Camp Bestival Shropshire 2023 – REVIEWED!

THURSDAY

Arriving at Weston Park to get our wristbands is an exciting affair, after last year’s excellent debut we’ve been looking forward to getting back here ever since. The sun is shining (for now) and we’ve got a car packed to the brim with kid-snacks and rainbow clothing, bring on Camp Bestival!

I should note, for the first time EVER in my many years of attending festivals, we are staying in a fancy Bell-Tent in Boutique Camping. It feels absolutely surreal to be able to see our tent from the car, to have a manned reception, and some extremely fancy proper toilets and showers nearby. The tent itself has off-the floor proper beds with duvets and pillows, as well as power outlets for charging our phones. I could not be more appreciative of the luxury, but do have to say that last year’s regular camping experience here was still one of the nicest I’ve experienced. So whilst I will talk a lot about how great our Boutique camping time is this weekend – rest assured that any version of camping here is going to be a good time.

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Counting Thursday as a scoping-out the site day and for settling the kids into their new surroundings, we decide to head into the arena for some food and a look at the new set-up. The most immediate thing to note is that this year, absolutely everything has been mashed into one big space. Gone are the nebulous separate fields and areas, it all seems a bit jumbled together. Yes ultimately it is easier to navigate and travel around, but I am reserving judgement on how it works until the music starts tomorrow.

For now, we opt for pizza for the kids, and my favourite returning food – Bayou Kitchen’s cajun shrimp bowl, whilst we sit in the field having a look at everything. After eating we take stroll around to the main stage merchandise tent to peruse this year’s offerings and end up basically wanting to buy one of everything. The new ‘Sustainable’ range is really nice and quite subtle in it’s design, but there are also some louder fun things like the bright towelling-robes which are perfect for hitting the wild swimming or even the morning showers. I really liked the new patches and opted to get a set of three for £15, the kids loved the plushie Love-Bot of course, and it was cool to see new Roller Disco tees too – I am still rocking my OG Bestival Roller Disco one from 2011.

I’ve said it many a time before, but there’s nothing quite like a Bestival when dusk hits. The twinkling lights come on and give me that instant rush that is unique to Bestival brand events, that there is fun to be found in every corner of this event, and that I am going to stumble into something wonderful at every turn. We decide to take a little tour around the area leading up to the Park Pool. Whilst most of it isn’t open yet, we spot a few things we’d like to try over the weekend and then head into the Weston Woods to see what the offerings are there.

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Now this is going to be a bit of a moan. The wooded areas of Bestival sites, are often the most exciting bit of the festival. Usually they are bathed in beautiful lights, covered in bunting, decorations, fun sculptures. Usually they are home to many fun activities or places to cosy up and chat. Last year the woods around the top of the site (which aren’t in use at all this year) allowed you to walk along a long stretch of lake and watch the paddleboarders and wild swimmers having a lovely time, Cirque Bijou had a beautiful canopied stage in the trees, the circus tent was nestled in there with activities, as was the Tie-Dye workshop and many other fun things on the winding paths that ultimately led to Weston’s giant adventure playpark and the tiny Train experience.

This is, so diminished from that gorgeous experience we had last year, that I was genuinely sad. This set of woods is one very short straight path with a small tent area for the sensory garden, and further up the Orchestra of Objects. Yes some of the things previously housed in the woods are now situated in the main arena but it has absolutely taken away some of their magic, and the joy of finding hidden things on your travels. It is very hard to describe if you haven’t been to a previous Bestival event, but most of my love for them comes from swapping between small cosy experiences to the great big ones of the main stage acts, and this really feels like they’ve axed a lot of those things with this site layout.

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We head over to Caravanserai to be greeted with more of the same. It has been expanded into a whole area that you now just walk into without going through a hidden doorway into an enclosed area. Yes you can now take a trolley or pushchair into there, but it has lost so much of the magic I can’t fathom the reason. Last year people just pulled their trolleys up to the side and went in on foot, and sure a better space for trolleys would have been good, but there were security controlling the flow and footfall, and it was a beautiful area with that otherworldly feel… like you’d run away with the circus. This just… isn’t it. The caravans are spread widely around a huge area so it honestly barely feels like they have relevance, the theming of a close knit caravan corral has absolutely gotten lost in the explosion, and while there are more covered areas to sit under in the middle, it means that there is no central melee of people dancing, meeting, and drinking together.

Feeling a little deflated we head back to the campsite to try and get ourselves a decent sleep before the first full day tomorrow. Getting into a proper bed at a festival is as delightful as you can imagine.

FRIDAY

We had so nearly gotten away with a summer of minimal-rain festivals, but here it is, the great British summer curse. Despite a biblical downpour this morning, the lake seems to be teeming with wild swimmers regardless – from what I can see. We walk through the Slow Motion area which is a bit smaller than last year’s great big separate field which felt nice and calmly removed from everything else. This is stuck onto the side of Boutique camping and is very… overlooked. It’s a bit weird actually that you could stick your head out of your tent and watch people getting ice-baths and hot tubbing. The Yoga and Sleep Retreat areas are tucked around the corner in a bit more of a hidden spot but it is also downhill and quite slippy now that the rain has created a mud-slide.

Over the scary raft bridge we wave to some kayakers, but you can’t really stop to enjoy looking at the lake because this is definitely just a thoroughfare and is a bit tricky to navigate with trolleys, however we pop out on the other side to find lots of fun things to do in the Craft Village. There’s a great looking leathercraft workshop, a place where you can make wooden axes and swords, and a basket weaving area – all run by Spinney Hollow, a non-profit woodland project that operates in Winchester.

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Across the field we give some circus skills a go, with hula hooping (which I am extremely poor at), diablo and wooden stilts. The stilts go exactly how you imagine in the rain, and there are children falling at you left right and centre, but it is very fun all the same. Next door the Woodland Tribe fort build is soggily underway but our littles are a bit too small and chaotic to be set free with hammers this year so we toddle off in search of something else more their speed.

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Heading back into the woods they give The Orchestra of Objects a good old bash, an area filled with interesting instruments made from industrial junk, for children to smash around and make noise with… or for adults with childish sensibilities to attempt to play Black Sabbath on. No regrets.

Over at the carousel stage in Caravanserai, we catch a bit of Funke and The Two Tone Baby, which sounds like a lot of people, but is actually just one man playing a lot of instruments. The beats are funky, the cocktail bar has opened for business, and the lampshade-decorated tent is bumping – this is the distilled feeling of Caravanserai I craved. I just wish it translated to the whole area, and not just while I’m directly inside the carousel.

Funke and the Two Tone Baby
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We take a short walk over to see Cirque Bijou’s aerial show, an act based on birds and conservation performed by incredibly skilled artists in feathered costumes, hanging from high ropes. Following their fabulous performance, we tried to join in on the bird-mask making workshop, but it was absolute carnage so we opted to get our craft items to-go. This was actually really nice of them to let us do that, as it meant the kids had an in-tent activity to do one morning!

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Ducking into the Big Top, we catch a bit of the very funny and brilliant Horrible Histories (90’s kids represent), before heading over to the main stage for Bestival legends, The Cuban Brothers. What can I say about Los Hermanos Cubanos that I haven’t already said over the years? They are an institution, not to be missed, equal parts filth and fun. We might be shouting “Kenny The Pasta” instead these days, but they’re still out there breakdancing, getting semi-naked and being naughty, just the way it should be. Out in the crowd we spot Mike’s family dancing along, his daughters visibly cringing but loving the show, and it’s just really nice to see the spirit of Camp Bestival extending to even the families of performers. Everyone is there, having a good time together – despite the ‘wardrobe malfunction’ and threat of sexy favours.

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Next up on the main stage is the bafflingly weird Confidence Man. The duo hit the stage in what I can only describe as black silk zoot suits with some kind of inner frame which allows them to move in extremely creepy ways. Their unique electro-pop sound is somewhat overshadowed by the fact that they are just absolutely bizarre, but this places them right in the ‘perfect for Bestival’ zone in my opinion. The Venga-goths change into a glowing cone bra and epaulettes combo as the rain starts up again, and the crowd seem to be loving them.

Confidence Man
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In the Big Top, Badly Drawn Boy is adorably awkward and charming, with the soft sounds of ‘The Shining’ which he dedicates to “…everyone who has had a crap time lately… is that all of us?”. About a Boy movie song hit ‘Something To Talk About’ has everyone in the tent singing along, and Damon tells us “My kids are here, I think it’s my youngest’s first time seeing me perform” – again, it is so telling of this festival’s ethos and vibe, that artists can bring their families with them to enjoy it. I also particularly liked his cover of Madonna’s ‘Like A Virgin’ morphing into ‘Silent Sigh’, a truly gorgeous moment of peace and calm amidst the bustle of the festival.

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After a pit stop to run around on the Love-Bot (our omnipotent and terrifying ruler) runway, and then having a go on the new Earth-Bot slide, we get ourselves over to the main stage again for Sophie Ellis-Bextor. Sophie is rocking the most Bestival appropriate outfit of the weekend, resplendent in swishy orange and yellow fringe and a pink sparkly flapper bodysuit, she looks more than a little like one of the Firey’s from Labyrinth – you know, the ones who take their own heads off. I’m into it, and would like to wear that outfit myself. Unfortunately the rain is rolling in heavy at this point and a lot of people are running for shelter.

“I don’t know about you but I’ve been checking the weather for this so much… but actually, it’s kind of amazing isn’t it… you’ve just got to give in and go for it, dance in the rain, get wet…” she says, presumably heading back to a hotel after this… everyone sleeping in a tent tonight is less enthusiastic about the situation I assure you. Regardless, it’s a banging set of nostalgic hits for those of us of a certain age – well played Bestival – like ‘Take Me Home’, a medley of ‘Lady (Hear Me Tonight’ Groovejet ‘If This Ain’t Love’ and ‘Sing It Back’, and her 2001 hit ‘Murder On The Dancefloor’.

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Rudimental are the Friday night headliner of dreams, giving us absolutely everything we need to get rowdy. Incredible vocals, bouncy beats and a frenetic light show that has every single body in the arena jumping – especially now the rain has dissipated. ‘Dancing Is Healing’ really encapsulates the feeling at Camp Bestival tonight, and we love the Natalie Imbruglia ‘Torn’ cover too. “Where my old school ravers at? Get some little people up on shoulders!” is the call from DJ Locksmith that creates a scene, there are suddenly hundreds of kids on shoulders with glowsticks, going like they were born in a club. These kids sure know how to party, and that my friends, is parenting done right.

‘Feel The Love’ and ‘Waiting All Night’ are absolutely worth waiting all night for, even if the rain has begun again and is pouring down our necks, they never disappoint and this has been a cracking night one, leaving the stage with “Bestival, you are amazing, and we are Rudimental!”.

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SATURDAY

Starting Saturday with a bang, we head over to The Mum Club Brunch Takeover at The Literary Institute tent, for cocktails, glitter and meeting people. With a 10am start time the drinks are suitably breakfast-y with Mimosas, Bloody Marys and much needed Espresso Martinis on offer. Having not eaten actual breakfast this may be considered foolish but we had a very nice time and chatted to heaps of lovely people there, including co-founder of The Mum Club – Lauren Webber. We talked a bit about the ethos and beginnings of The Mum Club and how they are re-creating the ‘village’ for isolated mums everywhere, and reaching out with help advice and support to those in need.

Following this is an activity session run by Festival of the Girl, a collective who aim to provide fun education for families about stereotyping, patriarchal structures and systems which hold girls back in life. The event was really aimed at ages 7+ but they made everyone feel welcome, including our almost 4 year olds, for some gender-pay gap training (with coloured plastic balls) and language stereotype challenging (with fierce unicorn colouring and mission statements). It’s really nice to see these type of events being included in the CB line-up, supportive and uplifting programmes which you may never hear of or come across otherwise.

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Due to extreme post-cocktail munchies, we head over to The Feast Collective – which has had a total overhaul. Gone is the lovely giant tent with bierkeller style seating down the middle, and multiple eateries inside. Instead there is a Farmer’s Kitchen, which is selling various cheeses and meats. There are seats outside yes, and some more food trucks, but it has lost a little of that cosy factor, especially when the weather is so changeable. However, the new bigger food stage for Bocaloco grills and bbq demos is brilliant – and not just because they’re giving out freebies. We hang out and listen to a talk about the delicious properties of jackfruit, whilst chomping down on a poke-bowl which is absolutely delightful.

Over on the main stage Mr. Tumble is singing ‘Let’s Go Fly A Kite’ from Mary Poppins, which is one of my least favourite songs to hear after my kid adopted it for 4 solid months earlier this year. The show is very colourful though, and there are squillions of kids on shoulders having the time of their lives. Mine was asleep and missed the whole lot, including the follow up of Dick & Dom, who are top humans but not great DJ’s. I’m also mad at them for A. Rickrolling us, and B. mixing it with Nirvana’s ‘Smells Like Teen Spirit’. Alert the authorities.

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When the small being awoke, we took ourselves over to have a go on The World’s Biggest Bouncy Castle which is as you can imagine, fucking huge. Now, they have done a good job here of separating kids into two categories for bouncing… there’s a big kids line, and a small kids line, and they alternate turns to minimise collision risk of disproportionate size whilst bouncing. The numbers however, are at chaos levels and the cohorts are set free to colonize the castle as they please. Hoards of children flying at each other in a WWE style rumble is exactly as terrifying and funny as I expected.

I may never recover from the side-splitting laughter I experienced watching one child quite literally fly over the head of another, only to land in almost a headstand against a turret of the castle. We escape with our lives thankfully, and head over to see what the Fancy Dress Parade is all about. This year’s Wild theme is almost 99% just people wearing crap leopard print items of clothing. Shropshire has not yet hit the highs of fancy dress effort that the Dorset original has, we need more effort next year please. Regardless, the competition and parade are already over-subscribed and they haven’t brought enough Rosettes so there are inevitably some crying kids around. There are however some excellent entries and everyone is having a lovely time watching them strut their stuff on the stage.

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Opting to find stuff to do since we can’t partake in the parade, we head over to the Soft Play tent, ours are just within the age range and head in to escape the heat of the afternoon. There are toys everywhere, ball-pit, stackable blocks and ride-on cars. There is luxury to be found in having a jolly good sit-down while they play, and there were even craft activities being led in one corner. Captain Barnacle’s Pirate Show is another strange wonder to have stumbled in on, the bit where he pretended to take his own eyeball out was of particular concern to my child, but we enjoyed the part where he showed us all of his party pants (less lewd than it sounds, more lewd than the children realised).

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Elvana are another stand-out returner from last year, this time Elvis is dressed in a white jumpsuit with a sparkly orange cape, and they’re throwing down some absolute tunes whilst two young Elvi (? Elvises?) in the front row dance around joyfully. “Sometimes we like to sing an Elvis song and start a circle pit… ok ok we’ll do the World’s first Elvis conga instead” they laugh before heading into a grungy cover of ‘Blue Suede Shoes’, but we love watching everyone get rowdy for ‘Smells Like Teen Spirit’ the most.

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Sarah Cox brings giant inflatable Rubiks cubes and a huge party to the stage, but the arena is stacked for spaceman Sam Ryder who looks like his Nanna has been on top form with the crochet-hook again. Lavender and acid green flames lick baggy knitted basketball shorts and a cardigan, it’s certainly a lewk, and I like it. Of course he plays his Eurovision hit ‘Space Man’ but honestly the true star is his cover of Paramore’s ‘Misery Business’ what a bop.

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Over in the Big Top, Caity baser is heating things up having toned down absolutely none of her sweary songs (I approve wholeheartedly) and the tent is absolutely rammed full of people, while in Caravanserai we see Cirque Bijou doing an excellent set of juggling and acro skills to the background sounds of reggae coming from the carousel stage. Groove Armada are playing an epic DJ set on the main stage, but we are loving some downtime with Des O’Connor (no not that one) the piano man at The Bandstand. The dusk is warm, all these gorgeously golden-lit faces are joining in the chorus of Leonard Cohen’s ‘Hallelujah’ and Eurythmics’ ‘Sweet Dreams’, it is truly the beautiful point of being here. The community and camaraderie, the soul of Bestivals’ past has made it into this iteration and I’m so glad.

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Off in search of food we go, on our way to the main stage for tonight’s headline act – The Human League. Entering the very Tron-esque stage set-up, they immediately launch into some absolute classics like ‘Don’t You Want Me’ and gain the appreciation of the home crowd when frontman Philip Oakey says “…what a great location. Not that I’m biased but I’m from the Midlands… Leicester actually”. Singers Joanne Catherall and Susan Ann Sulley are both right in that sultry/mysterious pop diva zone to watch, and their voices soar across the arena over the 80’s synth waves. You can’t help but be drawn in by it all, even if you aren’t a particular fan.

Finishing up with Oakey’s own ‘Electric Dreams’ which very well could be the Camp Bestival theme song, is one of the hugest sing-alongs I’ve ever witnessed. The Human League were a truly fantastic headline choice this weekend.

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SUNDAY

It may be early, but kicking things off is national treasure and stone-cold legend Mr. Motivator for some morning main stage aerobics. 30 years in the game celebrations today too, the man has barely aged and can still rock an incredible neon outfit like no other. I wish he had merchandise for sale, 10/10 would purchase. Following on from this a decent crowd turnout to watch the Lionesses unfortunately lose their WC final game, but I think it’s really cool that that this was shown and prioritised as an event here – the times they are a’changing.

In some kind of unhinged sleep-deprived parenting choice (led by the whims of an almost-four-year-old of course) we decide to queue up to give Roller Disco a go at Bollywood. I do have a few axes to grind here though, it must be said. Bollywood has always been a giant rave tent of delight. Big enough to get your dance on, decorated and entered via a lovely colourful tower flanked with Elephants and such, beats all day long. Once when the roller disco came to IOW Bestival, it was tucked in the corner of said tent but the dancefloor remained.

This year, it has all gone a bit Pete Tong in my opinion. There is only the roller disco floor… which later on in the day is taken over as Bollywood for dancing. This means that the area itself is tiny in comparison to previous iterations of Bollywood and there is a very diminished number of people who can get into it when it’s being used as a dancefloor. It also means that when being used as a roller disco, the skate check and seats for putting on your skates are outside in the elements instead of under cover. It having rained this morning meant that ALL of us suffered soaked and muddy socks on the now sodden mats that had been put down, AND that it was absolutely deadly trying to get onto the disco floor itself, AND that wet muddy skates were about to be utilised on the disco floor. I have absolutely no clue why wasn’t thought of and managed a bit better to be honest, it made for two diminished events instead of the great addition I thought roller disco could have been.

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In the end we made it onto the floor for some extremely chaotic laps, run to the sound of Disney hits such as the very apt Frozen song ‘Let It Go’ which of course was aimed at everyone holding on to the railings for grim death. It was actually very fun, until one of our party fell down the muddy slippy steps on their way out and got gouged by a sticking up peg/bit of metal… can’t help but think the mashing together of roller disco and Bollywood was a budgetary concern instead of a comfort one.

Off we go to look into some other places instead, the nearby Dressing Up Tent is full of people looking for sparkly outfits and glitter face paint, Cirque Bijou are doing an amazing trapeze show and the drums are rolling in the African Activities workshop. We poke our heads into the Tie-Dye tent which looks fantastic once again, and watch a Dinosaur riding the mini ramp at Tic-Tac Skate School. Tic Tac also had a design-a-deck competition, which might be high on our list to do next year I think.

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We drop into The Feast Collective to grab fruit platters with spicy salt (trust me, it’s a must do) and feel quite smug about the children eating something other than chips and pizza this weekend, whilst watching the retro funfair swing boats go impossibly high. In the Big Top Hip Hop Karaoke is one of the best things I’ve witnessed all weekend, we have to teach these kids about the old school somehow. With that it’s off to the Adventure Play Park up above the camp grounds. Unfortunately here is where I have my second massive gripe of the day.

Firstly, having separated the arena from these woods, it means there is nothing fun to do on the way to the play park and it is a huge undertaking to get there instead of a pleasant walk through the forest. Last year there was beautiful lighting in the trees, art and sculptures everywhere, places to sit, things for kids to do etc. this year it is barricaded off except for the route through, which is truly a disappointment. I petition CB to reconnect this area next year, please please please.

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The adventure play park itself is awesome, with varying sizes of equipment aimed at different ages of children, and a really cute miniature railway which you can buy a ticket to ride on. Our kiddos absolutely LOVED all of this… until… one of them needed to go to the toilet. WHY OH WHY were there no toilets there this year? I do not understand why you would allow people to walk that far, to a completely remote location, for children, and not include at least one toilet. This is a huge oversight on behalf of the festival, and if you want to know if a child shits in the woods? They certainly do at Camp Bestival because there is no choice. Last year there was a small bank of adult sized, and kid sized composting loos available as well as a few portaloo stop points throughout the forest. We asked the people running the railway and they said they had had so many people angrily asking them where the facilities were for the area, apparently they had also requested some but been denied by the organisers.

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After another hike back to the arena we head over to see 80’s legends T’Pau, with Carol Decker yelling “It feels good to be home” who grew up in Shropshire. It’s mostly a crowd sitting in the sunshine to be honest, but they provide a very pleasant lazy Sunday vibe. East 17 are delayed and miss their Big Top slot, but are filled in for by the awesome East Angles Brass Band playing some very funky pop covers. Rob Da Bank is taking a DJ slot over on the roller disco, and Aussie DJ Hot Dub Time Machine is getting the main stage up and dancing with ‘Gimmie Gimmie Gimmie’ shouting “No-one is too cool for ABBA!”.

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In the Big Top comedian Dylan Moran is living up to his Bernard Black persona complaining about the lights, the sound and the photographers within two minutes of being on stage. He’s right though, due to the smooshing together of everything in one big arena, the sound bleed from other stages and fairground rides is thoroughly awful. Even standing in the tent from about midway, it is almost impossible to hear him which means a lot of people are leaving after only a few lines of his set.

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Ella Henderson has gathered one of the biggest crowds of the weekend, especially drawing in the teenage contingent who are all singing along to ‘Crazy What Love Can Do’. She has a gorgeous voice and just radiates happiness on stage. East 17 finally make it to the Big Top for their Christmas Party, to the squeals of middle aged women all around the tent. Of course there are dance moves, of course there is ‘Stay Another Day’ but I can’t pretend it’s my jam at all.

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Melanie C is on the main stage rocking her signature sporty look and confidently owning the stage. Did you know she’s had 11 UK number 1 hits? I didn’t, very impressive. Her voice is great, there’s a kid out front with “I wanna be a spice girl when I grow up” sign and everyone is loving it.

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Now… In a moment of madness or pure comedic juxtaposition, someone has booked Napalm Death. I could not believe my eyes when I read it on the schedule months ago, but yes here they are. Barney and co from Meriden, the grindcore monsters of death metal, are at Camp Bestival. The festival of colour, light and harmony. In fairness, you’ll struggle to find a band whose ethics and political commentary align more with those of Bestival – socialism, anarchy, flipping the status quo, doing better for the planet and those around you. I suppose they’re actually a perfect fit…

So when they explode onto the stage with all the subtlety of a stampeding horde of wildebeest, and Barney’s frenetic movements around stage are revealed to the CB crowd in all their glory I expect rejection. What I actually see is a circle pit. A real life circle pit at Camp Bestival – I am shook to my very core. “We are a local band for local people” Barney jokes before waxing lyrical on how ‘Illegal migrants’ is a ridiculous term and damning the government for their policies, to rapturous applause. We also see Rob Da Bank sneaking into the Big Top to join the fun and brawl of it all. One Dad with two teenage daughters is probably in the bad books though, having walked into the tent and heard about two bars of the next song, one daughter bursts into tears and they have to leave. Poor little sausage.

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Barney is in full flow yelling about religious persecution and recent laws across the world being “…an assault on women’s basic rights of bodily autonomy” as well as “the smear on Trans people’s imperative to just live their lives”. Is it too much to wish that they had done a collaboration with Festival Of The Girl this weekend? Crowd surfers, the worlds’ shortest song, and a final cover of Dead Kennedys’ ‘Nazi Punks Fuck Off’ is the rallying cry we all need. What a truly truly fucking fantastic energetic set. Whoever booked them gains my undying love.

In a complete change of pace, our final headliner of the weekend is indie rock powerhouse Primal Scream. Hitting the stage in a sparkly silver suit, frontman Bobby Gillespie oozes that elusive air of unbothered coolness, before he completely lets go to sing ‘Movin’ On Up’ alongside thousands of voices in the crowd. It’s clear this is final-night behaviour, every single parent out there is having a good old boogie much to their children’s delight or chagrin, and I adore it.

‘Come Together’ is fantastic, ‘Country Girl’ and ‘Rocks’ have everyone moving with them, there are kids handing out glowsticks, bubbles, happy faces everywhere you turn, and we have an enormous bucket of churros. Oh Camp Bestival, I do love you.

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After a mini raft of fireworks, pulling up to the FOH in a sequinned kimono, Rob Da Bank thanks everyone for coming to this year’s event, before announcing that The Red Devils will be doing a night parachute drop above us right now. Now look, it’s all very impressive and fun, but don’t know if I can get on board with someone who says to themself “yeah, I’ll just pop myself out of a plane at night and hurtle towards the ground before hoping my parachute opens… oh, and then you know what, it might be a bit dark so I’ll also set myself on fire so everyone can see me”. I’d have liked to have seen them during the day, but apparently wind conditions wouldn’t allow – maybe next year.

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Oh and yes, we missed the iconic Kate Winslet reading bedtime stories in her pyjamas and we will FOREVER BE MAD ABOUT IT. Peace out Camp Bestival, you’re the real MVP… but please fix the jumble sale of a site – we want our separate areas back.

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Sundown Festival 2015 Review

FRIDAY

Sundown Festival returned this weekend for three days of pop, drum and bass and house music, offering, as one girl gushed on the first night, "great value and a great line up." Kicking off with an exclusive 'campers only' opening party from 5pm hosted by SubSoul, house music belted out of the Big Top tent throughout the evening. With one-hour sets from upcoming producers including Après – who has just graduated from university, DJ S.K.T who reached the top ten of the charts with 'Take Me Away', Friend Within (of Renegade Master fame), GotSome and Icarus, who closed the night with a grimier, bassier vibe. But it was Toyboy & Robin's set, from start to finish – with a perfect opening of Bicep's 'Just' mixed into Format:B's Ibiza smash 'Chunky' and ending with their own massive hit 'Jaded' – which gained the biggest reaction. With the music switched off dead on 11pm, the hundreds if not thousands of revellers were able to catch a good night’s sleep in preparation for nearly 20 hours of live music.

Photo courtesy of Sundown Festival

SATURDAY

After filling up on a Sainsbury's big breakfast – the handy thing about Norfolk Showground is that there's a McDonald's, Costa and Sainsbury's within a short five minute walk – SFG made their way to the main arena for the first time, after mingling with Kiss FM breakfast presenters Rikki and Melvin and Facebook famous Jack Jones.

Following a last minute cancellation from Jess Glynne due to recent vocal surgery, Becky Hill – who gave a standout performance last year – was left to foot the bill, a task she took on with ease; her new collaboration All My Love, produced by Watermat and Tai showing off her seemingly endless vocal range to the booming house beat. Once the growing crowd realise how many of this year's chart hits she's put her voice too; Wilkinson's 'Afterglow', Oliver Heldens and 'Gecko (Overdrive)' to name just two more, everyone's lungs are given a real workout as she makes way for Karen Harding.

Similarly a go-to-vocalist for house producers, the glamorous singer shines brightest throughout her top-ten track 'Say Something' and new Blonde-collab 'Feel Good (It's Alright)' – the latter with a strong and catchy enough hook and chorus to top the charts when it's released. "Up next we've got the man that gave us the tunes Pow and Oi" proclaims Rickie and Melvin of Kiss FM fame as they ensure the crowd are suitably hyped up before introducing each act over the weekend. And the phrase 'hyped up' barely describes the atmosphere when Lethal Bizzle arrived onstage … gliding accords on a Segway no less. Sporting one of his own 'DENCH' t-shirts, the likes of Rari Workout and Flashing Lights descend into his request of numerous circles of mosh pits. "This is the last festival I'm doing this year. Let's make it the best one" he beckons, launching into The Drop and Fester Skank.

Contrastingly, MNEK, backed by two powerful female vocalists take things down a more smooth R&B/pop route during Take You To A Place and Ready For Your Love. Meanwhile in the Big Top it's a Defected Records take over. Returning for their second year, label boss Simon Dunmore, leading lady Sam Devine (cue crowd surfer) and relatively new Low Steppa keep the thousands of house lovers satisfied as they bring Ibiza vibes to Norwich. But, expectedly, the biggest draws come from Gorgon City and then Hannah Wants – the latter who's had a whirlwind year, with a Mixmag cover shoot and story last month.

Leading the evening's talent is Sigma, arguably the breakout drum & bass act of the year. Performing tracks from their soon-to-be-released album Life,  Labrinth-collab Higher, which sees girls on shoulders and a building d'n'b edit of Rhianna's Diamonds as well as Lighters with its Chase & Status-like beat, keep the crowd's energy up.

Although, the highlight comes from Ella Henderson's appearance as she belts out Glitterball, faultlessly, along with all the girls – and guys – in the audience, proving herself as one of The X Factor's finest exports.

With flares in hand, it was down to London collective and Sundown first-timers Rudimental to headline. Flanked by live instrumentalists and numerous guest vocalists including Will Heard and Anne Marie who feature heavily on second album We The Generation, the hits everyone knows prove memorable, and the newer as-yet-unheard songs fares nearly as well. With ten members onstage, Right Here, Never Gonna Let You Go and Waiting All Night, the latter dedicated to a passed friend, certify their headlining credentials with ease; the drum & bass + live instruments set up clearly a well honed success.

Sundown 2015, all photos by Kath Sansom

Photo by Kath Sansom

SUNDAY

Following a failed attempt to get into the DJ EZ after-party on Saturday night, everyone was left clueless as to why, until a member of the merchandise team told SFG the following morning that, allegedly, police were called to shut down the warehouse event due to mass over capacity. Catching Zak Abel, whom SFG later caught up to chat with, the young Londoner's performance was a case of great voice, potentially massive songs, minimal crowd – most likely down to his post-lunchtime set time. Running From Myself and the Kaytranada-produced Say Something, from his brilliant new seven-track EP, One Hand on the Future, are given soul-filled, emotive outings and deserve to gather a lot of attention in the very near future; as does his somewhat brave cover of Daniel Bedingfield's Gotta Get Thru This…

"This young girl actually went to school with Zayn Malik. I would love to have her kisses for breakfast" says Melvin (Kiss FM) as he welcomes Melissa Steel. With slick black hair and vibrant trousers, she bounces onstage, along with two impressive backing dancer. The crowd are quick to pick up on all the tracks she's provided vocals to this year; from the reggae vibes of Drunk and Incapable to her top-ten pop breakthrough Kisses for Breakfast. Ending with Kove's D&B hit The Way That We Are and an acepella version of Blonde-collab I Loved You, Melissa's a pop star to keep an eye on; especially with her new single You Love Me (featuring Wretch 32 – who performs next) coming out this week.

Sporting a new, almost unrecognisable head of hair, Wretch 32 tells the story of Blackout with humble intent; "I started out having to in to the shop to get electric", he says, adding that there is a "hope for life for everyone". A heartfelt version of Six Words stays in the audience's heads, as does Don't Go. Trekking over to the RAM Records stage, it's a drum and bass lovers paradise; Culture Shock, DC Breaks, Mind Vortex, Sub Focus and label head honcho Andy C each rattling out energetic heart racing beats throughout the day. Back at the sunny main stage, Maverick Sabre, who it seems has been away for years now, is asking the question, "can you be my Sundown choir?" The reason? An impeccable cover of Chaka Khan's Ain't Nobody, led by his, as ever, individualistic vocal style. Airing his new single Come Fly Away, the soulful lyrics are bound to score him a hit, and just as he reveals to SFG later during an interview that a new album is imminent as well as a UK tour, he's set for a big return.

Headlining on Sunday evening, Tinie Tempah, whom performing at his last festival of the summer ("lets make it the best one" he shouts) ran through his biggest hits; Pass Out, Frisky and Miami 2 "Norwich", the collabs; RIP, Not Letting Go and Tsunami; and  new single "which i've not performed anywhere else" Turn Up The Music – which is bound to go to number one with a Katy B feature and a cheeky, infectious house sample of KDA's track, Rumble – it was a crowd-pleasing set for sure, and one that left everyone with smiles on their faces before leaving to go back to school/college/work.

Photo courtesy of Sundown Festival

For SFG and friends though, it was Nero's live set which smashed it most. From the intense ground rattling opening bass right to the trio bowing at the end, it was easily the best hour of the weekend, possibly the year in terms of this festival season (closely behind seeing Faithless at Balaton Sound). Having wanted to see Nero for countless years now, it was refreshing for the anticipation to be fulfilled. Alana Watson, who would stalk the stage in a lace dress ensemble, appearing and disappearing between songs,  provided transfixing, almost haunting vocals, to Guilt, Me and You, Innocence and Satisfy among others, while the guys took charge of the drops and beats – all aided by an insane light show onstage. With a new album imminent, Nero's grip on dance music will soon re-tighten.

Photos by Kath Sansom

Camp Bestival 2015 Review

Camp Bestival, the spin-off to the Isle of Wight legend, Bestival, is nothing short of a festival treasure. Lovingly curated by DJ Rob da Bank and his wife Josie, this is a festival exclusively for families and offers one of the most varied musical line-ups alongside children’s attractions and huge television stars.

From the moment you pull up in the car park, you know this is a festival that is going to work out those leg muscles, with everything built on steep hills covering an area the size of a small town! 

Arriving on the Thursday, before the festival really starts, you could be forgiven for thinking that this was going to be a small and unassuming event, with only a few stalls (thankfully including Nandos!) and one arena open, it was easy to believe that this was going to be a weekend that dragged. However, this initial belief was proved wrong from first thing Friday morning with an amazing opening set by the Rajasthan Heritage Brass Band to warm the crowds. 

With the Blue Coats keeping the crowds happy it was not long before everyone was on their feet and laughing along to Dick and Dom’s performance of ‘Dick v Dom Go Wild!’ – an act full of audience participation and lots of water guns and a foam fight, the adults were laughing along with the kids at all the obvious innuendos and humorous use of Richard’s nickname. 

The first day flew by quickly with plenty to see and do such as the Insect Circus, the multiple fairground rides and interactive experiments at the Science Museum tent. Before you knew it you were pitched up back at the main stage watching the sun set to the pounding beat of Professor Green and Clean Bandit before a slow crawl back up the hill to the camping site and a steaming cup of tea brewed over the gas stove. 

After a long night anyone would expect it to be a rather quiet and slow morning… But at a festival full of little ones, and Mr Tumble opening the main stage it was a rather early, and very excitable morning! After a set of ‘Hello Hello’, the ‘Hokey Cokey’ and ‘Old MacDonald’s Farm’, the parents were screaming for a break while the kids were ready for some more! My day was spent lazily roaming the huge site, visiting the wall of death, riding the carousel and enjoying more of the fantastic food on offer (as well as trying out the ‘Solar Power Shower Tower’), winding down to Level 42 with a box, yes a box, of Rosé was just what was needed!

With Kaiser Chiefs rocking the stage until late into the night, it was yet another late night, with everyone sadly trailing back to the tent after an explosive set fuelled by classics such as ‘Riot’ and ‘Ruby’, more tea, but yet another early morning!

Sunday’s stage times left a trail of confused festival go-er’s with Ella Henderson and Bob Geldof swapping stage times. While there was an notice on the website, and also on the screens to the side of the main stage, there was still a lot of confusion which left many fans unable to watch their favourite act. One lady said that her young daughter was watching another act over at the Big Top and ended up missing Ella Henderson, who was her main motive for booking the ticket. 

The disappointment was short-lived however as Ella Henderson smashed her set and paved the way for the amazing Kent duo, Slaves, who powered through their set with just two drums, symbols, and a pleasing lack of shirts, with a guest appearance from a friendly manta-ray. Soul II Soul graced the stage next with a set of classics, such as ‘Back to Life’ which gracefully slipped into a blazing set by Ella Eyre which got everyone smiling as we waited patiently for the night’s headlines, Underworld, to take the stage.

As Underworld’s set slowly came to a close, the crowd all turned around to watch the spectacular fireworks which closed the entire festival.

The final trek back to the tents was slow and with everyone slowly coming down from the amazing high of the weekend at the realisation that it was all over, the air was thick with mixed feelings. 

Monday morning was another early rise but everyone was moving slowly. The tents slowly disappeared in a slow trail of little truck’s being pulled up another hill to the car park, it was clear that this amazing festival was one that would be missed by all those in attendance, until next year at least.

Gibraltar Music Festival add James Bay, Ella Henderson and more

With a lineup already fit to burst with huge names including headliners Kings Of Leon and Duran Duran alongside the likes of Kaiser Chiefs, Paloma Faith, Madness and Tom Odell Gibraltar Music Festival 2015 are now adding even more names to this year’s lineup. Providing a fitting and appropriately huge end to the summer festival season, GMF provides sun and music in abundance all within the picturesque surroundings of the Rock of Gibraltar.

Heading up this announcement is British singer-songwriter James Bay. Having won this year’s BRIT Awards Critics Choice Award and also as runner up in the BBC Sound of 2015 list his is a talent that is utterly undeniable and not least showcased on this year’s breakthrough album ‘Chaos and the Calm’. His set is not to be missed.

Since gracing the nation’s TV screens on the X Factor back in 2012 Ella Henderson has proven herself to be a true superstar. With both her debut single ‘Ghost’ and debut album ‘Chapter One’ charting at number one; she is undoubtedly one of the UK’s finest pop exports.

It’s been two years since Union J went from talented unknowns to overnight sensations on the 2012 series of The X Factor, andthey have been on quite a journey. Their army of young fans will be delighted to hear the boys' next stop on their path to boy band greatness will be at GMF this September.

Also joining the lineup are Gibraltar via Manchester sibling trio This Side Up who come to the festival hot on the heels of their summer UK tour as well as Dead City Radio and Kharma 13.

Easily accessible, affordable and suitable for the whole family, GMF rolls a holiday and some of the world’s biggest acts into one incredible weekend.

Tickets available at: http://www.gibraltarmusicfestival.com/tickets-and-packages/

Full Lineup So Far:

Kings Of Leon

Duran Duran

Paloma Faith

Madness

Kaiser Chiefs

Estopa

Tom Odell

The Feeling

Lawson

James Bay

Ella Henderson

Rae Morris

Third World

Hudson Taylor

Dub Colossus

Reach

Guy Valarino

Kristian Vinales (DJ Set)

Headwires

Paddy Taylor

Strange Brew

Tim Garcia ft Afterhours

Jeremy Perez with Tom Stott

This Side Up

Dead City Radio

Kharma 13

Calvin Harris & Kasabian lead V Festival 2015 lineup

Global platinum-selling artist Calvin Harris and Iconic rockers Kasabian are today announced as the headliners for V Festival’s Virgin Media stage.

Taking place across the weekend of the 22nd and 23rd August 2015, the local lads from Leicester and the DJ from north of the border will be joined by a host of music heavyweights to ensure V Festival sees out its second decade in style.

Joining the headliners across the two festival sites in Hylands Park, Chelmsford and Weston Park, Staffordshire will be a supporting cast of Britain’s finest talent and biggest names. Music lovers with this summer’s hottest ticket will also see performances from recent four-time Grammy and 2015 Brit winner Sam Smith, Ellie Goulding, The Script, Hozier, George Ezra, Stereophonics, Brit winners Paloma Faith and James Bay, Olly Murs, Tom Jones, Clean Bandit, Kodaline, Ella Henderson, Nero and Courteeners plus many more to be announced across four stages at the two festival sites.

Making his debut on top of the bill, Calvin Harris said: 

V Festival is always an incredible time and I can't wait to headline it this year. See you there!”

Kasabian’s Sergio Pizzorno, said: 

“V is for victory, V is for voodoo, V is for vacuum cloud, V is for very very very very excited. See you in the fields!”

The hugely popular Glee Club Comedy Tent also returns as the festival’s fifth stage this year, with a hilarious line-up that will be announced in the coming months.

Over the festival weekend there’ll also be sets from The Kooks, Marina & The Diamonds, The Proclaimers, Jess Glynne, Andy C, Imelda May, Gregory Porter, Fuse ODG, Clean Bandit, Duke Dumont, Jessie Ware, Ella Eyre, Hannah Wants, Reverend & the Makers, Grandmaster Flash and the Furious Five and Annie Mac.

The glamorous V Style camping will also return for its fifth year. V Style is now an established part of the V Festival family, giving music fans the chance to experience the best of both worlds – enjoying a mix of music and comedy and relaxing at pampering stations and in ready built bell tents, huts, and luxury yurts.

Tickets go on sale from March 6th at 9am with fans advised to visit www.vfestival.com, where all official outlets are detailed. V organisers again stress to fans that purchasing tickets from unofficial outlets could lead to disappointment.

The full line up includes: Kasabian, Calvin Harris, Sam Smith, Ellie Goulding, The Script, Hozier, George Ezra, Stereophonics, Paloma Faith, James Bay, Olly Murs, Chvrches, Imelda May, Kodaline, Ella Henderson, Nero, Reverend & the Makers, The Courteeners, Marina & The Diamonds, The Proclaimers, Tom Jones, Jess Glynne, Andy C, The Kooks, Gregory Porter, Fuse ODG, Clean Bandit, Duke Dumont, Jessie Ware, Ella Eyre, Hannah Wants, Grandmaster Flash and the Furious Five and Annie Mac.

Rudimental to headline Sundown Festival 2015 plus more!

Headlining will be none other than UK festival favourites Rudimental who will be performing live. From their chart storming, number one album ‘Home’ through to Brit and MOBO Awards they are truly one of the most exciting acts in the UK. Coming to Sundown as one of only a very small number of shows this year, they are certainly not to be missed!

Following on from the roaring success of 2014, Sundown Festival is back for 2015 with another larger than life lineup! Hosting only the biggest and best in pop, dance and urban acts, Sundown is the perfect way to close the festival season with one last party in the sunshine.

If the first headliner wasn’t enough, Sundown are also excited to announce the incredible Ella Henderson for the festival. With debut single ‘Ghost’ already certified platinum and debut album ‘Chapter One’ flying straight in at number one on the UK Album Chart she is undoubtedly one of the UK’s hugest stars!

Drum and bass royalty Sigma will be performing live alongside performances from Clean Bandit collaborator Jess Glynne and afrobeat trailblazer Fuse ODG.

As well as this the Andy C Presents Ram stage will play host to electronic production wizard Sub Focus and the multi-genre DJing of the amazing Jaguar Skills.

Campers get even more with an exclusive Saturday night after party with none other than garage superstar DJ EZ on the decks keeping the vibes going until 1am!

All these and many, many more including a second huge headliner will descend onto Norfolk Showground for a weekend not to be missed!

Lineup so far:

Sat – Main Stage 

Rudimental (Live) // Ella Henderson // Sigma (Live) // Jess Glynne // Fuse ODG

Sun – Stage 2 – Andy C Presents Ram

Sub Focus // Jaguar Skills 

Saturday Afterparty

DJ EZ