THE IMPALER, TROLLFEST, SKYND, FROZEN SOUL, EMBODIMENT, THE VIOLENT INZIDENT, TRIBE OF GHOSTS, DAKESIS, THE ENIGMA DIVISION, THE GREY, AMBRIUS, TUSKAR, STENGAH, OVERTHRONE, TORTURED DEMON, CASKET FEEDER, GAEREA, BLOODYARD, WOLFBASTARD, EMBODIMENT, SKIN FAILURE, WITCHSORROW, WYTCH HAZEL, HATE, BLACK COAST, PHOENIX LAKE, ZETRA and more. 

Get full festival information over at bloodstock.uk.com.

BLOODSTOCK will take place at Catton Park, Derbyshire on 10th-13th August 2023. 

BLOODSTOCK 2023 – Final band news & RAM Gallery details

As this year’s event gets ever nearer, BLOODSTOCK is thrilled to announce that Sunday day tickets for 2023 are now SOLD OUT!! Standard weekend tickets remain available but are going quickly, plus a limited day allocation for Friday and Saturday.  Read on for more band news, plus all the details on the RAM Gallery exhibitors, the return of the T-Shirt/CD Amnesty and Planet Rock Signing Tent, plus how to do a one-stop-shop for all your festival essentials. 

There’s just 4 weeks to go before the metal hoardes thunder their way onto Catton Park’s hallowed turf! This week the Metal 2 The Masses scheme is closing out this year’s initiative with the final batch of 10 lucky bands who won local heats to score a slot on the New Blood stage.  

Friday’s New Blood line up will include the Oxford heat victors, SHOOT TO KILL, who’ll be bringing their metalcore breakdowns and 90s riffs, showcased on their recent video for ‘Crimson’. Also appearing will be modern metal squad, APATHY, whose brutal downtuned guitars and psychedelic soundscapes won out in Devon & Cornwall. Check out their official video for ‘Gravewalker’.

Bournemouth’s winners, TO OBEY A TYRANT also grab a Friday slot. Their blackened deathcore has won many admirers – appraise yourself via their video for ‘Vermillion Moon’. DEVIL’S HENCHMEN picked up the Merseyside prize – watch them bring the retro riffage in the video for ‘Built By Hate’. Grabbing the last Friday slot are South Wales outfit, TORCHBEARER. The four piece dropped their ‘Warrior’ EP just last month, featuring the blistering ‘Catharsis In Karma.’ 

Grabbing a Saturday New Blood slot will be Cheltenham’s SKORA.  The band’s progressive hardcore sound has made them mainstays of the South West underground scene. Find out why via their video for ‘Harakiri.’ Northampton’s PICTURE THE SCENE also win their place. Having picked up Radio 1 airplay and won Arts Council England support, find out what the fuss is about via this live set from North Acre Studios.  THE DEAD XIII picked up the prize in the Burnley heat. With a couple of albums and Kerrang! Radio airplay under their belts, they’re no strangers to the touring circuit – watch their video for ‘Killers’ here. Picking up Saturday’s final space are Stoke’s winners, BLOODMORES. This four piece take their influences from all corners of the metal realm, leaning heavily in a melodic death direction. Check out their video for ‘Virulence’ taken from their second album, ‘Too Close To The Sun’.

Sunday’s New Blood line up welcomes Nottingham’s winners, BEYOND YOUR DESIGN. The East Midlands four piece blend massive metalcore riffing with melodic hooks and snarling vocals. Watch them take on an assault of marauders in their official video for ‘United We Fall’. 

On Sunday morning, over at the Sophie Lancaster Stage, the party also gets started by the winner of Planet Rock Radio’s band competition. Chosen from hundreds of entries, PHOENIX LAKE came out on top. With comparisons to Evanescence, Parkway Drive and Paramore, their debut EP, ‘Beyond The Flames’ has been picking up a ton of attention. Check out their single, ‘Faithless’ to see for yourself.
Due to extenuating circumstances, a number of alterations to the bill have been necessary.  Due to some unforeseen logistical issues out of ZEAL & ARDOR‘s hands, ZEAL & ARDOR are unfortunately not able to perform on Saturday at BLOODSTOCK. Rather than BLOODSTOCKers lose out entirely on what will be a spectacular set, festival management have managed to move the band to Sunday’s Sophie Lancaster stage line up. ZEAL & ARDOR will now play their full 75-minute set, with their full production, directly before headliners, BIOHAZARDKING 810’s set will now move to Thursday and TRIBE OF GHOSTS to Saturday. In addition, EYES have had to withdraw from the festival and will be replaced by AMBRIUS in the Saturday morning opening slot on the Sophie Lancaster Stage.  

BLOODSTOCK is also thrilled to announce the exhibitors in this year’s RAM GALLERY, the festival’s unique, purpose-built art space curated each year by festival founder and globally renowned fantasy artist, Paul Raymond Gregory.  Showing across two whole walls of the space will be KILLSWITCH ENGAGE’s bass player & founder of Dark Icon Design, Mike D’Antonio. Mike’s work is featured on many albums from his own band, but you may not know his work litters the heavy music spectrum and also extends to merch including posters, t-shirts, skateboard decks and more, for the likes of 36 Crazyfists, Armored Saint, Crowbar, and Harley Davidson, among numerous others. 

BLOODSTOCK is thrilled to be the first ever art space to showcase selects of Mike’s body of work from the ‘other side’ of his impressive career. Also exhibiting at the gallery will be a familiar face to the RAM Gallery, Oliver Andrew (who created the incredible array of handcrafted ‘guitars-as-art’ for the gallery over the years under his Cynosure Guitars moniker). Oliver will be showcasing his new project, ‘Bloodworks’, which sees him using his own blood as the medium for hyper-realistic artworks. 

The RAM Gallery also welcomes Dan Seagrave, who’ll be showing 20 outstanding pieces of work, including creations for the likes of ENTOMBED, SUFFOCATION, PESTILENCETHE DEVIL WEARS PRADA and more. Also exhibiting is sculptural artist Paul Cutting, who’ll have a winged masterpiece on show and a metal guitar themed around one of the headlining bands. Another familiar face in the gallery is Liam Brandon Murray, whose incredible, sculptural throne will once more make an appearance for all your gallery selfie needs! 

BLOODSTOCK is also pleased to announce the return of the very popular T-SHIRT & CD AMNESTY this year. Dig out your unwanted shirts & discs in good, clean condition and hand ‘em over at the INFORMATION/ROCK SOCIETY tent in the main arena. Then head to the PLANET ROCK SIGNING TENT from 10am-12 Noon, Friday thru Sunday, to grab yourself a pre-loved bargain, as they’ll be selling off donated items to raise money for the Sophie Lancaster Foundation. Also, stay tuned to BLOODSTOCK’s socials for details of who you’ll be able to meet in the PLANET ROCK SIGNING TENT this year!

While you’re planning your packing, don’t forget that BLOODSTOCK has introduced a dedicated one-stop-shop featuring all those festival essentials. From the all important cold beers to BOA’s own 2023 merchandise through to camping equipment and much more, BLOODSTOCKers can secure all their must-have items in advance from one online shop, eradicating the need for last-minute scrambles, long queues or searching in multiple online stores for different items. 

For more info and to explore what you can get, visit the official Bloodstock Festival Preo store
Ready for four days of heavy metal fun? Snap up your standard weekend tickets inc. camping at the ticket store for the bargain price of just £165 (+ fees). Don’t hang about, limited numbers remain. If you want to make it a family affair, there are child tickets too, priced £45 (+ fees) and mini-moshers below age 4 go free. If you can’t make the whole weekend, but don’t want to miss out, limited day tickets are available priced £75 (+ fees) for adults and £25 (+ fees) for kids. See all options in the ticket store and get excited watching the latest trailer here

BLOODSTOCK’s 2023 Ronnie James Dio main stage headliners are KILLSWITCH ENGAGE, MESHUGGAH, and MEGADETH. Also appearing are HELLOWEEN, IN FLAMES, BIOHAZARD, EMPLOYED TO SERVE, ROYAL REPUBLIC, SACRED REICH, HEAVEN SHALL BURN, SEPULTURA, FIT FOR AN AUTOPSY, CROWBAR, CANDLEMASS, TRIBULATION, SEETHING AKIRA, UGLY KID JOE, DECAPITATED, GATECREEPER, ZEAL & ARDOR, KING 810, ABBATH, URNE, ALL HAIL THE YETI, DEAD LABEL, BOSSK, CHURCH OF THE COSMIC SKULL, BROTHERS OF METAL, PEST CONTROL, GUTALAX, UUHAI, INVISIONS, COBRA THE IMPALER, TROLLFEST, SKYND, FROZEN SOUL, EMBODIMENT, THE VIOLENT INZIDENT, TRIBE OF GHOSTS, DAKESIS, THE ENIGMA DIVISION, THE GREY, EYES, TUSKAR, STENGAH, OVERTHRONE, TORTURED DEMON, CASKET FEEDER, GAEREA, BLOODYARD, WOLFBASTARD, EMBODIMENT, SKIN FAILURE, WITCHSORROW, WYTCH HAZEL, HATE, BLACK COAST, ZETRA and more. 

Get full festival information over at bloodstock.uk.com.

BLOODSTOCK will take place at Catton Park, Derbyshire on 10th-13th August 2023. 

THE BLOODSTOCK COUNTDOWN IS ON! 

JUST 46 DAYS TO GO!

With just 46 days to go to BLOODSTOCK, the countdown is ON!  

Tonight, Tuesday 27th June, sees festival directors Adam Gregory and Vicky Hungerford doing a Live Q&A via the festival’s Facebook and Instagram channels, answering punters’ questions about this year’s event. Tune in at 7pm to get all the latest updates and maybe even win some prizes!

The Metal 2 The Masses finals are nearly complete and another nine bands, the cream of the crop in each region, win a slot on 2023’s New Blood stage. Grabbing a Friday slot are Essex’s winners ARMS TO OBLIVION. Check out ‘Tequila Blues’ from the Ipswich groove metallers’ latest EP, ‘Defciylion’. Also appearing Friday are Bristol’s MOON REAPER UK, whose blackened death/doom sound is showcased via ‘Overlord’, which was shot live at their M2TM semi final. 

Saturday’s bill will feature County Durham’s SWARMS whose fat riffs and heavy breakdowns won over the Newcastle heat’s masses. Watch for yourself via ‘Copperhead’ shot during their Trillians set. Also winning a Saturday slot are Kent’s BROKEN CALLING, who blend hardcore, metalcore and nu metal and have picked up airplay from BBC Radio 1’s Alyx Holcombe. Check out their video for ‘S.I.C.K’ and find out why.

Five bands land themselves slots on Sunday’s New Blood stage. London’s SANGUINEM will be bringing their melodic death sounds, including ‘Hate Transfusion’, Birmingham’s NAMELESS will be showcasing their mix of nu metal and hardcore. Watch them play ‘Circus Of Freaks’ live, shot earlier this year.

Deathcore squad DYSTOPIAN SUN grab a slot too, via the North Wales final. Watch an online slaythrough of their track ‘Shadow Of Dread’ from 2021. Also joining Sunday are Hitchin’s tech metal outfit, SENTIENT. The 4-piece serve up a mix of noodly riffs and beefy breakdowns; heavy spaghetti indeed!

Check out ‘Gaslighter’ from their ‘Sentient Is Dead’ EP. On Sunday, the winners of the Poland heat of M2TM, bHP will bring their nu metal sounds to Catton Park. Watch them unleash the mayhem via their video for ‘Crownless’.
Unfortunately, STRIKER have had to pull out of this year’s event, but Birmingham metal squad, FURY slide into a slot on the Sophie Lancaster stage instead. 

BLOODSTOCK is also excited to announce a game-changing addition to this year’s event. In collaboration with event technology provider Preo, BLOODSTOCK is introducing a dedicated one-stop-shop featuring an array of festival essentials. From those all important cold beers to exclusive merchandise through to camping equipment and much more, festival go-ers can secure all their must-have items in advance from one online shop, eradicating the need for last-minute scrambles, long queues or searching in multiple online stores for different items.  For more info and to explore the online shop, please visit the official Bloodstock Festival Preo store

Each year BLOODSTOCK has various dress themes for those who want to participate.  In 2023, we see the return of the very successful ‘Pink For Sylvia’ theme on both Thursday and Friday, in memory of Sophie Lancaster’s mother, the founder of the Sophie Lancaster Foundation.  Pink was Sylvia’s favourite colour.  Corpsepaint Saturday does what it says on the tin!  If you don’t want to do your own make up, stop by the Sophie Lancaster charity stall in the main arena and they’ll paint your face for a small donation, with all proceeds going to the Foundation. On Sunday, it’ll be Helloween Pumpkins day, so bust out your best pumpkin-themed attire to welcome the mighty HELLOWEEN

Download Festival – 20th Anniversary GIANT REVIEW!

It’s June, we are out of the grey days and on the cusp of summer, there is hope in the breeze. Donington Park, home to superbikes and souped up engines is about to be clad in all black everything – for the unstoppable force that is Download Festival. In it’s 20th Anniversary year, hitting a sold out 100k audience is the cherry on the cake of Donington history. Praise be to the old guard of Monsters of Rock for handing down these fields of joy, so we can continue to celebrate.

WEDNESDAY

As part of the bigger/better anniversary wealth, Download has this year included an additional full day of music to the line-up – meaning that campers can arrive from Wednesday instead. In previous years, there seemed to be a greater split of arrival times and days for those camping but this year… it’s like the Pied Piper of metal suddenly called every alt kid in the UK at once, and everything in a five mile area is a fucking mess.

Now we know the road infrastructure around Donington Park isn’t the best, and we know it’s also competing with East Midlands Airport along one side, but this is another level of shithousery – the abject worst queues in the festival’s history. Reports coming in of people queuing for over seven hours in hot cars and buses, carparks being full and closed early on, signage being scrubbed out instead of redirected… the list goes on.

Many people took to Instagram to contact the festival directly and voice their complaints; @morrighan writes “Please sort out whatever the heck is holding up the J24 exit! We followed advice to follow signs for the fastest route. Taken us 3 hours to move less than a mile!” with @not_my_pubs_name replying “same, got on m1 exit slip road j23a and been sat here 3 hrs so far, and I’m camping in quiet camp, but now West carpark is full, so double fucked off. Utter joke”.

Essex tattoo artist @lucyharmless was also caught in the melee “wanna tell me why I’ve been sat in the same spot for the last 5+ hours, I know it’s a sold out festival but we’re not even moving here”

The festival has made no response about why things were this bad, instead posting the same information about which junctions to enter the festival by for the following days. Though the problem wasn’t as pronounced over the rest of the weekend, there were still significant delays with no real explanation.

As a 20 year fan of this festival (yes, I’ve been to them all) I would love to only sing it’s praises, but this is something that surely must be addressed for next year’s event. There has to be a way to separate and space out arrivals, maybe something in booked time slots for coming in (whilst this may sound a little prescriptive, but both Bestival and the IOW festival essentially had this work with ferry bookings splitting up the entry) or linking booked parking to campsite locations so that you can only go to one specific area. Hopefully better brains than mine are considering the future implications of the festival’s size.

THURSDAY

For ourselves, entering on Thursday was indeed an unfortunate three hour queue situation to hit the West car park which is closest to the box office we needed to be at for our wristbands. Luckily we had packed drinks and snacks knowing the stakes from the day before. Though we missed a few choice early bands due to this, entering the arena again felt like coming home. There is something undeniable about the feeling of stepping through the portal of Download. One minute you’re in the regular world where people look at you funny, and the next you’re side by side with every other person who knows exactly what it’s like to be fringe, or other.

The arena itself has had an overhaul, and I really think it is (mostly) for the better. The fairground rides have been summarily booted to the Avalanche stage area, which is a brilliant move. Their ridiculously loud playlists are no longer sullying the Apex stage sound, and they don’t hinder Avalanche at all because it’s a closed in tent – perfect. Gone too is the traditional line of food outlets that broke up that area, and the accessible viewing platform has had a move too. The result is an absolutely gargantuan main stage area with incredible views from all angles, further helped by the enormous screen towers and stack amps that are supposedly only in place for Metallica. Honestly – I wish they would keep them, the sound and views have been bloody incredible due to this set up.

I will pause to note though, that the accessible platform has been moved to the other side of the arena, presumably to facilitate quicker movement between the stages, especially Opus and Apex. Whilst this is in theory a great idea – the route between the platforms has been sandwiched in probably the most notorious bottleneck of the whole festival, rendering it completely unpassable during high crowd sets, simply because people are stopping in those areas to watch too. I’m not sure what could be done about this, it makes the most sense to have moved the platform there, but some kind of access run-through between them perhaps?

Anyway, onto the music. Having performed an incredible set last year at Bloodstock, it is so good to see Ukrainian band Jinjer absolutely smashing their way onto the Download main stage to a very respectable crowd. Lead vocalist Tatiana Shmayluk is an absolute powerhouse, song ‘Teacher Teacher’ hits hard even in the baking sun. It’s clear the crowd is on side as the band talk about what is happening in their country, by beginning a “Fuck Putin” chant, under the screened Ukrainian flags. I’d call their set a complete triumph, especially for a band that has jumped from performing in The Dogtooth at Download 2019 to the main stage in 2023.

Hundred Reasons ‘I’ll Find You’ will forever be one of my favourite jams, but it is beyond horrendous trying to move around the Opus stage at this point – there are simply too many people for comfort, so we stand off to the side for it and then scarper in search of space to sit down.

Over on The Avalanche stage we caught Punk Rock Factory, a Welsh four-piece doing what absolutely everyone wants to hear – theme songs and Disney covers. I’m not even slightly joking, the tent is packed and there are crowd surfers galore. No-one is pretending to be too cool to sing along with the likes of Go Go Power Rangers (replete with actual Power Rangers standing ominously still at the front of the stage), the Pokemon theme tune is excellent, as is Under The Sea from The Little Mermaid. Truly this band are a highlight, if only for the nostalgia button they press in all of us.

Punk Rock Factory © Anna Hyams Wade for Summer Festival Guide – do not use without permission

Halestorm are predictably awesome, and I mean that in the full sense of the word. Lzzy Hale belts out notes like she doesn’t even need a mic, an absolute rock icon. ‘I Miss The Misery’ is always going to be the big fan fave but truly the whole set was just good clean rock and roll in the sunshine. There’s something to be said for a band that sits so comfortably in this classic sound and owns it – there’s actually not a lot of it on the bill this weekend.

After grabbing a horrendously overpriced slushie (cozzie livs is really showing up in the food and beverage prices this weekend, let me tell you) we thought we’d check out the merchandise selections, but immediately turned on our heels when we discovered that they were over an hour long wait. No thanks.

I’m fairly sure that every single year I’ve complained about merch queues but, this festival is so big now it’s really time to add another one to the main arena. Way back in the Opus corner maybe? Heck stick one in VIP so that an entire population of people can grab their stuff outside of the arena as well? The addition of one to the West carpark exit/village entrance was great, but there were a few teething problems with the new ‘Megastore’ too.

Now, I love an obscure item as much as the next person (I do really want the Download bedsheets) and think this was a great idea… but I don’t know if sticking the Megastore out of reach for day/weekend ticketholders was necessarily fair. Particularly when it contained special tshirts not on sale in the arena stores – nor indeed the ENTIRE Mary Wyatt collection which been so hyped on social media prior to the event. More than a few disgruntled fans flocked to the Mary Wyatt Instagram to express their disappointment at not being able to grab something. The merch itself was interesting this year, I especially enjoyed the retro 03-23 logo tee and the back patch 20 jacket, but ooft the prices really do keep on rising.

Over on Apex, Alter Bridge bring us another dose of classic rock with Myles Kennedy’s signature vocal sound soaring over the sun-soaked crowd, while New York pop punk quartet State Champs light up the Avalanche stage for a rowdy but fun show – the whole tent is dancing.

State Champs © Anna Hyams Wade for Summer Festival Guide – do not use without permission

There is one band that I categorically want to see playing somewhere EVERY year please-thanks, and that is our Welsh pals, Skindred. As far as I’m concerned they are the sound of the summer, and my season isn’t over if I don’t do the Newport Helicopter at least once. Pulled in to fill the 5FDP void, there could be no more perfect choice than having Benji & co. headline the Opus stage – and what a rowdy good time it was. Every damn song they do is catchy, upbeat and just generally inspires movement… so you can imagine how intensely difficult it was to acquiesce to this innate demand when ALL 100K FESTIVAL GOERS were also trying to occupy that space. Coming off the back of a Heavy Music Award win there’s absolutely no doubting they’re fully at the top of their game, and are beloved at Download.

I’m going to attempt to keep this brief, since the greedy barstewards are playing twice this weekend, but it’s time for the first Metallica roundup.

As the sound of AC/DC’s ‘It’s A Long Way To The Top’ starts up by way of intro, old photos of the band surrounded by neon yellow frames (the official colour scheme of this tour ‘72 Seasons’) splash over the backdrops and the new cylindrical screen towers, including two monster cylinders actually on the stage itself. It’s an undeniably massive set-up, but there is a bit of me that is wondering if it’s going to be all style over substance.

On a personal note, Metallica have been there from the very beginning for me. I was there at the first Download, squished into a tent for their not-so-secret set… I was there when Joey Jordison filled in for Lars… I was there when they played the whole of The Black Album… they’re woven into the fabric of this festival and my festival history. One particular memory I carry from all of these times, is seeing hundreds of lights glowing in the dark of the night for ‘Nothing Else Matters’. The only difference is, the first time I saw them it was a warm orange glow from thousands of flame lighters – tonight, the cool white of phone torches. It’s strange to think how the next generation’s memories of live music will be formed.

Highlights of course included ‘Fade to Black’ in which Lars actually savaged a snare drum which had to be quickly replaced, ‘Sad but True’ and ‘Seek and Destroy’ (have we noticed how much Metallica love 3 word names for their songs?).

That said, this isn’t by any means my favourite set I’ve seen from Metallica. Yes the sound quality is excellent, and I’m never not going to enjoy ‘Master of Puppets’ and ‘Fuel’ but it feels a bit like they’re conserving energy for Saturday if I’m honest. Lars predictably spends some time at the end waxing lyrical about their Donington origins in 1985 “…you guys have that saying, ‘home turf’… I think this might be Metallica’s home turf” but, I think it would have been a bit nicer and more topical to have talked about their Download history in particular… it’s only the bloody anniversary event isn’t it.

© Anna Hyams Wade for Summer Festival Guide – do not use without permission

FRIDAY

Today we’re already fearing the heat and slathering ourselves in sun-cream, but off we merrily pop to the Opus stage for The Warning. “We are 3 sisters from Mexico” they yell, before absolutely crushing their punchy hard rock set. From humble beginnings as kids on YouTube covering Enter Sandman, to a huge audience at Download is pretty damn impressive if you ask me.

The Warning © Anna Hyams Wade for Summer Festival Guide – do not use without permission

In a swift change of pace, we catch up with our friends-from-another-field – Elvana. Usually seen in glitter and sequins at the likes of Camp Bestival, they’ve chameleon morphed into… well, something else. Resplendent in black skeleton Elvis-style jumpsuit and suits, the band (and their doom cheerleaders aka backup vocalists) bring something a little silly but ultimately very enjoyable to the Download palette. Who doesn’t want an unhinged circle pit to Blue Suede Shoes, and have lil mosh to Smells Like Teen Spirit? Jokes aside, they’re actually excellent as well as fun, what’s not to love.

Heading across site we spot a lot of little Battle Jackets this year. Seems that a few more people have braved bringing their kids along and it feels like a nice shift for the festival. Yeah you can whinge on about it being ‘for adults’ but, there’s something to be said for passing on the spirit of metal to the next gen in a way that feels genuine and community led, and metal Mums and Dads just wanna see live music too, so bore off.

Witch fever over on the Dogtooth stage are another example of excellent up-and-coming bands we’ve been treated to this weekend. It’s been really fun to have some new blood turnover in the smaller stages and they certainly came seeking violence with their heady mix of post-punk power over gloomy basslines. Riot grrl era is back on the menu, and they are leading the call in all the ways we want – including jumping into the crowd and getting rowdy. If they started a zine I would buy it. Top song for my choosing: ‘Bully Boy’, oh and did I mention – they’re all hot.

Heading down the hill to the Apex, we are greeted by the incredible Nova twins, a punk/grime influenced duo from London. Now this for me is a truly excellent booking, their sound is unique and interesting, they absolutely wail and have that unmistakable star quality that we need for the main stage. Next up, Hot Milk are in danger of becoming Curdled Milk (snickers uncontrollably) and suffer a bit from the crowd being well… too hot. I have no idea how they survived on-stage pyro in this heat but more power to them, because I am melting.

Epica are first up in the melodic/symphonic metal stakes today and lead vocalist Simone Simons has one of those voices that has the power to skewer you right through the soul. It’s a decent crowd already, and I fear for being able to get round there later on.

Neck deep aren’t usually my scene but they’re doing a good job of hyping up the crowd, and it’s nice to see what Wrexham has to offer besides football and American celebrities. However, they do indeed sound extremely American when they sing – such is the power of the pop-punk cadence. “Everyone who’s from a shithole town, yell if you’re proud of where you came from!” elicits a huge roar, but the thing is, everyone in the UK thinks they’re from a shithole town until someone else bags on it, then the gloves are off. Aaanyway, Brutus are another new-to-me band who absolutely ripped up the Dogtooth stage, I am always floored by drummers who are also vocalists, the level of coordination is baffling to me.

Brutus © Anna Hyams Wade for Summer Festival Guide – do not use without permission

As expected Pendulum are fucking incredible and have wisely chosen to beef up the heaviness of their set – as they did last time they played Download. It’s a welcome return and everyone is up dancing about for it, despite the heat. “Front to the back, I need to see you crazy fuckers” is the call to arms for ‘Propane Nightmares’, and it’s quite cool that they’re joined by Matthew Tuck (of Bullet fame) for ‘Halo’, but ‘Witchcraft’ is the ultimate Pendulum masterpiece in my opinion.

Unfortunately due to some costumes not arriving in time, Gwar have to pull out of todays performance, which is met with a huge groan from the crowd inside the Dogtooth. So we head over to Within Temptation to be summarily met by a wall of people right up to the pathway. There is no chance of getting through, so we catch a bit of Sharon Den Adel’s deep and spooky vocals, as the second symphonic band to hit the stage today. Sometimes I forget how much ‘Stand My Ground’ slaps live – do these women even need microphones really? It feels like she could go without and still be heard at the Apex stage.

Architects are inducting newbies to the fray “…how many of you have crowd surfed before? Now’s your chance, get over this fucking barrier!” via some rather nice blokes who are giving people boosts into the waiting arms of obliging pallbearer types. But we’re hanging back to see Evanescence complete the trifecta of big vox, gothic female fronted bands today. As suspected – we can’t get anywhere near and the sound is totally borked from the side to the point of not really being able to hear. Sad times but I think the Opus field just no longer has the capacity.

Luckily the beyond brilliant Carpenter Brut who I’ve been listening to on repeat for the last 2 months, is giving the packed out Dogtooth something resembling a rave but considerably wilder. Apparently we’re calling this darksynth, but all I know is it’s fucking FUN. Sadly there are no tshirts to be found at the merch tents, otherwise I’d have snapped one up, call me a new fan – especially of his cover of Michael Sembello’s Flashdance hit ‘Maniac’– I command you to listen to it immediately.

Bringing Friday to a close are the much anticipated Bring Me The Horizon with an incredible stage set comprising of lots of bridge levels wrapped across a giant screen backdrop, like something out of a musical. Hitting the stage in a crop top with bondage straps and a shaggy haircut, Oli Sykes hasn’t morphed too far from the early scene kid days, but he definitely looks like a headliner now. It’s hard to describe but from minute one I was absolutely convinced they were meant to be there, and I genuinely felt excited to be seeing Download making a clear choice for the future of the festival here.

The band unceremoniously rip through the likes of ‘Teardrops’ and ‘Mantra’, before introducing “…one of [their] favourite bands in the fucking world…” Nova Twins, to head up ‘1×1’ with them. There is no denying the set is special, it’s got pizazz, the band sound incredible and they’re doing things that make it a unique show. This is what I wanted Metallica to do yesterday, to be honest.

Yes they’re a funny mix of genres at times, but this does actually allow them to be more flexible in their set too, something not a lot of bands can bring to the big stage – but there’s nothing that will keep a classic emo down is there… “Sometimes you get sad, but it’s about realising it and sharing it. If I’ve gotta be lost, I’m glad I’m lost with you people”. Oh Oli, wipe your tears babe, here comes Amy Lee (of Evanescence) – joining them for hands down the MOST emo named song in the history of songs ‘One Day the Only Butterflies Left Will Be in Your Chest as You March Towards Your Death’. It’s pretty great actually, and at least I can finally hear Amy Lee.

I could live without the face melting pyrotechnics to be honest, it’s still so hot tonight – and we were two speaker sets back so you know the people in front were basically cooked like turkeys. There’s a bit of me that wishes the tired suicidal ideation bit (‘DiE4u’) didn’t have to start with spoken word that sounds mystically beautiful to morose teenagers but ah, that’s the therapist in me speaking I suppose. Many have sung worse things I know, but it isn’t my favourite. Despite this, and the sort of strange cyber-attack/AI bit they keep playing on the screens, the band absolutely smash the shit out of this headline show. Yelling “I don’t care what you do, but if you stand still you are… a very special kind of knobhead” actually does appeal to my wish to not be seen as a knobhead, so I join in with everyone else because he told me to. If that isn’t the power of a headline act I don’t know what is.

‘Follow You’ is a lovely musical interlude, in which Oli requests people get on each others’ shoulders and hold up their lighters/phones “I’ll take owt”, and then runs down to hug the front row of fans. It’s a little cultish, but aren’t all the best bands?

With a giant explosion of pink ticker-tape and a nod “I will never forget this moment” they go out on the impeccable trio of ‘Drown’, ‘Throne’ and ‘Can You Feel My Heart’. Sign me up, I’m part of the cult now.

SATURDAY

Up and at ‘em for Polaris, who are very shouty and loud. I’m surprised at how many people are already going hard at midday considering we’re already edging on Satan’s armpit level heat.

I’m off to buy an overpriced slushie and head towards Avalanche for Lake Malice, who are going down as one of my favourite hits of the weekend. Vocalist Alice Guala looks like she’s jumped right off The Grid, wearing some kind of lycra Tron onesie and guitarist Blake Cornwall is rocking the coolest leopard print guitar I’ve ever seen. They’ve got an almost nu-metal edge, which appeals to my younger self, incredible energy and their crowd is responding with sending heaps of surfers across the barrier, despite the fact that the tent is stiflingly hot at this point. It sort of grieves me to know that this band started over Facebook during lockdown, and now they’re here. I was just out there making banana bread and doing my silly little zoom quizzes… how ‘bout you?

Lake Malice © Anna Hyams Wade for Summer Festival Guide – do not use without permission

First hype pick of the day for me are the deliciously kitschy Ice Nine Kills. I’d say the Venn diagram of metal fans and horror fans is probably almost a circle, and I cannot pretend that I’m not a basic bitch. With all their songs themed to horror movies, a good dose of on-stage theatricals (knives, axes, Patrick Bateman getup, you know – the full Alice Cooper style schtick) and catchy lyrics, I don’t think I’m alone in thoroughly loving this set. ‘The American Nightmare’ has been one of my most played songs since their second stage performance at Download last year – get on it.

In a whiplash change of pace, it’s time for the mighty Clutch. They are the antithesis of the previous band, no frills… no stuff… no theatrics. They just do what they always do – play solid funky rock and roll, brilliantly. The blazing sunshine with a cold beer is in my opinion, the most appropriate setting to see the likes of ‘X-Ray Visions’ and ‘Electric Worry’. Neil Fallon quips “hey shall we take our shirts off and pretend we’re in Red Hot Chilli Peppers?” as the heat gets to him, and they go out on the excellent ‘Pure Rock Fury’. I could stand a couple more hours of Clutch in the sunshine to be honest, let the music play.

A quick trip into the Dogtooth for the weird and wonderful Bambie Thug does not disappoint. They are dressed in some sort of Alien-meets-Hela demonic playsuit thing which is very fun, and are flanked by two gyrating dancers wearing only boxers – who later water gun the crowd (which is actually rather thoughtful of them in this heat). ‘Kawasaki (I Love It)’ is very singable, and ‘Headbang’ with special guest Mimi Barks feels a bit on the nose but ultimately is just really enjoyable. Bambie is going straight on the summer playlist.

Bambie Thug © Anna Hyams Wade for Summer Festival Guide – do not use without permission

Alexisonfire are yelling about something “Fuck racism, fuck misogyny, fuck you” but I’m too hot to do anything from my position on the ground under a sun-brella. They’re not usually my jam but it is frankly not in the cards for me to move right now so I accept a bit of shouty ‘Accept Crime’ and ‘Boiled Frogs’ under an oppressively cloudless sky.

Dragging myself into the Avalanche for Gwar’s rescheduled set is a feat in itself, but I am rewarded with the sight of a half naked King Charles, Kim Jong Un getting scalped and Putin with no hands. Unfortunately this also means I joined the masses of [fake]blood-soaked bodies in an already sweaty tent, and let me tell you that stuff does not easily wash off. You can’t not like Gwar, they’re so silly, it’s the law.

After attempting to clean myself up, it’s over to see Disturbed’s inevitable but iconic rendition of ‘The Sound of Silence’, which to my amusement – a group of guys in front of us all had a tearful cuddle afterwards, adorable.

The Opus area is of course way overfull once again, but there is nothing stopping Placebo being just fucking incredible from wherever you were standing. ‘Nancy Boy’ and ‘Bitter End’ are the sounds of my angry youth and I am transported back to a point where I actually had time to sit and listen to songs without it just being in the back of housework or my job. Their cover of ‘Running Up That Hill’ might be a lot of people’s introduction to Placebo, via Stranger Things, but for me they are tickling my nostalgia navel and I am gutted they weren’t put on the main stage instead.

Metallica, night two. This is the set I was waiting for. Yes we had the exact same intro but the band absolutely enter the stage with more presence and purpose tonight than they did on Thursday. The crowd tonight is absolutely wild to look out on. This is the most open the arena has ever been, without all the foot outlets and such chopping the area up it looks incredible, an absolute sea of bodies bathed under the stage lights. There’s something quite eerie about being in the company of 100k people like this, and the deafening roar of those people singing along to ‘For Whom The Bell Tolls’ immediately goes into the core memory bank.

“Let’s see if you guys know this song… wait let’s see if we know this song” jokes James Hetfield (Papa Het? Is that what we’re calling him these days? Bit weird but ok) as they drop into ‘Until It Sleeps’, but ‘Welcome Home (Sanitarium)’ is just gorgeously melodic and dramatic in the darkness.

Then there’s a weird interlude where Lars Ulrich seems to try and bring an extremely terrified child on stage from the Snakepit, who absolutely has zero interest in being there and therefore cries his eyes out. Luckily Hetfield is on hand to diffuse the situation “Here’s my dad joke… the fans at download are in-tents. You give me a microphone and I don’t know what to do!”. ‘The Unforgiven’ is wildly good, like seared-into-my-minds-eye good – it truly is one of the best performances I’ve seen Metallica give, and I enjoy the mild ribbing they’re giving Lars to boot. “This is night 10 for us here at Download or Monsters of Rock, that’s fabulous. Well, it’s Lars’ 9th show, you gonna catch up with us one day? He’ll be here tomorrow playing with all the other bands” Hetfield jokes, as people around us shout back “please no” and “don’t encourage him”.

‘Whiskey In The Jar’ never fails to get everyone singing along, the on-stage pyro and offset flame canons are massive, closing out with ‘One’ and ‘Enter Sandman’ and shitload of fireworks – this is the epic headline set we needed.

SUNDAY

Day four of blistering heat is a struggle, not gonna lie. We are done in but soldier on into the arena once more for Bloodywood – now with quite the following, the unique New Delhi bhangra heavy metal sound is exactly the kind of newness I love to see, being played to a pretty huge audience.  Graphic Nature in the dogtooth are somehow, and for no discernible reason, doing their entire set wearing hood-up raincoats in this heat – but they do look like they’re having fun.

Lorna Shore probably don’t quite get the reception they deserve as the order of the afternoon seems to be Lorna Snore, as many people appear to tapped out taking a nap in the field. Next up Mongolian metalheads The Hu are plying us with more tasty unique sounds, very enjoyable but I do wish that their stringed instruments had been been levelled up a bit, as that aspect which is prevalent in their online catalogue was kinda missing. Their cover of Metallica’s ‘Sad But True’ with half Mongolian lyrics, is fantastic though.

We head over to the Opus stage for a bit of Avatar who I can only think must be boiling alive in all their leather, especially with all their coordinated circular headbanging segments. ‘The Dirt I’m Buried In’ and ‘Hail The Apocalypse’ are highlights but honestly they’re just so entertaining start to finish – I wish they’d been a main stage band too.

Behemoth look as uncomfortably hot as they did last year at the burning inferno that was Bloodstock Open Air, asking “We need your energy, we need you to jump” to a day 4 crowd who are dead on their feet and basically crisp. It’s a no from me friends, but there are plenty of people down there having their time of their lives still so it’s all good.

I prevail are doing a lot of screaming and yelling fuck, in an angry teenage way, and whilst it isn’t really my vibe, their cover of SOAD’s ‘Chop Suey’ is actually great, and they do manage to provoke some very respectable and dusty circle pits.

On the Opus stage Bad Religion are playing an absolute blinder of a set, just solid good punk rock – the sound of my college years. The likes of ‘Anaesthesia’ and ‘You’ are required Tony Hawk’s Pro-Skater history of course, and ‘Infected’ results in a massive singalong. Over in Avalanche, German electronic wizards Electric Callboy are ripping Download a new one. This is the most packed and writhing I’ve seen the tent this weekend, the electric energy is undeniable. ‘Hypa Hypa’ is probably the most well known of theirs, but I also loved their cover of Darude’s ‘Sandstorm’ and The Frozen/Backstreet Boys ‘Let It Go’/‘I Want It That Way’ sweaty metalhead singalong was very funny to watch.

Scooting back through the gap to Opus we’re ready for some retro 80’s style metal from our favourite Swedish ghouls Ghost. This iteration of Papa Emeritus comes with much less pomp and ceremony, and I’m here for it. ‘Rats’ makes me giggle every time, it’s great used as a response to pretty much anything someone can ask you over the course of a weekend – but not if you want to keep your friends, let me tell you.

Dressed as a bat, Papa sings “I can feel the thunder that’s breaking in your heart” from ‘Cirice’ at almost the precise moment we start to witness lightning flashes in the sky above them. Very forward thinking of them to order the weather honestly. Luckily the festival skirts the zone between two massive thunderstorms in the Midlands, and is mercifully spared the Drownload moniker for another year.

Yelling “Do you want a goodnight kiss? How you doing Donington”, they launch forth into the epic and choral ‘Mary On A Cross’, a ticker tape and firework explosion, finishing up with ‘Dance Macabre’ and ‘Square Hammer’. This was truly the best Ghost performance I’ve seen, it looks like they’ve settled into their zone without some of the theatrical elements that I thought held them back a bit last time, and let the music speak.

Trying to get back to the main stage for our final headliner Slipknot, was like some kind of hideous cross country trek through sticky stinky bodies shoulder-to-shoulder. The traffic around the site this year has been noticeably worse due in part to numbers but also perhaps a few layout changes that have made routes through somewhat smaller. Slipknot arrive to giant bursts of smoke from all of the speaker towers in the crowds, and the cylindrical screens are focusing on up-close band members which is actually really effective. It’s also good to see the Clown return to the stage after a hiatus, atop one of the giant spiked drum tower flanking each side of the stage.

There’s no denying that it’s an impressive set up, and the band come in with a solid twenty minutes of pure heavy rage, eventually Corey yells “It’s good to be home” followed by “I’m a bit mad at you, you made me lose a bet. They bet me you would still go as mad without me running my mouth for the first twenty minutes. There were circle pits, I lost twenty quid you fuckin pricks” before admitting that he has been ill and that his voice isn’t up to par at the moment. Unfortunately it’s really obvious that he’s struggling through the set and it makes a marked difference in the power and delivery of the songs. “Well I always sound like shit, but I don’t always sound this cool” he jokes.

A collective ooooh emanates from the crowd as he shouts “Download! Our family. Here are  some songs we haven’t played in a very fucking long time…” as they launch into a tour debut of ‘Left Behind’.

“This one goes out to Kerrang magazine… Let’s see what you do with this one folks…” is the precursor to another exciting inclusion ‘Snuff’ which again has Slipknot fans cooing.

The obvious run down towards the end of ‘People = Shit’ and ‘Surfacing’ followed by an encore of ‘Duality’, ‘Custer’ and ‘Spit It Out’ is a predictable but, what the people want. The execution is phenomenal and exactly what you expect of a headliner but… it’s still not the best we’ve seen them I fear. There’s something lacking in the vibrancy, and sure some of it is Corey’s voice – but I do wonder whether the passion is in it for them as a band anymore. It’s hard not to make a comparison to Friday’s Bring Me The Horizon headline set, where the air was absolutely electric, and I say this as a person who isn’t (or wasn’t) a particular fan of either band. The tides are a’changing at Download festival, and I’m excited to see where we are headed, but it might mean leaving some beloved people behind.

Download, you’ve been epic once again – may your next 20 years be as wild!

© Anna Hyams Wade for Summer Festival Guide – do not use without permission