IN IT TOGETHER FESTIVAL ANNOUNCE 2024 HEADLINERS

Daily Mirror ⭐️⭐️⭐️⭐️⭐️
The Sun “…a weekend party like no other”

 

The countdown is well and truly on for Wales’ biggest family festival as ‘In It Together’ announce their headline acts for 2024.  Set to make for an unforgettable weekend  – Sugababes, Rag’n’Bone Man andDizzee Rascal have today been unveiled as the headliners for the festival, which returns to Margam in South Wales next May.
 
Sugababes are one of the most successful British girl bands of the 21st century, scoring 6 UK number 1 singles, millions of global sales, and multiple multi-platinum albums. Joining them on the bill is 3 time Brit Award winner Rag’n’Bone Man, whose 4x platinum selling 2017 debut album ‘Human’ became the fastest selling debut album by a male artist of the decade.
 
Also announced today – Cat Burns, Eliza Rose, Craig David’s TS5, James MorrisonDiversityJoel CorryEats Everything, and Sigma are joining a stellar line-up of international stars includingRazorlightSam RyderBilly OceanBlueScouting for GirlsSister Sledge and Gruff Rhys. 
 
With budgets in mind, and cementing their status as the biggest family-friendly festival in Wales, In It Together are also launching their ‘Kids Go Free’ campaign – where children can now attend the festival for free as part of a family ticket.  This means access to 150 artists playing over the weekend – plus over 100 free family activities included at no extra charge.
 
Among the activities are the Climbing Wall, Tic Tac Skate School, Outdoor Cinema, Sports Academy, Science School and Junior Jungle all making a welcome return.  Joining them for 2024 will be an Extreme Sports Arena with BMX, Parkour and Volt Stunt Shows and Workshops, Live Wrestling, a designated Baby and Toddler tent and brand new Street Food Village. So, whether you’re an adrenaline junkie or fancy yourself as the foodie of the family – there is sure to be something to satisfy your cravings.
 
Another returning fan favourite is Steelworks which will be bigger than ever in 2024.  The stage will showcase the best world music –  everything from Reggae, Funk, Soul, Afrobeat to Dub and more.  On Sunday the stage will be hosted by crowd favourites Chai Wallahs.
 
The festival’s iconic dance tent Panchaia will once again see the worlds of House, Techno and Drum n Bass collide in 2024.  Elsewhere on site, the popular Rewind arena is back after an epic 2023 debut, playing the very best of 90’s and 00’s anthems.  Garage NationNoughty 90s and Judgement will all host over the weekend.
 
As well as welcoming some of the biggest international names to the Welsh Valleys, the festival will once again be a proud supporter of upcoming local talent – with the Padlock Stage hosting over 30 Welsh artists, showcasing the country’s finest exports.
 
Speaking about this year’s festival Mark Hopkins, Head of Festivals said: ‘‘After much hard work behind the scenes, we’re thrilled to finally be able to announce Sugababes, Rag’n’Bone Man and Dizzee Rascal as the headline acts for 2024. “
 
Earlier this year the family-friendly weekender well and truly cemented its status as the number 1 festival in Wales, with headliners The KooksAnne-Marie and James playing to sold out crowds under the glorious May sunshine.  A remarkable achievement for a festival which only made its debut in 2022.
 
Tickets for In It Together 2024 will be available from 10am on the Monday 27th November– register atwww.inittogetherfestival.com. Prices start from £159 for a weekend ticket or £319 for family tickets (2 adults with 2 kids going free).  Secure your ticket for a £20 deposit and pay nothing more until after Christmas.

HAMPTON COURT PALACE FESTIVAL UNVEILS FIRST WAVE OF STAR ACTS FOR JUNE 2024

Hampton Court Palace Festival, presented by heycar has today revealed Nile Rodgers & CHIC, Paloma Faith, Sheryl Crow, Deacon Blue, Sam Ryder and a live edition of The Rest is History podcast, as the first acts on a stellar programme for the 2024 summer festival. 

Nile Rodgers is known the world over, lauded for pioneering a musical language that generated chart-topping hits like ‘Le Freak.’ Celebrated for sparking the advent of hip-hop with ‘Good Times,’ his success as an artist is unparalleled, having worked with some of the biggest names in music, and selling over 500 million albums in the process. Nile Rodgers & CHIC will return to Hampton Court Palace Festival on Thursday 13 June for a disco spectacular like no other.  Get ready to dance!

Pop and social media sensation Sam Ryder will take to the stage on Friday 14 June. He rose to stardom in 2022, when he represented the UK at the Eurovision Song Contest with his megahit Space Man, finishing in second place, the UK’s best result at Eurovision since 1998. The track went on to become the third best-selling song of the year, with his debut album There’s Nothing but Space, Man! topping the UK albums chart in December 2022. With legions of fans around the globe, Sam is one of the biggest artists to recently find fame and is sure to take Hampton Court Palace by storm. 

Rock and Roll Hall of Fame inductee and genre arching singer-songwriter Sheryl Crow will headline on Tuesday 18 June. Renowned for effortlessly interweaving pop, rock, country, folk, and blues throughout her music, she is one of America’s most successful artists. Having sold more than 50 million albums worldwide, she has won an incredible 9 Grammy Awards, receiving 32 nominations throughout her career. Expect a night of Rock and Roll as Sheryl Crow performs some of her best-known hit singles ‘All I Wanna Do’, ‘If It Makes You Happy’, ‘A Change Would Do You Good’ and ‘My Favourite Mistake’’. 

Deacon Blue, undoubtably one of the biggest Scottish bands in recent history, will perform a hit-packed set on Wednesday 19 June.  Having released their debut single ‘Dignity’ to great critical acclaim 35 years ago, they have gone on to pen 11 hugely successful studio albums and have an incredible 16 Top 40 hits under their belt.  Expect timeless classics such as ‘I’ll Never Fall in Love Again’, ‘Real Gone Kid’, ‘Fergus Sings the Blues’ and ‘Your Town’.

Award winning singer-songwriter Paloma Faith is one of the UK’s best-loved artists. She has released five critically acclaimed platinum-selling albums since 2009 and has won dozens of awards throughout the past decade, including a BRIT Award for British Female Solo Artist. With her revered discography including instantly recognisable tracks such as ‘Picking Up the Pieces,’ ‘Only Love Can Hurt Like This’, ‘Can’t Rely on You’ and ‘Never Tear Us Apart’, the concert will see her perform her biggest hits and tracks from her deeply personal upcoming album ‘The Glorification of Sadness’. Paloma will make her Hampton Court Palace Festival debut onThursday 20 June.  

This year, the festival will also present a live podcast for the very first time, with The Rest Is History podcast taking to the stage to fittingly host a show on Henry VIII and the Tudor period. Hosted by esteemed historians Dominic Sandbrook and Tom Holland, The Rest Is History podcast is the highest-ranked UK history podcast on both Spotify and Apple.  In a festival first, Dominic and Tom will be staging The Rest Is History Live Presents The Tudors, a special live edition of the popular show within the historic palace on Sunday 16 June, bringing history to life in the stunning 500-year-old courtyard.

Each spectacular night of the run, festival goers will be able to enjoy a bespoke menu of drinks alongside an incredible selection of street food amid the picturesque East Front Gardens. Guests will start their evening withlive music from up-and-coming acts on the Garden Stage, before journeying through the breath-taking Palace to watch their favourite artists play in a truly awe-inspiring setting.

To make the experience even more special, guests can pre-order one of two sumptuous picnics that can be enjoyed in the early evening sunshine. Picnic options include ‘The Courtier’s Best of British Picnic’ or ‘The King’s Gourmet Hamper’, which are both provided by British Fine Foods and feature meat and vegetarian options, as well as a bottle of fine wine or Champagne. Picnics can be conveniently pre-ordered with tickets or added to existing reservations.

Fans can also choose to take their experience up a notch with added extras such as a welcome glass of Champagne or pre-book a charming fountain-side gazebo with delicious refreshments. For those who truly want to make their festival experience extraordinary, a delectable three course dinner within Hampton Court’s State Apartments is available by selecting the King’s Dining Experience.

Now in its 28th year, the Hampton Court Palace Festival, proudly presented by heycar, is a moment of celebration in the summer calendar that showcases a series of phenomenal performances in an entirely one-of-a-kind location. The concert series produced by IMG in partnership with Historic Royal Palace, the charity that cares for Hampton Court Palace, is set against the backdrop of Henry VIII’s grand palace in the Tudor Courtyard. The festival offers an unmissable opportunity to witness legendary artists in an intimate setting like no other, accommodating only 3,000 guests. Stay tuned for more exciting artist announcements.

Pre-sale begins at 10am Friday 1 December 2023, with tickets on general sale from 10am on Monday 4 December 2023 at www.hamptoncourtpalacefestival.com

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Camp Bestival Shropshire 2023 – REVIEWED!

THURSDAY

Arriving at Weston Park to get our wristbands is an exciting affair, after last year’s excellent debut we’ve been looking forward to getting back here ever since. The sun is shining (for now) and we’ve got a car packed to the brim with kid-snacks and rainbow clothing, bring on Camp Bestival!

I should note, for the first time EVER in my many years of attending festivals, we are staying in a fancy Bell-Tent in Boutique Camping. It feels absolutely surreal to be able to see our tent from the car, to have a manned reception, and some extremely fancy proper toilets and showers nearby. The tent itself has off-the floor proper beds with duvets and pillows, as well as power outlets for charging our phones. I could not be more appreciative of the luxury, but do have to say that last year’s regular camping experience here was still one of the nicest I’ve experienced. So whilst I will talk a lot about how great our Boutique camping time is this weekend – rest assured that any version of camping here is going to be a good time.

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Counting Thursday as a scoping-out the site day and for settling the kids into their new surroundings, we decide to head into the arena for some food and a look at the new set-up. The most immediate thing to note is that this year, absolutely everything has been mashed into one big space. Gone are the nebulous separate fields and areas, it all seems a bit jumbled together. Yes ultimately it is easier to navigate and travel around, but I am reserving judgement on how it works until the music starts tomorrow.

For now, we opt for pizza for the kids, and my favourite returning food – Bayou Kitchen’s cajun shrimp bowl, whilst we sit in the field having a look at everything. After eating we take stroll around to the main stage merchandise tent to peruse this year’s offerings and end up basically wanting to buy one of everything. The new ‘Sustainable’ range is really nice and quite subtle in it’s design, but there are also some louder fun things like the bright towelling-robes which are perfect for hitting the wild swimming or even the morning showers. I really liked the new patches and opted to get a set of three for £15, the kids loved the plushie Love-Bot of course, and it was cool to see new Roller Disco tees too – I am still rocking my OG Bestival Roller Disco one from 2011.

I’ve said it many a time before, but there’s nothing quite like a Bestival when dusk hits. The twinkling lights come on and give me that instant rush that is unique to Bestival brand events, that there is fun to be found in every corner of this event, and that I am going to stumble into something wonderful at every turn. We decide to take a little tour around the area leading up to the Park Pool. Whilst most of it isn’t open yet, we spot a few things we’d like to try over the weekend and then head into the Weston Woods to see what the offerings are there.

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Now this is going to be a bit of a moan. The wooded areas of Bestival sites, are often the most exciting bit of the festival. Usually they are bathed in beautiful lights, covered in bunting, decorations, fun sculptures. Usually they are home to many fun activities or places to cosy up and chat. Last year the woods around the top of the site (which aren’t in use at all this year) allowed you to walk along a long stretch of lake and watch the paddleboarders and wild swimmers having a lovely time, Cirque Bijou had a beautiful canopied stage in the trees, the circus tent was nestled in there with activities, as was the Tie-Dye workshop and many other fun things on the winding paths that ultimately led to Weston’s giant adventure playpark and the tiny Train experience.

This is, so diminished from that gorgeous experience we had last year, that I was genuinely sad. This set of woods is one very short straight path with a small tent area for the sensory garden, and further up the Orchestra of Objects. Yes some of the things previously housed in the woods are now situated in the main arena but it has absolutely taken away some of their magic, and the joy of finding hidden things on your travels. It is very hard to describe if you haven’t been to a previous Bestival event, but most of my love for them comes from swapping between small cosy experiences to the great big ones of the main stage acts, and this really feels like they’ve axed a lot of those things with this site layout.

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We head over to Caravanserai to be greeted with more of the same. It has been expanded into a whole area that you now just walk into without going through a hidden doorway into an enclosed area. Yes you can now take a trolley or pushchair into there, but it has lost so much of the magic I can’t fathom the reason. Last year people just pulled their trolleys up to the side and went in on foot, and sure a better space for trolleys would have been good, but there were security controlling the flow and footfall, and it was a beautiful area with that otherworldly feel… like you’d run away with the circus. This just… isn’t it. The caravans are spread widely around a huge area so it honestly barely feels like they have relevance, the theming of a close knit caravan corral has absolutely gotten lost in the explosion, and while there are more covered areas to sit under in the middle, it means that there is no central melee of people dancing, meeting, and drinking together.

Feeling a little deflated we head back to the campsite to try and get ourselves a decent sleep before the first full day tomorrow. Getting into a proper bed at a festival is as delightful as you can imagine.

FRIDAY

We had so nearly gotten away with a summer of minimal-rain festivals, but here it is, the great British summer curse. Despite a biblical downpour this morning, the lake seems to be teeming with wild swimmers regardless – from what I can see. We walk through the Slow Motion area which is a bit smaller than last year’s great big separate field which felt nice and calmly removed from everything else. This is stuck onto the side of Boutique camping and is very… overlooked. It’s a bit weird actually that you could stick your head out of your tent and watch people getting ice-baths and hot tubbing. The Yoga and Sleep Retreat areas are tucked around the corner in a bit more of a hidden spot but it is also downhill and quite slippy now that the rain has created a mud-slide.

Over the scary raft bridge we wave to some kayakers, but you can’t really stop to enjoy looking at the lake because this is definitely just a thoroughfare and is a bit tricky to navigate with trolleys, however we pop out on the other side to find lots of fun things to do in the Craft Village. There’s a great looking leathercraft workshop, a place where you can make wooden axes and swords, and a basket weaving area – all run by Spinney Hollow, a non-profit woodland project that operates in Winchester.

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Across the field we give some circus skills a go, with hula hooping (which I am extremely poor at), diablo and wooden stilts. The stilts go exactly how you imagine in the rain, and there are children falling at you left right and centre, but it is very fun all the same. Next door the Woodland Tribe fort build is soggily underway but our littles are a bit too small and chaotic to be set free with hammers this year so we toddle off in search of something else more their speed.

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Heading back into the woods they give The Orchestra of Objects a good old bash, an area filled with interesting instruments made from industrial junk, for children to smash around and make noise with… or for adults with childish sensibilities to attempt to play Black Sabbath on. No regrets.

Over at the carousel stage in Caravanserai, we catch a bit of Funke and The Two Tone Baby, which sounds like a lot of people, but is actually just one man playing a lot of instruments. The beats are funky, the cocktail bar has opened for business, and the lampshade-decorated tent is bumping – this is the distilled feeling of Caravanserai I craved. I just wish it translated to the whole area, and not just while I’m directly inside the carousel.

Funke and the Two Tone Baby
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We take a short walk over to see Cirque Bijou’s aerial show, an act based on birds and conservation performed by incredibly skilled artists in feathered costumes, hanging from high ropes. Following their fabulous performance, we tried to join in on the bird-mask making workshop, but it was absolute carnage so we opted to get our craft items to-go. This was actually really nice of them to let us do that, as it meant the kids had an in-tent activity to do one morning!

Cirque Bijou © Anna Hyams for SFG – Do not use without permission

Ducking into the Big Top, we catch a bit of the very funny and brilliant Horrible Histories (90’s kids represent), before heading over to the main stage for Bestival legends, The Cuban Brothers. What can I say about Los Hermanos Cubanos that I haven’t already said over the years? They are an institution, not to be missed, equal parts filth and fun. We might be shouting “Kenny The Pasta” instead these days, but they’re still out there breakdancing, getting semi-naked and being naughty, just the way it should be. Out in the crowd we spot Mike’s family dancing along, his daughters visibly cringing but loving the show, and it’s just really nice to see the spirit of Camp Bestival extending to even the families of performers. Everyone is there, having a good time together – despite the ‘wardrobe malfunction’ and threat of sexy favours.

The Cuban Brothers © Anna Hyams for SFG – Do not use without permission

Next up on the main stage is the bafflingly weird Confidence Man. The duo hit the stage in what I can only describe as black silk zoot suits with some kind of inner frame which allows them to move in extremely creepy ways. Their unique electro-pop sound is somewhat overshadowed by the fact that they are just absolutely bizarre, but this places them right in the ‘perfect for Bestival’ zone in my opinion. The Venga-goths change into a glowing cone bra and epaulettes combo as the rain starts up again, and the crowd seem to be loving them.

Confidence Man
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In the Big Top, Badly Drawn Boy is adorably awkward and charming, with the soft sounds of ‘The Shining’ which he dedicates to “…everyone who has had a crap time lately… is that all of us?”. About a Boy movie song hit ‘Something To Talk About’ has everyone in the tent singing along, and Damon tells us “My kids are here, I think it’s my youngest’s first time seeing me perform” – again, it is so telling of this festival’s ethos and vibe, that artists can bring their families with them to enjoy it. I also particularly liked his cover of Madonna’s ‘Like A Virgin’ morphing into ‘Silent Sigh’, a truly gorgeous moment of peace and calm amidst the bustle of the festival.

Badly Drawn Boy © Anna Hyams for SFG – Do not use without permission

After a pit stop to run around on the Love-Bot (our omnipotent and terrifying ruler) runway, and then having a go on the new Earth-Bot slide, we get ourselves over to the main stage again for Sophie Ellis-Bextor. Sophie is rocking the most Bestival appropriate outfit of the weekend, resplendent in swishy orange and yellow fringe and a pink sparkly flapper bodysuit, she looks more than a little like one of the Firey’s from Labyrinth – you know, the ones who take their own heads off. I’m into it, and would like to wear that outfit myself. Unfortunately the rain is rolling in heavy at this point and a lot of people are running for shelter.

“I don’t know about you but I’ve been checking the weather for this so much… but actually, it’s kind of amazing isn’t it… you’ve just got to give in and go for it, dance in the rain, get wet…” she says, presumably heading back to a hotel after this… everyone sleeping in a tent tonight is less enthusiastic about the situation I assure you. Regardless, it’s a banging set of nostalgic hits for those of us of a certain age – well played Bestival – like ‘Take Me Home’, a medley of ‘Lady (Hear Me Tonight’ Groovejet ‘If This Ain’t Love’ and ‘Sing It Back’, and her 2001 hit ‘Murder On The Dancefloor’.

Sophie Ellis Bextor © Anna Hyams for SFG – Do not use without permission

Rudimental are the Friday night headliner of dreams, giving us absolutely everything we need to get rowdy. Incredible vocals, bouncy beats and a frenetic light show that has every single body in the arena jumping – especially now the rain has dissipated. ‘Dancing Is Healing’ really encapsulates the feeling at Camp Bestival tonight, and we love the Natalie Imbruglia ‘Torn’ cover too. “Where my old school ravers at? Get some little people up on shoulders!” is the call from DJ Locksmith that creates a scene, there are suddenly hundreds of kids on shoulders with glowsticks, going like they were born in a club. These kids sure know how to party, and that my friends, is parenting done right.

‘Feel The Love’ and ‘Waiting All Night’ are absolutely worth waiting all night for, even if the rain has begun again and is pouring down our necks, they never disappoint and this has been a cracking night one, leaving the stage with “Bestival, you are amazing, and we are Rudimental!”.

Rudimental © Anna Hyams for SFG – Do not use without permission

SATURDAY

Starting Saturday with a bang, we head over to The Mum Club Brunch Takeover at The Literary Institute tent, for cocktails, glitter and meeting people. With a 10am start time the drinks are suitably breakfast-y with Mimosas, Bloody Marys and much needed Espresso Martinis on offer. Having not eaten actual breakfast this may be considered foolish but we had a very nice time and chatted to heaps of lovely people there, including co-founder of The Mum Club – Lauren Webber. We talked a bit about the ethos and beginnings of The Mum Club and how they are re-creating the ‘village’ for isolated mums everywhere, and reaching out with help advice and support to those in need.

Following this is an activity session run by Festival of the Girl, a collective who aim to provide fun education for families about stereotyping, patriarchal structures and systems which hold girls back in life. The event was really aimed at ages 7+ but they made everyone feel welcome, including our almost 4 year olds, for some gender-pay gap training (with coloured plastic balls) and language stereotype challenging (with fierce unicorn colouring and mission statements). It’s really nice to see these type of events being included in the CB line-up, supportive and uplifting programmes which you may never hear of or come across otherwise.

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Due to extreme post-cocktail munchies, we head over to The Feast Collective – which has had a total overhaul. Gone is the lovely giant tent with bierkeller style seating down the middle, and multiple eateries inside. Instead there is a Farmer’s Kitchen, which is selling various cheeses and meats. There are seats outside yes, and some more food trucks, but it has lost a little of that cosy factor, especially when the weather is so changeable. However, the new bigger food stage for Bocaloco grills and bbq demos is brilliant – and not just because they’re giving out freebies. We hang out and listen to a talk about the delicious properties of jackfruit, whilst chomping down on a poke-bowl which is absolutely delightful.

Over on the main stage Mr. Tumble is singing ‘Let’s Go Fly A Kite’ from Mary Poppins, which is one of my least favourite songs to hear after my kid adopted it for 4 solid months earlier this year. The show is very colourful though, and there are squillions of kids on shoulders having the time of their lives. Mine was asleep and missed the whole lot, including the follow up of Dick & Dom, who are top humans but not great DJ’s. I’m also mad at them for A. Rickrolling us, and B. mixing it with Nirvana’s ‘Smells Like Teen Spirit’. Alert the authorities.

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When the small being awoke, we took ourselves over to have a go on The World’s Biggest Bouncy Castle which is as you can imagine, fucking huge. Now, they have done a good job here of separating kids into two categories for bouncing… there’s a big kids line, and a small kids line, and they alternate turns to minimise collision risk of disproportionate size whilst bouncing. The numbers however, are at chaos levels and the cohorts are set free to colonize the castle as they please. Hoards of children flying at each other in a WWE style rumble is exactly as terrifying and funny as I expected.

I may never recover from the side-splitting laughter I experienced watching one child quite literally fly over the head of another, only to land in almost a headstand against a turret of the castle. We escape with our lives thankfully, and head over to see what the Fancy Dress Parade is all about. This year’s Wild theme is almost 99% just people wearing crap leopard print items of clothing. Shropshire has not yet hit the highs of fancy dress effort that the Dorset original has, we need more effort next year please. Regardless, the competition and parade are already over-subscribed and they haven’t brought enough Rosettes so there are inevitably some crying kids around. There are however some excellent entries and everyone is having a lovely time watching them strut their stuff on the stage.

Junior Jungle © Anna Hyams for SFG – Do not use without permission

Opting to find stuff to do since we can’t partake in the parade, we head over to the Soft Play tent, ours are just within the age range and head in to escape the heat of the afternoon. There are toys everywhere, ball-pit, stackable blocks and ride-on cars. There is luxury to be found in having a jolly good sit-down while they play, and there were even craft activities being led in one corner. Captain Barnacle’s Pirate Show is another strange wonder to have stumbled in on, the bit where he pretended to take his own eyeball out was of particular concern to my child, but we enjoyed the part where he showed us all of his party pants (less lewd than it sounds, more lewd than the children realised).

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Elvana are another stand-out returner from last year, this time Elvis is dressed in a white jumpsuit with a sparkly orange cape, and they’re throwing down some absolute tunes whilst two young Elvi (? Elvises?) in the front row dance around joyfully. “Sometimes we like to sing an Elvis song and start a circle pit… ok ok we’ll do the World’s first Elvis conga instead” they laugh before heading into a grungy cover of ‘Blue Suede Shoes’, but we love watching everyone get rowdy for ‘Smells Like Teen Spirit’ the most.

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Sarah Cox brings giant inflatable Rubiks cubes and a huge party to the stage, but the arena is stacked for spaceman Sam Ryder who looks like his Nanna has been on top form with the crochet-hook again. Lavender and acid green flames lick baggy knitted basketball shorts and a cardigan, it’s certainly a lewk, and I like it. Of course he plays his Eurovision hit ‘Space Man’ but honestly the true star is his cover of Paramore’s ‘Misery Business’ what a bop.

Sam Ryder © Anna Hyams for SFG – Do not use without permission

Over in the Big Top, Caity baser is heating things up having toned down absolutely none of her sweary songs (I approve wholeheartedly) and the tent is absolutely rammed full of people, while in Caravanserai we see Cirque Bijou doing an excellent set of juggling and acro skills to the background sounds of reggae coming from the carousel stage. Groove Armada are playing an epic DJ set on the main stage, but we are loving some downtime with Des O’Connor (no not that one) the piano man at The Bandstand. The dusk is warm, all these gorgeously golden-lit faces are joining in the chorus of Leonard Cohen’s ‘Hallelujah’ and Eurythmics’ ‘Sweet Dreams’, it is truly the beautiful point of being here. The community and camaraderie, the soul of Bestivals’ past has made it into this iteration and I’m so glad.

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Off in search of food we go, on our way to the main stage for tonight’s headline act – The Human League. Entering the very Tron-esque stage set-up, they immediately launch into some absolute classics like ‘Don’t You Want Me’ and gain the appreciation of the home crowd when frontman Philip Oakey says “…what a great location. Not that I’m biased but I’m from the Midlands… Leicester actually”. Singers Joanne Catherall and Susan Ann Sulley are both right in that sultry/mysterious pop diva zone to watch, and their voices soar across the arena over the 80’s synth waves. You can’t help but be drawn in by it all, even if you aren’t a particular fan.

Finishing up with Oakey’s own ‘Electric Dreams’ which very well could be the Camp Bestival theme song, is one of the hugest sing-alongs I’ve ever witnessed. The Human League were a truly fantastic headline choice this weekend.

The Human League © Anna Hyams for SFG – Do not use without permission

SUNDAY

It may be early, but kicking things off is national treasure and stone-cold legend Mr. Motivator for some morning main stage aerobics. 30 years in the game celebrations today too, the man has barely aged and can still rock an incredible neon outfit like no other. I wish he had merchandise for sale, 10/10 would purchase. Following on from this a decent crowd turnout to watch the Lionesses unfortunately lose their WC final game, but I think it’s really cool that that this was shown and prioritised as an event here – the times they are a’changing.

In some kind of unhinged sleep-deprived parenting choice (led by the whims of an almost-four-year-old of course) we decide to queue up to give Roller Disco a go at Bollywood. I do have a few axes to grind here though, it must be said. Bollywood has always been a giant rave tent of delight. Big enough to get your dance on, decorated and entered via a lovely colourful tower flanked with Elephants and such, beats all day long. Once when the roller disco came to IOW Bestival, it was tucked in the corner of said tent but the dancefloor remained.

This year, it has all gone a bit Pete Tong in my opinion. There is only the roller disco floor… which later on in the day is taken over as Bollywood for dancing. This means that the area itself is tiny in comparison to previous iterations of Bollywood and there is a very diminished number of people who can get into it when it’s being used as a dancefloor. It also means that when being used as a roller disco, the skate check and seats for putting on your skates are outside in the elements instead of under cover. It having rained this morning meant that ALL of us suffered soaked and muddy socks on the now sodden mats that had been put down, AND that it was absolutely deadly trying to get onto the disco floor itself, AND that wet muddy skates were about to be utilised on the disco floor. I have absolutely no clue why wasn’t thought of and managed a bit better to be honest, it made for two diminished events instead of the great addition I thought roller disco could have been.

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In the end we made it onto the floor for some extremely chaotic laps, run to the sound of Disney hits such as the very apt Frozen song ‘Let It Go’ which of course was aimed at everyone holding on to the railings for grim death. It was actually very fun, until one of our party fell down the muddy slippy steps on their way out and got gouged by a sticking up peg/bit of metal… can’t help but think the mashing together of roller disco and Bollywood was a budgetary concern instead of a comfort one.

Off we go to look into some other places instead, the nearby Dressing Up Tent is full of people looking for sparkly outfits and glitter face paint, Cirque Bijou are doing an amazing trapeze show and the drums are rolling in the African Activities workshop. We poke our heads into the Tie-Dye tent which looks fantastic once again, and watch a Dinosaur riding the mini ramp at Tic-Tac Skate School. Tic Tac also had a design-a-deck competition, which might be high on our list to do next year I think.

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We drop into The Feast Collective to grab fruit platters with spicy salt (trust me, it’s a must do) and feel quite smug about the children eating something other than chips and pizza this weekend, whilst watching the retro funfair swing boats go impossibly high. In the Big Top Hip Hop Karaoke is one of the best things I’ve witnessed all weekend, we have to teach these kids about the old school somehow. With that it’s off to the Adventure Play Park up above the camp grounds. Unfortunately here is where I have my second massive gripe of the day.

Firstly, having separated the arena from these woods, it means there is nothing fun to do on the way to the play park and it is a huge undertaking to get there instead of a pleasant walk through the forest. Last year there was beautiful lighting in the trees, art and sculptures everywhere, places to sit, things for kids to do etc. this year it is barricaded off except for the route through, which is truly a disappointment. I petition CB to reconnect this area next year, please please please.

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The adventure play park itself is awesome, with varying sizes of equipment aimed at different ages of children, and a really cute miniature railway which you can buy a ticket to ride on. Our kiddos absolutely LOVED all of this… until… one of them needed to go to the toilet. WHY OH WHY were there no toilets there this year? I do not understand why you would allow people to walk that far, to a completely remote location, for children, and not include at least one toilet. This is a huge oversight on behalf of the festival, and if you want to know if a child shits in the woods? They certainly do at Camp Bestival because there is no choice. Last year there was a small bank of adult sized, and kid sized composting loos available as well as a few portaloo stop points throughout the forest. We asked the people running the railway and they said they had had so many people angrily asking them where the facilities were for the area, apparently they had also requested some but been denied by the organisers.

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After another hike back to the arena we head over to see 80’s legends T’Pau, with Carol Decker yelling “It feels good to be home” who grew up in Shropshire. It’s mostly a crowd sitting in the sunshine to be honest, but they provide a very pleasant lazy Sunday vibe. East 17 are delayed and miss their Big Top slot, but are filled in for by the awesome East Angles Brass Band playing some very funky pop covers. Rob Da Bank is taking a DJ slot over on the roller disco, and Aussie DJ Hot Dub Time Machine is getting the main stage up and dancing with ‘Gimmie Gimmie Gimmie’ shouting “No-one is too cool for ABBA!”.

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In the Big Top comedian Dylan Moran is living up to his Bernard Black persona complaining about the lights, the sound and the photographers within two minutes of being on stage. He’s right though, due to the smooshing together of everything in one big arena, the sound bleed from other stages and fairground rides is thoroughly awful. Even standing in the tent from about midway, it is almost impossible to hear him which means a lot of people are leaving after only a few lines of his set.

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Ella Henderson has gathered one of the biggest crowds of the weekend, especially drawing in the teenage contingent who are all singing along to ‘Crazy What Love Can Do’. She has a gorgeous voice and just radiates happiness on stage. East 17 finally make it to the Big Top for their Christmas Party, to the squeals of middle aged women all around the tent. Of course there are dance moves, of course there is ‘Stay Another Day’ but I can’t pretend it’s my jam at all.

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Melanie C is on the main stage rocking her signature sporty look and confidently owning the stage. Did you know she’s had 11 UK number 1 hits? I didn’t, very impressive. Her voice is great, there’s a kid out front with “I wanna be a spice girl when I grow up” sign and everyone is loving it.

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Now… In a moment of madness or pure comedic juxtaposition, someone has booked Napalm Death. I could not believe my eyes when I read it on the schedule months ago, but yes here they are. Barney and co from Meriden, the grindcore monsters of death metal, are at Camp Bestival. The festival of colour, light and harmony. In fairness, you’ll struggle to find a band whose ethics and political commentary align more with those of Bestival – socialism, anarchy, flipping the status quo, doing better for the planet and those around you. I suppose they’re actually a perfect fit…

So when they explode onto the stage with all the subtlety of a stampeding horde of wildebeest, and Barney’s frenetic movements around stage are revealed to the CB crowd in all their glory I expect rejection. What I actually see is a circle pit. A real life circle pit at Camp Bestival – I am shook to my very core. “We are a local band for local people” Barney jokes before waxing lyrical on how ‘Illegal migrants’ is a ridiculous term and damning the government for their policies, to rapturous applause. We also see Rob Da Bank sneaking into the Big Top to join the fun and brawl of it all. One Dad with two teenage daughters is probably in the bad books though, having walked into the tent and heard about two bars of the next song, one daughter bursts into tears and they have to leave. Poor little sausage.

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Barney is in full flow yelling about religious persecution and recent laws across the world being “…an assault on women’s basic rights of bodily autonomy” as well as “the smear on Trans people’s imperative to just live their lives”. Is it too much to wish that they had done a collaboration with Festival Of The Girl this weekend? Crowd surfers, the worlds’ shortest song, and a final cover of Dead Kennedys’ ‘Nazi Punks Fuck Off’ is the rallying cry we all need. What a truly truly fucking fantastic energetic set. Whoever booked them gains my undying love.

In a complete change of pace, our final headliner of the weekend is indie rock powerhouse Primal Scream. Hitting the stage in a sparkly silver suit, frontman Bobby Gillespie oozes that elusive air of unbothered coolness, before he completely lets go to sing ‘Movin’ On Up’ alongside thousands of voices in the crowd. It’s clear this is final-night behaviour, every single parent out there is having a good old boogie much to their children’s delight or chagrin, and I adore it.

‘Come Together’ is fantastic, ‘Country Girl’ and ‘Rocks’ have everyone moving with them, there are kids handing out glowsticks, bubbles, happy faces everywhere you turn, and we have an enormous bucket of churros. Oh Camp Bestival, I do love you.

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After a mini raft of fireworks, pulling up to the FOH in a sequinned kimono, Rob Da Bank thanks everyone for coming to this year’s event, before announcing that The Red Devils will be doing a night parachute drop above us right now. Now look, it’s all very impressive and fun, but don’t know if I can get on board with someone who says to themself “yeah, I’ll just pop myself out of a plane at night and hurtle towards the ground before hoping my parachute opens… oh, and then you know what, it might be a bit dark so I’ll also set myself on fire so everyone can see me”. I’d have liked to have seen them during the day, but apparently wind conditions wouldn’t allow – maybe next year.

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Oh and yes, we missed the iconic Kate Winslet reading bedtime stories in her pyjamas and we will FOREVER BE MAD ABOUT IT. Peace out Camp Bestival, you’re the real MVP… but please fix the jumble sale of a site – we want our separate areas back.

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Wychwood Festival 2023 – REVIEWED!

DAY ONE – FRIDAY

Cheltenham is renowned for the annual Cheltenham Festival which takes place in the Cotswold town every March, but for one weekend in June Wychwood Festival brings in the crowds for an altogether equine-free event but that won’t stop this reviewer from shoehorning in references to horse racing with gusto!

Wychwood Festival is regularly nominated for Best Family Friendly festival and the difference between the punters that descend on the town for race week and Wychwood couldn’t be more marked…especially in the fashion stakes as the flat caps and tweed suits were replaced with bucket hats and Hawaiian shirts.

The festival had a new home within the racecourse this year, bringing the camp site closer to the arena, making the walk between tent and stage much shorter. As a Cheltenham native and yet to my shame a Wychwood first-timer, I decided to walk to site. This turned out to be a LOT further than I’d anticipated, taking about an hour from town to the northern edge of the racecourse!

For anyone not driving to site, the local D bus service runs from the train station, through the town centre and out to the park and ride at the racecourse. From there its approximately 30 minutes-canter through the grounds up to the campsite entrance. On arrival there were plenty of volunteers pointing the way and greeting with smiling faces so you’re never far from help.

With the first acts to the post not scheduled until 2pm, I went for a wander around the festival site to get my bearings and find out what Wychwood has in store. First things first, the setting is pretty stunning. Cleeve Hill, the highest point of the Cotswold Hills, makes an amazing backdrop to the festival and in the other direction, the Malvern Hills stretched out in the distance. As locations for festivals go, this is top notch!

The site is well laid out, with the main stage at the far end of the arena. Most of the catering options, more of which later, are in the middle of the site, flanked by fair rides and with bars both sides – including a VIP area which guests can upgrade their tickets to access.

Aside from the music, there are activities galore at Wychwood. Workshops teaching visitors all manner of new skills from playing the Ukulele, to circus skills and magic – as well as the Makers tent full of artists selling handmade items as well as giving pottery lessons and the chance to make art using fabric cut offs with local maker Jen from All Agog.

While having a look at the merch tent it became clear there’d been a bit of a mix up as Saturday night headliners Travis’ merch was on sale ahead of Friday’s closing act The Happy Mondays. This was soon fixed though. Disappointingly the largest size of the official festival T-Shirt was XL, but the bright yellow shirts were proving popular with a lot of guests as were the lanyards with set times on which were definitely useful with such a busy schedule.

It wasn’t just the festival merch on show though, as festival goers strutted their stuff in butterfly wings, capes, bandanas, silver cowboy boots, stripy leotards, glitter and sequins as far as the eye could see. Sunscreen was also very much the order of the day, with 20 degree heat and bright sun all weekend while shaded spots were greeted like old friends or an oasis in the desert.

Friday’s main stage music kicked off with local family act, The Pop Tarts, whose set of popular covers and sweet harmonies launched the festival into the weekend, playing a set later in the evening too.

On The Garden Stage, indie band China Bears brought their melancholic sound to the tent. Citing influences such as The National and Frightened Rabbit, the frenetic drumming and energetic front man caught the crowd’s attention playing songs from 2022 release ‘All That Distance’. Oxford’s Still Pigeon followed on the main stage playing a clean sounding electro pop, including a sweet version of Blink 182’s ‘Miss You’

By now my tummy was rumbling and I set to finding some lunch. With something for everyone the food options were pretty excellent. Obviously festival prices were in play, but that’s to be expected and the quality of the food was really good. I settled on a Tempura Crab Burger with homemade slaw from The Crab Shack which was delicious. Seating at the festival was a bit limited though, with most people bringing their own chairs on site, so I ate on the go.

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With my tastebuds and stomach sated I headed back to the mainstage for The Beat’s set. Their up-tempo ska sound perfectly soundtracking the bright sunny afternoon Cheltenham was putting on for us. The band had people dancing from the off and with their vast repertoire they kept the Wychwood crowd moving for the duration of their slot.

Back on The Garden Stage, London-based duo Berne brought dreamy electro songs to the shade seeking audience. During eco-anthem ‘Stay’ Deborah Borg Brincat’s dramatic, soaring vocal fills the tent as she explains the song is about “asking the planet to stay around for a bit longer”.

The first Brit Pop icons of the festival, Republica, were next up on the main stage and ripped through an energetic set fronted by the irrepressible Saffron. Mixing in the massive singles ‘Drop Dead Gorgeous’, ‘From Rush Hour with Love’ and anthemic ‘Ready to Go’ the group played some new material, including ‘New York’ with a Nile Rogers-like riff underpinning the funky return to form.

At 6:30 and with the sun bathing the stage, reggae act The Dualers came out to keep the good times going and announcing that “There is no water that can put out this fire”. Thankfully there were plenty of water points on site to refill bottles and stay hydrated in the heat!

Over at Howlin’ Pete’s, RuPaul royalty Vinegar Strokes took to the stage with The Morning Afters to bring their fun, upbeat and all kinds of sassy sounds to the packed-out tent. Closing with a huge cover of Lizzo’s Juice, Vinegar Strokes served up the party vibes to prepare for the next act in the tent…Barry from EastEnders aka Shaun Williamson with Barrioke!

Credit: Wychwood Festival – Joshua Atkins

The tent was absolutely rammed with fans joining in the karaoke session, including a deafening rendition of ‘Sweet Caroline’ to close out the slot.

Main stage action continued with Northern Ireland’s punk rockers Ash who managed to blow up a bass amp with their set list of classic after classic, including ‘Girl From Mars’, ‘Burn Baby Burn’ and ‘Shining Light’. On the subject of light, with the sun now at eye level to frontman Tim Wheeler, he remarked that when he’s asked for a review of the festival he’ll reply “It was blinding!”.

Credit: Wychwood Festival – Joshua Atkins

A huge crowd formed for Friday night’s headliners The Happy Mondays as they brought day one to a close. Rowetta’s incredible vocals filled up the evening air as the sun went down behind the Malverns. Shaun Ryder was an honest frontman, stating “I’ve come on stage needing a wee so, if I leave, you know where I’ve gone!” after arriving a little later than anticipated. Rattling through their extensive back catalogue including ‘Kinky Afro’, ’24 Hour Party People’ and ‘Step On’ the group gave the people what they wanted with their Madchester anthems to make for a perfect finish to day one.

Credit: Wychwood Festival – Gobhinder Jhitta

As I retire for the night, the sound of the Silent Disco (oxymoronic I know but IYKYK) fades into the distance and day one is complete.

DAY TWO – SATURDAY

Saturday morning arrives and living legend Mr Motivator is leading an assembled throng through a mid-morning work out routine to get the blood pumping ahead of a bumper day. Credit where it’s due to the more than a few bleary-eyed participants regretting that last visit to the bar the night before! Not content with getting people moving, Mr Motivator ended his set with a, well, motivational speech and encouraging the crowd to love themselves and to keep moving before taking pictures and chatting with fans still assembled at the front, including one man in a leotard harking back to the main man’s GMTV days!

Credit: Wychwood Festival – Joshua Atkins

The festival site was much busier today as Saturday day ticket holders descended on the racecourse. The vendors around the site enjoyed queues for ice creams, food, drinks and even hats with the sun continuing to beat down making the going at the racecourse firm if anything.

Maella followed Mr. Motivator on the main stage next with their atmospheric rock. Front woman Maella from Prague prowled the stage all charisma and incredible cowboy boots, singing with her sultry tone and encouraging the crowd to check out her music on streaming services with a handy spelling tip “It’s like Paella but with an M!”.

Back to The Garden Stage and the intriguing Syren Belly Dancers who dance to alternative hits covering bands as diverse as Korn and Massive Attack in their performance. The tent is packed and more than a few metal heads got their fill of the heavier music from their captivating performance.

Indie act Dancehall kicked off with an energetic early afternoon slot, but the fatigue from dancing to Mr Motivator had clearly kicked in and attempts to get the crowd to get more involved fell flat. They left the stage with a few minutes left of their slot, I assume to find something tasty for lunch.

Which is what I did next and went all in on a delicious sushi tapas style dish which I upgraded to a meat option for an additional £2. At £17 in total it was pretty steep, but very tasty and definitely drew some envious glances from friends. It was nice to have so many options to choose from, beyond burgers and so on, and there had been a real commitment to meeting people’s dietary requirements too with vegan and gluten free options widely available.

Swansea four-piece French Alps Tiger were next up in The Garden stage tent. Playing through songs from their debut EP ‘Switch Off All the Time’ the group were the most current sounding band of the weekend yet. Tight, relentless guitars and a pulsing drumbeat that would probably be diagnosed as tachycardic if found in a human were the order of the day and it went down well with the audience.

A palpable buzz was building around the Main Stage for the late afternoon slot featuring Scouting for Girls. Masses of people turned out for them as they emerged to an adoring crowd with the James Bond theme playing over the PA. Dab hands on the live scene, Roy Stride got the crowd going immediately, leading them in jumping, clapping, singing and ticking all the boxes you’d expect from crowd participation bingo. One that would have definitely not come up on the bingo card is Stride’s wife calling him during the set. He called her back and explained that he was on stage before the frontman’s daughter took over the phone and the crowd hollered “Hi Rosie!” to greet her.

Credit: Wychwood Festival – Joshua Atkins

Playing all the hits including ‘Posh Girls’, ‘Heartbeat’ and ‘She’s So Lovely’ they also covered Busted’s ‘Year 3000’ and ‘Stacy’s Mom’. The ‘James Bond’ stars definitely have a licence to thrill!

The Wychwood dial was now turned up to relentless and next on stage was Heather Small of M.People. Her huge disco songs and absolutely incredible voice lifted the crowd further still, with hits including ‘One Night in Heaven’, ‘Sight for Sore Eyes’, ‘Movin’ On Up” and ‘Search for the Hero’ A seriously impressive performance from a total pro.

In the welcome shade of Howlin’ Pete’s something epic was lurking – Sambaoke. The premise is simple, a samba band plays along to a karaoke track and the crowd performs. The execution was anything but simple…the crowd absolutely loved them and danced along to samba versions of songs such as Bowie’s ‘Let’s Dance’, Toto’s ‘Africa’ and John Farnham’s ‘You’re the Voice’ while belting out the words with much gusto.

Brit Pop survivors Sleeper returned to the festival circuit on the main stage playing to an excitable crowd filled with fans from the band’s 90’s heyday. Frontwoman Louise Wener cut about the stage in her bright green ‘Rock Hag’ t-shirt, a nod to her ‘Another Female Fronted Band’ tee from back in the day while checking in to see if people had got their sunblock on and then playing ‘Factor 41’ (for the record it was definitely a Factor 30 and up kind of weekend!). The band then performed their excellent cover of Atomic’s ‘Blondie’ and mashing it up with ‘Love Will Tear Us Apart’ and closing their set with a euphoric version of ‘Sale of the Century’.

Back onto the horse racing parlance and one band that definitely has staying power is The Proclaimers. With over 30 years of performing behind them, twins Craig and Charlie Reid were almost certainly pleased that Cheltenham is only 323 miles from Leith, leaving plenty enough in the tank to give a rip-roaring performance.

Kicking off with recent release ‘Dentures Out’, the Scottish band flew through a 20-song set that was chock full of anthems. A particularly beautiful version of ‘Sunshine on Leith’ fitted the setting perfectly as day shifted towards night, with couples dancing, people swaying and even the odd tear on show – it was a performance heavy on feelings. The main feeling for set closer ‘I’m Gonna Be (500 Miles)’ was that of giddy joy as the audience bellowed back the band’s most famous number and set the tone for the night’s headliners Travis.

Fellow Scots Travis headlined Saturday night and brought along an arsenal of hits as well as Fran Healy’s stories of growing up watching horse racing at Cheltenham on the TV with his Granddad and so having his mind blown that the racecourse had a hill in it.

Last year marked the 20th Anniversary of the band’s The Invisible Band release and they kicked off proceedings with ‘Sing’ before effortlessly switching between their impressive back catalogue covering all eras of the band. Fran explained that his physics teacher at school had inspired the song ‘Side’ and while he didn’t learn much in the class, that influence has served him well since…even if he forgot to turn his guitar on to start the song much to bassist Dougie Payne’s enjoyment “That’s Physics” he suggested, “Touche” replied Healy.

The last song on the setlist for the night was ‘Why Does It Always Rain On Me?’ and thankfully the weather held off adding any sort of poetic addition and the night sky was clear with a huge full moon and Venus on show. Encouraging the audience to join in with “Total audience participation” to jump along to the song, Healy did request that no lawsuits were submitted should anyone get injured but it looked like the main cause of pain would have been in people’s cheeks from smiling so hard through the banger of a set.

Credit: Wychwood Festival – Joshua Atkins

Eking out the last of Saturday night and huddling for warmth in The Garden stage, revellers were given a treat by comedian Mark Watson who had the assembled audience in stitches with his own unique brand of frantic beffudlement. Watson was appalled that people were still around, with the temperature dropping he said “No-one should be on this site right now, it’s not fun anymore” and that he didn’t blame people for leaving. His hilarious set covered subjects from the pandemic (clapping for hauliers), how left handers’ plackards at protests are all smudged and checking on his son’s internet search history before threatening to enter people’s tents using the codeword ‘Bacon’ later in the evening.

By this point I realised I hadn’t eaten since much earlier in the day and sought out sustenance. Enter ‘Oh Babu’ Indian street food and a frankly amazing wrap (with extra spice to warm up) which was only £12 and very filling.

The silent disco in Howlin’ Pete’s once again drew in the crowds for the last of the evening before they made their way home, whether the short walk to the campsite or a slightly longer walk out to the drop off points, but either way full to the brim with festival good vibes.

DAY THREE – SUNDAY

The final day started much the same as the others, with searing heat and the scent of suncream in the air.

The heat didn’t put off Sambistas, the Bristol-based samba collective, as they took guests through a samba workshop. Not content with filling their tent with dancing and music, the group paraded around the festival site to serenade the crowds with their up tempo beats to fill the Mr Motivator shaped hole in the day’s schedule.

Over in the cinema tent ‘Lyle, Lyle Crocodile’ was keeping the kids entertained, as were readings from authors in the Storybox tent. The tent had books available to buy, some signed by the authors, and all manner of fun board games to keep the young and older alike entertained.

Kicking off the music at 11:30am was Newcastle’s Lauren Amour, performing at her first festival of the summer. The up and coming popstar has over 380,000 followers on TikTok and her chart friendly pop music was a great start to the day with unrequited love bop ‘Friendzone’ a stand out.

Beware of Leopards followed next and had a QR code on stage for the audience to scan. My phone wouldn’t work so I couldn’t tell you what the link led to but I like to think it was a tutorial on how to avoid being a victim of a Leopard attack…or their music, either or. Despite an initial tech issue the band got stuck into their ear-friendly indie rock. At one point they covered The Killers’ ‘When You Were Young’ causing one confused punter to ask if they could check my lanyard to see who was playing as he was sure he hadn’t seen Brandon Flowers et al on the bill. Suitably reassured we went our separate ways.

The Mountainside tent featured a rap workshop hosted by local performers Robin Hood-Shaw and JPDL and encouraged children to try their hand at rap music. If Cheltenham emerges as a rap heartland in the future then Wychwood started it.

On to lunch and today the Schnitzel wagon caught my eye with their buffalo wings and goodness me did they deliver! For a mere £7 I was handed a tray brimming with delicious wings in a spicy sauce. What I did realise was that eating wings was not the most festival friendly decision I made over the weekend and had to repeatedly wash my hands to remove all that delicious, sticky sauce.

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Feeling fresh and clean I went over to The Garden stage to see Wurlitzer. The Birmingham-based sextuplet bounced on stage in brightly coloured jumpsuits (which were hastily removed at the end of the set) and tunes to match the look. Wurlitzer were a personal highlight for me, playing their first festival they didn’t look in the slightest bit unnerved and zipped through an upbeat set including the super energetic ‘Origami’, lo-sodium lament ‘Sodium’, the vegetable saluting ‘Eat Your Greens’ and the entirely danceable ‘Sumbody’. The band also unleashed the first public sighting of a cowbell of the weekend, which is always a thrill. You could hear elements of Architecture in Helsinki and Los Campesinos! in their sound, along with a perfectly interwoven bassline from The Knack’s ‘My Sharona’ at one point. First festival this may have been, it won’t be their last so if you get the chance to see them do!

Credit: Wychwood Festival – Joshua Atkins

Back to the Main Stage and Electric Swing Circus took to the stage with their lively swing sound and causing a mass outbreak of swing dancing couples in the audience. While swing isn’t my cup of tea it never fails to please festival crowds and was met with rapturous applause and out of breath cheers.

Nipping to The Garden Stage for a bit more shade and this reviewer appointed ‘Most Stylish Band at Wychwood’ London-based Preen came onto the stage starting with a song called ‘English Sun’. Their gorgeous, layered harmonies worked beautifully and stand out ‘The Last Act (Goodbye)’ was a real treat. Most interesting inspiration for a song of the weekend was an as yet untitled song about Jane Barber who was the voice behind voicemails, leading to a spoken word tribute “please hang up and try again” in the middle of the song.

Next up were Toploader and long gone were frontman Joseph Washbourn’s curly locks, replaced with a slick looking blonde do. What remained was their ability to command a crowd and a huge amount of self-awareness when announcing the next song was about a moon “No not that one, obviously. We’ve seen what happens when we play it early!”. It was in fact a joyous cover (unless you’re under 30 and Joe “definitely wrote it…”) of The Waterboys’ ‘Whole of the Moon’. The band’s set was full of upbeat, soulful songs and encouraged crowd participation. Ahead of a raucous ‘Just Hold On’ the singer called it a “Song of hope” and remarking that it a Sunday at a festival “doesn’t get better than this”. Bringing the set to a close the band brought out their biggest hit to date with ‘Dancing In The Moonlight’ and had the whole of Wychwood singing along.

Unluckily for Wings of Desire they were scheduled at the same time as Cheltenham favourites and 13-time Wychwooders Thrill Collins and the numbers in the tent didn’t do justice to their synth and bass heavy indie. There are elements of all sorts of great bands from the early 2000’s, including LCD Soundsystem, Secret Machines and The Teenagers in their tracks and with single ‘Choose A Life’ featuring on EA Sports’ FIFA 2023 official soundtrack they’re bound for big things.

Speaking of Thrill Collins…wow! While they are a covers band they aren’t just ANY covers band. The Cheltenham-based trio plough through hit after hit with their own inimitable style which has made them such a crowd favourite over the years. Despite a very tongue in cheek claim to have written ‘Barbie Girl’ over two afternoons, frontman Andrew Lansley, Cajon player Peter Harper and Andrew Lansley on double bass make the songs their own throughout the set – this despite a bloodied knee for Lansley. The band’s patter is well rehearsed and well received, from denying any legal responsibility for anyone falling over attempting the lift from Dirty Dancing’s ‘Time of My Life’ to thanking fellow nerds for recognising the Cantina Band theme from Star Wars. They’re a slick act and end with a UK garage mash up and the rebellious scream of “Don’t go home until they make you!”.

A quick refuel was needed and the wafting scent of Raclette cheese finally lured me in for the most amazing macaroni cheese. Thankfully there was no time for the highly plausible carb-coma and it was time for total, certified legends Soul II Soul to take to the stage.

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Counting 11 microphones on the stage it was clear we were in for a performance and sure enough they came, they saw and they conquered. Jazzie B took the assembled audience on a trip down memory lane, revisiting the late 80’s through an incredible cover of Prince’s (or Sinead O’Connor) ‘Nothing Compares 2 U’ followed by ‘Keep On Movin’’. Closing out their set with the absolutely iconic track ‘Back to Life’, Soul II Soul reaffirmed their legendary status with a crowd pleasing show.

Coming into the final straight of the festival and with the golden hour delivering Melanie C emerged on stage in a blue and white tracksuit. This lasted all of one song before she was down to her signature look with sports bra and abs that made more than few in the audience green with envy.

Her setlist was littered with hits, some of which I’d forgotten all about, but had members of the crowd singing along and shouting “We love you” throughout the show. The artist formerly known as Sporty Spice dedicated Northern Star to all the mothers in the audience, and a rip-roaring rendition of her duet with Bryan Adams ‘When You’re Gone’ to the dads. So as to avoid missing anyone out, the last half of the set was punctuated with Spice Girls classics ‘Spice Up Your Life’, ‘2 Become 1’ and ‘Who Do You Think You Are’ before closing out with her number one hit from 2000, ‘I Turn To You’. Mel C left the stage leaving the crowd hoping for the rumoured Spice Girls reunion to happen but safe in the knowledge that even if it doesn’t, she’s still got star appeal.

Credit: Wychwood Festival – Gobhinder Jhitta

The temperature began to drop as the sun slowly faded on the last day of this wonderful festival but not before the Sunday night headline capped off the weekend.

Entering the final furlong was the suitably hirsute Sam Ryder with his luxurious mane. Bedecked in a white jumpsuit with silver sequins covering it, Ryder looked every inch the rock star and launched into proceedings, promising to give the crowd the “best possible show in the cosmos tonight” at his first ever festival headline slot.

It’s fair to say the last couple of years have been a whirlwind for Sam but he doesn’t show any signs of letting up as he encourages the crowd to join in with his vocal gymnastics, harking back to Freddie Mercury at Wembley, waving at fans, giving peace signs and giving the whole crowd his undivided attention.

It’s also worth noting the sheer number of children in the audience. While much of the bill was tinged with nostalgia, Sam Ryder is very much in the here and now and seeing kids singing along to his songs shows that he’s going to be around for some time yet.

Highlights of the action-packed set included a medley of massive songs featuring Candi Staton’s ‘You Got the Love’, Taylor Swift’s ‘We Are Never Ever Getting Back Together’ and Paramore’s ‘Misery Business’. For the penultimate song Ryder performed ‘Fought and Lost’, the first live performance of the song, which he proudly announced as having been in an episode of Ted Lasso. The pretty ballad features Brian May on the recorded version and has echoes of Queen hit ‘Who Wants to Live Forever’ giving the singer chance to show off his full, and incredibly impressive, range. By way of some cosmic serendipity, an incredible pink Strawberry Moon rose into in the sky behind the stage cueing Ryder to deliver a triumphant ‘Spaceman’ to end proceedings and bring to a close a truly excellent weekend.

Credit: Wychwood Festival – Gobhinder Jhitta

With the festival staff packing up around me I picked up pizzas from Pan De Mania wood fired pizzas and delighted in crispy slices of delicious spicy meat offering but also a vegan version with vegetables and dairy-free cheese on it. Suitably stuffed both with pizza and joy I made my way to the exit, passing the last remaining tents and my taxi home.

© Shôn Douglas for SFG – Do not use without permission.

Looking back over the past few days I can honestly say Wychwood Festival is a belter! From the setting to the breadth of entertainment on offer and the entirely reasonable ticket price you’ve got a brilliant festival that caters to everyone. There were only good vibes on show throughout the weekend and with a family friendly focus there was enough to keep the kids entertained while allowing parents a bit of a break and some fantastic bands. It’s a relatively small festival and that suits it to the ground. It feels like a private secret between friends, but it looks like the secret is out! See you all next year!

Truck Festival 2022

After three years the amazing Truck Festival came back too Hill Farm in Steventon, Oxfordshire. The past 3 years had been affected by COVID which meant the event could not take place. This year also celebrated its 25th Anniversary so the organisers had to make sure it was the best!! The three and a half day event had a huge lineup with Blossoms headlining the Thursday night. Bombay Bicycle Club on Friday, Sam Fender and The Kooks co-headlining on the Saturday and the weekend ended with Kasabian and a firework display on the Sunday night. Bands, Artists, Comedians etc all performed on several stages across the site. There was the Main Stage, Market Stage hosted by So Young Magazine, Thie Feeling, The Nest, Virgins and Veterans, The Rockin Chair and The Tap Room.

Across the site had a wide variety of all cuisines for everyone. The local community also have a big food tent with their homecooked food which they have served there for several years and all profits got to charity.

There was plenty for everyone to do. Familys with young children could go to the childrens area which had activities and shows on for them all to enjoy. There were stalls with makeup, clothes, accessories and more for everyone to dress up in their proper festival gear.

Our photographer Kane Howie was at the festival to document the weekend. You can check out his photos below.

Tickets for next years event are available at https://truckfestival.com/ the festival will take place at the same location on July 21st-23rd.