Reviews

Isle of Wight Festival 2014 Review

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First up on the elite list of larger festivals this summer was the Isle of Wight Festival. It was a rousing success all around, promising a vast array of acts to be seen, with what happened to be bright & consistent weather to make it that bit better. It was an event where as the adverts promoting the festival said, you simply had to ‘be there’. 50,000 festival-goers agreed & took the advice, making their way across the Solent on whatever method of boat travel they could find, camping gear at the ready. The festival is one of the few in the UK that has the most varied mix of musicians performing, from Red Hot Chilli Peppers & Kings of Leon to Cher Lloyd & Dappy, with Boy George in between. You get the picture.

On Day 1, it was the Thursday performance of the ever-exuberant & flamboyant Boy George whose soulful-sing-alongs propelled the early festival-goers into a flashback to the 80’s with hits such as his old band Culture Club’s ‘Karma Chameleon’ & ‘Do You Really Want To Hurt Me?’. The crowd most definitely didn’t want to cause any harm to the hit-maker, they loved his cheerful disposition & playful interaction with the clearly pleased audience.

On the Friday, it was up to the Scottish folk of Biffy Clyro & Calvin Harris to step up to the act of being headliners, & each did it spectacularly. Over the years we have gradually seen Biffy Clyro head further up the festival posters with their name getting bigger & bolder each time. In an explosive 90 minute set that clearly included a very talented technical team, the stage at times became a pyrotechnical dream- ablaze with fireworks & glitter, raging riffs and hard-hitting sentimental lyrics- something of a rarity some might say in rock music. Coming on stage at 9pm, it would have been better to see the visual impact of the display had they not performed in the daylight.

London based quartet Rudimental have had phenomenal success in the UK for a band with just the one album under their belts, but so it seems, they prove one album is all it takes. 2012’s album release ‘Home’ certainly brought home the goods for the audience who were treated to a mix of drum’n’bass, soul, & funk with added backing vocalists, rousing drums & a trumpet thrown in for good measure to add to the party. Hits like ‘Feel The Love’ really brought the crowd together, & with excellent crowd interaction from the band it was a magical moment for the audience, who made their hands into a heart sign throughout the feel-good song, drunk festival-goers included, some attempts looking more blob shaped than heart shaped.

Hit-maker Calvin Harris closed Friday night in the coveted final slot of the main stage. Mr Harris has ploughed up to immeasurable amounts of success with the record-breaking album ’18 months’, & his large spectrum of collaborations has been the real ingredient to his popularity with dance fans around the world. During his DJ set, robust vocals from Rihanna to Florence Welch could be heard to name a few, with smoke machines & laser lights beaming out onto the euphoric crowd. A remix of last year’s headliners The Killers- ‘When You Were Young’ was played to add an element of surprise to the set, otherwise it may have been abit too predictable, he has been very busy performing over the past few years & a lot of his sets have been televised after all. All in all, a spectacular set from the Scottish DJ.

Away from the main stage there was talent to be seen in the Big Top stage, in the form of uber-cool Katy B. Belting out hits into the humid Isle of Wight air from acclaimed album ‘Little Red’ with striking synths throughout, Katy reminded us why she’s a sell-out in both gigs & album sales with a brilliant mix of stage presence, crowd interaction & electronic-infused songs that made a brilliant set list.

Saturday’s at festivals are always the big ones. Halfway through so you sort of feel disappointed it’s half over already, & then you remember the great bill ahead of you on Saturday morning & don’t feel so bad after all. The weather was a lot cooler, which some might say is a good thing, but those clear blue skies had diminished. Non-the-less, the vibe of the festival was still upbeat, with festival-goers saying they were enjoying themselves. The Waterboys made an appearance to fill in the unusually seen genre of Irish folk at the festival, & merrily played uplifting songs such as ‘Fisherman’s Blues’ & ‘Whole Of The Moon’, using less commonly seen instruments such as fiddles, violins & harmonicas, it was a refreshing change. I’d liked to have seen more interaction, but it may have been they were not used to main stage slots at large festivals & felt slightly overwhelmed.

Next up was the fabulous John Newman, a man with motown, retro RnB & soul in his (very) dancing feet. A brilliant blend of upbeat tap-your-toes songs combined with melancholy-filled ballads about heartbreak, he packed a lot in to the 40 minute slot that brought the audience almost on an emotional journey, some feeling the obvious meanings of the songs to Newman. When he left the stage you couldn’t help but want an encore, but like the band that made him famous, Rudimental, he too has one album to his name, but in a few years’ time I can see him doing longer & more varied sets with big-name collaborator’s perhaps joining him on stage. The crowd pleasing summer anthem from last year ‘Love Me Again’ was the right song to choose to end an excellent & energy-filled set.

Later on was the band thousands had travelled high, low & far away for. After a seven year hiatus from performing at a festival in the UK, Californian based Red Hot Chili Peppers made a triumphant return. Eccentrically bounding around the stage playing universally-known hits such as ‘Can’t Stop’ & ‘By The Way’, their energised performance made the crowd go wild at times, exactly what a classic rock band who headlines should do. From lead singer Kiedis’s rap-singing in parts to the funk-infused riffs, it was a you had to be there set, & those who were torn between the headliners & the world cup England match made the right choice if they avoided the later. (A match they lost anyway!). Perhaps what made this set so enjoyable clearly by both the band & crowd was the fact that it was something of a rarity & they aren’t regulars. That’s what made it so anticipated, & overall, the Chili’s certainly didn’t disappoint. Although arriving 15 minutes late & not playing ‘Under The Bridge’ may have put a downer on some, perhaps some will wonder if that lateness contributed to them not playing the iconic song, but speculate or not, it was a superb set, & one can hope they can start planning a UK tour soon.

On the final day of the festival, we were all treated to a performance from the red arrows. Causing a load of colourful synchronized smoke to grace the skies, it was a few moments where you saw more necks than faces from people looking up in wonderment, only to then get back to the hustle & bustle of the festival deciding on where & what to see next. The final headline performance was from festival regulars Kings of Leon, clearly an expert in this field, quite literally, from their vast experience of festival performances. Playing hits from their six studio albums to date, from up-tempo songs like ‘Supersoaker’ & ‘Fans’ to the obvious major hits like ‘Sex on fire’ & ‘Use Somebody.’ Caleb Followill’s yowl gave raw intensity to the set, with an added genius moment of guitarist Matthew Followill playing the opening riff of more mid-paced track ‘Closer’ with his teeth. As the final song of the festival came to an end, arms were put around each other, & appreciation was obvious for Kings of Leon with cheering & clapping echoing around the stage & beyond. Now it was time to get back to tents, & our ones.

After a long weekend of music, rides, balloons, bubbles being blown, alcohol, a surprisingly good selection of food, & seeing people dressed up in odd unusual costumes, it was time to pack up & go. The Isle of Wight Festival is so worth the travel from afar if you live miles away like I do, it’s one of the very few festivals where you really feel like it’s worth every penny with the high amount of quality bandssingers your seeing. After this year’s success, Isle of Wight Festival 2015 will have a lot of living up to do, organisers best get planning!

Photos by James Bridle

Field Day 2014 Review

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S A T U R D A Y

I dressed for rain and lightening as i left my house for Victoria Park. Field Day would be my first taste of festival. The sun burned down on my super cool VIP wrist band as i rushed through the park to the Crack Magazine stage to catch the last few songs of Thursten Moore, the sonic youth God. 

This was the beginning of a long day, of walking to and throw. Of losing friends and meeting nice Irish men who buy you sambuca shots. I feasted my eyes on stalls of food from every cuisine; animal carcuses next to The Buddah Bowl which served and absolutely divine bowl of rice and something. With no money in my pocket, i had to resign myself to the spoonful i was offered from the bottom of my pals bowl. I walked past fair ground rides and adults playing tug of war surrounded by hay bails. There was so much going on that i became overwhelmed, and as time flew by me i couldnt even recall what i had been doing since i arrived. The sun began to set as i sat on a plastic covered ground to hear Metronomy play out over their zillion fans. It was soon to be the set that i had been waiting for.

The summer ale had gone to my headm as i stumbled through the darkness to find the stage. Red light shone through clouds of of smoke over a sea of figures and the band above. Tailored black trousers and a temporary shirtm towered above me and sung what i’d been waiting to hear. Fat White Family were before me, I had been waiting to see them perform and their presence on stage was surreal. Shrouded beneath the huge tent, encroached by darkness and a chanting croud. It had the feeling of a cult, a gathering of of believers waiting to hear the voice of their leader in the hope of hearing something divine. A skinny half naked preacher stood before them through war-like red smoke, his convulsing body moving back and forth while belting out the words of his heart.

The set ended to screams of encore, to no availm as the band were to later play at The Shacklewell Arms. The first day ended as part of a slow walking mass, silhuettes passing out of the gates and into the empty night. Victoria Park lit up ahead like  beams from the stars, over a scattered sea of noise and sweat covered flesh.

S U N D AY

Sunday played host to some amazing up and coming artists, with The Pixies bringing home with their headline slot at 9.30pm.  The day begain with Brighton based band The Wytches opening on the Main stage. Their performance was raw and unpretentious, a beautiful screaching voice through parted brown locks and striped tee. Looking backm they were my favourite set of the day. Temples followed with glittered face and psych sounds that flowed in waves over the heat stroke croud. I rushed across to catch the end of Telegram, a London based band who i caught their first few gigs at the Shacklewell and the Old Blue Last in mid 2013. They have been doing super well, releasing their amazing single ‘Follow’ as well as touring with numerous well known bands throughout the Uk. Their set was really great, vocalist Matt Saunders filled the tent with his deep, powerful voice that bellowed over drums pounded by the fierce, fragile frame of drummer Jordan. 

The Horrors had the main stage before The Pixies. Playing Field Day as the first in a string of european gigs and festival dates this year, touring their recently released album ‘Luminous’.  The croud filed in to see and hold their spots, the glare of the sun bouncing of pale shoulders, beer cans and lost on the grass beneath thousands of feet. Their performance was great as expected of these boys.

The atmosphere throughout the weekend was a sweet light-hearted daze of sweat and sunshine. There were all the staples of an amazing time, all gathered together in a safe but lax environment. Situated in an access with such easy access from the centre of London, in the middle of the beautiful Victoria Gardens. Having a platform for presenting emerging UK bands as well as such significant international bands like The Pixies, and dishing it out in such a beautiful part of london is amazing. I look forward to the line up for next year.

 


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Parklife Weekender Review 2014

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Temperamental wet weather didn’t dampen the spirits of 70,000 festival goers at last weekend’s sold-out Parklife Festival, which now in its fourth year, saw Snoop Dogg, A$AP Rocky, Disclosure and Sam Smith prove to be essential highlights.

Arriving at around 1pm, SFG headed straight to the Hospitality tent for some early afternoon drum & bass with flashing strobes, courtesy of Logistics and later, Camo & Krooked.

Heading to the main stage for Kiesza, who is accompanied by two male dancers, her 90’s influenced choreography and funk tracks prove an early treat. Giant In My Heart fuses disco and funk perfectly, before the Canadian ex-navy recruit takes to the piano for a stripped down cover of Haddaway’s, What Is Love, showcasing her powerful vocal range. Ending with number one track, Hideaway, she lifts everyone’s spirits despite the grey clouds looming up above. Catchy “ooh’s” and “ahh’s” and house-y beats provide the first sing-a-long of the weekend (with many more to come), before the track is mixed into Gorgon City’s deep-house edit. Now recording her debut album, expect another catchy chart-bothering track to go viral in the coming months.

Spending around 20 minutes struggling to find the Colonnade presents: Drop the Mustard stage, where the majority of the main house draws performed, SFG caught some of Hot Natured’s, Lee Foss’ Ibiza-cum-Manchester house set at the hilltop Kaluki stage. Eventually, finding the Greek coliseum-like Colonnade stage, SFG caught house duo Waze & Odyssey’s set, including their now infamous house remix of R Kelly’s timeless classic, Bump & Grind as well as a remix of Robin S’, Show Me Love. Later at the Colonnade, it was Route 94’s turn on the decks. Performing a mostly obscure but impressive house set, with the exception of Defected Records releases, Fly 4 Life and Tell You Why, the young London-based producer drew a large crowd, with one fan feeling the need to scale a tree, receiving a smile from the producer and applause from the audience below. But it was number one house crossover hit, My Love, which saw everyone take out their iPhone’s to record the sing-a-long moment before 94 imminently takes his sound to Ibiza for the summer.

Pacing back to the opposite end of the site, to the Red Bull Academy Presents stage, Gold Panda’s hotly-anticipated set proved essential for the eyes and ears. Synth-led electronics impressed the large crowd during cutting-edge debut album offerings, Vanilla Sky, Snow & Taxis and early track Marriage before a chopped up reinvention of fan favorite, You, with its pitch-shifted vocals circling around the tent.

Back at the main stage, Grammy –winner, Foxes, attracted a large crowd with tracks from her debut album Glorious, including Youth and recent single, Let Go For Tonight, while another Hot Natured label-mate, Richy Ahmed, continued the Amnesia Ibiza-ready house vibe with 808 hi-hats and drum machines aplenty during his mid-afternoon Kaluki stage set.

Later, the sun shined while Radio One DJ Annie Mac drew the biggest crowd so far with a house orientated set including Ten Walls’ new track, Walking With Elephants and Gorgon City’s collaboration with Laura Welsh, Here For You as well as Second Citys’ I Wanna Feel which rocketed to number one two weeks ago. Later, before Sigma’s, Nobody To Love, she tells the crowd to, “grab your friend, boyfriend, or a total stranger”. Its sets like these, demonstrating which tunes to play to get thousands of people dancing, which stand testament to why she is such a hot DJ commodity.

Rudimental, who, trumpets included, perform album tracks, Spoons and Baby, show a softer side to the Black Butter Records collective. Dedicating Not Givin’ In, to his son, DJ Locksmith pulls on the crowds heartstrings before the drum & bass beats kick in, but are soon cut off due to a technical problem. It’s all back to normal though after the crowd chant “Rudimental, Rudimental, Rudimental” to give them the support to carry on, which they do oh so professionally, continuing with album tracks, Free, and later, Feel The Love.

It’s A$AP Rocky however, who delivers the best and most charismatic performance of the weekend, as a more than deserving replacement to Kendrick Lamar, who cancelled his slot. Weed promotion, referring to women as “hoes” and a whole lot of swearing, but what else would you expect from song’s titled, Hella Hoes and Fuckin’ Problems which are performed with a fifteen-man-strong A$AP Mob watching him from the side of the stage. Bassier and rowdier than on record, Palace and Wassup take the Now Wave tent to Rocky’s hometown, Harlem, New York City. “Put your hands up if you smoke fucking weed ‘cos that’s what I stand for”, demands Rocky, real name Rakim Mayers, before Purple Swag where he toys with the crowd saying, “are you people ready to get turnt up or what?” New A$AP Mob track, Hella Hoes, results in a mosh pit before taking it to a “whole new mother fucking level” during Skrillex-produced Wild For The Night and Lana Del Rey-featuring Hands On The Wheel. Thanking the audience for getting him so far, he exclaims, “I can’t wait to get on them rides tonight” before a quick run through of his part in final track, Fuckin’ Problems. If you ever get the chance to see A$AP Rocky live, TAKE IT. You won’t be disappointed.

Weaving back into the middle of the main stage crowd for Saturday headliner, SFG didn’t know what to expect from the legendary Snoop Dogg’s headline set. “Who’s getting blazed in the house tonight?” asks Snoop’s DJ during a ten minute prelude to the iconic rapper coming onstage. Dressed in a USA stars and stripes jumper and yellow shades, Snoop stalks the stage with everyone taking his picture. He dedicates Supa Dupa Fly to “all the girls in the house” before rapping his part on Justin Timberlake collaboration, Signs, and his brief part on Katy Perry’s, California Girls. The only thing he could be blamed for, is looking relatively bored and indifferent, but it is Snoop Dogg after all, why should he be bothered?

Ending the night back at Kaluki in Marc Kinchen provided early evening house, in his number one remix of Storm Queens, Look Right Through, which is quickly followed by his Medicine remix of Shadow Child's, Friday and his edit of Hot Natured’s, Reverse Skydiving.

Sunday would prove to be better weather on the whole, aside from one insane downpour during Warpaint’s set which saw everyone flock to the nearest tent.

Opening the Disclosure Presents: Wildlife stage, Kanye West-collaborator Pusha T, performed tracks from his acclaimed debut album, My Name Is My Name as well as his part on the aforementioned Kanye hit, Mercy. Stalking the stage, which looks like brown lego bricks stacked high, Pusha runs through the trap beats of King Push and Nostalgia. Promising a new album in the not-so-distant-future, he continues with Numbers on the Board, seeing arms in the air pulling back and forward – an impressive debut at Parklife for the hotly-tipped ex-Clipse rapper.

Next up, are classical-cum-electronic Cambridge graduates Clean Bandit, who remained at the top of the charts for a month earlier this year with their single Rather Be. An early afternoon set time doesn’t seem to affect the eager crowd, growing by the minute. Arriving onstage to classical music alongside two guest vocalists, the quartet open with older track, A&E, before Dust Clears, with Jack Patterson leading the vocals over a synth-y beat. Tracks from their debut album New Eyes soon follow. Up Again, begins as a hand-swaying, blissed-out production before drum beats and classical chords intrude, culminating in a full on drum and bass climax while Come Over hears cellist Grace Chatto’s sweet vocals soar over a Caribbean, almost reggae beat. Mid-set, it’s clear that new single Extraordinary could become their second number one judging from the crowd’s reaction. Heart on Fire, featuring vocals from Elizabeth Troy is dedicated to “all the garage heads” before the lyrics of Mozart’s House ask, “so you think electronic music is boring?” Following this genre-crossing set, they’ve proved that that their sound is far from boring. Nightingale is then mixed into Gorgon City’s deep-house edit before feel-good festival anthem, Rather Be, which stayed at number one for a month, ends their set with the crowd on each other’s shoulders singing along word perfect.

Unexpected pop star Sam Smith, arrives for his 5pm slot to screams of excitement. Opening with Nirvana, he shows his powerful voice off straight away before Disclosure collaboration Together, complete with Chic-esque funky bass guitar lines. Leave Your Lover slows the set to a mellower, emotional halt, with some female fans starting to tear up, before further winning them over by telling the crowd that Manchester is his favorite place. Before new track, Restart, Smith informs the audience that he’s filming the music video right now, and of course everyone is more than happy to clap and sing-a-long for it. An unexpected cover of Arctic Monkey’s track, Do I Wanna Know breaks up the set with a unique take on the indie hit. Money On My Mind and Lay Me Down follow with emotional lyrics, while the heavens fittingly starting to open, before ending with recent number one single, Stay With Me. It’s obvious that Smith is providing the definitive sound of 2014, after his vocal talent was first discovered by the mainstream on another Disclosure collaboration, Latch, which is given a flawless acoustic rendition.

Later, over in the Heidi Presents: The Jackathon tent, Hot Since 82 brings deep house and techno beats to a sweaty strobe light flashing tent, delivering arguably the best bass orientated set of the weekend.

Over in the Sounds of the Near Future tent, SBTRKT gives an astonishing live
set. Opener, Pharaos, gets the packed tent going before the masked man says, "It's so good to be back. It's been like two years since we've been here.” New lasers and synths track Temporary View, which went up on Soundcloud just two days ago, receives a great reaction as a taster of what to expect from the impending second album. Debut album tracks, Never Ever, Trials of the Past and Wildfire follow with tribal drum beats and feature Drake-collaborating, Sampha’s recorded vocals and Little Dragon’s in the latter, which echo around the at-capacity tent.

Pacing back to the Wildlife stage to catch headliners Disclosure, it was shockingly easy for SFG to get near the front – probably because Oxford indie-types, Foals, were headlining over on the main stage. The wunderkind production duo of house revivalists, Guy and Howard, open with synth led F For You featuring on record vocals courtesy of Mary J Blige. Preacher lyrics and simplistic house beats follow in When a Fire Starts to Burn and newer Friend Within collaboration, The Mechanism, with the background screens showing the duo playing in real time while Guy picks up the bass guitar to play the funky chords in the former, while pyrotechnics shoot from the top of the stage. Checking with the crowd that they are okay to play some older material, they bounce into older E.P tracks, Boiling, Tenderly and Flow before inviting guest vocalist, Sasha Keable, onstage during album track Voices and later Sam Smith to join them for the song which started it all off, Latch.

It’s only in its fourth year, but soon enough Blur’s iconic single won’t be the only thing which comes to mind when thinking of Parklife. Providing a great line up, the organisers delivered great variety at an affordable price, SFG cannot wait until next year!

Photos by Paul Taylor

Wychwood Festival 2014 Review

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The festival season is now well and truly under way and for me, Cheltenham’s Wychwood Festival – now in it’s 10th year – would be my first taste of what this year has to offer.

This child friendly festival, self proclaimed to be ‘a truly wonderful thing’ certainly did not disappoint. It had everything I love to see at these type of events – the weird and wonderful hit me from the word go; stepping out of the car to be greeted by a group of cub scouts, complementing their neckerchiefs with pink cowboy hats. I followed the smell of barbecued burgers into the main site and the little pangs of excitement I get around this time of year had begun.

The ‘big top’ tent seemed to be where Wychwood had scheduled the more underground acts of this years festival. The first act I saw in this tent were an electronic outfit from Manchester called ‘No Ceremony’. A 3 piece band I would love to experience again. From ambient guitar washes to four-to-the-floor AKAI sampler breaks in an instant, they were a great band to ease yourself into this festival and to show the crowds that the ‘big top’ tent was the place to be. I later went on to watch the amazing Bipolar Sunshine on the same stage. A band who would be at Parklife festival next weekend, to give me a second helping of after summer tune after summer tune.

The big top was also the venue for my stand out highlight of this entire festival – Wolf Alice. They were mesmerising from start to finish – with lead singer Ellie Rowsell’s unique vocals haunting you to the bone one minute, before hitting you right between the eyes the next.

The first headline band of the weekend was The Stranglers. They took to the stage, each member dressed entirely in black and I had all sorts of comments running through my head – things like them being ‘shadows of what they used to be’ and all that rubbish, but they soon blew all of my ignorant negativity out of the water. Smashing out hits like ‘Golden Brown’ and ‘Peaches’ it was great to see them genuinely still loving every minute of doing so, even after being together all of these years.

Some of the big names on Saturday’s bill I found a little disappointing. It may have just been in comparison to the mind blowing Newton Faulkner and his unexplainable rhythmic guitar magic but Reef, a band who I listened to a lot in my teenage years (and genuinely really like) just didn’t seem comfortable amongst the somewhat tamer bands on this years bill. I’m sure in a different setting, seeing them blasting out ‘place your hands’ and ‘naked’ would have had me bouncing around like I was 16 again, but not here surrounded by a crowd predominantly sporting headline band ‘Levellers’ t-shirts. When they finally took to the stage, the ex-glastonbury-main-stagers worked through their back catalogue with songs such as ‘One Way’ with their signature folk/punk rock influenced stylings.

The final headline band on Sunday was Bob Geldof’s own Boomtown Rats. They took to the stage with an energy from way before their current years, with Geldof commanding the crowd like it was second nature to him. They sounded fantastic, belting out ‘I don’t like mondays’ right in the middle of their 16 song set list, which came to a head with their self titled ‘Boomtown Rats’ to bring this fun-filled family festival to an end.

It was slightly strange filtering out on the Sunday night, amongst crowds of tired toddlers and drunk mums but I had really enjoyed my weekend at this quirky little festival in Cheltenham. Now to wash down those wellies ready for Festival number 2 next weekend ;)

Review by Sam Ansell

 

Photos by Melanie Chitty

 

Camden Rocks 2014 Review

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Camden’s notoriously idolised for its music scene, the generation of Amy’s, Pete’s Carls and Noels may be behind us, but there’s still enough to of the icon to put on an incredible line up.
Located at some of London’s cult venues-Proud, Electric Ball Room and The worlds End, this was sure to be a festive hit with locals and tourists alike.

With an eclectic and heavy mix of bands, from 00s Indie Hero’s Johnny Borrell and Get Cape Wear Cape Fly, to the heavier Black Out and incredible turbo wolf.

Stand Out performances came in the form of new kids on the block The Struts with an incredible set at Proud, with glamour and swagger oozing into the crowd.

The Black Out came out to a full crowd at Underground sending a never-ending buzz into the streets outside and turbo wolf blended 70s grit with heavy guitars to creatry a heady-gritty set. 

Headline sets came from the Subways who seem to always be on top form, sending the full-to-capacity crowd into frantic moves with their huge back catalogue of hits.

The only downer was the festival didn’t feel new, nothing shouted out as being exciting as far as atmosphere went, but maybe that’s just because its Camden. Maybe it needs no Gimmicks, Camden at the end of the day is Camden, and Camden Rocks does exactly what it says on the tin.


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Love Saves the Day 2014

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It might still be a baby on the festival circuit, but Bristol’s Love Save The Day has no trouble drawing the hordes. Students, ravers, and the trendy youth of the West Country are all out to play for the festival’s third birthday.

Thick, grey clouds loom on Saturday, with a washout predicted for the day’s entirety, but spirits are high, and these wellie-clad punters ain’t afraid of no mud. Located in the heart of Bristol’s centre, attractive little Castle Park seems an odd choice of location to hold a dance festival, but a convenient one nonetheless.

With a generous helping of DJs on the line up, we are launched headfirst into the housey beats that usually form the late night proceedings. The likes of Crazy P and Kove get the party started on the Futureboogie and BB Records stages, while the main stage presents a more eclectic mix of genres.

Kiesza proves a highlight, largely due to her impressive ability to carry out intricate dance routines while simultaneously projecting note perfect vocals. The crowd seems entertained when she beckons a chorus of “oohs” and “ahhs” during her most famous track, ‘Hideaway’; it’s an impressive turn out for the soon-to-be star.

Trudging through the already muddy grounds, we find a collection of smaller venues sheltered within the trees, including a ‘Cocktails and Dreams’ stage complete with a campervan selling exotic cocktails, and the ‘Dance Off’, an area for the hardcore ravers where a boxing ring has been erected in front the stage – presumably intended for busting moves rather than for competitive fighting.

Later, Hercules and Love Affair provide a rather disappointing set on the main stage, and despite their garish outfits, seem to struggle to really engage with their audience. Annie Mac picks things up again, offering nearly an hour and a half of healthy dance beats as the heavens really open.

Saturday’s final headliner, Eats Everything, is local to Bristol, and his house tracks are successful in carrying the party into the night, gearing up the hardcore ravers for the after party taking place off-site at a nearby nightclub.

A much brighter and sunnier start to Sunday sets spirits high. Kicking things off are Laid Blak, recognised for their reggae infused music and weed-themed lyrics. Joined on stage by their children and revelling in the midday sun, the group seem to be having so much fun that they appear reluctant to leave at the end of their set!

Subsequent act Gentleman’s Dub Club are equally as excitable, and prove to be one of the standout performances of the festival. A parade of suited and booted men make up this ten-man band, complete with trumpeter and saxophonist. Exuding energy, they prance, skank and bounce their way through the set, urging the audience to join them in doing so. As the clouds part, they entice the crowd into a sun dance, which subsequently works its magic for the rest of the festival.

As the day progresses, bar queues begin to snake around the festival, as the crowds line up to wash down the afternoon with a customary Bristolian cider or Pimms for such weather. The lack of bars and food stalls is one of the biggest problems at this festival, which no doubt would benefit financially by making refreshments more readily available.

Quantic and Clean Bandit are both hits over on the main stage, with the former injecting a refreshing dose of salsa and jazz into the mix, and the latter pleasing the audience with their rendition of ‘Rather Be’. Yet perhaps the biggest crowds are drawn at the opposite end of the festival, when Shy FX and then Mike Skinner take to the Soundboy stage. Skinner swops vocals for decks, and surprisingly proves to be quite the DJ.

Bringing proceedings to a close, Jamie XX spins and remixes furiously to produce his trademark electronica sound, warming up the stage for headliner SBTRKT. Joined by regular collaborator Sampha, the set is slick and entrancing, enhanced by a hypnotic light show reserved for only the biggest artists.

Aside from the food and drink niggle, Love Saves the Day is a triumph. Despite covering such a small area of ground, the sound from its six stages never muddles, and it is particularly refreshing to see artists given such long sets. Bring on year four!

 


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Slam Dunk Festival 2014 Review

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All American Rejects set the fans in to a world wind of cheers, screams as they hit the main stage in the civic hall yesterday. They came out playing all the classics like, Dirty Little Secret, Move Along and Gives you hell. Tyson Ritter had such a stage presence, throughout the whole set keeping banter with the fans and even taking a trip into the crowd when he got down off the stage and walked around the barrier into the screaming fans while still singing away.

Gracing the Main stage as well was pop rockers We Are The In Crowd, I was really psyched to see this band after hearing good reviews before hand and the build up various publications were producing, but I couldn’t help notice that Tay Jardine voice sounded a bit “Horse” and after speaking to a few fans they thought the same. That aside they had a good set that got fans singing along.

Here’s what some fans had to say.

Steve Brand Said: I enjoyed seeing We Are In The Crowd, Downside for me was that the stage lighting was crap, It was mainly shining it into the crowd which really ruined the view because you could barley see.

Viktoria Kohajdova: The festival has been fun and I loved seeing We The Kings and The All American Rejects overall I really enjoyed them the most. I got to go to a few signings too, but it was a shame that we the kings didn't do one but I did get to meet Tyson Ritter from TAAR and that really made my day.

The Monster stage had a lot happening and it was definitely the place to be with some killer bands they had performing on it.

Headlining band Bury Tomorrow came out to the stage with a huge amount of fans waiting for them.  They played there newest track Man On Fire off the new album RUNES which dropped that day, they played plenty of older tracks including scepters which set the fans surfing and even had a couple of fans climbing up a tree and hanging off it screaming lyrics back at the band.

Also on the Monster stage were I Killed The Prom Queen they came out with big choruses and even bigger breakdowns, playing a mixture of old school tracks as well as new material from beloved. The Devil Wears Prada blew me away with the sheer number of people that had turned up to see them play. The band’s set was tight with elegant clean vocals and guitar parts blending together with the aggressive vocals.

Over at the UPRAWR DJ stage MC Lars was ready and waiting for Chunk! No Captain Chunk to finish their set on the Monster stage. While waiting a good size crowd started to grow turning up in merchandise, you could tell these were big fans of his work. As soon as Chunk! No Captain Chunk finished seamlessly MC Lars started his set playing tracks, Download This Song, Space Game.  The crowd grew and everyone starting to dance and really vibe off the set, he was definitely one of my favorites of the night.

Before finishing up I spoke to one last visitor to the festival who had this say.

Amanda Fry: This was my first time at Slam Dunk and it was great, I'm already contemplating for next years line up". I enjoyed seeing We The kings, We Are The In Crowd and All American rejects. I didn’t like that Roaring S#!T.


Created with flickr slideshow.

WeAreFstvl 2014 Review

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Festival fever was back in business with the popular dance event We Are Fstvl playing hosts this late May bank holiday weekend. Reported weather weeks before the event claimed of a heat wave across the weekend but that couldn’t have been further from the truth with the early Saturday afternoon seeing Upminster Essex covered in heavy consistent rain that increased the Poncho sales dramatically.

However this didn’t dampen the spirits of the many thousands of ravers in attendance.  All eyes were directed to the VIP Village where Shadow Child was on the decks at the MK & Friends tent. The well-known dance shuffle was the crowd favourite dance move and was certainly helping combat the wet weather, oh to be in Ibiza! The VIP Village was a nice touch for the extra money paid for VIP treatment with hot tubs and other added bonuses to add to your weekend.

The sun finally decided to rear its head and the Saturday was setting up nicely. Stages such as the ‘We Are Fstvl Main Stage’, ‘Defected In The House’ and ‘Paradise’ boasted big names such as Jamie Jones, Disclosure, Infinity Ink, Guti, Hot Since 82 and Ritchie Hawtin who was headlining the main stage. For the fans of the more up tempo electric music, the We Are Elctrnc stage served all that you needed to get a bit more bouncy and intense.

Earlier sets from Syn Cole, Hard Rock Sofa and Kryder were just the start on what was a great line up on the We Are Elctrnc stage. Thomas Gold was also a highlight with a lively stand out set on the decks. Up next was Dirty Dutch DJ Chuckie who electrified everyone with his take on the dirty house scene, a genre that is wild and showcased We Are Fstvl as a great festival for different genres of dance music.

With each stage having its main headline act, you were spoilt for choice. A big focus again was on the electric stage where former Pendulum members Rob Swire and Gareth McGrillen threw in their current project Knife Party with such velocity it blew off the faces of the ever loving crowd. This was achieved through dramatic music played and also the quite frequent jets of fire that added even more of an edge to the amazing visuals on the electric stage. Always an exciting experience seeing  Knife Party, who have announced there will be a new Knife Party album coming soon as well as a new Pendulum album, the first one in almost five years. Roll on day two.

With the first day being a success, you could sense the anticipation of another day of great music and good times. The weather being beautiful from the start insured big smiles, more sun cream and the disregard of the wet weather gear! Getting in nice an early this time avoided the heavy queues that would increase later in the day and allowed the early risers to head over to the ‘Cocoon’ stage where Julien Bracht was playing some nice live vibes, something that may have been needed for those with a sore head from the previous day!

A wander round the festival site saw two tents that couldn’t have been more separate in taste of dance music, but were equally as great as each other. One of them being the ‘Andy C Presents Ram’ tent saw the BPM tempo rise above the 160 mark which also could be said the same for your heart rate. A very energetic tent that emphasised the MC role to give the building crowd a bit of interaction. Switch over to the ‘Toolroom Knights Ibiza’ tent which explains itself in the name. Shut your eyes and you were in Ibiza in what was a much needed Balearic sounding change up. Names on the line up were Weiss, Tensnake and Mark Knight.

With the Sunday in full swing, the focus switched to the best stage of the day. The suitably named ‘Eat Sleep Rave Repeat’ main stage boasted a massive line up with the likes of Riva Starr, Tiga, Solumun and a second appearance of the weekend from Amine Edge & Dance. By 7pm the main stage was packed with dancing humans and the spinning duties were handed over to Duke Dumont who provided a fantastic set. Finally as the sun started to set over Upminster Essex, the biggest names of the weekend were set the task of continuing the party atmosphere. Annie Mac fresh from Radio 1’s Big Weekender was first up before the legend Fat Boy Slim! Playing hits such as 'Praise You' and the main stage namesake 'Eat Sleep Rave Repeat' it provided an electrifying finale to a great weekend and a great festival.

Photos by Paul Taylor

Everywhere Festival 2014 Review

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Like Christmas for electronic music lovers, dollop's sold-out Everywhere Festival returned for its biggest Nottingham event, offering an eclectic range of 53 acts across six city venues.

Tourist's blend of building house beats on Together and the added soulful vocals of Lianne La Havas on Patterns drew a large crowd to Stealth early on. Later, Jamie xx-like percussion is added to the pitch-shifted vocals of Haim's The Wire.

Over in the Rescue Rooms, an increasing crowd awaits hotly-tipped producer Lxury. Playing Disclosure co-produced, J.A.W.S, the punchy synths and house beats flow before The Mechanism – Disclosure's house collaboration with Friend Within.

It's not all just bass and flashing lights, as the upstairs Red Room holds a secret cinema showing classic cult films.

Meanwhile in Stealth, American future-R&B singer, Kelela, who later joins Hudson Mohawke onstage during his set, showcases her effortless vocals which skitter over forward-thinking bassy trap beats in Bank Head and Enemy. Dressed in a black jumpsuit,she glides across the front of the stage during Floor Show and Go All Night before appreciatively thanking the crowd and ending with blog-favorite track, Cut For Me.

Back in Rescue Rooms, chilled electronica comes in the form of Bondax-esque duo, Snakehips, who impress early on with an edit of Amerie's, 2005 hit, One Thing before their own funky production, On My Own. Eponymous visuals flash throughout their breezy remix of The Weeknd's Wanderlust before the energetic trap beats of Make It.

Over in Rock City, the Skreamizm party is in full swing, with Artwork and Skream, respectively dropping techno and house tracks including a remix of Crystal Waters' classic Gypsy Woman before Skream follows with a remix of Fatboy Slim's Song For Shelter.

Meanwhile, Birmingham producer Hannah Wants bought her bassy house tracks, like, Dappy and Rudeboy, to a full Walkabout crowd.

House legend Mark Kinchen consistently impresses with a two-hour set of back-to-back remixes. He opens strongly by playing his remix of My Head Is A Jungle which is later followed by his edit of Rudimental's, Powerless, with Becky Hills' vocals tweaked to fit the house beat. Remixes of Paloma Faith and Duke Dumont follow suit, before Aluna Francis' vocals on White Noise are mixed seemlessly into his number one hit, Look Right Through.

Paul Woolford closes Rock City, taking the packed crowd on a journey of techno and piano-house, including late 5am highlight, Erotic Discourse.

With London counterpart, Elsewhere Festival, also held over the weekend, dollop's parties are continuing to attract the biggest names in the world of electronic music.

A series of ten events marking dollop's tenth birthday are currently taking place.

As seen originally online on the Nottingham Post website:
http://www.nottinghampost.com/Review-Festival-Rock-City-Rescue-Rooms-Stealth/story-21059001-detail/story.html

Handmade Festival 2014 Review

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For its second year, the burgeoning Handmade Festival, situated in a number of venues across the inner-city landscape of Leicester, brought in a diverse range of acts once again.

Headliners for the Friday, Saturday and Sunday amounted to Irish experimentalists And So I Watch You From Afar, Japanese pop-rock girl-band Shonen Knife and the rousing acoustics of Dry the River, a pretty eclectic mixture, I'm sure you'll agree! Throw in some top comedic acts interspersed throughout local talent and smaller acts, aswell as photography and art installations at some interesting venues, a great combination of entertainment all for just £30.

For me, it began on Friday evening with Matt Henshaw  at the Cookie. Henshaw had pre-empted his slot with a selection of photos featuring him alongside Leicester landmarks like the Clock Tower and the King Power Stadiumon on his Facebook page. It was a nice way to kick-off the festival as his soulful style was soothing, after a long week for the majority of the audience! Henshaw is appearing back at the Cookie in a month's time to launch his new EP, so the city obviously means a lot to him, something he pointed out inbetween songs.

I jumped over to the Firebug pub to check out MJ Hibbett & the Validators set upstairs. They attracted a sparse, yet involved crowd upstairs, as they rattled through a relatively short 30-minute set. The leader of the group, Hibbett has a great history with the music industry, creating his own music label 'Artists Against Success' and peppered with a few viral hits, including he claims, the first ever viral video. I liked the tight drumming and the use of a violin, shaking things up a bit, and the lyricism of Hibbett was subtle yet effect, in a similar vein to Melvyn Bragg.

From Firebug, it was then over to the exquisite Hansome Hall, my third venue of the night for the backend of Three Trapped Tigers' set. I emerged into the ex-theatre venue to see a room full of bouncing fans, as TTT had the crowd in the palm of their hand. From the brief end of the set, it was clear to see they were on fine form, a fact confirmed as I discussed with a fellow fan who'd seen the entirity of the set.

But it was undoubtedly obvious what the majoirty of said fans were there for, the experimental stylings of Irish band And So I Watch You From Afar. Having listened to some of their work beforehand, I was anticipating their arrival greatly, and I wasn't left disappointed. The three-pronged guitars were backed up brilliantly by their drummer and some choice cuts from last year's 'All Hail Bright Future's' LP went down a storm, 'Big Things Do Remarkable' and 'Eunoia' amongst them. Their second record has progressed them higher up the musical spectrum, so it was great to see them in such an intimate environment, where they filled the room brilliantly with their sound. What was great about the band was that they controlled the room with very little vocalisation, but when that did kick in, you felt the effect fully. It was a great ending to the first evening of fun, as the band told their ecstatic audience just how much they loved playing in Leicester, a city that has been great to them.

Saturday began with a set from locals Juniors. They played at Firebug, which again showed its impressive use of space for a live music venue. It was brash, loud start to the day as the alternative-rock the band plays throws in some ragged, raw riffs to create a pacy, head-pounding sound. 'Sharman's Rug' was the pick of the bunch, as Leicester's eclectic music production line looks to have created a new batch of stars.

Brawlers followed Juniors, and kept up the relentless pace. It was almost as if the two bands were in direct competition for who could be as fast as possible. Nonetheless, the quality didn't dip either, as they impressed immensely. I got a Dinosaur Pile-Up vibe from the foursome, whilst there were also shades of the Strokes too. Handmade did well to deliver two such exciting bands so early in the day. 

After settling down, I was ready for the calming acoustics of Katie Malco at the Bishop St Methodist Centre. It was a much different affair from the back-to-back rockers of earlier in the day, but it's clear to see Malco is just as talented, as her haunting vocals put her in the bracket of fellow songstress Emmy the Great. The use of a piano on 'September' elevated her gig even moreso, making me delighted I'd picked to see this rising starlet. Go YouTube her now and prepare to be excited!

The exciting thing about this festival is the sheer variety, for this you just have to go for Shonen Knife. A band who toured with Nirvana and taken influences from the likes of the Ramones and the Beach Boys are never going to be boring! They followed on from ASIWYFA the previous evening to take on the headline status at Hansome Hall, and they lived up to the high standards set on Friday night, with their range of tunes that delighted a passionate crowd. After seeing a lot of up-and-comers it was refreshing to see band who'd toured the world over and still had such love for the art, most bands should look at Shonen Knife as a great template to follow.

For me, Sunday was a quieter affair, beginning in the surroundings of the comedy basecamp, St Martin's Coffee Shop. I took my place in the terrfically decorated venue ready for a slice of comedy from 'Never Mind the Buzzcocks' panellist and Pete Docherty lookalike Joey Page. Possibly the first observation from Page was of his passing resembelance to the Libertines frontman, as his eccentric show took in some Noel Fielding-esque stories of fantasy encounters with Eric Cantona in the five-item queue in Tesco Express…a ramble that began after thanking a guy called Stan for attending his show. Granted it might not be to everyone's comedic taste, but Page, admitting that the show was a smorgasboard of new and old material, had everyone roaring with laughter, especially with his discussion of just what has gone wrong with ITV's very own 'Ant & Dec's Saturday Night Takeaway'. A great diversion from the excellent music I had seen up to that point.

Speaking in Italics followed up a show the other side of Leicester (the O2 Academy) the previous evening to entertain the citizens of Firebug with a half-hour set of progressive rock, that strayed into a more hardcore area at times. I enjoyed the vocals quite a lot, as they clashed with the instrumentation, but in a good way! No, SiI were placed well, offering a nice slice of entertainment ahead of their quieter counterparts.

Next up for me were Cut Ribbons, another interesting mixture of sounds. A lighter offering of indie-pop with male and female vocals, the sound was fresh and crisp as I got poppy-vibes, alongside something like early Kings of Leon. The vocals are hard to place though, given their originality. I enjoyed single 'Damascus' a lot, and they are supporting Thumpers on a UK tour, so watch out for more from this original group.

Possibly the most famous act at the minute on the entire bill came last, Dry the River, were an act a lot of people had been waiting for and a little bit later than advertised, the moment they took to the Firebug stage was a great one. The bar was slowly filling up throughout the evening and was almost to capacity when the foursome came on. Every song was greeted with rapturous applause, as songs from 2012's 'Shallow Bed' LP were sung from the rafters with some new material cheekily thrown in for good measure. They played for just under an hour, but it was a great experience, seeing such a hot band in such tight circumstances, made for memorable moments, such as 'Shield Your Eyes' and 'Weights & Measures' a rousing tune. The band themselves appeared to be loving every moment too, thanking the crowd for their patience and support throughout.

So there you have it, Handmade Festival is an exciting event that is growing with each annual edition. It was my first proper metropolitan city festival, and an experience I thoroughly enjoyed, allowing me to take in a wealth of different arenas, picking out some hidden musical gems in the process.