Anna has been a festival fanatic since her first ever outing to Download Festival back in 2001, she's got eclectic tastes and covers everything from metal to EDM and loves a chance to try out new festivals. Anna has covered a few European festivals like Snowbombing and Wacken Open Air, but mainly hits up her UK faves; Download, Bestival and Bloodstock!
Chaka Khan and James join an incredible line-up of stars including Rag’n’Bone Man, Bananarama and Elbow, as well as the stars of The Good, The Bad & The Rugby podcastTickets go on general sale from Friday 15 November, with an exclusive pre-sale taking place on Wednesday 13 November via www.hamptoncourtpalacefestival.com
Hampton Court Palace Festival are thrilled to announce that global superstar Chaka Khan and indie-rock heroes James will perform at next year’s edition of the esteemed summer festival. James will take to the stage in the historic Base Court on Wednesday 11 June, their only London show for 2025, while Chaka Khan will perform on Wednesday 18 June. Tickets for both shows will be available via pre-sale from Wednesday 13 November, with general sale taking place from Friday 15 November via www.hamptoncourtpalacefestival.com.
Indie-rock heroes James are one of the UK’s most successful bands of the past 40 years, they formed in 1982 and have sold over 25 million albums throughout their long standing career. Led by enigmatic frontman Tim Booth they achieved their first ever UK Number One earlier this year with their eighteenth studio album ‘Yummy’. They are renowned for a string of anthemic hit singles which include “Come Home”, “Sit Down”, “She’s a Star” and “Laid”. Their only London show for 2025, the band will play the festival on Wednesday 11 June.
Heralded as a global superstar revered the world over, Chaka Khan is renowned for redefining the genres of pop, soul, jazz and funk. Having rose to fame as lead singer of legendary Chicago band Rufus, together they achieved a string of international hits including “Tell Me Something Good” and “Ain’t Nobody”, before establishing herself as one of the industry’s most successful solo recording artists with an incredible 10 Grammy Awards and induction into the Rock & Roll Hall of Fame in 2023. Her vast music catalog of hits also includes “I’m Every Woman” and the chart-topping smash “I Feel For You”. Chaka Khan will make her Hampton Court Palace Festival debut on Wednesday 18 June.
This year’s line-up also includes soul-pop titan Rag’n’Bone Man, 80s pop icons Bananarama and rock royalty Elbow, as well as a very special live edition The Good, The Bad & The Rugby podcast. In June of next year, Hampton Court Palace will once again open its gates, welcoming festival goers to enjoy the stunning East Front Gardens ‘after-hours’ before the nightly concerts begin in the spine-tinglingly intimate setting of Base Court. To make the experience even more special, guests can pre-order one of two sumptuous picnics that can be enjoyed in the early evening sunshine.
Picnic options include ‘The Courtier’s Best of British Picnic’ or ‘The King’s Gourmet Hamper’, which are both provided by British Fine Foods and feature meat and vegetarian options, as well as a bottle of fine wine or Champagne. Picnics can be conveniently pre-ordered with tickets or added to existing reservations. Fans can also choose to take their experience up a notch with added extras such as a welcome glass of Champagne or pre-book a charming fountain-side gazebo with delicious refreshments. For those who truly want to make their festival experience extraordinary, a delectable three course dinner within Hampton Court’s State Apartments is available by selecting the King’s Dining Experience.
Now in its 29th year, Hampton Court Palace Festival is a moment of celebration in the summer calendar that showcases a series of phenomenal performances in an entirely one-of-a-kind location. The concert series (produced by IMG in partnership with Historic Royal Palaces, the independent charity that cares for Hampton Court Palace) is set against the backdrop of Henry VIII’s grand palace within a vast Tudor Courtyard. The festival offers an unmissable opportunity to witness legendary artists in an intimate setting like no other, accommodating only 3,000 guests. Stay tuned for more exciting artist announcements.
Date Artist Prices From Wednesday 11 June James £75 Thursday 12 June Rag’n’Bone Man £85 Saturday 14 June Bananarama £49.50 Sunday 15 June The Good, The Bad & The Rugby £46.50 Wednesday 18 JuneChaka Khan £85 Friday 20 June Elbow £85 Saturday 21 June Elbow £85
The UK’s fastest growing family festival, Wychwood, has revealed James as the first headliner for 2025
James have captivated their dedicated fan base around the world with impressive storytelling and undeniable live performances, delivering shows packed with hits like “Sit Down”, “Laid” and “Come Home”. Riding high off the back of recent arena dates, they continue to innovate and inspire at every turn, and are now set to headline Wychwood’s main stage on Saturday 31st May.
The legendary nine-piece indie rock band from Manchester draw from three decades and 18 albums worth of material, including their uplifting new album Yummy which saw the band achieve their first ever official UK number 1 album in April, a testament to their enduring popularity. With Wychwood offering the chance to witness such an iconic British band in their creative element, everyone will be up out of their seats for next summer’s festival headline show!
Wychwood Festival is renowned for presenting diverse musical lineups, alongside a perfect combination of comedy, arts, 100s of family-friendly activities, and sensational food and drink. Drawing growing audiences of all ages from around the UK and following a fantastic show this year headlined by Sister Sledge, Texas and Ocean Colour Scene, anticipation runs high for the 2025 edition at the lush grounds of Cheltenham Racecourse from 30th May – 1st June.
Iain Game, Festival Director of Wychwood Festival, said: “We’re so excited to welcome James back to the racecourse next summer, now armed with incredible new music to add to the classics we all know and love. With so much more to be announced for 2025, we’re definitely in for an unforgettable weekend together in the fields!”
Wychwood is leading the way for the future of boutique festival experiences, as it promises another standout summer weekend for families and avid music lovers alike.
Wychwood Festival takes place between 30th May – 1st June 2025 at Cheltenham Racecourse. Day and Weekend Tickets are on sale now! https://wychwoodfestival.com/
American Express presents BST Hyde Park announces another incredible headliner for 2025, record breaking folk-pop star, Noah Kahan, for his biggest UK show to date on Friday 4 July. Noah Kahan will be joined by special guest, Gracie Abrams, with full line-up still to come. Tickets go on general sale Friday 8 November at 10am GMT. Available at www.bst-hydepark.com
Over the past year, GRAMMY-nominated Vermont singer-songwriter Noah Kahan has exploded from his New England roots into the global mainstream, solidifying himself as one of this year’s biggest and best new artists. Across three albums and two EPs, Kahan has garnered global renown for his singular mix of Folk, Americana, and Rock, landing more than five billion streams, a Double Platinum Certification for hit single ‘Stick Season’, and collaborations with Post Malone, Kacey Musgraves, Kelsea Ballerini, Brandi Carlile, Gracie Abrams, Sam Fender and more.
A major global success, ‘Stick Season’, a song based on the malaise he felt staying in his hometown, became Kahan’s first UK Top 10 single. Climbing all the way to Number 1 it sat atop of the UK charts for seven weeks and, in February this year, he landed the Official Chart double – as both ‘Stick Season’ and its accompanying album took the Number 1 spot on both the Official Singles and Albums Chart simultaneously. Just last month, the track has now been named as the UK’s Biggest Song of 2024 by Official Charts.
Shows in support of his widely adored, Platinum-Certified album, Stick Season, sold-out across North America, selling over half-a-million tickets – just a prelude to his stadium and arena dates on his sold-out world tour that followed. In 2024 here in the UK, Kahan sold-out two nights at OVO Wembley Arena, following up with two sold-out shows at the O2 Arena just a few months later. Now the singer joins the incredible list of headliners to play BST Hyde Park’s Great Oak Stage, for one of the biggest shows of his career so far.
Since making her debut in 2019, Gracie Abrams has emerged as one of the most compelling songwriters of her generation. Her debut project minor was released in summer 2020, featuring her beloved singles ’21’, ‘I miss you, I’m sorry’, and ‘Long Sleeves’. In 2021, Abrams returned with EP This Is What It Feels Like, before sharing her long-awaited debut album Good Riddance, produced by Aaron Dessner of The National.
Praised by Rolling Stone as “one of 2023’s best debuts”, they hailed Abrams as “one of pop’s buzziest young artists”. Her latest offering, the 2024 sophomore album The Secret of Us, was created soon after Abrams took the stage at stadiums across the US as support for Taylor Swift’s blockbuster Eras Tour. Don’t miss her BST Hyde Park debut next July.
Noah Kahan joins previously announced headliners Jeff Lynne’s ELO, Zach Bryan, and Hugh Jackman for 2025. Expect more incredible announcements soon, for the next edition of the UK’s most anticipated summer event. BST Hyde Park again brought a hugely diverse range of superstars to the Royal Park in 2024 across three weekends – SZA to Kings of Leon, Morgan Wallen, Andrea Bocelli, Robbie Williams, Shania Twain, Stevie Nicks, Kylie Minogue and Stray Kids.
Tickets:
General Sale begins 10am GMT Friday 8 November 2024
American Express presents BST Hyde Park announces another headliner for 2025: Tony winner and Oscar nominated actor, Hugh Jackman is coming to London on Sunday 6 July.
Amex Cardmember’s presale begins at 2:30pm GMT today Friday 1 November, with tickets on general sale Wednesday 6 November at 10am GMT. Available at www.bst-hydepark.com
Returning to the UK stage for the first time in five years with his new live show, Hugh Jackman is heading to BST Hyde Park with a medley of musical theatre classics, accompanied by a live orchestra. The show will feature him performing songs from musicals including The Boy From Oz, The Greatest Showman, Les Miserables, and The Music Man, plus some surprises for his fans.
With a career spanning over three decades, he is best known for playing Wolverine in the X-Men franchise. His recent project, Deadpool & Wolverine, earned over $1.3 billion at the worldwide box office. Jackman began his career in musical theatre, starting with his role as Gaston in Beauty and the Beast in Australia. This led to an Olivier-nominated performance in the West End’s Oklahoma! and a Tony Award-winning role in Broadway’s The Boy from Oz. He returned to musical theatre, starring in the 2012 film Les Miserables, and in 2017’s The Greatest Showman. In 2021, he returned to Broadway in a revival of The Music Man, which was a box office success and ran until 2023.
After announcing Hugh Jackman Live: From New York With Love at Radio City Music Hall, a series of US concerts for 2025, Jackman is thrilled to be bringing his live show to London. Make sure not to miss his show at BST Hyde Park next summer.
Hugh Jackman joins previously announced headliners Jeff Lynne’s ELO and Zach Bryan for 2025. Expect more announcements soon, for the next edition of the UK’s most anticipated summer event.
BST Hyde Park again brought a hugely diverse range of superstars to the Royal Park in 2024 across three weekends – SZA to Kings of Leon, Morgan Wallen, Andrea Bocelli, Robbie Williams, Shania Twain, Stevie Nicks, Kylie Minogue and Stray Kids.
Tickets:
General Sale begins 10am GMT Wednesday 6 November 2024
The AMEX Cardmembers Presale begins 2.30pm GMT Friday 1 November 2024
The Hugh Jackman Fan Presale begins 10am GMT Monday 4 November 2024
The BST Hyde Park Presale begins at 2pm GMT Monday 4 November 2024
Following the phenomenal response to news of their forthcoming All Points East reunion show on Sunday 24 August 2025, The Maccabees have announced the first wave of special guests including Bombay Bicycle Club, Dry Cleaning, The Cribs, Nilüfer Yanya, The Murder Capital, Divorce and Prima Queen – with many more still to come.
The show will be The Maccabees’ first show in eight years and coincides with the tenth anniversary of the landmark album Marks to Prove It. The announcement on Monday was the news fans have been waiting for since the band paid an emotional farewell in 2017 with a sold-out three-night run at Alexandra Palace.
Guitarist Felix White says: “In the intervening years we’ve been to All Points East a lot, separately. It’s become a bit of a landmark festival for us, always checking who’s on the line-up. I’d go and have a great time throughout the day, but there was always this pinch of regret watching headliners that we could’ve done it ourselves one day too. I thought that moment had passed, and it was something I was prepared to come to terms with that I was always going to miss. I think we’re all kind of shocked and excited that we get to do it together again.”
As if the return of The Maccabees wasn’t exciting enough, the addition of special guests Bombay Bicycle Club guarantees one of the biggest events of the year in British guitar music. Since Bombay Bicycle Club formed in 2005, accolades have included the NME Best New Band award and an Ivor Novello Award nomination for the 2010 album Flaws. The band returned in 2023 with their sixth studio album, the joyful My Big Day, and this year they followed that up with Fantasies, an EP of infectious indie-pop collaborations with the likes of Lucy Rose and Matilda Mann.
With many more names still to be announced, the bill is already packed with exciting talent. Modern post-punk icons Dry Cleaning have won a dedicated following with their mix of jagged guitars, driving rhythms and spoken-word vocals on absolute bangers like ‘Scratchcard Lanyard’ and ‘Strong Feelings’.
Perfectly formed rock indie classics will be delivered at All Points East next year by The Cribs. If you have any doubts of the band’s pedigree, ask Smiths guitarist Johnny Marr, who even joined the band for a few years, or check out the blistering live album, released last year, of a performance in Liverpool’s The Cavern in 2020. Nilüfer Yanya is a genre-defying musician and songwriter, who this year released the gorgeous album My Method Actor album on Ninja Tune. Pitchfork praised it as “an album of everyday luxury”. A remix edition is on the way in November.
Also on the bill are Dublin post-punk heroes The Murder Capital, who have been delivering exhilarating dark anthems since 2019’s debut album, When I Have Fears. Their latest release is the primal roar of the single ‘Can’t Pretend To Know’ and a third album is currently in the works.
2025 is set to be a big year for fast-rising Nottingham band Divorce, with the release of debut album Drive to Goldenhammer. The infectious, soaring single ‘All My Freaks’ was described by So Young as a “refreshing, sharp commentary on the music industry, delivered with the warmth and authenticity that Divorce have made their signature”.
Plus one of pop’s rising stars, Prima Queen will head to All Points East next summer. The melodic partnership of Louis Macphail and Kristin McFadden delivers tunes that are made for the airwaves and perfect for a sunny day in Victoria Park. Latest single Fool was described by Clash as “a whip-smart piece of alt-pop that is both striking and oddly understated”.
Speaking about the The Maccabees’ reunion as plans to headline All Points East came together, guitarist Hugo White said he was inspired, in part, by watching The Strokes at last year’s All Points East: “I could see that they were enjoying it , realising how great what they had created together was. Being a band, you are usually in a mindset of, ‘We can do better’ and you’re always chasing something else. This is an opportunity to realise that whatever we had in that moment was pretty special and get to enjoy it again. It’s a chance to appreciate everything, and especially how it impacts other people and created a community.”
For 2024, All Points East welcomed another round of huge headliners Kaytranada, Loyle Carner, Mitski, LCD Soundsystem, APE presents Field Day and The Postal Service & Death Cab For Cutie and carefully curated guest lineups for each day. Between the weekends, In The Neighbourhood returned for four days of activities and free entry in Victoria Park.
It’s showtime! In honour of it being Halloween week, BLOODSTOCK was going to treat you to a spooktacular vampire pun. But it sucks.
So let’s creep it real with some more bands joining the bill, because we all know that you ghouls just wanna have fun. And in case you missed the fangtastic news about more weekend tickets being released, read on for further details and mark your calendar for 9am, November 5th, for that’s when they go on sale! No tricks! Hot on the heels of the monstrously good news about MASTODON joining the bill last Friday, here’s another 15 bands to bewitch you…
BLOODSTOCK is pleased to welcome thrash-lovin’ Norwich metal maestros SHRAPNEL, innovative Canterbury doomsters FAMYNE, and Danish blackened death/doom metal merchants KONVENT to the Ronnie James Dio stage on Friday. Emerging from Germany’s extreme metal void with a fresh take on all things black/death, THE SPIRITare added to Saturday’s bill. Sunday’s lineup now includes atmospheric, dark symphonic metallers GHOSTS OF ATLANTIS, and ONE MACHINE, the heavy metal brainchild of Steve Smyth (Nevermore, Forbidden, Testament) which also features members of Biomechanical, Savage Messiah, and Savage Grace in its ranks.
BLOODSTOCK also has these spine-tingling acts to unmask for the Sophie Lancaster stage! If you like your heavy psych, don’t miss Belgium’s prog stoners MY DILIGENCE, performing on Friday. Joining them that day are well established Finnish symphonic black metal squad SHADE EMPIRE and Vikings EIHWAR, who promise “pagan dancefloor” music, composed of Nordic folk sounds, ritual chants, shamanic drums, and electro machines!
Spicing up Saturday, self-proclaimed “dirtbags of the North” WATERLINES bring their blend of nu-metal and EDM-flavoured metalcore, melodic metal outfit PHOENIX LAKE will no doubt delight fans of Within Temptation and Evanescence, and if that’s not enough, the live spectacle of rock beasts NEONFLY (complete with fire-breathing guitarist) ought to get your pulse racing. Sunday’s no slouch, adding instrumental riff machine WALL (formed by the twins from Desert Storm) and status quo challengers DOGMA, who are keen to wield their music as a weapon against ignorance and oppression.
Last but not least for Sunday, don’t miss SIGLOS, from Ministry alumni Sin Quirin, offering up a unique dose of extreme metal (think black, doom, & industrial) combining ancient indigenous chants and brutal gutterals.
More boos? Why not treat yourself to a devilishly good bottle of “Iron Maiden Darkest Red” wine this Halloween. Full bodied, rich & moody….not for the faint hearted. You don’t have to be prehistoric, but you do need to be over 18.
Our friends, IRON MAIDEN and THE BOTTLE CLUB, want to give Bloodstockers 6.66% off with code BOA666. Why don’t skeletons fight over drinks? They don’t have the guts!
Snap up your bottle of “Iron Maiden Darkest Red” here.
Additional weekend ticketsFestival HQ saw a lot of social media posts after weekend tickets for next summer’s event sold out, with fans disappointed they missed out on tickets. While a limited number of day tickets will be made available in due course (once more of the line-up has been announced), festival HQ has managed to acquire some extra camping space in a new field.
It’s important to note that BLOODSTOCK is not increasing its capacity – the festival will have the same maximum number of headbangers. However, the number of day tickets available each day will be reduced to a smaller quantity to accommodate some additional standard weekend tickets.
Details of the new standard weekend tickets
This new campsite – called Kyrr – will and needs to be quiet camping. Please be respectful of that. The Ragnarok campsite will also remain quiet camping. The name comes from an Old Norse word meaning calm & peaceful! To avoid overcrowding in BLOODSTOCK’s existing campsites, the new standard weekend ticket will have a different wristband – you will only be able to camp in Kyrr.
On arrival, you will collect your wristband directly at this campsite.
Kyrr is situated directly behind Vanaheim (campervans) and is approximately a 10 minute walk from the arena entrance. You will walk through the Hel campsite to get there (not through Vanaheim).
As an additional benefit, there will be a car park right next to the Kyrr campsite. The new weekend ticket will be available to buy with or without parking in this car park. This parking is only valid in this specific Kyrr car park. The new standard weekend ticket is the same cost as the original standard weekend tickets. This is much cheaper than buying 3 individual day tickets as some fans were considering – and you get Thursday included too!
These tickets will go on sale from theticket store at 9am on November 5th. We expect them to go quickly so be ready!
EARLY ACCESS!!If you already have a weekend ticket, Wednesday early access is available for an add-on cost of £25 for those who want to max out their BLOODSTOCK experience, staying in any of the standard campsites (including Kyrr) or the campervan field. This option is not available at present for the VIP or accessible campsites. Head to the ticket store to see all currently available options including car parking.
If you’re looking for sold out tickets or need to sell your tickets on, BLOODSTOCK’s secondary ticketing partner, Tixel, might be able to help. Simply set an alert for notification if your tickets of choice become available, or pre-authorise your card in advance,so no need for constant checking back. Tixel also allows you to safely re-sell tickets to a new home if plans have changed. You can sell ALL ticket types, including instalment plan purchases, plus any tickets sold via Ticketmaster or other third party ticket outlets. This partnership helps BLOODSTOCK streamline all resale tickets into one place to guarantee the safety of the sale, avoiding social media scam bots and rip-off pricing. It’s a very simple process for the customer and most importantly, it’s a trusted platform. Click through to https://tixel.com/uk/bloodstock-tickets for more information on how it works.
BLOODSTOCK’s 2025 Ronnie James Dio stage headliners are TRIVIUM, MACHINE HEAD, and GOJIRA. Headlining the Sophie Lancaster stage will be ME AND THAT MAN, KATAKLYSM, STATIC-X, and OBITUARY. You’ll also be able to see MASTODON, NAILBOMB, MINISTRY, EMPEROR, FEAR FACTORY, LACUNA COIL, HERIOT, ORANGE GOBLIN, CREEPER, KUBLAI KHAN TX, CAGE FIGHT, RIVERS OF NIHIL, FLOTSAM & JETSAM, THE BLACK DAHLIA MURDER, FEUERSCHWANZ, LORD OF THE LOST, PALEFACE SWISS, AUGUST BURNS RED, WARBRINGER, UNDEATH, SPIRIT ADRIFT, THROWN, ALL FOR METAL, BREED 77, HIGH PARASITE, and 3 INCHES OF BLOOD.
Keep your eyes peeled for many more bands and on site activities will be announced over the coming months. Get full festival information over at bloodstock.uk.com. Watch a trailer here.
BLOODSTOCK will take place at Catton Park, Derbyshire on 7th-10th August 2025.
This news needs no added fanfare. Time for a mic drop!
BLOODSTOCK is thrilled to announce that special guests on the Ronnie James Dio stage on Sunday will be…. wait for it…. none other than highly revered, four-headed metal behemoth MASTODON.
The group are just off the road in the USA with festival alumni pals LAMB OF GOD, dropping the collab track ‘Floods Of Triton’ to celebrate their co-headline Ashes Of Leviathan tour. You can check out a ‘making of’ interview here. Perhaps you caught MASTODON headlining BLOODSTOCK all the way back in 2016? Investigate the treasure trove of live tracks from that set on BLOODSTOCK’s YouTube at your leisure, including ‘High Road.’
If you’re extra crushed now you didn’t manage to snap up a weekend ticket before they sold out, read on for good news…
Additional weekend ticketsFestival HQ saw a lot of social media posts after weekend tickets for next summer’s event sold out, with fans disappointed they missed out on tickets. While a limited number of day tickets will be made available in due course (once more of the line-up has been announced), festival HQ has managed to acquire some extra camping space in a new field.
It’s important to note that BLOODSTOCK is not increasing its capacity – the festival will have the same maximum number of headbangers. However, the number of day tickets available each day will be reduced to a smaller quantity to accommodate some additional standard weekend tickets.
Details of the new standard weekend tickets
This new campsite – called Kyrr – will and needs to be quiet camping. Please be respectful of that. The Ragnarok campsite will also remain quiet camping. The name comes from an Old Norse word meaning calm & peaceful! To avoid overcrowding in BLOODSTOCK’s existing campsites, the new standard weekend ticket will have a different wristband – you will only be able to camp in Kyrr.
On arrival, you will collect your wristband directly at this campsite.
Kyrr is situated directly behind Vanaheim (campervans) and is approximately a 10 minute walk from the arena entrance. You will walk through the Hel campsite to get there (not through Vanaheim).
As an additional benefit, there will be a car park right next to the Kyrr campsite. The new weekend ticket will be available to buy with or without parking in this car park. This parking is only valid in this specific Kyrr car park. The new standard weekend ticket is the same cost as the original standard weekend tickets. This is much cheaper than buying 3 individual day tickets as some fans were considering – and you get Thursday included too!
These tickets will go on sale from theticket store at 9am on November 5th. We expect them to go quickly so be ready!
EARLY ACCESS!!If you already have a weekend ticket, Wednesday early access is available for an add-on cost of £25 for those who want to max out their BLOODSTOCK experience, staying in any of the standard campsites (including Kyrr) or the campervan field. This option is not available at present for the VIP or accessible campsites. Head to the ticket store to see all currently available options including car parking.
If you’re looking for sold out tickets or need to sell your tickets on, BLOODSTOCK’s secondary ticketing partner, Tixel, might be able to help. Simply set an alert for notification if your tickets of choice become available, or pre-authorise your card in advance,so no need for constant checking back. Tixel also allows you to safely re-sell tickets to a new home if plans have changed. You can sell ALL ticket types, including instalment plan purchases, plus any tickets sold via Ticketmaster or other third party ticket outlets. This partnership helps BLOODSTOCK streamline all resale tickets into one place to guarantee the safety of the sale, avoiding social media scam bots and rip-off pricing. It’s a very simple process for the customer and most importantly, it’s a trusted platform. Click through to https://tixel.com/uk/bloodstock-tickets for more information on how it works.
BLOODSTOCK’s 2025 Ronnie James Dio stage headliners are TRIVIUM, MACHINE HEAD, and GOJIRA. Headlining the Sophie Lancaster stage will be ME AND THAT MAN, KATAKLYSM, STATIC-X, and OBITUARY. You’ll also be able to see NAILBOMB, MINISTRY, EMPEROR, FEAR FACTORY, LACUNA COIL, HERIOT, ORANGE GOBLIN, CREEPER, KUBLAI KHAN TX, CAGE FIGHT, RIVERS OF NIHIL, FLOTSAM & JETSAM, THE BLACK DAHLIA MURDER, FEUERSCHWANZ, LORD OF THE LOST, PALEFACE SWISS, AUGUST BURNS RED, WARBRINGER, UNDEATH, SPIRIT ADRIFT, THROWN, ALL FOR METAL, BREED 77, HIGH PARASITE, and 3 INCHES OF BLOOD. News of many more bands and on site activities will be announced over the coming months.
In this, the month of Gothmas; the evenings have drawn in, inviting all the beautiful creeps out into the darkness. Ahem, ok I mean me. I am out traversing the canalways of Brindley Place in Birmingham to get to the Utilita Arena tonight for the one and only, Gothfather of Shock Rock – Alice freakin’ Cooper.
The Meffs
Up first tonight are edgy Essex duo The Meffs, a rowdy powerhouse of shouty punk. ‘Stamp It Out’ and ‘Broken Britain, Broken Brains’ are belted out with force, but their whole style absolutely requires a front standing section of moshing teenagers… and instead we have seated VIP’s.
‘Stand Up, Speak Out’ gets a better audience participation level, as the crowd warms up and remembers their angsty youth origins, as it’s easy to get into. I also enjoy their cover of The Prodigy’s ‘Breathe’, but their real stand out moment is a very punk middle finger; “This is a Love Song to the British government, it’s called Clowns”.
It’s a short and sweet set, bookended by a promise that they’re coming back “sometime in January”, and I think I’ll be trying to catch up with them then – in hopefully a more fitting environment where I can do some thrashing around.
Strutting onto the stage in a sparkling diamanté pinstriped suit, lead singer Bobbie Gillespie with his signature sullen-faced swagger, surveys the crowd. The band kick off with ‘Love Insurrection’ but a couple of bars in, Gillespie motions everyone to stop. “Wait stop, we fucked that up. Start again… it happens.”
The second try, “Oh there we go, the right key this time” is a smooth transition into their unique blend of funky electronic rock. The gorgeous soaring melody of the trio of backing vocalists really comes alive in ‘Ready To Go Home’, but the overall vibe in the room is left slightly flat by the complete seating area in the front. Primal Scream are a band to boogie to, and every other time I’ve seen them has been at festivals with room to groove, which just… isn’t this. Despite the rock-block of the setup, when Gillespie says “30 years ago we released Screamadelica… I dont know if you guys and girls know it… the first song was called ‘Movin’ On Up’. So if you want to sing along please do” the collective sigh of relief around the audience was palpable – here’s a song we can all sing along to – and we do. ‘Country Girl’ is an exercise in weaving that evangelical deep south church sound into a Glaswegian ditty, but it has the hook I can’t deny. Gillespie yells “Ladies, Gentlemen, Creatures, Thats theys and thems… let me fuckin hear you!” before they plough into their final iconic song ‘Rocks’ to end the set.
Alice Cooper
Slicing through a giant newspaper sheet printed with ‘BANNED IN ENGLAND’, using a cutlass, and employing one of the most iconic resting-bitch-faces in the world? Peak Alice Cooper behaviour. After this most excellent entrance, Alice is front and centre in his signature top-hat and leather trousers garb – sporting three belts and a frilly shirt, launching straight into ‘Welcome To The Show’. I am glad we as a country, have stopped trying to actually ban Alice Cooper from performing here, extremely embarrassing (three times) for us. Not that we don’t have other things to be embarrassed about, mind.
From the off, it is clear that Alice’s voice and energy is still absolutely top notch – something I can’t say about most other performers who’ve been going as long. The man is 76 and he’s careening around the stage and now swinging a crutch above his head like it’s nothing. ‘No More Mr. Nice Guy’ features a quick change into a custom battle jacket (which I would dearly like to pilfer), followed by a confetti gun used to spray the crowd in sparkly faux money for ‘Billion Dollar Babies’.
Bombshell guitarist Nita Strauss is absolutely ripping it up, under the watchful awe-struck eye of Alice. One thing I will note is that there is space made on this stage for every single artist to take the spotlight, and Alice showers all of them with reverence. It’s a nice thing to see from an artist as singular as he is, on the face of it.
Throwing a black cane to a fan on the front row, in order to take up his giant yellow snake who seems completely unbothered by the huge crowd, and is instead trying to see what guitarist Ryan Roxie is doing. I couldn’t find out the name of this snake (if anyone knows, hit me up) but I would like to do a quick mention of some of Alice’s previous snake-pals because they’re too good not to share. So big ups to; Julius Squeezer, Cobra Winfrey and Count Strangula. During a musical reprieve Alice can be seen just chatting to the snake and pointing things out to it, and now I have a vision of him walking around Birmingham taking his snake on a tour of the sights.
‘Lost In America’ sees Alice in a flag-adorned leather jacket, and he plays at murdering actors playing photographers (I do feel slightly targeted…) with the opening bars of the anthemic ‘Hey Stoopid’. The green lighting pulsing across the crowd now reveals a much more lively atmosphere, as people are standing and dancing along.
Two giant sets of prop stairs are wheeled around to face the crowd, with Alice atop one, bathed in spotlights and smoke for ‘Welcome To My Nightmare’, followed by his rather rough treatment of a very Sia-esque mannequin during ‘Cold Ethyl’. I also love him for brandishing four bulbous yellow maracas, and I’m not sure if they really are an instrument that can be played seductively – but he’s managing it, in a Gomez Addams sort of way.
An enormous cheer ripples around the arena for the iconic notes of ‘Poison’, and Alice is now rocking a gorgeous burgundy brocade jacket and a riding crop – another amazing souvenir for a lucky front row fan later on. ‘Feed My Frankenstein’ will never fail to give me chills, but I am a child of the Wayne’s World generation I guess. The giant stumbling monster comes out to lurk behind the guitarists, and he has more than a slight resemblance to Ozzy Osbourne with those upturned palms and shambling gait. I don’t think it’s on purpose, but we are in Birmingham so who knows.
‘Black Widow’ features on screen clips of Vincent Price, and an incredible Nita solo, before Alice’s straitjacket scene for ‘Ballad of Dwight Fry’. Kneeling on the riser, in a perfect beam of white light but uplit in green, Alice looks delightfully unhinged whilst being ‘tasered’ by his on-stage goons. Now enter Alice’s actual wife Sheryl Cooper, in her Marie Antionette get-up, to take him to the guillotine and then dance with his disembodied head. Each time I have seen this bit, I have wanted the head to sing along, alas.
‘Elected’ uses one of the stair sets now covered in stars and stripes, as a pulpit for Alice’s presidential speech (and yes he is still in the straitjacket, a nice touch). There’s a barrage of red white and blue spotlighting, and streamers sprayed out into the front rows, before the stage goes dark. As the school-bell rings, the lights go up on a stage filled with smoke-bubbles and Alice in a white tailcoat and tophat, brandishing another cane. Giant balloons are pushed out into the crowd and when they’re batted back to the stage, he pops them with a blade to expose bursts of sparkling confetti within.
“Birmingham England… Alice Cooper finally speaks to you!” he laughs, and introduces all of the members of the band, who have been predictably phenomenal tonight, ending with “She’s deadly, she’s delicious, she’s my one and only… Sheryl Cooper! …and playing the part of Alice Cooper tonight… big lights on… ME!”
“It’s great to be back in Birmingham, and it’s almost Halloween… so from all of us – to all of you, may all of your nightmares be horrific, Goodnight!” Alice bows to the audience. I would see Alice Cooper on every night of this tour if I could, standing front and centre. There is something quite magical about this type of show, that I don’t think is going to be on the menu in 20 years, which is a bit sad. Immersion, theatre, a willingness to take life with a pinch of whimsy – alongside truly iconic music, taken as a tonic in an uncomfortable world.
In the immortal words of Wayne Campbell and Garth Algar, we truly are not worthy.
SETLIST
Lock Me Up (Shortened)
Welcome to the Show
No More Mr. Nice Guy
I’m Eighteen
Under My Wheels
Bed of Nails
Billion Dollar Babies
Snakebite
Be My Lover
Lost in America
He’s Back (The Man Behind the Mask)
Hey Stoopid
Drum Solo (Glen)
Welcome to My Nightmare
Cold Ethyl
Go to Hell
Poison
Feed My Frankenstein
The Black Widow (Vincent Price segment)
Guitar Solo (Nita)
Black Widow Jam (Full Band Solo)
Ballad of Dwight Fry
I Love the Dead (Opened with Killer snippet)
Elected
Encore:
School’s Out (With Another Brick in the Wall snippet & band introductions)
Off the back of BLOODSTOCK’s first announcement of 19 bands for 2025, tickets have been flying out the door in record numbers. Adult standard weekend tickets are now sold out! A limited number of day tickets will be available in due course, once more bands have been announced. Missed out on the type of ticket you wanted? Sign up to Tixel, BLOODSTOCK’s official resale partner and avoid social media ticket scams!
For those of you who have already snapped up your tickets, here’s 13 more bands to whet your appetite for next summer’s metal extravaganza!
The Ronnie James Dio stage on Friday is pleased to welcome classic thrashers FLOTSAM & JETSAM. Joining them will be hotly-tipped deathcore upstarts PALEFACE SWISS.
Industrial metal icons MINISTRY jet in as RJD stage special guests on Saturday night, in their first ever BLOODSTOCK appearance. Also added to the RJD line-up that day are LA legends FEAR FACTORY (playing their seminal 1995 album ‘Demanufacture’ in full!), fast-rising metalcore moshers HERIOT, full-pelt thrash overlords WARBRINGER, and furious hardcore bruisers CAGE FIGHT.
If you were having trouble picking your favourite day already, Sunday’s main stage additions aren’t going to make it any easier, adding boundary pushing, tech-death squad RIVERS OF NIHIL. Still want more?
On Friday, the Sophie Lancaster stage is proud to confirm the infamous and uber rare NAILBOMB. Let’s make BLOODSTOCK 2025 as iconic a set for NAILBOMB as Dynamo 1995! Self-proclaimed death popsters HIGH PARASITE (feat. Aaron Stainthorpe of My Dying Bride) will get you warmed up earlier in the day.
For your Saturday shenanigans, the Sophie stage now includes New York-based, death metal crew UNDEATH. Texan doom-come-trad-metal headbangers SPIRIT ADRIFT and brutal Swedish aggressorsTHROWN join the affray on Sophie, on Sunday. We’ll see you down the front.
If you already have a weekend ticket, Wednesday early access is available for an add-on cost of £25 for those who want to max out their BLOODSTOCK experience, staying in any of the standard campsites or the campervan field. This option is not available at present for the VIP or accessible campsites. Head to the ticket store to see all currently available options including car parking.
If you’re looking for sold out tickets like VIP, weekend, or campervan passes, BLOODSTOCK’s secondary ticketing partner, Tixel, might be able to help. Simply set an alert for notification if your tickets of choice become available, or pre-authorise your card in advance,so no need for constant checking back. Tixel also allows you to safely re-sell tickets to a new home if plans have changed.
You can sell ALL ticket types, including instalment plan purchases, plus any tickets sold via Ticketmaster or other third party ticket outlets. This partnership helps BLOODSTOCK streamline all resale tickets into one place to guarantee the safety of the sale, avoiding social media scam bots and rip-off pricing. It’s a very simple process for the customer and most importantly, it’s a trusted platform. Click through to https://tixel.com/uk/bloodstock-tickets for more information on how it works.
To relive 2024’s metal glory, head over to BLOODSTOCK’s official YouTube channelfor some exclusive live videos, including most recently, the full set from GREEN LUNG plus choice cuts from CLUTCH, WHITECHAPEL, and VINTAGE CARAVAN. There’s also three epic tracks from MEGADETH in 2023, and hours more footage for you to delve into.
BLOODSTOCK’s 2025 Ronnie James Dio main stage headliners are TRIVIUM, MACHINE HEAD, and GOJIRA. Headlining the Sophie Lancaster stage will be ME AND THAT MAN, KATAKLYSM, STATIC-X, and OBITUARY. You’ll also be able to see EMPEROR, LACUNA COIL, ORANGE GOBLIN, CREEPER, KUBLAI KHAN TX, THE BLACK DAHLIA MURDER, FEUERSCHWANZ, LORD OF THE LOST, AUGUST BURNS RED, ALL FOR METAL, BREED 77, and 3 INCHES OF BLOOD. Stay tuned for news of 100+ more bands and on site activities to be announced over the coming months.
It’s that last drip of summer, the deepening skies and smell of woodsmoke in the air. Autumn is on it’s way but we have one last hurrah in the form of The Long Road festival. Nestled in the woodland and fields surrounding Stanford Hall, these Leicestershire lands play host to a little slice of Americana once a year. Bring your cowboy boots and your Stetsons, it’s time to throwdown at the hoedown.
Friday at Long Road is a relaxed affair, with the main stage not being open today there is ample time to wander around the other areas and find our feet. We catch a little of American Aquarium over at The Interstate tent, who start off sounding a lot like punk-rock but eventually settle into a more country style. After a quick tour around the food offerings we opt to take seats on one of the many long benches set out in front of The Interstate, and choose Bayou Kitchen cajun shrimp bowls. This is my go-to food at TLR, so I’m glad to see they’re back again.
We mosey around, stopping to listen in at The Front Porch and once again I can’t help but admire the choice to theme this stage. If you don’t know, The Front Porch is a cabin with… well, a front porch. Bands perform on the porch as if you’re in their backyard, there are rocking chairs and smoke pours from the little chimney. While there is always a small standing crowd up front, this stage is the place to go if you want to have a chilled sit-down to enjoy the music, and tonight there are many doing just that – under the soft festoon lights and dwindling sun.
Taking a stroll around the various shopping stalls, boots and hats enticing us at every turn, we are drawn into the Solo Stove area where bright fires are crackling into the pink sky. The merch stall is already full of people grabbing their TLR t-shirts and caps, and this year there’s an incredible knitted blanket on offer that catches my eye. We decide to finish up our night with a pot of Crumble (incredible festival food choice) and joining in with the line-dancing class at The Front Porch. It won’t be the last time I hear Rascal Flatts this weekend, but hey – now I can Cowboy Hustle to it!
Today, the arena is in full swing and we are heading in for a day of rootin’ tootin’ antics, off first in search of some lunch. Today we hit up the Brisket wagon, which is a truck that houses proper southern style smokers, for some low and slow fall-apart meat on top of cheese-fries. Heaven.
Suitably satiated we take to the main stage for Kristian Bush (yes, of Sugarland fame), who is bringing some melodic country rock and his dry humour to the proceedings, alongside his brother Brandon on keys.“You tighten one butt-cheek at a time, this is for all you men out there going “oh I have to dance?” that’s how you do” giggles Bush, as they drop into hit ‘Trailer Hitch’ – which I absolutely love for it’s lyrics.
In another smooth move, Kristian talks about loving the UK show Taskmaster, and how he’s watched all of the seasons (huge cheers from the crowd) before telling us that he should get paid more for bringing the sunshine here today and yelling “…this is for all you people who still believe in summertime!”.
“I’ve won loads of country music awards and never wrote a song about drinking. I apologise. Have you ever been at the bar and suddenly you can’t walk? It just happens…” is his leading line into ‘Flip Flops’, a song that will resonate well with anyone who has ever been on a bender… which let’s face it, is the entire UK population.
Kyle Daniel is up next, shouting “Let’s boogie” and launching into some classic country rock with ‘God Bless America (Damn Rock n’ Roll)’ which is, as you can imagine; very singable. A huge crowd has come out to see him today, probably in large part thanks to the exceptional performance he gave here a couple of years ago, albeit with a different backing band. We also get a taste of his epic collaboration with The Cadillac Three – ‘Summer Down South’, which comes with the comedic timing of a side of rain.
We take off after that to check out the Fort Worth x Weber grills area, new to the arena this year. To the side there’s a tiny bar where they’re mixing up cocktails and giving out bandanas and tiny hip flasks as freebies, as well as providing a hot-branding station for leather boots. On the other side under cover, Weber are doing the most mouth-watering cooking demos you can imagine, but there are A LOT of people waiting for taste today so we shuffle off to grab our own food elsewhere. Jonah Kagen is giving the Interstate a good giggle, saying that his British Airways pilot on the way here, sounded like David Attenborough.
The Yeti custom shop has brought back it’s very successful laser-cutter custom shop again, and a double size space to house all the amazing goodies on offer. I don’t know in what world I will ever need a travel cafetière that makes 10 cups of coffee, but I sure do want one now.
Oklahoma kid Wyatt Flores is giving a fantastically energetic performance over on the Rhinestone, but unfortunately the rain is moving in fast and heavy. We run for cover under the Visit Austin barn, and manage to snag ourselves some more freebies in the form of bandanas and tote bags – which have armadillos on them. Cute. There’s even a photobooth in there, nice swag Austin, nice.
After the downpour abates, we hop over to The Showground to watch the annual Hot Dog Eating Contest. Last year was beset by calamity in the form of Brioche buns – and the winning contestant only managed a measly three dogs. No such silliness this year, as the very standard buns are brought over in giant catering trays, to the gingham-clothed table.
Drawn from a hat, the contestants fill the tables and are told that they have 7 minutes in which to chomp as many hot dogs as they can, that there’s a sick bucket behind them, and that the ambulance service people off to the side are trained in the Heimlich maneuver. A girl named Jordan (who didn’t even enter) is filling in for her absent boyfriend, and is expertly dunking her bready buns into water cups to consume faster, Aussie Harry seems entirely unbothered and looks like he’s just there for lunch, but the winner is Miles with 8 hot diggity dawgs. Congratulations man! Although I must point out, that champion scoffer Joey Chestnut has just recently downed 83 dogs in 10 minutes at his most recent match. So, there’s that.
Brittney Spencer is our next pick, she’s rocking an incredible laced-flared 70’s floral two-piece and has the most phenomenal voice, one of my favourite performers of the weekend by far. It might be overcast and cold today, but there’s no standing still when she shouts “Get your drinks up, put your tequila whisky or water up!” for ‘I Got Time’, so we are all dancing along with her.
Following Brittney is ethereal moonchild Paula Cole, who is giving ‘next-door neighbour who is actually a witch and will help you hex your ex’. “This song is about my mother” she says about ‘Follow The Moon’ a beautiful melancholy ballad. If you like Tori Amos, Sinead O’Connor or Kate Bush – this is your jam at TLR. ‘Where Did All The Cowboys Go’ and Dawson’s Creek tv show theme tune ‘I Don’t Want To Wait’ close up the show with a big old dose of the 90’s, and it’s really interesting to hear her speak on her most well-known hit; “I wrote this for my grandfather. He came back from Okinawa with more than just physical scars. It affected my whole family.”
Afterwards we take a chance to re-fuel with some delicious chicken and gravy sandwiches from the Roaming Rotisserie, and catch Brittany Spencer taking on (extremely unsuccessfully) the buckin’ bull rodeo game – kudos for trying though, that thing looks difficult.
The ‘American Troubador’ Don McLean is tonight’s Rhinestone headliner, heading to the stage with a big ensemble and not much other fanfare, smiling in his shirt and jeans. Touring through the back catalogue ‘Jerusalem’ and ‘Winterwood’ come interspersed with tales of his musical career, “…don’t know how I found myself in Nashville, but I went and I stayed there, and I have been treated so well by the country music community. I’m sort of a misfit… I have songs from here there and everywhere because I’m interested in everything”.
A cover of Roy Orbison’s ‘Crying’ is lovely, but it’s clear that Don’s voice is waning as he cracks through a couple of notes. My Mum used to sing ‘Vincent’ to my sister when she was little, so we all croon along to that, but it honestly takes until the obvious choice ‘American Pie’ to get the whole arena joining in. With red white and blue strobing stage lights, Don takes the crowd’s enthusiasm for a ride – doing an extra chorus and verse to finish up. All in, I’m glad I saw him live, but I wouldn’t say it was a spectacular set otherwise.
Kaitlin Butts is giving us gorgeous sunshine vocals on The Interstate as we head over to Lil’ Possum County kids area to play some cornhole and skittles, before hitting up the Weber area for a Chilli tutorial (culminating in tasters of the delicious Elk chilli, made Texas-true – no beans!).
Vincent Neil Emerson is giving a soulful banjo-picking performance in Buddy’s through the woodland walk, and we take the opportunity for a beverage and a sit down. It’s a shame the low tent stage facilitates so few people here, this is one that I wish would grow a bit for next year.
Brooke Eden is stunning in an all-white fringed outfit on the main stage, she’s enigmatic and funny, bringing her loud and proud pop-spiked brand of country to our little corner of the world.
“Have you ever fallen In love with your best friend… I did and she was a girl” she says, to cheers. “I moved to Nashville from Florida… Florida’s beautiful but you know craaazy” she laughs, before telling us “I’ve performed with my Dad’s band in country bars since I was 6yrs old… and you know I thought I’d meet a country guy there, and get married… but I met my wife.”
“They told me if I wanted to keep my career in country music I had to stay silent. Did that for 5 years and… don’t do that. I don’t recommend it. I came out 3 years ago with a music video with my wife in. I just had to scream it from the rooftops.” She says, as she leans into her Trisha Yearwood cover ‘She’s In Love With The Boy’ with altered lyrics to ‘Girl’. Her own single ‘Outlaw Love’ for “…anyone who has had to fight for their love” is the true star of the show though, it’s a cracking set. I will also celebrate anyone who has the courage to be vocal about diversity in a traditionally conservative genre.
Drew Holcomb and The Neighbors sing about family and home in Tennessee, and chats to the crowd like an old friend. Some helpful fan decides to help Drew with the pronunciation of our location and yells “It’s LESS-TAH”, to which he chuckles and says “Thank you for that, a couple of weeks ago we were in Sweden and I got their town really wrong, felt like an idiot”.
Drew also tells a story about his Grandad, who was a ‘big fish’ telling tall tales. Apparently he once told a story about being invited to a dog show at Sandringham, and accidentally getting in a car with The Queen. Years later, when his Grandfather died – they got a letter of condolences from The Queen’s office. The song ‘Dragons’ is a gorgeous tribute to him. Drew also plays the harmonica, signs the jackets of fans, and is just all-round nice. ‘Find Your People’ is maybe my favourite add-to-playlist song of the weekend, and had the whole crowd dancing along.
Bringing earlier Interstate performers The National Parks on stage for a boogie during their collab ‘Dance With Everybody’, it’s a great ending to a wonderful set. Call me a new fan.
Randall King, self-proclaimed purveyor of honky-tonk and some classic rock n’roll, is bringing deep south to the rain-spattered main stage; “Do you know what time it is? It ain’t time to go home y’all… it’s tonk time!”. ‘You In A Honky Tonk’ conjures the image of The Blues Brothers having bottles thrown at them unless they play Rawhide on repeat. Randall might be trying to re-write the honky-tonk lore, but if you’re from the UK – you were brought up on cowboy depictions from the movies. “You stood out in the wind the rain, all to listen to some of our songs… I really do appreciate it so much. I get to live the dream on this stage” he says. You can’t go far wrong if you’re nice, nice to look at, and have a great voice. Randall gets my vote.
Referencing our bank holiday Monday; “I heard you guys have a holiday tomorrow? So we’re gonna go big tonight right?” is slightly overshadowed by the immediate and hefty downpour – which he is nicely shielded from under the capped stage. ‘Love You Like I Used To’ has everyone up and dancing along despite the soggy conditions, and new song ‘Bones’ garners a roar of approval from the arena.
Russell is a fantastic performer, it’s such a shame that the heavens have opened though, as many people are packing up and defecting to other stages or even home to campervans. There’s plenty to keep everyone occupied around the arena still, with bands continuing on other stages and entertainments all over. Despite the rain, the beautiful soft festoon lights and the roaring fires are highlighting golden joyful faces, a sign of a festival well-done. There’s no other way to describe this festival than overwhelmingly friendly and consciously chilled out.
The tagline for The Long Road is ‘Welcome Home Old Friend’ and after a few years of attending this truly amazing little festival, I fully feel in the fold. Let’s hope for sunnier climes in 2025. See you next year, old friend.