Skindred

Download XXIII – 2026 THE GIANT REVIEW!

by

Intro
Going into Download this year was a minefield of weather checking… do we need wellies or suncream? Reports of boggy campsites and wind-destroyed gazebos somehow turned into a weekend of rough sunburn and self-inflicted dehydration. On arrival, it seems like a lot of organisational work has been done to keep car queues to a minimum around the Donington site as well – a real improvement on last year.

We fight our way into the merch Megastore at the bottom end of The Village, only to find that some of the special collaboration products have already been stripped bare by campers. The Jolie Beauty set is completely cleared out – but we did manage to get our hands on it later on at the Press booth, and holy moly is it good. The lanyard palette is such a cool design, and the colours are so pigmented and perfectly matched to this year’s colourway. As a person who is constantly running around this festival, I can confirm that the ‘Mosh-proof setting spray’ that I used on Saturday and Sunday is the GOAT. Fingers crossed they’re back again next year with at least double the stock.

Issues abound with the much-anticipated Mary Wyatt collection, which once again features some of the best designs we have ever seen on festival merchandise – but just like last year, it’s basically sold out when we arrive early doors on Friday. The main wishlist items, like the Jersey, were gone on Wednesday according to staff, with no restocks. Please hear this as my plea for an additional arena-based Megastore, so that weekenders have a chance of getting their hands on some of this amazing stuff without paying hundreds of pounds (no really, the jersey was going for over £200 on Vinted on Monday…) to shithead resellers. I also could have spent a fortune on the stunning special edition jewellery from The Great Frog, but as you can imagine – they were sold out too!

Anyway, getting into the arena itself was also a bit of a wait – not an improvement despite last year’s complaints about missing early bands due to not having enough staff on the gates. I do think Download would benefit from having a secondary main entry point (maybe along the Opus side?), but I’m not sure how they’d make that work logistically. We’re looking forward to exploring the new set-up around the Avalanche stage area, though – we haven’t had a site restructure this big for a long time.

Friday
Opening the Apex stage is metalcore princess Scene Queen, wearing metallic pink cowboy boots, matching fringed arm cuffs, and sparkly daisy dukes. The final song is ‘18+’, with absolutely damning lyrics about underage girls on bands’ tour buses. It feels like the perfect opening commentary on a weekend where Axl Rose is headlining… she’s a force to be reckoned with. It’s a really strong start to the weekend, and she’s pulled a pretty big crowd.

P.O.D are giving us those early noughties nu-metal memories, but there aren’t enough oversized jorts and white tanks around yet for my liking. Guitarist Marcos Curiel welcomed his newborn daughter (born last night!) and the final song is dedicated to her.

Hollywood Undead have spawned a humungous crowd, and rightly so. With samples ranging from Ozzy Osbourne to Slayer mixed into their rowdy rap metal, there’s no debating their right to grace this stage – but I am surprised to hear everything slightly faster and more amped up than recorded. As a mosh pit tactic, it’s working; there are a LOT of people crashing around down there. ‘Everywhere I Go’ is definitely the one everyone knows; they’re even singing it way up the hill.

If you showed me a line-up and said one of these bands is from Berlin, I absolutely would have picked the one with the guy who looks like a Wes Anderson movie protagonist. Over in the Dogtooth tent are Vianova – dark, brooding metalcore with an electronic edge. They’d play in the club I would get turned away from after waiting hours in a plain black T-shirt, trying to pretend I’m cool. The entire crowd is singing along, it’s clear they already have a lot of fans here – and I had an absolutely fantastic time. They’re going straight onto my playlist.

Pendulum might not be the first band someone thinks of when they imagine Download Festival, but after that first booking in 2009 (when the stage was on hard-standing tarmac… honestly, whose bright idea was that? Oh, the head injuries…), they’ve become a solid Download favourite. They amp up the guitars and beats, giving everything a heavier edge than when they play elsewhere, and the arena is absolutely rammed. Despite the joy of having them on the main stage so more people can watch them, it’s sunny and it’s hot – their graphics and lights are getting lost, and this music deserves a shitload of lasers.

“We have a little surprise for you, Download…” they shout, as Rou Reynolds of Enter Shikari fame bounces onto the stage for a truly epic drum and bass remix of ‘Sorry You’re Not A Winner’. This is a collaboration universe I would very much like to see expanded in the future.

Next, we catch another fast and furious set from Electric Callboy, finally back after their unfortunate cancellation in 2024 due to illness – and the fans have really turned out for them. There are so many shell suits in this crowd that if an errant sunbeam hits, the whole place could go up in flames. ‘Tanzneid’ is a solid opener, and I loved the Sum 41 ‘Still Waiting’ cover. I’m always after those special crossover moments at festivals, and I’d really hoped that with Babymetal on the same bill this weekend, we might have seen them do ‘Ratatata’, but I guess the scheduling just didn’t work. I also thought they might do something with German techno legends Scooter (set to play later this weekend), since ‘Hypa Hypa’ is basically a tribute to them. Regardless, it was a scorching set.

Over in the Dogtooth tent, The Primals – Final Fantasy’s in-house band, created especially for the game series (which has its own very fancy arcade area over near The Village for people to play the newest instalment) – have amassed quite the crowd. Despite looking very much like The Blues Brothers, and with quite a number of the crowd waving K-pop-esque light sticks, they actually go hard — I really like them. They’re joined by long-time collaborator Jason Charles Miller (of Godhead fame) for a few songs.

On the Opus stage, Daughtry are bringing that classic rock sound that we haven’t had much of so far today. Lots of pyrotechnics, beautiful sunshine, and the first time this weekend we hear the lyrics “Heavy is the crown”. Definitely up there for band of the weekend – it’s such a good set.

Cypress Hill, another rap crossover choice from the organisers – turns out to be truly legendary. If you aren’t here to have fun, you’re in the wrong place. We are all leaping about like lunatics for ‘Insane in the Brain’ and ‘Jump Around’. You have to remember that, for a lot of us, these are the songs of our childhoods.

I’m fairly sure I will never have anything negative to say about Halestorm. They absolutely crush it once again. Lizzy Hale’s voice is second to none – hell, she could probably do the whole set without a microphone. There’s a lot of fire, she’s rocking a fringed leather jacket, and the ticker tape they spray across the crowd is even marked with their own little logos, very cool. ‘I Miss The Misery’ promotes every single person in this crowd to karaoke legend (to be clear… none of us are doing it well), and it’s one of those really fun moments where you know the notes are hitting everyone’s internal joy trigger at the same time. Their cover of Lady Gaga’s ‘Bad Romance’ is so great too – that would be a live collab I would LOVE to see.

Another nostalgia bump today comes in the form of Wales’ own Feeder. It’s a packed-out Avalanche stage tent, and they really deliver. Those Echo Park hits are the hot-button moments today – ‘Buck Rogers’ and ‘7 Days In The Sun’ have the whole tent singing.

Tonight’s headliner, Limp Bizkit, is where we really see the full force of how many people are at Download this weekend. The arena is rammed – almost impassable. Going to the loos or getting sustenance from one of the vendors might as well require multiple camps along the way, like Everest. Despite the numbers technically being lower than some previous years, something has definitely gone awry in the arena planning (it does all feel a little more cramped, right? Possibly due to the behemoth size of the new Apex stage?). There are already a lot of rumbling complaints about chairs being set up near the front, even past the sound tent.

Bloodstock Festival has had to implement a no-chair zone in the last couple of years, and that’s a much smaller festival. Either way, someone probably needs to take a look at how walkways and paths are set up around the arena, because it was a bit of a nightmare.

Putting on a brave face, the band pay tribute to bassist and founding member Sam Rivers, who sadly died last year, and also to Dougie Millers – a long-time member of Limp Bizkit’s stage truck crew, who tragically died on his way to Download, the truck then crashing into a house local to Donington. A photo of the band and the words “We will love you forever” crosses the screen, and it’s hard to imagine what it must take to get on that stage and perform while mourning your friends.

It’s a bit of a strange set overall. Fred Durst is inexplicably wearing a wig that makes him look like the bastard son of Bob Ross and Richard Simmons, paired with a Babe Ruth Yankees jersey. There are singalong lyrics on screen throughout the entire show (despite the relative catchment age of this festival being people who couldn’t avoid knowing the lyrics to all these songs even if they tried). ‘My Generation’ is great – they’re joined on stage by Lauren Sanderson (who actually looks more like Fred Durst than Fred Durst does today) for ‘Hot Dog’, and some red-hatted fans are invited up for ‘Full Nelson’.

Although I do wish he’d just do us a solid and pop on the signature red cap for ‘Rollin’ – it probably doesn’t matter, as the crowd is absolutely full of them (well, you know, it’s not Pitbull levels of commitment, but a good turnout). It’s a great one to watch the crowd on, because there are a lot of little kids who have clearly been primed for the dance moves before coming – 10/10, jolly good fun.

Unfortunately, ‘My Way’ is cut significantly short due to what seems like a fairly serious accident in the crowd, delaying the show by a good 15 to 20 minutes. It’s unsurprising that LP take such a serious stance on stopping the show, especially knowing exactly what can happen with crowd crushes. Fred kneels on stage with the white lights up to illuminate the crowd as a medical team stretcher the injured person out. The back of the arena has thinned considerably at this point, with a lot of people bowing out early to head back to camp or over to District X.

“I feel like right now we either just say goodnight or we try and rip it one more time?” shouts Fred, to cheers. Closing with another go at ‘Break Stuff’ is a good move, but I can’t help feeling the magic has dissipated (through no fault of the band). I don’t think this is going to go down as one of Limp Bizkit’s most triumphant Download shows, sadly – in fact, I think 2024’s set was probably the stronger one, and why they had so much hype going into tonight’s performance. We can’t win all the time, though – and I love them for still pushing through, even though they must have been feeling horrendous.

Saturday

Ginger Wildheart is gadding about in the press area with his adorable dog this morning, following their main stage opening slot. We head out to catch California band Snot (what a great name), who are bringing early, punky rowdiness to a slightly more overcast day. There’s nothing quite like screaming along to “one two fuck you” to get you going again after not many hours of sleep.

Homegrown rockers South Arcade have one of the best stage setups of the weekend. Giant spray paint cans flank the drum riser, and bright 90s graffiti backdrops create the perfect setting for a strobe-lit romp through their bouncy pop-punk set. There are more women on the main stage this year, and they are absolutely bringing the energy.

I also really rate how many British bands are on the bill this year. Over on the Opus stage, As Everything Unfolds are on at the same time as Drowning Pool, swapping places – and absolutely holding their own. Another female-fronted band slaying it: heavy, doomy, with that hard-edged rock screaming alongside soaring vocals. They’re really, really good. “We are grateful, even if you didn’t expect us, thanks for being here.” They actually retained most of the crowd who had clearly come for Drowning Pool — which doesn’t happen very often at all, and is a real testament to how good they sounded.

Landmvrks are shouty, shouty… very, very shouty – and fully deserving of their extremely smashy mosh pits. We Came As Romans pull a stonking big crowd, but their set is somewhat marred by a noticeable drop in sound quality from the stage. “Download bang your fucking heads let’s go!” would probably have more of the desired effect if we could actually hear it properly.

Those Damn Crows bring in a round of chuggy classic rock, and I think vocalist Shane Greenhall has a genuinely fantastic voice. If you’re a Black Stone Cherry fan, I’m pretty convinced you’ll like them. Big up Wales.

Over on the Apex stage, Babymetal get a second shot at the show, having been biblically shooed off stage in 2024 by thunder and lightning after only a couple of songs. This time, they return with rainbow dragonscale skirts, golden plate armour, signature dance moves, and a clear mission to make their mark. You can argue all you want about the ‘gimmick’ of a J-pop/metal crossover, but there is no denying the talent here. I am absolutely living for all the metal girlies with dual personalities (you know the ones) giving it their best kawaii headbang in the crowd. Once again though… just saying – how cool would it have been to get that ‘Ratatata’ Electric Callboy real-life moment?

Now, I love a bit o’ Bush (juvenile giggle), because at heart I am still a teenage grunge grebo. BUT COME ON. No ‘Glycerine’? Internal screaming. It was a bloody stellar set otherwise though — they really deserve their flowers.

Trivium obviously smash up the Apex stage to an absolutely huge crowd, but the wind is doing strange things to the sound further up the hill. We also really enjoyed the grannies grooving in the middle of the mosh pit – kudos, because those outfits must have been fucking hot to wear all day.

Over on the Avalanche stage, another British band is out here crushing it this weekend. Hot Milk have rows of people spilling out the sides of the tent, screaming “I wanna see so many fucking people across this barrier.” It really feels like British bands and women  are at the centre of Download this year, and I love to see it. Closing with ‘Party On My Deathbed’ is a masterstroke in pure adrenaline. “Don’t do anything I wouldn’t do, thank you Download!” they casually shout on the way out, after presiding over absolute carnage in there.

And now for something to soothe my pop-punk soul – The All-American Rejects headline set. Barefoot frontman Tyson Ritter, with his signature uncanny dancing (it’s giving Nathan Elsewhere), somehow looking like he hasn’t aged, or dressed a day different since 2002. Hits like ‘Dirty Little Secret’ and ‘Swing Swing’ are screamed by absolutely everyone, but nothing hits quite like pouring your teenage angst into ‘Gives You Hell’. What an anthem.

At the same time (annoyingly), Architects are ripping up the Opus stage to a crowd so dense it’s basically impossible to move through. We give it our best shot but end up stuck on the fringe before heading off to find a spot in the chaos for tonight’s headliner.

OH and we definitely will not comment on the Ferris wheel shenanigans that occurred directly before GN’R… no, we won’t. Except to say that the forums suggesting it be renamed ‘The Nosh Pit’ did make me snort laugh.

Now, Guns N’ Roses or more specifically Axl Rose – have a bit of a chequered history at Download. There was that one time with bottles of piss being thrown at the stage and the falling over… the fact they’re always bloody late… endless rumours about ridiculous riders, including requests for pre-show roast dinners…

But you can’t deny they’re a classic headline choice. Decades of music, some of the most iconic songs of all time, and a band that’s finally reunited in – at the very least – amicable co-worker status. I do need to caveat this performance with one big, glaring issue before I get into it: the sound up the hill is absolute garbage tonight. Anyone watching from the midway point upwards is probably going to report this as a properly shit show. Despite the enormous stage, towers, and swinging stack amps, the sound just doesn’t carry far enough for the size of the crowd.

If you creep around the outside and come in from the right of the stage, though, it’s a completely different story; the sound is phenomenal. Well… apart from the fact that the fucking waltzers are still allowed to blast their own music during the set. Year after year people complain about this, and yet somehow they remain.

Anyway, predictably, we are treated to an array of interesting outfits from Axl – apparently multiple bedazzled lumberjack shirts are the mark of a seasoned pro. Slash riffing at Donington in the setting sun is undeniably one of those lifetime memories. I spot loads of kids in the crowd who’ll always remember seeing this iconic band in real life – and as we’ve learned with the loss of heroes like Dio, Lemmy, and most recently Ozzy, more shows are never guaranteed.

GNR pay tribute to Ozzy with a giant commemorative backdrop and a cover of ‘Sabbath Bloody Sabbath’, which they also played last year at his final show, ‘Back To The Beginning’ at Villa Park.

Other highlights include opener ‘Welcome to the Jungle’ and ‘Rocket Queen’. And despite the pitch on ‘Knockin’ on Heaven’s Door’ being enough to summon every fox in Leicester, there’s something very endearing about a field full of crusty rockers trying their best to sing along.

Axl changes into a bejewelled black jacket and takes a seat at the piano for his Elton John moment, as the screens fill with a watery deluge for ‘November Rain’. I think we’re all collectively thinking: thank fuck we escaped the real rain this year, and only have to deal with the digital kind.

Laughing, “I dunno… it feels a little weird for us, for it to still be light out,” the band finish up with ‘Nightrain’ and ‘Paradise City’, Axl now in a studded leather jacket. You know what? It is early. There aren’t any fireworks either, and I do feel a bit salty about it, considering we’ve already had two slightly weird endings this weekend.

Also, the dirty rocker-to-glam pipeline for men needs to be studied. This man used to wear a kilt and a wife-beater that looked like it had never been washed, jeans that could stand up on their own, held together purely by the void between the rips — haunted by the ghosts of months-long tour legs. Meanwhile, the rest of them basically look the same as they ever did… just with slightly less enormous hair.

Sunday

Today we went for a wander around the shopping/activities area, now situated where the Avalanche stage used to be. It’s actually a really nice addition – loads of tables for sitting down, plenty of shade, food outlets, and another great new feature in the Hellfire Stage. We caught a brilliant grill demo, then watched a blacksmith making bracelets next door. The fossil and gem shop had a very cool rock trough where you could fill a little jar with shiny bits (honestly, bring your neurodivergent friends here if they need some calm-down time – ideal), and it was also pretty cool that Linkin Park had their own pop-up merch van.

Right. Let’s address something important. I DO NOT WANT THE BOOKTOK GIRLIES TO COME FOR ME. The Rebecca Yarros ‘Fourth Wing’ x Download hype was… not small. From the Download side it was just a small Instagram post about a pop-up, so I went to check it out – and let me tell you… a 45+ minute queue for that was brave. A low army tent with some hastily printed quotes hung up and a small photo setup where you could pose at a desk with a dragon on a screen in the background felt wildly underwhelming. The free commemorative patch was very cool, but this could have been so much better – especially because the fans were absolutely there. If they run something similar again, it has the potential to be a really nice extra… but lads, let me plan it. I can definitely do more.

We also got chatting to some OG indie vendors, including the amazing Scarlet in Chains, who make incredible body harnesses and jewellery. They’d also worked with The Sophie Lancaster Foundation this year on some really fun boot clips. They were metalworking on site, and we had a great chat about how much they love Download too.

On the Apex stage, Unpeople opened the day with a spectacular set, while over in the Dogtooth tent Private School got extremely wild – frontman Khaki diving into the crowd for a proper mosh with everyone.

Kublai Khan TX were also excellent, I’d love to see them back again. “Open that motherfucker up, I need a pit!” says it all. Over on the Opus stage, Mammoth — fronted by Wolfgang Van Halen (yes, that Van Halen) — absolutely killed it. I really love their sound, and he’s a genuinely fantastic vocalist. ‘The End’ is a truly epic track, and I’m so glad I got to hear it live.

I took a trip up the Budweiser tower for a look across the site – notably without the risk of sitting in something questionable on the Ferris wheel, and without the price tag. While up there, I witnessed one of the bar staff remember two people’s previous drink orders before they even asked – legendary behaviour. I did briefly consider stealing one of their denim Levi’s/Bud jackets on the way out… elite branding.

Big shoutout as well to the SwappieFest crew, who were handing out little trinkets throughout the crowd after hosting swap meets all weekend. Someone gave me a shiny sticker that matched my hair, and someone else was giving out 3D-printed Download logo keyrings – so, so cool.

The award for biggest Opus stage turnout of the weekend probably goes to Dogstar. To be fair, they’d deserve it anyway; very solid dad-rock/grunge vibes for your pre-emo era – but let’s be honest, a lot of the draw is Keanu Reeves on bass. Everyone wanted to see him with their own actual eyes. Including me. They were great – if a little stiff, but I did spot one of the coolest things of the weekend: a woman crowdsurfing in a wheelchair while holding up a custom Dogstar skateboard. I later found out it was one of Grandad Skateboards’ custom builds, gifted to the band backstage. They make headliner-specific boards every year, and they’re incredible.

Other bands I caught bits of today that I loved included Bloodywood, metal from New Delhi with one of the most unique sounds on the scene right now.

Once the Dogtooth secret set was revealed to be Skindred, it was obvious that tent was going to be absolutely rammed. While waiting, there was loads of singing, inflatable beach balls flying around – it felt like a full-on party. They’ve been a Download staple forever but haven’t played for a couple of years, so this felt like a proper triumphant return. Announced by F1 commentator Crofty in a Dreadload T-shirt, iconic. “There’s a race on, and I’m here instead!”

Benji appears in a fluffy white horned hat, full white outfit, and matching sunglasses – never disappointing on the outfit front. From the very start, there are waves of crowd surfers, and ‘Nobody’ is pure, riotous fun. They close with ‘Warning’, triggering the legendary Newport Helicopter – rows upon rows of spinning T-shirts stretching outside the tent. This really is their home turf.

The Pretty Reckless, fronted by Taylor Momsen in a white slip dress and stompy black boots, are another example of women absolutely owning the main stage this weekend. Despite her Cindy Lou roots, there’s nothing kitschy here; it’s emotive, confident, and genuinely captivating. ‘Heaven Knows’ is a standout moment.

Spanish band Ankor are another one-to-watch – I’m so glad I caught them. Pure fun, and impossible not to get swept up in their energy, dancing and headbanging along with them.

On the main stage, Ice Nine Kills bring their full cinematic horror experience, complete with an array of bloody props to match their catalogue. Highlights include Hannah Hermione from Creeper joining them for ‘A Work of Art’ (formerly ‘Twisting the Knife’), only to be promptly slaughtered, and Art the Clown making an appearance to decapitate the Download Dog. A cover of NOFX’s ‘Linoleum’ was an unexpected treat, and ‘The American Nightmare’ is still my personal favourite.

Tom Morello on the Opus stage is one of the highlights of the entire weekend. Not only is he incredible in his own right, he’s joined by his son Roman Morello, who actually wrote the riff for ‘Hold the Line’ – which is just ridiculously cool. Imagine touring with your dad at 15.

They also pay tribute to Ozzy with a cover of ‘Mr Crowley’, referencing Roman’s performance with Jack Black at last year’s ‘Back to the Beginning’ show. Huge cheers erupt when Tom flips his guitar to reveal a sign reading “Fuck Tommy Robinson”, before announcing, “…we learned a special English folk song just for today” and launching into Rage Against the Machine’s ‘Killing in the Name’. Honestly, Rage are probably the band I’d most love to see back at Download.

Mastodon take to the stage in the sunshine for a beautifully heavy set, though they do suffer from sound bleed thanks to clashing with Bad Omens. “Thanks for bringing us back to one of the most magical places on earth,” they say, dedicating ‘More Than I Could Chew’ to their “fallen brother” Brent Hinds.

Spineshank in Dogtooth are a magnet for constant crowd surfers, while Bad Omens’ set seems to suffer from a bit too much stop-start energy.

Creeper return once again – their fourth appearance of the weekend (a lot, even for vampires). Emily Strange presents Will Gould’s severed head following the previous show’s guillotine theatrics, casually stating, “I have some sewing to do.” It’s theatrical, chaotic, and brilliant – with gorgeous lighting and a crowd full of painted faces.

Linkin Park headlining Download brings back a flood of memories for me. I was there in 2004, crushed at the front, desperate to see the band whose CD I’d completely worn out. Coming back now, this time as the first female-fronted headliner – feels genuinely significant. For the band, for the festival, and for music more broadly. It really does feel like the start of a new chapter.

That said… the Windows 95-style visuals on the screens are making me laugh – that is exactly what my computer looked like when I was blasting that album back in the early 2000s.

The blend of old and new material is seamless, and the energy is constant. Emily Armstrong’s vocals are absolutely stunning. No, she’s not Chester Bennington – and she’s not trying to be. She even steps back during ‘Crawling’ to let the crowd carry it, acknowledging the weight that song still holds.

Another standout moment: “I wanna see ladies only in the pit right now! Guys, open it up – help them out!” Emily beams, “This makes me so happy,” before launching into ‘Two Faced’. Unfortunately, there are a couple more stoppages due to injuries — dealt with quickly, but there have definitely been more interruptions this year than usual.

‘Numb’ and ‘Heavy Is the Crown’ are absolutely breathtaking live, and the encore of ‘Papercut’ and ‘In the End’ is a perfect, emotional close. For me, this is the best headliner of the weekend and a genuine history-book moment to go with it.

Final Thoughts

To close out the weekend, and to touch on a few things I haven’t mentioned yet – I’ve been keeping an eye on the forums since getting home, and there’s been a lot of discussion around the site layout. A common theme is that it felt overcrowded at times, particularly with the number of chairs and the lack of clearly defined walkways, which made moving between stages more difficult than it should be. There were also repeated comments about there not being enough toilets in the arena, leading to consistently long queues.

One much more serious concern that seems to have been raised far more this year is the issue of sexual assault – particularly towards women. There have been multiple posts and even photos circulating of men in the crowd, with some alleged to be repeat offenders over the course of the weekend. It’s deeply concerning, and something that absolutely needs addressing to ensure Download remains a safe space for everyone.

On a more positive note, I spoke with one of the campsite managers, who mentioned that this year attendees were largely very good about taking their tents and rubbish home with them – which is genuinely great to hear. That said, getting out of the car parks on Monday proved to be a challenge for many, with some people reporting waits of over three hours.

I also want to highlight again how appreciated it was to have more seating areas and shaded spaces this year – it made a real difference across the weekend. However, additional water points would be a very welcome improvement. As always, the BSL interpreters and the sensory tent staff continue to be incredible; the effort and care that goes into making Download more accessible does not go unnoticed, and it’s fantastic to see these provisions in place.

One final shoutout goes to the Lemmy Kilmister tribute ceremony, led by Duff McKagan. The idea of placing some of Lemmy’s ashes inside a fruit machine at Download is so perfectly fitting, a brilliant and heartfelt way to honour him. There’s something really special about knowing a part of him will remain in the places he loved, alongside the music.

All things considered, this may well have been one of my favourite Download festivals to date. The lineup feels thoughtful and forward-looking, pointing towards a new era of rock and metal that feels genuinely exciting. Can’t wait to see what the 2027 picks are…

Download Festival – 20th Anniversary GIANT REVIEW!

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It’s June, we are out of the grey days and on the cusp of summer, there is hope in the breeze. Donington Park, home to superbikes and souped up engines is about to be clad in all black everything – for the unstoppable force that is Download Festival. In it’s 20th Anniversary year, hitting a sold out 100k audience is the cherry on the cake of Donington history. Praise be to the old guard of Monsters of Rock for handing down these fields of joy, so we can continue to celebrate.

WEDNESDAY

As part of the bigger/better anniversary wealth, Download has this year included an additional full day of music to the line-up – meaning that campers can arrive from Wednesday instead. In previous years, there seemed to be a greater split of arrival times and days for those camping but this year… it’s like the Pied Piper of metal suddenly called every alt kid in the UK at once, and everything in a five mile area is a fucking mess.

Now we know the road infrastructure around Donington Park isn’t the best, and we know it’s also competing with East Midlands Airport along one side, but this is another level of shithousery – the abject worst queues in the festival’s history. Reports coming in of people queuing for over seven hours in hot cars and buses, carparks being full and closed early on, signage being scrubbed out instead of redirected… the list goes on.

Many people took to Instagram to contact the festival directly and voice their complaints; @morrighan writes “Please sort out whatever the heck is holding up the J24 exit! We followed advice to follow signs for the fastest route. Taken us 3 hours to move less than a mile!” with @not_my_pubs_name replying “same, got on m1 exit slip road j23a and been sat here 3 hrs so far, and I’m camping in quiet camp, but now West carpark is full, so double fucked off. Utter joke”.

Essex tattoo artist @lucyharmless was also caught in the melee “wanna tell me why I’ve been sat in the same spot for the last 5+ hours, I know it’s a sold out festival but we’re not even moving here”

The festival has made no response about why things were this bad, instead posting the same information about which junctions to enter the festival by for the following days. Though the problem wasn’t as pronounced over the rest of the weekend, there were still significant delays with no real explanation.

As a 20 year fan of this festival (yes, I’ve been to them all) I would love to only sing it’s praises, but this is something that surely must be addressed for next year’s event. There has to be a way to separate and space out arrivals, maybe something in booked time slots for coming in (whilst this may sound a little prescriptive, but both Bestival and the IOW festival essentially had this work with ferry bookings splitting up the entry) or linking booked parking to campsite locations so that you can only go to one specific area. Hopefully better brains than mine are considering the future implications of the festival’s size.

THURSDAY

For ourselves, entering on Thursday was indeed an unfortunate three hour queue situation to hit the West car park which is closest to the box office we needed to be at for our wristbands. Luckily we had packed drinks and snacks knowing the stakes from the day before. Though we missed a few choice early bands due to this, entering the arena again felt like coming home. There is something undeniable about the feeling of stepping through the portal of Download. One minute you’re in the regular world where people look at you funny, and the next you’re side by side with every other person who knows exactly what it’s like to be fringe, or other.

The arena itself has had an overhaul, and I really think it is (mostly) for the better. The fairground rides have been summarily booted to the Avalanche stage area, which is a brilliant move. Their ridiculously loud playlists are no longer sullying the Apex stage sound, and they don’t hinder Avalanche at all because it’s a closed in tent – perfect. Gone too is the traditional line of food outlets that broke up that area, and the accessible viewing platform has had a move too. The result is an absolutely gargantuan main stage area with incredible views from all angles, further helped by the enormous screen towers and stack amps that are supposedly only in place for Metallica. Honestly – I wish they would keep them, the sound and views have been bloody incredible due to this set up.

I will pause to note though, that the accessible platform has been moved to the other side of the arena, presumably to facilitate quicker movement between the stages, especially Opus and Apex. Whilst this is in theory a great idea – the route between the platforms has been sandwiched in probably the most notorious bottleneck of the whole festival, rendering it completely unpassable during high crowd sets, simply because people are stopping in those areas to watch too. I’m not sure what could be done about this, it makes the most sense to have moved the platform there, but some kind of access run-through between them perhaps?

Anyway, onto the music. Having performed an incredible set last year at Bloodstock, it is so good to see Ukrainian band Jinjer absolutely smashing their way onto the Download main stage to a very respectable crowd. Lead vocalist Tatiana Shmayluk is an absolute powerhouse, song ‘Teacher Teacher’ hits hard even in the baking sun. It’s clear the crowd is on side as the band talk about what is happening in their country, by beginning a “Fuck Putin” chant, under the screened Ukrainian flags. I’d call their set a complete triumph, especially for a band that has jumped from performing in The Dogtooth at Download 2019 to the main stage in 2023.

Hundred Reasons ‘I’ll Find You’ will forever be one of my favourite jams, but it is beyond horrendous trying to move around the Opus stage at this point – there are simply too many people for comfort, so we stand off to the side for it and then scarper in search of space to sit down.

Over on The Avalanche stage we caught Punk Rock Factory, a Welsh four-piece doing what absolutely everyone wants to hear – theme songs and Disney covers. I’m not even slightly joking, the tent is packed and there are crowd surfers galore. No-one is pretending to be too cool to sing along with the likes of Go Go Power Rangers (replete with actual Power Rangers standing ominously still at the front of the stage), the Pokemon theme tune is excellent, as is Under The Sea from The Little Mermaid. Truly this band are a highlight, if only for the nostalgia button they press in all of us.

Punk Rock Factory © Anna Hyams Wade for Summer Festival Guide – do not use without permission

Halestorm are predictably awesome, and I mean that in the full sense of the word. Lzzy Hale belts out notes like she doesn’t even need a mic, an absolute rock icon. ‘I Miss The Misery’ is always going to be the big fan fave but truly the whole set was just good clean rock and roll in the sunshine. There’s something to be said for a band that sits so comfortably in this classic sound and owns it – there’s actually not a lot of it on the bill this weekend.

After grabbing a horrendously overpriced slushie (cozzie livs is really showing up in the food and beverage prices this weekend, let me tell you) we thought we’d check out the merchandise selections, but immediately turned on our heels when we discovered that they were over an hour long wait. No thanks.

I’m fairly sure that every single year I’ve complained about merch queues but, this festival is so big now it’s really time to add another one to the main arena. Way back in the Opus corner maybe? Heck stick one in VIP so that an entire population of people can grab their stuff outside of the arena as well? The addition of one to the West carpark exit/village entrance was great, but there were a few teething problems with the new ‘Megastore’ too.

Now, I love an obscure item as much as the next person (I do really want the Download bedsheets) and think this was a great idea… but I don’t know if sticking the Megastore out of reach for day/weekend ticketholders was necessarily fair. Particularly when it contained special tshirts not on sale in the arena stores – nor indeed the ENTIRE Mary Wyatt collection which been so hyped on social media prior to the event. More than a few disgruntled fans flocked to the Mary Wyatt Instagram to express their disappointment at not being able to grab something. The merch itself was interesting this year, I especially enjoyed the retro 03-23 logo tee and the back patch 20 jacket, but ooft the prices really do keep on rising.

Over on Apex, Alter Bridge bring us another dose of classic rock with Myles Kennedy’s signature vocal sound soaring over the sun-soaked crowd, while New York pop punk quartet State Champs light up the Avalanche stage for a rowdy but fun show – the whole tent is dancing.

State Champs © Anna Hyams Wade for Summer Festival Guide – do not use without permission

There is one band that I categorically want to see playing somewhere EVERY year please-thanks, and that is our Welsh pals, Skindred. As far as I’m concerned they are the sound of the summer, and my season isn’t over if I don’t do the Newport Helicopter at least once. Pulled in to fill the 5FDP void, there could be no more perfect choice than having Benji & co. headline the Opus stage – and what a rowdy good time it was. Every damn song they do is catchy, upbeat and just generally inspires movement… so you can imagine how intensely difficult it was to acquiesce to this innate demand when ALL 100K FESTIVAL GOERS were also trying to occupy that space. Coming off the back of a Heavy Music Award win there’s absolutely no doubting they’re fully at the top of their game, and are beloved at Download.

I’m going to attempt to keep this brief, since the greedy barstewards are playing twice this weekend, but it’s time for the first Metallica roundup.

As the sound of AC/DC’s ‘It’s A Long Way To The Top’ starts up by way of intro, old photos of the band surrounded by neon yellow frames (the official colour scheme of this tour ‘72 Seasons’) splash over the backdrops and the new cylindrical screen towers, including two monster cylinders actually on the stage itself. It’s an undeniably massive set-up, but there is a bit of me that is wondering if it’s going to be all style over substance.

On a personal note, Metallica have been there from the very beginning for me. I was there at the first Download, squished into a tent for their not-so-secret set… I was there when Joey Jordison filled in for Lars… I was there when they played the whole of The Black Album… they’re woven into the fabric of this festival and my festival history. One particular memory I carry from all of these times, is seeing hundreds of lights glowing in the dark of the night for ‘Nothing Else Matters’. The only difference is, the first time I saw them it was a warm orange glow from thousands of flame lighters – tonight, the cool white of phone torches. It’s strange to think how the next generation’s memories of live music will be formed.

Highlights of course included ‘Fade to Black’ in which Lars actually savaged a snare drum which had to be quickly replaced, ‘Sad but True’ and ‘Seek and Destroy’ (have we noticed how much Metallica love 3 word names for their songs?).

That said, this isn’t by any means my favourite set I’ve seen from Metallica. Yes the sound quality is excellent, and I’m never not going to enjoy ‘Master of Puppets’ and ‘Fuel’ but it feels a bit like they’re conserving energy for Saturday if I’m honest. Lars predictably spends some time at the end waxing lyrical about their Donington origins in 1985 “…you guys have that saying, ‘home turf’… I think this might be Metallica’s home turf” but, I think it would have been a bit nicer and more topical to have talked about their Download history in particular… it’s only the bloody anniversary event isn’t it.

© Anna Hyams Wade for Summer Festival Guide – do not use without permission

FRIDAY

Today we’re already fearing the heat and slathering ourselves in sun-cream, but off we merrily pop to the Opus stage for The Warning. “We are 3 sisters from Mexico” they yell, before absolutely crushing their punchy hard rock set. From humble beginnings as kids on YouTube covering Enter Sandman, to a huge audience at Download is pretty damn impressive if you ask me.

The Warning © Anna Hyams Wade for Summer Festival Guide – do not use without permission

In a swift change of pace, we catch up with our friends-from-another-field – Elvana. Usually seen in glitter and sequins at the likes of Camp Bestival, they’ve chameleon morphed into… well, something else. Resplendent in black skeleton Elvis-style jumpsuit and suits, the band (and their doom cheerleaders aka backup vocalists) bring something a little silly but ultimately very enjoyable to the Download palette. Who doesn’t want an unhinged circle pit to Blue Suede Shoes, and have lil mosh to Smells Like Teen Spirit? Jokes aside, they’re actually excellent as well as fun, what’s not to love.

Heading across site we spot a lot of little Battle Jackets this year. Seems that a few more people have braved bringing their kids along and it feels like a nice shift for the festival. Yeah you can whinge on about it being ‘for adults’ but, there’s something to be said for passing on the spirit of metal to the next gen in a way that feels genuine and community led, and metal Mums and Dads just wanna see live music too, so bore off.

Witch fever over on the Dogtooth stage are another example of excellent up-and-coming bands we’ve been treated to this weekend. It’s been really fun to have some new blood turnover in the smaller stages and they certainly came seeking violence with their heady mix of post-punk power over gloomy basslines. Riot grrl era is back on the menu, and they are leading the call in all the ways we want – including jumping into the crowd and getting rowdy. If they started a zine I would buy it. Top song for my choosing: ‘Bully Boy’, oh and did I mention – they’re all hot.

Witch Fever © Anna Hyams Wade for Summer Festival Guide – do not use without permission
© Anna Hyams Wade for Summer Festival Guide – do not use without permission
© Anna Hyams Wade for Summer Festival Guide – do not use without permission
© Anna Hyams Wade for Summer Festival Guide – do not use without permission

Heading down the hill to the Apex, we are greeted by the incredible Nova twins, a punk/grime influenced duo from London. Now this for me is a truly excellent booking, their sound is unique and interesting, they absolutely wail and have that unmistakable star quality that we need for the main stage. Next up, Hot Milk are in danger of becoming Curdled Milk (snickers uncontrollably) and suffer a bit from the crowd being well… too hot. I have no idea how they survived on-stage pyro in this heat but more power to them, because I am melting.

Epica are first up in the melodic/symphonic metal stakes today and lead vocalist Simone Simons has one of those voices that has the power to skewer you right through the soul. It’s a decent crowd already, and I fear for being able to get round there later on.

Neck deep aren’t usually my scene but they’re doing a good job of hyping up the crowd, and it’s nice to see what Wrexham has to offer besides football and American celebrities. However, they do indeed sound extremely American when they sing – such is the power of the pop-punk cadence. “Everyone who’s from a shithole town, yell if you’re proud of where you came from!” elicits a huge roar, but the thing is, everyone in the UK thinks they’re from a shithole town until someone else bags on it, then the gloves are off. Aaanyway, Brutus are another new-to-me band who absolutely ripped up the Dogtooth stage, I am always floored by drummers who are also vocalists, the level of coordination is baffling to me.

Brutus © Anna Hyams Wade for Summer Festival Guide – do not use without permission

As expected Pendulum are fucking incredible and have wisely chosen to beef up the heaviness of their set – as they did last time they played Download. It’s a welcome return and everyone is up dancing about for it, despite the heat. “Front to the back, I need to see you crazy fuckers” is the call to arms for ‘Propane Nightmares’, and it’s quite cool that they’re joined by Matthew Tuck (of Bullet fame) for ‘Halo’, but ‘Witchcraft’ is the ultimate Pendulum masterpiece in my opinion.

Unfortunately due to some costumes not arriving in time, Gwar have to pull out of todays performance, which is met with a huge groan from the crowd inside the Dogtooth. So we head over to Within Temptation to be summarily met by a wall of people right up to the pathway. There is no chance of getting through, so we catch a bit of Sharon Den Adel’s deep and spooky vocals, as the second symphonic band to hit the stage today. Sometimes I forget how much ‘Stand My Ground’ slaps live – do these women even need microphones really? It feels like she could go without and still be heard at the Apex stage.

Architects are inducting newbies to the fray “…how many of you have crowd surfed before? Now’s your chance, get over this fucking barrier!” via some rather nice blokes who are giving people boosts into the waiting arms of obliging pallbearer types. But we’re hanging back to see Evanescence complete the trifecta of big vox, gothic female fronted bands today. As suspected – we can’t get anywhere near and the sound is totally borked from the side to the point of not really being able to hear. Sad times but I think the Opus field just no longer has the capacity.

Luckily the beyond brilliant Carpenter Brut who I’ve been listening to on repeat for the last 2 months, is giving the packed out Dogtooth something resembling a rave but considerably wilder. Apparently we’re calling this darksynth, but all I know is it’s fucking FUN. Sadly there are no tshirts to be found at the merch tents, otherwise I’d have snapped one up, call me a new fan – especially of his cover of Michael Sembello’s Flashdance hit ‘Maniac’– I command you to listen to it immediately.

Bringing Friday to a close are the much anticipated Bring Me The Horizon with an incredible stage set comprising of lots of bridge levels wrapped across a giant screen backdrop, like something out of a musical. Hitting the stage in a crop top with bondage straps and a shaggy haircut, Oli Sykes hasn’t morphed too far from the early scene kid days, but he definitely looks like a headliner now. It’s hard to describe but from minute one I was absolutely convinced they were meant to be there, and I genuinely felt excited to be seeing Download making a clear choice for the future of the festival here.

The band unceremoniously rip through the likes of ‘Teardrops’ and ‘Mantra’, before introducing “…one of [their] favourite bands in the fucking world…” Nova Twins, to head up ‘1×1’ with them. There is no denying the set is special, it’s got pizazz, the band sound incredible and they’re doing things that make it a unique show. This is what I wanted Metallica to do yesterday, to be honest.

Yes they’re a funny mix of genres at times, but this does actually allow them to be more flexible in their set too, something not a lot of bands can bring to the big stage – but there’s nothing that will keep a classic emo down is there… “Sometimes you get sad, but it’s about realising it and sharing it. If I’ve gotta be lost, I’m glad I’m lost with you people”. Oh Oli, wipe your tears babe, here comes Amy Lee (of Evanescence) – joining them for hands down the MOST emo named song in the history of songs ‘One Day the Only Butterflies Left Will Be in Your Chest as You March Towards Your Death’. It’s pretty great actually, and at least I can finally hear Amy Lee.

I could live without the face melting pyrotechnics to be honest, it’s still so hot tonight – and we were two speaker sets back so you know the people in front were basically cooked like turkeys. There’s a bit of me that wishes the tired suicidal ideation bit (‘DiE4u’) didn’t have to start with spoken word that sounds mystically beautiful to morose teenagers but ah, that’s the therapist in me speaking I suppose. Many have sung worse things I know, but it isn’t my favourite. Despite this, and the sort of strange cyber-attack/AI bit they keep playing on the screens, the band absolutely smash the shit out of this headline show. Yelling “I don’t care what you do, but if you stand still you are… a very special kind of knobhead” actually does appeal to my wish to not be seen as a knobhead, so I join in with everyone else because he told me to. If that isn’t the power of a headline act I don’t know what is.

‘Follow You’ is a lovely musical interlude, in which Oli requests people get on each others’ shoulders and hold up their lighters/phones “I’ll take owt”, and then runs down to hug the front row of fans. It’s a little cultish, but aren’t all the best bands?

With a giant explosion of pink ticker-tape and a nod “I will never forget this moment” they go out on the impeccable trio of ‘Drown’, ‘Throne’ and ‘Can You Feel My Heart’. Sign me up, I’m part of the cult now.

SATURDAY

Up and at ‘em for Polaris, who are very shouty and loud. I’m surprised at how many people are already going hard at midday considering we’re already edging on Satan’s armpit level heat.

I’m off to buy an overpriced slushie and head towards Avalanche for Lake Malice, who are going down as one of my favourite hits of the weekend. Vocalist Alice Guala looks like she’s jumped right off The Grid, wearing some kind of lycra Tron onesie and guitarist Blake Cornwall is rocking the coolest leopard print guitar I’ve ever seen. They’ve got an almost nu-metal edge, which appeals to my younger self, incredible energy and their crowd is responding with sending heaps of surfers across the barrier, despite the fact that the tent is stiflingly hot at this point. It sort of grieves me to know that this band started over Facebook during lockdown, and now they’re here. I was just out there making banana bread and doing my silly little zoom quizzes… how ‘bout you?

Lake Malice © Anna Hyams Wade for Summer Festival Guide – do not use without permission

First hype pick of the day for me are the deliciously kitschy Ice Nine Kills. I’d say the Venn diagram of metal fans and horror fans is probably almost a circle, and I cannot pretend that I’m not a basic bitch. With all their songs themed to horror movies, a good dose of on-stage theatricals (knives, axes, Patrick Bateman getup, you know – the full Alice Cooper style schtick) and catchy lyrics, I don’t think I’m alone in thoroughly loving this set. ‘The American Nightmare’ has been one of my most played songs since their second stage performance at Download last year – get on it.

In a whiplash change of pace, it’s time for the mighty Clutch. They are the antithesis of the previous band, no frills… no stuff… no theatrics. They just do what they always do – play solid funky rock and roll, brilliantly. The blazing sunshine with a cold beer is in my opinion, the most appropriate setting to see the likes of ‘X-Ray Visions’ and ‘Electric Worry’. Neil Fallon quips “hey shall we take our shirts off and pretend we’re in Red Hot Chilli Peppers?” as the heat gets to him, and they go out on the excellent ‘Pure Rock Fury’. I could stand a couple more hours of Clutch in the sunshine to be honest, let the music play.

A quick trip into the Dogtooth for the weird and wonderful Bambie Thug does not disappoint. They are dressed in some sort of Alien-meets-Hela demonic playsuit thing which is very fun, and are flanked by two gyrating dancers wearing only boxers – who later water gun the crowd (which is actually rather thoughtful of them in this heat). ‘Kawasaki (I Love It)’ is very singable, and ‘Headbang’ with special guest Mimi Barks feels a bit on the nose but ultimately is just really enjoyable. Bambie is going straight on the summer playlist.

Bambie Thug © Anna Hyams Wade for Summer Festival Guide – do not use without permission

Alexisonfire are yelling about something “Fuck racism, fuck misogyny, fuck you” but I’m too hot to do anything from my position on the ground under a sun-brella. They’re not usually my jam but it is frankly not in the cards for me to move right now so I accept a bit of shouty ‘Accept Crime’ and ‘Boiled Frogs’ under an oppressively cloudless sky.

Dragging myself into the Avalanche for Gwar’s rescheduled set is a feat in itself, but I am rewarded with the sight of a half naked King Charles, Kim Jong Un getting scalped and Putin with no hands. Unfortunately this also means I joined the masses of [fake]blood-soaked bodies in an already sweaty tent, and let me tell you that stuff does not easily wash off. You can’t not like Gwar, they’re so silly, it’s the law.

Gwar © Anna Hyams Wade for Summer Festival Guide – do not use without permission
© Anna Hyams Wade for Summer Festival Guide – do not use without permission

After attempting to clean myself up, it’s over to see Disturbed’s inevitable but iconic rendition of ‘The Sound of Silence’, which to my amusement – a group of guys in front of us all had a tearful cuddle afterwards, adorable.

The Opus area is of course way overfull once again, but there is nothing stopping Placebo being just fucking incredible from wherever you were standing. ‘Nancy Boy’ and ‘Bitter End’ are the sounds of my angry youth and I am transported back to a point where I actually had time to sit and listen to songs without it just being in the back of housework or my job. Their cover of ‘Running Up That Hill’ might be a lot of people’s introduction to Placebo, via Stranger Things, but for me they are tickling my nostalgia navel and I am gutted they weren’t put on the main stage instead.

Metallica, night two. This is the set I was waiting for. Yes we had the exact same intro but the band absolutely enter the stage with more presence and purpose tonight than they did on Thursday. The crowd tonight is absolutely wild to look out on. This is the most open the arena has ever been, without all the foot outlets and such chopping the area up it looks incredible, an absolute sea of bodies bathed under the stage lights. There’s something quite eerie about being in the company of 100k people like this, and the deafening roar of those people singing along to ‘For Whom The Bell Tolls’ immediately goes into the core memory bank.

“Let’s see if you guys know this song… wait let’s see if we know this song” jokes James Hetfield (Papa Het? Is that what we’re calling him these days? Bit weird but ok) as they drop into ‘Until It Sleeps’, but ‘Welcome Home (Sanitarium)’ is just gorgeously melodic and dramatic in the darkness.

Then there’s a weird interlude where Lars Ulrich seems to try and bring an extremely terrified child on stage from the Snakepit, who absolutely has zero interest in being there and therefore cries his eyes out. Luckily Hetfield is on hand to diffuse the situation “Here’s my dad joke… the fans at download are in-tents. You give me a microphone and I don’t know what to do!”. ‘The Unforgiven’ is wildly good, like seared-into-my-minds-eye good – it truly is one of the best performances I’ve seen Metallica give, and I enjoy the mild ribbing they’re giving Lars to boot. “This is night 10 for us here at Download or Monsters of Rock, that’s fabulous. Well, it’s Lars’ 9th show, you gonna catch up with us one day? He’ll be here tomorrow playing with all the other bands” Hetfield jokes, as people around us shout back “please no” and “don’t encourage him”.

‘Whiskey In The Jar’ never fails to get everyone singing along, the on-stage pyro and offset flame canons are massive, closing out with ‘One’ and ‘Enter Sandman’ and shitload of fireworks – this is the epic headline set we needed.

SUNDAY

Day four of blistering heat is a struggle, not gonna lie. We are done in but soldier on into the arena once more for Bloodywood – now with quite the following, the unique New Delhi bhangra heavy metal sound is exactly the kind of newness I love to see, being played to a pretty huge audience.  Graphic Nature in the dogtooth are somehow, and for no discernible reason, doing their entire set wearing hood-up raincoats in this heat – but they do look like they’re having fun.

Lorna Shore probably don’t quite get the reception they deserve as the order of the afternoon seems to be Lorna Snore, as many people appear to tapped out taking a nap in the field. Next up Mongolian metalheads The Hu are plying us with more tasty unique sounds, very enjoyable but I do wish that their stringed instruments had been been levelled up a bit, as that aspect which is prevalent in their online catalogue was kinda missing. Their cover of Metallica’s ‘Sad But True’ with half Mongolian lyrics, is fantastic though.

We head over to the Opus stage for a bit of Avatar who I can only think must be boiling alive in all their leather, especially with all their coordinated circular headbanging segments. ‘The Dirt I’m Buried In’ and ‘Hail The Apocalypse’ are highlights but honestly they’re just so entertaining start to finish – I wish they’d been a main stage band too.

Behemoth look as uncomfortably hot as they did last year at the burning inferno that was Bloodstock Open Air, asking “We need your energy, we need you to jump” to a day 4 crowd who are dead on their feet and basically crisp. It’s a no from me friends, but there are plenty of people down there having their time of their lives still so it’s all good.

I prevail are doing a lot of screaming and yelling fuck, in an angry teenage way, and whilst it isn’t really my vibe, their cover of SOAD’s ‘Chop Suey’ is actually great, and they do manage to provoke some very respectable and dusty circle pits.

On the Opus stage Bad Religion are playing an absolute blinder of a set, just solid good punk rock – the sound of my college years. The likes of ‘Anaesthesia’ and ‘You’ are required Tony Hawk’s Pro-Skater history of course, and ‘Infected’ results in a massive singalong. Over in Avalanche, German electronic wizards Electric Callboy are ripping Download a new one. This is the most packed and writhing I’ve seen the tent this weekend, the electric energy is undeniable. ‘Hypa Hypa’ is probably the most well known of theirs, but I also loved their cover of Darude’s ‘Sandstorm’ and The Frozen/Backstreet Boys ‘Let It Go’/‘I Want It That Way’ sweaty metalhead singalong was very funny to watch.

Scooting back through the gap to Opus we’re ready for some retro 80’s style metal from our favourite Swedish ghouls Ghost. This iteration of Papa Emeritus comes with much less pomp and ceremony, and I’m here for it. ‘Rats’ makes me giggle every time, it’s great used as a response to pretty much anything someone can ask you over the course of a weekend – but not if you want to keep your friends, let me tell you.

Dressed as a bat, Papa sings “I can feel the thunder that’s breaking in your heart” from ‘Cirice’ at almost the precise moment we start to witness lightning flashes in the sky above them. Very forward thinking of them to order the weather honestly. Luckily the festival skirts the zone between two massive thunderstorms in the Midlands, and is mercifully spared the Drownload moniker for another year.

Yelling “Do you want a goodnight kiss? How you doing Donington”, they launch forth into the epic and choral ‘Mary On A Cross’, a ticker tape and firework explosion, finishing up with ‘Dance Macabre’ and ‘Square Hammer’. This was truly the best Ghost performance I’ve seen, it looks like they’ve settled into their zone without some of the theatrical elements that I thought held them back a bit last time, and let the music speak.

Trying to get back to the main stage for our final headliner Slipknot, was like some kind of hideous cross country trek through sticky stinky bodies shoulder-to-shoulder. The traffic around the site this year has been noticeably worse due in part to numbers but also perhaps a few layout changes that have made routes through somewhat smaller. Slipknot arrive to giant bursts of smoke from all of the speaker towers in the crowds, and the cylindrical screens are focusing on up-close band members which is actually really effective. It’s also good to see the Clown return to the stage after a hiatus, atop one of the giant spiked drum tower flanking each side of the stage.

There’s no denying that it’s an impressive set up, and the band come in with a solid twenty minutes of pure heavy rage, eventually Corey yells “It’s good to be home” followed by “I’m a bit mad at you, you made me lose a bet. They bet me you would still go as mad without me running my mouth for the first twenty minutes. There were circle pits, I lost twenty quid you fuckin pricks” before admitting that he has been ill and that his voice isn’t up to par at the moment. Unfortunately it’s really obvious that he’s struggling through the set and it makes a marked difference in the power and delivery of the songs. “Well I always sound like shit, but I don’t always sound this cool” he jokes.

A collective ooooh emanates from the crowd as he shouts “Download! Our family. Here are  some songs we haven’t played in a very fucking long time…” as they launch into a tour debut of ‘Left Behind’.

“This one goes out to Kerrang magazine… Let’s see what you do with this one folks…” is the precursor to another exciting inclusion ‘Snuff’ which again has Slipknot fans cooing.

The obvious run down towards the end of ‘People = Shit’ and ‘Surfacing’ followed by an encore of ‘Duality’, ‘Custer’ and ‘Spit It Out’ is a predictable but, what the people want. The execution is phenomenal and exactly what you expect of a headliner but… it’s still not the best we’ve seen them I fear. There’s something lacking in the vibrancy, and sure some of it is Corey’s voice – but I do wonder whether the passion is in it for them as a band anymore. It’s hard not to make a comparison to Friday’s Bring Me The Horizon headline set, where the air was absolutely electric, and I say this as a person who isn’t (or wasn’t) a particular fan of either band. The tides are a’changing at Download festival, and I’m excited to see where we are headed, but it might mean leaving some beloved people behind.

Download, you’ve been epic once again – may your next 20 years be as wild!

© Anna Hyams Wade for Summer Festival Guide – do not use without permission

DOWNLOAD FESTIVAL 2022 – THE BIG REVIEW!

by
Photo credit: Ⓒ Beth Miller for Download Festival

WELL THEN. Three whole years since the last proper Download Festival. Yeah yeah there was the Pilot last year, but it’s not the same. This is it, this is the return. Was it triumphant? Let’s discuss.

Donington Park opens its doors for the hoardes of giddy metalheads on Thursday, with the newly situated campsites filling from West Carpark quickly. Let’s have a moment for the new site layout; the campsites are now located considerably closer to the arena (they used to be at the opposite end of the racetrack) and the arena is accessed by travelling through the brand new Village area which is now on hard-standing.

There are a few things to note about this arrangement though. If you’ve managed to park in West Carpark, you are indeed only a shortish walk to your camping. However, once this is full the East and North Carparks are utilized and they are predictably – on the other side of the racetrack, a journey of epic proportions to your campsite. I suppose the question is, would you rather walk further to the arena every day, or have to cart all your camping stuff further on the way in and on the way out?

It must also be noted that whilst quiet camping does still exist, they’ve chosen to back the brand new (and considerably larger) Doghouse stage onto it. With music going on until 3am, it seems sort of redundant but hey, hopefully you brought earplugs.

The Village itself is a thing of beauty. Despite this being a rare good weather Download rather than a washout, it really is just such a good move to have the entire place on a tarmac surface. Immediately as you enter the area there is an enormous pop-up Co-Op selling practically everything you might need for the weekend, including fairly priced crates of beer and the cheeky sandwich meal deal which costs about a third of the price of a soggy burrito from the arena. Even for non-campers this is a short walk from the arena to keep your costs down, and I think its really important to stress that this is a great way of ensuring that people aren’t entirely priced out of coming to this festival, when food and drink prices seem set to continue to rise exponentially.

As for entertainment, this year we have an entire arcade replete with coin machines and Dance Dance Revolution, as well as the traditional fairground rides such as minor-whiplash-dodgems and possibly-the-worst-ghost-train-in-the-world. The new Doghouse is the real MVP though, a huge square post-apocalyptic shipping container park with a stage and a bar. It’s worth noting that this whole move really improves accessibility for everyone. RIP and Disability Camping guests are no longer miles from the night-time action, and the tarmac makes getting there much easier, a huge step towards making Download a much more inclusive festival.

For morning people you can give yourself a boost by joining in with some Rockfit, frame trampolining or rock aerobics – flashback to Download’s at-home content during Lockdown in 2020. In the evenings there’s stand up comedy in The Sidesplitter, and then the infamous Doghouse clubnights returning with a bang. I must give a mention here to Thursday night’s Punk Rock Factory who honestly I’d love to see hitting up the main arena next year, a punk Disney cover band. There is just something joyous about seeing a group of big burly dudes belting out songs from Encanto, truly they absolutely slap, and seemed to have the full support of a packed Doghouse.

Aside from this we also have another attempt at implementing a cashless festival, thankfully without a return to the RFID fiasco of a previous Download, though it does seem most of the shops are still accepting cash regardless. We also have renamed stages for 2022 – Apex and Opus in place of various previous names such as Lemmy and Dio, but let’s face it, everyone calls them Main and Second anyway.

Friday

It’s Friday, the gates are open and the sun is shining. Not packing a raincoat feels absolutely reckless for this festival, but the weather app assures me that everything will be ok so sun-cream it is. As seasoned Download goers, we head straight for a merch tent because everyone knows they can and absolutely will sell out of stuff. As per usual nothing has changed and there are simply too few staff to appropriately manage the volume of people queuing, and we wait a solid hour and a half to get our stuff. I think I’ve said this in every review but really, just drop more staff on for the first day, I beg.

The merch options are outstanding though, apart from the regular tshirts and such, there is a plethora of weird shit you can buy and I am HERE FOR IT. Download Monopoly for campsite mornings? Got you covered. Cafetiere and laser engraved wooden cups? No problem. We also love the fully embroidered denim jacket, the extremely handy new tote bags, and of course the plushie deranged Download Dog. There’s also a whole section for babies/kids which is nice, considering there seem to be a lot more of them in attendance this year. Mini metalheads everywhere you look – this is the next gen, teach them well.

Luckily the queue for said merchandise is situated right alongside the hill-top Dogtooth Stage, where we manage to catch a sweaty but brilliant set from The Scratch. Acoustic Irish folk music overlayed with heavy metal and a dedication to getting the crowd involved, makes for a unique and undeniably fun experience. Yelling “…if you’re really confused about what we’re doing, that’s fine, we’re confused as well… but we can still have fun” the band really sum up how it is to watch their show. I would absolutely go and see them again.

Over to Kris Barras on the Opus stage for some melodic rock and roll in the sunshine, playing bluesy summery riffs to a huge crowd. It’s perfect beer-drinking, feel good summer music that makes you feel like you’re in an 80’s TV show driving the Sunset Strip.

Skynd’s unique ‘true crime’ industrial rock sound is testament to the expansion of genre Download have been working towards over the last few years, something a little unusual and interesting, with songs named after infamous death events. Skynd’s unusual vocal style ranging from effeminate cheerleader-esque chanting to deep rasping creep is really something different, and sets the tone for how many new and challenging female artists we’re about to see this weekend.

Bury Tomorrow pull off a convincing enough set, but hero vocalist Myles Kennedy over on the Opus stage is just beyond compare – I genuinely believe he’s one of the best rock voices of all time. Dead Poet Society on the Dogtooth stage play to a jammed tent, and even spend a little time after their set taking photos with fans.

Firmly established Download regulars Black Veil Brides are tearing up the Apex stage to a mass of sweaty face-paint melting goths and some early crowd-surfers, but it’s Skindred who take the crown for band of the day with their energetic and powerful set. Whilst it’s true that we see them pretty much every year at least once, they never seem to disappoint. Benji always has a fun outfit, this time a lightning bold studded red leather set with a plumed hat, and they roll through a mix of old and new making sure to hit the highs of ‘Pressure’ and ‘Nobody’, as well as joking around with extremely British singsongs of “if you’re happy and you know it clap your hands”. “2 years without any fucking music” as Benji puts it, is enough time for everyone to get really amped up for ‘Kill The Power’ in which they also voice support for Ukraine, and a right old rowdy Newport Helicopter of windmilling tshirts during ‘Warning’. Oh Skindred, we’ve missed you.

Photo credit: Ⓒ James Bridle for Download Festival

Over on the Opus stage, the Aussies are at it again. Reckless wonders Airborne, who were once lambasted by security for climbing the stage rigging at Download sans harness – for shits and gigs, yell out “…if we’re still here, and you’re still here, metal still exists…”. Which when you consider their death-wish antics, is perhaps not the most solid flex.

A Day To Remember blast punky metal across the main stage area as the sun shines, before Frank Carter & The Rattlesnakes take on the Opus stage with their classic punk rock sounds and social commentary. Frank, ever the cheeky chap shouts out “Moment of silence for all the bands that we just murdered” before clambering out onto the shoulders of fans to continue singing.

In a bold but timely statement Frank says “This is a ladies and non-binary only moshpit for this song. Fellas on the sidelines, protect this space. This is a safe space for those people to have a good time without getting groped or punched. For too long rock and roll has been unequal. I’m sorry I didn’t have the mindset to do this sooner, in 10 years time I promise you this will be a very different space for our children”. Whilst this may be somewhat performatory in practice (it’s one song in a weekend of bands), it does send a message that people are listening and beginning to take notice of what female and NB metal fans have been saying for years. Though generally pit-etiquette is known to be good at Download, it’s really refreshing to see how the festival is evolving into a more inclusive space for everyone to enjoy the music.

Frank also takes a jab with “This song is about Rishi [Sunak] telling me to get a fucking job. I’ve got two you bastard, how many am I supposed to have?” as massive ticker-tape explosions flutter over the crowd. It’s been an interesting set, and I’m all for artists using their platform to highlight important issues – it’s punk’s legacy.

After hitting up the legendary Bunnymans Bunnychow for dinner (South African firey chilli shoved into half a loaf of bread, the stuff of festival dreams) the Apex hill is filling up in anticipation of tonight’s headliner KISS.

The stage is draped with an enormous KISS banner, the sides flanked with KISS ARMY insignias, and the roof a hive of ring shaped lighting like something from sci-fi. Giant inflatable metallic effigies of the band members stand either side of the stage, blowing in the wind threatening to squash the puny worshippers below. As a tape begins to roll on the screens, of the band making their way through dressing rooms and corridors to get to the stage, I can’t help but giggle. We’re in a field, miles from anything solid, with only tents and tour buses back there. It’s all part of the KISS schtick though isn’t it.

“You wanted the best, you got the best!” yells Paul Stanley, aka The Starchild as a rain of sparkly pyro falls from the centre of the stage and the banner is dropped. As usual, they are dressed to the nines in, well, quite possibly bigger than nine-inch platform shoes and their signature shiny glam get-up – and there’s a part of me watching this, that is just a bit sad that nothing comes after this. We won’t witness this level of ridiculousness again, it’s an ending era. KISS are known for keeping it strictly performance. They have a script and they rarely step outside of it, which is professional I guess, if a little wooden sometimes. “This song is about putting something in your mouth…” comes before they drop into ‘Lick It Up’ but it’s the same sentence we heard last time we saw them here. I’m not sure whether I enjoy this from a nostalgia perspective – like re-watching your favourite movie when you feel down – or if I wish they’d break character just once, for this one final time.

‘Calling Dr Love’ is followed by ‘Tears Are Falling’ and then the more recent ‘Psycho Circus’ pulls up to a long drum solo from The Cat, who is raised up onto a giant platform. Presumably giving the other band members a much needed breather. I don’t hate it, it isn’t obscenely long… but the following instrumental really is. The solo is another thing from an older time, new bands don’t do it, or it’s a few seconds while someone grabs a drink. Another nail in the coffin of what it meant to be a headliner.

Luckily the band put on a great show regardless, Gene Simmons bleeding from the mouth whilst flapping his monumentally long tongue is an image burned into the rock retina for life. Jamming his iconic axe shaped bass whilst high up on a platform amongst the mysterons covered in images of his own face… you can’t get more Gene than that really.

“It’s the last time we’re gonna be together… and because it’s the last time, I’m gonna come out there and be with you. But you have to invite me… count to three and say my name…” calls Stanley, despite the fact that this is precisely the same way it went down the last time they played here, which obviously many of the fans remember all to well. Regardless, it is really fun to see him whizz from the stage to the sound tent on a circus ring zip wire to play ‘Love Gun’, and the epic ‘I Was Made For Lovin’ You’, amongst the sparkly light of a giant projected disco ball.

Closing out with three song encore, the end finally comes with ‘Rock and Roll All Nite’. Big inflatable KISS branded beach balls are thrown into the crowd, ticker tape explosions go off, and fireworks erupt from the top of the stage as they lament “We’re gonna miss you so much, we bow to you. It’s so special every time we come here”. Now, plenty of bands have said it’s their ‘final show’ before (cough, Aerosmith, cough Black Sabbath). KISS have been one of them… over 19 times according to Steve Tyler. This time though, it really does seem like they’re done. Some of the vibrancy was missing, it was too rehearsed.

It’s testimony to their skill as musicians and performers that the show was still great, and I will be forever sad that my child won’t get to remember seeing one of, if not the most iconic bands in the world, but maybe it is time to open the gates for new things. KISS have done thousands of gigs, sold millions of records and have the weirdest and most diverse collection of merch on this earth (KISS condoms anyone?) so… fair play to them. I’m glad I was here for the last show… probably.


SATURDAY

Opening the Apex stage this morning are The Raven Age, good hearty metal despite the thin arena at this time, but Cassyette edges them out as the Opus stage opener with an absolutely huge crowd. Swinging her long blonde Pippi Longstocking braids as she thrashes around the stage, you can see exactly why she’s been booked – what a bloody epic voice. Again, it’s awesome to see more women hitting the big stages at Download this year, and absolutely smashing it. Those Damn Crows keep the vibe going, but there’s definitely an element of crowd fatigue in this heat – us pasty Brits are just crap at sunshine.

Sheffield lads Malevolent come in with their full force, pulling out all the stops in their exceptionally heavy set. “This goes out to anyone who has ever told you, you can’t do something because of how you look or who you are” says frontman Alex Taylor, before they muster up three massive circle-pits in the crowd.

Ice Nine Kills may have a bit of a gimmicky schtick when it comes to band theme, rocking up in suits to mimic American Psycho’s Patrick Bateman, these guys are a self-professed Horror Metal band. However, there is nothing gimmicky about their musical talent, these guys absolutely kill it – if you can excuse the pun. Yeah sure they have some Alice Cooper-esque snuff theatre going on, stage knives and a creepy clown… but I defy anyone to try not to join in with the likes of ‘Hip To Be Scared’ and ‘The American Nightmare’. They’ve gone straight to the top of my post-Download playlist.

Photo credit: Ⓒ  Sam McMahon for Download Festival

Black Label Society, owners of very lush hair, gather a huge crowd at the Apex stage. With Zakk Wylde’s signature sound resonating across the arena, this just feels like peak Download. There are so many memories tied to that sound at this event. Later Shinedown absolutely tear it up, yelling “Ladies and Gentlemen, we made it, we are here and we’re all alive” and treating us to the hits we want to hear ‘Second Chance’ and ‘Cut The Cord’. The “Freedom” refrain really has some topical context for this crowd, after a couple of years of strict lockdowns and Covid worries.

Deftones are predictably great but we’ve been round the block a few times and I’m really only in it for ‘My Own Summer’ at this point, so it’s time to take a walk around the site and grab some food. One thing I really want to mention is that the quality of stuff you can buy from Download shops is actually really exciting. You can grab your next pair of skate trainers for a fraction of the cost of online stores, get hold of some unusual patches for your battle jacket, and there’s the likes of Mysticum Luna selling some  beautiful jewellery. If that’s not your jam, you can queue up in the morning to book yourself a tattoo slot at Old Sarum – I wonder how many people now have a Download Dog tattoo?

On the Opus stage Megadeth have the most ridiculous set of mega-stacked amps (there is no way at least half of those aren’t just for show, come on now) and Funeral For A Friend are bringing back those nostalgic emo kid vibes on The Avalanche stage. Sepultura play to a bursting at the seams Dogtooth tent, it’s hot, it’s heavy, it’s everything it should be – I just wish I could get further into the tent than the gate.

Looking at the arena tonight, it’s pretty clear there are a lot of day-ticket holders here specifically for this. It’s twice as packed as last night, people shoulder to shoulder right to the back of the hill and spilling out both sides around the sound tent. To say Iron Maiden are an institution at Donington would be putting it mildly. We’ve been waiting three years for this, let’s go.

As the traditional UFO ‘Doctor Doctor’ heralds them onto the stage, we take our first look at the set up for this ‘Legacy of The Beast’ tour, which centres on Japanese/Shinobi imagery due to their newest released ‘Senjutsu’. The stage is all green-roofed pagodas, Nikko’s brand new drum set is covered in the beautiful album artwork, and as the band take the stage we note that Bruce has gone full top-knot presumably in a nod to the theme. Rocking some almost spray-on leather pants (he does it better than Ross Geller though) Bruce is immediately and unwaveringly as brilliant as ever. If you think there’s a more iconic vocalist in metal I can’t hear you over the sound of Bruce belting the living shit out of ‘The Writing On The Wall’. You’d think after 34 years playing here, and the 7th inning as headliners, that something would eventually dip… the speed, the sound quality, the theatricality, the energy. No. Not our Iron Maiden. They are the lifeblood of this festival and all those before it on this hallowed ground, and they truly sound better than ever.

Eddie makes a surprisingly early appearance dressed as a Samurai, in order to go about executing the band members with a giant katana, and Bruce quips “You alright? That was bit fucking casual… you alright?” as the crowd warms up a bit from their viewing stupor. If you haven’t seen Maiden before, it’s a lot to take in. If you have, it’s a lot to take in.

Multiple set changes are expected with Maiden for sure, but wow is it slick tonight. Using curtain structures to create background sets means they basically drop away in seconds to be replaced by another – something that really just adds to the magic of their show. This next one is a full on church, replete with stained glass windows and flaming chandeliers.

Calling out “The last three years of all our lives, has been largely fucking shit. In this field is where it fucking stops. We’re one big family, the Maiden family. We don’t care what colour, size or anything you are… you are our Blood Brothers” they drop headfirst into the anthem. Not to get too corny, but there is something so uplifting, so uniting about hearing this after the hard couple of years we’ve just been through.

Now, Bruce has always been known to be a bit… extra. But tonight he really doubles down, in a floaty veiled cape, he capers about the stage brandishing a giant disco cross for ‘The Sign of The Cross’ and then in a bonkers turn of events, trying to brandish a Ghostbusters style dual flamethrower, AND his mic beneath an enormous winged angel for ‘Flight of Icarus’.

Fear of The Dark has always been my favourite, since I saw Maiden for the very first time at the very first Download festival in 2003. My friend lifted me up from our spot 10 or so rows from the front, so that I could look across the crowd at the sea of lights. At that time it was proper lighters, not blue phone screens, and it is one of my most magical memories. Tonight, I was watching from the side, much further back, with my 2 year old daughter – doing a small cry, thinking about how grateful I am to be back here, after everything, and it was perfect.

‘Hallowed Be They Name’, ‘The Number of The Beast’ and the eponymous ‘Iron Maiden’ are just beyond reproach, it’s ridiculous how Iron Maiden manage to gut punch us every time, they just get into your bones. There’s a giant inflatable beast Eddie… everyone is singing, everyone is headbanging, everyone thinks they’re in the band too… “Scream for me Donington!” elicits the monumental roar of thousands of metal fans in their element.

The stage lights dip, but no-one moves an inch. The encore is spectacular, with Bruce admitting “Wish I was down there with you, it’s fucking cold up here” into the amazingly clear moonlight night, before donning the signature Redcoat and flag for ‘The Trooper’, and the return of Eddie for a duel.

‘The Clansman’ (another chance to yell FREEDOM into the sky) and ‘Run To The Hills’ are magnificent, but there’s nothing quite like the closing gem ‘Aces High’ complete with a fucking massive Spitfire flying, in my opinion, terrifyingly close to their heads, on stage. Bruce gives it his full force, rocking a flying cap and goggles as the band wheel around the stage delivering the most powerful, energetic performance you can imagine. They are just such pros, I genuinely don’t know what we’ll do when they finally call time. With their outro of Monty Python’s ‘Always Look on the bright side of life’, there is a collective sigh and we all begin to leave the arena. The hour plus queue to leave the car-park tells you that everyone stayed for this, what a bloody amazing night.

SUNDAY

Kicking things off for today at the Apex stage are homegrown electro-rock duo Wargasm, who sponsor a pretty brutal circle pit for so early in the morning. Two guys dressed as bananas are gleefully smashing into each other, as Milkie Way kicks and screams her way through the excellently named ‘D.R.I.L.D.O’ and ‘Backyard Bastards’. A live debut of ‘Fukstar’ and an N*E*R*D cover of ‘Lapdance’ also go down well with the crowd.

Photo credit: Ⓒ Sam McMahon for Download Festival

On the Dogtooth stage, drag artist Bimini serves us a fucking stunning outfit and an equally fun mash up of The Prodigy’s ‘Breathe’ and Britney Spears’ ‘Toxic’ gone metal. It’s very very weird, and I like it. “This is my first festival… You know what, we’re a queer fucking band, and we’re gonna fuck it up” they say, with new music being debuted ‘Don’t Fuck With My Groove’ which is undeniably outside of what we are used to hearing at Download. A cover of Peaches sends us over the edge, I want to see Bimini bring a bigger, more extravagant show next time. Spotted in the Bimini crowd: Zoe London, having an excellent time!

We’ve decided to sit down and have some lunch at the main stage, which means catching Alestorm today. Somewhat unwillingly. If you haven’t heard about their recent controversy over leaked group chat messages which highlight some pretty stark racism and misogyny – just take it from us, it was not ok. These messages were authenticated/claimed by lead singer Chris Bowes at the time, and apologized for, but when you’ve been talking about competitions to see who can sleep with the most barely legal fans on tour… it’s gonna fuck up your reputation as a fairly wholesome fun band.

It’s actually a bit of a surprise that they were still booked for Download following this. There’s a bit of a disconnect between what looks like the purposeful move to give more female artists stage time, and having Alestorm back on the bill. Between bands Download has opted for screen messages about consent and respect all weekend, a purposeful effort towards changing the culture of festivals and making them safe for everyone – which I fully endorse and applaud. So yeah… it’s strange.

They’re on stage anyway, giant inflatable duck in tow, yelling “We’re only here to have fun” and while there is a decent crowd, it’s markedly less than I would expect them to pull at this festival. They play their hits (indistinguishably all about drinking, it’s the schtick) ‘Mexico’ and ‘Fucked With An Anchor’ to a sea of crowd surfers, but there’s definitely a flatness to the performance compared to other times we’ve seen them. Around us a lot of people are looking unimpressed, and it’s probably not just to do with the show.

Conversely, The Hara absolutely rip it up on the Avalanche stage, with their really interesting tech fuelled set. As a three-piece alt rock outfit, I did not expect their sound to be so complex, but with all the extra electronic fills, it is a serious sucker punch. I totally expect to see more of them at Download in the future.

Rise against are coming back with a new album, but the familiar punk-rock feels we love, “…this is a song about what we’ve all been doing the last two years… it’s called Survive” and closing ‘Saviour’ in the sunshine is just bringing us all happiness as we sing along.

Over on the Opus stage, Baroness as expected put on a fantastic show, and on the Apex stage Volbeat give us what we want with ‘Lola Montez’ and ‘Still Counting’ as well as their cutesy ‘I Only Want To Be With You’ Dusty Springfield cover.

Up next Korn give a blistering performance worthy of a headline slot, Jonathan Davis careening about the stage in leather pants is giving us the big 90’s nostalgia. There are bagpipes, there’s a snippet of ‘We Will Rock You’ in ‘Coming Undone’, they serve up ‘Falling Away From Me’ and ‘Freak On A Leash’ at an eardrum bursting level. It’s such an energetic performance, mirrored in the sheer number of crowdsurfers who are heading towards the front, and it seems like the whole crowd is into it.

Photo credit: Ⓒ David Dillon for Download Festival

Steel Panther are divisive. They started off as a joke band… but they have some catchy hits… they’re clearly joking… but the type of jokes they make are tired and largely misogynistic…

Yelling “That crowd reaction was pretty good for a Hoobastank concert” garners a laugh from only those old enough to know who Hoobastank are, but the zebra leggings and 80’s hair never fails to make me smile. “England is my second home. I speak the language. My Grandma is from here in Leicester, she used to cook for the whole family… crystal meth” is exactly what we expect from them, as well as their penchant for pulling ladies from the audience to dance with them. They do in fact have 17 girls for ’17 Girls In A Row’, and they are joined by guest Justin Hawkins of The Darkness – who just played the other stage – for ‘Party All Day’. ‘Asian Hooker’ and ‘Death To All But Metal’ are meant to be silly, but that’s part of the charm – it’s possibly the most packed this stage has been all weekend.

So, right up front I have to note going into this headline review, that the arena is stunningly under-filled already. You can basically walk to the front in a couple of minutes from either side. This shouldn’t happen for headliners.

Scot-rock stalwarts Biffy Clyro are no strangers to Download Festival, having headlined here in 2017. Given the fact that we’ve been in Covid central for a couple of years, this actually feels more recent than the five years it has actually been. There’s no doubt that the band are musically brilliant, and the stage set up is impressive in its own way, but perhaps overshadowed by the previous two nights of high production headline sets.

The hometown crowd is representing at the front with giant Scottish flags flying, and ‘Wolves of Winter’ is a soaring masterpiece which absolutely deserves a place here. Yelling “We’ve waited three years for this, I know you have too. It’s wonderful to be back together again” frontman Simon Neil is clearly having an excellent time up there, but I can’t help but see the crowd is thinning even further. I wonder if they can see this from up there, and feel a little sad for them.

‘Space’ and ‘Bubbles’ come before an encore of ‘The Captain’, ‘Cop Syrup’ and ‘Many of Horror’ – all of which are performed beautifully and confidently, but it obviously isn’t hitting with a huge proportion of the Download crowd who are opting to be elsewhere. The band finish up with a set of stage top fireworks, but it’s not the crowning finale it should have been for this, the triumphant return of Download festival. If Download wants to sell enough tickets next year, those headliners had better be closer aligned to the main formula than Biffy were this weekend.

In other entertainments, The Doghouse is bumping for another few hours yet with the likes of Lais MW & Lauren Cornelius serving up fun bouncy mixes and Limp Bizkit dance renditions. Here we’ll leave everyone to the wild abandon of the final night at camp.

Round-up

So what did we think of Download festival 2022?

Firstly, we were served an unusual dose of good fortune with the weather being dry. This festival is no joke when it’s wet, so it was nice to not have to think about boots and raincoats this year. The new site changes are a huge step in the right direction to making this festival more inclusive and accessible, as well as just generally better for everyone. It would be great to see some companies like Vodafone with their Haptic suits there, to deliver unique experiences of the music to deaf fans in the Download audience in the future.

There were a lot more kids this time around – a lot of lockdown babies and toddlers in attendance, which yes, changes the vibe a little sure, but ultimately this music is for everyone – and that includes parents without childcare options. There’s nothing like indoctrinating the youth into metal anyway.

In the news following the festival it has sadly been reported that two men have died (in unconnected incidents) and police are appealing to contact a man who had helped one of them. Contact details can be found on the BBC website if you have any information. The deaths are not being considered suspicious at this time, our thoughts go out to them and their families.

Next year is the huge 20th anniversary of Download and Andy Copping has stated that all headliners have been booked already – an unusual feat. The anticipation and anxiety over who it will be is already gut wrenching. With a lot of the big legacy bands shutting up shop, I simply can’t imagine how this will play out, but for myself – I’m hoping for a Rammstein return, and the yet-to-play rock legends Pearl Jam.

I’d also like to mention that every staff and security member we came across this weekend was friendly, helpful and genuinely nice. It really makes a difference to how smoothly the weekend runs. On top of that, the general effort into turning Download into a more green space, and a more diverse space is really good to see. It’s time for the rock and metal scene to evolve into something more inclusive – and I don’t think Download loses any of its integrity as one of the worlds’ best rock festivals by doing so.

In summation, this weekend has been characterised by a return to familiarity, pure joy and a feeling of freedom. There has been something intensely healing about being back at Donington, for a lot of people I spoke to over the weekend. It has indeed been three years of shit, but thanks in part to Download Festival – I feel like I’m on the road to recovery. Roll on the big anniversary in 2023, see you there!

DOWNLOAD FESTIVAL IS BACK WITH PACKED LINE UP FOR 2022

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Download Festival, the world’s premier rock event, is coming back with a bang in 2022. The first major festival of the summer will be headlined by the mighty KISS, Iron Maiden and Biffy Clyro, with other huge acts on the bill including A Day To Remember, Deftones, KORN, The Distillers, Funeral For A Friend and many more. As the first full-capacity Download Festival since 2019 and following last year’s phenomenal Download Pilot, which paved the way for the return of live events, it’s pulling out all the stops for 2022 with a gargantuan line-up of the world’s most exciting bands in rock, pop punk, hardcore, metal and much more. 

Announced today are 14 new acts joining the packed bill, including the likes of Skindred, YONAKA, Will Haven, Kid Brunswick, Bimini and Dana Dentata. The three-day festival takes place on 10-12 June 2022 at the spiritual home of rock in Donington Park, Leicestershire. Tickets are now on sale via www.downloadfestival.co.uk/tickets.

Iron Maiden, hailed as one of the greatest live acts of all time, will return to Donington to headline Download Festival on Saturday night, in what will be one of only two UK festival shows in 2022, while the legendary KISS will storm the stage on Friday night to perform their only UK show of the summer. After their fantastic headline set in 2017, Scottish rock titans Biffy Clyro will also be making their highly anticipated return to headline the festival on Sunday night, showing off tracks from ‘A Celebration of Ending’, which topped the UK charts in 2020, and their most recent studio album, the critically acclaimed ‘The Myth of Happily Ever After’. 

Joining the already confirmed likes of The Distillers, The Pretty Reckless, Ayron Jones, Lacuna Coil, Loathe, Malevolence, Normandie, Static Dress and more, it is announced today that Download live favourites Skindred will be back to tear things up after an epic performance at the Download Pilot in 2021, having been described by many as their highlight of the entire weekend. The Welsh reggae metal band will be bringing back their iconic ‘Newport Helicopter’ and are guaranteed to have the crowd going wild once more.

Skindred frontman Benji Webbe says: “Playing the Download pilot after being locked down for a year and a half was an amazing experience so being invited back to our favourite festival and spiritual home to play alongside the likes of KISS and Maiden is a dream come true. Plus we have some amazing rockin’ new tunes which we cannot wait for you all to hear.”

Brighton rock band YONAKA also made a splash at last year’s Download Pilot, and that was just the beginning, as they’ll be causing chaos once again this year. Frontwoman Theresa Jarvis says, “Aghhhh Download! Some of us have been going since we were 14 so it’s an absolute pleasure to be performing there again. The energy is always amazing and such an exciting lineup of music.”

Drag sensation Bimini rose to fame on Ru Paul’s Drag Race and released their punk non-binary anthem God Save This Queen last year. That was only the first step on their musical journey, because Bimini will be gracing the crowds of Download with their presence in 2022 for the very first time.

Also added to the bill are Canadian rap-rock-horrorcore artist Dana Dentata, self-described grunge lord Kid Brunswick, industrial rock band SKYND, Oregon stoner rock band Red Fang, legendary Californian noise metallers Will Haven, Swedish melodic death metal band Orbit Culture, Australian five-piece Banks Arcade, Colorado retro revisionists The Velveteers, UK heavy music newcomers Heriot, LA rockers Dirty Honey and Scottish swashbucklers Alestorm.

Highlights across the weekend include the previously announced Spiritbox, one of the hottest bands in the world at the moment, who have been upgraded to the Avalanche Stage due to huge demand. Post-hardcore break-out stars As Everything Unfolds have also upgraded and are now set to bring their invigorating take on the genre to the Avalanche stage on Friday 10 June.

Download is THE place to see the brightest rising stars. Other ones to watch at Download 2022 include the hell-raising Wargasm, nu-metal pop provocateur Cassyette, Liverpool nu-metallers Death Blooms, pop punk trio Meet Me @ The Altar, as well as Holding Absence, Those Damn Crows and Venom Prison all flying the flag for rip-roaring rock from South Wales.

With more than 100 acts already confirmed to return to Donington in 2022 for the first major festival of the season, Download Festival could not be more ready to reunite with its incredible community for the first time since 2019. For further information, please visitdownloadfestival.co.uk. 


ANNOUNCED TODAY

Alestorm
Banks Arcade
Bimini
Dana Dentata
Dirty Honey
Heriot
Kid Brunswick
Orbit Culture
Red Fang
Skindred
SKYND
The Velveteers
Will Haven
YONAKA

Bloodstock announce new charity partner & reveal six more acts for 2020

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BLOODSTOCK has another six bands to announce for this summer’s best metal weekender. Not only that, the festival has a brand new charity partner this year. Read on for the latest news…
First of all, BLOODSTOCK is pleased to reveal that Louisville, Kentucky’s SAVAGE MASTER will be opening the Ronnie James Dio main stage on Saturday, waking you up with a concrete slab of traditional heavy metal! The group released their latest record ‘Myth, Magic & Steel’ in October. Check out the title track here.
Jetting in from Italy, blackened-death metal demons BLASPHEMER stride onto Sunday’s Sophie Lancaster stage to unleash unholy hell, no doubt including a few new tunes from their latest opus, ‘The Sixth Hour’, released last month via Candlelight Records. A concept album, themed around ‘The Way of the Cross’, explore ‘The Deposition’ here.
Joining them on Sunday’s Sophie stage, are modern hard rock crew, LIBERTY LIES. Citing influences such as Biffy Clyro, QOTSA, and Coheed & Cambria, this West Midlands squad finally dropped new album ‘It’s The Hope That Kills You’ last November. Have a listen to their latest, chilled-out single ‘Letters’, released on Valentine’s Day, here.
Also performing on the Sophie stage on Sunday, are BLACK TONGUE. Hailing from Hull, and bringing some down-tempo doom, the five-piece have added their most recent album ‘Nadir’ to their YouTube channel in its entirety, so you have until August to make sure you know it back to front, if you don’t already. Get started here.
In addition, Bury based riff juggernaut PIST are added to the Sophie Sunday bill. The band released their latest album ‘Hailz’ last November through APF Records. It’s a record that will grab the attention of fans of Orange Goblin, Kvelertak, Motörhead, Entombed, Uada and Black Breath, elevating PIST to one of the standout bands in the current UK underground heavy scene. Have a listen to ‘Mind Rotter’ here.
If that’s shaping up your Sunday viewing nicely, why not add SHARKS IN YOUR MOUTH to your must-see Sophie list on Saturday. Offering up their take on post-hardcore and djent, the Italian outfit released their second full-length ‘Sacrilegious’ in 2019 and you can watch the video for their newly released single ‘Gone’ here.
BLOODSTOCK is very pleased to share that this year’s charity partner will be the mental health charity Mind. Mind provide advice and support to empower anyone experiencing a mental health problem, and campaign to improve services and raise awareness. 1 in 4 of us will experience a mental health problem every year and Mind won’t give up until everyone experiencing a mental health problem gets both support and respect. In addition to guestlist donations, raising funds on behalf of Mind on site at BLOODSTOCK will be festival attendee Michael Lacy, with his PATCH AMNESTY initiative. Bring your old, spare, or new patches to donate, browse patches to buy, or even just stop by for a chat. All proceeds go to Mind. Please look out for PATCH AMNESTY / Mind signage and stop by his stand in the main arena to give your support.
Maria Khosla, Community Fundraising Manager for Mind, says : “We are grateful to the organisers of Bloodstock Festival and to Michael Lacy from Patch Amnesty for choosing to support Mind at this year’s event. One in four of us will experience a mental health problem every year so their support in raising funds and awareness means we can continue to make sure that no one has to face a mental health problem alone.”
BLOODSTOCK’s 2020 main stage headliners are DEVIN TOWNSEND (Friday), BEHEMOTH (Saturday), and JUDAS PRIEST (Sunday). The festival also welcomes HATEBREED, PHILIP H. ANSELMO & THE ILLEGALS, SKINDRED, PARADISE LOST, LIFE OF AGONY, BURY TOMORROW, BLACK DAHLIA MURDER, DIAMOND HEAD, JINJER, VIO-LENCE, SACRED REICH, GLORYHAMMER, DARK TRANQUILLITY, BUTCHER BABIES, CATTLE DECAPITATION, BLOODYWOOD, MEMORIAM, RAMAGE INC, GREEN LUNG, BOSSK, CONJURER, ORANGE GOBLIN, THE NIGHT FLIGHT ORCHESTRA, UNLEASH THE ARCHERS, SAXON, SYLOSIS, TOXIC HOLOCAUST, NECTOR, WINTERFYLLETH, EXHUMED, NEKROGOBLIKON, THE CRAWLING, RAISED BY OWLS, ANAKIM, ACID REIGN, SVALBARD, IDLE HANDS, SOEN, VISCERA, DOG TIRED, & BAILER so far. Many more bands performing over the weekend are still to be announced! Unsure what to expect? Watch a trailer all about BLOODSTOCK here.
BLOODSTOCK 2020 takes place at Catton Park, Derbyshire from 6th-9th August 2020. For more info, click to www.bloodstock.uk.com.

BLOODSTOCK CONFIRM SEVEN MORE BANDS; ANNOUNCE ON SITE GAMING ARENA & CELEBRATE 100K YOUTUBE SUBSCRIBERS

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As the number of months left to BLOODSTOCK 2020 reaches the half-way point, festival HQ shows no signs of slowing down with booking bands and making plans to make BLOODSTOCK’s 20th anniversary year the biggest and boldest yet! With a YouTube 100k subscriber milestone achieved this month too, there’s a brand new competition you can win weekend tickets in, as well as news about the exciting gaming arena debuting at BLOODSTOCK this year, and go on then, seven more bands to announce as well…
Brit thrash luminaries, ACID REIGN are set for a Friday slot on the Ronnie James Dio main stage!  Having rebooted the band in 2015 after a 24 year hiatus, frontman H tells us, “Anyone who witnessed our 2016 show on the Sophie stage knows exactly how much we love playing BLOODSTOCK.  There is a lot of excitement in the AR camp right now, we finally got a new album out after all these years (29 to be exact) and now we get to put a BLOODSTOCK sized cherry on the top of that cake. Can’t wait to see you all there!”  The band released that long-awaited album, ‘The Age Of Entitlement’ in August last year. Check out the video for ‘The New Low’ from that release here.
Also appearing on Friday’s main stage, are Bristol’s hardcore punk crew SVALBARD. Signed to Holy Roar Records, their topical and furious last album ‘It’s Hard To Have Hope’ surfaced in 2018, and was described by Kerrang! as “a grand declaration of war, on everything wrong with the modern world, set to a truly brilliant, visceral soundtrack.” See if you agree; watch the video for ‘For The Sake Of The Breed’ from that album here.
Goth-soaked metal newcomers, IDLE HANDS will open the main stage on Sunday!  The Portland-based band are hot off their recent US support slot to the mighty King Diamond and the release of debut album, ‘Mana’ via Eisenwald Records.  View the retrotastic video for ‘Give Me To The Night’, taken from that release here.
Swedish progressive rock collective, SOEN crash straight into Friday’s special guest slot on the Sophie Lancaster stage. Reformed by frontman Joel Ekelöf and former Opeth drummer, Martin Lopez back in 2010, SOEN are four albums deep into their career, having released current album, ‘Lotus’ in early 2019.  Investigate the sublime title track from that opus and its accompanying video here.
VISCERA earn themselves a Sophie stage slot on Saturday.  The band, featuring former members of Heart of a Coward, Abhorrent Decimation, Martyr Defiled, Nervecell, and Surfaces, blend their influences (Pantera, Meshuggah, At The Gates, The Black Dahlia Murder and Killswitch Engage) with modern tech/death and deathcore flavours.  They release their debut album, ‘Obsidian’ this Spring via Unique Leader Records, but in the meantime, take a look at the video to ‘Lamb To The Slaughter’ taken from that release here.
Edinburgh’s riff squad and former BLOODSTOCK ‘Metal 2 The Masses’ alumni, DOG TIRED also land a slot on Friday’s Sophie stage. Since landing a slot in the New Blood tent in 2014, the band have been honing their stagecraft, playing with the likes of Skindred and Raging Speedhorn.  We’re happy to welcome them back with step up to the Sophie Stage in 2020. Get a taste for their sound with the video of ‘Dagoth’s Nine’ here.
BAILER join Saturday’s Sophie stage line up.  Metal Hammer inform that “Sometimes you hear a new band that make you want to drive a motorbike through a wall. BAILER are that band.”  Discover something new and make up your own mind by checking out ‘Long Gone’, featuring guest vocals from Adam Carroll here, and catch ‘em at Catton Park in August.
Consider yourself a bit of a gamer, or always fancied a go?  This year, BLOODSTOCK is pleased to introduce the Nordic Spirit Game Arena, where you can try to beat your mates on a range of games on XBox and PS4 consoles. Prefer your games on your PC?  Don’t worry, there’ll be a couple of gaming PCs as well, plus a few arcade machines from Jagermeister and Redbull, for starters. Best of all, play is absolutely free!
There’s just two weeks left to sign up to BLOODSTOCK’s very popular ticket deposit scheme, which allows you to spread your standard weekend ticket purchase over 5 instalments.  Be sure to make your first payment of £29 + booking fees before 28th February, then after that, your instalments break down as follows: Payment 2 – £29 (debits your bank account on 27/03/20), Payment 3 – £29 (debits 27/04/20), Payment 4 – £29 (debits 26/05/20), and then your Final Payment – £29 + postage (debits 26/06/20).  Please note VIP and child tickets are not eligible for the deposit scheme. Sign up at the ticket store.
BLOODSTOCK is also delighted to welcome the 100,000th subscriber to its official YouTube channel! To celebrate the milestone, BLOODSTOCK will randomly select two winners from channel subscribers to receive a pair of weekend tickets to 2020’s event. If you’re already subscribed, you’re already entered to win! If not, head over to the YouTube channel here and sign up! All new subscribers registered before the end of February 16th will also be entered. The lucky winners will be announced on BLOODSTOCK’s Facebook page in due course.
Not visited BLOODSTOCK’s YouTube channel before? You’ll find a host of cool and exclusive content from BLOODSTOCK, including interviews and live songs (or even whole sets) of a wide range of bands throughout the years. Didn’t get to watch Parkway Drive headline the main stage in 2019? Watch it on YouTube! How about Gojira the year before?  Also on BLOODSTOCK’s YouTube! New content is added regularly; make sure you stay subscribed so you don’t miss out and be the first to see brand new, thrilling live clips from classic, explosive, and downright headbangin’ sets at BLOODSTOCK!
BLOODSTOCK’s 2020 main stage headliners are DEVIN TOWNSEND (Friday), BEHEMOTH (Saturday), and JUDAS PRIEST (Sunday). The festival also welcomes HATEBREED, PHILIP H. ANSELMO & THE ILLEGALS, SKINDRED, PARADISE LOST, LIFE OF AGONY, BURY TOMORROW, BLACK DAHLIA MURDER, DIAMOND HEAD, JINJER, VIO-LENCE, SACRED REICH, GLORYHAMMER, DARK TRANQUILLITY, BUTCHER BABIES, CATTLE DECAPITATION, BLOODYWOOD, MEMORIAM, RAMAGE INC, GREEN LUNG, BOSSK, CONJURER, ORANGE GOBLIN, THE NIGHT FLIGHT ORCHESTRA, UNLEASH THE ARCHERS, SAXON, SYLOSIS, TOXIC HOLOCAUST, NECTOR, WINTERFYLLETH, EXHUMED, NEKROGOBLIKON, THE CRAWLING, RAISED BY OWLS, & ANAKIM so far.  Many more bands performing over the weekend are still to be announced! Unsure what to expect? Watch a trailer all about BLOODSTOCK here.

BLOODSTOCK reveal four more for Ronnie James Dio main stage

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As Halloween approaches and Autumn rolls in, BLOODSTOCK is delighted to reveal four more amazing bands joining the heavy metal shenanigans in Catton Park next August as well as details of this year’s Rock Society memberships.

PHILIP H. ANSELMO & THE ILLEGALS will be bringing their much lauded ‘A Vulgar Display of Pantera’ set to the Ronnie James Dio main stage on Friday. Bound to be one of the ‘Do Not Miss’ sets of the weekend, performing a slew of Pantera classics, we suggest you grab your mates and get down the front early.  For a taste of what’s to come, check out this clip of a similar set earlier this year, in Brooklyn, NY’s famous St Vitus bar – https://youtu.be/Mx2VIEGeWRQ.

On Saturday, PARADISE LOST fans are in for a treat, as the gothic-doom overlords will be performing their much loved fifth album ‘Draconian Times’ in full!  Released in 1995, it spawned singles ‘The Last Time’ (https://youtu.be/uuh-Ui_ZKTk) and ‘Forever Failure’ (https://youtu.be/gVgIW_pBcdI).  Now signed to Nuclear Blast, the band unveiled their fifteenth studio album, ‘Medusa’ in 2017 and hit the studio at the end of October to record the follow up.

BLOODSTOCK is pleased to share that LIFE OF AGONY will be joining us on the Ronnie James Dio main stage on Sunday. New album ‘The Sound Of Scars’, released by Napalm Records just 11 days ago, serves as a sequel to their seminal 1993 debut ‘River Runs Red’. Watch the video for new song ‘Scars’ at https://youtu.be/Z0hyh0yTdaU.

When legends like Metallica and Megadeth cite them as an influence, you know they’ve earned their spot.  DIAMOND HEAD pick up a slot on Sunday’s main stage bill and will show exactly why they’re considered one of the leaders of the New Wave of British Heavy Metal movement. Formed back in 1976, but still creating new music, their latest album ‘The Coffin Train’ dropped in May. Get into the title track at: https://youtu.be/YFsC6M7x32g.

Finally, BLOODSTOCK’s Rock Society memberships go on general sale at 9am on Thursday 31st October.  The Rock Society is effectively BLOODSTOCK’s ‘Members Club’, offering not only a 10% discount on your weekend ticket (on top of the early bird discount when you purchase the ‘Rock Society membership + ticket bundle’ option), but all sorts of other cool benefits like priority signing tent access, access to the VIP Serpents Lair bar, special tours of the backstage & production areas seeing ‘behind the scenes’, a Rock Society laminate, a dedicated hangout area in the Rock Society tent on site and plenty more besides.  Full details can be found at http://www.bloodstock.uk.com/pages/rock-society.  Memberships are limited to just 300 and sell out almost immediately.  Priced at £75, memberships are available on a ‘first come, first served’ basis, so be ready in the ticket store at 9am on Halloween if you want to join this exclusive club!

BLOODSTOCK will be headlined on Friday by DEVIN TOWNSEND and is also set to welcome SKINDRED, BLACK DAHLIA MURDER, JINJER, VIO-LENCE, SACRED REICH, GLORYHAMMER, DARK TRANQUILITY, and BUTCHER BABIES so far.  BLOODSTOCK’s remaining two headline acts and many more bands performing over the weekend will be announced in due course.

BLOODSTOCK reveals first headliner and more…

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BLOODSTOCK HQ is a hive of activity as a slew of bands confirm slots for the 2020 event.  2020 also sees the festival celebrating 20 years of BLOODSTOCK, so expect some special treats to celebrate at Catton Park next August.

Without further ado, coming to us with an exclusive UK show for 2020, DEVIN TOWNSEND is set to headline Friday on BLOODSTOCK’s Ronnie James Dio main stage!  The show will be a very special set for fans, with more detail on the nature of the set to be revealed in due course!  Here’s Devin to tell you the news: https://youtu.be/noN0RK4LedA.  He also tells us: “OK, folks…wow.  So where should I begin?  Ever since I was a kid, being able to headline a festival as fantastic and forward thinking as Bloodstock has been a dream of mine.  As some of you may know, I’ve been working on several live ‘bands’ lately, from acoustic, to prog and orchestral, with some really artistic and improvisational aspects.  However for Bloodstock, my intention is to do something quite different, and consequently kick ass in every possible way. I am putting together a VERY SPECIAL one-off show for Bloodstock, with a heavy band, playing the very best material for an outdoor festival from my entire catalogue, from SYL up to Empath.  I have always felt that if I was given one shot to knock it out of the park, I wouldn’t hesitate. And my friends, this is the shot! I have listened to what people have been asking for from my catalogue, and with a show like this, a production like we are planning, and the players who have agreed to be involved, this will surely be one of the pinnacle moments in my career.  My intention over the past few years has been to find ways to use different aspects of my work (that fall on opposite ends of the creative spectrum), to ultimately make something really beautiful. Something unified. This show is meant to bring it all together after 25 years of doing this.  Thanks Bloodstock for choosing to rock with me. I can’t wait to see you all there!”

JINJER are also set to make their BLOODSTOCK debut with a slot on Saturday’s main stage.  The Ukrainian metal squad, fronted by Tatiana Shmailyuk, have been making waves in recent years with their heavy progressive sound.  Check out them razing Wacken to the ground earlier this year with ‘Perennial’, a track taken from their recent ‘Micro’ EP; https://youtu.be/bxi3i9wzQBk.  The band are currently readying their brand new studio album, ‘Macro’ for release late October.

Power metallers GLORYHAMMER land a Sunday spot on the Ronnie James Dio main stage.  The band’s current album, ‘Legends From Beyond The Galactic Terrorvortex‘ is out now via Napalm Records.  Remind yourself of their maximum power metal points by watching the video for ‘Gloryhammer’; https://youtu.be/tKlVYJTSzuU.

BLOODSTOCK is also set to welcome the previously announced SKINDRED, BLACK DAHLIA MURDER, VIO-LENCE, SACRED REICH, DARK TRANQUILLITY, and BUTCHER BABIES.  BLOODSTOCK’s remaining two headline acts and many more bands performing over the weekend will be announced in due course.

Download Festival welcomes WWE NXT UK to Donington Park for 2019

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Download Festival, the champion of rock events, is pleased to welcome WWE NXT UK to the hallowed
grounds of Donington Park across 14-16 June 2019, as well as SEVENTEEN further bands including
supergroup Simple Creatures, The Wonder Years, and Dinosaur Pile-up.

WWE United Kingdom Champion Pete Dunne, NXT UK Women’s Champion Toni Storm, and Tyler Bate will
be among the NXT UK stars parading thrilling displays of dynamic athleticism during the bonafide full-scale
ring bouts in the festival arena, which for the first time ever will be taped and aired as part of the weekly
NXT UK show on the WWE Network. Superstars Trent Seven, Walter, Rhea Ripley, Jordan Devlin, NXT UK
Tag Team Champions The Grizzled Young Veterans, Travis Banks, Gallus and many more to be announced,
will descend upon Download for a weekend of high flying maneuvers, action-packed matches and
unexpected surprises. NXT has made a massive impact at the festival in previous years, performing to
capacity crowds throughout the weekend, featuring impressive debuts, shocking returns and exciting
moments. This is the ultimate win for wrestling fans!

Joining headliners Slipknot, Tool and Def Leppard and a host of acts already announced for the annual rock
spectacle, are SEVENTEEN other amazing acts. In a UK Festival Exclusive is supergroup Simple Creatures,
comprising of blink-182’s Mark Hoppus and All Time Low’s Alex Gaskarth, who will headline the Avalanche
stage on the Saturday night. Known as legends of the pop-punk scene, the pair will give an unmissable
exclusive and first UK Festival performance at this year’s Download. Already releasing two infectious singles
‘Strange Love’ and ‘Drug’, Simple Creatures will release their debut EP Strange Love on March 29th.
Simple Creatures said: “An evening of Trash-Pop reverie awaits you at Download Fest. There will be
Creatures. They will be Simple. There will be singing and dancing in a big tent. What more could you possibly
want?”

Also added are Dinosaur Pile-up who have spent the better part of two decades as purveyors of riff laden
ginormous rock and are well versed in whipping the crowd into a frenzy, the powerhouse blend of
psychedelic with grunge from Allusinlove, and Liverpool’s Queen Zee who are ready to cause a commotion
with their inspiring anthems through their fluid expression of brash queer punk. The Wonder Years will
smash a punk shaped whole through Donington with a raucous set of anti-suburban anthems, and they will
be in good company with UK pop-punk upstarts Roam, known for their energetic and frantic live shows.

Norway’s Kvelertak are on their way to lead the crowd through a relentless onslaught of exciting ‘black n
roll’ and join this year’s line up, as are the aptly named Hot Milk who are one of the hottest upcoming names
in UK rock, Finland’s own thrash prodigies Lost Society bringing with them their relentless insanely fast metal
for head banging aplenty, the grime meets punk London duo Nova Twins, and dirty blues rockers The
Picturebooks. Graveyard will be making their welcome return seamlessly blending rock, soul, 60’s acid fuzz
and of course a big dash of heavy metal into an infectious musical stew, alongside Mongolian internet
sensations The Hu which is a genre you didn’t know you needed in your life. Goodbye June, Vambo, Cloud
and Kim Jennett also set to play.

First DOWNLOAD 2019 Announcement!

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DOWNLOADERS! It’s time, your first announcement is here and we’re hyped to reveal that your #DL2019 headliners are Def Leppard, Slipknot and Tool! Plus, SEVENTEEN of the most awesome bands in the world including Slash featuring Myles Kennedy and The Conspirators, Whitesnakeand Rob Zombie are also coming to rock Donington Park to its metal core on 14th-16th June 2019.

Classic rock powerhouse Def Leppard are making a spectacular return to headline the Main Stage on Friday at Download and we cannot wait.

In what will be their ONLY UK appearance of 2019, the Sheffield legends will be playing their seminal album ‘Hysteria’ in full and more.

Def Leppard front man Joe Elliott has said: “We are delighted to be going back to headline Download in 2019! The festival has a very special place in our hearts and it’s such a great place to play. We will be playing Hysteria in full – yes, in full! – plus a load more of the hits, and we are going to put on a very special show for our UK fans. Can’t wait to see you all there!”

The forerunners of the new wave British heavy metal movement, Def Leppard have sold over 100 million records. Donington is going to be the ONLY place in the UK this year where you can watch them rip through a full-throttle stadium-sized show and scream along to classics like ‘Pour Some Sugar On Me’, ‘Love Bites’, ‘Rock Of Ages’ and countless more.

So, get set to rock like an ‘Animal’ as it’s going to be unforgettable Main Stage headline set for the Download family.

Meet your next headliners, the mighty masked metallers Slipknot! One of the most defining acts of the last two decades, the sheer power of Slipknot’s live sets have gone down in Download legend.

With a back catalogue of rock club classics – ‘Duality’, ‘Spit It Out’, ‘Before I Forget’ and ‘Psychosocial’ – Iowa’s sickest sons are going to bring the mosh for their Saturday headline set.

An appearance thirteen years in the making, we are totally psyched to announce that Tool will be making their grand return to headline Sunday at Download.

The Grammy award-winning, multi-platinum, prog-metal titans are set to take you on a grandiose career spanning journey of classic albums ‘Undertow’, ‘Lateralus’, and ‘10,000 Days’.

If those legendary headliners weren’t enough we’ve got SEVENTEEN more bands to announce today.

After slaying the Main Stage with Guns N’ Roses at #DL2018, living guitar god Slash couldn’t stay away and is riffing his way back to Donington for #DL2019 with Alter Bridge frontman for Slash featuring Myles Kennedy and The Conspirators.

Fresh from releasing their phenomenal third album ‘Living The Dream’, Slash and Myles Kennedy and The Conspirator’s set is going to have you wailing to signature slick solos and out of this world rock anthems.

“Here I go again on my own, Goin’ down the only road I’ve ever known!” is going to ring out loud and proud over Donington Park as Whitesnake are coming to Download 2019.

Whitesnake front man David Coverdale said: “Once again, we’ve been honoured to be invited to participate in the legendary DOWNLOAD 2019…Can’t Wait To See You All & Kick Arse Together!!!…So Ready 2 Rock!!!”

If metal is your lifeblood, get ready for a large transfusion as Rob Zombie is once again going to turn Download into his own twisted carnival with a set bursting with stomp-laden classics and new tracks.

Plus, Trivium will be taking Donington by the horns to turn your stomachs with their roaring metal, Swedish death metallers Amon Amarth are going to pack a deadly punch with their Viking inspired cinematic metal and Carcass will remind you why they’re the gore-grind forefathers.

Still want more? Dutch outfit Delain, led by the world-class frontwoman Charlotte Wessels, will be a must-see for all of you symphonic metal fans. Whilst, in a Download first Die Antwoord will be getting you bouncing hard to their Zef style hip-hop.

And, punk rock covers supergroup Me First And The Gimme Gimmes, featuring members of NOFX, Foo Fighters, Lagwagon, Swingin’ Utters, are going to have you and your mates gasping for breath shouting along to their rapid-fire covers.

If you’re looking for a one way ticket to prog paradise, Sweden’s Opeth are going to deliver a set filled with classics and tracks from their 2016 acclaimed album, ‘Sorceress’.

New-school thrashers Power Trip are going to make their Download debut and get you headbanging to tracks from their sophomore album, ‘Nightmare Logic’.

And, Californian ska-punk heroes Reel Big Fish will get Donington bouncing to some solid rocksteady riffs.

Download Festival favourites Skindred are going to shake the Donington hills with their ragga metal. The unmatched energy and exuberance of frontman Benji Webbe is sure to see the return of the Newport Helicopter originating at Download 2011.

Hotly-tipped sci-fi, conceptual rockers Starset also join the line up with an ambitious, gigantic rock set that is destined for the stadiums in the future. And, Tesla will serve up classic hard rock anthems in mammoth portions for you to sink your teeth into.

Ready to give us a surefire singalong are Queensland metalcore veterans The Amity Affliction with syrupy hooks, melodic metalcore and ferocious breakdowns.

And, finally open your arms wide to welcome back post-hardcore pioneers Underoath as the trailblazers make their first appearance back at the festival since 2005.