Download: Europe's biggest spiritual home of metal, rock and post hardcore. This year's line up was a diverse range of classic punk to death core such as Linkin Park, Aerosmith and Avenage Sevenfold. For many years Download has bought fans from across the country and surely caters to a diverse range of age groups for up to 90,000 fans. This year's Download had a lot of celebratory elements such as dedicating the main stage to the legendary Stephen Sutton after his amazing efforts for fundraising in aid of Teenage Cancer Trust. His dream was to attend the festival which he acomplished in 2013. Stephen unfortunately passed away last month after his battle with cancer. In rememberance, on Friday, during an interval, the whole of the festival gathered and engaged in a one minute applause as well as his signature 'thumbs up' sign.
Photo by Danny North @ Download 2014
Friday –
Welsh band Skindred debuted at Download in 2006, this year was their fifth appearance and front man Benji Webb claims “We present the UK in Music.” Skindred’s original and iconic genre of mental, dancehall, jungle and punk had an elaborate twist when they mixed the Harlem Shake with their set. As any Skindred fan may know Newport Helicopter is a tradition of taking off their tops and spinning them around in the air. Next on was Black Label Society, and although the crowd didn't seem as involved as Skindred’s performance, the incredible talent of the guitarist made up for it throughout the duration of their set. Rob Zombie took to the main stage for this year's opening headliner, Avenege Sevenfold. Robs Zombie's promise to pull off a spectacular performance did not disappoint. Crazy attire, makeup and hair was awash with leathers, hippy flowing tops, dreads, awfully applied tribal style face makeup which all complimented his stage presence which was truly remarkable, hence the term "so bad, it's good". After this performance, the main arena started to progressively fill ready for Avenged Sevenfold. This being their first time headlining at Download, the band have slowly built up their name over the past 14 years to be one of biggest mental names in music today. The band stated “It feels amazing. It’s a true testament to our fan base for putting us there.” Their opening revealed the amazing Hail to the King tour set visuals, which wooed the crowd topping it off with fire and fireworks. Avenage Sevenfold really did suit being a headliner. Their performance was jaw-dropping and captured even for fans who are more fond of their older albums such as 'City of evil', their self titled album 'Avenged Sevenfold' and 'Waking the Fallen'.
Photo by Danny North @ Download 2014
Saturday –
Bowling For Soup, who are celebrating their 20th anniversary together, drew in the crowds with their popular classical punk, especially with there 90’s hits such as ‘Girls all the Bad Guys Want’ and ‘1985’. Bowling for soups high demand and their array of well loved hits these were the only band allocated two slots, one being on the main stage. Their hilarious banter got the crowd even more excited. The giant inflatable sheep as a stage prop which they also had on their 2011 appearance gave the band an opportunity to do something bizarre to the sheep, which seems to be a running theme for Bowling for Soup. Predictably, Fallout Boy gave an incredible performance on their glorious return, playing a mix of their ageless anthems such as 'Sugar We're Going Down,' 'This Ain't A Scene,' Michael Jacksons cover of 'Beat It,' as well their new stuff 'My Songs Know What You Did In The Dark,' which is currently in Radio 1's top 40 Rock singles. Linkin Park closed the night and performed an amazing array of 25 songs in 2 hours including their full 'Hybird Theory' album, telling the crowd "This is a special night for us, we've never done this before." Expectedly, the turn out of fans for this was epic as this was a rare moment for fans having the chance to experience their most popular album that was released in the year 2000. After their first album the band then played singles from their new album and to finish threw a signed album into the crowd after a scream off competition with opposite sides of the stage.
Photo by Andrew Whitton @ Download 2014
Sunday –
Sunday kicked off with Memphis May Fire on the Pepsi Max stage that included a lot of head banging from the fans and enthusiasm from the band. Many of the band's songs include ultimate breakdowns, which result in the crowd going wild. Similar to their performance in Febuary at KoKo Camden the band never fail to produce a good performance. Later in the evening the beautiful Taylor Momsen hit the Zippo Encore stage to perform with rest of the band members of The Pretty Reckless. During the set, Taylor engaged the audience with her sexy, seductive dance moves and played the fans' favorites 'Miss Everything' and 'Make Me Wanna Die.' The festivals finale headliner and the band everyone was waiting for, Aerosmith. This being their 44th year in the music industry this band know how to pull of a bloody good performance effortlessly delivered the highlight act of the festival. Getting the crowd to sing with him, and singing to women in the crowd as well witty banter in-between song, Aerosmith was the perfect band to finish an amazing weekend of talented musicians, oddly dressed fans, careless attitude and drunken insanity.
First up on the elite list of larger festivals this summer was the Isle of Wight Festival. It was a rousing success all around, promising a vast array of acts to be seen, with what happened to be bright & consistent weather to make it that bit better. It was an event where as the adverts promoting the festival said, you simply had to ‘be there’. 50,000 festival-goers agreed & took the advice, making their way across the Solent on whatever method of boat travel they could find, camping gear at the ready. The festival is one of the few in the UK that has the most varied mix of musicians performing, from Red Hot Chilli Peppers & Kings of Leon to Cher Lloyd & Dappy, with Boy George in between. You get the picture.
On Day 1, it was the Thursday performance of the ever-exuberant & flamboyant Boy George whose soulful-sing-alongs propelled the early festival-goers into a flashback to the 80’s with hits such as his old band Culture Club’s ‘Karma Chameleon’ & ‘Do You Really Want To Hurt Me?’. The crowd most definitely didn’t want to cause any harm to the hit-maker, they loved his cheerful disposition & playful interaction with the clearly pleased audience.
On the Friday, it was up to the Scottish folk of Biffy Clyro & Calvin Harris to step up to the act of being headliners, & each did it spectacularly. Over the years we have gradually seen Biffy Clyro head further up the festival posters with their name getting bigger & bolder each time. In an explosive 90 minute set that clearly included a very talented technical team, the stage at times became a pyrotechnical dream- ablaze with fireworks & glitter, raging riffs and hard-hitting sentimental lyrics- something of a rarity some might say in rock music. Coming on stage at 9pm, it would have been better to see the visual impact of the display had they not performed in the daylight.
London based quartet Rudimental have had phenomenal success in the UK for a band with just the one album under their belts, but so it seems, they prove one album is all it takes. 2012’s album release ‘Home’ certainly brought home the goods for the audience who were treated to a mix of drum’n’bass, soul, & funk with added backing vocalists, rousing drums & a trumpet thrown in for good measure to add to the party. Hits like ‘Feel The Love’ really brought the crowd together, & with excellent crowd interaction from the band it was a magical moment for the audience, who made their hands into a heart sign throughout the feel-good song, drunk festival-goers included, some attempts looking more blob shaped than heart shaped.
Hit-maker Calvin Harris closed Friday night in the coveted final slot of the main stage. Mr Harris has ploughed up to immeasurable amounts of success with the record-breaking album ’18 months’, & his large spectrum of collaborations has been the real ingredient to his popularity with dance fans around the world. During his DJ set, robust vocals from Rihanna to Florence Welch could be heard to name a few, with smoke machines & laser lights beaming out onto the euphoric crowd. A remix of last year’s headliners The Killers- ‘When You Were Young’ was played to add an element of surprise to the set, otherwise it may have been abit too predictable, he has been very busy performing over the past few years & a lot of his sets have been televised after all. All in all, a spectacular set from the Scottish DJ.
Away from the main stage there was talent to be seen in the Big Top stage, in the form of uber-cool Katy B. Belting out hits into the humid Isle of Wight air from acclaimed album ‘Little Red’ with striking synths throughout, Katy reminded us why she’s a sell-out in both gigs & album sales with a brilliant mix of stage presence, crowd interaction & electronic-infused songs that made a brilliant set list.
Saturday’s at festivals are always the big ones. Halfway through so you sort of feel disappointed it’s half over already, & then you remember the great bill ahead of you on Saturday morning & don’t feel so bad after all. The weather was a lot cooler, which some might say is a good thing, but those clear blue skies had diminished. Non-the-less, the vibe of the festival was still upbeat, with festival-goers saying they were enjoying themselves. The Waterboys made an appearance to fill in the unusually seen genre of Irish folk at the festival, & merrily played uplifting songs such as ‘Fisherman’s Blues’ & ‘Whole Of The Moon’, using less commonly seen instruments such as fiddles, violins & harmonicas, it was a refreshing change. I’d liked to have seen more interaction, but it may have been they were not used to main stage slots at large festivals & felt slightly overwhelmed.
Next up was the fabulous John Newman, a man with motown, retro RnB & soul in his (very) dancing feet. A brilliant blend of upbeat tap-your-toes songs combined with melancholy-filled ballads about heartbreak, he packed a lot in to the 40 minute slot that brought the audience almost on an emotional journey, some feeling the obvious meanings of the songs to Newman. When he left the stage you couldn’t help but want an encore, but like the band that made him famous, Rudimental, he too has one album to his name, but in a few years’ time I can see him doing longer & more varied sets with big-name collaborator’s perhaps joining him on stage. The crowd pleasing summer anthem from last year ‘Love Me Again’ was the right song to choose to end an excellent & energy-filled set.
Later on was the band thousands had travelled high, low & far away for. After a seven year hiatus from performing at a festival in the UK, Californian based Red Hot Chili Peppers made a triumphant return. Eccentrically bounding around the stage playing universally-known hits such as ‘Can’t Stop’ & ‘By The Way’, their energised performance made the crowd go wild at times, exactly what a classic rock band who headlines should do. From lead singer Kiedis’s rap-singing in parts to the funk-infused riffs, it was a you had to be there set, & those who were torn between the headliners & the world cup England match made the right choice if they avoided the later. (A match they lost anyway!). Perhaps what made this set so enjoyable clearly by both the band & crowd was the fact that it was something of a rarity & they aren’t regulars. That’s what made it so anticipated, & overall, the Chili’s certainly didn’t disappoint. Although arriving 15 minutes late & not playing ‘Under The Bridge’ may have put a downer on some, perhaps some will wonder if that lateness contributed to them not playing the iconic song, but speculate or not, it was a superb set, & one can hope they can start planning a UK tour soon.
On the final day of the festival, we were all treated to a performance from the red arrows. Causing a load of colourful synchronized smoke to grace the skies, it was a few moments where you saw more necks than faces from people looking up in wonderment, only to then get back to the hustle & bustle of the festival deciding on where & what to see next. The final headline performance was from festival regulars Kings of Leon, clearly an expert in this field, quite literally, from their vast experience of festival performances. Playing hits from their six studio albums to date, from up-tempo songs like ‘Supersoaker’ & ‘Fans’ to the obvious major hits like ‘Sex on fire’ & ‘Use Somebody.’ Caleb Followill’s yowl gave raw intensity to the set, with an added genius moment of guitarist Matthew Followill playing the opening riff of more mid-paced track ‘Closer’ with his teeth. As the final song of the festival came to an end, arms were put around each other, & appreciation was obvious for Kings of Leon with cheering & clapping echoing around the stage & beyond. Now it was time to get back to tents, & our ones.
After a long weekend of music, rides, balloons, bubbles being blown, alcohol, a surprisingly good selection of food, & seeing people dressed up in odd unusual costumes, it was time to pack up & go. The Isle of Wight Festival is so worth the travel from afar if you live miles away like I do, it’s one of the very few festivals where you really feel like it’s worth every penny with the high amount of quality bandssingers your seeing. After this year’s success, Isle of Wight Festival 2015 will have a lot of living up to do, organisers best get planning!
I dressed for rain and lightening as i left my house for Victoria Park. Field Day would be my first taste of festival. The sun burned down on my super cool VIP wrist band as i rushed through the park to the Crack Magazine stage to catch the last few songs of Thursten Moore, the sonic youth God.
This was the beginning of a long day, of walking to and throw. Of losing friends and meeting nice Irish men who buy you sambuca shots. I feasted my eyes on stalls of food from every cuisine; animal carcuses next to The Buddah Bowl which served and absolutely divine bowl of rice and something. With no money in my pocket, i had to resign myself to the spoonful i was offered from the bottom of my pals bowl. I walked past fair ground rides and adults playing tug of war surrounded by hay bails. There was so much going on that i became overwhelmed, and as time flew by me i couldnt even recall what i had been doing since i arrived. The sun began to set as i sat on a plastic covered ground to hear Metronomy play out over their zillion fans. It was soon to be the set that i had been waiting for.
The summer ale had gone to my headm as i stumbled through the darkness to find the stage. Red light shone through clouds of of smoke over a sea of figures and the band above. Tailored black trousers and a temporary shirtm towered above me and sung what i’d been waiting to hear. Fat White Family were before me, I had been waiting to see them perform and their presence on stage was surreal. Shrouded beneath the huge tent, encroached by darkness and a chanting croud. It had the feeling of a cult, a gathering of of believers waiting to hear the voice of their leader in the hope of hearing something divine. A skinny half naked preacher stood before them through war-like red smoke, his convulsing body moving back and forth while belting out the words of his heart.
The set ended to screams of encore, to no availm as the band were to later play at The Shacklewell Arms. The first day ended as part of a slow walking mass, silhuettes passing out of the gates and into the empty night. Victoria Park lit up ahead like beams from the stars, over a scattered sea of noise and sweat covered flesh.
S U N D AY
Sunday played host to some amazing up and coming artists, with The Pixies bringing home with their headline slot at 9.30pm. The day begain with Brighton based band The Wytches opening on the Main stage. Their performance was raw and unpretentious, a beautiful screaching voice through parted brown locks and striped tee. Looking backm they were my favourite set of the day. Temples followed with glittered face and psych sounds that flowed in waves over the heat stroke croud. I rushed across to catch the end of Telegram, a London based band who i caught their first few gigs at the Shacklewell and the Old Blue Last in mid 2013. They have been doing super well, releasing their amazing single ‘Follow’ as well as touring with numerous well known bands throughout the Uk. Their set was really great, vocalist Matt Saunders filled the tent with his deep, powerful voice that bellowed over drums pounded by the fierce, fragile frame of drummer Jordan.
The Horrors had the main stage before The Pixies. Playing Field Day as the first in a string of european gigs and festival dates this year, touring their recently released album ‘Luminous’. The croud filed in to see and hold their spots, the glare of the sun bouncing of pale shoulders, beer cans and lost on the grass beneath thousands of feet. Their performance was great as expected of these boys.
The atmosphere throughout the weekend was a sweet light-hearted daze of sweat and sunshine. There were all the staples of an amazing time, all gathered together in a safe but lax environment. Situated in an access with such easy access from the centre of London, in the middle of the beautiful Victoria Gardens. Having a platform for presenting emerging UK bands as well as such significant international bands like The Pixies, and dishing it out in such a beautiful part of london is amazing. I look forward to the line up for next year.
Temperamental wet weather didn’t dampen the spirits of 70,000 festival goers at last weekend’s sold-out Parklife Festival, which now in its fourth year, saw Snoop Dogg, A$AP Rocky, Disclosure and Sam Smith prove to be essential highlights.
Arriving at around 1pm, SFG headed straight to the Hospitality tent for some early afternoon drum & bass with flashing strobes, courtesy of Logistics and later, Camo & Krooked.
Heading to the main stage for Kiesza, who is accompanied by two male dancers, her 90’s influenced choreography and funk tracks prove an early treat. Giant In My Heart fuses disco and funk perfectly, before the Canadian ex-navy recruit takes to the piano for a stripped down cover of Haddaway’s, What Is Love, showcasing her powerful vocal range. Ending with number one track, Hideaway, she lifts everyone’s spirits despite the grey clouds looming up above. Catchy “ooh’s” and “ahh’s” and house-y beats provide the first sing-a-long of the weekend (with many more to come), before the track is mixed into Gorgon City’s deep-house edit. Now recording her debut album, expect another catchy chart-bothering track to go viral in the coming months.
Spending around 20 minutes struggling to find the Colonnade presents: Drop the Mustard stage, where the majority of the main house draws performed, SFG caught some of Hot Natured’s, Lee Foss’ Ibiza-cum-Manchester house set at the hilltop Kaluki stage. Eventually, finding the Greek coliseum-like Colonnade stage, SFG caught house duo Waze & Odyssey’s set, including their now infamous house remix of R Kelly’s timeless classic, Bump & Grind as well as a remix of Robin S’, Show Me Love. Later at the Colonnade, it was Route 94’s turn on the decks. Performing a mostly obscure but impressive house set, with the exception of Defected Records releases, Fly 4 Life and Tell You Why, the young London-based producer drew a large crowd, with one fan feeling the need to scale a tree, receiving a smile from the producer and applause from the audience below. But it was number one house crossover hit, My Love, which saw everyone take out their iPhone’s to record the sing-a-long moment before 94 imminently takes his sound to Ibiza for the summer.
Pacing back to the opposite end of the site, to the Red Bull Academy Presents stage, Gold Panda’s hotly-anticipated set proved essential for the eyes and ears. Synth-led electronics impressed the large crowd during cutting-edge debut album offerings, Vanilla Sky, Snow & Taxis and early track Marriage before a chopped up reinvention of fan favorite, You, with its pitch-shifted vocals circling around the tent.
Back at the main stage, Grammy –winner, Foxes, attracted a large crowd with tracks from her debut album Glorious, including Youth and recent single, Let Go For Tonight, while another Hot Natured label-mate, Richy Ahmed, continued the Amnesia Ibiza-ready house vibe with 808 hi-hats and drum machines aplenty during his mid-afternoon Kaluki stage set.
Later, the sun shined while Radio One DJ Annie Mac drew the biggest crowd so far with a house orientated set including Ten Walls’ new track, Walking With Elephants and Gorgon City’s collaboration with Laura Welsh, Here For You as well as Second Citys’ I Wanna Feel which rocketed to number one two weeks ago. Later, before Sigma’s, Nobody To Love, she tells the crowd to, “grab your friend, boyfriend, or a total stranger”. Its sets like these, demonstrating which tunes to play to get thousands of people dancing, which stand testament to why she is such a hot DJ commodity.
Rudimental, who, trumpets included, perform album tracks, Spoons and Baby, show a softer side to the Black Butter Records collective. Dedicating Not Givin’ In, to his son, DJ Locksmith pulls on the crowds heartstrings before the drum & bass beats kick in, but are soon cut off due to a technical problem. It’s all back to normal though after the crowd chant “Rudimental, Rudimental, Rudimental” to give them the support to carry on, which they do oh so professionally, continuing with album tracks, Free, and later, Feel The Love.
It’s A$AP Rocky however, who delivers the best and most charismatic performance of the weekend, as a more than deserving replacement to Kendrick Lamar, who cancelled his slot. Weed promotion, referring to women as “hoes” and a whole lot of swearing, but what else would you expect from song’s titled, Hella Hoes and Fuckin’ Problems which are performed with a fifteen-man-strong A$AP Mob watching him from the side of the stage. Bassier and rowdier than on record, Palace and Wassup take the Now Wave tent to Rocky’s hometown, Harlem, New York City. “Put your hands up if you smoke fucking weed ‘cos that’s what I stand for”, demands Rocky, real name Rakim Mayers, before Purple Swag where he toys with the crowd saying, “are you people ready to get turnt up or what?” New A$AP Mob track, Hella Hoes, results in a mosh pit before taking it to a “whole new mother fucking level” during Skrillex-produced Wild For The Night and Lana Del Rey-featuring Hands On The Wheel. Thanking the audience for getting him so far, he exclaims, “I can’t wait to get on them rides tonight” before a quick run through of his part in final track, Fuckin’ Problems. If you ever get the chance to see A$AP Rocky live, TAKE IT. You won’t be disappointed.
Weaving back into the middle of the main stage crowd for Saturday headliner, SFG didn’t know what to expect from the legendary Snoop Dogg’s headline set. “Who’s getting blazed in the house tonight?” asks Snoop’s DJ during a ten minute prelude to the iconic rapper coming onstage. Dressed in a USA stars and stripes jumper and yellow shades, Snoop stalks the stage with everyone taking his picture. He dedicates Supa Dupa Fly to “all the girls in the house” before rapping his part on Justin Timberlake collaboration, Signs, and his brief part on Katy Perry’s, California Girls. The only thing he could be blamed for, is looking relatively bored and indifferent, but it is Snoop Dogg after all, why should he be bothered?
Ending the night back at Kaluki in Marc Kinchen provided early evening house, in his number one remix of Storm Queens, Look Right Through, which is quickly followed by his Medicine remix of Shadow Child's, Friday and his edit of Hot Natured’s, Reverse Skydiving.
Sunday would prove to be better weather on the whole, aside from one insane downpour during Warpaint’s set which saw everyone flock to the nearest tent.
Opening the Disclosure Presents: Wildlife stage, Kanye West-collaborator Pusha T, performed tracks from his acclaimed debut album, My Name Is My Name as well as his part on the aforementioned Kanye hit, Mercy. Stalking the stage, which looks like brown lego bricks stacked high, Pusha runs through the trap beats of King Push and Nostalgia. Promising a new album in the not-so-distant-future, he continues with Numbers on the Board, seeing arms in the air pulling back and forward – an impressive debut at Parklife for the hotly-tipped ex-Clipse rapper.
Next up, are classical-cum-electronic Cambridge graduates Clean Bandit, who remained at the top of the charts for a month earlier this year with their single Rather Be. An early afternoon set time doesn’t seem to affect the eager crowd, growing by the minute. Arriving onstage to classical music alongside two guest vocalists, the quartet open with older track, A&E, before Dust Clears, with Jack Patterson leading the vocals over a synth-y beat. Tracks from their debut album New Eyes soon follow. Up Again, begins as a hand-swaying, blissed-out production before drum beats and classical chords intrude, culminating in a full on drum and bass climax while Come Over hears cellist Grace Chatto’s sweet vocals soar over a Caribbean, almost reggae beat. Mid-set, it’s clear that new single Extraordinary could become their second number one judging from the crowd’s reaction. Heart on Fire, featuring vocals from Elizabeth Troy is dedicated to “all the garage heads” before the lyrics of Mozart’s House ask, “so you think electronic music is boring?” Following this genre-crossing set, they’ve proved that that their sound is far from boring. Nightingale is then mixed into Gorgon City’s deep-house edit before feel-good festival anthem, Rather Be, which stayed at number one for a month, ends their set with the crowd on each other’s shoulders singing along word perfect.
Unexpected pop star Sam Smith, arrives for his 5pm slot to screams of excitement. Opening with Nirvana, he shows his powerful voice off straight away before Disclosure collaboration Together, complete with Chic-esque funky bass guitar lines. Leave Your Lover slows the set to a mellower, emotional halt, with some female fans starting to tear up, before further winning them over by telling the crowd that Manchester is his favorite place. Before new track, Restart, Smith informs the audience that he’s filming the music video right now, and of course everyone is more than happy to clap and sing-a-long for it. An unexpected cover of Arctic Monkey’s track, Do I Wanna Know breaks up the set with a unique take on the indie hit. Money On My Mind and Lay Me Down follow with emotional lyrics, while the heavens fittingly starting to open, before ending with recent number one single, Stay With Me. It’s obvious that Smith is providing the definitive sound of 2014, after his vocal talent was first discovered by the mainstream on another Disclosure collaboration, Latch, which is given a flawless acoustic rendition.
Later, over in the Heidi Presents: The Jackathon tent, Hot Since 82 brings deep house and techno beats to a sweaty strobe light flashing tent, delivering arguably the best bass orientated set of the weekend.
Over in the Sounds of the Near Future tent, SBTRKT gives an astonishing live set. Opener, Pharaos, gets the packed tent going before the masked man says, "It's so good to be back. It's been like two years since we've been here.” New lasers and synths track Temporary View, which went up on Soundcloud just two days ago, receives a great reaction as a taster of what to expect from the impending second album. Debut album tracks, Never Ever, Trials of the Past and Wildfire follow with tribal drum beats and feature Drake-collaborating, Sampha’s recorded vocals and Little Dragon’s in the latter, which echo around the at-capacity tent.
Pacing back to the Wildlife stage to catch headliners Disclosure, it was shockingly easy for SFG to get near the front – probably because Oxford indie-types, Foals, were headlining over on the main stage. The wunderkind production duo of house revivalists, Guy and Howard, open with synth led F For You featuring on record vocals courtesy of Mary J Blige. Preacher lyrics and simplistic house beats follow in When a Fire Starts to Burn and newer Friend Within collaboration, The Mechanism, with the background screens showing the duo playing in real time while Guy picks up the bass guitar to play the funky chords in the former, while pyrotechnics shoot from the top of the stage. Checking with the crowd that they are okay to play some older material, they bounce into older E.P tracks, Boiling, Tenderly and Flow before inviting guest vocalist, Sasha Keable, onstage during album track Voices and later Sam Smith to join them for the song which started it all off, Latch.
It’s only in its fourth year, but soon enough Blur’s iconic single won’t be the only thing which comes to mind when thinking of Parklife. Providing a great line up, the organisers delivered great variety at an affordable price, SFG cannot wait until next year!
