Reviews

Isle of Wight Festival 2016 Review

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Bags ready tent purchased and we were ready to hit the road for an epic weekend of random antics, filled with laughter, good friends and live music, a line-up so large, that no one could contain their excitement.

Thursday evening has arrived tents up and its time to see what the Isle of Wight Festival 2016 has to offer. The 'Big Top' stage opens up with performances from 'The dolls', 'Maxi Jazz and the E-Type Boys' and 'The Cast',  who were getting the audience ready for the headliners of the evening 'Status Quo'. 

'Status Quo' hit the stage at 9:30 to perform to the festival goers, filling out the 'Big Top', and leaving fans to listen from the sidelines, filling the area around the Big top, creating some members of the audience to suggest they should have opened up on the main stage as the sound was distorted by the carnival in the background. 'Status Quo' performed songs such as ‘Down, Down’, ‘Caroline’, 'In the army now’ and 'Rocking all over the world’ Starting the festive antics with a powerful and electric performance, the audience roared in excitement  which created a great atmosphere that thrived over the weekend at Isle of Wight Festival 2016; lining the stomach for the acts that will be hitting the stage in the days to come.

Friday was the first official opening of the main stage with performances from bands such as 'Reverend and the makers', 'Busted' and 'Everything Everything'. Just many of a great line up.

  

Photo courtesy of Isle of Wight Festival

Charlie Simpson and Matt Willis share a joke as Busted perform on the main stage on Friday 'Busted' took us back the noughties performing hits such as ‘what I go to school for’, 'Air hostess’, 'Crashed the wedding’, and ending the performance with ‘Year 3000’. This was a nostalgic performance, creating a great atmosphere through the field as people interacted with the band and danced like no one was watching.

They were followed by 'Jess Glynne' a British female artist, Who took the crowd on a powerful journey opening up with ‘don’t be so hard on yourself’, and performing hits from her latest album such as ‘Hold my hand’, 'Real love' and ‘Take me home’ her vocals were flawless and her performance created a stamp on how the evening would continue. 

Photo courtesy of Isle of Wight Festival

For me the performers of the night were ‘Stereophonics', the crowd were waiting in anticipation as the welsh boys were getting ready to come on and perform to thousands of fans across the isle of wight, the weather was holding out and the sky was drawing in and they arrived, the crowd went wild and the anticipation was over, 'Kelly Jones' has such stage presence that captured and got the crowd to their feet, performing songs such as ‘Handbags and Gladrags’, 'Have a nice day’, 'local boy in a photograph’ and ‘A thousand trees’ hit after hit just blaring from the stage, getting better and better and each song bringing the audience to life. They ended with 'Dakota' getting the crowd to join in and get crazy for one last hit of the night before introducing their co-headliners 'Faithless'. 

'Faithless' closed the night with and electric performance, performing hit such as ‘God is a DJ', ‘insomnia’ and ‘Fatty Boo’ just closing the night in the right way, Lights, good music and dancing all you needed was the glow sticks and you were set, this got the crowd ready for the rest of the weekend, for the acts to follow.

Photo courtesy of Isle of Wight Festival

Saturday brought many artists to ‘The Big Top’ and ‘The Main Stage’ the festival was picking up and the bands were getting ready to perform for the many crowds surrounding them today. 

The ‘Big Top’ seen many artists such as the ‘Simon Townsend’, ‘The Damned’ and ‘Pendulum’ perform throughout the day, Two artists stood out for me the most ‘Bang Bang Romeo’ and ‘Adam Ant’.  'Bang Bang Romeo’ performed at the Isle of wight 2015 on the 'Jack Rocks Stage', they were invited back and given a space on the 'Big Top'stage for 2016, they gave a dynamic and creative performance, the Vocals were powerful and edgy, which created the atmosphere of their music and got the audience supporting the Yorkshire based band, performing songs such as ‘Chemical’, ‘Johannesburg’ and their new release ‘Invitation’.

The legendary ‘Adam Ant’ gave an eccentric performance, performing songs such as ‘Kings or the wild frontier’, ‘Dog eat Dog’, ‘Stand and Deliver’  and ‘Goody two shoes’. He bought the eighties to the festival, giving the crowd quirky and stand alone performance.  To Help bring awareness Spandau Ballets 'Gary Kemp' and The Corrs 'Andrea Corr',  performed 'Starman’ in a touching tribute to the late 'David Bowie’ for Stand up for cancer who are raising awareness and supporting those who have been affected by cancer. At 3:45 there was a short video celebrating 'David Bowie's’ Life and capturing hundreds of fans, bringing awareness for the course, by wearing 'David Bowie’ masks and posing for a picture on the MainStage.

Photo courtesy of Isle of Wight Festival

The MainStage gave the crowd artists from ‘The Kills’,‘Turin Brakes’, ‘Alabama 3’ and ‘Polly Money’ warming up the audience for the headliners of the evening ‘The Who”.  Before 'The Who’ we had some amazing acts perform ‘Iggy Pop’ hit the stage his character larger than life and his movements creating an interesting view as he performed hits such as 'Wild Thing’, ‘Sweet 16’ and ‘Passenger’ the audience joined through the performance creating an atmosphere that leads on to the next performer to grace us with his presenc 'Richard Ashcroft’ performed songs from his album ‘Urban Hymns’ performing songs such as ‘Out of my body’, ‘Breaking the night with colour’ and two new ones ‘Hold on’ and ‘This is how it feels’ whilst performing classic such as ‘The drugs don’t work' and ending with the classic ‘Bittersweet Symphony’ the audience went crazy for this and it was an amazing way to introduce ‘The Who’.

'The Who’ headlined the isle of wight on Saturday night performing to a verity of individuals, people who have been following them since the sixties and the younger generation who has been influenced by their music from their parents of even their grandparents. ‘Peter Townsend’ and 'Roger Daltery’ performed for over 2 hours, performing hits such as ‘My generation’, ‘Behind blue eyes’, ‘The Kids are alright’ and ‘Pinball Wizard’. They opened up the show with “who are you’ getting the crowd worked up and ready for the night ahead.  After 5 decades of being together they still can put together a great live performance, even though at times there were moments of strain In ‘Roger Daltery’s’ voice but this overcame by the commitment to the performance, by showing that he still could hit those high notes in the song 'love reign O'er me’, put those moments of strain behind the crowd the ended a night with a high. 

Photo courtesy of Isle of Wight Festival

Sunday was the Day to celebrate the Queens 90th Birthday but not only celebrate one 'Queen', but to celebrate legend we know as ‘Queen’ the one and only 'Freddie Mercury’. With 'Queen with Adam Lambert' Headlining the final show of the weekend. The show everyone has been waiting for. 

Photo courtesy of Isle of Wight Festival

On the Sunday 'The big Top’ welcomed artists such as ‘The Novatones’, ‘The Carnaby's’, ‘Reef' and ‘The Second Sons’.  The Big Top was closed by the Welsh band known as  ‘Feeder' after 'Queen' had closed the MainStage, ‘Feeder' performed songs such as ‘Buck Rogers’, ‘Just the way I am feeling’ and ‘Just a day’ bringing the audience that was  already buzzing to their feet, dancing and bouncing around the tent intertwining and celebrating the end of an amazing festival. Their performance was electrifying, loud and on point. A fab close to a fantastic day.  The Main Stage was warming up and bring the sunshine out, acts such as ‘Twin Atlantic’, ‘Half Moon Run’  and ‘The Cribs’ performed alongside Former ‘Genesis' 'Mike Rutherford’ 

With the band ‘Mike and the Mechanics’ performing some of the classics from ‘Genesis’ ‘I can’t dance’ and 'Land of confusion’ bringing the sun out with every song, the crowd building up and joining the band on a sunny but yet cloudy day. This was a great way to start the Sunday line up for me. 'Ocean Colour Scene’ set of the evening with ‘Hundred Mile  High City’ bringing the audience to their feet, one hit after another ‘The RiverboatSong’, ‘The day we caught the train’ and ‘You’ve got it bad’ this got people pumping and ready, even with the rain this did not stop the crowd  from jumping up and down and enjoying themselves at the Isle of wight festival. 

Now that we were warmed up, rained on and waiting in anticipation…. 'Queen' was about to come on, the music starts and the crowd roars, the field was packed to the edges, from everyone finding their perfect spot, so they could enjoy the celebrate the life and legend of 'Freddie Mercury'captured through the Vocals of 'Adam Lambert'. This is the closest we will ever get to seeing Queen as a whole, 'Brian May', 'Roger Taylor' and the flamboyant singer 'Mr Lambert'.  'Lambert' from the start made it known that he was not there to replace 'Freddie Mercury' as no-one could, but to bring the songs that were once created and performed by a legend to life, and to honour and celebrate his life. With Rock Legends 'May' and 'Taylor'.  'Lambert' captivated the audience with his outgoing and eccentric performance, starting the night off with ‘One Vision’ and from their belting out hit after hit such as, ‘Fat Bottom Girls’, ‘Another One bites the dust’, ‘I want to break free’ ‘Don’t stop me now’ and ‘Somebody to Love’.  Whilst Performing ‘Lambert’ dedicated a song to the Victims of the Orlando shooting and anyone affected by acts of terrorism, he performed a beautiful and heart warming version of ‘Who wants to live forever’.  'Brian May’ Performs ‘Love of my life’ asking the audience to join in, dedicating this song to the late 'Freddie Mercury', at the end of the performance a video Clip of ‘Freddie Mercury’ finishing the song to the audience is introduced. This is closest that we would come to witnessing the Legend Perform. This was used in one more song ‘Bohemian Rhapsody’ using ‘Lambert’ and Clips of ‘Mercury’ to perform parts of the song to the crowd. This was done just right, not overdone but capturing the man that helped to build such great Anthems.  The crowd joined in for every song and captured every moment together ‘Radio Ga Ga’ was a highlight of my evening everyone in the audience clapping and creating that moment When they sing “Radio Ga Ga ( Two Claps) Radio Go Go" and the audience clap in the middle , that for me was epic and immense, it is something I have always wanted to be involved in and now I can tick this moment of my bucket list.   They Finished the show with such power and energy that we were still buzzing even when they were no longer on, They performed ‘We Will Rock you’ and ‘We are the Champions’ Everyone joined in sang their hearts out and enjoyed the show-stopping, breathtaking band of the weekend, they truly finished with a Bang. 

A Show turning event for the Isle of Wight festival 2016!

Iron Maiden – Download 2016 Review

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Well, the arena is awash with the kind of sludge you dream up monsters emerging from and everyone we pass is in varying states of ‘fuck-it’ at this point. Little has been done to calm the quagmire overnight it seems and as the rain poured steadily throughout the day (and then horrifically during Nightwish’s set) there are actual rivers becoming moats between the stages. If you were the guy throwing yourself down the hill with wild abandon after the first falling-over incident, because why the hell not – you sir, I salute you.

However, it is with sheer luck that we stand here tonight waiting for Iron Maiden and only a tiny speckle of rain is upon us… obviously the weather-gods knew that we’d need to ditch our umbrellas to properly rock out for this. As the sky begins to darken and the thousands upon thousands of bodies cram the main stage area, a Mayan temple backdrop and stage set are unveiled which look rather like a section of The Crystal Maze. Bruce materializes from the centre stage gangway for If Eternity Should Fail and below him Nikko takes to his drum nook to begin the show. Seriously – a drum nook. It sounds like something I should have at home.

Yelling “England, how the fuck are you?” was probably only going to incite sarcasm at this juncture, as the soggy crowd snark back “fucking wet”, but Bruce has probably spent his afternoon in a cushy hotel following his flight over on Ed Force One. With visuals of the plane being hurled out of jungle vines by Eddie and a raft of fire cannons going off, it’s clear Maiden are going to put on the kind of show we were hoping for and as the notes ring out for Children of the Damned it’s pretty much a given that Bruce has lost none of the power or range after his surgery for throat cancer.

Dubbing it ‘Downpour festival’ Bruce seems to be keen on interacting with the crowd more this tour, quipping “I usually have a go at people texting in the pit… and I look down and it's our fucking manager! What a cunt! He has a hotline to the weather… we said please stop the rain for Maiden”. Though we are British and used to a rain-lashing at Download, it is pretty nice to not watch through the crackle of a crap poncho.

Next up is Tears of a Clown – a song written about and dedicated to the late Robin Williams, a song Bruce says the band “never thought they’d play live”, followed by The Red and The Black. I mean, I know it’s a stop on The Book of Souls tour, but they really are going heavy on the new album songs. It seems a shame that anyone new to Maiden here won’t get to fully experience the complete rush of hearing 85 thousand people singing along to every single word of every single song. The new tracks just haven’t sunk in yet.

Not to worry too much though, as The Trooper – with Bruce in his red jacket racing around the stage with his flag, is absolutely brilliant as always, leading into heavy Powerslave. Hallowed Be Thy Name is shouted into the night by everyone in the arena and Fear Of the Dark is accompanied by the traditional ‘ooohs’ and what once were lighters held aloft is now a sea of phone screens.

Some joking about monkeys, a very unstable Eddie (on stilts) and many “Scream for me Donington”’s aside, it’s been a non-stop show, and as a flipping GIANT Eddie head emerges from the back of the stage to stare his red eyes out into the crowd, we know that we still have twenty minutes and an epic encore to go.

Joining the band on stage for Number Of The Beast is… well, the beast. Sporting a sometimes crooked set of horns and a countenance reminiscent of battle-worn teachers during ofsted, the giant bust oversees a rampage of fire from the stage and sound tent. There’s something cathartic about screaming “666” into the sky with thousands of other people, maybe it’s the teenage rebel inside.

Bruce tells us “We’ve done this six times… frankly it’s got to stop.” to a rousing ‘boooo’ from everyone in the arena, but a promise of a giant stadium show next year for 80 thousand people (it’s definitely Wembley then…) raises a roar of appreciation. Going on to talk about the fresh news of the awful mass shooting in Orlando this weekend as “Senseless and stupid” Bruce assures us that “Maiden is one big musical family…. I don’t care what gender, what colour, what creed, what religion…” which gets the biggest applause of the night from this crowd many of whom are on the margins of society in everyday life themselves. Bruce also speaks of the Bataclan attack and urges everyone to not be like that and retaliate but to spread “music and love” instead, saying “…my friends, we are all Blood Brothers” bringing them around to one of Maiden’s grandest showpiece songs. The magnitude of the meaning is not lost on anyone, after the horrific reports we have seen on the internet today.

With a starry night backdrop and a circle of stars around Eddie’s head (which could be mistaken for an EU reference if we were looking for one…) Maiden finish up with Wasted Years which also seems especially poignant. “It’s more of a heavy metal waltz this one” jokes Bruce, but it does seem odd to end on such a sombre note, without fanfare or fireworks, just a quick “We will be back next year” and the standard Monty Python Always Look On The Bright Side Of Life, to usher us from the arena. Traipsing through the sticky mess of swamp and chair-graveyards towards the exits, we are leaving with a sense of elation that always comes with Maiden shows – you know you’ve just seen something extraordinary, and that is worth all the mud you could have thrown at us.

All photographs © A. Hyams, please do not use without permission.

Black Sabbath – Download 2016 Review

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Well what can you say about the finality of one of the most prolific bands in history’s last ever show at their spiritual home of Donington Park? The band have played here time and time again, Monsters of Rock, Ozzfest, Download – Donington in all it’s incarnations. Black Sabbath are sewn into the fabric here and the arena is awash with black shirts in all shapes and sizes, from a tour history spanning decades and generations. Families making sure their kids get to experience this once in their lifetime, the younger crowd who may not be die-hard Sabbath lovers but are here nevertheless, and those original fans with a tear for the end of an era. Everyone feels the gravity of tonight’s performance, and that’s a pretty big weight to put on any band’s shoulders.

As the sky darkens ominously and the purple Black Sabbath logo lights up the big screens, there is a hush of anticipation for the Birmingham band, one city over from where they were formed – this always feels like a homecoming. With visuals depicting the birth of Satan from an Aliens-esque egg the band alight the stage to an almighty roar and thousands upon thousands of hands thrust into the air in horns.

Starting off with namesake Black Sabbath (we really enjoy it when artists sing about themselves… well, maybe not Craig David…) it’s clear that Ozzy’s voice is ahem, off. The difference between this show and their last Donington stint is pretty noticeable and there’s a lot of chatter in the crowd to that effect. It also seems like they’ve purposefully slowed down their already trademark slow heavy metal, to accommodate Ozzy’s vocals, but hey, we’ve been listening to upbeat bands all day… that must be it… right?

Yelling his standard “I can’t fuckin’ hear you” there’s a little nostalgic twinge as someone nearby retorts an unheard “That’s cause you’re fuckin’ deaf”, I think I’ve heard that every single time I’ve seen Ozzy live and this will be the last time. Fairies Wear Boots is a fan favourite and everyone is singing along but the wind and rain have notched up and the 4 speaker stacks in the middle of the arena just aren’t good enough to travel it up the hill. Every year the same argument – it’s fine for the earlier bands when the crowd is split, but for the headliners it leaves at least half the arena with shockingly poor audio.

Into The Void and Snowblind are fantastic, with Iommi shredding the hell out of his guitar in his nonplussed style, and despite the constant rain (maybe there was a market for changing the name to Rainblind…), the swishing of ponchos and smack of wet hair on cheeks says that everyone is having a headbangingly excellent time. Sabbath anthem War Pigs however is absolutely epic, due to the thousands strong crowd singing every bit of it at the maximum capacity of their lungs.

We get a traditional gratuitous drum solo and then everything we wanted to hear; N.I.B, Hand of Doom, the heart-stoppingly good Iron Man (complete with flaming pyrotechnics on the stage and sound tent) and Children Of The Grave.

With an encore of Sabbath’s biggest hit Paranoid, and a tear-jerking ‘The End’ plastered on the big screens, it’s time to say goodbye to arguably the most important band in heavy metal, the forefathers of everything you see here. Though it might not have been the best we’ve ever seen Black Sabbath, there is an overwhelming sense of importance, that we were there, the very last time the godfathers of heavy metal played the most iconic location in heavy metal. It almost makes you want to get a commemorative tattoo. Or, you could go snatch up a ticket for their final UK tour dates EVER. Whimper. Sniff. Sabbath – we will miss you, always.

Photo Credit (Ozzy): Ben Gibson

Photo Credit (Stage): Jen O'Neill

All photos courtesy of Download Festival

Rammstein – Download 2016 Review

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Despite a day of heavy downpours over a now very boggy Donington Park (yes yes, we’ve heard the monikers… Drownload… Downpour Festival…), thousands of expectant faces are turned towards the main stage for tonight’s headliner – German heavy metal powerhouse, Rammstein. There’s nothing quite like a side of S&M or pyrotechnics alongside learning how to count to vier whilst headbanging, and Rammstein promise a whole lot more than just their stage show.

As a cinematic countdown begins, video screens send a message “Enjoy the show, please do not be preoccupied with recording it” and instantly Go-Pro’s are thrust into the air on ridiculous, view-ruining monopods. I mean come on, what the hell are you actually going to do with that footage man?

Regardless of the moronathon, Rammstein smash their way onstage as only they can – with giant showoff billowing clouds of pink smoke, which when combined with the ongoing drizzle turns quickly into a spatter of blood on anyone wearing lighter than black outfits. First up new song Ramm 4 sees giant firework laden platforms lowering guitarists Kruspe and Landers onto the stage and the always enigmatic frontman Till Lindemann emerges in a childcatcher-esque outfit and his patent white painted face.

The stage look for Rammstein has always been industrial but this time steps over into the cyborg realm with giant stage-high light bars which respond to the band’s instruments. Reise, Reise is absolutely gut churningly heavy, and Till sports a very fetching duffel coat over his flash-bang adorned waistcoat which explodes, quite obviously right in his face. How this band have not sustained more serious pyrotechnic related injuries I’ll never know.

The electronic intro bleeps for Feuer Frei raise an enormouse guttural roar from the crowd, and there is no shortage of actual fire alongside the music, their signature flamethrowing face cages are everything Batman’s Bane wishes he was. Keyboardist/freak on a leash Lorenz is hastily shoved into a box after being dragged around the floor, emerging later in an extremely spangly sequined suit to walk off his horrors on a treadmill whilst Till wields a giant flaming arc that sort of looks like a crossbow. You really couldn’t make it up. A crackly speaker on the right side of the stage threatens to dull Mein Hertz Brennt but as Till’s heart (flare) lights up, every single person in the arena is singing their lungs raw. Following up with Links 2, 3, 4 this is shaping up to be a stellar performance from Rammstein.

Guitar flamethrowers, fireballs erupting from the sound tent in the middle of the crowd and zip-wire fireworks streaking back and forth – every time you think you’ve seen it all, Rammstein amp it up a little more. Ich Will has everyone yelling back the required replies ‘Wir hören dich’ and so on, Du Hast is heavier than a heavy thing and Depeche Mode cover Stripped just couldn’t sound more seedy than in a German accent.

For the Encore, we are treated to the completely epic Sonne followed by an acoustic Ohne Dich but it’s Till’s ascension into angel-dom that is the real icing on this weird and wonderful cake. Giant metal wings loaded with white sparking fireworks lift Till into the air above the stage floor for Engel and it is motherlovin’ glorious. Leaving us with a brief “Thank you. Danke schoen, you’re amazing” the stage erupts in a backdrop of massive rocket fireworks and the arena is engulfed in smoke. There’s nothing more to say except that Rammstein are arguably one of the best metal acts of our time and here’s hoping they don’t leave it too long before returning with even more incredible shows.

Found Festival 2016 Review

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Staying south for its second year, Found brings the daytime party alive with a spectacular line up. Arriving early has its benefits, stumbling across some up and coming talent is always a bonus.

Walking through the site I headed towards what can only be described as a secret garden, enclosed by trees was Feelings, a glitter ball decorated van. Playing disco and soulful house to an intimate audience was Daniel Wang, interacting with his crowd for most part of his set and ending with Sunshine After The Rain by Salsoul Orchestra, appropriately timed as the sun began to shine through the trees and lifted the spirit of the revellers.

As I moved across the site the crowds began to flood in, whilst the sounds of deep house waved through Brockwell Park. Theo Parish took to the renowned Secret Sundaze tent playing an array of nu disco with a mellowed out undertone. Whilst the main stage pulled in a decent crowd as Dyed Soundorom electrified the crowd with garage infused deep house shortly followed by British duo Paranoid London and their sleazy mix of up tempo acid house.

Dipping in and out of both the Find Me In The Dark and Friends Of Found, both tents were skewered for the techno fans, with the likes of Zenker Brothers, Yume Records, Flux Showcase, Kassem Mosse and Legowelt closing to a good turnout, however the atmosphere lacked soul in both these tents.

Heading back through the trees and consistently good throughout the day my favourite glitter ball van. Mood II Swing played soulful house including a live PA towards the end of the set, which got everyone in the mood for their finale seminal remix with Ultra Nate's Free, the track that launched them into popularity.

As the day progressed revellers made their way to main stage for the two favourites of the night Derrick May and his sound of balearic prepped the crowd for headlining act Keri Chandler who opened his set with Rain as the heavens opened on Brockwell Park.  Whilst over in the Secret Sundaze tent Secretsundaze played homage to Prince with I Want To Be Your Lover. Overall the sound could have been improved across all tents however the lack of volume didn't deter fans from making the most of it. Found packed in 40 DJ's and with all festivals, clashing set times that will have you moving across a manageable but rainy Brockwell Park.

 

Photo Credit: Marc Sethi

Common People Southampton 2016 – FULL REVIEW!

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SATURDAY

As one of Bestival's satellite babies, Common People Southampton was always going to be hit and in it's inaugural year 2015 proved you can have all the feel of the festival in the middle of a city, but now round 2 has started on the common and there's a new sense of ownership, like Southampton has taken CP to heart.

Over in Oxford a new dawn rises on a sister festival, but we're getting the kinks-ironed-out experience of a trialled triumph and the site looks incredible. Towering high right inside the main gates is The World’s Biggest Bouncy Castle, a Bestival x Something Creative collaboration that looks like it should have been made by Willy Wonka or be home to a herd of unicorns. Apparently it can comfortably hold one hundred people at a time, but we bet the somersault-police couldn’t catch us in that many…

A decent queue is forming already but it’s off to the main stage we go for first band of the day, Wild Front who to be honest look a little scared to be there. After a sort of quiet start, the Hampshire lads get their rhythm and there are some full on dancing fans down the front.

Next on are West End Kids, an energetic musical troupe who buzz through hits from all the biggest stage shows, followed by the legendary kids comedy duo The Chuckle Brothers. Who can resist a bit of to-me-to-you with Paul and Baz (…and Tinchy Stryder)? The massive and rowdy crowd singing along with them is decidedly younger than they should be for long-time fans, I can only assume they’ve been hitting up youtube in preparation for the festival…

Rapper Lady Leshurr gives us a short but energetic set, after being over an hour late due to ‘traffic’ but dressed head to toe in camo and waxing lyrical about her weave and being from Birmingham, hit ‘Brush Your Teeth’ goes down a storm. Though she clearly doesn’t trust us – yelling “Has every single one of you brushed your teeth today?” “I feel like some of you are lying”. The Sugarhill Gang crowd-please with ‘Apache (Jump on It)’ and ‘Rapper’s Delight’ with Hen Dogg sporting epic double-denim and a rather fetching gold tipped cane.

Over on the Uncommon Stage Southampton crew Our Hollow, Our Home have drawn a big crowd, and Chris is jamming on the guitar in The People’s Front Room. Elsewhere the Jam Jar bar is packed with people sipping fancy martinis and the kids area is awash with laughter from the wonky bicycle trials.

Hometown band Signals pack out the Uncommon stage, as mermaid-haired frontwoman Ellie bounces about, we get a taste of the curiously named genre ‘math pop’. Ghostpoet is getting soulful on the main stage to a big crowd, and Gaz Coombes is rocking less of the Supergrass era sideburns and more of his second solo album ‘Matador’.

Public Enemy get the crowd moving with the likes of ‘Don’t Believe The Hype’ but it’s just not the same without clock-toting weirdo Flavor Flav who apparently wasn’t allowed to come for some reason – “F–kin governments. Flava flav can’t be here because of F–kin governments”. The kid in the front row wearing a PE tshirt and a bedside alarm clock around his neck is obviously devastated.

After a tasty dinner at one of CP’s many amazing food outlets (Soft-shell crab burger? Brie and Pear toastie? Truffled mushroom quesadilla?) we are ready to take on the night, and so are Primal Scream. Rocking an eye-offendingly bright pink blazer, frontman Bobby Gillespie lopes about the stage looking every bit the archetypal boho rockstar. It’s a great, powerful set from the band with new album Chaosmosis material hitting the mark. Over on the Uncontained Stage (read: rave station) Kurupt FM are winding up the absolutely rammed arena into a frenzy, there are bodies everywhere – it’s a mostly teenage rampage.

On the main stage, the much anticipated return of Southampton son Craig David has drawn practically everyone from around the site and it’s not without a touch of nostalgia that we’re singing along to hits ‘Fill Me In’ and ‘Re-Wind’. Though the TS5 moniker is largely being ignored, it is fun to hear him mixing in tracks from other artists and sampling some proper legendary stuff, but to be honest – we all just love a bit of him singing his own name over and over again. Ahh memories.

Check out our full Craig David review here!

SUNDAY

Sunday stacks up a bit cooler but everyone still seems to be rocking up in bright festival-attire, and the telltale signs of yesterday’s sunburn are found in every bald head or exposed shoulder today. Shrieks of mayhem are emanating from the behemoth bouncy castle and a quick peek inside is like looking at a candy-coloured warzone. Kids are tombstoning each other, toddlers are being skimmed within millimetres by their falling parents and the flip-police have no hope of stopping the teenagers intent on putting the maximum effort into possible neck-injury. It’s awesome.

Next door on the Uncommon Stage, Arid Wave are rocking everyone’s socks off, but it looks like Hercules Morse on the main stage have fallen foul of the Sunday hangover absentees – there just aren’t that many people here yet. M.E.R.C.Y. – Southampton Urban Collective take over the main stage in the absence of Xylaroo, with two of the most adorable… sorry, SICK, hiphop dancers Jamie and Jamal giving us proper attitude and a heap of up and coming artists alongside.

Later on, Mr. Motivator draws a massive but spacious crowd as young, old and anyone in-between are getting their groove on with the positively ageless Mr. M and his lovely wife. Sporting a dazzlingly terrible-yet-amazing lycra onesie he plugs in his jams and off he goes doing squat technique mixed with curious life coaching “If the grass is greener on the other side, you probably aren’t watering yours. No man's gonna water my grass”. Telling us we’re “Much better than Oxford” only serves to endear this living legend to us more, and with classic moves such as ‘drive the car’ and the possibly slightly inappropriate for a younger audience ‘whip the horse’ – what’s not to love?

Brighton scenesters The Magic Gang look like they’ve stepped right out of Empire Records and give us a good dose of proper melodic indie pop before Chas & Dave take to the stage (flat-cap mandatory) to tell us about those ‘London Girls’.

Now we brace ourselves for the powerhouse of unmentionably bad behaviour that is The Cuban Brothers. The CB’s are of course rocking a new set of crazy patterned suits for the occasion, throwing down headspins, flares and insane flips all over the shop, as Miguel assures parents that all of the rude things he says will go right over the kids’ heads. This would be fine, but there’s no way you can make those kids un-see him pretending to slam his willy into a microphone whilst wearing only a thong, now is there? That right there is seared into some young memories. Newest member One Erection almost smashes his teeth out doing a massive front tuck off the stage into the pit and gets thoroughly told off by security for hopping into the crowd. M.E.R.C.Y lads Jamie and Jamal are invited on stage to dance with the CB’s and their faces are absolutely priceless when the guys hit the stage in their holographic fringed jumpsuits. However they are visibly horrified when Miguel dons a pair of extremely skimpy Bjork-esque swan pants. ‘Mike For President’ is the only song I remember because there was so much happening. He gets my vote though.

Jamie Lawson’s ‘Wasn’t Expecting That’ has everyone up and singing in the sunshine – he even managed to get us to do a decent job of harmonizing, but it’s Katy B’s set that really lights the place up. Bathed in the setting sun her sequined dinosaur dress shimmers all over as she dances around the stage with her troupe, and the likes of  ‘Lights On’ and ‘Katy On A Mission’ has the arena jumping – especially when she doubles up the tempo. Chalk up another win for Southampton as Katy yells “Southampton, you are abosolutely smashing oxford right now I have to say”.

As the last of the daylight goes and the Helter Skelter and Big Wheel go neon, there’s just one more act to finish off what has been another amazing Common People festival, and it’s no small fry. Eighties synth-pop legends Duran Duran blow through a hit parade of absolute classics such as ‘Wild Boys’, ‘Hungry Like the Wolf’ and ‘Girls on Film’. With tributes to both David Bowie and Prince, it’s a special one and ending with anthem ‘Rio’ couldn’t be more fitting on the costa del Southampton. As the arena clears and the crowd spills out into the streets to head home, it’s obvious that once again CP has been a massive success, and it sounds like Oxford is loving the CP vibe too.

Read our full Duran Duran review here!

Lost Village 2016 Festival Review – a magical paradise

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Mix up a multitude of techno-hungry ravers, a plethora of incredible DJs and artists, a dash of gorgeous woodland surroundings and lashings of the most weird and wonderful experiences you’ll ever come across at a festival. What do you get? Lost Village, of course!

In only its second year, the dreamland of Moda Black’s Jaymo & Andy George took place deep in the Lincolnshire countryside, kicking off festival season in the most enchanting way possible. I’ve been to many a festival in my time, and nothing quite made me as excited as this. With the likes of Ben Klock, Fatboy Slim, Bicep and Eats Everything – to name just a few – it seemed we were in for a hell of a bank holiday weekend. And God, were we right.

As we arrive at Lost Village, we felt a sense of flair and passion for what we all love; a good old fashioned rave. Perfectly honed and crafted in such a magical way, we’re invited to this story book world, where our only worries are to grab a well-priced wine, have a dance and enjoy the experience. Friday’s line-up was bursting at the seams – we arrived early, seeing acts such as Huxley and PBR Streetgang intensely warming up the growing crowds at the smaller stages, whilst Doorly over at the main stage Burial Ground, blasting out tune after tune to a slow-burning crowd who grew bigger and bigger by the minute.

My heart fell to the ground when I realised Fatboy Slim and Ben Klock were on the same night – we all know that clashing panic. Luckily, Lost Village had timings to perfection – at half 9 we were able to see the iconic Fatboy Slim take to the decks – and yes, it was just as epic as you might imagine. You really do forget all the classics that he did – Right here, Right now was one of the most intense dances I have ever seen, with crowds literally bellowing out those four words at the top of their lungs, bursting into a dancing frenzy as it dropped. Crowd-pleaser Eat Sleep Rave Repeat literally saw everyone jump rhythmically in the air, creating a wave of raving fists in its path. It seemed everything – even Praise You, was a lot more electronic than we’d imagine, but everyone lapped it up either way. A brilliant vision and an amazing atmosphere, which left us enough time to run over to the master himself – Ben Klock.

Now, I’ve seen Ben Klock a fair few times, and he will never fail to amaze me. The fact Lost Village had this incredible act in such an enchanting setting was one of the most surreal experiences. The Abandoned Chapel (a quaint, church-like outdoor zone) was closed, so Klock was moved to the more intimate setting of the Forgotten Cabin – a techno haven, surrounding by trees, lamps and shed load of ravers. Klock is well-acquainted with commanding any crowd he comes across; his deep, dark and ruthless techno echoing into the woods with crowds begging for more. The music couldn’t go on much past 1am – after an unreal final set at The Lookout stage with Bicep – but the crowds back at the campsite didn’t let the party end until deep into the morning. A perfect close to an incredible first day.

Saturday brought an eclectic mix of acts to the forest; Artwork took over the Abandoned Chapel at 3pm, delivering a disco set with none-stop movement from the crowd – a nice change from the techno we’d be hearing everywhere else. The sun was beaming as Heidi took to the stage – you only have to experience one of her Jackathon events to know that she always delivers. It was wild, lively, and what can only be described as almost tropical, emphasising her place as one of the greatest female DJs we’ve had the pleasure of seeing.

The beauty of Lost Village isn’t just the music; it’s the experiences. One minute we’re in a comedy tent, the next we’re doing Yoga near a lake, the next we’re getting our face thwarted with glitter at the Illamasqua tent (a delightful addition). You wander through the woodland at 1am and meet people from all across the country, the festival empowering its ‘Good Vibes Only’ stance and bringing together people who are here purely to have the greatest time ever. There were characters at every corner, a haunting parade of old-fashioned, torch-grasping woodland dwellers marching through the forest, two life-size rats nibbling at people’s food and even a stunning contemporary dance of fairies by the Lake of Tranquility. Not to mention the food stalls from around the world, and quite frankly the greatest pulled pork burger I’ve ever experienced in my entire life. For a boutique festival, the experiences were larger than life.

As DC10 resident Jackmaster finished a happy yet hardcore set at the Burial Ground, we got to see the big man himself. Introduced as “One of the greatest DJs in the world”, Eats Everything played “absolute bangers” as the guy behind me screamed – and he was right. He knew how to get people on their feet, dancing, singing, blasting our crowd-pleasers and putting on insane build-up tunes that mad everyone lower to the ground and jump up at all once. Huge fireworks were blasting over at the lake, and it was a completely surreal time to be alive – just none-stop, perfect, fun times. This was something special.

As the hangovers started to kick in, Sunday’s vibe was a lot more relaxed; bands such as Vitamin and Formation provided a calm and enjoyable atmosphere at the Lookout to rival the thumping beats from Enzo Siragusa at the Forgotten Cabin, while ex-Coronation Street and Red Dwarf legend Craig Charles put on a soul-filled and funky set to a surprisingly massive crowd.

Roman Flugel played a calm, deep and dark techno set at the Cabin – naturally accompanied by a girl in the crowd climbing up to the top of a huge pole, sliding down to a crowd of screaming ravers. It was surreal and intense, but we wanted something a bit different – and we found it in the form of headliner Jack Garratt over at the main stage. For those who don’t know, Garratt is a multi-instrumentalist and singer, who plays live sets in the most incredible way. Everything was recorded then and there, his music completely enthralling the entire crowd who had left the techno behind to see him play. The talent this guy has is absolutely unbelievable, and such an incredible sight to see. It was a bit different, a bit dreamlike, and a bit unbelievable – and that definitely sums up Lost Village to a tee.  

I can’t begin to put into words what Lost Village was like – it was an experience you have to see to believe. Magical, mystical and everything but normal, it’s an adventure like no other – next year, anyone?

Slam Dunk 2016 Midlands Review

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On 29th May the Genting Arena in Birmingham opened up the doors for Slam Dunk Festival. Each year the SDF team promises to make the event bigger and better than before and with the Midlands venue being shifted from Wolverhampton Civic Halls following their refurbishment, to the far larger Genting Arena it’s set to be bigger and better for their 10th Anniversary.   

Initially, when entering the main arena it is jam-packed full of fans, various traders, band merchandise stalls and eateries. Once you finally managed to gather your bearings, there’s lots of talent on offer across the eight stages. 

Early starters Coldrain were set to take to the stage at 1:20pm but after waiting around it was announced that they wouldn’t be performing due to technical issues beyond their control so they had to cancel their performance and quite a crowd had gather to watch the band open up the Atlas stage.  

Next up on the Atlas stage were the boys in The Word Alive

Set list: 
Dreamer
Face To Face
Made This Way
Lighthouse
Grunge
Trapped
Life Cycles

 

Then it was a mad dash over to the Main Stage for Young Guns lucky enough I made it with five minutes to spare before they took to the stage.  They kicked things off with “ Daughter Of The Sea” followed by “Speaking In Tongues” which had the arena in one massive sing-a-long. Their set was full of high energy and you could see why they were part of the main stage bill.

Set list: 
Daughter Of The Sea
Speaking In Tongues
Bulletproof
Rising Up
Winter Kiss
Brother In Arms
Bones
I Want Out

Next were indie rockers Mayday Parade, their set offered uplifting speeches and infectious energy contrasting with the songs we all had featured on our MySpace pages back in the day. The band set nostalgic memories across the room as the fans dance and sang along to every word. 

Set list:

One Of Them Will Destroy The Other
Jamie All Over
When You See My Friends
Keep In Mind, Transmogrification Is A New Technology
Three Cheers For Five Years
Hallow
Oh Well, Oh Well
Black Cat
Jersey

We Came As Romans came out strong on to the Atlas stage with heavy riffs and even seen Kyle Pavone get in with the crowd to mix things up abit.
Once again another mad dash over to The Key Club Stage to see As It Is. I’ve seen this band previously and they never fail to put on a good performance with high energy and antics. The room was full and so was the photo pit, it was all very tight squeeze. From the word GO! The room was bouncing and people were crowd surfing their little pop-punk hearts out, we even got to see Alex Costello of Roam join the lads on stage for “Cheap Shots & Set Backs”.

Set list: 

Concrete
Cheap Shots & Set Backs (with Alex Costello of Roam)
Can’t Save Myself
Horoscopes
Silence (Pretending’s So Comfortable)
Winter’s Weather
Speak Soft
Sorry
Dial Tones

Another nostalgic moment was up next on the Main Stage with Yellowcard playing their album Ocean Avenue in full but not with minor set backs with equipment not working, it seemed a few bands were having technical difficulties over the weekend but lucky enough stand in drummer Rib Chianelli from We Are The In Crowd managed to fix the issue and get the show on the road with the crowd erupting from start to finish while the band bounces from side to side like ping pong balls on stage.

The Amity Affliction

Set list:
I Bring The Weather With Me (Live Debut)
Open Letter
Lost & Fading 
The Weigh Down
Death’s Hand
Pittsburgh
Don’t Lean On Me

Mallory Knox never seen to disappoint their fans. The stage lighting was dark tonal shades of blue and green, highlighted with the well know MK logo creating atmospheric silhouettes.

Set list: 

Beggars
Wolves
Wake Up
Hello
1949
Ghost In The Mirror
Death Rattle
Creeper / Oceans
Lighthouse

New Found Glory were set to take to the main stage next and I’ve got to say no matter what venue they play they always get the crowd hyped up with there influential back catalogue showcasing that Pop-Punk is not dead. 

Set list:

Hit Or Miss
Understatement
Selfless
All Downhill from here
Truth Of My Youth
Resurrection
Listen To Your Friends
Ready, Aim, Fire!
Ready & Willing
Kiss Me (cover)
Situations
Dressed To Kill
Vicious Love
The Promise – (requested by a fan)
Forget My Name
Head On Collision
Sonny
My Friend’s Over You

Finally the one of the main bands people were waiting to see where finally about to take to the stage. Panic! At The Disco for me stole the show, being easily the best of the night. You wouldn’t of thought that the band had already played a show earlier that day in Exeter with the amount of energy and showmanship on display even though Brendan announced to the room he was “totally fucked” before lying down on the floor. Urie is one of the world’s true showmen as he changes his attitude, persona throughout the set to fit the tracks he’s playing. He also showed off his vocal range and high-notes with a mind-blowing cover of Bohemian Rhapsody and fire erupts from cannons and a confetti explosion ends the event in style.

Happy 10th Anniversary to Slam Dunk Festival"

Bearded Theory Festival 2016 Review

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This Spring bank holiday I was delighted to attend my first Bearded Theory Festival at Catton Hall, South Derbyshire in the heart of the National Forest. 

I was impressed with this festival from the off.  The festival staff were extremely friendly and helpful and the chilled out, relaxed vibes were apparent immediately.  It’s clear that the organisers care about the festival experience for the punters and strive year and year to make improvements on previous editions.  I was hit by the colour and beauty of the surroundings and it was clear a lot of effort had gone into making this a special weekend. 

The diverse musical lineup included some household names such as the Bearded Theory favourites the Levellers who played to a packed crowd on the Friday.

My personal Friday highlight was ska/reggae band New Town Kings who had the Woodlands crowd in the palm of their hands with their perfect party tunes. 

It’s not just the headline acts that define a festival, the many important supporting acts are often the hidden gems that really make it a great experience.  The Something Else Tea Tent was a perfect example of this.  The curator of this solar powered tent had put on a line-up of established and up and coming artists and lots of festival goers I spoke to thought this was the best tent at the festival. 

In the tea tent on the Saturday Chantelle Barrow played her first ever festival slot.  Chantelle is an established singer and guitarist but she didn’t often get the chance to play out her own material.  From the reaction of the crowd I think she should play her own stuff more often.

Next up in the Tea Tent was Maelor Hughes who charmed the crowd with his Northern wit and singalong tunes.

Saturday’s Pallet Stage headliners were Public Image Ltd who put on a commanding and attention grabbing performance.

Over in the Woodlands Jack Savoretti closed the night with a heartfelt performance of songs from his ten year career. 

This family friendly festival has with lots to keep children and adults busy and even has an Ofsted registered school which 100s of children attended on the Friday. 

Another venue I enjoyed was the Magical Sounds tent reminiscent of a psychedelic rave where revellers of all ages dance until the early hours.

Sunday headliners Squeeze finished the weekend of in style. 

Whether you want to relax or go wild and dance the night away you will find something here to please you.  See you next year Bearded Theory.

Duran Duran headline Common People Southampton 2016

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A roll of simulated thunder with flashes of lightning tear across the huge stage screens in the dark of Southampton Common… Duran Duran are here and they mean business. Thousands have turned out to see the eighties synthpop legends and as Simon LeBon emerges from a raised stairway centre-stage rocking tight white jeans and a leather jacket, the crowd goes wild.

Paper Gods kicks things off, a statement of intent that they won’t just stick to the hits, that they have something much more current to say. With the likes of Keisza, Lindsay Lohan and Janelle Monáe on the album collaboration bill, it’s clear Duran Duran are marking their territory in modern music, and it’s hardly surprising with all the electronic emphasis in the charts at the moment and eighties style resurgence, that the younger contingent at CP seem to be enjoying themselves as much as the original fanbase.

Wild Boys features fire effects on the backdrops and a fair amount of stamping around from the band members, and Hungry Like The Wolf keeps the party going, with LeBon, head thrown back howling into the night sky.

James Bond track A View To A Kill gets the signature aperture and gun treatment on the big screens and even the teenage boys in the back seem appreciative of this one, whilst huge confetti explosions herald funky Notorius and LeBon yelling “Does everyone love the music of the eighties?”

A tribute to the late great David Bowie sees a huge projection of the singer’s face during a quick rendition of Space Oddity, and after some saucy moves for Girls on Film, Duran Duran also ask for the crowd to raise their phone lights for Save a Prayer to pay respect to another recently lost music hero – Prince. There’s not a dry eye in the house as LeBon shouts “He’s a man who really changed music and gave fans like us a kick up the arse” and the stage is lit purple.

Finishing up with classic summer smash Rio is the only way to go, with twinkly city lights in the background and a load of inflatable beach balls bouncing around the crowd, Southampton steals a little bit of the Caribbean tonight. Oh and if there are any yacht and suit related thefts reported tomorrow… well frankly, we have no idea what you’re talking about. What an epic ending to Common People 2016!

All photos © A. Hyams  – Do not use without permission.