Download

Download Festival announces 2017 Headliners – love or loathe?

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With the summer a distant memory and even the Autumn racked with stormy skies this week, you could be forgiven for wanting nothing more than to hunker down, ignore the world and eat your bodyweight in cheese. However, even in your internest you surely haven’t missed summer 2017’s first big band announcement – Download Festival.

Friday headliners System of a Down, having not been seen at Donington since 2011 are definitely due a triumphant return, whilst the somewhat niche Biffy Clyro headline slot for Saturday seems to have created a bit of forum-controversy already. Topping the bill on Sunday is a farewell op for Aerosmith, who last played the festival in 2014 and are sure to go out with a bang.

Though the day splits won’t be confirmed for many months, a whole raft of other bands have been announced for Download including:  Slayer, Prophets of Rage, Rob Zombie, Five Finger Death Punch, AFI, Of Mice & Men, Sleeping With Sirens, Motionless in White, Simple Plan, Every Time I Die, The Story So Far and Fozzy.

So is it love or loathe? What do you think of the first Download announcements for 2017?

Iron Maiden – Download 2016 Review

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Well, the arena is awash with the kind of sludge you dream up monsters emerging from and everyone we pass is in varying states of ‘fuck-it’ at this point. Little has been done to calm the quagmire overnight it seems and as the rain poured steadily throughout the day (and then horrifically during Nightwish’s set) there are actual rivers becoming moats between the stages. If you were the guy throwing yourself down the hill with wild abandon after the first falling-over incident, because why the hell not – you sir, I salute you.

However, it is with sheer luck that we stand here tonight waiting for Iron Maiden and only a tiny speckle of rain is upon us… obviously the weather-gods knew that we’d need to ditch our umbrellas to properly rock out for this. As the sky begins to darken and the thousands upon thousands of bodies cram the main stage area, a Mayan temple backdrop and stage set are unveiled which look rather like a section of The Crystal Maze. Bruce materializes from the centre stage gangway for If Eternity Should Fail and below him Nikko takes to his drum nook to begin the show. Seriously – a drum nook. It sounds like something I should have at home.

Yelling “England, how the fuck are you?” was probably only going to incite sarcasm at this juncture, as the soggy crowd snark back “fucking wet”, but Bruce has probably spent his afternoon in a cushy hotel following his flight over on Ed Force One. With visuals of the plane being hurled out of jungle vines by Eddie and a raft of fire cannons going off, it’s clear Maiden are going to put on the kind of show we were hoping for and as the notes ring out for Children of the Damned it’s pretty much a given that Bruce has lost none of the power or range after his surgery for throat cancer.

Dubbing it ‘Downpour festival’ Bruce seems to be keen on interacting with the crowd more this tour, quipping “I usually have a go at people texting in the pit… and I look down and it's our fucking manager! What a cunt! He has a hotline to the weather… we said please stop the rain for Maiden”. Though we are British and used to a rain-lashing at Download, it is pretty nice to not watch through the crackle of a crap poncho.

Next up is Tears of a Clown – a song written about and dedicated to the late Robin Williams, a song Bruce says the band “never thought they’d play live”, followed by The Red and The Black. I mean, I know it’s a stop on The Book of Souls tour, but they really are going heavy on the new album songs. It seems a shame that anyone new to Maiden here won’t get to fully experience the complete rush of hearing 85 thousand people singing along to every single word of every single song. The new tracks just haven’t sunk in yet.

Not to worry too much though, as The Trooper – with Bruce in his red jacket racing around the stage with his flag, is absolutely brilliant as always, leading into heavy Powerslave. Hallowed Be Thy Name is shouted into the night by everyone in the arena and Fear Of the Dark is accompanied by the traditional ‘ooohs’ and what once were lighters held aloft is now a sea of phone screens.

Some joking about monkeys, a very unstable Eddie (on stilts) and many “Scream for me Donington”’s aside, it’s been a non-stop show, and as a flipping GIANT Eddie head emerges from the back of the stage to stare his red eyes out into the crowd, we know that we still have twenty minutes and an epic encore to go.

Joining the band on stage for Number Of The Beast is… well, the beast. Sporting a sometimes crooked set of horns and a countenance reminiscent of battle-worn teachers during ofsted, the giant bust oversees a rampage of fire from the stage and sound tent. There’s something cathartic about screaming “666” into the sky with thousands of other people, maybe it’s the teenage rebel inside.

Bruce tells us “We’ve done this six times… frankly it’s got to stop.” to a rousing ‘boooo’ from everyone in the arena, but a promise of a giant stadium show next year for 80 thousand people (it’s definitely Wembley then…) raises a roar of appreciation. Going on to talk about the fresh news of the awful mass shooting in Orlando this weekend as “Senseless and stupid” Bruce assures us that “Maiden is one big musical family…. I don’t care what gender, what colour, what creed, what religion…” which gets the biggest applause of the night from this crowd many of whom are on the margins of society in everyday life themselves. Bruce also speaks of the Bataclan attack and urges everyone to not be like that and retaliate but to spread “music and love” instead, saying “…my friends, we are all Blood Brothers” bringing them around to one of Maiden’s grandest showpiece songs. The magnitude of the meaning is not lost on anyone, after the horrific reports we have seen on the internet today.

With a starry night backdrop and a circle of stars around Eddie’s head (which could be mistaken for an EU reference if we were looking for one…) Maiden finish up with Wasted Years which also seems especially poignant. “It’s more of a heavy metal waltz this one” jokes Bruce, but it does seem odd to end on such a sombre note, without fanfare or fireworks, just a quick “We will be back next year” and the standard Monty Python Always Look On The Bright Side Of Life, to usher us from the arena. Traipsing through the sticky mess of swamp and chair-graveyards towards the exits, we are leaving with a sense of elation that always comes with Maiden shows – you know you’ve just seen something extraordinary, and that is worth all the mud you could have thrown at us.

All photographs © A. Hyams, please do not use without permission.

Black Sabbath – Download 2016 Review

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Well what can you say about the finality of one of the most prolific bands in history’s last ever show at their spiritual home of Donington Park? The band have played here time and time again, Monsters of Rock, Ozzfest, Download – Donington in all it’s incarnations. Black Sabbath are sewn into the fabric here and the arena is awash with black shirts in all shapes and sizes, from a tour history spanning decades and generations. Families making sure their kids get to experience this once in their lifetime, the younger crowd who may not be die-hard Sabbath lovers but are here nevertheless, and those original fans with a tear for the end of an era. Everyone feels the gravity of tonight’s performance, and that’s a pretty big weight to put on any band’s shoulders.

As the sky darkens ominously and the purple Black Sabbath logo lights up the big screens, there is a hush of anticipation for the Birmingham band, one city over from where they were formed – this always feels like a homecoming. With visuals depicting the birth of Satan from an Aliens-esque egg the band alight the stage to an almighty roar and thousands upon thousands of hands thrust into the air in horns.

Starting off with namesake Black Sabbath (we really enjoy it when artists sing about themselves… well, maybe not Craig David…) it’s clear that Ozzy’s voice is ahem, off. The difference between this show and their last Donington stint is pretty noticeable and there’s a lot of chatter in the crowd to that effect. It also seems like they’ve purposefully slowed down their already trademark slow heavy metal, to accommodate Ozzy’s vocals, but hey, we’ve been listening to upbeat bands all day… that must be it… right?

Yelling his standard “I can’t fuckin’ hear you” there’s a little nostalgic twinge as someone nearby retorts an unheard “That’s cause you’re fuckin’ deaf”, I think I’ve heard that every single time I’ve seen Ozzy live and this will be the last time. Fairies Wear Boots is a fan favourite and everyone is singing along but the wind and rain have notched up and the 4 speaker stacks in the middle of the arena just aren’t good enough to travel it up the hill. Every year the same argument – it’s fine for the earlier bands when the crowd is split, but for the headliners it leaves at least half the arena with shockingly poor audio.

Into The Void and Snowblind are fantastic, with Iommi shredding the hell out of his guitar in his nonplussed style, and despite the constant rain (maybe there was a market for changing the name to Rainblind…), the swishing of ponchos and smack of wet hair on cheeks says that everyone is having a headbangingly excellent time. Sabbath anthem War Pigs however is absolutely epic, due to the thousands strong crowd singing every bit of it at the maximum capacity of their lungs.

We get a traditional gratuitous drum solo and then everything we wanted to hear; N.I.B, Hand of Doom, the heart-stoppingly good Iron Man (complete with flaming pyrotechnics on the stage and sound tent) and Children Of The Grave.

With an encore of Sabbath’s biggest hit Paranoid, and a tear-jerking ‘The End’ plastered on the big screens, it’s time to say goodbye to arguably the most important band in heavy metal, the forefathers of everything you see here. Though it might not have been the best we’ve ever seen Black Sabbath, there is an overwhelming sense of importance, that we were there, the very last time the godfathers of heavy metal played the most iconic location in heavy metal. It almost makes you want to get a commemorative tattoo. Or, you could go snatch up a ticket for their final UK tour dates EVER. Whimper. Sniff. Sabbath – we will miss you, always.

Photo Credit (Ozzy): Ben Gibson

Photo Credit (Stage): Jen O'Neill

All photos courtesy of Download Festival

Rammstein – Download 2016 Review

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Despite a day of heavy downpours over a now very boggy Donington Park (yes yes, we’ve heard the monikers… Drownload… Downpour Festival…), thousands of expectant faces are turned towards the main stage for tonight’s headliner – German heavy metal powerhouse, Rammstein. There’s nothing quite like a side of S&M or pyrotechnics alongside learning how to count to vier whilst headbanging, and Rammstein promise a whole lot more than just their stage show.

As a cinematic countdown begins, video screens send a message “Enjoy the show, please do not be preoccupied with recording it” and instantly Go-Pro’s are thrust into the air on ridiculous, view-ruining monopods. I mean come on, what the hell are you actually going to do with that footage man?

Regardless of the moronathon, Rammstein smash their way onstage as only they can – with giant showoff billowing clouds of pink smoke, which when combined with the ongoing drizzle turns quickly into a spatter of blood on anyone wearing lighter than black outfits. First up new song Ramm 4 sees giant firework laden platforms lowering guitarists Kruspe and Landers onto the stage and the always enigmatic frontman Till Lindemann emerges in a childcatcher-esque outfit and his patent white painted face.

The stage look for Rammstein has always been industrial but this time steps over into the cyborg realm with giant stage-high light bars which respond to the band’s instruments. Reise, Reise is absolutely gut churningly heavy, and Till sports a very fetching duffel coat over his flash-bang adorned waistcoat which explodes, quite obviously right in his face. How this band have not sustained more serious pyrotechnic related injuries I’ll never know.

The electronic intro bleeps for Feuer Frei raise an enormouse guttural roar from the crowd, and there is no shortage of actual fire alongside the music, their signature flamethrowing face cages are everything Batman’s Bane wishes he was. Keyboardist/freak on a leash Lorenz is hastily shoved into a box after being dragged around the floor, emerging later in an extremely spangly sequined suit to walk off his horrors on a treadmill whilst Till wields a giant flaming arc that sort of looks like a crossbow. You really couldn’t make it up. A crackly speaker on the right side of the stage threatens to dull Mein Hertz Brennt but as Till’s heart (flare) lights up, every single person in the arena is singing their lungs raw. Following up with Links 2, 3, 4 this is shaping up to be a stellar performance from Rammstein.

Guitar flamethrowers, fireballs erupting from the sound tent in the middle of the crowd and zip-wire fireworks streaking back and forth – every time you think you’ve seen it all, Rammstein amp it up a little more. Ich Will has everyone yelling back the required replies ‘Wir hören dich’ and so on, Du Hast is heavier than a heavy thing and Depeche Mode cover Stripped just couldn’t sound more seedy than in a German accent.

For the Encore, we are treated to the completely epic Sonne followed by an acoustic Ohne Dich but it’s Till’s ascension into angel-dom that is the real icing on this weird and wonderful cake. Giant metal wings loaded with white sparking fireworks lift Till into the air above the stage floor for Engel and it is motherlovin’ glorious. Leaving us with a brief “Thank you. Danke schoen, you’re amazing” the stage erupts in a backdrop of massive rocket fireworks and the arena is engulfed in smoke. There’s nothing more to say except that Rammstein are arguably one of the best metal acts of our time and here’s hoping they don’t leave it too long before returning with even more incredible shows.

Download Festival Review 2014

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Download: Europe's biggest spiritual home of metal, rock and post hardcore. This year's line up was a diverse range of classic punk to death core such as Linkin Park, Aerosmith and Avenage Sevenfold. For many years Download has bought fans from across the country and surely caters to a diverse range of age groups for up to 90,000 fans. This year's Download had a lot of celebratory elements such as dedicating the main stage to the legendary Stephen Sutton after his amazing efforts for fundraising in aid of Teenage Cancer Trust. His dream was to attend the festival which he acomplished in 2013. Stephen unfortunately passed away last month after his battle with cancer. In rememberance, on Friday, during an interval, the whole of the festival gathered and engaged in a one minute applause as well as his signature 'thumbs up' sign.

 

Photo by Danny North @ Download 2014

Friday –

Welsh band Skindred debuted at Download in 2006, this year was their fifth appearance and front man Benji Webb claims “We present the UK in Music.” Skindred’s original and iconic genre of mental, dancehall, jungle and punk had an elaborate twist when they mixed the Harlem Shake with their set. As any Skindred fan may know Newport Helicopter is a tradition of taking off their tops and spinning them around in the air. Next on was Black Label Society, and although the crowd didn't seem as involved as Skindred’s performance, the incredible talent of the guitarist made up for it throughout the duration of their set. Rob Zombie took to the main stage for this year's opening headliner, Avenege Sevenfold. Robs Zombie's promise to pull off a spectacular performance did not disappoint. Crazy attire, makeup and hair was awash with leathers, hippy flowing tops, dreads, awfully applied tribal style face makeup which all complimented his stage presence which was truly remarkable, hence the term "so bad, it's good". After this performance, the main arena started to progressively fill ready for Avenged Sevenfold. This being their first time headlining at Download, the band have slowly built up their name over the past 14 years to be one of biggest mental names in music today. The band stated “It feels amazing. It’s a true testament to our fan base for putting us there.” Their opening revealed the amazing Hail to the King tour set visuals, which wooed the crowd topping it off with fire and fireworks. Avenage Sevenfold really did suit being a headliner. Their performance was jaw-dropping and captured even for fans who are more fond of their older albums such as 'City of evil', their self titled album 'Avenged Sevenfold' and 'Waking the Fallen'.

Photo by Danny North @ Download 2014

 

Saturday –

Bowling For Soup, who are celebrating their 20th anniversary together, drew in the crowds with their popular classical punk, especially with there 90’s hits such as ‘Girls all the Bad Guys Want’ and ‘1985’. Bowling for soups high demand and their array of well loved hits these were the only band allocated two slots, one being on the main stage. Their hilarious banter got the crowd even more excited. The giant inflatable sheep as a stage prop which they also had on their 2011 appearance gave the band an opportunity to do something bizarre to the sheep, which seems to be a running theme for Bowling for Soup. Predictably, Fallout Boy gave an incredible performance on their glorious return, playing a mix of their ageless anthems such as 'Sugar We're Going Down,' 'This Ain't A Scene,' Michael Jacksons cover of 'Beat It,' as well their new stuff 'My Songs Know What You Did In The Dark,' which is currently in Radio 1's top 40 Rock singles. Linkin Park closed the night and performed an amazing array of 25 songs in 2 hours including their full 'Hybird Theory' album, telling the crowd "This is a special night for us, we've never done this before." Expectedly, the turn out of fans for this was epic as this was a rare moment for fans having the chance to experience their most popular album that was released in the year 2000. After their first album the band then played singles from their new album and to finish threw a signed album into the crowd after a scream off competition with opposite sides of the stage.

Photo by Andrew Whitton @ Download 2014

 

Sunday –

Sunday kicked off with Memphis May Fire on the Pepsi Max stage that included a lot of head banging from the fans and enthusiasm from the band. Many of the band's songs include ultimate breakdowns, which result in the crowd going wild. Similar to their performance in Febuary at KoKo Camden the band never fail to produce a good performance. Later in the evening the beautiful Taylor Momsen hit the Zippo Encore stage to perform with rest of the band members of The Pretty Reckless. During the set, Taylor engaged the audience with her sexy, seductive dance moves and played the fans' favorites 'Miss Everything' and 'Make Me Wanna Die.' The festivals finale headliner and the band everyone was waiting for, Aerosmith. This being their 44th year in the music industry this band know how to pull of a bloody good performance effortlessly delivered the highlight act of the festival. Getting the crowd to sing with him, and singing to women in the crowd as well witty banter in-between song, Aerosmith was the perfect band to finish an amazing weekend of talented musicians, oddly dressed fans, careless attitude and drunken insanity. 

Photo by Andrew Whitton @ Download 2014

 

Slipknot confirmed as third headliner for Download 2013

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They join fellow headliners Iron Maiden on Saturday 15 June and Rammstein on Sunday 16 June. Weekend tickets go on sale this Friday at 9am and are available at www.downloadfestival.co.uk.

Slipknot’s Clown said, ‘”We are extremely honored to have been asked once again to headline the Download Festival. This most definitely will be an experience not to be missed. Every time we've played Download we have created memories. Its always good to have the church of the Knot, the alter of the Knot, giving the sermon of the Knot to the congregation of the Knot, the culture of the Knot. This summer cannot come soon enough. Partake in the imagination or don’t bitch.”

Slipknot

Slipknot are a cultural force to whom rock fans need no introduction.  A band from Des Moines, Iowa, U.S.A, Slipknot have evolved into something not unlike the alchemists, spiritualists and magicians of yore – the men in Slipknot tap into something primal, instinctual and combustible with each performance, and every album.  The band has notched 11 Platinum albums and 38 Gold albums around the world, but these mainstream mile-markers aside, the engine of Slipknot is the power they derive from their live performance, the fertile ground of their fans and their shared, collective subculture.  Slipknot is devoid of compromise.  They offer no quarter. Take it or leave it.

Slipknot thrives in combustible circumstances, where impassioned performances filled with blood, sweat and fire are raw displays of esoteric wonder with a clear-cut, savagely creative command of expression. Multiple percussive instruments, electronic landscapes and near-apocalypticproportions of stage production bring forth songs like “Psychosocial,” “Duality”, “Wait and Bleed,” “Spit it Out,” “Before I Forget”, “Snuff”, “Sulfur,” and “People = S**t”.  All modern classics, and anthems for a disenfranchised generation, full of depth, meaning and hidden blueprints for positivity within a framework built from anger, depression, rage, sadness and darkness. Slipknot embodies the full scope of the human experience, spit out and handed over to the crowd.  Always imitated, never duplicated.

Andy Copping, VP of Promotions at Live Nation commented: “Slipknot’s last appearance at Download has gone down in the festival’s history as one of the best ever headline sets. God knows what they’ll have in store for 2013 but I’m looking forward to seeing how they’ll top the last one.”

Rammstein announced as second headliner for Download 2013

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Weekend tickets with camping go on sale 9.00am Friday 28 September from www.downloadfestival.co.uk. Download 2013 takes place at Donington Park from 14-16 June.

With over 15million album sales worldwide, several world tours and a collection of music awards under their belts, Rammstein are back to do what they do best and bringing their awe-inspiring live shows back to these shores. The German monsters of rock last played the UK earlier in the year with critics describing the tour as ‘spectacular’, and ‘aferocious industrial music hurricane’. This performance at Download 2013 is sure to rock Donington to its very foundations. 

Andy Copping, VP of Promotions at Live Nation commented, “We’re very excited to welcome Rammstein to Donington for the very first time. They are an epic live act and a perfect Sunday headliner to cap off what is shaping up to be yet another fantastic Download festival.”

Rammstein @ Download 2013

When asked how it felt to be playing Download, Rammstein simply commented, “It’s only a festival….not a moon landing.”

Iron Maiden are confirmed to headline Download on Saturday 15 June.

Vodafone customers can buy tickets 48 hours before they go on general sale: 9.00am Wednesday 26 September atvodafone.co.uk/vip

Download RIP ticket packages are on sale now and can be purchased via www.livenationexperience.co.uk or by phoning 0207 009 3484.

Download celebrated its 10th anniversary this year with a sell out event headlined by The Prodigy, Metallica and Black Sabbath.

Iron Maiden confirmed to headline Download 2013

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This will also be a record FIFTH time that the multi million selling British rock pioneers will have topped the bill at Donington, following two Monsters of Rock performances (1988 and 1992) and two spectacular Download Festivals (2003 and 2007).

Frontman Bruce Dickinson says “We’re absolutely over the moon to be headlining Donington again. The idea of returning exactly 25 years later with a show inspired by that same 1988 “Seventh Son” Tour, was too good an opportunity to be missed! And, thanks to modern technology, we’ve been able to update and improve on the original production. We will be bringing a huge new lightshow, stage set, various incarnations of Eddie, plenty of pyro and allkinds of other exciting stuff for the fans. And of course treating the fans to lots of their favourite songs from that period! We’ve had many great times at Donington and there is always a wonderful mix of bands and a really wild crowd who love their metal, all of which makes for a memorable show and fantasticparty atmosphere!

Iron Maiden

Iron Maiden recently completed the hugely successful North American leg of their ‘Maiden England’ tour, with a set list and production based largely on the band’s live concert video filmed in Birmingham during the ‘Seventh Son of a Seventh Son’ tour in 1988.  Widely considered one of the most important rock acts of all time, Iron Maiden have sold almost 90 million albums worldwide, played over 2000 live performances across 58 countries around the globe, and released 15 studio albums including the most recent, The Final Frontier, their biggest ever chart success attaining No.1 positions in over 28 countries.

Andy Copping, VP of Promotions at Live Nation commented,  “I am delighted to see the return of Iron Maiden to Download next year to mark the 25th anniversary of their first playing at Donington. They are without doubt  one of the biggest bands in the world and their live shows are legendary. I caught them in Los Angeles and the audience reaction to the stunning stage production and incredible set-list was just phenomenal to witness. After watching rare performances of songs like Afraid To Shoot Strangers, The Prisoner and Seventh Son, alongside classicslike The Number Of The Beast, Aces High, The Trooper and Fear of the Dark, I can’t wait to see this show again at Download 2013. It is sure to be something really special.”

Download Festival 2011 add 21 new bands!

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def leppard download festival 2011Def Leppard are a global rock phenomenon with hit singles spanning an incredible three decades such as Animal, Love Bites, Pour Some Sugar On Me, Lets Get Rocked andWhen Love And Hate Collide.

Their fourth studio album Hysteria (1987) spent an amazing 101 weeks at Number One in the UK charts, also going 12 times Platinum in the US, cementing them as one of the biggest selling rock bands of all time.

A further 20 artists have also been confirmed to lift the proverbial roof off at this year’s Download incuding Sheffield hell raisers Bring Me The Horizon, Grammy nominated Disturbed, blues metallers Down and Chicago alt-rockers Madina Lake.

Fresh from their US tour, Black Stone Cherry have also been added to the Download Festival line up, joined by London political punk rockers The King Blues, American pop-punks Bowling For Soup, folk-punk singer-songwriter Frank Turner, Californian hardcore thrashers Trash Talk and the ‘battle metal brilliance’ of Finland’s Turisas.

Continuing the eclectic rock and metal vibe of the Download Festival, this year’s bill welcomes Guns ‘N’ Roses and Velvet Revolver guitarist Duff McKagan’s Loaded, high voltage glam-rock from Twisted Sister and multi-million selling Cheap Trick.

And finally, set to have the crowds head-banging in the mosh pits across the weekend, American metalcore band All That Remains join the bill, along with Northampton metallers Sacred Mother Tongue, the hotly tipped metalcore of Asking Alexandria, Christian rock act The Devil Wears Prada, new kids on the block Straight Line Stitch, Midlands rockers Jameson Raid and Japanese self confessed devil worshippers Ghost.

Download Festival announce 20 new bands!

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From chief heavyweights and major players of the international rock scene, classic rock heroes, acclaimed rock legends and innovators to the latest hotly tipped acts emerging onto the scene, Download 2011 is set to make ears ring, voices hoarse and legs very weary this summer.

UK Top 5 charting modern metallers Bullet For My Valentine, who Metallica drummer Lars Ulrich included in his Top 5 current metal acts, the critically acclaimed New Jersey boys Gaslight Anthem, Australian drum ‘n bass / rock dynamos Pendulum, who knocked The Rolling Stones off the top of the UK charts last year with their third album Immersion, US classic rockers Alter Bridge,recently heralded by a US website as ‘the second coming of real rock’, will be making their mark on Donington with what are bound to be significant and exciting live performances.

Legends of the classic rock fold will be back on the scene at Download this year – the boys who are back in town, Thin Lizzy, LA glam-rock stars Buckcherry, American ‘jam band’ Clutch, who are now in their 21st year, Brit rockers FM and finally Mr. Big, the virtuoso classic rockers who have reunited for a new album What If.

Download 2011 will see the return, and even the debut, of some of the greatest and most influential rock artists of all time, all who have influenced a generation or more of contemporary music acts. Master of theatre and horror Alice Cooper, who will be inducted into the world famous Rock and Roll Hall Of Fame this year, Nu-metal pioneers Korn, US blues-metallers Danzig, fronted by the king of horror-punk Glenn Danzig, British rock heroes The Cult, who are currently on the road across the UK and Europe, sci-fi inspired shock-rock metallers GWAR, and ‘desert rock’ originators Masters Of Reality, who celebrate their 30th anniversary this year, alljoin the party. There should be no over-estimation of their influence on modern rock – to put it bluntly; without Glenn Danzig there’d be no My Chemical Romance, without GWAR there would be no Slipknot, without The Cult there’d be no Guns ‘N’ Roses, without Korn you’d have no Linkin Park or Disturbed, without Masters Of Reality there would be no Kyuss or Queens Of The Stone Age, and without Alice Cooper there would be no Kiss, no Marilyn Manson, and arguably no Lady Gaga.

Moving on to the new kids on the block, with a host of new and new(ish) acts set to get tongues wagging and heads banging in 2011. Black Veil Brides, known for their distinct Kiss-inspired appearance, The Damned Things – a blend of Every Time I Die and 80s thrash heroes Anthrax, the Nevada post hardcore act Escape The Fate, LA rap-rockers Hollywood Undead and Kerrang! Magazine’s ‘Best British Newcomer’ 2010 award winners Rise To Remain – fronted by Bruce Dickinson’s son Austin – all jump into the fray and will be looking to win over the crowds at Download in June.

These acts join headliners System Of A Down and Linkin Park, plus Avenged Sevenfold and Rob Zombie. Weekend tickets and RIP packages for Download (at 2010 prices) are on sale now from www.downloadfestival.co.uk.

Fancy following in the footsteps of My Passion, Youmeatsix and Don Broco? If so 2011 could well be your year as once again Red Bull Bedroom Jam returns to the hallowed turf of Donington Park to give eight new artists the chance to play to the assembled rock masses. If you’re in a band, get your video uploaded now at www.redbullbedroomjam.com, and if you’re a fan, get promoting your favourite act to give them the chance to play Download, along with four of the countries other top festivals, have a live gig streamed out across the globe, spend two weeks recording in the Red Bull Studio London and get a much coveted support slot on a major rock tour.

To coincide with this latest announcement, the official Download Festival website – www.downloadfestival.co.uk – has just been re-launched, and comes full to the brim with exciting digital Download goodies.

As well as a brand spanking new homepage, you’ll find news about the bands playing the festival, detailed pages with info about all the artists on this year’s line up, photo galleries and video content from previous Download festivals, and of course all the essential information you need to know about this year’s festival.