A miraculously dry day at Download sees droves of half-drunk, half-sunburnt red faces heading to the main arena for Friday night's headliner System of a Down. Having played at Download last in 2011, SOAD were definitely due a return to the main stage at Donington and thousands of people are already packed in to watch.
Starting strong with 'Suite-Pee' and 'Prison Song', blending seamlessly into 'Violent Pornography' (which I realise sounds rather rude…) SOAD make it known that they mean business. It's rare for a band to be respected and liked across the board, but it really seems like System aren't the great divider that other headline acts seem to be. Droves of people are coming in from the second stage where Sum 41 are just finishing up, and the standing is packed all the way to the back of the arena.
With his now white-streaked beard, Serj Tankian holds the crowd in the palm of his hand and a giant screen behind shows clips of black and white movies and news stories during the bass heavy 'Aerials'. It's bone-shakingly heavy and there is a deafening chorus of people joining in around us, Download have got the main stage sound absolutely spot on this year, it's pitch perfect from way back into the arena. Into the much loved 'Bounce' for some limb-flailingly chaotic pogoing, during which a man in an extraordinarily short tutu with "Twat" sharpied across his forehead, almost loses what's left of his dwindling dignity, followed shortly by the incredible 'Psycho' and 'Chop Suey' – absolute classics. The guy on the front row wearing a full tuxedo is going berserk and I know how he feels, this is shaping up to be one of the best headline sets Download has ever seen.
After a solid 45 minutes of play without so much as a pause, Serj yells out to the crowd "Download, how you fucking doing out there?" and that's our lot. SOAD truly came to just smash it up, not stop for a chat. For a band heavily invested in political topics and lyrics, I had sort of wished for a quip or two regarding yesterday's UK election results, maybe something about being well hung…
Closing out with the enormously enjoyable 'Toxicity' and 'Sugar' SOAD have pulled off a near perfect headline set, and despite the obviously lower numbers at the festival this year, everyone seems to have turned out to see them do it. Roll on day two!
The ever popular Bristol festival kicked off with its huge 20,000 people capacity. Thrown by the Team Love Gang who have built themselves up as a Bristolian Party makers, this city festival has the recipe for a fun May bank holiday with its strong line up and good lay out without all the crammed conditions many inner city festivals usually provide.
After the slow but steady wait with the sea of glitter faced, unitards- wearing hipsters first up to mention was the up and coming DJ, Fatmina Yamaha. Set on main stage, the Netherland DJ pulled in an impressive crowd of eager dancers. Although still early and the sound still rather low when ‘What’s a Girl to do’ came on it was clear the party had truly started.
Up next was Bristol based ‘Crazy P’ who never fails to get the crowd going. It is hard not love the underground disco group who have been apart of Bristol’s party scene for the past 15 years. Always one to work the crowd, front woman- Danielle Moore had the crowd dancing and smiling away.
After what seemed a long and anticipated wait as the sun got lower and the crowd filled up Mura Masa entered with his awesome track ‘Love$ick’ featuring A$ap Rocky. As the beat dropped the crowd exploded into a sea of roaring and dancing fans. From first song to last Mura Masa had the crowd glued.
Up next in Paradiso tent was electronic DJ’s ‘Bicep’. These house hero’s are known for throwing the ultimate sets and clearly from the sardined tent it was one everyone was eager to party to. Escaping the crammed atmosphere of Paradiso, the finale of Main stage was the Swedish electronic band, Little Dragon. In comparison to the quiet set of Fatima Yamaha, the sound quality was at its best. With the crowd engaged, Little Dragon delighted everyone with the new gems from their new album.
Sunday brought in a slightly bigger crowd, with queues of festival goers snaking around Eastville park in anticipation of getting in.
First to see main stage was grime artist ‘Nadia Rose’ who this year had been upgraded to a bigger stage and longer set after her hugely successful year in music. Spitting her lyrics as well as ever and engaging with the crowd it was easy to see why this 23 year old UK rapper is breaking through the grime scene as confidently as ever.
Next to lead was the hugely popular Shy FX. With the best stage presence that I had seen all weekend their was not one track which had the crowd at stand still. With hints of the popular ‘feelings’ track coming on festival goers were bouncing and screaming higher than ever.
Escaping the heat of the popular main stage was the fun of Shambarber tent which had drag queens and gorillas dancing on the stage while partygoers boogied to disco music. A hugely fun and warming crowd this hidden gem was heaven to the partiers who were looking for an escape from the heavy jungle and grime beats of the other other stages.
To close the night was the legendary Kano. Pleasing the lively crowd, the beats for P’S and Q’s came on the crowd exploded. Mega fans near the front went wild and the night ended with thousands of pumped partygoers making their way into the town.
Yet again another fun fuelled party hosted by the Team Love Gang. Despite its ever growing size, this huge 48 party located at the side of the M32 still has the magic of bringing people together in a true Bristolian friendly fashion. The atmosphere for me still remains as fun and strong as ever.
Common People might be the littlest sister of UK behemoth Bestival, but it certainly packs it’s own unique punch. Held on Southampton Common (with a twin over in Oxford now too) it’s a two day hedonistic escape without the sleeping-on-a-rollmat or not-showering-for-four-days element, and as such, is an altogether pleasant affair.
Saturday sees the likes of Elvana (Elvis fronted Nirvana) doing, well… exactly what it says on the tin I suppose, and Loyle Carner whipping a tshirt around the stage and rapping hits from his debut album, to a sun-drenched and almost feverish front row made almost exclusively of ladies. Over on the Uncommon stage, local lads Fever are whipping up a storm with their classic punky rock vibes to a packed tent.
The arena itself is decorated with a well-known Josie Da Bank feel to it, silk flags flutter in the breeze and there are fairy lights, lanterns and rainbow streamers everywhere, but it’s the heart installation which simply reads ‘Manchester’ which stands out the most. After such a terrible event, it’s affirming to know that people will still make their way to a festival like this, but the increased police presence was very noticeable.
Despite the somewhat sobering feeling of walking past armed police to enter the festival, the atmosphere is free spirited and fun. The Kids area is packed with people attempting circus skills, hula hooping, bubble blowing and getting their faces painted. Hidden away in a magical little copse, it really does have that hazy secret summer feel to it, and the Jam Jar Bar is serving up delicious treats for the bigger kids. Did someone say Rhubarb Martini?
Over in The People’s Front Room, which is dressed up as a shabby-chic front room in case you were wondering… people are grooving along to funky sounds, but it’s pretty tightly packed so we’re off to check out the food options, which never disappoint at CP. Back in the dark old days of UK festivals your best hope was paying over the odds for some soggy chips and a distinctly grey looking burger, but at Common People your culinary compass can spin all around the world. From Paella to Macaroni Cheese, to thali boxes or soft shell crab burgers, there is nothing common about this menu. We can particularly recommend the brie, pear and walnut from The Gourmet Grilled Cheese Co. which was pretty flippin decadent.
Back at the main stage there are rows upon rows of screaming, glitter-bedazzled girls greeting a very dapper looking Tom Odell who is playing a roaring set from behind his giant centre-stage piano. Calling out “Southampton! Closest I’ll get to a home gig this season, back home, back in the badlands” Tom is returned with a chorus of “Marry me Tom!” from a group of young ladies who look like they might faint at any moment. One particular hardcore Odell fan has actually travelled with her father and sister from Brazil to see him here, now that is commitment!
Next up is Sister Bliss playing a Faithless DJ set in the deep evening sunshine which naturally has everyone up and dancing. ‘We Come 1’ is so heavy it rattles the panels of the helter skelter and Bliss looks right at home here in her sequinned bomber jacket.
Over to Pete Tong and The Heritage Orchestra to bang out some Ibiza classics and honestly, it is overwhelmingly amazing. Conductor Jules Buckley stands, arms spread wide in front of three tiers of orchestra and Pete Tong perched amongst the rafters at an LED lit mixing desk and they begin. It’s a strange sensation knowing these classics to be, to put it bluntly, somewhat simple musically speaking – but hearing them performed by the orchestra just brings them to a whole new level. Massive hits such as Fatboy Slim’s ‘Right Here, Right Now’ and Faithless’ ‘We Come 1’ get the full orchestral treatment but bathed in lasers and smoke. It’s strangely satisfying and retains the intensity of the original tracks. Pete also pays tribute to Manchester noting that it’s ‘on our minds’ before introducing Ella Eyre to sing ‘Good Life’ and Rudimental’s ‘Waiting All Night’ which are insanely good. Finishing up with Becky Hill on ‘You Got The Love’ has the whole crowd singing along and Pete Tong quips “We can’t pretend to go off and come back on again, there are too many of us!” as they close the show. With a mass surge out of the gates and into the town, day one of Common People is over and it’s been a blinder.
Sunday on Southampton Common seems a lot quieter, there are a smattering of people milling around for the first bands but it’s pretty sparse, at a guess some people went very hard last night and are nursing some pretty epic hangovers today.
The Novatones who come out strong and belt around the stage with their classic punk rock sound and jumping antics, it’s a great set and a shame so few people were out to see it. The Black Kat Boppers make short work of getting everyone who has made it in, up and dancing some sort of hybrid swing-come-dad-moves.
to being ‘stuck in traffic’ Nadia Rose appears to have all but missed her slot and Calum Lintott, who has just finished a set on the Uncommon Stage is hauled in to fill the time. He looks nervous as hell at first, forgets to plug in his guitar… “That’s a good start isn’t it! I did not expect to be doing this today” and waves awkwardly at his family out in the arena, but he pulls off a frankly fantastic second set anyway. Even the security guards are clapping along by the end and Calum seems pretty stoked about getting to play the main stage, ‘English Daisy’ and ‘Baby I’m Insane’ are going straight on the playlist.
Whilst Signals are mid set-up and sound check, Nadia Rose finally makes it to the main stage – albeit shoe-horned into the side with the DJ booth, accompanied by a large posse. Rocking a red bomber, with matching trainers and visible pants, as well as her signature space bun hairstyle – she is every bit the rapper celebrity the young front row have come to see. Busting out ‘Skwod’ and ‘Boom’ she has boundless energy and is absolutely fierce in her delivery, but it was maybe a little unnecessary of her to complain that “I’ve got a short set today, because I was put on late, but whatever” when it doesn’t seem like anyone was really at fault for that.
A brief but substantial downpour sees herds of people diving into bars and tents for shelter, which Amy MacDonald finds highly amusing “It seems a lot of people are scared of a little bit of rain… that’s a drizzle in Glasgow… southern softies eh?”. Standing in front of a broadway-esque red ruched curtain, the Scottish musician plays a storming set highlighted by recent hit ‘This is the Life’ but the rowdy contingent of Common People are squished side by side into the rainbow-ribboned Uncontained Stage area for Fat Man Scoop. Stalwart of the school disco, Fatman Scoop is of course playing an absolute cheese-fest of hits. Rocking lounge shorts and pool slides he leaves the decks to dance with three stunned kids who’ve been pulled from the crowd for DMX’s ‘Party Up’ but decides to get them to cover their eyes for his brief bout of topless shimmying. Good call Scoop, good call. ‘Be Faithful’ is exactly as obnoxiously loud and fun as you’d imagine, and with the appearance of Goldie, it’s just what we needed to get out of the grim weather funk.
Over on the main stage the House Gospel Choir are giving huge club hits in their distinctive style, notably a cover of Robin S’ ‘Show Me Love’, to a massive crowd. Up next British Sea Power aren’t garnering the same sort of response due to their softer, melodic sounds, but the front few rows seem to be die-hard fans who are absolutely loving them and their strange selection of stage-foliage.
Natives are shredding the Uncommon Stage with loads of people dancing and jumping around in the tent, and the bouncy castle has been dried and re-opened to hordes of terrifyingly fearless children. With a single experimental bounce and what thankfully was a minor collision with a manically grinning cannonball of a small girl, it’s time to escape to safety. Off to a less violent affair, lashings of glitter makeup from Dust & Dance and obligatory hair braiding, before heading over to see Wild Beasts. Flanked by flashing panel lights and a giant backdrop from their latest album ‘Boy King’ they have a distinct electronic rock sound that is definitely piquing some interest in the now quieter arena. I think they’re going to be the hot playlist add following the weekend, but I’m not sure they’re quite what everyone was waiting for.
Groove Armada pick it back up with a solid set of classic dance music, and I know it’s specifically listed as a DJ set but they really are holed up at the back of the stage behind a giant table. Why can’t DJ’s be at the forefront and engage with the crowd in any way other than that wistful sort of pointing into the sky reminiscent of Steve Zissou? Anyway… as they continue through the set the crowd builds and gets increasingly rowdy, during a remix of Breach’s ‘Let’s Jack’ security are rushed into the main stage pit to hold the barriers as people push against them whilst dancing.
After a couple of choice cocktails at The Day of the Dead Bar it’s down to Sean Paul to close out Common People 2017. Swaggering onstage in a dusty trenchcoat and a pair of sunglasses, Sean Paul looks every bit the nonchalant celebrity, but as ‘Get Busy’ begins it’s clear he is here to move and shake that thing as much as the crowd is. Flanked by two extremely energetic dancers, Sean Paul makes his way through a plethora of his classic hits such as ‘Baby Boy’, but it’s his version of Sia’s ‘Cheap Thrills’ that we are both wincing at, and simultaneously loving. It also then mixes into Ed Sheeran’s ‘Shape of You’ and honestly It’s hard to assign one feeling to something like that. To explain, he changes the words… a lot. Enough to have no idea what’s going on except for the tune.
Calling out “We’re bringing you music from around the world tonight… we’ve got music from Jamaica, we’ve been to Australia with Sia… the UK with Ed Sheeran… who wants to go to Trinidad and Tobago with me?” we can’t help but think he’s playing the metaphor because his driver (easily spotted by being the only one at the back of the crowd sporting a full suit and tie) is looking horrified at the idea of driving anywhere other than home after this.
The crowd is getting considerably louder and wilder as the show goes on, and during ‘Temperature’ two girls are hauled over the barrier by security for having a scrap over which one can get closer to Sean Paul. It’s 50-50 on the funny/baffling ratio. Ending with a chant of “Say no no no, we ain’t going home” is fun until it’s actually time to go home and return to the real world, but at least there’s a bank holiday tomorrow to recover. Oh Common People you have once again been superb, with your eclectic mix of music, beautiful décor and incredible extra-entertainment options you are really anything but common, and you know it. Roll on 2017, and if you can’t wait that long for your fix, there’s always the larger scale Camp Bestival and Bestival to continue those CP feels.
SlamDunk Festival 2017’s lineup promised to pack a punch and after spending the day at the NEC Arena watching one great band after another, the festival proved itself successful in delivery.
Attending both as photographers and a music fan's, we shot and watched the likes of Blackpool derived ‘Boston Manor’, to Texas natives, ‘Waterparks’ and we was not disappointed.
I began my day with ‘Crossfaith’ who unleashed their energy across the Jagermeister stage; with great anticipation from the crowd and an epic countdown intro it only added to the hype. Kenta Kole (Lead singer) came onto stage waving a large flag and beckoned everyone to jump up and down before going into XENO.
Jagerbomb was the third song from their set and the crowd opened up and bodies flew forward keeping the security on their toes.
Crossfaith
Photo: Sophie Jones | Love And Light Images
They also encourage participants of their show to ‘put their middle fingers up’ in salute during the ending of their set. Overall from the start their set packed a punch and was full of engery and if you didn’t get to see these guys you really did miss out.
Setlist:
XENO
MONOLITH
JÄGERBOMB
KILL
OMEN
HELL
LEVIATHAN
VUKOVI
Photo: Sophie Jones | Love And Light Images
Vukovi were one of the new exciting acts gracing the smaller stages around the venue and what a treat it was for those that caught their set. The band have made themselves unavoidable after dropping their riotous debut album earlier this year; making quite a racket on the music scene. Armed with their heavy riffs, super-charged tempo they had the crowd singing and dancing along to each track they played. Front woman Janine Shilstone’s came out singing “La Di Da” and played well into the camera’s creating some great shots for the photographers who were down there.
Boston Manor
Photo: Hollie Turner | HollieVFilm
As previously mentioned Blackpool lads, ‘Boston Manor’ made full use of their slot during the festival over on The Key Club stage. They proved themselves to be tough contenders for the main stages sometime soon, after they pummelled themselves through their set, much to the crowd surfers delight.
Bury Tomorrow
Photo: Hollie Turner | HollieVFilm
‘Bury Tomorrow’ played the Jagermeister stage in their usual style. Screaming and growling for photographers, and telling the audience to crowd surf as much as possible during their set.
Don Broco
Photo: Hollie Turner | HollieVFilm
‘Don Broco’ also playing the Jagermeister stage encouraged their fans to ‘get the fuck down’ before then telling them to jump back up from the arena floor as the music kicked in.
Cute Is What We Aim For
Photo: Hollie Turner | HollieVFilm
‘Cute Is What We Aimed For’ provided fans with a much needed throwback, to their old teen favourites including ‘The Curse of Curves’. Happy fans even got to meet lead singer Shaant Hacikyan who was very grateful and humble to his long time loyal fans.
Deaf Havana
Photo: Hollie Turner | HollieVFilm
Deaf Havana were also lucky enough to score a slot on one of this years main stages, playing their set as the night began in a run up to the headline acts.
Madina Lake
Photo: Sophie Jones | Love And Light Images
After a four-year hiatus Madina Lake return to play the Impericon stage at SDF17.The crowd waited with anticipation and one by one each member came out before quickly dropping into their first track but it wasn’t long before Nathan Leone flew over the top of the photographers heads landing in the crowd and he did this more than once. It was a comeback performance that everyone should of seen and Nathan made it a very up close and personal experience for those who attended their set.
Enter Shikari
Photo: Hollie Turner | HollieVFilm
Enter Shikari finished up the festival on the Jagermeister stage with a bang. Lead singer Rou Reynolds, flailed his arms about in an 80’s style conservative outfit. This band were definitely the band of the festival for me. They exploded with instruments, energy, and a colourful, laser themed set that was like electricity to be a part of.
Shikari’s summed up how I and thousands of other gig goers felt about this years Slam Dunk in one lyric ‘this is all I need to feel alive…’
“ I thought the queuing system was better this year; faster and the bags check were more thorough so I felt a lot safer considering recent events in Manchester. The performances were good and the sound, lighting etc were good; although on a couple of stages due to technical issues it resulted in sets being shorter. Also the atmosphere was great and I felt safe the whole time, which is important in my opinion, the staff working at the venue were friendly and helpful! Only thing id complain about is I’d like to have had a map like previous years with the stage times on the back which weren’t given out like before” – Freya
“ Once again Slam Dunk didn’t disappoint this year; It’s the only place where you can bump into people you’ve just seen or will be seeing on the stages, its so laid back and causal. The loyalty and passion of the crowds is always a warm sight from hardcore fans in the pits to newcomers searching for a new sound or act to listen too. Acts like Crossfaith that are building a huge fan base due to their wild style and high energy its easy to see why people turn up every year. Acts like I Prevail, Madina Lake and Enter Shikari who are legends in the industry are the types of diversity a festival needs and Slam Dunk give you that and is a perfect introduction to a festival if your just starting out” – Sam
“ Getting into the festival and security was so much faster and efficient this year and the lay out the venue was good and easier to get around given last year stages were far apart; Only part of the layout I didn’t like was at the main stage it was only accessible from the one side. Some acts were late on stage and I think their needs to be more people helping between sets to strip and set up the gear. I think some acts needed bigger stages like I Prevail as it was there first time in the UK. Also I wish there was more food options next year as there wasn’t much choice.
The staff were very friendly and helpful given what has happened recently; I felt very safe and I even twisted my foot at the show and the second I fell down everybody helped me back up and made sure I got out safely; when I got checked out they were kind and helpful so big up to the staff. Overall id give a 9/10" – Jak
Review: Sophie Jones And Hollie Turner Photographers: Sophie Jones And Hollie Turner
I, like many others, do not live in London – in fact it’s about a three and a half hour drive from where I live, as the 02 is quite difficult to get to and always has hordes of traffic. This makes it increasingly difficult to commute back and forth for anyone who isn't local. So how do you solve a problem like commuting? Hotels of course!
The best hotel to stay at is a question raised with many who go to the O2 for an event. Where is the nearest hotel? Which is the cheapest? Which is the best value for money? Which hotel is nearest to public transport? I have raised these questions myself. I have also stayed in various locations as well as commuting to and from home for the O2 Arena.
Last year, 2016, I stayed over the river and, whilst it seemed like a good idea, it was actually quite stressful.
Now it does depend on the individual. You have to ask yourself what do you want to go to the O2 for? Late night event? An event over a couple of days?
Now I know that there are many factors to consider here, such as affordability – or just not wanting to spend more on a conveniently located hotel, when you can stay slightly farther out for a lot less. I had these exact same thoughts. However, I chose to stay at The Intercontinental this year during a festival at the O2, mostly as I wanted to be in certain places at certain times to catch interviews, press conferences and signings – and to see as many of the shows as I could manage. There is no way I could have seen half of what I did, had I stayed elsewhere.
The Intercontinental really should have a sign up in flashing lights that reads
‘If You Were Staying Here, You Would Be In Bed By Now.’
That would have me sold.
So, budget aside, let's break down why The Intercontinental is a good proposition.
We’ve mentioned location. That’s a given as it is located right at the 02 and there is a walkway that leads you directly to entrance H of the main arena, which means you will be there or back to your hotel in less than five minutes. Why else is it good to be staying so close? You buy things. You know those moments when you have absolutely no intention of buying anything? Then you get soaked up in all the event goodness and atmosphere and end up buying loads of merchandise. When this happens, nothing is more irritating than having to lug them about all day. So ask yourself, do you really want to carry that around? I don't. What a pain, especially in the main arena where you have little leg room as it is. I found being able to leave things in my room and go back and get things was a godsend.
Then we have the option of being able to get changed. If you are at the O2 all day and plan on going to dinner or drinks after your event, you may want the option to go and change your outfit- or even have a shower. How about a nap? You may find you have some free time, maybe an hour or so and think, ‘You know what? I have a long night ahead of me. I can squeeze in some sleep’.
Also, FOOD!!!! How many of you are sick of the ridiculous queues at every food outlet? It consumes half your free time and by the time you get a table, order and food arrives, you are lucky to have even five minutes to eat it.
In the lobby of The Intercontinental, you will find Meridian Lounge. Set similar to that of a French Patisserie, this quaint lounge has glorious, mouth watering cakes and macaroons that you simply could not say no to. The macaroons in particular were delicious, delightful and light with flavours that melted in your mouth and a taste you never wanted to replace.
The prices aren't even excessive when you consider the quality of food and the service you will get, not to mention the absence of crowds or queues and, better yet, you can dine in any of the hotel’s dining areas without being a hotel guest.
Having breakfast included in your stay is a great idea, as it is a buffet. I was in my element. The selections were out of this world. You had everything you could think of and more. What a great way to fill yourself up if you know you won't have time for lunch. There was unlimited tea and coffee brought to your table. You could have any kind too – Latte, Cappuccino,anything. There are also unlimited fruit juices and smoothies. You can have various cereals, yoghurts, cold meats, pastries, cakes, fruit, boiled eggs and pancakes with maple syrup or compote. Then of course a Full English breakfast. Two types of bacon, two types of sausage, hash browns, tomatoes, mushrooms, beans, scrambled egg, fried egg -everything. You can even ask for an omelette. I haven't even named half of what was available but I went for pancakes and mango yoghurt one day, Full English the next and so on. The staff at the breakfast buffet are the friendliest people. They are so welcoming and always ensure you have what you want. They always check if you need more tea or coffee too.
The views are also wonderful. Ask for a window seat and have your breakfast overlooking the river, beautiful. Also….you never quite know who you may bump into at breakfast. Let's just say that I may have seen a star or two, or three or maybe even four? Perhaps, more?
The Hotel also offers a Pre Show Menu in their restaurant. This includes two courses for £28 or three courses for £35.You also have the Clipper Bar which has every alcoholic drink you can think of, including a custom Gin of their very own, and a bar menu.
Eighteen Sky Bar Menu right at the top on the 18th floor has wonderful views, especially at night and is a great place to socialise. It also has a selection of light bite snacks. If you are a smoker, there is also a smoking area. The bar has floor to ceiling windows for amazing views – even the bathrooms do which, by the way, are immaculate with luxurious soap gel and moisturiser.
Peninsula Restaurant A La Carte/Tasting Menu – offers another option, slightly more expensive but probably the best quality food in the area.
As far as facilities and service are concerned, the hotel has a wide, immaculate and openly lit lobby which is immediately inviting. Staff are quick to welcome you and assist you where needed. We were offered help with our bags as soon as we arrived and every staff member even greeted our 14 month old son.
There are complementary drinks in the lobby – fresh water and juice, which was a wonderful touch, especially if you were waiting in line or simply waiting to meet a friend or colleague.
I felt as if I belonged there – just as important as the next guest and everyone was equal. It was certainly clear that every guest was incredibly important.
The entire hotel was spotless, not a speck of dust or overflowing waste basket in sight. No empty glasses or bottles laying around, no clutter. Every inch of the hotel had wide open spaces ensuring that no one had to squeeze past anyone or anything.
There is a Concierge, newspapers and tourist information in a stacked trio of old style suitcases and welcome seating areasfor guests to relax or have a conversation with family or friends.
If you have time or are staying with people not too interested in much of the daytime activities, well then why not visit The Swimming Pool? Open to all guests, the pool is relaxing, stress free and almost always empty apart from one or two people.
You also have The Spa – granted treatments cost, but if you want to, then the option is there.
Finally – the rooms. These are all beautifully furnished, withbeds which are some of the most comfortable I have ever slept on. The pillows are lush and so very soft that when you leap into bed – and yes leap – they are that comfy, you sink into the large pillows and just drift away…..
Each room has a mini bar, at cost of course, and they all have:
Body Wash
Shampoo
Conditioner
Body Lotion
Shower Cap
Vanity Kit
Nail Kit in the bathrooms.
Bathrobes
Slippers
Hairdryers
Ironing Board and Iron in the room.
In addition to this, Studio Suites, 1 bedroom Suites, 2 Bedroom Suites and the Penthouse also have:
Dental Kit
Shaving Kit
Mouth Wash
Bath Salts and a comb.
The guests that I saw were all very happy and many came up to me saying such things as:
“We stayed at the Holiday Inn last year but booked the Intercontinental to avoid the cold walk back over a main roadand because we wanted to be able to pop back in between day time activities and just before the main show”
“Yes, it costs more than hotels over the river, but with my daily schedule, I was able to get to every signing, every performance and every surprise meet and greet that was announced last minute” (C2C Festival)
“I wish that I could take the breakfast room home with me. There is so much choice – I wish I could eat like this every day”
There is also secure parking which is much cheaper than the arena parking fee.
Ellen – "The time of year I look forward to the most. I count down the days after each festival for the next."
Andrew – "There is no festival or event quite like C2C, it is such a great community with amazing artists "
Amy – "I am a huge supporter of UK country music and C2C always showcase UK talent as well as the US which i love"
Helen – "We come here every year and have been since the very first one, I will always come here it is the best event in the world"
Country Music isn’t a genre you hear about a lot in the UK. In fact it's one of those genres that as a fan, if you hear someone else is a fan, you get really excited. Most people I have met think of Cotton Eyed Joe or really traditional country when I mention that I love country music – but just when you thought that Country Music was of the past or stuck in the US, there were and are a huge fan base that you probably never even knew existed, probably people you work with, are related to or maybe even a close friend who just never told you.
Country Music is family. It is one of the most friendliest and warming genres to be a fan of or even an artist of. It doesn't quite gain the credit it deserves though, especially outside the US – but if country wasn't cool then how does it sell out the entire 02 Arena for three days straight?
In 2013, some people got together and came up with the greatest idea UK country music fans will forever be grateful for – a festival bringing US country artists to the UK stage. Gone are the days when we would save our pennies to fly to Nashville to catch our favourite artists in concert. Gone are the days when we would listen to country music on our devises and never see the artists live and gone are the days where we would be the only one in our circle of friends that listened to this genre.
Ever since Country 2 Country Festival began, fans have emerged from all over and have gathered together under one roof. The first year kickstarted with a jaw dropping line up of Carrie Underwood, Tim McGraw, Martina McBride, Darius Rucker, LeAnn Rimes, Little Big Town, Kristian Bush, Vince Gill and Brantley Gilbert and the festival has gone from strength to strength every year since with appearances from Zac Brown Band, Lady Antebellum, Brad Paisley, Luke Bryan, Florida Georgia Line, Eric Church, Chris Stapleton, Kacey Musgraves, Andrew Combs, Maddie and Tae and Miranda Lambert to name but a few.
Over the years the festival has gone from being a two day festival to a three day festival and has added various stages across the O2 during the day that non arena and arena ticket holders can attend. These stages have enabled fans to see performances from artists such as Sam Hunt, Charlie Worsham, Striking Matches, Maren Morris, Nashville TV Show Cast, A Thousand Horses and many more.
This year has been the biggest festival yet. Not only has the main event taken place over three days but the thursday hosts a CMA Songwriters Series where some of Nashville's finest songwriters gather together to sing in the round. This year we had Maren Morris, Drake White, Liz Rose, Mac McAnally and Kristian Bush.
The main stage this year was fairly diverse, catering for fans of all ages and tastes. The headliners included Brad Paisley, Reba McIntyre and Zac Brown Band with artists such as Marty Stuart, Maren Morris, Hunter Hayes, Darius Rucker, Dan + Shay, Brothers Osborne, Jennifer Nettles and Chris Young further down the billing but all equally brilliant and deserving of a headline slot.
This year also welcomed back the addition of The Yamaha Stage which is a small stage at the back of the arena to showcase up and coming talent in between main stage acts. Not all the artists on that stage were exactly new though as most of the artists already have an amazing career and huge fan base that the majority of the audience, myself included, felt they were robbed of a main stage slot as were more than deserving of so. Those artists were Cam, Cassadee Pope, Jana Kramer, Drake White, Lucie Silvas and then up and coming rising stars such as Bailey Bryan, Seth Ennis and Chase Bryant. However, all of The Yamaha Acts had various sets across the weekend on other stages, giving fans plenty of opportunities to see them, especially when not every attendee had main arena tickets.
One of the things that is so great about C2C Festival is that as soon as you arrive, everyone is the same as you. Everyone shares the same passion. You find yourself looking around at all the other fans and getting excited over their t shirts or cowboy boots and hats. A conversation will never run dry between two people who don't know each other at C2C, there is so much common ground that you make friends instantly, in fact, so many people already know each other via social media and meet up in a huge organised pub meet up before hand and no, not just for lone attendees but groups of friends and families too. At C2C even if you do go alone, you aren't alone for long as everyone looks out for each other and everyone is welcoming. Out of all the thousands of attendees, you soon come to know a huge percentage of people even just by face.
When Country 2 Country is on, the whole of the O2 is transformed into our closest version of Broadway in Downtown Nashville. The Restaurants become Honky Tonks, there are pop up stages all over the walk ways and inside other venues within the dome. There is an area which is sectioned off and named The Town Square and holds stalls of food, clothes and music stores and another slightly larger pop up stage. This area is also a booth which hosts artist signings. Some of the other venues do require tickets though such as The Bluebird Cafe. Throughout the weekend the venue NY-LON is transformed into a similar setting of Nashville's Bluebird Cafe where songwrters and artists sing their songs in a round just the same as the above mentioned CMA Songwriters Series. There were four sessions in total and each session cost £25 a ticket. For that price, you get to see about three or four of some of country music'/ finest songwriters. This year included Josh Osborne, Mac McAnally, Seth Ennis, Charlie Worsham, Cassadee Pope, Chase Bryant, Logan Brill, Jeff Cohen, Canaan Smith and Lucie Silvas. There were also also shows inside the Indigo and Building Six as well as other venues. After each main stage act had finished, you could also buy tickets for an after party in Building Six which would have a live show followed by a live DJ. This year, the after parties artists were Cam, Drake White and Jana Kramer followed by DJ Bad Ash. Those who could not obtain a ticket or did not want to go had an alternative of a free afterparty in the Indigo with artists of equal calibre such as Canaan Smith and Lucie Silvas.
Those of us who go to many County Music gigs start to see familiar faces wherever we go during the festival and it’s also nice to see some of the pop up artists such as Ward Thomas, Temecula Road and The Worry Dolls just walking around at their own leisure amongst all the festival goers.
There is something about walking in to the O2 Arena when Country 2 Country Festival is on that is like no other event. Although it is only on its fifth year, it already feels like home. As soon as you enter the Arena you get a sudden feeling of excitement and that isn’t just over the artists or over the many stalls full of Country CD’s, Cowboy boots and Southern food, its also the excitement of the overall atmosphere.
This year was one of my favourites despite having repeat performers from previous years. The general atmosphere was more relaxed but at the same time buzzing and I think that a huge part of that is because it is like family now for both fans and artists.
Highlights weren't just the headliners but acts from the pop up stages too. I walked away with wonderful memories from Temecula Road, Cassadee Pope, The Wandering Hearts, Cam, Drake White and Jana Kramer from the pop ups and main stage acts Brothers Osborne, Marty Stuart, Zac Brown Band, Maren Morris and Darius Rucker.
Artist Reviews
Brad Paisley
Brad has played the 02 Arena twice before this years festival, once before as part of C2C and once as part of his headline tour with Darius Rucker as his support, now that was a show!
There is something very special about a Brad Paisley show, in fact there are many things that are special. Brad has the ability to make anyone a fan of his, even if it is just of his performance and not his music. This man is an entertainer and the very best at it. Not only is Brad a fantastic singer and a phenomenal guitar player but he is one of the funniest musicians to ever grace the 02 stage or perhaps any stage. It is obvious much Brad loves the UK and his British fans. He comes across so overwhelmed by his UK fans and the fact we make the effort to come out and see him. Well of course we come out to see him, he is Brad Paisley.
Temecula Road
Temecula Road are a newly signed trio to Hollywood Records and consist of sisters Maddie and Emma Salute and good friend Dawson Anderson and they may just be the most exciting new act to emerge into the country music scene today. Having recently released their debut single ‘What If I Kissed You’ and recorded a series of Country music mash ups, as well as a killer cover of The Chainsmokers’ ‘Closer’, Temecula Road created quite a lot of buzz amongst C2C fans as soon as they were announced to play.
Temecula Road gave one of the most memorable performances of the weekend, winning over fans of all ages with their talent, wit and like able personalities. If you are not a huge fan of country, don't worry as Temecula Road have got you covered with their pop infused country songs that are so well written and so well sung with their perfect, sweet-sounding harmonies, that they belong on the mainstream charts.
Drake White is one of those soulful singer/Songwriters that should not be overlooked. One of the most phenomenal male artists I have ever heard in my life, he even gives Chris Stapleton a run for his money. Drake’s vocals are so insanely good that he doesn't even need instrumental accompaniment. His debut album Spark is without a doubt a contender for next years Grammys and his songs Story and Making Me Look Good Again are two of the most mind blowing live performances I have ever witnessed. His vocals are projective, emotive and you could hear a pin drop when he sings live. This man will not bore you live, he delivers such a steller performance that is chilling, emotional, passionate amd mesmerising.
http://https://youtu.be/ju4YPyhVDqc
Cassadee Pope
Cassadee Pope is a country music singer who previously was lead singer of the rock band Hey Monday! Since then she auditioned for the US version of The Voice, had every chair turn, chose Blake Shelton as her mentor and won the whole show. This crown earned her a recording contract with Big Machine Records where she released her debut album Frame By Frame – one of my favourite country pop albums of all time. Cassadee has one of the most distinctive and pure, sweet-sounding voices with a rocky edge that you will ever hear.
Cassadee is quite the talent on stage. Her voice was even more flawless than her recorded sound. For me and many others, Cassadee was a highlight of the entire weekend and she wasn’t even on the main stage. Having Cassadee perform with Chris Young on the Friday night on the main stage as part of their hit single Think Of You certainly set an atmosphere for just how excited fans were to see her and people who did not know her were without a doubt going to catch one of her shows and buy her music. That performance was so insanely good that it showed the C2C audience that Cassadee has one of the best vocals in country music today. Her solo set was highly entertaining with hits such as I Wish I Could Break Your Heart, Summer and Wasting All These Tears.
http://https://youtu.be/ByGmQn1uxJw
Cam
Hailing from Sol-Cal Country- Cam, has taken the country music industry by storm with her breathtakingly beautiful debut single Burning House and has become one of country musics finest singers to ever grace the modern country scene. An old soul, Cam has so much to offer. Her flawless voice has a hint of Dolly Parton and a tone so pure and honeyed that she bridges the gap between traditional and modern so perfectly.
Cam is not only a delightfully refreshing artist but she is also such a joy to watch, speak to and listen to when she talks and sings. Her adorable personality is so infectious that you just want to be her best friend. She really does seem like the nicest person in the world. Cam is like sunshine, I think she could make the saddest person smile and she could light up the darkest room.
Cam began her set with My Mistake taken from her current and debut album Untamed. Beaming with delight throughout her performance and constantly smiling and slightly skipping – Cam yelped with a happy yelp each time the audience sang back to her when she held out her microphone.
Cam’s song Burning House is quite possibly one of the most beautiful songs ever written. Inspired by a dream she had about how she hurt an old flame, the melody, instrumentation, vocals and lyrics to this song are breathtakingly stunning and wonderfully perfect. The song is so chilling in the most gorgeous way and live, it is even more so and her performance was flawless and the entire arena sang back making it quite the emotional performance.
http://https://youtu.be/uyGSe76rAJc
Darius Rucker
Formerly the lead singer of 90's band Hootie and The Blowfish, Darius has become one of the most loved artists in country music, bringing a wonderful and grunge sound to country music with his unique, soulful and tangy tone that is one of the best in the entire music industry. You will never get a bad show with Darius Rucker. He is such a tough act to follow and many (and I spoke to a lot of people about him) said he was the highlight for them and no one could top his performance and I would be inclined to agree. His set was beaming, energetic, homey, warm, inviting, soulful, Jazzy and it felt like he united each and every person in the arena.
Darius' moves on the stage are one of his trademarks and everyone always looks forward to them. He is not exactly a dancer but when he sways his hips, he brings a smile to every face. His song Alright is always a favourite as are Come Back Song and Southern State Of Mind. Darius always ensures to have a couple of Hootie songs in the mix and treated fans with Only Wanna Be With You and Hold My Hand which had the entire arena singing along. It is his version of Wagon Wheel that gets the crowd really going though, but the show stopper was his cover of Prince's Purple Rain which was an emotional tribute to all the great musicians we lost last year. If you ever get the opportunity to see Darius Rucker live, then you must go.
http://https://youtu.be/etr7UtnUflM
Hunter Hayes
Hunter Hayes is another country artist that I feel can easily break into the mainstream charts. His music is country pop but so infectious and melodious that he would out sell artists such as Justin Bieber and Similar in a heart beat.Hunter Hayes is probably one of the most talented musicians in the world right now. A multi instrumentalist which not many people realise, this guy has a huge, long lasting career ahead of him. Hunter’s music can often be misunderstood. A lot of country fans see him as the teeny bopper of country music but if they really listened to him and if they saw him live, then I think their opinions would change quickly. Fortunately, having a slot on the main stage at C2C Festival gave Hunter the opportunity to show exactly what he is made of. Quite a few people came up to me after saying how they never realised just how good he was and had no idea that he played so many instruments or wrote his own music. Songs such as I Want Crazy and Tattoo always go down a treat as does his epic ballad Wanted.
http://https://youtu.be/XvtXgNtYFMs
Reba
Reba was an artist I never thought would be on the C2C line up. One of two traditional artists across the weekend, Reba caused a divide in the audience – you either loved her show or found it boring. I don't think performing straight after Darius Rucker helped as for many, he stole the show. Regardless, I loved every minute of Reba’s set and felt honoured to be there. The atmosphere in my block was buzzing full of hardcore fans which made it that much more fun. Reba is the Queen of Country Music after Dolly Parton and she certainly showed us why. She played old hits, new songs, covers and ended the set with an absolutely epic performance of her massive hit song Fancy, which made my night.
Brothers Osborne
Country duo – Brothers Osborne were electrifying. Their musical stylings lean more towards an alternative country sound blended with roots, bluesy and southern rock and they gave us a solid performance that will last in peoples memories for a long time, if not forever. Everything about their set was mesmerising, especially the insane guitar/fretwork from John Osborne which blows your mind and you stand there thinking what was that? That was crazy! Their set was rocking from start to finsish with their strong southern sound and one of the most memorbale moments was when they performed their single Rum.
Providing a very satisfying set list for such a short time slot and finishing with Stay A Little Longer and That Ain’t My Fault, they left us wanting them to stay a little longer.
http://https://youtu.be/h7wWinwIKnI
Maren Morris
From pop up stage act to main stage star in just one year, Maren Morris is quite the fire cracker and certainly a force to be reckoned with. With a career that most can only dream of even over years, Maren has proven to be one of the most gifted and exciting artists of our generation. Her debut album Hero having so much success that it earned Maren four Grammy nominations at the 59th Annual Grammy Awards. The album was nominated for Best Country Album, “My Church” won Best Country Solo Performance and was nominated for Best Country Song. Morris was also nominated for the all-genre honor of Best New Artist.
With a unique sound, Maren has a blend of many genres, not just country and deserves to be recognised as not just a country singer, but a mainstream artist too. Maren could quite easily fit alongside artists such as Adele, Beyonce, Rihanna and more if the mainstream radio would only play her. I have every faith that in the UK, if she got Radio 1 airtime, she would be a number one selling artist in no time.
Maren is a phenomenal performer with real attitude, sass and allure, she commands her stage with such confidence and power and delivers a groundbreaking, show stopping set. She did not disappoint on the main stage as she strutted around commanding her stage and filling the arena with her soulful, unique voice with songs such as 80's Mercedes, Second Wind and My Church.
http://https://youtu.be/m9md97nN_SQ
Marty Stuart
Marty Stuart was the most surprising act of the weekend for me. Being a more traditional artist, I expected his set to be more relaxing than the rest of the Sunday line up which consisted of Brothers Osborne, Maren Morris and Zac Brown Band. I initially thought they had placed him on the wrong day as assumed he would bring the vibe down but I couldn't have been more wrong. Marty is old school yes, but he is without a doubt the coolest cat in town and I dare you to question that. He is such a smooth, slick and bad ass performer that he is an artist other artists look up to, idolise. His music is the rocking side of country, the dark shadow, western, Johnny Cash, outlaw sound. He made his mark on the O2 Arena stage, setting the bar really high and gaining an even bigger fan base than he already had. Even the younger audience were in awe of his performance as he showed the world how it was done and showed us that traditional artists are here to stay and his music will never die, never go out of date. This man, Marty Stuart is truly a legend and I feel privileged to have seen him live.
Zac Brown Band are not only one of the best country bands in the world but one of the best bands in the world. This eight piece band of multi talented instrumentalists always give one of the best live shows you will ever see. Their music is country, it’s rootsy, it’s bluesy, it’s alternative, rocky, poppy, everything. If you want to see a phenomenal show, then these are your guys. I have never heard a crowd roar so much as I did during their set at C2C this year. The crowd were stomping, chanting and refusing to leave their seats as they demanded more. Zac Brown Band brought the festival to a close with one of the most steller performances of the weekend. What a way to end an epic weekend, everyone left more than satisfied and excited to grab their tickets for next years festival.
http://https://youtu.be/e4ujS1er1r0
So if you were ever in doubt about country music, I urge you to not just look up the artists mentioned but delve into the genre and discover even more artists as there are so many great ones out there and even more to come.
If you want to experience a festival like no other then this is the festival to expolre. Even if you go for just the free stages during the day then it will give you a sneak peak into one of the greatest genres of all time. Forget the stereotypes behind country music and be the first out of your friends and family to be converted. Country Music is hitting the big time, so don't be the last to jump on the band wagon. C2C is one of the most amazing festivals and experiences out there. How many other festivals make you feel at home and how many other festivals can you truly connect with the artists even on a one to one basis?
Pushing the parameters of what is jovially known amongst us music journalists as ‘festival season’ lies Boundary Brighton. Boasting an impressive line-up for its inaugural year, this one-day dance music extravaganza definitely made its mark. Exhibiting an impressive list of DJ’s and acts across four stages, the festival collaborated with clubs and venues across Brighton alongside party innovators Elrow, music publication Mixmag and the infamous LWE to curate something pretty brilliant to witness.
The main stage combined one of Brighton’s most beloved venues, Concorde, with the go-to publication for all things clubbing and dance music; Mixmag. Artists such as Bondax and Groove Armada (DJ set) took to the stage, as well as the energetic Gentleman's Dub Club, a delightful surprise, whose combination of ska and dubstep, suited appearance and Yorkshire accents over reggae vocals, brought an incredible live show. A DJ set by Wilkinson closed the stage down with an immense stamina and an energetic collection of tunes.
Notorious party-starters Elrow teamed up with Brighton’s The Arch – formerly known as Digital – to create a colourful psychedelic stage. If you haven't yet heard of Elrow, that's about to change, as the Barcelonian party enthusiasts have been putting on nights left right and centre; most notably the Ibiza classic Space. The Vibrant tent hosted the likes of Solardo, Seth Troxler, and Richy Ahmed all cocooned in a tent trying to be Woodstock, yet sounding pretty far from it.
One of London’s biggest underground events organisers LWE teamed up with Brighton club Patterns; still relatively new on the club scene since the death of Audio not too long ago (may it rest in peace) and I must say, whoever had the idea to build a fake London Warehouse as the set up for an inside stage was a genius. Entering the ‘building’ transported you into a club-like arena, where the likes of Jackmaster, Joy Orbison wowed the crowd, as well as sets from Patterns residents themselves. Last but not least, Boundary also set it’s very own bandstand. The smallest stage but still able to attract a crowd, the masked man Jaguar Skills played a hit-heavy set, albeit sounding a little rusty.
The man of the hour award definitely goes to Craig David and his new DJ project TS5. After the build up of one of the biggest revivals in garage history, Craig David’s comeback is definitely going strong. Though rumours of TS5 being a little rusty are still floating around, by the time the headliner hit the stage you could tell he’s cleaned up his act and his setlist was selectively fine tuned to please everyone from the 90’s kids in the crowd to old school garage fanatics. Being a fan as I am, I must say I’m probably a little biased but listening to Fill Me In and Seven Days live was enough to complete my summer of festivalling and if the attitude of my fellow punters in that crowd was anything to go by, I’m guessing they’d agree with me.
Craig David/ TS5 headlining the main stage.
This being said you can tell Boundary is still finding its feet. Though it’s had some great ideas and, in my opinion, had a pretty successful launch, it could do with a few tweaks. There’s no specific wristband system so punters are let in with no chance of re-entry if they leave, which would be fine if it didn’t make for a very confusing entry, there are no maps or clear labels as to which stage is which and punters have to check paper set times to make sure they catch who they want to see, It’s also pretty small. Though it held a 20,000 capacity, the festival site felt similar to a village fete making the four stages feel pretty squashed together. Nevertheless, in a way, this worked as a positive, as it promised big, energetic yet friendly crowds for each stage.
The acts themselves put on a great show, but with the renowned names on the bill and the brand of Brighton nightlife surpassing the name of the festival itself, this is hardly surprising. Though despite each stage’s own collaboration, all the music did feel a bit samey, samey. DJ’s and dance music aren’t always all too different and you come to appreciate the skills of each act you see, as well as their ability to captivate a crowd, but maybe next year it would be good to focus on a specific subgenre for each stage instead of mixing it up across the board. Do this, and Boundary could quite possibly become the next dance/club pilgrimage of the summer.
All images provided by www.visionseven.co.uk for Boundary Brighton.
It’s that time of year again, where the rest of the UK has basically resigned itself to Autumn but Bestival-goers know that there is one last high summer fling to be had. Cars crammed with people and gear are flooding the ferry docks, horns are blaring, people are already on the drinks at 9am… off we go to the Isle.
Upon arriving at Robin Hill, it’s clear something has gone awry. For some unknown reason they’ve decided to trickle-open the carparks, meaning those wanting to camp in yellow can’t actually park in yellow because it’s currently closed. For those not au fait with Bestival’s layout – the giant hill/massive walk through three campsites to get from Red parking (which is the only one open right now) to yellow camping, is utterly soul destroying when you’re carrying 4 days’ worth of binge-drinking materials. The second fail of the day (related) is that by not opening multiple car-parks and therefore access gates, EVERYONE IN THE WORLD is queuing for red entry. Two hours to get in is beyond mental, hopefully this will be rectified for next year because it was truly the worst entry system we’ve encountered at a festival this year, and Bestival have done it so right the last five years or so before.
After finally trudging over and setting up camp (in a field where toilets haven’t been delivered yet… what is going on?!), it’s time to head over to the arena to see what’s what. Next big shock of the day… where on earth is the main stage? The stage that sits in its’ place is about a quarter of the size of last years’ behemoth and is low-down, downhill. There are a lot of short people who are going to be seeing absolutely nothing this weekend that’s for sure.
Luckily, The Magic Meadow is up and running with the true Bestival vibe to make us feel better about everything. Happily The Feast Collective has only been moved here, not banished because everyone is starving and the food is just incredible. Where else can you side by side order a grilled-shrimp-and-samphire burger, raclette draped chips and a spicy beef rendang? With a pint of Bestivale in hand it’s off to scout out some early bands.
Asylums on the Invaders of the Future stage are punky and lively, you can’t really argue with a band who love to perform. ‘Joy in a Small Wage’ is perfect rock band fayre, easy to sing along, great to dance to, and the band themselves are leaping around the stage as they play in front of the Day of the Dead bar.
The highlight of Thursday is Besti-faves, Hot Chip in the Big Top. Weird and wonderful as always they play to a busy tent despite starting at nearly one am, and their electronic melodies can be heard far and wide across the still-filling campsites.
Friday
Friday sees ferries delayed by the discovery of a World War II torpedo in Portsmouth harbour which is later disposed of by controlled explosion, but with everything soon back on schedule it’s becoming apparent that not enough camping has been opened by the festival this year. Having sold only 40,000 tickets compared to years’ 50,000+ it seems that a decision was made to condense campsites. However, they clearly went a field too far and people are scrabbling for space today.
Anyway, on to the first proper arena day and we find ourselves drawn in by the presence of The World’s Biggest Bouncy Castle over on top of The Grassy Hill. At a price of £5 for ten minutes of bouncing, it’s pretty damn steep, but hey we’re drunk and ready to throw some shapes. After knackering ourselves out, getting told off by the flip police, and avoiding serious damage it’s time to explore Caravanserai over in the Stardust Field.
What can I say about Caravanserai except, it’s magical. Surrounded by half-caravan seating booths, a carousel stage and Wurlitzer carts, it almost feels as if you’ve stepped into an American Horror Story set, without the inherent creepiness I guess. An area is being roped off by toothless yokels who are swigging something foul from an xxxx bottle and people are being called up to ‘dance off’ against each other, choosing ‘beats’ or ‘junk’ as backing tracks. As people crowd in we see a wookiee face off against a cheerleader who is throwing flips on a perilously downhill slant, a pole-dancer takes on a guy with a bizarre rope-tied tiny tears doll, and an extraordinarily drunk flying squirrel twerks at an Adidas clad musician. It’s bizarre and brilliant.
Heading out to the main stage for something a little less frenzied we catch Kitty Daisy & Lewis on the main stage as they whip out the harmonica for some bluesy riffs.
Next up are Bestival legends and all-round disgracefully wonderful pervs, The Cuban Brothers. No Bestival could be complete without them and their crazy array of stunts, tricks, the tightest jumpsuits ever seen outside of Olympic gymnastics and old school hip-hop vibes. Starting off in traditional carpet-print suits, Archerio and Kengo hit the stage with their dance duo which we as always attempt to emulate badly. Miguelito rocks ‘Mike For President’ in his gold wrasslin’ belt, and guest BAM from hip hop crew The Jungle Brothers comes out just in time to be accused of #sexyfavours. As they sing “I’m a Jungle Brother, and he’s a Cuban Brother” we see Juan Erection and Kengo bust out the big moves with huge flares, head spins and tucks. Mike pops into the crowd for a bit of fondling and then busts out the swan pants with absolutely zero shame. The Cuban Brothers are party central and the huge crowd is laughing and dancing along with them. The only sad bit? Kengo brings out his skates but the stage appears to be a bit wet to see him do any tricks. Damn!
Next up, Norwegian waif Aurora is elfin and adorable. Wearing a ton of knitwear in the high summer heat, she has a touch of Tilda Swinton about her, but oh that voice. She soars with ‘Winter Bird’ and instantly endears herself to us when by breaking her ethereal spell to say “I really had to pee before I came on stage, but when I started to sing… it went away. I didn’t pee myself on stage though!!”.
Years & Years hit the stage with a light-show based on the lines of their album cover and some pretty fabulous futuristic outfits. Frontman Olly Alexander is dressed in metallic geometric 8-bit armour which kind of looks like a Minecraft/Moschino collaboration and with huge ticker tape explosions they race through hit after hit. ‘Take Shelter’ and ‘Ties’ have everyone mesmerised and as snappy modern dancers flood the stage it’s clear the band have upped their production value in the last two years. Finishing up with everyone singing along to ‘King’, Olly yelling “I love this festival” and a massive rainbow streamer explosion from the top of the stage, they have been a perfect Bestival band.
Over in Bollywood there’s a sweaty crowd dancing their hearts out whilst cocktails are flowing at the cocktail bus next door. A tiny rave is happening in Sunday Best and there are people spread out all over sampling the culinary delights on offer here. Anna Mae’s Mac & Cheese deserves a mention for being the stodge that saved our souls after two bags of wine. Yes, bags. Praise cheesus!
Heading into the Ambient Forest for a bit of a calm-down, we take a stroll into the revamped Amphitheatre (amazing new design) but we are a little sad that the late-night movies have been axed this year, along with Scroobius Pip’s much loved Satin Lizard Lounge. The forest itself is full of new seating nooks and artistic installations like the Tron-esque musical pipes, and the tinkling of ivories can be heard through the secret entrance to the Gatsby-esque Blind Tiger.
Back to the main stage and Skepta has drawn a massive crowd for ‘It Ain’t Safe’ but it’s Major Lazer who really take it up a notch with thousands pouring into the arena for the likes of ‘Lean On’ and ‘Light It Up’.
Over at the Spaceport, set in a giant fuse box underneath a massive rocket, Carl Cox is lighting up the night with some solid beats, followed by Diplo straight off the back of his main stage performance. The ribbon-wrapped area, flanked by two huge astronaut installations is awesome, but the layout does make access quite difficult with thousands of bodies piled in.
Saturday
Alas, predictions were true and the rain has put a stop to many of the wild and wonderful costumes we’re used to on a Bestival Saturday, not to mention the main parade has been cancelled due to ground conditions. Such a shame! However, spirits are never dampened at Besti when Mr Motivator is on hand for an early shakedown. There’s something weirdly comforting about a man espousing health in the midst of our foul hungover scurvy-wracked state. No I haven’t had any fruit for three days except in a cocktail, but I’m pretty sure I can keep up with these aerobics… probably…
The Chuckle Brothers are obviously both terrible and nostalgically hilarious but it’s Wolf Alice who deserve a much bigger, less soggy crowd for their soft, rock style. ‘Bros’ and ‘Moaning Lisa Smile’ are brilliant and should have been sun-drenched. Hopefully we can catch them again at a less damp future Bestival. Lady Leshurr is a powerhouse performer with hit 'Brush Your Teeth' and clearly everyone is loving the return of Craig David, no matter how many times he says his own name.
Over at Invaders, Pretty Vicious’ ‘Cave Song’ has a huge crowd up and jumping including a rowdy bunch of people dressed as their older selves with inflatable zimmer frames – The Future, I geddit, very clever. Followed up by rowdy bijou band Hinds who rock so much pocket-power they practically eclipse the main stage sound, we are loving their energy. Yelling “What’s up Bestival! Bestival is the first festival we did as a band… we were so excited because it was the first time we ever had like an artists wristband!” they echo the sentiments of quite a lot of new bands who were given their first chances at this festival. Rob Da Bank and co. have always been right on the cutting edge of booking up-and-comers, allowing new acts to flow into the festival mainstream.
Onto tonight’s main stage headliner – The Cure. With probably half the crowd never having heard of them, it’s a pretty great turnout. Hits ‘Friday I’m In Love’ and ‘Just Like Heaven’ are absolutely amazing, but the three encores and an almost three hour set they perhaps go a step too far.
Next door on the Invaders stage, PC Music Allstars followed by Danny L Harle bring a small slice of electronic rave, then euphoria to the side of the Magic Meadow and the glowsticks are out in force (ermegherrrd right?) and as we head back to the campsites later on, the STA Travel garden is inexplicably packed with people winding to… Peter Andre’s Mysterious Girl. Yep, that’s the last song in my head before sleep. Thanks guys.
Sunday
Waking up to thankfully clearer skies it’s a chance to break out all the sparkly shit we couldn’t wear yesterday and walking through the tent graveyard, uh, campsite – it’s clear some people have gone full feral now. Broken poles poke holes in the sky as wellies (with feet still in them) protrude from tents, their owners flat out in oblivion.
The arena mud has dried enough to provide safe passage and it’s soon time for a bit of Electro-Swing with French movers and shakers Caravan Palace. At first a fairly small crowd has gathered but as they begin to blast out their strange mix of high tempo beats and jazz-swing riffs the arena suddenly becomes a bouncing, writhing mass of bodies throwing down together. It’s a big statement but I think CP are ‘the’ band of the entire weekend, the sun is out and the set is just incredible. Bow-ties and braces are the look, and cute and firey vocalist Zoé Colotis Charleston’s across the stage like she was born in the wrong decade. Hopping into the crowd to pull on a fans’ Union Jack tshirt, Zoé yells “We don’t care about Brexit, we love the UK!”. It’s a stellar performance and a great book for Bestival.
Over in the Big Top, a very different type of electro-swing-come-dubstep is going on with an incredible array of circus type acts to boot. Slamboree are fiercely Burning-Man in style, there’s a hint of cabaret mixed with Mad Max and freakshow vibes. Their sound is new, fresh and the fire-performers, skeletal dancers, fabric-winged fairies and kabuki masked creeps are amazing.
Taking a little time out up at Slow Motion, we laze in Solace with tea and cake, marvel at the Owl and Falconry display and laugh at Llama’s butts before attempting drunken hoop twirling and some hefty/danger fraught poi. The yoga tent looks great, but we are way beyond balance at this point.
In the Ambient Forest we stumble into becoming performers ourselves with the Uke band by The Gypsy caravans. With a song book filled with unlikely and brilliant options, we stay for renditions of Don’t Stop Believing, Friday I’m In Love, and go all out at the top of our voiced for The Final Countdown. This is the kind of unexpected happening that sets Bestival apart from other festivals, unplanned weirdness is always memorable.
The Out of Africa Bar & Disco Shed provide a little downtime as we listen to Michael Jackson jams and drink enormous cocktails whilst ducking to avoid the frenzied games of swirly tennis (swingball?) going on behind us. Grabbing some free fabric wristbands from the merch tent (if these were made up, why did we all get crap plastic wristbands for entry this year?) we stomp our way back to the main stage for Bastille.
Returning triumphantly to Bestival, Bastille are this time dressed in white jumpsuits with ww.com on the back, depicting their brand new album ‘Wild World’. Kicking off with old favourite ‘Bad Blood’ we know it’s going to be a good one, and the crowd is absolutely sardine-rammed into the arena. ‘Things We Lost In The Fire’ and ‘These Streets’ are brilliant, and new track ‘Good Grief’ gets a great reception. Despite it not really being a surprise any more, we all get down with their cover/re-working of No Scrubs ‘No Angels’ and ‘Of The Night’ a mashup of ‘Rhythm of the Night’ and ‘Rhythm is a Dancer’.
Dual headliners Sean Paul and Wiz Khalifa make their mark on Bestival, with everyone getting their groove on, reliving their noughties youth. Though ticket sales say that this years’ headline choices perhaps weren’t up to Bestival’s usual standard, it’s clear those who are here are having a rowdy good time.
Now, hugging your mates and telling them you intensely love them is pretty standard practice at Bestival, it’s just that kind of place that makes you love the world, but the closing fireworks is where you can hold each other tight and reminisce on the great/hazy memories you’ve made this weekend. Soon you’ll be trawling through blurry pictures of yourself looking an absolute state and missing every single moment of this magical festival, but for now – we’re oohing and aahing at this amazing Prince Tribute. Complete with screened video, purple smoke and confetti, we are truly sad that Prince never made it to Bestival, the kind of place that would truly have revered him and his music. The solar system rings of fire glow below as massive rockets flower in the sky and it is beautiful.
The night is still young for those squeezing every last ounce of Bestival into their souls, and The Human League are playing to a huge crowd in The Big Top. ‘Together In Electric Dreams’ and ‘Don’t You Want Me’ go way beyond karaoke and into the you-can’t-hear-the-band-because-everyone-is-singing territory.
Caravanserai is also full of life, with fire performers, aerialists and tightrope walkers walking high above cosy groups of people laughing in waltzer cars, whilst bursts of fire flame into the night from The Spaceport in the distance. Grabbing some gourmet grilled cheese we make the last trek back to the tents, watched by the shining eyes of the Lovebot.
There have been many harsh reviews floating about for Bestival this year which I think are largely unfounded. Yes things were very different which definitely came as a shock after the sheer grandiosity of the last few years, but the atmosphere was as ever, oh so Bestival. The creativity, beauty and balance was still there – all the things Bestival is renowned for. For every mad moment where something truly serendipitous has caught you off guard, where something held you in the kind of wonderment you thought you’d lost after childhood, and for every second you forgot your problems and just let loose, Bestival is the engineer. The thought that drives this festival is apparent in every corner, no matter the budget. I will be there next year with bells on. Or whatever stuff the new theme requires really.
The final day of Bestival 2016 has thankfully been a scorcher, and as we turn our sunburnt faces towards the main stage, it’s time for the first of tonight’s dual headliners – Sean Paul. Though, is it really a dual headline if they’re just one after another?
Highlights of Sean Paul’s set are Temperature, him saying his own name more than Craig David does, and obviously Get Busy which has the entire arena ‘shaking their thing’. What ‘thing’ that is, is seriously up for debate it seems. There really is nothing like watching a field full of drunk British people trying to imitate the very talented stage dancers’ dancehall moves. Truthfully, we ought to be stopped before we hurt ourselves or get arrested.
Like Glue still makes absolutely no sense but there’s something really comforting about Sean Paul’s music, it’s all about memories of the early noughties – riding five up in an old banger, arms hanging out the window swamped in gold chains and sunnies, being a complete gangster on the Coventry ringroad. Ballin’. The arena is a sea of waving arms and people climbing flagpoles for a better view (or eternal glory) as Sean Paul yells “I’ve never seen so much tits”. Well, I guess we’re at least good at that then.
For the second half of tonight’s festivities, we get a taste of Taylor Gang with Pittsburgh party animal Wiz Khalifa. Black and Yellow has the arena jumping with Wiz yelling “Let’s get fucking high y’all” and “Y’all seem to love loud music”. Other highlights include Work Hard Play Hard and See You Again, but the fact that he can’t seem to go more than two minutes without mentioning weed is just a bit predictably boring – “Shout out to all the ladies out there! How many of y’all smoke weed?”. On the other hand singing about say, heroin is possibly a lot less coherent or marketable.
Though Sean Paul and Wiz Khalifa certainly aren’t everyone’s cup of chai, it’s pretty obvious that the arena is full of appreciative applause after their energetic performances. It is however, the Prince tribute fireworks and big-screen play of Purple Rain (accompanied by streamers and purple smoke) that bring a tear to the eye. Oh how amazing it would have been to have seen him play Bestival.
Day two at Bestival is a bit of a wash-out, with rain coming in until 4pm the arena is a sludgy mess and the wellies are out in force. Nevertheless it hasn’t dampened the Bestival spirit, the crowds are rolling in for tonight’s headliner, The Cure.
Having played Bestival back in 2011 (a performance which was actually recorded for CD) they know it’s a vibrant and colourful festival… so naturally turn up in their standard undertaker-esque garb. Robert Smith’s unmistakable panda-eyed stare and backcombed mop grace the stage as the band kick off with the aptly positioned Open.
Calling out “I’m not going to start explaining what all the songs are about…” Smith warbles through The Baby Screams, and the entire crowd hoots along in unison for The Caterpillar. With a big screen showing MS Paint style heart designs, it’s on to hit Friday I’m In Love, with a quip “Wrong day for this really…” I mean, do The Cure purposefully not book Friday slots so they can make that joke all the time?
Just Like Heaven and Boys Don’t Cry are just, perfect. Every single voice in the crowd is yelling skyward. There’s nothing like the pure new wave gloom to make you feel like you are the most deeply emotional person that ever lived, and no-one could possibly understand your tortured genius.
However, this is where things get messy. After a longer than expected absence from the stage, The Cure pop back on for an encore. Then another. Then another. Now, the final encore does include The Lovecats which is fun to say and to sing, but come on. Two and a half hours of any band is excessive, let alone one which really less than half of the Bestival population has even heard of.
Much is made of Bestival’s age-range and how inclusive it is, but honestly – it’s an overwhelmingly young crowd, particularly with the other chosen headliners this year. Unfortunately this means a severe thinning of the arena every encore break, and by the third you can stride from the sound-desk to the front in thirty seconds. This says nothing of the performance though, The Cure are unfailingly brilliant, but perhaps a touch overdone tonight.
