When casting my eyes over the Chapter XII line-up, it was a sheer reflection of the inconceivable talent that The Rainbow Venues showcase year after year. The distinct sounds of Dubfire, Jamie Jones, Richie Hawtin and Loco Dice – to name but a few – were to be heard at one of the most dedicated hubs for the electronic scene in the heart of Digbeth, Birmingham, and this line-up was one of the most incredible to date. With a host of stages – from the Warehouse, to the Arena and up to the Rooftop Terrace, this was definitely about to be a day to remember. And my God, it was.
Kicking of the festival season in style, you could definitely tell it wasn’t summer quite yet; a waterfall or rain thwarted a huge crowd of ravers towards their chosen tent, with us heading straight to see a true pioneer of techno, Richie Hawtin, filling the Car Park stage at 4pm. Despite the early time slot, his thumping, minimal set drew in a huge crowd, subtly progressing from one track to the next and cementing his solid reputation as nothing short of a techno king. “Cold weather but amazing warmth and craziness going on inside @rainbowvenues!” he Tweeted post-show – and we couldn’t agree more. It was magnetic, commanding and deep, and set the tone for the day ahead.
The Arena played host to a mighty selection of acts throughout the day; Israeli DJ Guy Gerber played an intense and memorable set to a captivated crowd, the tent literally overflowing with revellers even with Hawtin smashing the Car Park just seconds away. The crowd was well and truly warmed up in time for a less intense, but equally as captivating Sasha playing B2B with Nic Fancuilli, their beats aligned with blasts of cold smoke to a bellowing crowd. The beauty of Chapter XII is that there really is something for everyone; while there was deep house and techno pounding through the majority of stages, the Roof Terrace played host to an array of garage and grime artists, the likes of Redlight, Mak & Pasteman, Mele and Preditah causing one of the best crowd atmospheres seen at the entire event. It was a great escape, and one certainly lapped up and loved by every individual present.
Joseph Capriati has made a name for himself as a prominent figurehead on the techno spectrum. Taking to the Car Park stage, his set –accompanied by a spectacular laser display, flame blasts and smoke screens – was one of the climatic sets of the day, a highlight including an impressive build-up of Marco Faraone’s Boost; it was one of those moments where you look over at your mate, both raise your hands together in unison, and realise why you absolutely love coming to a festival like this – it was nothing short of being absolutely euphoric. Capriati was a lucky coincidence for us; after heading to see Art Department at the Warehouse but it being too busy for us to enter straight away, we didn’t know if this set would compare. But it brought it back and more – Capriati put on an epic showcase, and one I would highly recommend to anyone looking for some blazing, melodic and rip-roaring techno.
Something that was truly an exciting addition to the line-up at Chapter XII was the hybrid audiovisual production by dubfire:live, orchestrating an hour set fusion of music, science and technology in an innovative live show format. It was definitely a treat for the senses – so much to see, so much to hear, just a complete visual and melodic ecstasy. Wanting to see everything we possibly could, we had to leave the spectacle to witness the sights of Jamie Jones; a DJ that should be on everyone’s list to see at least once. His sets just connect with an audience like no other, encouraging dancing, moving, fest-pumping and everything inbetween. Slamming in songs such as Nathan Barato ft Sasha Brown – Talk On, and Whiplash – Ghetto Tears, the crowd was captivated, a wave of fist pumps pulsating through the ocean of ravers like a Mexican wave at a cup final at Wembley.
Now, as someone who has seen Loco Dice multiple times, I know now that each set is destined to be absolutely epic, and a perfect way to end our Chapter XII Journey. The Desolate co-boss was the headlining act for the Arena stage, closing down the party in the most intense and impeccable way imaginable. With an abundance of deep, dark sounds roaring through the crowd, the set diverted between tech house and pure, unadulterated techno, complemented by a powerful spectrum of green laser lights which set the crowd alight. It was epic, perfect, intense and simply fantastic – Dice is an unparalleled genius, and was an epic headliner to end an epic event.
Cementing their platform as a house and techno playground, The Rainbow Venues’ Chapter XII was everything we could have expected. With an Elrow presents: Hot Creations after party for those who wanted to carry on deep into the night (with a line-up just as brilliant as the event itself) Chapter XII is truly the gift that keeps on giving. Even though the rain hammered down, the fists still pumped in the air and the atmosphere remained electric – and we certainly won’t be forgetting it anytime soon. Chapter XIII, anyone?
As I strolled through the entrance of St Jerome’s Laneway festival in Sydney, I was instantly impressed. Set in Sydney’s college of the arts in Rozelle, the venue was a devastatingly beautiful and unique choice, and certainly different to any music festival venue I’d set foot in before.
It was mid-afternoon, and as we twirled past hordes of impressively fashionable groups of girls (and guys too actually) and aging sandstone buildings, we soon managed to squeeze our way towards the front of the Park Stage to catch our first set of the day; Australian duo Big Scary. I hadn’t heard of the pair before but I soon became drawn in by their chilled out tunes, swaying in time slowly with the masses under the scorching hot summer sun, taking a particular liking to the smooth and slow ‘Thinking about you’ and ‘Twin rivers’.
Next we moved towards the Future Classic Stage to catch talented multi-instrumentalist Japanese Wallpaper, whose name I was very much fond of. Once again, I was captivated. Paired with stunning vocals from singer-songwriter Airling, his enchanting melody ‘Forces’ rippled through the crowd, sounding ever-more delightful teamed with the crowd’s enthusiastic singing.
Soon it was back to the Park stage for something slightly more upbeat in the form of Australian hip-hop duo Hermitude, and upbeat is certainly what we got. The crowds had stretched pretty far back, so perched slightly on a hill we were soon jumping around messily, drenched in sweat, to the likes of the extremely catchy ‘Speak of the devil’ and ‘Searchlight’. Lots of fun was had indeed.
With a two hour gap until Scottish electronic band Chvrches (who I’d been most eager to see) were taking to the Garden stage, we took the opportunity to feed and water ourselves with burgers and plenty of cider. Yum. And with 20 minutes left before the big entrance, somehow we luckily managed to cram our way to the front.
The lovely Lauren Mayberry, Chvrches lead vocalist, soon bounded onto the stage, instantly enthralling the bounds of fans with ‘Never ending circle’, the first track on their latest album, proving to be a fantastic introduction. Mixed in with some witty banter from Lauren, the trio set the stage alight playing tunes from both their albums, Every Open Eye and The Bones of What You Believe. This included the likes of some older picks such as ‘Gun’, ‘We Sink’ and my personal favourite, ‘Recover’, along with fresher stuff such as ‘Leave a trace’ and ‘Clearest blue’. They concluded with a bouncy track everyone would recognise; hit single ‘The Mother We Share’. I was impressed!
With limited time, we snuck off to the Mistletone Stage to catch the end of dream-pop duo Beach House’s set. We were soon spellbound by their mystical-sounding hit ‘Myth’ as their set came to a close. Well, one song was better than nothing, and it was definitely a good ‘un!
It was completely dark by the time we head off to catch our last set of the day, Scottish electronic music producer Hudson Mohawke, back at the Future Classic Stage. By the time we’d arrived, there were tons of groups sitting cross-legged on the ground, most completely drunk from their day out at the festival. Yet soon we were up on our feet again, treated to what was perhaps the most energetic set of the night. As the crowds bopped frantically to the beat along to the likes of hit ‘Chimes’, with the elevated highs and dramatic drops, I couldn’t help but lose myself in the music. It was the perfect way to end a fantastically unique festival.
Three train journeys, half an hour on the tube and a shuttle bus later and Summer Festival Guide has arrived at Kent County Showground.
A mile-long queue waits impatiently outside as they hold on to their tickets for dear life.
On first impression, the venue where we'll spend the next 10 hours looks like somewhere you'd hold a wedding, but on closer inspection and once inside, it's more like an aircraft hanger techno haven. Conveniently laid out, you can pop in and out of The Barn and The Meadow, making tough clashes like Guy Gerber or Steve Lawler and Maya Jane Coles or B Traits just a little bit easier.
The soundsystems in both rooms are as good as any night-time club and the overall aesthetic is pretty minimal.
Stepping outside is the only time you'd know it was still the middle of the day, because once immersed in B Traits' techno set you'd be forgiven for thinking it’s 4 in the morning at Fabric.
The VIP area, as well, is a nice addition, with leather sofas and bar stools to sit at, as well as some surprisingly fresh smelling toilets…
Eli & Fur opt for their trademark melodic deep house sound, whilst Russ Yallop takes Kent to Paradise with his undeniably infectious wAFF collaboration 'Mike The Swamp' – as one guy gets over excited opening his beer, which ends up sprayed all over the clean floor.
There's not really an age limit, either. If someone's into house and techno music, chances are that they're somewhere among the few thousand in the crowd.
AME, playing an early afternoon slot, starts his journey of melodic, building techno with plenty of eery vocal-led tracks just as two girls in fluorescent orange vests synchronise the same dance moves.
B Traits, meanwhile, opts for acid, electro and techno in The Barn, dropping some bangers that fill up our Shazam pretty quickly.
The seasoned DJ even dares to be different, throwing in a drum and bass track in her final half hour, before flawlessly mixing it into Barnt's techno thumper 'Chappell' – a track that we'll never get tired of.
Steve Lawler then delivers a standout set full of VIVA Warriors’ tech-house hits, as Eats Everything gets himself psyched up watching on from behind the decks and one guy at the front barrier starts bowing down and goes in for a hug with Bristol's favourite party animal.
Whilst Eats goes back to back with Yusef in the Barn dropping Basti Grub, Natch! & Dothen’s 'Oh Baby Dance' to get everyone warmed up for their three hour slot, Nina Kraviz delivers a set full of fire – quite literally.
Throughout the faultlessly energetic heavy techno onslaught, flames burst from in front of her as she bounces around behind the decks.
It’s the first time SFG has seen Kraviz play and it certainly won't be the last. Fifteen minutes into her hard-hitting set and she’s already won the day.
Nina Kraviz proves time doesn't wait for techno – it's only 7.30pm but when Josh Wink and Lil Louis' 'How's Your Evening So Far?' drops, it feels like 3am.
A tough act to follow, but Social founder Nic Fanciulli going back to back with Joris Voorn delivers another impressive few hours, leaving Drumcode's Adam Beyer to headline the event – certifying The Social's status as the UK's best indoor house and techno festival, undoubtedly. See you next year!
What do you get if you throw 50 of the biggest names in house, techno, garage and grime into Butlins with thousands of other party hungry ravers from across the country that are beyond fed up of the January blues? The biggest party this side of winter, that’s what. Who ever thought up the idea of getting DJ's to play at what is usually a relaxed, child-friendly family holiday resort is, unquestionably, a genius. Because it works unbelievably well…
After resurrecting Floorfillers Club Classics from a dusty glovebox early on during our Friday afternoon journey, it proves the perfect soundtrack to get us in the mood for a weekend at Butlins.
As soon as we've checked in we head to Spar for some essentials. Though, instead of the usual mum-friendly songs on its radio, it's a Bugged Out Weekender takeover as Skream's ‘Midnight Request Line' subtly makes itself heard. And it's not just the corner shop with an unusual soundtrack. The lifts, too, reject their usual music as Artwork preaches, "What comes up must come down" and "don't forget to eat before the pool party" as just two of the cheeky remarks to guide everyone along…
Heading into the main pavilion we’ve no idea what to expect. Greeted by a man in full Star Wars attire, we zoom past retro arcade games to check out DJ Barely Legal's grime and bass-heavy set. Not much later and we’re running into Reds – 'the home of the Redcoats' – as B Traits drops Barnt's face-melting techno thumper, 'Chappell' … everyone’s practically forgotten we're in Butlins by now.
Instead, we could be at any of the country's best clubs. With an unexpectedly strong sound-system, a good-sized stage, expansive dance-floor and incredibly on-point strobe lighting set up – Reds is where we spend most of our nighttimes…
Groove Armada put in a set full of euphoria, dropping 'You've Got The Love' to arms-in-the-air effect. There's almost a Bestival vibe to the night so far; one group of lads sport homemade ‘to dare is to disco’ printed t-shirts. Everyone’s just high on happiness.
Meanwhile, in the more intimate Escape setting Erol Alkan is delivering the perfect electro set, and DJ EZ takes a packed Centre Stage crowd on a one-hour journey of past, present and future hits.
Grime, house, pop and garage – you name it EZ's playing it. From Bieber ('Where R U Now') to Stormzy ('Shut Up') to AJ Tracey ('Naila') to Chase & Status ('Hypest Hype') and even a weird-but-it-works edit of The Clash ('Should I Stay Or Should I Go?') …it's a bit like being at Oceana on a Saturday night.
Saturday afternoon rolls round too quickly and before we know it it's time to start drinking again – plans to explore Bognor’s beauty are fast disappearing…
Armand Van Helden, following Eats Everything’s energetic house and techno, plays a 90's throwback set – attracting one of the Weekender's biggest crowds and a whole lot of confetti. It’s all about unashamed fun as Mouse T’s ‘Horny’ is met with two guys waving their half-eaten carrot and cucumber in the air like glow-sticks. Completely ridiculous, it seems we are at Butlins after all.
This is all going on whilst Mumdance takes a smaller but focused crowd through a hard-hittIng ear-punishing soundscape of electronic bleeps and bass in The Escape; whilst back on the Centre Stage, Skream and Jackmaster are preparing for Bigger Than JESuS with Armand and Eats, who see us through the rest of the night perfectly.
With Jackmaster behind the decks, Skream adds a new string to his bow, acting as a sort of hype-man by coming crowd level to encourage a clap along; at Bugged Out Weekender the fun never stops…
With it being the last day at Butlins, it’d be shameful not to check out a pool party. Inflatable’s, slides, wave machines, a lazy river, hot tub and dozens of dinghy's are just the tip of the iceberg – because it’s soundtracked by house and disco purveyors Bicep, a duo who’s 2015 was nothing short of amazing. As Sunday afternoon's go, this one takes the crown.
Come midnight we're straight down the front for Glaswegian star-in-the-making Jasper James's brilliant house and techno set. There’s not one track that misfires throughout Jackmaster’s housemate’s 90-minute set. We even watch man on his own, at least 70-years-old, throwing some crazy shapes; whilst a group of guys physically bow down in front of Jasper.
With the whole crowd applauding and having the time of there lives, there's an energy from the constantly on-point track selection – highlights: Emmanuel Jal ‘Kuar’ (Henrik Schwarz Remix) and Lil Louis and the World ‘I Called U (The Conversation)’ – that's been, so far, unmatched…
That is the case … until The Black Madonna puts in an effortlessly show-stealing performance. Most artists would struggle to follow a great set like Jasper’s, but Marea Stamper takes the pressure completely in her stride. Having played a show in Istanbul on Friday, it wouldn’t be wrong to expect she’d be just a bit tired, but no. Contrastingly, it’s rare to see a DJ getting as involved as The Black Madonna does. She looks completely at home behind the decks, putting in the most eclectic – and easily the best – set of the weekend.
From driving, vocal house to heavy, relentless techno, via personal highlights: Green Velvet and Harvard Bass’s sonically blinding 'Laser Beams' and Jimmy Edgar's ground-shattering 'Let Me Tell You' – The Black Madonna keeps the audience dancing like it’s their final night on earth.
It's clear from her hand claps, hair flicks and exuberant moves that she's up for a proper party. I could carry on with how great it was – especially the tribute to Bowie near the end – but The Black Madonna summed it up perfectly on Twitter: “I was maniac raving out here! … I literally don't know if I've ever danced as hard as I did on these last two shoes”. We couldn't have put it better…
Closing out Reds for another year, Bicep take the reigns for a set that ends up extended by an hour – because it was so good. Opting for Hubie Davison's brilliant 'Sanctified' to open, they don’t put a foot wrong from thereon. House music legend Kerri Chandler, meanwhile, provides the perfect send off at Centre Stage with a New York classics set full of soul and piano chords aplenty. Veering from a rapturously received ‘You’re In My System’ to ‘Lost In Music’, there’s no age limit.
“I’ve been raving since 1986,” explains a middle-aged man dressed in a flowing metallic cape with a neon pink flashing cupcake attached to his head. “It’s real music,” he gushes. “I do struggle to keep up these days, but I manage … somehow!” And that’s what the Bugged Out Weekender is all about. Offering fun for everyone, it doesn’t matter who you are or how old you are, when you get to Butlins all your inhibitions are forgotten. As the banner inside Reds reads …
It’s strange how you come to love the things you love; and stranger still is how protective you become of something you hold terribly, terribly dear.
Benjamin, I first noticed you on TV, you caught me the second I saw you. Your songs spoke of more than pain and love and loss and love again; breaking tired conscripts and song structure, you built something new, captivating me in a way I’d never even thought existed before and you, left, me, wanting, more.
I make no secret of buying my tickets for tonight. I also make no secret that I’m a lucky man who gets guest invites to see more music that any man should but tonight I wanted to be there in your audience, on your homecoming and see you, in the flesh, brought real. And do you know what? Tonight I felt embarrassed Benjamin. I felt we let you down.
You were brilliant, you were humble, you were everything I wanted you to be. You spoke directly to me; songs brought to life better than they ever are on your album. You wore your pain, your hopes, your fears for all of us; looping vocals on a beguiling range, musicality spilling out of your piano and your soul, beating heart on your sleeve. And If I’m honest, I realise this is a transitional period between coming into public consciousness and all of us falling head over heels in love with you, So maybe, just maybe, I shouldn’t feel so disappointed.
I know that everyone here tonight bought their ticket before you won the Mercury Prize and so should have know better. I know you struggled with the overwhelmingness of it all, and that touched every one of us, but tonight we weren’t the fans you deserved but I truly promise you’re going to get so much more from your audience in the future. Hand on heart, we’re going to be singing every word back at you, we’re going to be living and reliving every pain in your sorrow, we’re going to be walking with you through Edmonton, Paris & London and in return you’ll be our song, voice and soul. We just weren’t there in force tonight. And I just so wanted it to be tonight.
There is one thing being a fan of exciting British music, hanging on the coattails of what people say we should be listening to or what is ‘hot for 2016’ is but there is another type a fan reserved especially for you. Tonight we were fan type ‘A’, one that feels like they should be seen to be there rather than one that wants, desperately wants, to ‘be’ there. I, however, am that other fan Benjamin and I will follow you.
I don’t know what the future holds but I really want to be in your company again next year and the one the after that and the one after that and I promise it’s not just me that’s going to love you for so very long. We just need a little time to find strength in number, our own voice and a way to show you our, love, back.
Thank you for a great night. It’s without doubt some of the best in live music I’ve ever seen and heard. I simply cannot wait to share more of it with likeminded people; reciprocating our understating of your art and showing a willingness to be the audience you truly deserve. We’re coming Benjamin. I just hope that when we arrive, we’re better and you simply remain the same.
Wow Stereosonic, is all I can really say. The annual electronic-dance festival is held across Australia, cropping up in Sydney, Brisbane, Adelaide, Perth and Melbourne and is currently Australia’s biggest and fasting growing music festival. This year on Saturday 28th November I was off to check out the famous dance festival I had heard so much about. A lot of it had been positive, but many people I met had warned me of the typical ‘Stereosonic crowd’, stating that the festival was notoriously rowdy, full of groups of muscled guys searching for a fight and over-made-up bikini-clad girls seeking attention.
However with a line-up boasting the likes of trance king Armin Van Burren, Swedish dance duo Axwell ^ Ingrosso and electronic music squad Major Lazer, there was no way a few Chinese whispers would sway me from dancing the night away to some of the world’s most impressive dance acts.
And as we flitted through the entry gates, donning clichéd neon paint and flower headbands, I wasn’t worried at all. Sure, there was a lot of bare skin on show, but isn’t there always at a festival? And besides, it is the start of one of Australia’s (hopefully?) super-scorching summers.
After grabbing an (extremely over-priced) can of cider, we made a beeline for the main stage to catch Swedish electronic music duo Galantis set. It was early on in the day and already the mood was electric, with the crowd dancing along to the beat rampantly. Their catchy 2014 hit single ‘Runaway (U & I) caused the whole mob of fans to sing (or scream) along to the lyrics and we all danced along ridiculously to the tune. The atmospheric was euphoric, and I couldn’t help but feel really, really happy. So far so good!
Dutch brothers Showtek took to the main stage next and they sure managed to carry the crowd along with their thumping rhythms and blinding neon visuals. Their impressive hit single ‘Bad’, produced with EDM legend David Guetta, really hit the crowd running, prompting insane amounts of rapid arm waving and extremely vigorous jumping. The music paired with the enthusiasm of the crowd, the colourful showering confetti and the rather humorous inflatables being chucked around (there was a ‘naked woman’ floating through the crowd at one point) made the scene feel absolutely surreal (no, really). Another fantastic set.
It was soon time for Australian electronic duo Peking Duk, and I was eager to have a listen. They were a pair I had only really heard about since arriving in Australia but their name had risen up a fair few times in conversation. I was quickly impressed – the music was exhilarating, feeling like the beat was running tingling through your body. Their single ‘High’ proved to be very popular, with the crowds clapping and singing along to the catchy vocals and bopping along in time. My favourite part of the set involved an incredibly interesting remix of The Lion King’s ‘Circle of life’. I honestly hadn’t heard anything like it before!
Next up was a big one – the notoriously wild EDM group Major Lazer. Having seen them live before, I mentally prepared myself for a crazy performance that may involve me being hurled through the crowd. We certainly weren’t disappointed and were treated to a concoction of exciting interactions including the likes of lead member Diplo crowd surfing across the masses in a zorb ball (!!), scantily-clad dancers dancing vigorously in time to the music and strict instructions for the men of the crowd to whip off their shirts and chuck them high, high into in the air. Ending their set with everyone’s favourite chart-topper ‘Lean on’, I felt satisfied that once again Major Lazer had proven they are one of the most fun and exciting dance acts out there – their continuous interaction with the crowd really is something else.
Utterly hooked into the main stage (who can blame us really with that line up), it was Axwell Λ Ingrosso (Swedish House Mafia reformed without Steve Angelo) up next. In all honestly, I was absolutely captivated from the start and their set proved to be my favourite of the whole festival. ‘Barricade’ engrossed the crowd with a long and tantalizing lead up, along with crowd favourites such as ‘On my way’ and ‘Something’. The atmosphere made me feel completely and utterly encompassed in the music and their feel-good hit single ‘Sun is shining’, teamed with fantastic visuals and sky-high flames was a highlight of the set.
Finally, it was time for trance royalty Armin Van Buuren to take to the stage. As usual he was absolutely phenomenal, treating his dedicated supporters to crowd favourites such as the catchy ‘Another you’ along with hidden gems such as the Dan Stone rework of ‘See the sun’. With eye-blindingly amazing visuals, countless bursts of confetti and insane lighting it was an absolutely amazing show to be part of, and crowds and crowds of fans had gathered to dance away to the dance legend. A suprise appearance from singer/songwriter/producter Mr Probz was also hugely welcomed and he joined Armin to treat the crowd to his massive 2013 hit 'Waves'.
Towards the end of the set we were shaken up with the psychedelic and fast-thudding ‘Vini vici’ by The Tribe, before an emotional W&W remix of ‘This is what it feels like’, arguably Armin’s most commercial and most popular hit. I found the slow and dramatic version of the hit rather mushy and melodramatic but didn’t mind too much at all. The whole crowd was singing along zealously, hands clapping and arms waving and it really did feel like the end of something truly amazing. The song concluded with fantastic flashing lights, thumping drops and a spectacle of colourful fireworks. A fantastic end to an incredibly memorable day and night.
Stereosonic – I am utterly impressed and you exceeded my expectations fully. There will always be some rough crowds at music festivals but personally I didn’t even experience that at all and to me, it seemed all about the music.
As the early bird catches the proverbial worm, so to do the first campers snag the best spots. A stream of gear laden guys and gals is making its way into the campsites from all directions and the sun is luckily, shining. Nighttime on Thursday sees the early opening of a few areas, The Wishing Tree is available for tiny raves, the Grassy Hill’s Caravanserai is jumping, and Underworld take an absolutely rammed headline slot in The Big Top. It’s a bit of a shame there’s no longer a big screen on the outside of the tent, as it’s frankly impossible to fit everyone in, but those outside are still dancing their legs off to the likes of ‘Born Slippy’ regardless.
Friday
Friday’s Gabrielle Aplin brings beautiful summer vibes to the main stage dressed in a spangly gold sequined jumpsuit, whilst The Cuban Brothers’ Miguel rocks his “Elvis in Marrakech” kaftan and afro combo as Archerio, Kengo and One Erection wow the crowds with headspins, backflips and flares galore. Having had the entire crowd sing Happy 70th Birthday to Bestival veteran, and former drug baron Howard “Mr. Nice” Marks who dons a golden kaftan on stage, Miguel implores everyone to “Increase the peace with a collective unconscious”.
Up on the big hill, the Slow Motion area is a serene place to take a break, with the bandstand gone, a new stage – Kaleidoscope – peeks out from the bottom corner, covered in silver sunrays. Grab yourself a fresh corn-on-the-cob, a pint of Bestivale and maybe take part in some Yoga. Massages, tea and cake from the Women’s Institute or making friends with fluffy llamas is also on the menu here, and if you venture inside Oberon’s Observatory you’ll find a tiny cinema and a pretty awesome lookout across the festival. Though there are notably less children year upon year, the kids area is still going strong with games and activities, across the way from lectures and comedy in the Bestiversity tent. There truly is something for everyone here.
A sun drenched crowd is relaxing at the main stage listening to the powerful voice of the incredibly talented Lianne La Havas, who is dressed in a show-stopping green ball gown and is tantalizing everyone with news of her upcoming UK tour in December for new album ‘Blood’. Followed up by the complete juxtaposition of Charlie XCX who spends her entire set swearing and making crude gestures. Luckily her songs are catchy enough to make up for it, and everyone seems to be enjoying ‘I don’t Care (I Love It)’ and ‘Boom Clap’ whilst she jumps around with a giant inflatable guitar, in her platform sneakers.
90’s Hip Hop super-group Jurassic 5 bring the entertainment with a massive turntable, portable turntable/mixer guitar contraptions and their distinctive brand of swagger, but it’s Duran Duran who are the stand out surprise of the night. The younger age set at this festival might not think they know more than ‘Rio’ but the hits keep rolling, and they put on an absolutely epic show which has everyone joining in with both classic hits and brand new album tracks.
If you’re not feeling so fresh this morning, a quick trip to the lavish Elle Beauty Cupboard in partnership with Rimmel will have you all dolled up with a makeover or a manicure, as well as a goodybag full of makeup and you can get your brain back on track with a stop at the Science tent, where you can pick up a pair of psychedelic solar glasses for watching the fireworks too. New this year is the giant Lovebot, and a new-look Inflatable Church for all your wedding-disco wishes.
Over on the main stage, Dodgy rock “Good Enough” and IOW locals Level 42 (with a cameo from Cubano’s One Erection breakdancing) play to a relaxed crowd. Little Dragon wears some sort of golden bin-bag with red evening gloves for a set of weird and wonderful sounds, and over in the Magic Meadow the parade is a swarm of bright silks and mysterious creatures. Colourful birds, adorable little strawberries and lotus flowers dance past, as a squid rides a giant turtle followed by a Battala band. Only at Bestival…
Secret act cheesy hip hop legends House of Pain are actually great and anthem 'Jump Around' is spectacularly taken to heart by Bestivalites who are doing their best to jump up, jump up and get down. Kate Tempest gathers a big crowd for her main stage foray, in previous years she’s usually a walk through the woods to the amphitheatre for her spoken word sets. With obvious excitement she quips “Jeremy Corbyn has been elected… this is the summer of change, the summer of love!” and a keen eye can spot Rob da Bank clapping in appreciation from the side of the stage.
In the deep dark of the night forest, the amphitheatre comes alive and tonight The Story Beast (comedian John Henry Falle) is MCing Films in the Forest. Award winning short ‘Jonah’ is beautifully made and captivates the audience but ‘Festevil’ is the one that’s really going to stick with you – what could be better than a slasher short about a couple getting murdered in a tent at a festival by pig-masked psychopaths? “Are you all suitably shitted up? That could happen to you tonight!” says Falle. Cheers Story Beast… no really thanks so much. Just as well he follows it up with a rousing rendition of the theme from Dune (join in, all the words are… THE THEME FROM DUNE) and Tom Hyatt brings beautiful acoustic flavours to the stage with his songs about love. We hot-foot it when the next movie ‘Behind the Candelabra’ comes on, but not quite quick enough to escape seeing Matt Damon fellate Michael Douglas.
Annie Mac is ripping it up on the main stage with glowing palm trees to match the glowing umbrellas and fairy lights of the neon night parade, and The Chemical Brothers’ headline slot is a laser loaded, big beat heavy, electrifying show with a slew of hits from opener ‘Hey Boy Hey girl’ to ‘Block Rockin Beats’ and ‘Galvanize’.
The night is young and the weather is sort of holding, so it’s off to Future Islands in the Big Top to see enigmatic frontman Samuel T. Herring dance like he’s been tasered and growl like he’s in a metal band. Completely bonkers but light, fun synthpop. The Port is packed with ravers and fire-dancers spit flames from atop the giant boat. Arial hoop dancers swing hypnotically from a crane above, everything is just on the edge of surreal and it’s brilliant. For a little less bass, Caravanseri’s little love-in is dancing along to violin folk-rockers Keltrix, cosying up in retro caravans or drinking mojitos in the carousel.
Sunday
Despite an overnight soaking, the campsite awakens to a clear and sometimes sunny morning (hurrah!) and there’s a dawning realisation that there’s only one day left of hedonistic adventures. DJ Yoda’s unmistakable beats reverberate across the arena to a massive crowd, and there are major queues outside the packed Amphitheatre for the genius Shitfaced Shakespeare. The drunken cast member simply can’t be arsed with what’s going on and keeps having existential epiphanies like “News is new… news!”. Throughout the forest people are hiding out, watching red squirrels or exploring round the lake, or searching out the secretive Blind Tiger stage.
Jungle Brothers get everyone chanting “We at Bestival baby” as indeed we are and Boy Better know keep up with the distinctly hip hop flavor to this year’s main stage lineup. It’s not as though those who aren’t into it have nothing else to do though, Pig’s Big Ballroom is a house of energetic folk and feelgoodery and the close-by Invaders of the Future stage is showcasing a plethora of great rock bands.
Over on the Kaleidoscope stage, Coco and the Butterfields are absolutely smashing it, gathering a bigger and rowdier crowd as they play, one of the very best things about Bestival is happening upon something or someone amazing that you’ve never heard of, and finding this banjo-led upbeat band is just one of those moments. Elsewhere the Oxfam tent is selling sparkly wares and as the weather is looking decidedly unsafe, wellies. The Llamas at Llama Karma are happily munching their way through Robin Hill’s luscious grass and wearing some very fetching rainbow neckerchiefs, the Solace tent is providing tea and cake to burnt out hippies and there are bare bottoms basking in the wood-fired hot tubs overlooking the enormous site.
A rare musical treat in the form of The Jacksons has the entire arena boogying, but it’s worth mentioning that it’s not just a classic hit parade – these guys are every bit as good as they always were. Polished entertainers with cracking vocals, for the likes of ‘Blame it on the Boogie’, ‘Rock With You’ and ‘ABC’. Jermaine has a noticeable tear in his eye when the crowd joins in for ‘I’ll Be There’ as a montage of their younger selves play on split video screens. Over in the Big Top, Todd Terje is providing summery soft electro-house to a busy tent, which makes a change from the heavier Port acts.
Final headliner Missy Elliott is every bit as showy as you could imagine. Plenty of bling, an army of backing dancers and MC’s hyping up the crowd the whole way through. Hits ‘Get Ur Freak On’ and ‘Work It’ are absolutely huge.
As Missy makes her way off stage, ticker tape explosions coincide with the start of the fireworks display, which is magically timed so that red heart-shaped fireworks burst to the chorus of “Love Is In The Air” to the oohs and aaahs of the crowd. The floral fire arrangement of the Commune is glittering away and everyone is hugging each other, it truly is the Summer of Love. Though the night isn’t over, the rain starts coming in hard and a lot of people are heading back to the campsites with the threat of early ferries and late hangovers in the morning. Skrillex is bouncing around at The Port with a few thousand pals, the Carnivale ship is still rocking tunes and the drag queens of Sink the Pink at The Grand Palace of Entertainment are still werking it hard.
This year’s Bestival has been home to some eighty thousand neo-hippies for the Summer of Love ’15 and it’s pretty hard to say goodbye to this beautiful, weird and wonderful land knowing full well that responsibility and the adult world is waiting beyond these borders. You can be sure we’ll be first on the early bird ticket bandwagon at the end of the month, and the countdown clock will be immediately set for Bestival 2016. Massive thanks to Rob da Bank and the Bestival crew for another incredible weekend, we can’t wait to see what’s next…
There has been a distinctly hip hop vibe to this year’s Bestival, despite the ‘Summer of Love’ theme chosen and it seems sort of disconnected. However, there’s no denying that after a six-year hiatus from UK touring and as a complete UK 2015 exclusive, booking the queen of extravagance – Missy Elliott, is a big win for Rob Da Bank, having twice turned down his request to play before.
Despite the first drizzle of the weather-app doom forecast, the arena is absolutely rammed with people and as an obelisk-like frame is put in place on stage, the excitement is palpable. Dancers in disturbing white comedy and tragedy theatre masks add shimmering lycra panels to the frame and writhing hands extrude from within the box before the sides fall to reveal Missy, clad in a slick black tracksuit and trucker cap with her name emblazoned on it. Famed for her indulgence in all things bling, tonight is no exception as she wields a crystal encrusted microphone with a knuckleduster-esque ‘Ms E’ embellishment whilst providing the thrills for ‘I’m Really Hot’ and ‘Hot Boyz’.
It’s a little bit of a shame the music is so often halted by her fluffers yelling “She can’t hear you….” , us Brits aren’t really down with self-promotion like our American cousins, but Missy makes up for it in pure individual electricity and her b-boy dancers are absolutely incredible.
Rolling through hit after hit, the crowd is going mental, everywhere is a sea of hipsters attempting to krump and hunter-princesses trying some swagger but when Missy throws down ‘Get Ur Freak On’ and ‘Work It’ there’s not a single still body to be seen. A costume change later and it’s down to celebrating her dance crew for ‘Pass That Dutch’, and no, we couldn’t do the routine, we tried, it was deceptively difficult.
Yelling out “Hey UK I love you, I haven’t been here in a while but I love you, y’all like my cousins, y’all like family, is that ok?” Missy introduces artist Sharaya J for a song whilst she changes costume yet again. ‘Shake Your Pom Pom’ is particularly celebrated by the man in front of us dressed like a cheerleader, and some lucky fans at the front have their night/year made when Missy signs some Adidas sneakers to hand out.
A little bit of Ciara’s ‘1, 2 step’, and ‘Lose Control’ have everyone good and rowdy ready for the firework show, but it’s a bit of an abrupt ending as Missy yells “Thank you UK” and exits as the first rockets go off. The main stage headliner is never the very last thing happening at Bestival, as the other stages continue well into the small hours of Monday morning, but for a closer Missy Elliott is well and truly one of the most memorable acts Bestival has seen. Even if we aren’t remotely street enough to pull off a supafly silk tracksuit, we are so going online to look for one when we get home…
Saturday night headliners The Chemical Brothers, have been long on the wish list for Best-goers having waited for their main stage return since 2007. With Bestival being the last hurrah of the UK festival season, early dark skies provide a perfect backdrop for the onslaught of blinding green lasers of opening number and iconic late 90’s track ‘Hey Boy Hey Girl’. Despite the lack of the famed saucy skeletons on the big screens, it’s a strong start for the dance duo and the arena is jumping.
The show is heavy with trippy images of clowns and dancers, strobe lighting and colour to make up for the fact that you are essentially watching two guys push some buttons and bob along to a future beat in their headphones, but it honestly looks like they are having a damn good time as they drop ‘GO’ alongside a visual of a glittery roller-dancer gliding about on screen. Standard as it might now be for a festival or arena tour, there is something exciting about smashing giant inflatable balls around the place when you’re swimming in the depths of the front barrier crowd, long live the gimmick!
Two huge red and blue animatronic robots walk on stage shooting happy ravers with their laser eyes, and a giant inside-out disco ball refracts spotlights into a million starry specks as the Chemicals close out with hits ‘Block Rockin’ Beats', ‘Push The Button’ and ‘Galvanize’. With a final flourish and an on-screen tribute to their sadly missed music producer Stuart Jammer James, who had also worked with a plethora of Bestival favourites such as New Order, Hot Chip and Grace Jones, the set is over. The Chemical Brothers were well worth the wait, and as the sweaty masses leave the arena for other areas with wide grins plastered on their faces, it’s clear they were a great headline pick.
Nearing its tenth year, Butserfest hit a new level last weekend. With acts ranging from the harmonious Lounge Kittens, to metal core Vanity Draws Blood, the biggest alcohol and drug free festival in the UK had something for everybody to enjoy.
The arrival to the festival began with a Wars and Vanity Draws Blood both drawing in the crowds as the momentum grew for the main stage to begin. With a little bit of rain from the beginning, it eventually grew brighter and brighter, bringing out the smiles and the friendly atmosphere. Being my first time at Butserfest I was constantly overhearing about previous years and how excited everyone was to be back!
Photo by Jade Hill
Once the acts started playing, the crowd’s energy grew stronger through every song. What I could gather from the festival was that size does not matter! With only two big stages, Main Stage and Crossroads Stage, the only other places to find music were the Introducing Stage and the Acoustic Shack located backstage for lucky festival goers.
As the day carried on the we saw sets from SHVPES who had previously played NASS and Y NOT Festival, with their crowds growing bigger for every festival. Since their show last week supporting Bring Me The Horizon in Kingston, these guys are growing at a rapid rate getting better with every performance. Other acts which have been growing increasingly popular were main stage acts The One Hundred and The Xcerts, two acts which drew in an excessively large crowd.
Photo by Jade Hill
Being a day festival, it meant that there was no time to waste, there was alwasy an act to see. With a few acts who I bumped into in conversation, I could tell how much they were enjoying and how much they would have loved it to have been a weekend event! I for one would also have enjoyed another two days in the beautiful location of Queen Elizabeth Country Park in Petersfield.
As the sun started to set, the music got louder and the crowds got more energetic. With excellent performances from Zoax, who's style and energy definitely took the unaware crowd by surprise. There were hats thown off heads, breaking of comfort zones and continuous laughter throughout the entire set – Zoax definitely knew how to draw a crowd in.
Photo by Jade Hill
With the sad news released a few days after Butserfest that Funeral For A Friend are finishing as a band, I was so glad I got to the chance to watch and photograph them on the day! Playing a mixture of old and new there was something for new fans and older fans.
Photo by Jade Hill
And then it came to the end of the night when the two headliners took to the stage! WIth HECK* (previously Baby Godzilla) taking to the Crossroads stage and Don Broco on Main stage, the night was definitely worth waiting for. Announced for Wapred Tour UK later this year, Heck have been taking festivals by storm this year, and Butserfest was no exception. Photographers like myself were not even allowed in the pit due to health and safety (even though the act would spend the majority of their time in the crowd anyway) and the act did not dissapoint! They were climbing the roof of the tent, running into the crowd, diving to the floor and throwing instruments in the air. If you missed it, you definitely missed out!
Finally it came to 9pm and Don Broco were about to start. With their recent release of thier new album 'Automatic' and their phenomenal set at Reading and Leeds Festival, these guys have taken this Summer by storm, and Butserfest was no exception. The crowd were kept on their feet, their energy had exploded as they opened their headline set. They played a mixture of older music from the album 'Priorities' as well as their most popular songs from the new album. Overall my experience at Butserfest was very enjoyable! Would highly recommend it for anyone! Looking forward to next year already!
