Parklife 2019 lineup announced

The Manchester festival continues to support emerging talent with a host of breakthrough acts confirmed for the brand new stages from Reprezent and GRM Daily

New additions [A-Z]:

BARRY FLETCHER – JONNY DUB – LAVA LA RUE  -LEE FOSS – PLACES + FACES
PLEASURE STATE  (LIVE)

Reprezent powered by Utilita (Saturday 8th June) [A-Z]:

BENTEKI – BROWN X BLUE – C CANE – CASSKIDD – HIGH CLASS FILTER – JAMIE RODIGAN
L U C Y – MELTOUT – NAINA – INTALEKT (DJ SET) – PINTY – POTÉ – PRESTIGE PAK
R.A.E  SHERELLE – YIZZY

GRM Daily powered by Utilita (Sunday 9th June) [A-Z]:

A.G  – AYO BRITAIN  – GEKO  –  JAY1 – JAY SILVA – J STYLES – K.I.M.E –  MEEKZ   P1CAPS
POUNDZ – ROBIN KNIGHTZ –  SLIM – STEF SMITH – TUNDE –  ZEPH

Already announced line-up:

Cardi B.    George Ezra.    Solange. The Streets.   Migos. Khalid. Disclosure presents.
Major Lazer Soundsystem.  Christine & the Queens. Eric Prydz.  Nas.
Chase & Status: Return II Jungle. Blossoms. Mark Ronson. Mura Masa. Kaytranada.
Adam Beyer pres. Drumcode. Jungle. Loyle Carner.  Mabel. Marco Carola b2b Jamie Jones. Solomun. Pusha-T.  Bicep present Feel My Bicep. Andy C. Annie Mac. MK presents Area10. AJ Tracey. Fredo. Stefflon Don. Octavian. Earl Sweatshirt. Yxng Bane. Slowthai. NAO. The Martinez Brothers Cuttin Headz All Day Long. Black Coffee. Joseph Capriati. Patrick Topping. Amelie Lens. Camelphat. Maceo Plex. Fisher. Ricardo Villalobos. Peggy Gou. Denis Sulta. Hunee. Mall Grab. Daniel Avery. Todd Terje.
Helena Hauff. Maribou State (DJ set). Solardo. Richy Ahmed. Skream. Alan Fitzpatrick. Maya Jane Coles. Kölsch. Moodymann. DJ Koze. George Fitzgerald. My Nu Leng. David Rodigan. sasasas. Yaeji. Ben UFO & Call Super.  Gilles Peterson. Mr Eazi. Yousef. Little Simz. Sonny Fodera. Children of Zeus. Honey Dijon. Artwork. Kero Kero Bonito. Mella Dee. Krystal Klear. Jacob Banks. Lauv. JPEGMafia. Paul Woolford.
Enzo Siragusa. Archie Hamilton.   Ilario Alicante. Kabaka Pyramid. Joey Daniel b2b Leon. Luigi Madonna. Icarus (Live). Mormor. Cautious Clay. Themba. Col3trane. Hammer. Suspect. Cristoph. Distruction Boyz. Just Banco. Danny Howard. Jamz Supernova. Crazy P Soundsystem. Marie Davidson (Live).
Prok | Fitch. Mason Maynard. Kettama. Prospa. De La Swing. Brockie b2b Randall. Channel One.
Tiffany Calver. Easy Life. Rimon. Seani B. Sally C. Krysko. Cromby. Pirate Copy. Gina Breeze. Will Tramp. Greg Lord. Mason Collective. North Base. Nightlapse. James Organ. Olli Ryder & Luke Welsh.
Zutekh DJs.  Pete Zorba. Understate. Josh Baker. Nicola Bear. Now Wave DJs. Rich Reason

Parklife 2019 Lineup

Leeds Festival 2016 Review

Leeds Festival 2016.

Leeds Festival is personally my favourite festival of the year. Having one of the greatest lineups covering every single aspect of music, Reading & Leeds always delivers and still holds the title in my books as the best live music event. This year we had headliners and co. headliners, Fall Out Boy with Biffy Clyro, Foals with Disclosure, with the final day being an American rock classic, Red Hot Chili Peppers.

After the down pour of rain which occurred on the Thursday it meant that the arena could almost have been mistaken for Download Festival. Rivers upon lakes of mud and dirt meant that unless you had wellies then it was likely that your feet would not last the weekend. Still, the weather did very little to less then mood of the people as a majority if them, despite the lack of sunshine still paraded in shorts, vests and occasionally the odd pair of flip flops.

FRIDAY:

To start the day main stage opened with the American Pop Punk band, State Champs who came all the way from Albany, New York to play for their first time at Reading and Leeds. With their most recent album ‘Around The World and Back’ being released in 2015, and their huge growing fanbase, meant that their set drew a relatively large crowd for an opening act. Playing some of their top hits such as ‘Secrets’ and ‘All you are is history’, the loud and energetic music meant that the crowd were on their feet dancing and jumping from the start.

(Above: State Champs)

Another pop rock band which was an act not to miss this Friday at Leeds were Waterparks who again were another band from America, this time Austin Texas. With their quirky charm and sweet talking lead singer, they were definitely a bunch of characters who like to have fun. Having recently finished Warped Tour in America, their popularity has also been on the increase with their frequent media coverage in a lot of the most popular music magazines such as Kerrang and Rock Sound. These guys will definitely be an act to catch, but with no tour dates as of yet in the UK, if you happen to be from American they will be touring with the bands Sleeping with Sirens, Tonight Alive and State Champs, who all played Reading and Leeds this weekend in the End of Madness tour this November in America.

Leading on to Tonight Alive who were noticeably higher on the bill this year on the NME/Radio 1 Stage. Also having been on Warped Tour and recently realising their album ‘Limitless’ earlier this year, the Australian rock band produced an outstanding performance. Their lead singer Jenna McDougall who I had the pleasure of meeting briefly in the press area shortly after their set said it was “amazing to be back” since their previous performance on main stage back in 2014.

 

(Above: Tonight Alive)

As it got to later in the day, the mud was still  holding strong and but luckily the weather was clearing up. One act who has been hugely gaining popularity in the British music scene, known for his huge impact on the Grime scene who I have worked with and become friends with was Big Narstie. Originally known for his comedy and Youtube sketches, Narstie grew in the Grime industry and now with the huge collaboration with Craig David on his single ‘When the Bassline Drops’, it was definitely going to be a huge act.

One of the most anticipated acts of the evening, other than the co headliners, Fall Out Boy and Biffy Clyro, The 1975 were the next biggest band playing that evening. And undoubtably the did not disappoint. With their huge stage presence and beautiful stage setup with digital cityscapes, the band were not one to miss. Performing from their new album ‘I like it when you sleep…’ as well as their 2013 self titled album, the Manchester based band enticed the crowd who were on their feet singing along and dancing like crazy to the overly energetic and charismatic lead singer Matt Healy.

 

(Above: The 1975)

Then it was time for the huge co headlining acts, which personally were my favourite headliners out of the weekend. Fall Out Boy had been on the verge of a split back in 2010 and took a break for several years until their surprise reformation back in 2013 with their album “Save Rock and Roll’. Since then they have produced another huge selling album which meant that they thoroughly deserved that top headliner spot. I could see the love and the energy in the crowd as they performed some of their true classics such as ‘This ain’t a scene, it’s an arms race’ as well as new songs such as ‘Uma Thurman’. I have never seen a crowd be brought closer together by a love for a huge and somewhat nostalgic performance. With some people describing their performance as a resemblance to a ‘Motley Crüe’ set their wild use of dancers and firework displays could be the reasoning behind that. After a number of energetic songs, Patrick Stump chose to use the middle of his set to take it back to some of their slower songs, whilst also using their single ‘Save Rock and Roll’ which originally featured the vocals of Elton John was used to pay tribute to the death of David Bowie.

For the final act of the night, I can honestly say that I have never been moved by such an outstanding and emotionally provoking set from witnessing Biffy Clyro. Whilst I can say I was perviously apprehensive about their performance, I was hugely mistaken to believe there was any hint of doubt as they were one of the best acts I have seen live in my entire life. With their recent release of their new album ‘Ellipsis’ back in July, it was no doubt why they were given the headline slot. With their aggressive and reckless stage presence they played songs from their 2009 album, ‘Only Revolutions’ such as ‘Bubbles’ and ‘Captain’ it was ‘Many Of Horror’ which brought me as well as many of the crowd to tears as their music brought chills. Unbeatably the best act to finish a perfect first day at Leeds Festival.

SATURDAY:

To begin the second day of the festival, main stage opened up to Frank Turner. Now being his 10th consecutive year at Reading and Leeds Festival, it is almost like his second family. Bringing me and a lot of my recently found festival friends who include other photographers, journalists and radio presenters, Frank Turner was a very special act for me to watch. HIs energy and motivation to wake up the crowd with is rock and alternative music meant that it was the perfect way to start the second day at Leeds.

With more acts covering across all genres of the festival, we had comedy from the Russell Howard, dance music from Hannah Wants, the heavier rock music of Asking Alexandria and Crossfaith as well as electronic synth music of acts Crystal Castles, Chvrches and headliner, Disclosure.

 

(Above: Crystal Castles)

Following Frank Turner, Frank Carter and the Rattlesnakes were next to play the main stage. Considering their angsty reputation and crazy crowds even Frank had himself saying “they probably won’t let [him] play main stage again”. With attempts to create a circle pit around the sound desk and throwing a GoPro into the crowd to film their fans, the Rattlesnakes definitely woke up and quickly removed the lingering hangover everyone had from the night before.
If they weren’t crazy enough, nothing compared to the set of Die Antwoord. If you haven’t head of this crazy duo, they recently appeared in the film Chappie and also accused the new Suicide Squad film for stealing their image. Ninja and Yolandi Visser definitely had the crowd questioning their performance as they had one of the weirdest and strangest sets of the weekend.

 

(Above: Die Antwoord)

Saturday was definitely the day for the more obscure and wacky acts. Heading over to The Pit stage I managed to catch Crossfaith, a Japanese heavy rock act whose heaving bass and eccentric guitar playing meant that mud was being kicked around by the crowd left right and centre in the many mosh pits.

One of the most anticipated acts which were performing on the NME/Radio 1 Stage on Saturday were the multiple chart holders Twenty One Pilots. The american duo have been around for a few years in the alternative rock music scene but recently drew huge popularity by featuring on the new Suicide Squad soundtrack with their song ‘Heathens’. Their performance didn’t fail to impress with their seemingly dark stage presence and heavy bass and drums. There have bee rumours that the dark duo will be returning to the UK soon which will be a gig you do not want to miss.

To follow this already excellent act we had the duo Diplo and Skrillex who performed in their collaborative stage Jack Ü. Never have I seen the tent so full. The crowd were bursting out the sides of the already huge tent desperate to hear the popular act. Performing many of their own individual songs such as ‘Cinema’ by Skrillex, they also played covers as well as hit tracks ‘Where Are you Now’ featuring Justin Bieber, and a new song which will be released soon.

 

Headliners on the Saturday were Foals and Disclosure. Foals brought the rock element to the relatively electronic lineup, once again drawing a huge crowd which only grew bigger for Disclosure. The electronic duo have been playing their fair share of festivals across the world have flown up the bill to reach the headlining spot after gaining increasing popularity over the last few years.

SUNDAY

With the festival on it’s last legs with the amount of mud reaching far above the ankles, the crowds still had high spirits which only grew as the clouds started to disappear and the sun started to shine. Starting off the day with Fatherson, the folk rock band was a warming wake up.

Just like Y Not Festival, if there was one band which I had to see, it was HECK*. Since I reviewed Y Not, Matt Reynolds leg is now fully healed which means their set was ten times as crazy. Scaling the scaffolding, kicking over amps and throwing just about everything that could be found on stage they once again did not disappoint.

After this there was a mysteriously long gap between Heck and the following act Milk Teeth, and this could only mean one thing, a secret set. It was unsure who was going to fill this slot from the start of the weekend but since the news was let out the previous day at Reading Festival, it was announced that the set will be filled by the British rock band, You Me At Six. After just releasing their new single ‘Night People’ only a few days ago, it was a surprise that no one could guess this before. After photographing and watching acts such as Milk Teeth and Vant, to which Vant have been announced to support You Me At Six on their upcoming tour, it was clear that even though the festival was drawing to a close on its last day that spirits were still high.

 

The next act which really stood out was Jack Garratt. The solo artist had the stage presence of twenty men, with his huge drum setup and almost spider-like lighting setup surrounding him, he performed with huge confidence and drew a crowd which echoed his songs almost just as loud right back to him. You could see by the look on his face that it was an incredible experience for him as well as the crowd which stood in front of him.

Headlining on the final day of Leeds festival was the classic rock band Red Hot Chili Peppers. Whilst their setlist seemed to be more of a great ‘Californiacation’ and ‘By The Way’.

With an amazing end to the weekend, Red Hot Chili Peppers definitely energised the crowd. However, i’m sure Reading Festival had an even crazier Sunday with the closing set of Biffy Clyro. The Chili Peppers were an act which every generation could enjoy. We had teenagers climbing the ice cream van to get a better view of the miraculous stage design and the slightly older generation rocking out. It has definitely been an incredible weekend which a lot of people will remember, and the memories and stories from the weekend will be taken back home with them along with copious amounts of mud stains on just about every item of clothing they own. 

Photos and review by Jade Hill.

 

 

The Adventure that was Benicassim, 2016.

You’ve all heard of Benidorm, I presume. That Spanish resort town, filled with sunburnt brits and head fuckers for breakfast, even with its own TV show about the life and times of its seasonal inhabitants.

For one week of the year, however, the brits are pre-occupied with a different kind of Beni, Festival Internacional de Benicassim. As a veteran fib goer myself (this year was the fourth) bringing along a backpack with an Argos tent, a Chromebook, a few different cameras plus their owner, the only clean clothes I had left, and flashbacks of Benicassim campsites and extreme heat, I felt well equipped and mentally prepared to tackle the biggest party of the summer, all in the name of journalism.

Benicassim itself is one of the friendliest experiences you will ever have. International is mentioned in the name because that is truly what it is. Though I felt there were considerably less Spanish goers (and noticeably a lot less Spanish acts) the multicultural vibe is definitely known, and with the gloom of Brexit still hovering over our heads there felt a definite subconscious need for camaraderie, which when you consider the amount of EU flags we saw dotted around and more often than not, wrapped around sleeping people, is a comforting thought.

The general atmosphere of Beni and it’s set up is really what makes it. Your ticket entitles you to 8 days of camping in their main area ‘campfest’ (you can also opt for glamping at a fairly reasonable price) and whilst alongside the various parties and events, the actual festival itself doesn’t start until 7pm, leaving you plenty of time to head to the beach, go into town, get your shopping done, and pregaming started, whilst not missing anything, and saving insane amounts of cash by raiding the Mercadona or the Lidl for the supplies you need to survive the night.

Financially, unlike British festivals, it won’t cost you a kidney and your first born child to enjoy Benicassim. Early Bird tickets start at 85 Euros, building to not more than 120, factor in the low, low cost of living out in the Spanish desert and even with a flight you’re still way ahead of the game, as long as you don’t mind inhaling 6 metric tonnes of dusk every time you wake up in the morning, and a hell of a lot of sun.  

 

Musical Highlights

 

Although Benicassim has become almost a rite of passage, the reason we all keep flocking to this ant infested wonderland every summer is not only for its general atmosphere but for the music. Although fib tends to have a smaller lineup (spread over 5 stages) than the majority of British Festivals, its headliners alone have enough pulling power. I’ve found over the years that a lot of the Glastonbury lineup will make a few sneaky appearances, but you’ll have to take my anecdotal word for it.

 

Thursday /

 

The shortest of all music days, but what turned out to be one of the best, Thursday boasted sets from DJ Hannah Wants and Irish rapper Rejjie Snow, however, the two main acts of the night by far were grime music artist Skepta and electronic music entity Major Lazer. Skepta, who halfway through his set worshipped the crowd as individuals, claiming he ‘hated celebrities’ became the simultaneous shunner and bringer of hype. The energy in the crowd was electric, and the growth of the London grime scene became increasingly obvious from the gigantic, international crowd that flocked to see him. The first headline act of the long weekend extravaganza, however, was Major Lazer, which gave the newbies a taste for FIB life and veterans like me a heightened nostalgia of what it’s all about. Their set was planned to the millisecond and mixed in a haul of different samples from Eurotrash, bashment and dancehall, and of course starting with Pon de Floor, the absolute tune that filled me with nostalgia and brought me back to being a fifteen-year-old getting drunk on a bottle of Lambrini. Moving forward, they started the encore with their feelgood hit of last year, Lean On, which shows just how much their popularity has grown.

 

Friday /

 

Friday saw the likes of more bands take to the stages, including the British rapping, indie, all-round shabby Rat Boy, the lo-fi garage rock Spanish girl band Hinds, now increasingly veteran rockers The Vaccines, and an emotional set from the harder rock of Biffy Clyro. Hinds played the main stage fairly early in the day, and although they started out with a small crowd it had almost quadrupled by the end, obviously attracted to their dynamic and the energy oozing from all four of them. They seem to be drawing quite a following from their various performances around the globe the last couple of years, and I’m pretty sure next year their names will be way higher up the bill. Finishing with Davey Crockett, throwing in a couple of new songs and even a Dead Ghosts cover, Hinds were one of the highlights of my weekend.

Though Friday was technically a lot more band heavy, Jamie XX took over for a disco-heavy and grime influenced set later in the evening, and the heavyweights of electronic music and putting on a fantastic show The Chemical Brothers headlined that evening. Starting with Hey Boy, Hey Girl and finishing their set with a combination of Galvanise and Block Rockin Beats, the show itself boasted spectacular lights, visuals and sound that made pretty much everyone go nuts.

This year Benicassim decided to up the ante with the dance stage, turning their previous second stage into the South Beach area set up complete with a ‘pool party’ – basically borrowing some Ibiza vibes from the another well known Spanish turn-up. Though the pool got pretty dirty after day one, the area itself was a success and saw the likes of Dan Deacon and John Talabot tear it up on the Friday.

Saturday /

 

If you’re a Muse fan, Saturday night was what you were waiting for. They headlined the main stage with a show-stopping two-hour set, incredible lights, showmanship and Matt Bellamy’s vocals in full force. Bringing out all the classics such as Supermassive Black Hole, you really cannot fault this band for doing what they do, and doing it heart-stoppingly well.

But on the contrary, it wasn’t just the superband that got the crowd going on that day. Disclosure followed suit on the main stage, starting with White Noise and playing a mix of tracks from Settle and Caracal, the boys radiated buzz as they always do whenever they take to the stage.

For the earlier parts of Saturday, however, it seems the indie and rock bands were out in full force, with Irish rockers Walking on Cars taking the main stage with the sun still glaring. For relative newcomers, they gathered a lot of support from a ferocious fan base, which, given the amount of Irish melodic voices heard around the festival is quite unsurprising. Bloc Party also mesmerised the visa stage, back with a vengeance and a beautifully revised selection of their catalogue, after a hiatus left them with just Kele Okereke and Russell Lissack as the original members. A brief chat with Kele himself before the show lead me to believe we can expect some new music from the new lineup very soon, and the band is sure to go from strength to strength after the writing process gets well and truly underway.

Echo and the Bunnymen and The Coral also played incredible sets, giving us a little blast from the past. For E&TBM we came for The Killing Moon but ended up infatuated with the set list, and after a five year hiatus, old time rockers The Coral perfectly matched their classics Dreaming of You and In the Morning with the release of their new album, Distance In Between, including track Chasing the Tail of the Sun, which Skelly himself thinks is the best to get the crowd going.

Although Muse did steal the show on the main stage, whilst the heavyweight rockers were letting the crowd fall in love we did sneak away for a few songs at the Visa Stage, where The Kills created an atmosphere that was lively, dramatic and addictive, even though a major amount of their fan base was stolen away. They were definitely one of my surprising highlights of fib, and deserve a medal of musical adoration in my eyes.

 

Sunday /

 

Sunday finally came around, and although I was completely shattered after running around a festival in sweltering heat, sleeping on a dusty floor of a tent and getting accidently sunburnt with the most awful tan lines you ever did see, the nostalgia was creeping in and I didn’t really want to go home. The mix of genres on this day was pretty special, Jess Glyne took the visa stage, where a surprising collection of men found themselves bobbing along to classics Hold My Hand and Rather Be. She also did a solo rendition of My Love, the Route 94 song that helped propel her solo career, as well as a collection of her own material. Following on from Glyne, Mac Demarco and The 1975 also played the Visa Stage, Demarco drawing a sizable crowd, arguably just as crazy as him. Known for his antics and his love of crowd surfers, he let good old ‘Tony’ climb his way onto the stage for a spot of light conversation before prompting his guitarist to crowd surf himself. The topless boys definitely knew how to do a show, and hardcore fans were lapping up every second, in fact every time they play they look like they’re having the best time, which is first and foremost what you want from a performer. The 1975 followed suit, again drawing in a large crowd with a pretty serious fanbase.

The main stage saw the likes of Catfish and the Bottlemen, who this year decided to make some festival appearances after cancelling a load of them last year. The northern rockers played a great show but I’m yet to be fully convinced of their staying power. Kendrick Lamar took the headline set that night, bringing in a gigantic crowd and a chilled vibe all across Benicassim. The setlist was perfect, with How Much a Dollar cost, B*tch Don’t Kill My Vibe, of course King Kunta and after a profound, heartfelt speech that referenced the attacks in Nice, Turkey, and the need to unite at the state of the world, Lamar ended his set with the notion that we’re all going to be Alright.

DJ’s Snakehips took to the South Beach stage later that night to help bring the festival down to a close, and although I would have perhaps liked to see Lamar play the friday alongside Skepta, especially seeing grime music start to crack america, I was more than content with the set up as it was. All in all, I ended up completely delirious with sleep deprivation, but it was so worth it just to be at fib again.

 

Would I come again? Just try and stop me.

 

T in the Park 2016 Review

T IN THE PARK kicked off on the Friday with an absolute belter. The sun was shining, The Stone Roses were headlining and un characteristically there wasn’t a mud puddle in sight – of course that didn’t last. Of course it wouldn’t be T without its trademark mud and after dodging it on the Friday the patchy rain hit hard throughout the next couple of days – festival goers brushed it off as nothing and cracked on. Situated at Strathallan Castle close to Perth, it was the festivals second attempt in its new location and 26th year overall. The festival bill was a strong one, a splutter of genres merging together throughout the three days. Blending together the new, the old and the loved by all, every age group was covered with a stella line up. 

With other headlining performances coming from Calvin Harris & Red Hot Chilli Peppers plus support acts including Major Lazer, LCD SoundSystem, Disclosure, Chase & Status, The 1975 and more, it was bound to be a good weekend of music.

The Stone Roses hit the main stage on the Friday. The bands merch floated around the festival site like nothing else and as the day progressed it began to get difficult to be difficult to spot anyone NOT in a signature bowl hat. The bands ‘second coming’ was surely seen as the whole weekends highlight. Performances by the Manchester group aren’t quite as sparse as they have been in the past with their reform back in 2011, but its impossible to ignore the effect the bands presence has on its crowds. The Stone Roses were bred for the festival set up – it is surely the definitive way to see the cult band. The band played a full set of tracks from their self titled debut album, favourites from the much under-rated second album ‘Second coming’ alongside a few new tracks including the new single ‘All for one’. The crowd followed every word of every song sung by Ian Brown, tambourine in hand, who finished the act by waving on the Scottish flag to applaud a fan base at T that he has become very accustomed to.

Disclosure opened up for The Stone Roses – a difficult transition however they easily held their own and as soon as the opening track ‘White noise’ was belted out, they had the audience in the palm of their hands. Disclosure are always capable of surprising people wherever they sit on the bill and if this set was anything to go by their headline act at Reading/Leeds festival could prove to be something huge.

Elsewhere on Friday, festival favourite whereever she goes, Annie Mac packed out the Radio 1 Dance stage with a typical fun and bouncing set.  In contrast Rodrigo y Gabriela performed at the same time in the King Tuts Tent with a smaller crowd who enjoyed the spanish infused heavy guitar riff style of music they are most famous for.  

Huge crowds swamped over to the main stage to watch Calvin Harris headline the Saturday. Quite the regular at T, Calvin is just behind Biffy Clyro for most appearances at the Scottish festival. Quite the transformation from the geeky looking artist of 2007 to the huge international DJ and producer that he is today. Its been a undeniably huge rise from the Scot who is now considered to be the face of modern dance music. He played a typically impressive set, reminding everyone just how many huge tracks he has notched up under his belt. Track after track of number one hits alongside new song Hype which included an appearance of fan favourite Dizzee Rascal.

 

Saturday's lineup also showcases Bastille, Jess Glynne, Tinie Tempah, Kaiser Chiefs and more.  With health issues in the past year, Jess Glynne is one that I was very much looking forward to seeing.  Her amazing soulful and powerful voice fills the main stage with hits like 'Dont Be So Hard on Yourself', 'Not Letting Go' & 'Right Here'.  She sounds just as good live as she does on the radio, its a great performance to head into the evening.  Prior to Jess Glynne, Tinie Tempah fresh off his new album knows how to get a crowd going.  His music is perfect for the festival atmosphere and having seen him numerous times before, I know exactly what to expect.  Hits like 'Mamacita', 'Pass Out', 'Written in the Stars' have the crowd singing throughout the entire performance.

 

Over on the Radio 1 stage, The 1975 close out the day as the rain dies down and the sun sets over Strathallan Castle.  There is nothing fancy about this performance, just a great selection of tunes which have a die hard crowd singing along to almost every track they belt out whist competing with the echoes of Calvin Harris on the main stage.  This isnt an energetic performance by all means, but its worthy of the headlining spot for this stage.

 

Red Hot Chilli Peppers topped off a superb weekend with a headline act reminiscent of their last 2006 headline appearance. Even strangely leaving hits, Californication and Dani California off the set list didn’t make for a disappointing show. The Chilli’s in full form played a huge set filled with crowd pleasers, new singles, Chad Smith solos and the occasional handstand back onto stage from Flea. The strong set was played with swagger from frontman Anthony Kiedis backed up by plenty of energy and gratitude towards the crowd from the rest of the band.

 

One of the most unfortunate festival appearances would have come from LCD Soundsystem who barley drew a crowd to the Radio 1 stage.  Major Lazer however drew a huge crowd to the Radio 1 stage with their mix of dubstep, reggae and house music.  With Diplo flying all over the stage mic in hand hyping the crowd up at every opportunity, its an entertaining set bringing all sorts of dance moves and hands in the air reactions.  Comeback king of 2016 is surely Craig David, armed with a DJ Booth and mic in hand, this is a talented performance as he single handedly mixes the music and sings.  Singing over tunes like Justin Bieber's 'Love Yourself' and mixing it with his skillful rapping, his set ensures the crowd is bouncing for the entirety.

 

Its fair to say that this years T in the Park was a marked improvement on last year.  Most of the issues that were encountered have been resolved and the event is well oiled engine that ran smooth over the entire weekend.  Regardless of the wet weather and the muddy grounds, the performances across the weekend leave us feeling satsified & happy.   We look forward to another year at the castle in 2017!

 
Photos by Kristian Lissimore

T IN THE PARK 2016

Disclosure and Foals to co-headline Reading and Leeds Festival 2016

Reading & Leeds Festivals are delighted to announce Foals and Disclosure as co- headliners for this year’s festival taking place across Bank Holiday Weekend 26-28 August 2016. In a Reading & Leeds first, two bastions of modern British music will be making the step up to the largest festival stages of their careers, bringing together two defining acts of a generation.
 
Returning after their festival-stopping surprise set last year, 2016 will see Foals in their debut headline performance at Reading & Leeds. Unafraid of genre limitations, their endless creativity and ferocious live shows have seen the Oxford five-piece rise through the ranks, positioning themselves as one of the most unmissable live acts in the world.
 
Joining Foals as co-headliners of Reading & Leeds 2016 is the dance phenomenon Disclosure, in their very first Major UK Festival headlining set. Their chart topping dance anthems sound-tracked the worldwide explosion of UK dance. Their 2014 performance saw crowds overflowing the NME/Radio 1 Stage, so their return to headline in 2016 is one not to be missed.
 
Melvin Benn commented: “I couldn’t be more excited about this announcement. A co -headline with two of the most promising British acts out there; Foals secret set last year was a highlight for me, as I’m sure their debut headline slot will be, coupled with the phenomenal Disclosure – we’re very proud to be able to give these acts the recognition they deserve.”
 
Foals commented: “We're absolutely buzzing to be headlining Reading & Leeds this year. It's a dream come true. I used to watch Nirvana live at Reading '92, on vhs, repeatedly while dying my hair blue & learning how to play guitar, badly. We've worked our way up on our own terms & to be given the chance to headline one of the world’s most iconic festivals is a huge achievement for us & hopefully a sign for all bands, that, if you stick to your guns & focus on what matters, you'll get there & smash it. Onwards & upwards friends. Long live the guitar band”
 
Disclosure commented: " We’re incredibly excited to be co-headlining Reading and Leeds with our good friends Foals. We've been going to Reading festival since we were kids and have played at both festivals several times, but never in a million years did we think we'd be at the top of the line-up, especially considering there hasn't been an electronic headliner since The Prodigy in 2002! Truly honoured" 
 
 
Dance super group Jack Ü have shifted the face of modern dance, with worldwide smash ‘Where Are U Now’ dominating the airwaves and music libraries of millions. Bringing together electronic dance icons Skrillex and Diplo, their live shows at Reading & Leeds 2016 will be a summer extravaganza like no other. 
 
In a European Festival Exclusive, Imagine Dragons will be returning to Reading & Leeds; with a catalogue of chart hits including ‘Radioactive’, ‘It’s Time’ and ‘Demons’ that are destined to whip the capacity crowds into frenzy. Reading & Leeds 2016 will be the only place to catch them in Europe over the summer. 
 
Commenting on their appearance at Reading & Leeds this year, the band say:
“Reading and Leeds is one of the best festivals in the world. We look forward to the wonderful people. The music. And even the mud. See you soon."
 
Two Door Cinema Club joins the impressive line up at Reading & Leeds this year in a UK Festival Exclusiveperformance. Expect old favourites and new tracks galore, as the Northern Irish trio smash yet another festival crowd on their way to indie immortality.
 
The hottest name in hip-hop, Fetty Wap will make his debut UK Live Appearance at this year’s Reading and Leeds, in yet another UK Festival Exclusive. Shaking up the hip-hop scene with his dark tales of modern life, the underground king has remained an untouchable enigma since his rise to stardom. The master behind 2015 hit ‘Trap Queen’, Fetty also made Billboard history when his first four singles – ‘Trap Queen’, ‘Again’, ‘My Way’ and ‘679’ – charted simultaneously on the Hot Rap Songs chart.
 
A true breakthrough success story, the soaring vocals from Nothing But Thieves will be returning to Reading & Leeds bringing their unique brand of rock, and hits from their eponymous debut album released late last year. They’ll be sharing the bill with pulsating electro pioneers Crystal Castles fresh from a new line up and sound, expect a barrage of synthesised distortion and a visceral live show like no other.
 
Nothing But Thieves said on their Reading & Leeds return:
"Last year’s Reading & Leeds was one of our highlights of 2015, it was an honour to play a stage that we've seen so many bands at since we were kids, cannot wait to be playing Reading & Leeds again this year."
 
Parkway Drive are set to bring their angry metalcore cocktail to Reading & Leeds 2016 with their only UK Festival appearance of the summer, whilst The Internet will be gripping the crowds with their modern take on neo-soul and trip-hop in yet another UK Festival Exclusive.
 
Securing Reading & Leeds 2016 as the go-to festival for global dance superstars, co-headliners Disclosure will be joined on the line-up by ‘Gecko (Overdrive)’ chart supremo Oliver Heldens and the undisputed queen of UK danceHannah Wants for bursts of unrelenting electronic gold.
 
Hannah Wants: "2015 was my very first experience playing Reading & Leeds and wow I was impressed! The crowds were absolutely insaaaaaane! I’m so hyped to returning again this year!”
 
Oliver Heldens says: “I’m really looking forward to play at Reading and Leeds this August. I like the fact that there is a very diverse line up and I hope to see some cool acts when I’m at the festival. I can’t wait to be back in the UK and hope to see you all there!”
 
On the Alternative Stage we’re thrilled to announce headliners Kurupt FM will present Champagne Steam Rooms, bringing the pure vibes of champagne era UKG to Reading & Leeds 2016, with special guest DJ Barely Legal, one of the best bass DJs around. On release, the BBC mockumentary pilot, People Just Do Nothing, became the most popular programme of the month. Following the MCs behind West London’s finest pirate radio station, the show developed a cult following, and with Series 3 airing in 2016 they’re now revelling in success. They’re the biggest thing to come out of Brentford since the football club and they’re taking over Reading & Leeds
 
Joining Kurupt FM on the Alternative Stage at Reading and Leeds 2016 are Cassetteboy. Their most popular videos, Cassetteboy vs The Bloody Apprentice, and David Cameron’s Conference Rap, have both been watched over 6 million times.  They’ve enlisted the help of their shouty friend DJ Rubbish to create a comedy disco. He’ll be hyping up the crowd while Cassetteboy caper around behind him. The resulting show looks like your Tivo box went out clubbing and got hammered.  Dot Cotton and Gregg Wallace are mashed up with Rihanna and The Human League in the weirdest party you’ve ever been to.  It will be a stupid, messy, funny festival highlight.
 
Standing as the only place to catch the biggest and most influential acts of modern times, Reading & Leeds 2016 is destined to be the epicentre of the 2016 music calendar, full of exclusive moments that will define the year in modern music. 
 
Newly announced additions:
 
Foals (Co-Headliner)
Disclosure (Co-Headliner)
Jack Ü
Imagine Dragons (European Festival Exclusive)
Two Door Cinema Club (UK Festival Exclusive)
Fetty Wap (UK Festival Exclusive)
Crystal Castles
Parkway Drive (UK Festival Exclusive)
Nothing But Thieves
The Internet (UK Festival Exclusive)
Oliver Heldens
Hannah Wants
Kurupt FM Presents: Champagne Steam Rooms
CassetteBoy vs DJ Rubbish
 
Previously announced:
Red Hot Chili Peppers (Headliner: Festival Exclusive)
The 1975
Courteeners
Boy Better Know
Twenty One Pilots
Eagles Of Death Metal (UK Festival Exclusive)
Slaves
Hinds
Rat Boy
DJ EZ

Disclosure, The 1975 and The Courteeners join T In the Park

Disclosure’s return to T in the Park is sure to be an epic one, after their mind-blowing headline set on the Radio 1 Stage in 2014. The electronic music duo released their second album Caracal in September, featuring guest appearances from The Weeknd, Lorde, Gregory Porter and Sam Smith, among others. It follows their no.1, platinum-selling debut Settle, which received nominations for the Mercury Prize and a Grammy. They’ll be sure to bring the party vibes to Strathallan Castle next July.
 
 
The 1975’s eponymous debut album topped the UK Album Charts in September 2013 when it entered at no.1 and last month, the Manchester four-piece announced their second studio album I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It. The first single off the new record – Love Me – is currently dominating the airwaves. Their infectious indie pop anthems are the perfect summer festival soundtrack, and are sure to inspire mass sing-alongs when they make their T in the Park return.
 
Fellow Manchester lads and huge favourites with the T in the Park crowd, Courteeners have also been added to the bill. In 2014 the group achieved their highest chart position to date when their fourth record Concrete Love reached no.3 in the UK album charts. Liam Fray’s sharp songwriting combined with the band’s euphoric pop riffs has fuelled the band’s longevity, and they going from strength to strength, currently playing a string of sold out dates across the country.
 

Parklife 2015 Review

On June 6 and 7, 80,000 people descended on Heaton Park for Parklife 2015, indulging in headline sets from Disclosure on Saturday and Rudimental on Sunday, while Hudson Mohawke, Todd Terje, Jamie XX and the weekend’s highlight, FKA twigs, had Summer Festival Guide darting from stage to stage.

SATURDAY 

Saturday belongs to Jamie XX. Throughout a perfectly-crafted set, 'Girl', 'Gosh' and 'Sleep Sound', along with the soon-to-be defining track of the summer festival season, 'Loud Places', and older percussive house gem 'Far Nearer' pack the Now Wave tent – one overexcited reveler climbing the tent's rigging, becoming barely visible, to an eruption of cheers as he carefully eases back down.

Earlier, in the Big Top, Everything Everything – dressed in matching red suits – belt through new material, their current single 'Regret' achieving anthemic status.

Disclosure's graduation to main stage headliners comes with a plethora of new material from their imminent second album, 'Caracal', along with a host of upcoming vocal talents. 'White Noise', 'F For you' and 'You & Me' gain as incredible a response as expected, but it's Guy and Howard’s newest creations which stand out, as the Lawrence brothers tease, "Parklife, we've got some surprises for you". Lion Babe's leading lady Jillian Hervey – with the longest legs and wildest hair SFG HAs ever seen – comes first, her R&B-orientated vocals perfectly complimenting the slinky synths of an as-yet-unnamed track as she struts across the stage in arm-length silver gloves and nearly knee-high black boots. London-based future R&B vocalist Nao soon follows, her vocals and onstage presence similar to Aluna Francis, before Kwabs’ soulful tones command the crowd from a raised platform throughout two untitled tracks. The arrival of American jazz legend Gregory Porter for an on-point rendition of current single and collab ‘Holding On’ mesmerises the mainly young crowd with his unparalleled ability to hold a note, fusing two musical worlds seamlessly. After a brief stage leave, ‘Help Me Lose My Mind’ and ‘Latch’ – the latter is dedicated to Sam Smith who’s just recovered from vocal surgery – sees friends on shoulders in a moment of hysteria.

Bidding farewell for the evening, the flocks of thousands head for the shuttle bus appropriately chanting the lyrics to Blur's ‘Parklife’.

SUNDAY 

As SFG arrive on Sunday, Ella Eyre is playing to a massive crowd to the main stage despite her early afternoon set placement, launching herself across the stage in a leopard print leotard, belting out 'Deeper' and 'If I Go' along her energetic way.

Later, Labrinth arrives – suit and shades on – blasting through his synth-heavy chart hits 'Earthquake', 'Pass Out' and Sigma-collaboration 'Higher', the latter emptying everyone's lungs.

Meanwhile, in an equally busy Resident Advisor tent, Jimmy Edgar and Machinedrum – together they're known as J.E.T.S – pump out thumping techno as green inflatable aliens and neon balloons are slung around in the air; Ben UFO's back-to-back set with Pearson Sound continuing the bass-heavy electronic onslaught.

Oliver Dollar's back-to-back with Jesse Rose proves an early evening highlight, opting for Dirtybird's booty-house with Claude VonStroke's 'Make A Cake', assuring an up-tempo energy from the off.

Over at the MK Area 10 stage, Ben Pearce – of 'What I Might Do' fame – drops a housier edit of Take That's 'Relight My Fire', completely unexpectedly.

Later, in the Big Top, James Bay proves himself as having the potential to command the main stage in a year’s time; 'Let It Go' and 'Best Fake Smile's infectious chorus inducing a sense of euphoria.

US-based Sango, sporting a Manchester City sports jacket, opens the Kaytranada stage on Sunday with hip-hop and trap-influenced bubbling synths and bass beats in a tucked away Greek coliseum-like vicinity; even the security guards are bouncing along as they make their way through the crowd amidst a sparse edit of Skepta's ‘That's Not Me’ and a Cashmere Cat-sounding remix of Drake's ‘Through The 6’.

Chet Faker, sporting a topknot for the occasion, packs the Sounds of the Near Future stage with his synth-laden sound. Alone at first, he intricately and passionately delivers electronic instrumentals, before he’s joined by a guitarist and drummer. Encouraging us to "use those muscles" before ‘No Diggity’, a sea of phones are hoisted to record the cover, as everyone’s vocal muscles flex while singing along to ‘Drop The Game’.

Bristol duo Blonde meanwhile pack the Drop The Mustard stage with their summery house anthems ‘Foolish’, ‘All Cried Out' and ‘I Loved You’ as part of a new live show, wheeling out guest vocalists – expect them to be as big as Disclosure this time next year.

Todd Terje, with his live band The Olsens, who alternate between saxophone, flute, bongo drum, guitar and keyboard, build into their funky set with zooming laser synths, though it does take a while for the crowd to warm to the sounds. ‘Delorean Dynamite’ and set closer ‘Inspector Norse’ soon get them moving though, as the funky bass line kicks in; one Terje fan who’s celebrating a birthday screams “this is the best day of my life” while his friend, clearly intoxicated, jokes, “is this Lady GaGa?”

Jungle's well-deserved transition to the main stage sees them play to a massive crowd, the summery weather perfect for their almost 70s sound as the seven-piece perform their biggest hits, ‘Julia’ and ‘The Heat’ just as the sun beams down.  

Back in the Sounds of the Near Future tent, Hudson Mohawke walks onstage with a new live set up, bringing out Redinho on keyboards and Two Door Cinema Club’s Ben Thomas on drums. Drawing on material from his new album ‘Lantern’ and his and Lunice’s collaborative project, TNGHT’s biggest hits, intense bass and red strobes match the maximalist electronica of ‘Acrylics’ and ‘Higher Ground’, sending the crowd into mass hysteria.

An hour later, FKA twigs, visible only through a cloud of smoke, leaves thousands in awe, as her hauntingly ethereal performance remains compelling from start to finish. Easily the largest crowd of the day, there’s a ritualistic sense to her set as she flows through her debut album ‘LP1’ and new material from her imminent third EP, ‘Melissa’. With an incredible vocal from the off, twigs, dressed in double denim with her hair to one side, is joined by a three-piece band who delicately tap their synth pads respectively, producing the intense, almost apocalyptic trip-hop beats of ‘Water Me’, ‘Number’ and ‘Papi Pacify’. How she was once only Jessie J's backing dancer is unbelievable for her unique talent as a vocalist, dancer and performer. Effortlessly charismatic, the entire crowd’s eyes are transfixed on her throughout the hour set as she reaches vocal notes you didn't know existed, all whilst popping her body around the stage. Removing the denim jacket to show off her toned body in a stripped white top, her enigmatic presence is made even more likeable when she speaks, sweetly and humbly. "It’s great to be back in England,” she delights, “I just got back a week ago.” Closing with a faultless rendition of ‘Two Weeks’ and then ‘How’s That’, it’s evident that the summer festival season belongs to FKA Twigs.

Parklife tickets running low & VIP options revealed

After the unprecedented success of their 2015 edition – which is set to welcome Disclosure, Rudimental, Ben Howard, Nas, George Ezra, Fatboy Slim, Grace Jones, Wu-Tang Clan, Caribou, Metronomy, Mark Ronson and Jessie Ware – standard weekend tickets for Parklife Festival have now completely sold out with only limited Sunday tickets and VIP options now available.

Uniquely combining an incredible selection of chart-topping live acts, DJs and home grown talents, the festival also boasts an exclusive VIP village that offers revellers an array of luxury benefits including a dedicated fast entrance, viewing platforms, chill out and seating areas, exclusive merchandise and a complimentary programme for all VIP ticket holders – as well as a delectable street food village curated by highly revered Manchester promoters Friday Food Fight that also offers street cocktail bars, a craft ale bar from local brewers and a frozen margarita shack.

 

As one of the cities best-loved culinary events, the award-winning street food crew will bring their unique combination of street food, DJs and atmosphere to the Parklife VIP village for those looking for a truly indulgent festival experience.

 

Chris Legh, owner of Friday Food Fight explains:

"We've known the guys at Parklife for a couple of years and loved going to the festival, so you can imagine how excited we were when they asked us to get involved. We will be bringing some of the best of FRIDAY FOOD FIGHTS restaurant's and street food heroes to Heaton Park on the 6th & 7th June. Expect everything from Lobster Rolls, to the freshest Viet Street Food, can’t wait!"

 

With a variety of prized vendors such as Viet Shack – winners at the Manchester Food & Drink Awards – Almost Famous and London’s Burger & Lobster all contributing, the VIP village will also feature a series of special DJ sets from the artist playing across the festival in order to make it a truly unmissable festival experience.

 

As ticket levels continue to drop, be sure to act fast to secure your spot at Parklife Festival 2015.

Disclosure, Rudimental, Grace Jones and Fatboy Slim announced for Parklife Festival 2015!

Parklife Festival have announced the line-up for their hotly-anticipated 2015 edition on Saturday 6th and Sunday 7th June at Manchester’s Heaton Park. Showcasing an incredible selection of the best chart-topping live acts and world leading DJs, confirmed acts include Disclosure, Ben Howard, Rudimental, Nas, George Ezra, Fatboy Slim, Grace Jones, Wu-Tang Clan, Caribou, Metronomy, Mark Ronson and Jessie Ware – all of whom will cater to over 140,000 music fans across the two days.

Two of the UK's hottest dance acts, Disclosure and Rudimental, will head up the festival line-up, which will also feature one of the UK’s biggest dance music exports in Fatboy Slim. A rare performance from iconic singer and model Grace Jones is also confirmed –famed for her pioneering artistry that constantly blurs the line between performance and art.

Hip-hop royalty Nas will be performing tracks from his seminal album Illmatic at this year’s festival – as well as Wu-Tang Clan & The Roots, plus young claimant to the throne Earl Sweatshirt also featuring. James Bay – named Critics Choice 2015 by the Brit Awards panel – is also amongst the first live artists announced and will be joined by Ben Howard and George Ezra, alongside leftfield popstars Metronomy and Jungle.

Legendary electronic music pioneer Richie Hawtin will also be heading to Manchester alongside Hot Creations label head Jamie Jones, Radio 1 tastemaker Annie Mac and chart topper Duke Dumont (playing live) to spearhead a stellar DJ line-up across the two days. With appearances from the likes of Nicolas Jaar, Seth Troxler, Maya Jane Coles, Eats Everything and Hannah Wants – plus rising stars Lapsley, Novelist and Blonde – already confirmed, Parklife’s 2015 DJ program is shaping up to be it’s most varied and expansive to date.

The eclectic nature of this year’s line up is only bolstered by the number of artist-curated arenas across the weekend. Soulection affiliated superstar Kaytranada has added his own personal touch to Parklife this year by curating his own Kaytranada and Friends stage. The same honour has also been bestowed to drum & bass veteran Andy C as he presents his label RAM, as well as MK bringing his Area 10 brand to Heaton Park. Reggae, Dub and Dancehall royalty David Rodigan will also be further cementing his legendary status in the UK by bringing his world-renowned Ram Jam party to The Temple arena – the largest of the festival’s stages. This very special Super Ram Jam comes complete with an all-star line up, including Nas performing his seminal ‘Illmatic’ album in full.

Having launched back in 2010, Parklife is curated by the same set of promoters behind Manchester’s game-changing series The Warehouse Project, who have adapted the festival year on year to make it one of the UK’s most significant music events – all set in the iconic surroundings of Heaton Park.

Now five years since the festival’s launch, Parklife also remains one of the best value festivals in the UK – with weekend tickets at just £89.50 and day tickets at £54.50. Festival goers also have the opportunity to purchase VIP packages priced at £145 for a weekend ticket and £85 per day – which unlocks a range of luxury offerings such as fast access to the festival, a private viewing platform over the temple stage and exclusive areas from a host of national club brands.

With 10,000 pre-registration tickets selling out in minutes and the next wave of tickets set for release on Friday 13th February 2015, Parklife’s fifth anniversary is on course to deliver their best year yet.

The full line up is below:
LIVE
DISCLOSURE * RUDIMENTAL
BEN HOWARD * GEORGE EZRA * NAS performs ILLMATIC
MARK RONSON * FATBOY SLIM* GRACE JONES * WU TANG CLAN
CARIBOU * METRONOMY * JESSIE WARE * JAMES BLAKE
THE ROOTS * JAMES BAY * FKA TWIGS * JUNGLE * LABRINTH
DUKE DUMONT * JAMIE XX * NICOLAS JAAR * MODESELEKTOR
EVERYTHING EVERYTHING * HUDSON MOHAWKE * KAYTRANADA
TODD TERJE & THE OLSENS * MAC DEMARCO * CHET FAKER
TEN WALLS * TIGA* ACTION BRONSON * EARL SWEATSHIRT * BAAUER*
HERCULES & LOVE AFFAIR * JESS GLYNNE * FUSE ODG * VIC MENSA * LAPSLEY * TALABOMAN * GHOSTPOET * TENSNAKE * ELLA EYRE * HENRIK SCHWARZ * MADLIB * RONI SIZE REPRAZENT * CRAZY P * BURAKA SOM SISTEMA* *TOURIST* JIMMY NAPES * BOB MOSES * J.E.T.S*
* SEVEN DAVIS JR * BLONDE * NOVELIST* BADBADNOTGOOD * DUB PHIZIX & STRATEGY * OUTFIT * TOM MISCH * KIKO BUN * BECKY HILL * KAREN HARDING * SANGO * TEI SHI * BERNARD & EDITH

DJ
RICHIE HAWTIN * ANNIE MAC * JAMIE JONES * MK * ANDY C
SETH TROXLER b2b EATS EVERYTHING * MAYA JANE COLES * TALE OF US * THE MARTINEZ BROTHERS * DIXON * SASHA b2b JORIS VOORN
HANNAH WANTS * DUSKY * ADAM BEYER * JULIO BASHMORE
JACKMASTER * HOT SINCE 82 * DAVID RODIGAN * OLIVER HELDENS
HEIDI * SKREAM * GEORGE FITZGERALD * JOY ORBISON * WILKINSON
BEN UFO & PEARSON SOUND * OLIVER DOLLAR & JESSE ROSE * BENJI B
DANIEL AVERY * RICHY AHMED * CATZ 'N’ DOGZ * PAUL WOOLFORD * DJ EZ * SHADOW CHILD * PATRICK TOPPING * WAZE & ODYSSEY * JOHN TALABOT & AXEL BOMAN * BICEP * BTRAITS * MADLIB dj * DJ EZ * JUSTIN MARTIN * JIMMY EDGAR & MACHINEDRUM * MIDLAND * CRAIG CHARLES
ROUTE 94 * BRODINSKI * BEN PEARCE * BONDAX * RANDALL vs DILLINJA
FRIEND WITHIN * CHRIS LORENZO * JONAS RATHSMAN * SPECIAL REQUEST * HORSE MEAT DISCO * JAGUAR SKILLS * JOSH BUTLER * WOOKIE & DJ Q * FCL * CALYX & TEEBEE * RENE LAVICE * SG LEWIS* VENUM SOUND *LOADSTAR * KRYSKO * GREG LORD * WORK IT * NOW WAVE DJs * RICH REASON * JUICY * WORK IT * ZUTEKH DJS * PIRATE COPY * NORTH BASE * JONNY DUB * SIAN BENNETT * NIC BAIRD * LEMMY ASHTON * NICOLA BEAR * HACKETT * PETE ZORBA * DANCE LADY DANCE * WILL ORCHARD * ED NORRIS
& many more still to be announced…

Acts revealed for Disclosure & Rudimental present Wild Life Festival

WILD LIFE was created by Disclosure in early summer 2014 as an extension of their hugely successful live and DJ shows. What began as tiny and very sweaty east London parties, soon grew into a global prospect within a matter of months and found Disclosure curating events in major cites across the world and hosting stages at various festivals in the UK, EU and US. These included WILD LIFE line-ups at Glastonbury, Unknown, Exit Festival as well as bespoke events at The Greek Theatre in Berkley, Lincoln Park Zoo in Chicago, Detroit and a summer residency at Space in Ibiza.

Now to 2015 – less than a year later, they have reached out to their good friends Rudimental in order to put together their most exciting event to date…

The first ever WILD LIFE festival – right here in the UK. The two day event, solely curated by both bands, will be held in the grounds of Brighton City Airport on June 6th & 7th 2015.

The intention of WILD LIFE has always been to curate line-ups comprised of artists and DJs that Disclosure love which they then turn into incredible parties in exciting locations around the world. With the integral input of Rudimental, they’ve brought together musicians from different genres and eras – from hip hop, techno, pop, UK garage, as well as old and new house legends – for this inaugural WILD LIFE festival. 

Disclosure said:

"We’re both so excited to announce the creation of WILD LIFE Festival! And so so proud to have been able to curate an amazing line up along side our good mates, Rudimental. What a weekend this is going to be!"

Rudimental added:

'To be able to curate our own festival with our favourite acts in partnership with our friends Disclosure is a dream come true. We are expecting the weekend to be unforgettable and to make history with this collaboration is a real pleasure'.

ARTISTS REVEALED SO FAR:

DISCLOSURE / RUDIMENTAL / SAM SMITH / GEORGE EZRA /

WU TANG CLAN / ANNIE MAC / SETH TROXLER / JAMIE XX / DAVID RODIGAN / MAYA JANE COLES b2b HEIDI