YO1 Festival 2013 Review

“This is the drunkest I’ve been at a gig for a long time!” The drifting garbles of a wobbly frontman on the rockabilly Please Please You stage may be as off-putting as those hearing it from the queue to get in- particularly if you're not happy with treating the outdoor festival just as an extension of the University of York's out-on-the-lash experience. The heavy influence of the nearby uni- exhibited by the second stage being named after campus music mag Circulation- might be enough to make one fear the day will be packed with struggling student pet projects and their supportive (rowdy) mates. But with such big-name acts as Rudimental and AlunaGeorge, YO1's lineup is a mix of the chart-topping with the uni-bopping. And with the promise of York's first taste of summer sun comes the promise of a diverse crowd; families rub elbows with locals, students and lovers of house, rock and reggae at the one day dance and indie event.

Holding up the baton for pleasant acoustic sentimentality is Bison Coffee Stage starter Travels By Telephone, whose haunting guitar stops short of the mawkish. His guitar sticker, happily proclaiming “you're doing better than you know”, provokes an unorthodox response from an onlooker: Wrong. a) I have syphilis. b) I don't like Talking Heads.

Meanwhile over on the main, Dub Barn Collective's white beards, tans and suits are giving off a distinctively Alabama 3 vibe, while being just as funky. It's a shame their 12pm slot means they can't gather the sort of numbers New York Brass Band draw in. Brass instrumented pop covers of 'Forget You' and a shaky rendition of 'Never Gonna Give You Up' appeal to the wider university crowd, despite the fact that the tartan-clad 7-piece don't capture of the soul of its New Orleans inspired roots.

The ripening summer rays pose an issue for sunbathing enthusiasts, as the lack of an entirely outdoor stage is particularly problematic for The Marzec Group, who find most of their fanbase prefer sitting outside the tented main stage, rather than in its musty depths. Perhaps this is why their usually enlivening multi-instrumentalist performance is somewhat muted.

One cannot be blamed for not trusting a dry day in Yorkshire spring time considering recent snowstorms, but other signs of YO1's greenness come across in its portaloo policies. By 4pm, the portaloo queues would have given the toilet lines racked up at major festivals a run for their money, leaving desperate punters squatting in nearby fields.

Other problems involving YO1's crowd numbers surfaced among the bars, as they were soon experiencing influxes of epic proportions. London's Tusk Wax suffer over on Circulation due to a significant clot; that is, a clot made up of bar goers encroaching upon the less than ample dance space for Tusk's bangin' tunes as the tent can't hold both. And, despite the fact that a £3.60 pint of cider is relatively unheard of in the cheap and cheerful pubs of York, this didn't prevent the good selection from selling out before the evening properly took hold.

Luckily this clears the way for Medlar, whose fast-paced house attracts dancers who begin to monopolise the tent area. However, choices have to be made on where to next move your feet. Fox North Coalition provide a cheery southern American vibe to the festival, with great big hats, crooning and an effective utilisation of a mouth organ. Radio One sweetheart AlunaGeorge pulls such a crowd over on the main that its too difficult to huddle in and hear her sugary sweet tones.

With food running out as well as drink, ducking into the Irie Vibes tent is never a bad idea. The darkening skies give an extra energy boost to Cojo of Bushrock Hifi's set, as the reggae dub begins to transform into ragga jungle. A patter over to main stage headliner Rudimental is a perfect complement, as the relatively new drum and bass collective exhibit the pizazz that drove them to fame so rapidly. Hit “Waiting All Night” cause an uproar but it's “Feel The Love” that add an electric quality to the air.

Once their set has finished at the seemingly early time of 10pm, only the Irie Vibes Soundsystem is of any merit. The sampling of such great artists as Panda Dub a highlight to more disappointing sets over on the other stages, though unfortunately the lack of basic amenities and food stuffs prompts early removal from the festival for many. For a festival in its second year and only just moved to a big site, it's somewhat understandable. However, if YO1 wants to pull in such a crowd next year, more foresight and preparation is essential to allow everyone to enjoy the event to its fullest..

Make Believe Festival … Anything can happen!

London, a place where some of the best and most widely known festivals are held drawing in millions but deep within the heart of Islington, an alternative festival is stirring and let me tell you, quirky and unique are just the start!

It began on Friday 3rd May as I approach the doors with club like bouncers, I cannot help but wonder what is going to be behind the doors and without a doubt, it was indeed different to any festival that I have encountered before.

Located in Islington Metal works, North London, the festival ran for 3 short days only and I can honestly say that without a doubt, it was a truly remarkable experience.

Walking through the doors, I instantly felt that I had time warped , surrounded by people in Victorian gear, it felt somewhat surreal yet comfortable at the same time to completely distance myself from modern day life.

The main room (although slightly small) was cramped full of people 100% engrossed and enjoying the atmosphere. A good job was done with the space they had, with ruby red curtains reminiscent of Aladdin’s cave and seating areas to chill out to the music.

Not only was Make Believe a 3 day excuse for childhood dress up, it also showcased some amazing bands with a banging head for music. With the main headliners including The men that will not be blamed for nothing, Sunday driver, Beatrix Players and The hall of mirrors to name but a few . The music although not what I would instantly listen to, surprised me by plenty of unique instrument playing and high note hitting. I found myself humming along and having them going around repeatedly in my mind for the rest of the night.

As well as live music, the festival also offered theatrical performances in the style of theatre, circus, art and puppetry so there was something for everyone to get stuck into.

The best part of the whole experience was the atmosphere of the room. As soon as you stepped over the threshold, it was like escaping 2013 and entering a new magical world where everything is possible and the possibilities are endless.

That simply sums up their title: Make Believe… Over those 3 days, you can be anyone!

Bingley Music Live add The Human League and more!

The Human LeagueSummer CampThe Struts and The Electric Swing Circus are the latest acts to join the line-up for this year’s Bingley Music Live.

They will appear at Myrtle Park between August 30th-September 1st alongside Primal ScreamThe Cribs, The Wonder Stuff, The FratellisLucy SpragganCharlie BrownThe Lake PoetsThe Temperance MovementLoveable Rogues, Natasha HawsRose and the Howling North, and Holy Moly and the Crackers. With such an eclectic mix of artists already confirmed, this year’s festival once again offers something for everyone AND all at the purse-pleasing price of £45 (+ booking fee) for a three day ticket.

We’re thrilled to welcome synthpop royalty The Human League to Bingley Music Live.  With an exceptional back catalogue that spans nine studio albums, four EPs, thirty singles and several compilations, they remain as credible and relevant as they were in 1981, when landmark album Dare was released. A shining light on the electronic New Wave scene, the group has not only achieved huge commercial success but also been responsible for influencing everyone from Madonna, Lady Gaga, Little Boots through to the acclaimed dubstep act Darkstar.   Sing your heart out to Don’t You Want Me, Love ActionFascinationThe LebanonHuman and Tell Me When… the list of hits just goes on and on!

Human League

Bringing their beautiful bubble-gum kitsch to this year’s festival is the aptly named boy-girl duo Summer Camp. Their lo-fi, nostalgia-driven, electro grooves cherry-pick samples and cultural references from the 60s – 80s and crafts them into gloriously upbeat, sing-along tunes with an underlying darker narrative. Released in 2011, their debut album Welcome to Condale received many positive reviews with NME awarding it 8/10 and claiming ‘they're back to (re)make hand-holdy couple-pop their own.’

If you’re looking for a healthy dose of rock and roll in both style and substance come and see The Struts. The four-piece from Derby will parade their vintage-clad swagger on stage with a collection of self-penned songs and an ingenious array of covers. Expect the unexpected! The band make pop-belters such as Cheryl Cole’s Under The Sun truly their own.  Sensational live; the lead singer, Luke’s vocal talent is quite unique… so check them out this summer.

Another up and coming band appearing at Bingley Music Live is The Electric Swing Circus. With their debut album scheduled for release later this year, the 6 piece band from Birmingham have been stunning audiences with their unique blend of cool 20's swing, stomping electro beats and soaring harmonies. Fusing everything from breakbeat and house to jungle and dubstep in a dazzling live show these guys are definitely one to watch.

Big Heart, Big Sounds

Weekend tickets have been frozen at last year’s prices making Bingley Music Live incredible value for money.  A three day ticket costs just £45 (+ booking fee), we also have a limited number of children’s tickets at £30 (+ booking fee) for 3-12 year olds (under 3s are free). Tickets are available online at www.bingleymusiclive.com/tickets or call the ticket hotline 0871 220 0260.

Jersey Live Festival add Example as Sunday headliner

Following the announcement that legendary dance producer Fatboy Slim will headline the Main Stage on the Saturday (31st August) of the festival, we are delighted to now reveal Jersey’s Live’s Sunday night (1st September) Main Stage headliner as chart-topping rapper Example.

Example, real name Elliott Gleave, makes his Jersey Live debut as a certified star; with two chart-topping singles and a chart-topping album (2011’s Playing in the Shadows) under his belt, Example has truly made the step into A-list territory, and with a reputation for a live show that transforms any arena or festival into the ultimate party, he’s a headliner befitting of Jersey Live’s 10th anniversary event.

ExampleWith the Main Stage headliners in place, we’re pleased to announce the latest wave of confirmed artists for the Hospitality, Folklore and Dance Stages. First up is hotly tipped twenty year-old singer-songwriter Lewis Watson, recently signed to Warner Brothers Records, who will perform on the Folklore Stage and JT Live Lounge Stage over the weekend; legendary performance poet John Cooper Clarke performs on the Folklore and Hospitality Stages; The Specials frontman/singer Neville Staple performs on the Folklore Stage with the Neville Staple Band, and will also perform an acoustic set on the Hospitality Stage; last but by no means least, counterculture icon Howard Marks will be reading his favourite children’s stories on the Folklore Stage on the Saturday 31stAugust and will deliver a ‘grownup’ spoken word set on the Hospitality Stage on Sunday 1st September; finally, the latest addition to the Dance Stage Saturday lineup is beatboxer extraordinaire and residing World Loopstation Champion Shlomo.
 
Plenty more artists will be announced to perform across Jersey’s Live’s six stages in the coming weeks! For more information, please visit www.jerseylive.org.uk

FULL LINE UP TO DATE: 
FATBOY SLIM / EXAMPLE 
THE CRIBS / PETE TONG / NETSKY & MC DYNAMITE
TOM ODELL / ZEDS DEAD / JOHN COOPER CLARKE 
HOWARD MARKS / SHLOMO / DOCTOR P / DUSKY / HOT SINCE 82
WAZE & ODYSSEY / RUSS CHIMES / THE NEVILLE STAPLE BAND
CRAIG CHARLES / LEWIS WATSON / COUNT SIZZLE / FUZZBOX INC / KANKA / WARREN LE SUEUR / WARREN HOLT
MANY MORE TBA

Nina Kraviz & Simian Mobile Disco lead dance lineup at Standon Calling

Standon Calling today adds a plethora of dance music gems to their line up, crowned by Audio Doughnuts stage headliners Nina Kraviz and Simian Mobile Disco. For night owls, electronic and DJ talent will also feature Gilles Peterson, DJ Format and Greg Wilson. The dance floors are calling at Standon Calling for the weekend 2nd – 4th August with tunes spinning right up until 5am.
 
Nina Kraviz has had the attention of tech and deep-house aficionados for the best part of a decade. The young Russian star’s profile is ever increasing since the release of her debut album, awarded 4/5 by top dance music community, Resident Advisor. Kraviz makes for a bold headliner for the Audio Doughnuts stage at Standon Calling. Similarly, Simian Mobile Disco, another heavyweight of the electronic world now tops the bill at the Hertfordshire festival. The duo’s original material is a staple of both dance and indie club playlists, SMD have also infiltrated the pop world with tracks featuring the likes of Gossip’s Beth Ditto.
 
Nina Kraviz
 
From London to Chicago via Leeds, taking in live Afro dub, soul electrica, African-inspired electronica and bass sounds, the Audio Doughnuts stage brings a global sounds to this year’s Standon Calling. Their vibrant offering inside The Big Top also includes Benin City (live), Roy Davis Jnr + special guest TBA, Tuesday Born (live), Two Inch Punch, Mêle, SOPHIE, Debian Black, Shox and Pusherman.
 
Atop Count Sizzle’s Whoop Whoop circus stage, house in the much-loved Cowshed, will be Gilles Peterson. Club DJ, A&R and radio show host, Peterson’s career was born from the pirate radio movement of South London in the 1980s. His global tastes, love of Cuban sounds and passion for new music make Peterson a prime attraction behind the decks. Also signed up to Count Sizzle’s party are DJ Format, hip-hop DJ, producer and Jurassic 5 collaborator, plus Greg Wilson, champion of electro-funk and former Hacienda resident. Also taking to the stage and the decks will be Ross Allen, Natty Bo (Ska Cubano), Count Sizzle himself, Count Skylarkin, Leo Beckford and Cleen Boys.
 

Paul Van Dyk brings his Politics of Dancing Project to SW4

Paul Van Dyk’s list of accolades reads like a bar bill from a night out with Charlie Sheen. It is without question an endless catalogue, with  highlights including being voted #1 in DJ Mag’s ‘Top 100’ poll twice, a feat that only a small handful of acts have achieved, including our Saturday night headliner Armin van Buuren. Growing up in East Berlin, Paul was obsessed with the music coming from the West, which strayed away from the techno that the region is famed for. With no record shops where he grew up and of course no internet, he would get his fix by listening to radio show’s which endorsed the sound he loved. When the Berlin Wall fell in 1989, an abundance of empty buildings and warehouses kick-started a raucous party scene and gave him the platform to perform to thousands of people every week. PvD is a pioneer not just of trance but of electronic music as a whole and consistently sells out tours across each and every continent. With over four million records sold in his career to date, there is little that he hasn’t accomplished. In 2012 Paul hosted his ‘Evolution Arena’ at SW4 and this year he turns the spotlight to his new project ‘The Politics of Dancing’. We couldn’t be more thrilled to welcome him back.

Paul Van Dyk

With a career spanning three decades and showing no signs of slowing down, Paul Oakenfold is the elite statesman of British electronic music. From residencies in Las Vegas to jaw dropping spectacles on each and every continent, Oakie’s colossal fanbase travel the world to catch one of his sets. Luckily for you, we have him back at South West Four for the first time since his emotional homecoming in 2010. Never afraid of pushing boundaries, Paul has enjoyed countless standout moments during his incredible career including help shape the infamous ‘Madchester’ scene of the late 80s, produce an album for U2 and pioneer the explosion of dance music in America. At one point Paul even lived in Clapham, making his return to South West Four more significant than ever.

After bursting onto the scene in 2003 with their dance floor anthem ‘Eye of Horus’, trance obsessed Aly & Fila have become the most successful group to emerge from the mystical land of Egypt. With productions as hot as the Sahara and playing show’s across the globe to crowds as big as the Pyramids, the duo have gained support from the biggest names in the scene. Their own brand ‘The Future Sound of Egypt’ operates on a variety of platforms, including a radio show which has recently reached its 300th episode. In celebration of this landmark broadcast, the duo have embarked on a major world tour. The other platform comes in the shape of a record label which is a sub-division of Armin’s seminal ‘Armada Music’. The pair have achieved a sensational sweep of dance floor domination in recent years, so make sure you catch their uplifting ideals as they once again inspire the crowds on Clapham Common.

Aly & Fila

Grammy award nominated DJ and producer Andy Moor certainly has his fingers in a lot of pies. He is one half of melodic house duo Leama & Moor, a third of influential progressive house act Tilt, but it’s his own productions through his birth name that he is most renowned for. His ‘Moor Music’ podcast is extremely popular and is continually downloaded on every continent, loaded with exclusive tracks from his own ‘AVA’ imprint. For our 10th Anniversary, Andy will be performing a special B2B set with Lange, something that was recently showcased to critical acclaim at The Gallery at Ministry of Sound. This tag team will take the crowd to dizzying new heights as they fuse styles, trade dance floor anthems and generally work the audience into a state of chaos. Quite simply this is not to be missed.

For the past 15 years Lange has remained at the very forefront of the trance realm and throughout his career has continued to push the boundaries of the genre. He is the producer behind no less than an astonishing twenty Top 40 hits, including classics such as top 10 triumph ‘Drifting Away’ and SuReal’s ‘You Take My Breath Away’. In 2008 he launched his ‘Intercity’ radio show, with this quickly becoming a staple for trance fans worldwide. A year later it evolved into a podcast and regularly sits in the iTunes top music podcasts, with the 100th episode marked by a 24hr broadcast which trended on Twitter for an incredible thirteen hours. He has carefully honed his style into a cutting edge blend of hard hitting electro, tumbling bass lines and beautifully crafted melodies, resulting in some of the most memorable records of recent years. This year his very special B2B set with Andy Moor certainly looks like it will be one for the history books.

After a chance meeting in 2007, Ward van der Harst and Willem van Hanegem aka W&W could have no idea that six years later they would be one of the leading lights in trance. Famously tipped by Armin van Buuren as “The best up-and-coming production duo out there” W&W were since signed to his label and now even run a sub-division label called ‘Mainstage Music’, whilst their namesake radio show is syndicated to every corner of the globe each week. Since taking the world by storm with their debut offering ‘Mustang’, the duo have never looked back. Their latest work is a rousing interpretation of Armin van Buuren’s new single ‘This Is What It Feels Like’. Sharing a stage with Paul Van Dyk, trance fans can rest easy knowing that they are well and truly catered for!

In their own words, Super8 & Tab are leading the charge of the Scandinavian trance revolution. Since their inception in 2005, the Finnish duo have firmly pushed themselves to the very forefront of the pack, with the pinnacle of their career being the 2010 debut album ‘Empire’. An album so good, it led to Mixmag saying: “It’s a rare and wonderful thing to be blown away by an album on first listen. And that’s exactly what Super8 & Tab’s debut artist album does”. Their innovative approach and intricate production values blend deep brooding vocal anthems with futuristic trance and has gained them rave reviews reaching from their native land to the other side of the world. Here at SW4 HQ we are delighted to welcome back Super8 & Tab back to Clapham Common once again, as we look forward to some of their epic Scandinavian stylings.

Orjan Nilsen is a Norwegian DJ and producer who grew up well north of the polar circle, far away from most things. His cultured productions however would suggest he grew up somewhere with a far more accessible music scene. The talented young Scandinavian shot to the worlds attention in 2011 when he stormed into the DJ Mag top 100 chart at #49 and a IDMA nomination for ‘Best Breakthrough DJ’ soon followed. Since then has gone on to gain support from SW4 favourites Gareth Emery and Armin van Buuren, with the aptly named ‘Belter’ a collaboration with the latter. Known for his flawless ability to bring life to any dance floor, we welcome him to South West Four for the first time in 2013, as he plays to the biggest dance floor of them all.

Simon Patterson is one of the most in demand DJs and producer’s of the last decade. Famed for his incredible run of a whopping eleven consecutive #1’s on Beatport, his creative offerings have become some of the most sought after productions of recent years. As a DJ he has performed at the biggest festivals on the planet and plays an intelligent blend of deep tech-trance and roof raising electro, drawing from influences far and wide. His weekly radio show ‘Open Up’ allows him to showcase the latest psychedelic, trance and techno records. This year he will be making his South West Four debut. Cue dance floor pandemonium and mass hysteria.

Londoner Lee Osborne has had an astonishing rise to stardom over the past few years. Since bursting onto the scene in 2010 he has released over twenty diverse and innovative productions on every significant label that matters. This includes Armin van Burren’s ‘Armada’, Gareth Emery’s ‘Garuda’ and Lange’s ‘Lange Recordings’. Gaining support from Radio1 and acts like Tiesto and Deadmau5 has helped his cause greatly, resulting in him becoming resident at The Gallery at Ministry of Sound. Here at South West Four we are excited to hand a debut to one the brightest new stars in trance.

Liverpool Sound City 2013 Review

Liverpool Sound City is a determinedly different festival. The line-up reads like a roll call of this summer’s biggest acts, and though it runs awkwardly from Thursday to Saturday (it’s an industry conference, much like South by Southwest), there’s enough programmed outside of the working week to make decisions hard.

I’m sidled up by a buzzing espresso machine in Bold Street Coffee, as one half of the Collectors Club give their third performance of the day. On a Friday night in Liverpool, I’m aware this is a pocket of relative calm. “You say you don’t but you want to go out tonight.” Billed as indie-pop, it’s an acoustic set: two guitars, two mics, two men. Or boys, the median age of the room 21 at best.

Lead singer Joe Smithson says he’s pretending to be Justin Timberlake, by way of acknowledging a vague similarity between single ‘Wanna Be You’ and the pop royalty’s ‘What Goes Around… Comes Around’. A sense of humour seems to characterise the Middlesbrough band. “Don’t you want me, want me like I want you?” Understated songs about tears and longing suite the space, and music spills through an open door into the busy street. Outside, it’s as alluring as the smell of just-made coffee (or of garlic mayonnaise from various takeaway spots lining the road).

The café sings along to a pleasing cover of Fleetwood Mac’s ‘Everywhere’, and afterwards people clap, something I’ve noticed increasingly absent in live settings. We’ll cheer, yes, but people tend not to want to put down their drinks to applaud. The room erupts with good-time classic ‘Under Pressure’ at the end of the set. It’s a smooth transition with the kind of high production values that typify this festival.

Next up on Bold Street is Dan Croll, whose latest release ‘Compliment Your Soul’ aims to do just that. I hear Phoenix, but unlike Paul Simon, Burt Bacharach, and the Dirty Projectors, the French outfit are not among his known influences. The band play a few bars of ‘Wonderwall’ (Oasis, no other), as Croll quips “We’ve all had a bit to drink.”

Buttoned-up and bespectacled, the sometime Liverpudlian sings folkily from the heart – “Oh mother, it’s all thanks to you… I’m gonna miss you.” ‘Home’ gets me too. It’s plucking at heart strings, but Croll offsets any melancholy by instructing guests to take their shoes off at the door, “‘cause it’s impolite not to, you’ll be damaging my floor, ‘cause it’s my home.” This track smacks of Australian singer-songwriter Josh Pyke, but that’s mostly my homesickness talking.

Croll’s is a talent that makes you want to pick up an instrument and learn, goddammit! Fans shout for ‘Marion’ and he obliges. He’s interested to hear what other acts the audience has seen so far, and even gives the café’s breakfast menu his endorsement. It’s a mighty wholesome musician that references porridge mid-set. There’s a smile as he thanks the band – “Nobody introduces me, but that’s okay.”

A few streets over and pushing midnight, French natives Concrete Knives are working the Kazimier Gardens stage. Six-strong, they sound their full number with thick bass, edgy synth and ample reggae throwbacks. A cover of Ini Kamoze’s ‘Here Comes the Hotstepper’ rounds out their cool credentials, as do school yard echoes in tracks like ‘Brand New Start’ and ‘Greyhound Racing’.

Around the block, headliners Everything Everything can be heard long before they are seen. I spot the queue first of course, the warehouse that is Liverpool Academy of Arts already at capacity. Theirs is a complex sound borrowing from many genres, which goes someway to explaining a wide appeal. Dressed in trademark boiler suits, there’s something unignorably Coldplay about the group. It’s likely a comparison they hate, but it’s only praise.

Rapid-fire delivery from fontman Jonathan Higgs is also something of a signature, his voice not classically appealing but captivating all the same. “Yeah, so, um, wait a second!” The urgent pace of breakthrough single ‘Cough Cough’ is in sharp contrast with lilting piano on ‘The Peaks’, but each is entertaining.

My night ends with Temples fronting a packed-out second storey Leaf. It’s enjoyable enough, and a fan in the crowd tells me emphatically that their neo-psychedelic rock is melodramatic. “Melodramatic,” he yells over the reverb, “can you spell it?” Yes, I can, though I suspect he means theatrical. It’s hard to see the bands’ faces for hair.

As with any festival, the interest is as much in journeying between stages, friendships forged waiting for a toilet cubicle or at the bar, and the random exchange of hats, sunglasses and other sundry attire. The beauty of an in-city event might be that you can go somewhere else entirely during those inevitable programme gaps.

Saturday brings bright skies and an excuse for a courtyard barbeque at Heebie Jeebies pub. Aussie act Deep Sea Arcade look and sound rock and roll, right down to bassist Nick Weaver’s finger gloves. ‘Girls’ is an easy favourite, and the all-male act display a knack for taking things to double-time, then back again with ease. The set ends quickly, a teaser for debut album ‘Outlands’ (although ‘If The Devil Won’t Take You’ sounds distinctly better live).

Finnish elctro-folk lady Sansa follows, and I’m amazed by what she can do with her voice (and feet). Lyrics trade primarily in matters of the heart, most overtly in the track ‘Boys’ – it goes “boys, boys, boys, boys, boys.” Her real talent is in recording live guitar and vocal samples, singing with two mics at times, and mixing these on-stage. Her jazzy scatting is equally impressive.

Night brings the frantic garage of local boys Broken English, who look as slick as they sound. The audience knows every word, too. I so often worry for drummers – do they get the recognition they deserve? This drummer looks disarmingly young, but he’s skilled and owns the role. The Kazimier plays host to London-based Mind Enterprises, appearing here as a duo. These guys could play a much later set, their chest-thumping, bassy electronic chords reminiscent of an abstract, more melodic Totally Enormous Extinct Dinosaurs.

Mind Enterprises

Popular indie act French Films are on form in requisite leather and denim jackets, so it’s a shock when singer Johannes Leppänen confesses he feels sick. “I actually threw-up on the way here.” How very rock and roll. Along with the festival’s second Justin Timberlake reference, Thomas J. Speight offers one of Sound City’s most memorable moments when he takes his set off-stage and into the audience for lovesong ‘Joni’. He offers to play a “quiet or a fast one” to close his spot, and two lads at the front shout “Both!” in perfect unison.

Toward the end of Liverpool Sound City Delphic’s set is fittingly showy, three minute singles drawn-out to six and seven minute long tracks. I stay long enough to hear ‘Red Lights’ and ‘This Momentary’, where jack-knifing beats build to the refrain “Let’s do something real.” Mount Kimbie are playing across the street, lauded as one of the festival’s best. It’s the first time I’ve heard them, and their eclectic electronica demands a second sitting (and a third, and fourth – you get the gist).

Transforming familiar urban spaces with those things about festivals we love best, Liverpool Sound City is an emphatic win. Leave your cares at home, and enjoy.

Check out the photos here

Live at Leeds 2013 Review

Live at Leeds, now in it’s 7th year is a city center festival featuring over 100 bands local and international.  A wristband entitles you (subject to capacity) to visit any of the featured venues, including The O2 Academy, Leeds University, The Cockpit, Milos and The Nation of Shopkeepers.  Due to the distance between some of the venues and wanting to cram in seeing as many bands as possible, we predominately stayed in the Leeds Met/Uni area, so had to give a visit to our favourite Brudenell a miss which would have meant a long walk or taxi ride.

There were early teething problems with a long queue snaking round the musuem for the wristband exchange but due to the beautiful weather, people were in high spirits and did not seem to mind the wait in the sunshine too much.  The Cockpit had long queues from opening so we also gave it a miss.

The first venue I visited is Nation Of Shopkeepers. It’s already 1 in 1 out at the small pub venue when I arrive, and The 4 piece Night Engine are thrilling the packed crowd with their set of intelligent energetic pop. Reminiscent of Pulp and Richard Hawley with a nice take on 80s synth pop thrown in mid set. They’re definitely one I would catch again.

I spent most of the day The University where there are 3 stages, the largest of which is The Refectory which holds 2000, and also houses the smaller 500 capacity Stylus and even smaller The Mine in the basement which featured heavier rock and punky bands during the day.

Katie the photographer headed over to a rammed 02 Academy to catch The Pigeon Detectives usual sing-along raucus set in a surprisingly early afternoon slot.  Disappointingly the pit was so narrow and so many photographers present, they were only allowed one song was allowed to photograph the band, which for a band who’s songs are in the 2-3 minute region was sadly too short.  Not really her cup of tea musically, their set was fun to watch though from the calm of balcony though.

When I arrive at the University  Department M are just about to take the stage in The Stylus. Their name makes them sound like an 80s synth duo, which indeed they are, but with the addition of a very tribal sounding drummer. The male singer looks like a Doctor Who era David Tennant in a lab coat, but bizarrely sounds like Alison Moyet! Halfway through they ramp the speed up and drop some sequences into the mix, it becomes quite danceable.

In the Refectory hipster Charlie Boyer & The Voyeurs have certainly upped their game, and all the songs are much more catchy than when I last saw them. I can see why they’ve been snapped up by a major label.  I can also see their skuzzy guitar pop being a big festival hit in the summer.

Katie  made the short walk to Leeds Met to catch Leeds based Middleman who played an absolutely blinding set, and was her hi-light her the day.  Their mix of intelligent hip hop lyrics, rock and Prodigy style beats had the crowd dancing away and trying to catch one of the many CDs thrown into the crowd.  Singer Andy topped their energetic set off by launching himself into the crowd superman style (and then proceeded to lose his phone)

Post War Glamour Girls are named after a John Cooper-Clarke poem which gets them off to a good start. They’re dark, doomy and catchy and have me tapping along from the start. When the dual male and female vocals come in together its heavenly. “Service Station Blues” is a dark indie blues song and

Back in The Mine Castrovalva is wishing someone “happy birthday you motherfucker”. There’s lots of pelvic thrusting from the larger than life rapper over a hard metal rhythm.  There’s also synth samples in there too. Bonkers is the only word for it!

Once again I head over to The Stylus to catch Deep Sea Arcade, who start off as shambling indie but by the third number have progressed into the most wonderful shoegaze pop noise.  There’s even a bit of happy Monday’s vibe going on, they’re totally glorious by the end, another one I’ll catch again

Over in The Refectory, Australians Splashh make a huge pop sonic wall of sound that deserves more of an audience than turn up for their early evening spot. They have dual vocals over groovy fuzzy pop. Pretty good.

Katie tthen made the fairly long walk across the city centre to Milos to witness a magnificently shambolic punk set from Kleine Schweine, whose sub two minute songs all appear to be about Eastern European former communist countries and dictators.  It was a bit cramped in Milos to say the least, with the band literally in the crowd’s faces and a brief mid set break to down some shots!

Savages are soundchecking in The Stylus, and it’s loud. As they come on the temperature rises as their disturbing intro tape plays. the dry ice rises and the band kick in to their first number, but the volume has already dropped, but we have our first moshpit of the day to the throbbing bass and hypnotic drums. Unfortunately there’s something wrong with the lead vocal mic, after 2 songs, the band jam quietly in the background while its fixed, later in the set the band launch into a jam of “Don’t Let The Fuckers Get You Down”, which consists of the title of the song repeated over and over for 5 minutes, its brilliantly incendiary and mesmerizing under the monochrome lighting. They’re the best band of the day for me.

Dutch Uncles wow the crowd in The Stylus with their spiky pop music, they’re massive over the Pennines and it can’t be too long until the rest of the country wakes up to them. One fan has even got his own Dutch Uncles flag, on a Dutch flag, obviously. They are the only band I’ve ever seen with a lead xylophone part in their songs. They end a stunning set with an unbelievably good cover of Grace Jones’s “Slave To The Rhythm” which the crowd lap up.

Katie saw veterans of the Leeds music scene, Hawk Eyes at last year’s Beacons Festival and liked them so much live she caught them again at Leeds University Mine.  Not quite as energetic as their set at Beacons, which may have something to do with singer Paul having his leg strapped up, they nevertheless put on a great 30 minute set of riff laden hardcore rock/ punk.

The Walkmen in the Stylus play a geat set to a packed crowd who love it. The band have been celebrating the last date of their tour today by playing darts in The Fenton. The singer is quite drunk, which may explain why he sang half a song from the moshpit which he appeared to fall into, but drunk or not, what a voice!

Live at leeds 2013 was great festival, exhausting and very heavy on the legs after 12 hours on the feet walking from venue to venue. It had a brilliant vibe, everybody we chatted to was so friendly from the teenagers to the 50+’s, and every genre of music covered. I can’t believe two natives of Manchester have never made the short trip over the pennines to the festival before, and will definitely be returning in future years.

Check out the photos here

Earth Wind and Fire join T in the Park 20th anniversary lineup

Kinross will become a Boogie Wonderland this July when the legendary Earth, Wind & Fire take to the T in the Park stage. Festival organisers DF Concerts and founding partner Tennent’s Lager are pleased to announce that the group – one of the most influential and innovative of the 20th century – will be bringing a dose of soul and funk to T in the Park’s 20th year festivities over 12th – 14th July.
During the latter half of the Seventies, Earth, Wind & Fire released a series of albums that changed the face of pop music with their genre-defying fusion of modern jazz, soul, gospel, funk, disco, rock and African music. Their remarkable career, which spans over four decades, has seen them sell over 90 million records worldwide, win 6 Grammy Awards and garner an induction into the Rock and Roll Hall of Fame.
 
Founded by Memphis-born Maurice White, their breakthrough came with the no. 1 album That’s the Way of the World (1975) and they went on to dominate the charts that decade with an unbroken run of multiplatinum-selling albums including Gratitude, Spirit, All ‘n’ All, The Best of Earth, Wind & Fire, Vol. 1 and I Am. Although Maurice White retired from the road in 1996, he remains the band’s heart and soul from behind the scenes as composer and producer. Famed for their grandiose live performances, and much loved by critics and fans alike for classics such as Let’s Groove, Boogie Wonderland, September, Fantasy and Shining Star, their irresistible, feel good anthems are sure to be a massive hit at T in the Park’s 20th year celebrations.
 
Earth, Wind & Fire join T in the Park’s hugely diverse 20th year bill, which features headliners Mumford & Sons, Rihanna and The Killers, plus Chase and Status, Calvin Harris, Snoop Dogg, Kraftwerk, Emeli Sandé, Dizzee Rascal, alt-J, Frank Ocean, Foals, Yeah Yeah Yeahs, Paloma Faith, Rita Ora, Jake Bugg, Of Monsters and Men, Hurts, Ke$ha, Johnny Marr and many more on the 20th year bill.

Beat Herder Festival completes its lineup for 2013

The Beat-Herder Festival is delighted to announce its final acts for 2013, including Saturday night headliners and Portuguese party starters Buraka Som Sistema with their inimitable brand of African kuduro infused beats, and Chic featuring Nile Rodgers, who are newly confirmed alongside previously announced headliners Groove Armada and Jimmy Cliff. Undisputed godfathers of disco, Chic have been making waves this year thanks to Nile Rogers’ involvement in one of the most anticipated releases of the year, Daft Punk’s Random Access Memories. True pioneers of the disco sound, and one of the most influential bands to emerge from and continually endure the last four decades, they are certain to deliver an incendiary live set packed full of classics such as Le Freak, Good Times, Everybody Dance and I Want Your Love.

Nile Rodgers

Joining them will be Moda collective head honcho Tom Starr, French five-piece and Bella Union/Cooperative signings Concrete Knives, whose charming and exuberant indie-pop tunes are perfect for the summer, local York electro-sixpiece Grinny Grandad, world champion beatboxer THePETEBOX, Cardiff based electro-punk band Sicknote, and Belgian DJ/producer duo Mumbai Science, whose tracks such as Ancova and Gold have been played the world over by the likes of Erol Alkan, Boys Noize, Tiga and 2 Many DJs.

What to expect for 2013:
Built entirely and lovingly by hand over 12 months, Beat-herder is quite literally a world like no other. Nestled in a beautiful valley in the heart of Lancashire, the site encompasses rolling hills, stone circles, fire pits, a network of secret underground tunnels accessed through telephone boxes, a working men’s club (complete with a troupe of Bette Lynch esque ‘ladies’), 10 feet high wicker foxes, giant lizards made from hollowed out old fighter planes and dozens of stages and soundsystems – some where you least expect them.
At the heart of the site lies a copse known as the Toil Trees, inside which all manner of surprises and curiosities await. Winding through the trees is a built-to-scale, fully functioning Victorian Street housing a sweetshop, a record shop, an Irish pub, the Hotel California saloon bar and a 50 X 30 ft solid wood parish church complete with pews and altar, whose regular services are less about prayer and repentance and more about good times, disco and debauchery.
Venture deeper into the woods, past the vintage car converted into a DJ booth where anyone is welcome to come and spin vinyl, and the trees open up into a magical woodland clearing in which an impressive tulip lipped stage sits, and where DJs play day and night.
By building everything from the sign posts to the bars from scratch, incredible care is taken and an unrivalled attention to detail is paid, creating a true alternate reality where ‘beats and barminess’ are the only order of the day, for three blissful days. And with the Beat-Herder team having been plotting and scheming throughout the winter, watch this space for more details on two new areas and many more spectacular surprises to come.

Previously announced names:

GROOVE ARMADA DJ SET / BOOKA SHADE LIVE / JIMMY CLIFF / NORMAN JAY MBE / FEED ME DJ SET / JAGUAR SKILLS / KISSY SELL OUT / STANTON WARRIORS / MISTAJAM / RONI SIZE AND DYNAMITE MC / SHACKLETON LIVE / BANCO DE GAIA LIVE + DJ SET / CLEAN BANDIT / KORMAC’S BIG BAND / MR SCRUFF / GENTLEMAN’S DUB CLUB / BONDAX / TEMPLES / TO KILL A KING / SKINNY LISTER / FEATURECAST / PUBLIC SERVICE BROADCASTING / DUB PISTOLS DJ SET

SLAMBOREE / PRINCE FATTY FT. THE HORSEMAN / SHARAM JEY / THE OTHER TRIBE / ROOSEVELT / TOY / EDU IMBERNON / JUSTIN ROBERTSON / ELITE FORCE / JON CARTER / UTAH SAINTS / RENNIE PILGREM / SUNS OF ARQA / SHEPDOG / MR BENN / DAN CROLL / JOE DRISCOLL & SEKOU KOUYATE / CUT LA ROC / ONLY JOE / BARRY ASHWORTH / BEANS ON TOAST

IDJUT BOYS / DIZRAELI & THE SMALL GODS / DUB MAFIA / FREEFALL COLLECTIVE / PAUL TAYLOR / D.A.V.E. THE DRUMMER / EDDY TEMPLE MORRIS / JOSH WAVE / DOCTOR & THE MEDICS / KRYSKO / THE SQUATTERS / RANDOM HAND / LOW DOWN & DIRTY DJS / THE INEXPLICABLES / EXTRA LOVE / CAZAL / GIDEON CONN / USHTI BABA / SOUND ASSEMBLEY / THE DARLINGTONS / FORMBY IN DA CLUB / THE SQUIRE OF GOTHOS / DANKLE

OLIVIA FERN / DOHNUT / KARL ROSCOE / BISCUITHEAD & THE BISCUIT BADGERS / WOLFIE RAZMATAZZ / TOM JARVIS / BANE / PAUL THORNTON / CHRIS HOLT / THE 59ERS / TICKER LE PUNK / UNDERGROUND ROOTS FT. DAN MAN & BONGO CHILLI / 1ST AIDE / JOHNNY CLASH / AXIS SOUNDSYSTEM / DUB SMUGGLERS / LA LA AND THE BOO YA / TOM JARVIS / STACEY COHEN / LEWIS GARLAND / NATHAN BALL / CLAYTON BLIZZARD / THE YUYA

BENTLEY RHYTHM ACE DJ SET / CAPTAIN HOTKNIVES / RUSS CUBAN / MONSTER CEILDH BAND / MOOQEE / VELVET STREAM / GEORGE EZRA / TOO MANY T'S / CLUB SMITH / EXTRA CIRRICULAR / TONI JARVIS / THE LANCASHIRE HOTPOTS ACOUSTIC CONQUISTADOR / DUTTY MOONSHINE / EDDIE EARTHQUAKE & THE TREMORS / THE RESONATORS

WOLFIE ELECTROSWING / RUM JIG / ED STONES & THE BD3 / FOXES FAUX / CORPORATE TRAMPS / JAMES KELLY / AGE OF GLASS / ANDY CAPS FUNKY DISCO / FIRE BENEATH THE SEA / PEPPER JAM / EMMOTT & THE FOLKESTRA BUNTY  / SILVER TORTOISE / HANG PROJECT / KALIKA / THE WONDERFUL SOUND OF THE CINEMA ORGAN / RIDERS IN THE SKA / STEE BOWDEN / KING SUMMAT / WAKA / RED TIN DAVE / GLYN BAILEY / TOOLEY / LOUISE & THE RIGHTEOUS BEES / STAGGER LEE FISHER / JONNIE COMMON / ADAM & PIWI / AGE OF GLASS / WISEGOLDFISH / WOLFSON & WINTERS / JAMIE BREWER / PHIL SMITH / BLOWJANGLES / EARTH DOCTOR / ALL WE ARE / DANIELLE & COWBELL / PURPLE TURTLE / RUBBER KAZOO

 THE BAR STEWARD/ GRITTY BRITAIN / SONS OF VAL DOONICAN / WOODEN MACHINE / LOVE EM TOUCH EM SQUEEZE EM / SKINNY DJ / THE YORKSHIRE PUDDINGS / NANA MOON / BREAKBEATROOT / MISS MCQ