Download Festival – 20th Anniversary GIANT REVIEW!

It’s June, we are out of the grey days and on the cusp of summer, there is hope in the breeze. Donington Park, home to superbikes and souped up engines is about to be clad in all black everything – for the unstoppable force that is Download Festival. In it’s 20th Anniversary year, hitting a sold out 100k audience is the cherry on the cake of Donington history. Praise be to the old guard of Monsters of Rock for handing down these fields of joy, so we can continue to celebrate.

WEDNESDAY

As part of the bigger/better anniversary wealth, Download has this year included an additional full day of music to the line-up – meaning that campers can arrive from Wednesday instead. In previous years, there seemed to be a greater split of arrival times and days for those camping but this year… it’s like the Pied Piper of metal suddenly called every alt kid in the UK at once, and everything in a five mile area is a fucking mess.

Now we know the road infrastructure around Donington Park isn’t the best, and we know it’s also competing with East Midlands Airport along one side, but this is another level of shithousery – the abject worst queues in the festival’s history. Reports coming in of people queuing for over seven hours in hot cars and buses, carparks being full and closed early on, signage being scrubbed out instead of redirected… the list goes on.

Many people took to Instagram to contact the festival directly and voice their complaints; @morrighan writes “Please sort out whatever the heck is holding up the J24 exit! We followed advice to follow signs for the fastest route. Taken us 3 hours to move less than a mile!” with @not_my_pubs_name replying “same, got on m1 exit slip road j23a and been sat here 3 hrs so far, and I’m camping in quiet camp, but now West carpark is full, so double fucked off. Utter joke”.

Essex tattoo artist @lucyharmless was also caught in the melee “wanna tell me why I’ve been sat in the same spot for the last 5+ hours, I know it’s a sold out festival but we’re not even moving here”

The festival has made no response about why things were this bad, instead posting the same information about which junctions to enter the festival by for the following days. Though the problem wasn’t as pronounced over the rest of the weekend, there were still significant delays with no real explanation.

As a 20 year fan of this festival (yes, I’ve been to them all) I would love to only sing it’s praises, but this is something that surely must be addressed for next year’s event. There has to be a way to separate and space out arrivals, maybe something in booked time slots for coming in (whilst this may sound a little prescriptive, but both Bestival and the IOW festival essentially had this work with ferry bookings splitting up the entry) or linking booked parking to campsite locations so that you can only go to one specific area. Hopefully better brains than mine are considering the future implications of the festival’s size.

THURSDAY

For ourselves, entering on Thursday was indeed an unfortunate three hour queue situation to hit the West car park which is closest to the box office we needed to be at for our wristbands. Luckily we had packed drinks and snacks knowing the stakes from the day before. Though we missed a few choice early bands due to this, entering the arena again felt like coming home. There is something undeniable about the feeling of stepping through the portal of Download. One minute you’re in the regular world where people look at you funny, and the next you’re side by side with every other person who knows exactly what it’s like to be fringe, or other.

The arena itself has had an overhaul, and I really think it is (mostly) for the better. The fairground rides have been summarily booted to the Avalanche stage area, which is a brilliant move. Their ridiculously loud playlists are no longer sullying the Apex stage sound, and they don’t hinder Avalanche at all because it’s a closed in tent – perfect. Gone too is the traditional line of food outlets that broke up that area, and the accessible viewing platform has had a move too. The result is an absolutely gargantuan main stage area with incredible views from all angles, further helped by the enormous screen towers and stack amps that are supposedly only in place for Metallica. Honestly – I wish they would keep them, the sound and views have been bloody incredible due to this set up.

I will pause to note though, that the accessible platform has been moved to the other side of the arena, presumably to facilitate quicker movement between the stages, especially Opus and Apex. Whilst this is in theory a great idea – the route between the platforms has been sandwiched in probably the most notorious bottleneck of the whole festival, rendering it completely unpassable during high crowd sets, simply because people are stopping in those areas to watch too. I’m not sure what could be done about this, it makes the most sense to have moved the platform there, but some kind of access run-through between them perhaps?

Anyway, onto the music. Having performed an incredible set last year at Bloodstock, it is so good to see Ukrainian band Jinjer absolutely smashing their way onto the Download main stage to a very respectable crowd. Lead vocalist Tatiana Shmayluk is an absolute powerhouse, song ‘Teacher Teacher’ hits hard even in the baking sun. It’s clear the crowd is on side as the band talk about what is happening in their country, by beginning a “Fuck Putin” chant, under the screened Ukrainian flags. I’d call their set a complete triumph, especially for a band that has jumped from performing in The Dogtooth at Download 2019 to the main stage in 2023.

Hundred Reasons ‘I’ll Find You’ will forever be one of my favourite jams, but it is beyond horrendous trying to move around the Opus stage at this point – there are simply too many people for comfort, so we stand off to the side for it and then scarper in search of space to sit down.

Over on The Avalanche stage we caught Punk Rock Factory, a Welsh four-piece doing what absolutely everyone wants to hear – theme songs and Disney covers. I’m not even slightly joking, the tent is packed and there are crowd surfers galore. No-one is pretending to be too cool to sing along with the likes of Go Go Power Rangers (replete with actual Power Rangers standing ominously still at the front of the stage), the Pokemon theme tune is excellent, as is Under The Sea from The Little Mermaid. Truly this band are a highlight, if only for the nostalgia button they press in all of us.

Punk Rock Factory © Anna Hyams Wade for Summer Festival Guide – do not use without permission

Halestorm are predictably awesome, and I mean that in the full sense of the word. Lzzy Hale belts out notes like she doesn’t even need a mic, an absolute rock icon. ‘I Miss The Misery’ is always going to be the big fan fave but truly the whole set was just good clean rock and roll in the sunshine. There’s something to be said for a band that sits so comfortably in this classic sound and owns it – there’s actually not a lot of it on the bill this weekend.

After grabbing a horrendously overpriced slushie (cozzie livs is really showing up in the food and beverage prices this weekend, let me tell you) we thought we’d check out the merchandise selections, but immediately turned on our heels when we discovered that they were over an hour long wait. No thanks.

I’m fairly sure that every single year I’ve complained about merch queues but, this festival is so big now it’s really time to add another one to the main arena. Way back in the Opus corner maybe? Heck stick one in VIP so that an entire population of people can grab their stuff outside of the arena as well? The addition of one to the West carpark exit/village entrance was great, but there were a few teething problems with the new ‘Megastore’ too.

Now, I love an obscure item as much as the next person (I do really want the Download bedsheets) and think this was a great idea… but I don’t know if sticking the Megastore out of reach for day/weekend ticketholders was necessarily fair. Particularly when it contained special tshirts not on sale in the arena stores – nor indeed the ENTIRE Mary Wyatt collection which been so hyped on social media prior to the event. More than a few disgruntled fans flocked to the Mary Wyatt Instagram to express their disappointment at not being able to grab something. The merch itself was interesting this year, I especially enjoyed the retro 03-23 logo tee and the back patch 20 jacket, but ooft the prices really do keep on rising.

Over on Apex, Alter Bridge bring us another dose of classic rock with Myles Kennedy’s signature vocal sound soaring over the sun-soaked crowd, while New York pop punk quartet State Champs light up the Avalanche stage for a rowdy but fun show – the whole tent is dancing.

State Champs © Anna Hyams Wade for Summer Festival Guide – do not use without permission

There is one band that I categorically want to see playing somewhere EVERY year please-thanks, and that is our Welsh pals, Skindred. As far as I’m concerned they are the sound of the summer, and my season isn’t over if I don’t do the Newport Helicopter at least once. Pulled in to fill the 5FDP void, there could be no more perfect choice than having Benji & co. headline the Opus stage – and what a rowdy good time it was. Every damn song they do is catchy, upbeat and just generally inspires movement… so you can imagine how intensely difficult it was to acquiesce to this innate demand when ALL 100K FESTIVAL GOERS were also trying to occupy that space. Coming off the back of a Heavy Music Award win there’s absolutely no doubting they’re fully at the top of their game, and are beloved at Download.

I’m going to attempt to keep this brief, since the greedy barstewards are playing twice this weekend, but it’s time for the first Metallica roundup.

As the sound of AC/DC’s ‘It’s A Long Way To The Top’ starts up by way of intro, old photos of the band surrounded by neon yellow frames (the official colour scheme of this tour ‘72 Seasons’) splash over the backdrops and the new cylindrical screen towers, including two monster cylinders actually on the stage itself. It’s an undeniably massive set-up, but there is a bit of me that is wondering if it’s going to be all style over substance.

On a personal note, Metallica have been there from the very beginning for me. I was there at the first Download, squished into a tent for their not-so-secret set… I was there when Joey Jordison filled in for Lars… I was there when they played the whole of The Black Album… they’re woven into the fabric of this festival and my festival history. One particular memory I carry from all of these times, is seeing hundreds of lights glowing in the dark of the night for ‘Nothing Else Matters’. The only difference is, the first time I saw them it was a warm orange glow from thousands of flame lighters – tonight, the cool white of phone torches. It’s strange to think how the next generation’s memories of live music will be formed.

Highlights of course included ‘Fade to Black’ in which Lars actually savaged a snare drum which had to be quickly replaced, ‘Sad but True’ and ‘Seek and Destroy’ (have we noticed how much Metallica love 3 word names for their songs?).

That said, this isn’t by any means my favourite set I’ve seen from Metallica. Yes the sound quality is excellent, and I’m never not going to enjoy ‘Master of Puppets’ and ‘Fuel’ but it feels a bit like they’re conserving energy for Saturday if I’m honest. Lars predictably spends some time at the end waxing lyrical about their Donington origins in 1985 “…you guys have that saying, ‘home turf’… I think this might be Metallica’s home turf” but, I think it would have been a bit nicer and more topical to have talked about their Download history in particular… it’s only the bloody anniversary event isn’t it.

© Anna Hyams Wade for Summer Festival Guide – do not use without permission

FRIDAY

Today we’re already fearing the heat and slathering ourselves in sun-cream, but off we merrily pop to the Opus stage for The Warning. “We are 3 sisters from Mexico” they yell, before absolutely crushing their punchy hard rock set. From humble beginnings as kids on YouTube covering Enter Sandman, to a huge audience at Download is pretty damn impressive if you ask me.

The Warning © Anna Hyams Wade for Summer Festival Guide – do not use without permission

In a swift change of pace, we catch up with our friends-from-another-field – Elvana. Usually seen in glitter and sequins at the likes of Camp Bestival, they’ve chameleon morphed into… well, something else. Resplendent in black skeleton Elvis-style jumpsuit and suits, the band (and their doom cheerleaders aka backup vocalists) bring something a little silly but ultimately very enjoyable to the Download palette. Who doesn’t want an unhinged circle pit to Blue Suede Shoes, and have lil mosh to Smells Like Teen Spirit? Jokes aside, they’re actually excellent as well as fun, what’s not to love.

Heading across site we spot a lot of little Battle Jackets this year. Seems that a few more people have braved bringing their kids along and it feels like a nice shift for the festival. Yeah you can whinge on about it being ‘for adults’ but, there’s something to be said for passing on the spirit of metal to the next gen in a way that feels genuine and community led, and metal Mums and Dads just wanna see live music too, so bore off.

Witch fever over on the Dogtooth stage are another example of excellent up-and-coming bands we’ve been treated to this weekend. It’s been really fun to have some new blood turnover in the smaller stages and they certainly came seeking violence with their heady mix of post-punk power over gloomy basslines. Riot grrl era is back on the menu, and they are leading the call in all the ways we want – including jumping into the crowd and getting rowdy. If they started a zine I would buy it. Top song for my choosing: ‘Bully Boy’, oh and did I mention – they’re all hot.

Heading down the hill to the Apex, we are greeted by the incredible Nova twins, a punk/grime influenced duo from London. Now this for me is a truly excellent booking, their sound is unique and interesting, they absolutely wail and have that unmistakable star quality that we need for the main stage. Next up, Hot Milk are in danger of becoming Curdled Milk (snickers uncontrollably) and suffer a bit from the crowd being well… too hot. I have no idea how they survived on-stage pyro in this heat but more power to them, because I am melting.

Epica are first up in the melodic/symphonic metal stakes today and lead vocalist Simone Simons has one of those voices that has the power to skewer you right through the soul. It’s a decent crowd already, and I fear for being able to get round there later on.

Neck deep aren’t usually my scene but they’re doing a good job of hyping up the crowd, and it’s nice to see what Wrexham has to offer besides football and American celebrities. However, they do indeed sound extremely American when they sing – such is the power of the pop-punk cadence. “Everyone who’s from a shithole town, yell if you’re proud of where you came from!” elicits a huge roar, but the thing is, everyone in the UK thinks they’re from a shithole town until someone else bags on it, then the gloves are off. Aaanyway, Brutus are another new-to-me band who absolutely ripped up the Dogtooth stage, I am always floored by drummers who are also vocalists, the level of coordination is baffling to me.

Brutus © Anna Hyams Wade for Summer Festival Guide – do not use without permission

As expected Pendulum are fucking incredible and have wisely chosen to beef up the heaviness of their set – as they did last time they played Download. It’s a welcome return and everyone is up dancing about for it, despite the heat. “Front to the back, I need to see you crazy fuckers” is the call to arms for ‘Propane Nightmares’, and it’s quite cool that they’re joined by Matthew Tuck (of Bullet fame) for ‘Halo’, but ‘Witchcraft’ is the ultimate Pendulum masterpiece in my opinion.

Unfortunately due to some costumes not arriving in time, Gwar have to pull out of todays performance, which is met with a huge groan from the crowd inside the Dogtooth. So we head over to Within Temptation to be summarily met by a wall of people right up to the pathway. There is no chance of getting through, so we catch a bit of Sharon Den Adel’s deep and spooky vocals, as the second symphonic band to hit the stage today. Sometimes I forget how much ‘Stand My Ground’ slaps live – do these women even need microphones really? It feels like she could go without and still be heard at the Apex stage.

Architects are inducting newbies to the fray “…how many of you have crowd surfed before? Now’s your chance, get over this fucking barrier!” via some rather nice blokes who are giving people boosts into the waiting arms of obliging pallbearer types. But we’re hanging back to see Evanescence complete the trifecta of big vox, gothic female fronted bands today. As suspected – we can’t get anywhere near and the sound is totally borked from the side to the point of not really being able to hear. Sad times but I think the Opus field just no longer has the capacity.

Luckily the beyond brilliant Carpenter Brut who I’ve been listening to on repeat for the last 2 months, is giving the packed out Dogtooth something resembling a rave but considerably wilder. Apparently we’re calling this darksynth, but all I know is it’s fucking FUN. Sadly there are no tshirts to be found at the merch tents, otherwise I’d have snapped one up, call me a new fan – especially of his cover of Michael Sembello’s Flashdance hit ‘Maniac’– I command you to listen to it immediately.

Bringing Friday to a close are the much anticipated Bring Me The Horizon with an incredible stage set comprising of lots of bridge levels wrapped across a giant screen backdrop, like something out of a musical. Hitting the stage in a crop top with bondage straps and a shaggy haircut, Oli Sykes hasn’t morphed too far from the early scene kid days, but he definitely looks like a headliner now. It’s hard to describe but from minute one I was absolutely convinced they were meant to be there, and I genuinely felt excited to be seeing Download making a clear choice for the future of the festival here.

The band unceremoniously rip through the likes of ‘Teardrops’ and ‘Mantra’, before introducing “…one of [their] favourite bands in the fucking world…” Nova Twins, to head up ‘1×1’ with them. There is no denying the set is special, it’s got pizazz, the band sound incredible and they’re doing things that make it a unique show. This is what I wanted Metallica to do yesterday, to be honest.

Yes they’re a funny mix of genres at times, but this does actually allow them to be more flexible in their set too, something not a lot of bands can bring to the big stage – but there’s nothing that will keep a classic emo down is there… “Sometimes you get sad, but it’s about realising it and sharing it. If I’ve gotta be lost, I’m glad I’m lost with you people”. Oh Oli, wipe your tears babe, here comes Amy Lee (of Evanescence) – joining them for hands down the MOST emo named song in the history of songs ‘One Day the Only Butterflies Left Will Be in Your Chest as You March Towards Your Death’. It’s pretty great actually, and at least I can finally hear Amy Lee.

I could live without the face melting pyrotechnics to be honest, it’s still so hot tonight – and we were two speaker sets back so you know the people in front were basically cooked like turkeys. There’s a bit of me that wishes the tired suicidal ideation bit (‘DiE4u’) didn’t have to start with spoken word that sounds mystically beautiful to morose teenagers but ah, that’s the therapist in me speaking I suppose. Many have sung worse things I know, but it isn’t my favourite. Despite this, and the sort of strange cyber-attack/AI bit they keep playing on the screens, the band absolutely smash the shit out of this headline show. Yelling “I don’t care what you do, but if you stand still you are… a very special kind of knobhead” actually does appeal to my wish to not be seen as a knobhead, so I join in with everyone else because he told me to. If that isn’t the power of a headline act I don’t know what is.

‘Follow You’ is a lovely musical interlude, in which Oli requests people get on each others’ shoulders and hold up their lighters/phones “I’ll take owt”, and then runs down to hug the front row of fans. It’s a little cultish, but aren’t all the best bands?

With a giant explosion of pink ticker-tape and a nod “I will never forget this moment” they go out on the impeccable trio of ‘Drown’, ‘Throne’ and ‘Can You Feel My Heart’. Sign me up, I’m part of the cult now.

SATURDAY

Up and at ‘em for Polaris, who are very shouty and loud. I’m surprised at how many people are already going hard at midday considering we’re already edging on Satan’s armpit level heat.

I’m off to buy an overpriced slushie and head towards Avalanche for Lake Malice, who are going down as one of my favourite hits of the weekend. Vocalist Alice Guala looks like she’s jumped right off The Grid, wearing some kind of lycra Tron onesie and guitarist Blake Cornwall is rocking the coolest leopard print guitar I’ve ever seen. They’ve got an almost nu-metal edge, which appeals to my younger self, incredible energy and their crowd is responding with sending heaps of surfers across the barrier, despite the fact that the tent is stiflingly hot at this point. It sort of grieves me to know that this band started over Facebook during lockdown, and now they’re here. I was just out there making banana bread and doing my silly little zoom quizzes… how ‘bout you?

Lake Malice © Anna Hyams Wade for Summer Festival Guide – do not use without permission

First hype pick of the day for me are the deliciously kitschy Ice Nine Kills. I’d say the Venn diagram of metal fans and horror fans is probably almost a circle, and I cannot pretend that I’m not a basic bitch. With all their songs themed to horror movies, a good dose of on-stage theatricals (knives, axes, Patrick Bateman getup, you know – the full Alice Cooper style schtick) and catchy lyrics, I don’t think I’m alone in thoroughly loving this set. ‘The American Nightmare’ has been one of my most played songs since their second stage performance at Download last year – get on it.

In a whiplash change of pace, it’s time for the mighty Clutch. They are the antithesis of the previous band, no frills… no stuff… no theatrics. They just do what they always do – play solid funky rock and roll, brilliantly. The blazing sunshine with a cold beer is in my opinion, the most appropriate setting to see the likes of ‘X-Ray Visions’ and ‘Electric Worry’. Neil Fallon quips “hey shall we take our shirts off and pretend we’re in Red Hot Chilli Peppers?” as the heat gets to him, and they go out on the excellent ‘Pure Rock Fury’. I could stand a couple more hours of Clutch in the sunshine to be honest, let the music play.

A quick trip into the Dogtooth for the weird and wonderful Bambie Thug does not disappoint. They are dressed in some sort of Alien-meets-Hela demonic playsuit thing which is very fun, and are flanked by two gyrating dancers wearing only boxers – who later water gun the crowd (which is actually rather thoughtful of them in this heat). ‘Kawasaki (I Love It)’ is very singable, and ‘Headbang’ with special guest Mimi Barks feels a bit on the nose but ultimately is just really enjoyable. Bambie is going straight on the summer playlist.

Bambie Thug © Anna Hyams Wade for Summer Festival Guide – do not use without permission

Alexisonfire are yelling about something “Fuck racism, fuck misogyny, fuck you” but I’m too hot to do anything from my position on the ground under a sun-brella. They’re not usually my jam but it is frankly not in the cards for me to move right now so I accept a bit of shouty ‘Accept Crime’ and ‘Boiled Frogs’ under an oppressively cloudless sky.

Dragging myself into the Avalanche for Gwar’s rescheduled set is a feat in itself, but I am rewarded with the sight of a half naked King Charles, Kim Jong Un getting scalped and Putin with no hands. Unfortunately this also means I joined the masses of [fake]blood-soaked bodies in an already sweaty tent, and let me tell you that stuff does not easily wash off. You can’t not like Gwar, they’re so silly, it’s the law.

After attempting to clean myself up, it’s over to see Disturbed’s inevitable but iconic rendition of ‘The Sound of Silence’, which to my amusement – a group of guys in front of us all had a tearful cuddle afterwards, adorable.

The Opus area is of course way overfull once again, but there is nothing stopping Placebo being just fucking incredible from wherever you were standing. ‘Nancy Boy’ and ‘Bitter End’ are the sounds of my angry youth and I am transported back to a point where I actually had time to sit and listen to songs without it just being in the back of housework or my job. Their cover of ‘Running Up That Hill’ might be a lot of people’s introduction to Placebo, via Stranger Things, but for me they are tickling my nostalgia navel and I am gutted they weren’t put on the main stage instead.

Metallica, night two. This is the set I was waiting for. Yes we had the exact same intro but the band absolutely enter the stage with more presence and purpose tonight than they did on Thursday. The crowd tonight is absolutely wild to look out on. This is the most open the arena has ever been, without all the foot outlets and such chopping the area up it looks incredible, an absolute sea of bodies bathed under the stage lights. There’s something quite eerie about being in the company of 100k people like this, and the deafening roar of those people singing along to ‘For Whom The Bell Tolls’ immediately goes into the core memory bank.

“Let’s see if you guys know this song… wait let’s see if we know this song” jokes James Hetfield (Papa Het? Is that what we’re calling him these days? Bit weird but ok) as they drop into ‘Until It Sleeps’, but ‘Welcome Home (Sanitarium)’ is just gorgeously melodic and dramatic in the darkness.

Then there’s a weird interlude where Lars Ulrich seems to try and bring an extremely terrified child on stage from the Snakepit, who absolutely has zero interest in being there and therefore cries his eyes out. Luckily Hetfield is on hand to diffuse the situation “Here’s my dad joke… the fans at download are in-tents. You give me a microphone and I don’t know what to do!”. ‘The Unforgiven’ is wildly good, like seared-into-my-minds-eye good – it truly is one of the best performances I’ve seen Metallica give, and I enjoy the mild ribbing they’re giving Lars to boot. “This is night 10 for us here at Download or Monsters of Rock, that’s fabulous. Well, it’s Lars’ 9th show, you gonna catch up with us one day? He’ll be here tomorrow playing with all the other bands” Hetfield jokes, as people around us shout back “please no” and “don’t encourage him”.

‘Whiskey In The Jar’ never fails to get everyone singing along, the on-stage pyro and offset flame canons are massive, closing out with ‘One’ and ‘Enter Sandman’ and shitload of fireworks – this is the epic headline set we needed.

SUNDAY

Day four of blistering heat is a struggle, not gonna lie. We are done in but soldier on into the arena once more for Bloodywood – now with quite the following, the unique New Delhi bhangra heavy metal sound is exactly the kind of newness I love to see, being played to a pretty huge audience.  Graphic Nature in the dogtooth are somehow, and for no discernible reason, doing their entire set wearing hood-up raincoats in this heat – but they do look like they’re having fun.

Lorna Shore probably don’t quite get the reception they deserve as the order of the afternoon seems to be Lorna Snore, as many people appear to tapped out taking a nap in the field. Next up Mongolian metalheads The Hu are plying us with more tasty unique sounds, very enjoyable but I do wish that their stringed instruments had been been levelled up a bit, as that aspect which is prevalent in their online catalogue was kinda missing. Their cover of Metallica’s ‘Sad But True’ with half Mongolian lyrics, is fantastic though.

We head over to the Opus stage for a bit of Avatar who I can only think must be boiling alive in all their leather, especially with all their coordinated circular headbanging segments. ‘The Dirt I’m Buried In’ and ‘Hail The Apocalypse’ are highlights but honestly they’re just so entertaining start to finish – I wish they’d been a main stage band too.

Behemoth look as uncomfortably hot as they did last year at the burning inferno that was Bloodstock Open Air, asking “We need your energy, we need you to jump” to a day 4 crowd who are dead on their feet and basically crisp. It’s a no from me friends, but there are plenty of people down there having their time of their lives still so it’s all good.

I prevail are doing a lot of screaming and yelling fuck, in an angry teenage way, and whilst it isn’t really my vibe, their cover of SOAD’s ‘Chop Suey’ is actually great, and they do manage to provoke some very respectable and dusty circle pits.

On the Opus stage Bad Religion are playing an absolute blinder of a set, just solid good punk rock – the sound of my college years. The likes of ‘Anaesthesia’ and ‘You’ are required Tony Hawk’s Pro-Skater history of course, and ‘Infected’ results in a massive singalong. Over in Avalanche, German electronic wizards Electric Callboy are ripping Download a new one. This is the most packed and writhing I’ve seen the tent this weekend, the electric energy is undeniable. ‘Hypa Hypa’ is probably the most well known of theirs, but I also loved their cover of Darude’s ‘Sandstorm’ and The Frozen/Backstreet Boys ‘Let It Go’/‘I Want It That Way’ sweaty metalhead singalong was very funny to watch.

Scooting back through the gap to Opus we’re ready for some retro 80’s style metal from our favourite Swedish ghouls Ghost. This iteration of Papa Emeritus comes with much less pomp and ceremony, and I’m here for it. ‘Rats’ makes me giggle every time, it’s great used as a response to pretty much anything someone can ask you over the course of a weekend – but not if you want to keep your friends, let me tell you.

Dressed as a bat, Papa sings “I can feel the thunder that’s breaking in your heart” from ‘Cirice’ at almost the precise moment we start to witness lightning flashes in the sky above them. Very forward thinking of them to order the weather honestly. Luckily the festival skirts the zone between two massive thunderstorms in the Midlands, and is mercifully spared the Drownload moniker for another year.

Yelling “Do you want a goodnight kiss? How you doing Donington”, they launch forth into the epic and choral ‘Mary On A Cross’, a ticker tape and firework explosion, finishing up with ‘Dance Macabre’ and ‘Square Hammer’. This was truly the best Ghost performance I’ve seen, it looks like they’ve settled into their zone without some of the theatrical elements that I thought held them back a bit last time, and let the music speak.

Trying to get back to the main stage for our final headliner Slipknot, was like some kind of hideous cross country trek through sticky stinky bodies shoulder-to-shoulder. The traffic around the site this year has been noticeably worse due in part to numbers but also perhaps a few layout changes that have made routes through somewhat smaller. Slipknot arrive to giant bursts of smoke from all of the speaker towers in the crowds, and the cylindrical screens are focusing on up-close band members which is actually really effective. It’s also good to see the Clown return to the stage after a hiatus, atop one of the giant spiked drum tower flanking each side of the stage.

There’s no denying that it’s an impressive set up, and the band come in with a solid twenty minutes of pure heavy rage, eventually Corey yells “It’s good to be home” followed by “I’m a bit mad at you, you made me lose a bet. They bet me you would still go as mad without me running my mouth for the first twenty minutes. There were circle pits, I lost twenty quid you fuckin pricks” before admitting that he has been ill and that his voice isn’t up to par at the moment. Unfortunately it’s really obvious that he’s struggling through the set and it makes a marked difference in the power and delivery of the songs. “Well I always sound like shit, but I don’t always sound this cool” he jokes.

A collective ooooh emanates from the crowd as he shouts “Download! Our family. Here are  some songs we haven’t played in a very fucking long time…” as they launch into a tour debut of ‘Left Behind’.

“This one goes out to Kerrang magazine… Let’s see what you do with this one folks…” is the precursor to another exciting inclusion ‘Snuff’ which again has Slipknot fans cooing.

The obvious run down towards the end of ‘People = Shit’ and ‘Surfacing’ followed by an encore of ‘Duality’, ‘Custer’ and ‘Spit It Out’ is a predictable but, what the people want. The execution is phenomenal and exactly what you expect of a headliner but… it’s still not the best we’ve seen them I fear. There’s something lacking in the vibrancy, and sure some of it is Corey’s voice – but I do wonder whether the passion is in it for them as a band anymore. It’s hard not to make a comparison to Friday’s Bring Me The Horizon headline set, where the air was absolutely electric, and I say this as a person who isn’t (or wasn’t) a particular fan of either band. The tides are a’changing at Download festival, and I’m excited to see where we are headed, but it might mean leaving some beloved people behind.

Download, you’ve been epic once again – may your next 20 years be as wild!

© Anna Hyams Wade for Summer Festival Guide – do not use without permission

Download festival announces major site improvements for 2020

Download Festival, the world’s premier rock event has announced major site improvement plans for the 2020 festival which takes place on 12 – 14 June 2020 at the spiritual home of rock in Donington Park, Leicestershire. Tickets are on sale now at  downloadfestival.co.uk/tickets.

Download Festival prides itself on listening to its loyal fanbase. The Village has moved even closer to The Arena and will be located on the hardstanding tarmac lake and will be home to the largest ever festival merch superstore for weekend campers. The festival has become even more sustainable on site with 100% Hydrotreated Vegetable Oil biofuel to be used that will reduce carbon emissions by a dramatic 60%, and vegan options have increased. Alongside new locations for all campsiteswalking distances have decreased, and with the new Castle Donington Bypass, there is the addition of an East Car Park. Download Festival’s legacy will also be encapsulated with a time capsule burial on site over Download weekend.

Melvin Benn, Festival Republic MD says;
“Download is a festival like no other, the audience is as essential as a headliner and we’re excited to bring these site changes to the 2020 festival for better customer experience. The new location of The Village is incredibly exciting as we have made use of the hardstanding tarmac lake. What’s equally exciting is the merch superstore that will be located here, with plenty of options to commemorate the weekend. The new Castle Donington Bypass has allowed us to introduce a third carpark for those coming from the North, and all these site changes have reduced walking times across the site.

The legacy of Download deserves to be celebrated so we will be burying a time capsule on site during Download weekend. Artists will add to it, and I would love for Downloaders to be involved by suggesting items to include and becoming a part of history. Here’s to a great 2020.”

Download Festival have reduced walking distances for festival attendees by moving campsites, car parks, the transport hub and The Village. When campers were looking at almost an hour walk to campsites from The Arena, the new campsite locations mean that Downloaders can reach their tents in the furthest campsites from The Arena in just 25 minutes. As The Village is now a central hub between campsites, this can be reached from the majority of campsites in 10 minutes or less.

The newly located general campsites will also see a fan rebrand, and Downloaders can suggest what each of the six campsites should be called right here (https://form.jotform.com/FRMarketing/campsite-name-suggestions-DL2020). Entries must be submitted by Monday 9th March, and winning names will be announced via socials on Friday 13th MarchGreenpeace’s Eco Campsite also returns for its third year, with 100% of tents taken away in the previous two years.

Download Festival have reacted to public feedback, relocating The Village after the severe weather conditions of last year, to the hardstanding Tarmac Lake. Home of The Dog House, Hair Of The Dog bar, food stands, and the incredible Mind The Dog Mindfulness programming that will return in 2020, plus just minutes away from the Access Campsite, access customers can go from their camp to The Village without leaving solid ground.

The Village will also be home to a new massive 900 square meter merch superstore for the first time, and in The Arena, the serving areas of merchandise stalls have increased by 13 meters, plus additional staff on hand to aid in providing size choices whilst waiting. The lines were too long last year, and this should help speed up the process. New for 2020, the Guest Area will also have its own merch stand.

Download takes climate change seriously and as part of our Green Nation charter we are using 100% renewable Hydrotreated Vegetable Oil (HVO) biofuel to power the event this year. HVO is a form of renewable diesel that has been produced from vegetable fats and oils and offers a significant reduction in greenhouse gas emissions. In the recent The Show Must Go On (https://www.vision2025.org.uk/) report, 76% of an event on site carbon emission is power, and this act will reduce Download’s carbon emissions by 60%.

In 2019, the Liftshare carpark sold out with 157 cars taking part, with combined travel saving 16.29 tonnes of CO2e, and £20,000 was raised for local schools to install solar panels through car park donations which is up on £15,800 in 2018. The Recycling and composting rates rose from 46% in 2018 to 59% in 2019 with zero waste going to landfill, bars will once again be operating with reusable cups, and Co-op’s reverse vending machines return for a third year. All water bottles sold at the bars and traders stands will be made from renewable plant-based bottles, and all water refill points in The Arena have been completely redesigned with high flow meaning that a litre bottle can be refilled in just 3 seconds, compared to last year which could have taken up to 12 seconds. That’s four times faster!

The food we eat is responsible for almost a third of our global carbon footprint.  We’ve increased vegan food offerings by 40% to give over 30 vegan vendors to choose from on site and a total of over 40 vegetarian stalls to tuck into. Gluten free traders have also increased to a total of 30 stalls across the site, an increase of 42% from 2019.

For 2020, Download Festival has introduced a new East Car Park, which alongside the West Car Park, will be dedicated to weekend campers with easy access to campsites either side of the site. The East Car Park will also be easily accessible by those travelling from the North of England via the newly created Castle Donington bypass. The South Car Park will be dedicated to day ticket holders and improved conditions within the car parks aim to better handle weather conditions. The increase in car parks also means Downloaders no longer have to walk for miles with their weekend belongings, as if parked in the East Car Park, they can reach the nearest campsite in just two minutes.

Inspired by Iron Maiden performing their Legacy of the Beast Tour, Download will be celebrating the festivals legacy with a time capsule burial on the hallowed grounds of Donington. Download will be calling on its line up of legends across the weekend to contribute to the time capsule and make their mark on the Download Festival legacy, Downloaders will also be able to suggest what can be included and have the chance to add their own bit of history. May 2078 will see the resurfacing date, marking 75 years since the very first Download Festival!

Inside the arena itself, The Dogtooth Stage has a reputation to host some of the best talent around, with the tent overflowing from overwhelming popularity within recent years and to reflect this, organisers will be increasing capacity from 2890 to 4050.

Festival Republic have worked with Attitude is Everything since 2001. Download Festival signed up to the Attitude is Everything Charter of Best Practice in 2017 and currently holds the Gold Award within the charter. The Accessible Campsite remains on the same hardstanding location. The Accessible Campervan space has moved to a flatter more accessible location and the space for campervans has increased by 42% to over 100 spaces for 2020.

For further information, please visit Download Festival’s WebsiteFacebook and Twitter

 

#DL2020

More acts added for DOWNLOAD 2020!

Download Festival, the world’s premier rock event, has announced further acts including ALTER BRIDGE, BOWLING FOR SOUP, FRANK CARTER & THE RATTLESNAKES, MASTODON, THE DISTILLERS, SEPULTURA, MOTIONLESS IN WHITE and FUNERAL FOR A FRIEND, to join headliners IRON MAIDEN (Legacy of the Beast Tour)KISS and SYSTEM OF A DOWN this summer. NXT UK is returning to deliver more knockout entertainment over the weekend, and Kerrang! Radio will host FINDING FRESH BLOOD for another year – searching for the best emerging acts in the world of rock to perform on The Avalanche Stage.

Download takes place on 12 – 14 June 2020 at the spiritual home of rock in Donington Park, Leicestershire. Tickets are on sale now at downloadfestival.co.uk/tickets.

The Main Stage just got even better with a host of new names which are sure to stir the crowd into a frenzy. US heavyweights ALTER BRIDGE will return to Download with their breed of blistering and technical rock completed with incredible showmanship courtesy of Miles Kennedy.

Mark Tremonti from Alter Bridge said:
“We are very proud and honoured to be a part of the 2020 lineup.  Download has always been the highlight of our touring schedule over the years, thanks for another opportunity to perform for some of the best rock fans in the world!”

The brilliantly chaotic FRANK CARTER & THE RATTLESNAKES will wreak havoc at Download, with pit-starter anthems such as ‘Juggernaut’, ‘Crowbar’ and ‘I Hate You’. MOTIONLESS IN WHITE are staggeringly heavy, with a good dosage of theatrics that will no doubt fuel a memorable performance. Also performing rare Australia’s ferocious THY ART IS MURDER, rising Florida metalcorers WAGE WAR, and melodic Brit metallers THE RAVEN AGE.

Chris Motionless from Motionless In White said:
“Playing Download is an accomplishment that bands of every level still write home about. It is THE festival to be a part of, and I’m so proud to announce that we will be making an appearance again for the first one of the new decade. See you in a few months!”

Looking towards The Zippo Stage, Atlanta’s finest MASTODON have garnered a reputation as a formidable live force, and their performance at 2020 is sure to be enormous. Fronted by the infamous Brody Dalle, THE DISTILLERS are a household name in modern punk and make their anticipated return to Donington. THE DARKNESS are also set to bring a healthy dose of classic rock and roll bombast., Italian goth icons LACUNA COIL, melodic rockers AMARANTHE, bondage-punks HATARI and rock n roll revivalists THE GLORIOUS SONS. They’ll be joined by Mississippi rock stalwarts 3 DOORS DOWN.

Justin Hawkins of The Darkness said:
 “UK festival appearances are like children – so precious and impossible to pick a favourite. This year though, my number 1 child is our Download slot! I have a pair of pyjama bottoms designed to look like jeans with tickets for Monsters of Rock 1991 hanging out of the pocket, and that tells you everything you need to know about my excitement levels.”

Following their disbanding in 2016, Download are beyond excited to reveal that Welsh post-hardcore and crowd favourite FUNERAL FOR A FRIEND will make their euphoric return to the festival by headlining The Avalanche Stage. Joining them are Texan troopers BOWLING FOR SOUP who are sure-fire to get Donington singing along to their tongue-in-cheek pop punk anthems.

Ryan Richards from Funeral For A Friend said “As a band, and as individuals – we’ve made some incredible memories at the hallowed grounds of Donington through the years, so it’s going to be nice to come back and make a few more together. Those trademark black fringes are a bit greyer/balder these days, but we’ll still be able to show these young ‘uns a thing or two!”

Jaret Reddick from Bowling For Soup said:
“Download Festival is always something special for Bowling For Soup. So many of the stories we share with other bands and family members back home come from our time spent playing or hanging out at this festival. Very much looking forward to making more memories this summer…and of course bringing something special to our show, that only BFS can get away with!”

Elsewhere on the Avalanche Stage are Philadelphia’s THE MENZINGERS who will draw a monstrous crowd with their honest melodic punk, Woking’s brutal EMPLOYED TO SERVE, anonymous collective SLEEP TOKEN, garage punk outfit PRESS CLUB, Welsh post-hardcore band HOLDING ABSENCE, Liverpool prog-metallers LOATHE, mysterious emo rapper SULLII, London ska-punks THE SKINTS, alt-pop-rock Mancs THE HARA, Northern Californian pop-rockers CEMETERY SUN, and Brighton indie punks GENDER ROLES. They’ll be joined by punk trio MILK TEETH.

Headlining The Dog Tooth Stage are genre defining heavy music titans SEPULTURA who are set to be a crowd pleaser with huge songs such as Roots Bloody Root and Refuse / Resist.

Derrick Green from Sepultura said;
“We are ecstatic about our return to Download Festival. It’s an honour and pleasure to be a part of a festival with such a rich music history. We look forward to rocking out with you all!!”

Also on The Dog Tooth stage are Sydney metalcore innovators NORTHLANE, alongside bruising Leeds hardcore collective HIGHER POWER. If that wasn’t enough, further Dogtooth Stage additions are London progressive rock band HAKEN, virtuosic Texan quartet POLYPHIA, Sacramento noise metallers WILL HAVEN, the hotly tipped KILL THE LIGHTS (featuring members from Bullet For My ValentineStill RemainsThrow The FightGlamour Of The Kill and Threat Signal), self-proclaimed ‘Satanic doo wop’ trio TWIN TEMPLE, Texan hardcore outfit FIRE FROM THE GODS, Bristol post-punks HEAVY LUNGS, NYC rockers TEMPT, Peterborough melodic hardcore act MODERN ERROR, brutal Holy Roar signees London five-piece RENOUNCED, mesmerising alt rock artist JJ WILDE, and Brummie metalcore pack SHVPES.

Download Festival are pleased to announce the return of WWE NXT UK to this year’s festival. The first round of Superstars to be announced are title-holders WWE NXT UK Champion WALTER, NXT UK Women’s Champion Kay Lee Ray, and NXT UK Tag Team Champions Gallus. The first-ever WWE United Kingdom Champion Tyler Bate, and his Tag Team partner Trent Seven, will no doubt bring a stunner of a show. Also set to perform is Finn Bálor’s protégé Jordan Devlin, the highflyer Mark Andrews, and his Tag Team partner Flash Morgan Webster. Toni Storm is also confirmed, alongside powerhouse Piper Niven – both of whom will bring the energy to Donington Park. NXT UK has made a massive impact at Download in previous years, full of tense moments and adrenaline-soaked performances, it’s the ultimate spectacle for fans of loud music and even louder sport.

In addition, Kerrang! Radio will once more host Finding Fresh Blood, the search to bring the hottest emerging talent to Donington. 2019 was its inaugural year and grime-punks PENGSHUi triumphantly opened the Avalanche Stage. UK acts can now upload their tracks online to be in with the chance of playing this year’s festival on the same stage. To apply, and for more information please visit their website. The chance to apply closes on 1st March at 23:59, and winners will be announced in April.

Kerrang! Radio’s Alex Baker said:
“Playing at The Download Festival is a benchmark moment in any bands career, it is the most important festival in the country for alternative music and a performance on any of the hallowed stages can catapult your career as a musician to new heights. I only like working with people who share my unyielding spirit for supporting new artists, and the absolute dedication that Andy and the team from Download have in this field is truly inspiring. When Pengshui walked out on the Avalanche Stage last year, the atmosphere on the stage, in the crowd AND in the wings was absolutely electric – it is a moment that will never be forgotten.”

Download Festival is the home of rock music and takes place on the sacred grounds of Donington Park, which have been associated with rock since the eighties. The festival attracts icons of rock and metal to its main stage, plus some of the best and hottest new acts in the world.

DOWNLOAD FESTIVAL Announces Second Run Of Bands For 2020

Download Festival has announced more bands to join headliners IRON MAIDEN (Legacy of the Beast Tour), KISS and SYSTEM OF A DOWN next year. The world’s premier rock event takes place 12 – 14 June 2020 at the spiritual home of rock in Donington Park, Leicestershire. Tickets are on sale now at downloadfestival.co.uk/tickets.

Headed to Download are Denmark’s VOLBEAT with their hybrid of rock ‘n’ roll, riffs and rockabilly, making for an explosive and certainly unpredictable live show. Their seventh studio album Rewind, Replay, Rebound dropped in August 2019 and landed at #7 in the UK album charts.

Volbeat said;
We are very excited to return to Donington Park once again to rock with all of our friends in the UK alongside so many great bands. See you in June!“Defining the Metalcore genre with anthems such as ‘My Curse’ and ‘The End of Heartache’, KILLSWITCH ENGAGE have had three consecutive Top 10 debuts on the Billboard Top 200, landed several Grammy nominations, and have had half a billion streams.Jesse Leach from Killswitch Engage said;
We are honoured and excited to play the mighty Download festival once again! We are ready to kick out our new songs and play the old anthems as well! Download crowds are always incredible and we are eager to bring the mother f*****g ruckus!

Leaders in Japanese kawaii metal, BABYMETAL will land at Donington following the success of their latest album Metal Galaxy. Formed in 2010, the band fuse metal with J-Pop and are a global name in heavy music, renowned for their flawless and unique performances.

SU-METAL said:
“The crowd at Download Festival always welcomes us with a lot of energy so I can’t wait to perform there again! We hope to bring even more power and energy so please look forward to our performance!”

MOAMETAL said:
“To have the opportunity of performing at one of our favorite places is incredibly exciting for us. Can’t wait to see everyone there!”

THE PRETTY RECKLESS are a bruising blend of ferocious rock’n roll and blues, with huge singles such as ‘You Make Me Wanna Die’ and ‘Heaven Knows’ in their discography, and their explosive shows have earned them legions of new fans all over the world. AIRBOURNE’s first album Runnin’ Wild was one of the most talked-about and best-reviewed debuts in recent rock history, and their classic rock inspired hits are expected to create a thunder at Download.

Joe O’Keeffe from Airbourne said;
“Do you wanna rock? Then let’s f****n’ rock!”

Named one of the best-selling rock bands of the 21st Century SKILLET will bring their stadium sized anthems backed by multi-platinum selling albums to Donington next year. BARONESS have embodied a DIY ethic since the beginning. With five innovative and highly creative albums under their collective belts that swerve genre barriers, they consistently keep fans on their toes and are expected to do the same at Download next year.

LIT are considered one of the preeminent bands to have come out of the post-grunge era of the late 90’s, defining an entire generation of power punk with hits like ‘My Own Worst Enemy’ and ‘Miserable’. Since their warmly-welcomed return in 2011, British alt rock titans BUSH have shown no signs of rest as they have since released two albums and appeared on the John Wick: Chapter 3 soundtrack with a heavier new sound inspired by System Of A Down.

The Duke of Spook WEDNESDAY 13 has been added to the line up following the release of eighth album Necrophaze. Expect the unexpected from the original horror punk enigma who is infamous for theatrics. Also performing are BRITISH LION, the side project of Iron Maiden’s Steve Harris that’s stamped with his unique style.

With a cult-like and fanatical fanbase as well as being referred to as “the heaviest band in the universe”, ELECTRIC WIZARD will perform at Donington with their uncompromising style of ‘70s inspired doom and detuned guitars. They’ll be joined by PERIPHERY who are at the forefront of the djent movement with their blisteringly technical and heavy prog.

Since their inception in 1984, OBITUARY are a fundamental act in the development in death metal and have made one hell of a dent with ten colossal albums and ear shattering riffs under their name.  Joining them, are death metallers DYING FETUS who will be heading back to Donington in 2020.

Toronto punks PUP have cemented themselves as one of the most energetic and exciting live bands in recent years, and with their noisy, biting and a recklessly fun ode to nihilism, they’re not to be missed. The self-dubbed ‘family band’ TINY MOVING PARTS formed in high school and have worked tirelessly to create the band’s trademark blend of math rock, punk pop, and emo – they have been added to the already monster line up,

Most known for ‘Youth of the Nation’, ‘Southtown’, ‘Boom’, and the triple platinum record Satellite, San Diego’s P.O.D. join the line up with their infectious hybrid of punk, heavy metal, reggae, rap and Latin music.

Making their debut last year with bold album Ain’t Always Easy on Spinefarm Records, STONE BROKEN’s energetic live shows have fuelled their desire to take on the world and are ready to take on Download.

Returning to Download are the retro-inspired blues of quartet BLUES PILLS and their vintage style.  Fronted by hard rock veteran Toby Jepson (G.U.N., Little Angels), WAYWARD SONS dropped their second album The Truth Ain’t What It Used To Be last month and are a much welcome addition to the line up.

Self-proclaimed Kings of Stonerpunk, BOKASSA make their Download Festival debut from Norway following a summer opening for Metallica on their European Wordwired tour. With a sound as bold as their name WARGASM may only have two singles under their belt, but the captivating duo are sure to make their Download debut one to remember.

Also added are BLACKOUT PROBLEMS, BLEED FROM WITHIN, CELLAR DOOR MOON CROW, CHELSEA GRIN, DEAD LABEL, DEAD POSEY, LOTUS EATER, MARIANAS TRENCH, POWERWOLF, PUPPY, THEORY, THE LAST INTERNATIONALE, THE WILDHEARTS, and UNCURED.

Download Festival is the home of rock music and takes place on the sacred grounds of Donington Park, which have been associated with rock since the eighties. The festival attracts icons of rock and metal to its main stage, plus some of the best and hottest new acts in the world.

DOWNLOAD REVEALS PROGRAMME OF VILLAGE AND ARENA ACTIVITIES AND ENTERTAINMENT

Download Festival, the UK’s premier rock event has today announced a plethora of extracurricular
and extra spectacular rock n’ roll activities and entertainment for fans in The Download Village.
Alongside the world’s biggest rock bands; including headliners Def Leppard, Slipknot and Tool and the
high-flying WWE NXT UK, fans will enjoy a stunning array of unique performances, experientials,stalls,
food, drink and more at the three-day rock extravaganza. Day tickets for the festival have also now
been released and are on sale from £79.50 + booking fees from www.downloadfestival.co.uk.

For those looking to get revved up in moshing shape, Download is proud to welcome heavy metal
exercise class RockFit™ to make its festival debut. The classes will see fans throwing shapes and
working out to an energising soundtrack featuring AC/DC, Guns N’ Roses, Metallica as well as acts
from the bill like Slipknot, Def Leppard, Slash and Rob Zombie and more. The classes are suitable and
adaptable for everyone and fans are invited to take part.

DO.OMYOGA™ is back after an incredibly successful first outing, where fans can perfect their asanas,
practice their downward facing Download Dog, and reconnect to themselves through the ancient
Indian practice of Nada Yoga where music and sound become one. Welcoming all to taking a leap into
the heavier world of wellness and fitness in a slow vinyasa based practice, set to a selection of dark,
‘vibrational’ end of the music, along with up to 250 other Metal Yoga enthusiasts, experts and curious
beginners alike.

The SINDROME Arena will be back this year playing host to a programme of death-defying stunts,
bohemian freaks, mechanical madness, Viking battles and a heavy dose of love, peace and air rock n
roll. Fan favourite, Area 51 and their wandering Caravan of Lost Souls are back with their dark circus
sideshow and human curiosities to hype the crowds. In an Official World Premiere The Thunderdome
comes to Download, where Young Wall of Death stars Luke and Kerri Fox defy death right before your
eyes on a 9m mesh wall in their brand spanking new adrenalin fuelled stunt show. The hugely popular
‘Demolition Download’ from Battle Heritage are making the charge back to Donington for a sixth year
where medieval fighters from all over Europe will gather to take each other on in battle to be crowned
champions in this full force, full contact sport. By popular audience demand, festival goers will be able
to try their hand at this most ancient of sports, at the Demolition Download workshops featuring
Battle Heritage Fighters in the SINDROME.

Fans are invited to make air, not war as the UK Air Guitar Championships makes its grand return to
Download. Festival fans are invited exclusively to enter into this internationally recognized
competition and to gain the chance of becoming the UK’s ultimate 2019 Air Guitar Hero and a shot at
the world title in Finland. DR HAZE the Undead Ringmaster of The Circus of Horrors hosts the
competition and at the end of each heat, performers from the Circus of Horrors will hit the SINDROME
Stage.

The beloved Doghouse features a stacked bill including fan favorites Circus of Horrors, who are back
with two wild new shows ‘Asylum’ and ‘Welcome To The Freak Show’. Each featuring an amazing
amalgamation of bizarre, fantastic circus acts and the darkest of magic. Expect unbelievable sword
swallowers, whirlwind acrobats, flaming limbo twisted contortion, blade walkers, fiery hula hooping
divas and lots, lots more in this roller coaster of a show, hosted by undead ringmaster Dr Haze with a
metal soundscape of devil driven rock n’ roll.

The World’s Greatest Wall of Death returns to The Download Village providing non-stop high-risk
performances from the legendary Luke and Kerri Fox and team that will leave the Download audience
utterly awe struck and totally exhilarated. Deep in the Woods in the heart of the Village, The Metal
Den can be discovered – where revellers can lay in hammocks and savour Download’s very first
Outdoor Cinema The Metal Screen and its hand curated Cineprogram. From noon to midnight each
day an awesome collection of Arthouse, classic, comedy and documentaries will be screened. As the
witching hour strikes the Metal Screens’ resident metal VJ Harry K will take to the decks spinning
metal & rock classics into the early hours. Download’s revered resident tattooists, Old Sarum are on
hand ready to ink the masses, for those who want a more permanent memento of their weekend.

The Download Village also plays host to delicious food and drink stalls fairground rides and lots of
surprises!

First DOWNLOAD 2019 Announcement!

DOWNLOADERS! It’s time, your first announcement is here and we’re hyped to reveal that your #DL2019 headliners are Def Leppard, Slipknot and ToolPlus, SEVENTEEN of the most awesome bands in the world including Slash featuring Myles Kennedy and The Conspirators, Whitesnakeand Rob Zombie are also coming to rock Donington Park to its metal core on 14th-16th June 2019.

Classic rock powerhouse Def Leppard are making a spectacular return to headline the Main Stage on Friday at Download and we cannot wait.

In what will be their ONLY UK appearance of 2019, the Sheffield legends will be playing their seminal album ‘Hysteria’ in full and more.

Def Leppard front man Joe Elliott has said: “We are delighted to be going back to headline Download in 2019! The festival has a very special place in our hearts and it’s such a great place to play. We will be playing Hysteria in full – yes, in full! – plus a load more of the hits, and we are going to put on a very special show for our UK fans. Can’t wait to see you all there!”

The forerunners of the new wave British heavy metal movement, Def Leppard have sold over 100 million records. Donington is going to be the ONLY place in the UK this year where you can watch them rip through a full-throttle stadium-sized show and scream along to classics like ‘Pour Some Sugar On Me’, ‘Love Bites’, ‘Rock Of Ages’ and countless more.

So, get set to rock like an ‘Animal’ as it’s going to be unforgettable Main Stage headline set for the Download family.

Meet your next headliners, the mighty masked metallers Slipknot! One of the most defining acts of the last two decades, the sheer power of Slipknot’s live sets have gone down in Download legend.

With a back catalogue of rock club classics – ‘Duality’, ‘Spit It Out’, ‘Before I Forget’ and ‘Psychosocial’ – Iowa’s sickest sons are going to bring the mosh for their Saturday headline set.

An appearance thirteen years in the making, we are totally psyched to announce that Tool will be making their grand return to headline Sunday at Download.

The Grammy award-winning, multi-platinum, prog-metal titans are set to take you on a grandiose career spanning journey of classic albums ‘Undertow’, ‘Lateralus’, and ‘10,000 Days’.

If those legendary headliners weren’t enough we’ve got SEVENTEEN more bands to announce today.

After slaying the Main Stage with Guns N’ Roses at #DL2018, living guitar god Slash couldn’t stay away and is riffing his way back to Donington for #DL2019 with Alter Bridge frontman for Slash featuring Myles Kennedy and The Conspirators.

Fresh from releasing their phenomenal third album ‘Living The Dream’, Slash and Myles Kennedy and The Conspirator’s set is going to have you wailing to signature slick solos and out of this world rock anthems.

“Here I go again on my own, Goin’ down the only road I’ve ever known!” is going to ring out loud and proud over Donington Park as Whitesnake are coming to Download 2019.

Whitesnake front man David Coverdale said: “Once again, we’ve been honoured to be invited to participate in the legendary DOWNLOAD 2019…Can’t Wait To See You All & Kick Arse Together!!!…So Ready 2 Rock!!!”

If metal is your lifeblood, get ready for a large transfusion as Rob Zombie is once again going to turn Download into his own twisted carnival with a set bursting with stomp-laden classics and new tracks.

Plus, Trivium will be taking Donington by the horns to turn your stomachs with their roaring metal, Swedish death metallers Amon Amarth are going to pack a deadly punch with their Viking inspired cinematic metal and Carcass will remind you why they’re the gore-grind forefathers.

Still want more? Dutch outfit Delain, led by the world-class frontwoman Charlotte Wessels, will be a must-see for all of you symphonic metal fans. Whilst, in a Download first Die Antwoord will be getting you bouncing hard to their Zef style hip-hop.

And, punk rock covers supergroup Me First And The Gimme Gimmes, featuring members of NOFX, Foo Fighters, Lagwagon, Swingin’ Utters, are going to have you and your mates gasping for breath shouting along to their rapid-fire covers.

If you’re looking for a one way ticket to prog paradise, Sweden’s Opeth are going to deliver a set filled with classics and tracks from their 2016 acclaimed album, ‘Sorceress’.

New-school thrashers Power Trip are going to make their Download debut and get you headbanging to tracks from their sophomore album, ‘Nightmare Logic’.

And, Californian ska-punk heroes Reel Big Fish will get Donington bouncing to some solid rocksteady riffs.

Download Festival favourites Skindred are going to shake the Donington hills with their ragga metal. The unmatched energy and exuberance of frontman Benji Webbe is sure to see the return of the Newport Helicopter originating at Download 2011.

Hotly-tipped sci-fi, conceptual rockers Starset also join the line up with an ambitious, gigantic rock set that is destined for the stadiums in the future. And, Tesla will serve up classic hard rock anthems in mammoth portions for you to sink your teeth into.

Ready to give us a surefire singalong are Queensland metalcore veterans The Amity Affliction with syrupy hooks, melodic metalcore and ferocious breakdowns.

And, finally open your arms wide to welcome back post-hardcore pioneers Underoath as the trailblazers make their first appearance back at the festival since 2005.

Download 2016 – FULL REVIEW!

You can’t deny it, something out there really has it in for Download Festival. It’s the same story every year – burnt for the first two days camping and then incessantly soaked for the rest, it’s like… metal is the music of the devil… or something…

Campers have been steadily pouring in since Wednesday, setting up epic tent-collectives with all manner of décor (bra-bunting is a particular favourite of mine) and it’s set to be a belter of a weekend, even though we’re probably all going home with trench foot and hypothermia. The Village, the hub of the camping area, is home to weird and wonderful acts such as The Wall of Death, The Inflatable Church, The Circus of Horrors, Zorbing and the fire-wielding Area 51. Oh and hilariously British pursuits like Bogan Bingo, a quiz and five-a-side football, if that’s more your speed. Head over there at night for after-hours bands, DJ’s and even catch a movie in the Cinema or laugh your arse off in The Side Splitter comedy tent.

It’s clear Download’s commitment to becoming a bit more of a well-rounded festival is working, the out of hours entertainment, things to do and see and the much improved food options mean a nicer festival experience for all, without taking the emphasis off the music at all. With the now extensive shopping and food outlets you’d better have cash on you this weekend, as despite last years’ ‘breakthrough’ technology claiming to take all the hassle out of on-site payments (which of course did not go to plan) Download have well and truly ditched the idea of RFID tags and have gone over to… er… all normal methods that you can do in the real world.

 

FRIDAY

Friday sees a dry start and Alien Ant Farm are failing to get anyone interested in anything other than Smooth Criminal, and Babymetal (half an hour late) draw a massive crowd for their J-Pop inspired metal, which is frankly just about the oddest thing ever. They’ve stuck to their goth-loli look and eardrum piercingly high vocals for Gimme Chocolate but actually the new album tracks seem a bit more developed and musically interesting rather than gimmicky. We do wish Herman Lee could have popped up for Road of Resistance, but the two girls down the front who have made a massive effort to dress like the band seem to be loving it, alongside some very big bearded men who appear to know ALL the words.

On the Encore stage, Christian rock band Skillet are killinit (see what I did there?) but the Lemmy/Motorhead tribute video on the main stage is in all honestly a bit lame. We all know Lemmy partied hard, but is it really necessary for people to recount exactly what variety of drug he offered them? Only Brian May appears to talk about him in a painfully honest way, saying “I miss him very badly”. Apart from a stage naming and a tshirt on the merch stand, it’s weirdly unspoken for the most part… maybe it’s all a bit soon for most of the bands.

Grabbing possibly the most English food available for lunch (Duck fat roast potatoes with gravy, followed by apple crumble…) we hit up the absolutely packed Maverick stage for Geordie rockers The Wildhearts who have everyone jumping to I Wanna Go Where The People Go. Over on the main stage we’re treated to a dose of Jonathon Davis’ chicken dance (hold mic, flap arms) as Korn blast out the likes of Coming Undone and Freak On A Leash. The rain is absolutely hammering down now and it kinda fits the grungy nu-metal feel, the arena is full of swamp-people whipping their hair everywhere. Amidst the seriousness of purpose that Korn portray, it’s hard not to giggle at the Lebowski-esque rug that has been laid down to stop Davis stacking it in front of everyone.

Finally it’s on to the main event, and the bedraggled but excited masses have gathered for the ever sinister yet playful German powerhouse that is Rammstein. Running through scores of hits like Sonne, Du Hast, Ich Will and Feuer frei there’s nothing missing from this incredible set. The expected but always insane pyrotechnics just keep coming, with fire breathing face-cages, firework body suits and a giant pair of angel wings, there’s just nothing these guys won’t do for a show.

Check out our full Rammstein review HERE

SATURDAY

Entering the arena today it’s obvious some effort has been made in the way of soaking up the sludge, using a ton of hay and woodchips, there’s a much boggier/safer quality to the underfoot feel, but it probably won’t last.

Over in The Kennels area, a queue is already forming for new addition WWE NXT stage, live wrestling shows hosted by Triple H, whilst self-proclaimed Swedish circus freaks Avatar are bringing some life to the main stage. Wearing what I can only describe as resplendent outfits inspired by the Vatican Guard and yelling “Bang your heads English men!” they put on a rowdy first set of the day, and gain a few more followers with their tight riffs and synchronized hairwhipping.

Beartooth’s punky tones soar across the arena to a decent sized crowd for In Between and Black Peaks are totally smashing the Maverick stage. Turbowolf take the baton next yelling “For the next half an hour, this is our home” before tumbling headlong into the likes of Rabbit’s Foot and Solid Gold.

Danko Jones starts out with classic Play The Blues which actually gets kind of a cold reception from the crowd, but soon he’s telling us “…everybody at Download gets to call me… delicious” and saying “I am a whore for that sound you make with your hands” everything starts to get lively. A fan in the front row passes up a flag requesting Sex Change Shake but Danko goes on to play Cadillac instead citing “…it’s the same three chord structure anyway… so this is like, Shake Change Sex”. There is something ridiculously fun about Danko Jones, in an overwhelmingly cheesy way. They are so uncool they’re cool. They’re the Fonz of rock.

Lawmower Deth however, are exactly the kind of godawful rubbish we should (and do) love, this time with an added Brucey Bonus of being joined by… and I can’t believe I’m writing this… Kim Wilde for Kids in America. It could not be more bonkers and everyone LOVED it.

Rival Sons bluesy cali rock has the arena up and dancing with their beers, soaring vocals and a stellar set – we loved closer Keep On Swinging. On the Encore stage Juliette and the Licks hit hard with Hot Kiss and Credence Clearwater Revival cover Proud Mary, J-Lew is just as enigmatic on stage as on screen. Megadeth are joined on stage by Nikki Sixx for Anarchy in the UK before Nikki steps out with his own band Sixx: AM for a completely different sound. It’s a strong set and a hell of a lot of people have come out to watch. Despite the sea of hair and black tshirts this weekend, it’s clear the pop-punk kids have been hiding in plain sight as the hoarde heads towards the Maverick stage for rowdy Welsh band Neck Deep, but they aren’t even going to win Taffy of the day with Skindred tearing it up over on the Encore stage. Despite the now constant rain, Skindred have drawn a huge crowd for their completely-weird-but-totally-works reggae-metal and the whole crowd is getting down and dirty for Doom Riff and Pressure. With an unsolicited play of Bieber’s ‘Sorry’ mixed into Trouble, they’ve singlehandedly outlined exactly which people we should push in the mud later, but not to worry as there’s an epic and extremely wet swirling of tshirts for Warning. We love a bit of a Newport Helicopter we do.

The rain is now unashamedly heavy and regardless of the plastic ponchos, raincoats and really fucking annoying golf umbrellas, pretty much everyone is soaked through. The crowd is built right up the main stage hill and the anticipation is palpable. Fan or not, there’s no denying that seeing Black Sabbath on their last ever tour (no really, it will be the last this time… right?) is pretty special and important. Though it’s clear throughout the set that Ozzy’s voice isn’t the best (was it ever?) the songs are heavy and hit the nerve of nostalgia so hard. Snowblind, War Pigs, Iron Man and Paranoid are obvious highlights, but no less great because of it. With the downpour drastically thinning the crowd, the views are spectacular and it’s the kind of closing show you hope for – full of hits, none of the new stuff. They will be missed.

Check out our full Black Sabbath review HERE

SUNDAY

With the early morning news that GHOST have cancelled their set today and nightmarish state of the main arena (seriously, it’s the kind of goop bodies arise from in the Walking Dead) today’s bands have to compete with the drowned-rat temperament of all those who’ve camped. Luckily there’s crepes for breakfast, a champagne tent and… hold up, what? I’m down with crumble but there’s no place for Moët in Metal. Come on.

Looking about as country as you can get, Whiskey Myers ease us in gently with Early Morning Shakes on the Encore stage before Amon Amarth give us growly Viking battle tunes from their dragon longship style stage set-up and giant fire canons. It’s even more awesome than it sounds, honestly. Whiplash back to bluesy rock with an inexplicably American sound for Glasgow vocalist Phil Campbell and The Temperance Movement. It’s an unrelentingly great set with a few tracks from the new album but finishing up with Ain’t No Telling from their first, we’re glad to see them back at Download.

On the Maverick stage, Frank Carter & The Rattlesnakes are, well, doing what they do. There’s a huge mosh pit and lots of people seem to be enjoying themselves, but lots of other people seem to be screwing their noses up and walking away. So we head on over to the main stage for the eponymous Halestorm who have grabbed a massive crowd and are belting out Amen, I Am The Fire and I Miss The Misery. There’s no doubting Lzzy Hale’s vocal prowess but there’s something very Nickelback about them, massively produced and clean, it’s hard to put your finger on it.

Shinedown have that crowd-participation approach that we Brits love to hate, like panto – they want us to jump, so at first we do it sarcastically… then again to reinforce the joke… before you know it everyone is pogoing like a complete tosspot to a band they don’t even really like. Either we’re a very very susceptible nation, or Shinedown are actually doing a good job. I’ve no idea at this point. Delain on the Encore stage have drawn all the raven haired goth girls for a good old headbang but there’s a bit of power missing behind it all. On the Maverick stage Electric Wizard are heavy in a way that makes your stomach drop but it's Gojira who really make our skin crawl, in the best kind of way.

Disturbed are actually forcing joy out of otherwise non-fans today with the likes of Simon & Garfunkel’s The Sound of Silence – a stalwart of their tour repertoire. In an epic hit-to-hit continuous play we get; U2’s I Still Haven’t Found What I’m Looking For with Lzzy Hale, The Who’s Baba O’Riley with Blaze Bayley and RATM’s Killing In The Name with Benjamin Burnley of Breaking Benjamin. Where else are you gonna see that kind of mash up? Let’s be honest though, we’re all waiting for Down With The Sickness, and Disturbed give it to us with a cry of “I think it’s apparent the entire United Kingdom has been infected with sickness…”

Nightwish are plagued from the off with the heaviest downpour of the weekend but that’s never done anything to quiet this truly epic band before. Lords of the symphonic circuit, Nightwish have been the subject of more drama than any other band, public shamings and bootings aside – they seem to have bounced back each time. In Floor Jansen they’ve found a vocalist capable of traversing Tarja Turunen’s operatic realm and the rock sound they’ve been moving steadily towards over the last few albums, and she hits the stage dressed like a Valkyrie, which I guess, is the point really. With giant bursts of fire from stage canons, Nightwish (and the now extraordinarily drenched fans) power through some of the strongest numbers of the entire weekend. Nemo’s the one everyone has been waiting for, and though it will never quite be the same without Tarja, it packs a punch and remains a fan favourite. It seems Download loves Nightwish, no matter who’s fronting. Especially that dude vogue-ing the shit out of it at the back.

Headlining the Maverick stage Saxon get more than they bargained for – the tent is bursting at its seams with the soggy and groggy, warming themselves up for Maiden with the Yorkshire boys. 747 (Strangers in the Night) is melodic-shreddingly amazing, And The Bands Played On is the perfect description of what Saxon seem to intend to do… forever… and Wheels of Steel has every single person singing along. Biff’s voice and determination is as strong as ever.

As is typical of Sunday headliners at Download, there is very little crossover of other stages, and Iron Maiden also joining us a little later than intended means the arena is absolutely COVERED in bodies. Thankfully the rain has stopped just in time for the screens to switch over to Eddie TV and Bruce Dickinson to emerge from centre stage for If Eternity Should Fail. Through a Book Of Souls heavy set we are well and truly smacked with the fact that Bruce’s throat cancer surgery has done nothing to dull his vocals or his enthusiasm, he races the stage with the same wild abandon he has always had. In the wake of Black Sabbath’s ending, it’s sort of comforting to know that Maiden have no plans to quit any time soon. Hell, they just got a new plane.

Old favorites The Trooper, Hallowed Be Thy Name and Fear Of The Dark are every bit as heart-stoppingly brilliant as we’ve come to expect, the stage sets and animatronics just can’t be rivaled. With an epic encore of The Number Of The Beast, Blood Brothers and Wasted Years, Maiden came, saw, conquered. With a long speech regarding this weekend’s tragic events in Orlando, an incredible set and more energy than any one of us can muster after three days in a field – Bruce may as well have done an actual mic drop.

Read our full Iron Maiden review HERE

So what to make of Download 2016? As always controversy over headliners is rife for this sort of festival. With a genre so diverse, with arguably warring factions – there’s always going to be something you love, and something you hate. That’s kind of the point right? If you loved the whole lineup everything would clash. If you hated the whole lineup, you wouldn’t buy a ticket. This year, Download seemed to have secured bands from a whole heap of genres without one heavily dominating the others and let’s be honest – seeing Rammstein, Black Sabbath and Iron Maiden on the same bill is really pretty incredible when you think about it. But who the hell is going to top this? Roll on DL2017’s announcements and the ensuing forum arguments we will inevitably be part of…

All photographs © A. Hyams, please do not use without permission.

Black Sabbath – Download 2016 Review

Well what can you say about the finality of one of the most prolific bands in history’s last ever show at their spiritual home of Donington Park? The band have played here time and time again, Monsters of Rock, Ozzfest, Download – Donington in all it’s incarnations. Black Sabbath are sewn into the fabric here and the arena is awash with black shirts in all shapes and sizes, from a tour history spanning decades and generations. Families making sure their kids get to experience this once in their lifetime, the younger crowd who may not be die-hard Sabbath lovers but are here nevertheless, and those original fans with a tear for the end of an era. Everyone feels the gravity of tonight’s performance, and that’s a pretty big weight to put on any band’s shoulders.

As the sky darkens ominously and the purple Black Sabbath logo lights up the big screens, there is a hush of anticipation for the Birmingham band, one city over from where they were formed – this always feels like a homecoming. With visuals depicting the birth of Satan from an Aliens-esque egg the band alight the stage to an almighty roar and thousands upon thousands of hands thrust into the air in horns.

Starting off with namesake Black Sabbath (we really enjoy it when artists sing about themselves… well, maybe not Craig David…) it’s clear that Ozzy’s voice is ahem, off. The difference between this show and their last Donington stint is pretty noticeable and there’s a lot of chatter in the crowd to that effect. It also seems like they’ve purposefully slowed down their already trademark slow heavy metal, to accommodate Ozzy’s vocals, but hey, we’ve been listening to upbeat bands all day… that must be it… right?

Yelling his standard “I can’t fuckin’ hear you” there’s a little nostalgic twinge as someone nearby retorts an unheard “That’s cause you’re fuckin’ deaf”, I think I’ve heard that every single time I’ve seen Ozzy live and this will be the last time. Fairies Wear Boots is a fan favourite and everyone is singing along but the wind and rain have notched up and the 4 speaker stacks in the middle of the arena just aren’t good enough to travel it up the hill. Every year the same argument – it’s fine for the earlier bands when the crowd is split, but for the headliners it leaves at least half the arena with shockingly poor audio.

Into The Void and Snowblind are fantastic, with Iommi shredding the hell out of his guitar in his nonplussed style, and despite the constant rain (maybe there was a market for changing the name to Rainblind…), the swishing of ponchos and smack of wet hair on cheeks says that everyone is having a headbangingly excellent time. Sabbath anthem War Pigs however is absolutely epic, due to the thousands strong crowd singing every bit of it at the maximum capacity of their lungs.

We get a traditional gratuitous drum solo and then everything we wanted to hear; N.I.B, Hand of Doom, the heart-stoppingly good Iron Man (complete with flaming pyrotechnics on the stage and sound tent) and Children Of The Grave.

With an encore of Sabbath’s biggest hit Paranoid, and a tear-jerking ‘The End’ plastered on the big screens, it’s time to say goodbye to arguably the most important band in heavy metal, the forefathers of everything you see here. Though it might not have been the best we’ve ever seen Black Sabbath, there is an overwhelming sense of importance, that we were there, the very last time the godfathers of heavy metal played the most iconic location in heavy metal. It almost makes you want to get a commemorative tattoo. Or, you could go snatch up a ticket for their final UK tour dates EVER. Whimper. Sniff. Sabbath – we will miss you, always.

Photo Credit (Ozzy): Ben Gibson

Photo Credit (Stage): Jen O'Neill

All photos courtesy of Download Festival

Rammstein – Download 2016 Review

Despite a day of heavy downpours over a now very boggy Donington Park (yes yes, we’ve heard the monikers… Drownload… Downpour Festival…), thousands of expectant faces are turned towards the main stage for tonight’s headliner – German heavy metal powerhouse, Rammstein. There’s nothing quite like a side of S&M or pyrotechnics alongside learning how to count to vier whilst headbanging, and Rammstein promise a whole lot more than just their stage show.

As a cinematic countdown begins, video screens send a message “Enjoy the show, please do not be preoccupied with recording it” and instantly Go-Pro’s are thrust into the air on ridiculous, view-ruining monopods. I mean come on, what the hell are you actually going to do with that footage man?

Regardless of the moronathon, Rammstein smash their way onstage as only they can – with giant showoff billowing clouds of pink smoke, which when combined with the ongoing drizzle turns quickly into a spatter of blood on anyone wearing lighter than black outfits. First up new song Ramm 4 sees giant firework laden platforms lowering guitarists Kruspe and Landers onto the stage and the always enigmatic frontman Till Lindemann emerges in a childcatcher-esque outfit and his patent white painted face.

The stage look for Rammstein has always been industrial but this time steps over into the cyborg realm with giant stage-high light bars which respond to the band’s instruments. Reise, Reise is absolutely gut churningly heavy, and Till sports a very fetching duffel coat over his flash-bang adorned waistcoat which explodes, quite obviously right in his face. How this band have not sustained more serious pyrotechnic related injuries I’ll never know.

The electronic intro bleeps for Feuer Frei raise an enormouse guttural roar from the crowd, and there is no shortage of actual fire alongside the music, their signature flamethrowing face cages are everything Batman’s Bane wishes he was. Keyboardist/freak on a leash Lorenz is hastily shoved into a box after being dragged around the floor, emerging later in an extremely spangly sequined suit to walk off his horrors on a treadmill whilst Till wields a giant flaming arc that sort of looks like a crossbow. You really couldn’t make it up. A crackly speaker on the right side of the stage threatens to dull Mein Hertz Brennt but as Till’s heart (flare) lights up, every single person in the arena is singing their lungs raw. Following up with Links 2, 3, 4 this is shaping up to be a stellar performance from Rammstein.

Guitar flamethrowers, fireballs erupting from the sound tent in the middle of the crowd and zip-wire fireworks streaking back and forth – every time you think you’ve seen it all, Rammstein amp it up a little more. Ich Will has everyone yelling back the required replies ‘Wir hören dich’ and so on, Du Hast is heavier than a heavy thing and Depeche Mode cover Stripped just couldn’t sound more seedy than in a German accent.

For the Encore, we are treated to the completely epic Sonne followed by an acoustic Ohne Dich but it’s Till’s ascension into angel-dom that is the real icing on this weird and wonderful cake. Giant metal wings loaded with white sparking fireworks lift Till into the air above the stage floor for Engel and it is motherlovin’ glorious. Leaving us with a brief “Thank you. Danke schoen, you’re amazing” the stage erupts in a backdrop of massive rocket fireworks and the arena is engulfed in smoke. There’s nothing more to say except that Rammstein are arguably one of the best metal acts of our time and here’s hoping they don’t leave it too long before returning with even more incredible shows.

Download Festival announces even more bands for 2016

Download Festival, the world’s premier rock and metal event, adds another 14 acts to an already huge bill, including All Time Low, The Temperance Movement, The Wildhearts, and Napalm Death. Download Festival takes place on 10-12 June 2016 in Donington Park. Tickets are on sale now.

Joining headliners Rammstein, Black Sabbath and Iron Maiden for three days of unmissable rock are All Time Low. With over 1.1 million sales and more than 100 million Youtube views, the US pop-punk rockers are riding high after the last album, Future Hearts topped the UK charts at the end of 2015.

Returning to their Midlands roots are British grindcore pioneers Napalm Death. Since forming in 1981, Napalm Death have gone on to influence a legion of hardcore fans and musicians alike, they’ll be joined by Geordie punk rockers The Wildhearts whose original member Ginger will be returning to the line up after various solo projects.

Californian skate punk legends, Pennywise, will play Download Festival for the first time in over 10 years, headlining the third stage on Saturday. Their speedy and infectiously catchy punk anthems will ensure everyone knows why they are still one of the most relevant forces in punk today.

Bringing some powerful blues-rock to the festival’s Lemmy Stage, will be critically acclaimed The Temperance Movement, whose recent UK tour was lauded as one of the highlights of rock already this year. Currently one of the rock community’s most revered underground bands Glassjaw, will be making their debut Download appearance in June. The post-punk innovators have recently debuted six brand new songs and will be bringing their unmissable east coast underground sound to Download.

Texan hard-rockers Scorpion Child will be joining the line-up to showcase their 1970s Krautrock and Psychedelia inspired metal sound as will Scandinavian garage-rock band Royal Republic. Making their Download debuts are trans-Atlantic blues, rock and soul quartet Buck & Evans. Joining them and tipping their hat to the likes of Mastodon and Avenged Sevenfold are Scattering Ashes and psych-rockers Weirds who will be bringing their trademark energetic and eclectic show to Download.

Metalcore supergroup, Devil You Know, brings together John Sankey, Francesco Artusato, Howard Jones and Logan Mader to create a blinding sound. Their latest album Stay of Execution was released at the end of last year, ready to be executed to the Download crowd this summer.

UK’s own The Raven Age will be joining the line up fresh off the back of supporting Download’s own headliners Iron Maiden on their 2016 world tour as will The Shrine who’ll be bringing their LA skater vibes to Donington.

Download Festival is the home of rock music and takes place on the sacred grounds of Donington Park, which have been associated with rock since the eighties. The festival attracts icons of rock and metal to its main stage, plus some of the best and hottest new acts in the world. AC/DC, KISS, Metallica, Aerosmith, Guns N’ Roses, Rage Against The Machine, Slipknot, Linkin Park and many more have all headlined its main stage.