As music venues go, the royal Hampton Court Palace, situated snug in the borough of Richmond, Greater London is arguably as impressive as it gets. Celebrating its 25th anniversary, the Hampton Court Palace Festival, which takes place annually every June, once again confirmed world-class acts including Bryan Ferry, James Morrison, Jools Holland, Rick Astley, Björn Again and The Royal Philharmonic Concert Orchestra for their outdoor summer concerts.
It was a grey and slightly rainy summer’s day and I was off to see singer-songwriter and 2007 Brit Award winner James Morrison on Thursday 8th June take centre stage in Henry VIII’s historic open air Base Court, one of the stunning Tudor Courtyards of the palace. As an avid listener of his chart-topping album ‘Songs for You, Truths for Me’ back in 2008, a nostalgic trip down memory lane was very much appealing, and I was also keen to lend my ear to some later tracks I wasn’t as familiar with.
With ample time before the 9 pm start, there was plenty of time to enjoy a glass of red and admire the East Front Gardens. And my, what a picture they were. Perfectly preened lawns and distinctively shaped trees shaped the area, and despite the lacklustre weather plenty of people had made an impressive effort with their picnics spread out on the grass. For those that were less organised (myself included!), there were plenty of delicious food stalls selling a variety of different dishes. It really was an absolutely stunning setting to unwind in before a show and I felt relaxed and content sipping my wine in such beautiful surroundings.
It was soon time for James to take to the stage, and we made our way through the palace to Base Court, completely in awe at our surroundings. Bursting onto the stage, an introduction with the 2009 single ‘Nothing ever hurt like you’, elevated the crowds, some even rising to dance already. After a bit of light-hearted chit-chat to the 3,000 strong audience, up next it was the slower, mid-tempo ballad ‘I won’t let you go’ from 2011 album ‘The Awakening’, the slower rhythm inviting arm swaying from the audience.
‘Stay like this’ from the more recent 2015 album ‘Higher than here’ brought on swooning and wolf whistles, after which James’s sweetly explained it was written with his girlfriend in mind, followed by smooth and velvety vocals of ‘Something right’ from the same album.
Crowd-pleasing 2006 hit single ‘Wonderful world’ had the audience up on their feet, many singing along and turning to the catchy chorus. Interestingly (and as James hilariously pointed out – quite ironically) we learnt that the song was actually penned for a deaf man – though this wasn’t expanded on. Taking advantage of everyone up on their feet, hip-swayer ‘Slave to the music’ was next on the playlist, with everyone jigging along.
My personal favourite ‘Broken Strings’, an original duet with Canadian singer-songwriter Nelly Furtado seemingly had everyone feeling emotional and singing along, and paired with stunning female vocals it was my personal highlight of the show.
As the performance slowly started to draw to a close, we were treated to the likes of ‘I need you tonight’ from ‘Higher than here’, and of course it wouldn’t be a James Morrison show without the unforgettable 2006 hit single ‘You give me something’ – a classic that everyone knew the words too.
The spectacular setting, matched with a delightful performance from James Morrison made the evening a truly memorable experience and a wonderful way to spend a summer evening, even despite the rain! The Hampton Court Palace Festival showcases outstanding acts year after year, so I eagerly look forward to checking out next year’s line-up.
The Isle of Wight opened its gates to the crowds on Thursday afternoon, the skies had opened up and people were arriving for the pre-festival evening on The Big Top stage, ‘The sex pissed dolls', 'The Alarm', 'Starsailor' and the headliners 'Razorlight', were waiting to perform. The rain surrounded the crowd but nothing but good music and a pint or two couldn't cure.
When arriving at the festival, security was on high alert, this didn’t alarm people attending the Isle of Wight. They just made people aware that there would be more of a wait than normal whilst checks were being made. Most punters did not mind or complain due to the current events happening around the United Kingdom, most talked and got ready to enjoy the festival waiting on the other side of the gates, some made it known they didn’t appreciate the wait, but they didn't ruin a good vibe between the crowds waiting for the four-day festival to begin.
This year I decided I wanted to rent a tent rather than build one, yes this does sound lazy but actually totally worth it. Not only was there heavy rain when I arrived but it was cold and damp, building a tent in that would have been a nightmare. (Sorry to all those who had to do this.) But I was not one of them, This year I rented a tent from the company 'Pink Moon Camping', (http://www.pinkmooncamping.co.uk) Things didn’t go as smoothly as one would have hoped, When arriving the two Tipi tent that my friend and I rented was flooded inside and not looking appealing to sleep in. We had to go and get assistance whilst waiting in the pouring rain for the manager to help us. She helped us as quickly as possible and in turn upgraded our tent to a much more sturdy four person tipi. This tent was dry and a lot bigger than we were expecting, and at no extra cost was perfect for the four nights we were attending the festival. The facilities were limited but decent enough for a quick shower or toilet break, they could have done with a few more toilets and showers for a number of people hiring the tents, as the wait could be long. but the staff themselves were helpful and polite at all times and they did keep the facilities as clean as possible.
After venturing out in the rain on a few occasions 'Razorlight' performed hits such as ‘America’, ‘Golden Touch’ and ’Before I fall to pieces’ (https://www.youtube.com/watch?v=CIj97HUUT0E&feature=youtu.be) They provided good entertainment that got the crowd riled up on what felt like a cold winters night, it was hard to believe it was the first weekend of June, with the weather conditions as they were. The forecast for the weekend at first looked peek, but after the torrential rain on Thursday the skies turned blue, clouds came out and some high winds blasted their way around. To say this wasn’t wellies season would have been a lie.
Friday 9th June 2017
After the down poor on Thursday, I was surprised to see the tent was still standing, but the blue skies were peeking through. Today looked like a good day, thousands upon thousands of people were arriving to celebrate the best of the music industry within the United Kingdom.
The big top stage supported acts such as 'Paradisa', 'Lucy Spraggan', 'Ward Thomas', 'The Pretenders' and 'Alison Moyet'. 'Alison Moyet' performed a 55-minute electronic set, bringing all her hits to the stage, she performed songs such as ‘all cried out’, ‘Only you’ and ‘don’t go’. She gave a sensual and elegant performance on The Big Top Stage.
On the other side of the festival on the Main stage people were gathering for the likes of 'David Guetta', 'Run DMC', 'Kaiser Chiefs', 'Rag ’n’ Bone Man', 'Nothing But Thieves' and the 'Sex Pissed dolls'.
'Sex Pissed Dolls' opened the stage with famous covers such as 'Teenage kicks', 'Common people' and 'Serial Killer', they provided and energetic and engaging performance, getting the crowd ready for the line up of the evening and what a line up it was. 'Rag ’n’ Bone man' performed for 45 minutes covering his first ever Isle of Wight festival. Performing to thousands of fans, he provided songs from his debut album belting out hit after hit such as Skins, Humans, Fire and ending with the Bitter end. He opened up the road for 'Kaiser Chiefs' bringing back classics such as 'We predict a riot', 'Ruby' and 'Na Na Na'. These songs got the crowd up and dancing like it was 2007. They were engaging and on point and provided great entertainment.
The Headliners for this evening where the legendary Hip Hop kings of New York 'Run DMC' and the sensational 'DJ David Guetta'. 'Run DMC' took us back to the 80’s with hits such as 'It’s like that', 'My Adidas' and 'Runs House'. He provided stories of legendary 'DJ J' and his sons whom in turn have followed in their fathers' footsteps, we paid respect to late J and enjoyed singing along with 'Walk this way' at the end of the night. Due to technical issues throughout the first night. We had to wait a little longer for 'David Guetta', he was definitely worth waiting for, he isn’t known as one of the Best DJs around the world for no reason. He provided a light show that connected to his music and got everyone raving, to hits such as 'Play hard', 'Titanium', 'shot me down' and the outstanding beat of 'Bad'. There was no way you could sit still through this legendary set that ended a fantastic night with fireworks.
Photo courtesy of Isle of Wight Festival by Callum Baker
Saturday 10th June 2017
Day three started with a bacon bap, some sunny spells and a shower, once fresh and ready to go we checked out what was on the agenda for today. The Big Top tent provided artists such as 'The Germain Sisters', 'Bang Bang Romeo', 'Melanie C', 'Zara Larson' and 'Example and DJ Wire'.
Over on the Main Stage, 'My Baby', 'The Slow Readers Club', 'Tom Chaplin', 'Jack Savoretti', 'Texas', 'The Kooks', 'Catfish and the Bottlemen' and 'Arcade Fire' were performing throughout the day.
'Tom Chaplin' lead singer from Keane, provided songs from his debut album The Wave, he played songs such as 'Quicksand', 'hardened heart' and 'hold on to our love', he sang a classic from Keane 'Somewhere only we go' and the audience joined in, his voice and performance was sublime, no fault found he performed with such ease and confidence. A pleasure to watch.
As the day went on the sun made its appearance once and while, but the wind made the day feel like a winter's afternoon, For a day in June I was supporting four layers of clothing and a rainproof jacket. The kooks provided movement and great music before opening up the stage to the one and only 'Texas', This was their first time performing at the Isle of Wight Festival, Texas provided songs from their 25 years within the music industry such as 'I don’t want a lover', 'Black-eyed Boy', 'When we are together' and 'summer son', which in turn brought the sun out from behind the clouds. Creating a warmer environment for performers Arcade Fire Who headlined the festival on that Saturday evening.
Photo courtesy of Isle of Wight Festival by David Rutherford
In the mean time i ventured over to the tents, Exploring the 'The Electro Love 80’s Tent', Catching the Tribute band Gun’s and Roses who sounded and performed with as much energy as the originals, They were followed by the 'Mocky Horror Show', a group of actors performing classic songs from the Legendary Rocky Horror show. The show was entertaining and to the Tee. We ventured over to the Kiwi Camp for an Acousticokkee night, where individuals could sing their hearts out, The punters made the night brilliant the humour mixed with decent voices made a great end to a brilliant evening.
Sunday 11th June 2017
The last day of the festival, one more night in a tent and then a two-hour journey back to the good old South West. Today's agenda is looking strong and exciting.
The Big Top Tent is providing music from 'Judas', 'The Amazons', 'The Sherlocks', 'The Undertones', 'The Strypes' and 'Clean Bandit'.
But today for me it is all about the Main Stage, today on the agenda was no other than the legendary 'Rod Stewart', who shared the stage with 'Bastille', 'George Ezra', 'Imelda May', 'The Shires', 'The Vamps', 'Jack Maynard' and 'Scouting for Girls'.
'The Shires' brought the sound of the country to the isle of wight, bringing Nashville to the United Kingdom, Their unique sound and vibrant voices bring goosebumps to your soul. They performed songs from their latest album and their debut album, such as 'Beats to the Rhythm', 'State line', 'I just want to love you' and 'Daddy’s little girl'. When listening to them perform you can feel every word they are singing and no they mean every word they perform.
The Irish singer/ songwriter 'Imelda May' performed for the first time on the Main Stage at the Isle of Wight, she bought her unique and roar talent centre stage. bringing her own style and energy giving an honest and soul-bearing performance to the crowd, performing songs such as 'Black tears', 'Leave me lonely' and 'Human'. She generated the true essence to show the beauty in the words of the music.
This opened the ground for the young and talented 'George Ezra' his performance was giddy and fun and very innocent. Performing music that was created when figuring out what life is all about, he performed songs such as 'Barcelona', 'Blame it on me' and 'Budapest', which he closed his set with and everyone got involved and danced around. This opened the night for the Legend 'Rod Stewart'.
'Rod Stewart' Closed the festival with an hour and fifty minutes performing hits that ventured over the last 56 years within the British music industry. This was his first time that he had performed at the Isle of Wight Festival and what an honour it was. As an artist, he has had six consecutive number one album's within the UK and has sold over one hundred million records worldwide. He bought his sound and his husky voice to the Isle of Wight festival. As a performer, he sounded just as good today as he did 56 years ago. He hasn’t lost his vocals but yet adapted his performance.
He added layers to his sound and used beautiful musicians to capture the sound of his songs that he has created over the last few decades., His performance was strong and epic to watch he was outstanding and charismatic with the audience. His many clothing changes brought out his fun, loving and cheeky side whilst he performed songs such as 'Maggie May', 'I don't want to talk about it', 'Do Ya think I'm sexy' and ended the night on 'Sailing'. He was for me the highlight of the weekend and provided great entertainment. What a great way to end 2017. Now here’s to 2018 IOW festival…. Let's hope it’s as good as this one.
A miraculously dry day at Download sees droves of half-drunk, half-sunburnt red faces heading to the main arena for Friday night's headliner System of a Down. Having played at Download last in 2011, SOAD were definitely due a return to the main stage at Donington and thousands of people are already packed in to watch.
Starting strong with 'Suite-Pee' and 'Prison Song', blending seamlessly into 'Violent Pornography' (which I realise sounds rather rude…) SOAD make it known that they mean business. It's rare for a band to be respected and liked across the board, but it really seems like System aren't the great divider that other headline acts seem to be. Droves of people are coming in from the second stage where Sum 41 are just finishing up, and the standing is packed all the way to the back of the arena.
With his now white-streaked beard, Serj Tankian holds the crowd in the palm of his hand and a giant screen behind shows clips of black and white movies and news stories during the bass heavy 'Aerials'. It's bone-shakingly heavy and there is a deafening chorus of people joining in around us, Download have got the main stage sound absolutely spot on this year, it's pitch perfect from way back into the arena. Into the much loved 'Bounce' for some limb-flailingly chaotic pogoing, during which a man in an extraordinarily short tutu with "Twat" sharpied across his forehead, almost loses what's left of his dwindling dignity, followed shortly by the incredible 'Psycho' and 'Chop Suey' – absolute classics. The guy on the front row wearing a full tuxedo is going berserk and I know how he feels, this is shaping up to be one of the best headline sets Download has ever seen.
After a solid 45 minutes of play without so much as a pause, Serj yells out to the crowd "Download, how you fucking doing out there?" and that's our lot. SOAD truly came to just smash it up, not stop for a chat. For a band heavily invested in political topics and lyrics, I had sort of wished for a quip or two regarding yesterday's UK election results, maybe something about being well hung…
Closing out with the enormously enjoyable 'Toxicity' and 'Sugar' SOAD have pulled off a near perfect headline set, and despite the obviously lower numbers at the festival this year, everyone seems to have turned out to see them do it. Roll on day two!
BBC Countryfile Live is returning for its second year, bringing the best of the British countryside together with all the Countryfile presenters, to the picturesque grounds of Blenheim Palace, from 3rd – 6th August 2017.
After the success of the inaugural Countryfile Live 2016, which saw 125,000 people flock to the 100 acre site in Oxfordshire, the second helping of the summer’s most action-packed countryside day out is eagerly anticipated.
BBC Countryfile Live presenter Adam Henson and pupils from Woodstock Primary School launched this year’s BBC Countryfilee at Blenheim Palace with some new-born helpers, the ‘Countryfile Live Lambs’.
The lambs are amongst the first born at Blenheim Palace this year, and will be on show at the Passion for British Livestock area at this year’s event. Fans will be able to keep up with the ‘Countryfile Live Lambs’ via social media, @Countryfilelive, with regular access to video and photo updates, alongside online question and answer sessions with Charles the Blenheim Shepherd on the Countryfile Live Facebook page facebook.com/bbccountryfilelive.
Countryfile Live allows the whole family (including the dog!) to experience the best of the British countryside. With a host of exciting new attractions for 2017, including four days of live arena shows, hands-on activities, animal displays, debates, food, drink and shopping from over 500 independent retailers and lifestyle brands, the show brings together everything there is to cherish about the British countryside. There will be further fun for all the family with information on a huge variety of other activities available on the Countryfile Live website.
·Adam Henson’s Farm: Meet some of the friendliest and rarest animals you’ll know from the programme, and learn more about how farmers care for their livestock
·Central Ring: Watch working animals show off their skills
·Farming in Action Area: See the journey produce takes from field to fork and learn more about our fragile food chain
·National Trust Theatre: debates, talks and interviews will be led by farmers, environmentalists, commentators and outdoor enthusiasts
·The Big Barn: Pull up a hay bale and listen to stories and interviews, and watch demonstrations from your favourite TV personalities and authors, wildlife experts, environmental commentators and leaders, countryside enthusiasts, and foraging and food experts.
·The Village Green: The ultimate setting for family entertainment, complete with bandstand and traditional maypole
·The Craven Arms: Order your cool beers, cider or ginger beer. There’s plenty of room in the pub garden too – a fine spot to meet up for lunch, with a great summer food menu to choose from.
Group discounts are available for groups of 10 or more on standard price tickets (excludes VIP & family tickets). To book a group, please contact: 020 7492 1637 or [email protected]
Set in the beautiful, conservation status village of Tynemouth, The Mouth of Tyne Festival is set for its thirteenth annual edition. Headliners such as Elbow, Laura Marling and Tom Odell will perform at the Priory and Castle Arena, as well as other musical acts on the Sunday, and also other kinds of events at Playhouse Whitley Bay and the Surf Café as well as amazing, local craft beers.
There’s a heavy focus on art and music, particularly local and community art with hundreds of children from the area taught new skills in the weeks leading up to the event and they’ll be kicking things off with a parade. Later, ticketed live music concerts will be happening in the majestic grounds of the Tynemouth Priory and Castle – an English Heritage property. “Local street food pop-ups trade under festoon lighting whilst customers gather around shipping bobbins and on reclaimed driftwood seats” – this as well. At a nearby pub, looking over the sea, a jazz stage will fill the seaside air and a free programme of international street theatre will provide the entertainment. You can also take surf lessons on the sandy beach, or get stuck in with a spot of beach volleyball.
Here’s more from the organisers:
“There’s an innovative programme of dance and one-off attractions on the platforms of Grade II listed Tynemouth Station, as well as evening concerts at Playhouse Whitley Bay and Tynemouth’s Surf Café. As part of the festival, the 45 seater café played host to a BBC Introducing night, an intimate album performance from The Futureheads Barry Hyde and their fastest selling event ever – an acoustic night with Gomez’ Ben Ottewell – in 2016.”
Wildfire Camp is back for its third instalment. Set in an “an ideal summer hideout” in a Kentish heritage forest, it’s an immersing blend of adventure and music, perfect for a weekend away from the pressures and banality of modern life.
The idea is to spend the daytime tackling (or at least giving it a decent crack) any of the 80, enriching activities put on for all. There’s something for all abilities, tastes and passions, from bushcraft to adventure sports, arts, crafts and engineering, all included in the price and which can be booked in advance.
After an energising day packed full of fun and satisfaction, the setting sun brings a different side out of the camp; then comes the wildfire. The festival is transformed into a “a hedonistic utopia of live music, crazy fun and unabashed revelry.” The diverse array of music has been curated by the award-winning team behind LeeFest, especially for such a setting.
Be warned, Wildfire Camp operates a “analogue-only” policy, which means no smartphones, no tablets, no laptops, which in turn leaves idle scrolling, trashy selfies and work emails back in the real world where it belongs.
“Wildfire Camp is a challenge Only the Curious can meet.”
NEW ACTIVITIES FOR 2017:
Extreme Hill Rolling (Zorbing):
“Ever wondered what it's like to be trapped inside a ball and flung at 30 miles an hour downhill?” Not really, but let’s do it anyway because it sounds like a laugh. For those in the know, this is “old fashioned rolling on a hill.. taken to the extreme.” Hang on. Before you get straight to buying tickets, there’s more. There’s even a competitive element. It sounds wacky as. I’m not even sure I fully get it but basically you have to roll over/into different targets to accumulate points and apparently you can get “splattered.”
Bow Battles:
Billed as “paintball but with bows and arrows.” This is starting to get wackier by the second. This is an “intense and exciting combat sport” in a deathmatch-type situation. Expert instructors are on hand to load you with the tricks and skills needed to survive; ducking, dodging and even plucking whizzing arrows from the air on the way to your face.
Hemp Ice Cream Making:
“It's all about making your own ice cream from hemp,” to paraphrase just a little. All the hemp is grown in the forest. This place is like The Beach.
Wild Obstacle Course:
Wet and wild obstacle style. “Test your skill and strength or simply flail wildly through it in a fit of laughter,” depending on your personality, and get caked in shit in the process.
Hammer Horror Mud Run:
Another mud-mad bit of deathmatch shenanigans this time escaping famous monsters of Western culture, trying to grab your tags (three in total, representing your heart, lungs and brain, as many as two of which are wackily expendable). If you fail to keep hold of your tags, uh oh, better get a mask on and join the other side!
Wild Game Cooking:
“Grill wild venison on our open campfire under the guidance of our survival experts whilst listening to some seriously extreme adventurers tell their treacherous tales of travel.”
And there’s all these old chestnuts thrown in as well: High Wire Rope Course, Leap of Faith, Bee Keeping, Scavenger Hunt, Archery, Extreme Water Slide, Stand-up Paddle Boarding, Sign Language, Wood Fired Hot Tubs, Survival Skills, Rifle & Pistol shooting, Swing Dancing, Jewellery Making, Meditation and Mindfulness, Pioneering, Aerial Circus, Macramé and Nipple Tassel Making! And much much more.
For a full list of activities: www.campwildfire.co.uk/adventure
Tickets are available now at: www.campwildfire.co.uk/tickets .
Wildfire Camp is a challenge Only the Curious can meet.
The ever popular Bristol festival kicked off with its huge 20,000 people capacity. Thrown by the Team Love Gang who have built themselves up as a Bristolian Party makers, this city festival has the recipe for a fun May bank holiday with its strong line up and good lay out without all the crammed conditions many inner city festivals usually provide.
After the slow but steady wait with the sea of glitter faced, unitards- wearing hipsters first up to mention was the up and coming DJ, Fatmina Yamaha. Set on main stage, the Netherland DJ pulled in an impressive crowd of eager dancers. Although still early and the sound still rather low when ‘What’s a Girl to do’ came on it was clear the party had truly started.
Up next was Bristol based ‘Crazy P’ who never fails to get the crowd going. It is hard not love the underground disco group who have been apart of Bristol’s party scene for the past 15 years. Always one to work the crowd, front woman- Danielle Moore had the crowd dancing and smiling away.
After what seemed a long and anticipated wait as the sun got lower and the crowd filled up Mura Masa entered with his awesome track ‘Love$ick’ featuring A$ap Rocky. As the beat dropped the crowd exploded into a sea of roaring and dancing fans. From first song to last Mura Masa had the crowd glued.
Up next in Paradiso tent was electronic DJ’s ‘Bicep’. These house hero’s are known for throwing the ultimate sets and clearly from the sardined tent it was one everyone was eager to party to. Escaping the crammed atmosphere of Paradiso, the finale of Main stage was the Swedish electronic band, Little Dragon. In comparison to the quiet set of Fatima Yamaha, the sound quality was at its best. With the crowd engaged, Little Dragon delighted everyone with the new gems from their new album.
Sunday brought in a slightly bigger crowd, with queues of festival goers snaking around Eastville park in anticipation of getting in.
First to see main stage was grime artist ‘Nadia Rose’ who this year had been upgraded to a bigger stage and longer set after her hugely successful year in music. Spitting her lyrics as well as ever and engaging with the crowd it was easy to see why this 23 year old UK rapper is breaking through the grime scene as confidently as ever.
Next to lead was the hugely popular Shy FX. With the best stage presence that I had seen all weekend their was not one track which had the crowd at stand still. With hints of the popular ‘feelings’ track coming on festival goers were bouncing and screaming higher than ever.
Escaping the heat of the popular main stage was the fun of Shambarber tent which had drag queens and gorillas dancing on the stage while partygoers boogied to disco music. A hugely fun and warming crowd this hidden gem was heaven to the partiers who were looking for an escape from the heavy jungle and grime beats of the other other stages.
To close the night was the legendary Kano. Pleasing the lively crowd, the beats for P’S and Q’s came on the crowd exploded. Mega fans near the front went wild and the night ended with thousands of pumped partygoers making their way into the town.
Yet again another fun fuelled party hosted by the Team Love Gang. Despite its ever growing size, this huge 48 party located at the side of the M32 still has the magic of bringing people together in a true Bristolian friendly fashion. The atmosphere for me still remains as fun and strong as ever.
Time is zipping past and there are now just ten more weekends before BLOODSTOCK! Have you planned your travel and dusted off your tent? BOA HQ is busy with preparations, site visits are underway and we’ve confirmed nine more bands and a whopping 26 more club nights!
Lining up for a Sunday slot on the Sophie Lancaster stage are PUPPY. Freshly signed to Spinefarm, the hotly tipped band were recently chosen to open for CKY on their comeback tour. The band tell us "We're beyond excited to be playing Bloodstock. Every year we're in awe of how good the line up is, so for them to ask us to jump on board is a real privilege. See you guys in the pit for Megadeth!" Check out their recent video for ‘Beast’ here – https://youtu.be/r8LvjC26pfw.
Grabbing a Saturday Sophie slot are much lauded Londoners, THE ONE HUNDRED. Their new album ‘Chaos + Bliss’ comes out on 2nd June via Spinefarm. Watch their latest video for ‘Monster’ at https://youtu.be/hP_nIAVAKbE. Frontman Jacob tells us, “BLOODSTOCK is one of the finest heavy music festivals on the circuit and we are excited to be joining an already amazing lineup. See you in August!” Also appearing on Saturday are Welsh rockers, FLORENCE BLACK. Get a handle on their sound with the video for ‘The One’ – https://youtu.be/29gpEAHm58E – and check out their new ‘EP II’ at iTunes or Spotify. Midlands thrash animals, ERADIKATOR also join the Saturday bill. Check out their lyric video for ‘Astral Body’ – https://youtu.be/iUSQ265xorw – taken from their 2015 album, ‘Edge of Humanity’.
Last seen at BLOODSTOCK on the Jagermeister stage in 2015, Reading stoner/sludge squad MORASS OF MOLASSES bring their swamp and groove filled riffs to the Sophie stage on Friday. Get to grips with ‘My Leviathan’ at https://youtu.be/F_cTjECbvZA.
We’ve also locked down the undercard for Thursday night’s party night bill, below that night’s headliners, BATTLE BEAST. We welcome back ‘Metal 2 The Masses’ alumni, RAMAGE INC. to open the weekend’s proceedings! Check out the tech metallers’ ‘Within Circles’ over on their YouTube channel – https://youtu.be/v_bC0L4Lc1g. Party doomsters, GURT also land a slot. Get a taste of their sludge via this fan-filmed footage from their Edinburgh show late last year – https://youtu.be/8Zm0qCYCiHs. THE INFERNAL SEA will bring their black metal noise to the bill. If you’re not already familiar, watch the ‘Plague Herald’ video over at their record label Cacophonous’s YouTube – https://youtu.be/O4dyiNtIIfA. Lastly, Italy’s WIND ROSE round out the Thursday bill with their ‘Lord of the Rings’-inspired dwarven folk metal. Hear their track ‘To Erebor’ here – https://youtu.be/-qF1EQXIG1c.
The second phase of BLOODSTOCK club nights start on 2nd June! Get along to one of the following events, bang your head to some tunes from BLOODSTOCK bands old and new, and be in with the chance of winning weekend tickets or related giveaways. Expect fun ways to win – previous year’s events featured the likes of bucking broncos, endurance tests, and air guitaring! Check your local club for details, as dates may be subject to change. Events for June/July run as follows:
Fri 2nd Jun – Nottingham – ‘Tactical Assault’ at The Level, NTSU (featuring Evil Scarecrow) Sat 3rd Jun – Hanley – ‘Devil’s Night’ at JJ’s Sat 10th Jun – Glasgow The Cathouse Sat 17th Jun – Coventry – The Phoenix Sat 24th Jun – Sheffield – The Corporation Sat 24th Jun – Norwich – ‘Meltdown’ at The Waterfront Sat 24th Jun – Birmingham – Eddie’s Rock Club Mon 26th Jun – Reading – Sakura Thu 29th Jun – Exeter ‘TPT’ at Timepiece Fri 30th Jun – London ‘Voodoo’ at Elektrowerkz Fri 30th Jun – Camberley – The Agincourt
Sat 1st Jul- Hanley – ‘Devil’s Night’ at JJ’s Sat 1st Jul – Brighton ‘Apocalypse’ at Envy Sat 1st Jul – Wolverhampton Civic Hall Fri 7th Jul – Leicester ‘Feedback’ at Firebug Fri 7th Jul – Woking – Schism Fri 7th Jul – Reading – ‘The Pit’ at Face Bar Sat 8th Jul – Coventry – The Phoenix Sat 8th Jul – Southampton – ‘Apocalypse’ at The 1865 Fri 14th Jul – London ‘Project Mayhem Pirate Party’ at Electric Ballroom Sat 15th Jul – Burnley – Sanctuary Sat 22nd Jul – Norwich ‘Meltdown’ at The Waterfront Sat 22nd Jul – Birmingham ‘Uprawr’ at Asylum Sat 22nd Jul – Middlesbrough ‘SUMO/Holy Shit’ at Medicine Bar Sat 29th Jul – Birmingham – Eddie’s Rock Club Sat 29th Jul – Sheffield – The Corporation
Common People might be the littlest sister of UK behemoth Bestival, but it certainly packs it’s own unique punch. Held on Southampton Common (with a twin over in Oxford now too) it’s a two day hedonistic escape without the sleeping-on-a-rollmat or not-showering-for-four-days element, and as such, is an altogether pleasant affair.
Saturday sees the likes of Elvana (Elvis fronted Nirvana) doing, well… exactly what it says on the tin I suppose, and Loyle Carner whipping a tshirt around the stage and rapping hits from his debut album, to a sun-drenched and almost feverish front row made almost exclusively of ladies. Over on the Uncommon stage, local lads Fever are whipping up a storm with their classic punky rock vibes to a packed tent.
The arena itself is decorated with a well-known Josie Da Bank feel to it, silk flags flutter in the breeze and there are fairy lights, lanterns and rainbow streamers everywhere, but it’s the heart installation which simply reads ‘Manchester’ which stands out the most. After such a terrible event, it’s affirming to know that people will still make their way to a festival like this, but the increased police presence was very noticeable.
Despite the somewhat sobering feeling of walking past armed police to enter the festival, the atmosphere is free spirited and fun. The Kids area is packed with people attempting circus skills, hula hooping, bubble blowing and getting their faces painted. Hidden away in a magical little copse, it really does have that hazy secret summer feel to it, and the Jam Jar Bar is serving up delicious treats for the bigger kids. Did someone say Rhubarb Martini?
Over in The People’s Front Room, which is dressed up as a shabby-chic front room in case you were wondering… people are grooving along to funky sounds, but it’s pretty tightly packed so we’re off to check out the food options, which never disappoint at CP. Back in the dark old days of UK festivals your best hope was paying over the odds for some soggy chips and a distinctly grey looking burger, but at Common People your culinary compass can spin all around the world. From Paella to Macaroni Cheese, to thali boxes or soft shell crab burgers, there is nothing common about this menu. We can particularly recommend the brie, pear and walnut from The Gourmet Grilled Cheese Co. which was pretty flippin decadent.
Back at the main stage there are rows upon rows of screaming, glitter-bedazzled girls greeting a very dapper looking Tom Odell who is playing a roaring set from behind his giant centre-stage piano. Calling out “Southampton! Closest I’ll get to a home gig this season, back home, back in the badlands” Tom is returned with a chorus of “Marry me Tom!” from a group of young ladies who look like they might faint at any moment. One particular hardcore Odell fan has actually travelled with her father and sister from Brazil to see him here, now that is commitment!
Next up is Sister Bliss playing a Faithless DJ set in the deep evening sunshine which naturally has everyone up and dancing. ‘We Come 1’ is so heavy it rattles the panels of the helter skelter and Bliss looks right at home here in her sequinned bomber jacket.
Over to Pete Tong and The Heritage Orchestra to bang out some Ibiza classics and honestly, it is overwhelmingly amazing. Conductor Jules Buckley stands, arms spread wide in front of three tiers of orchestra and Pete Tong perched amongst the rafters at an LED lit mixing desk and they begin. It’s a strange sensation knowing these classics to be, to put it bluntly, somewhat simple musically speaking – but hearing them performed by the orchestra just brings them to a whole new level. Massive hits such as Fatboy Slim’s ‘Right Here, Right Now’ and Faithless’ ‘We Come 1’ get the full orchestral treatment but bathed in lasers and smoke. It’s strangely satisfying and retains the intensity of the original tracks. Pete also pays tribute to Manchester noting that it’s ‘on our minds’ before introducing Ella Eyre to sing ‘Good Life’ and Rudimental’s ‘Waiting All Night’ which are insanely good. Finishing up with Becky Hill on ‘You Got The Love’ has the whole crowd singing along and Pete Tong quips “We can’t pretend to go off and come back on again, there are too many of us!” as they close the show. With a mass surge out of the gates and into the town, day one of Common People is over and it’s been a blinder.
Sunday on Southampton Common seems a lot quieter, there are a smattering of people milling around for the first bands but it’s pretty sparse, at a guess some people went very hard last night and are nursing some pretty epic hangovers today.
The Novatones who come out strong and belt around the stage with their classic punk rock sound and jumping antics, it’s a great set and a shame so few people were out to see it. The Black Kat Boppers make short work of getting everyone who has made it in, up and dancing some sort of hybrid swing-come-dad-moves.
to being ‘stuck in traffic’ Nadia Rose appears to have all but missed her slot and Calum Lintott, who has just finished a set on the Uncommon Stage is hauled in to fill the time. He looks nervous as hell at first, forgets to plug in his guitar… “That’s a good start isn’t it! I did not expect to be doing this today” and waves awkwardly at his family out in the arena, but he pulls off a frankly fantastic second set anyway. Even the security guards are clapping along by the end and Calum seems pretty stoked about getting to play the main stage, ‘English Daisy’ and ‘Baby I’m Insane’ are going straight on the playlist.
Whilst Signals are mid set-up and sound check, Nadia Rose finally makes it to the main stage – albeit shoe-horned into the side with the DJ booth, accompanied by a large posse. Rocking a red bomber, with matching trainers and visible pants, as well as her signature space bun hairstyle – she is every bit the rapper celebrity the young front row have come to see. Busting out ‘Skwod’ and ‘Boom’ she has boundless energy and is absolutely fierce in her delivery, but it was maybe a little unnecessary of her to complain that “I’ve got a short set today, because I was put on late, but whatever” when it doesn’t seem like anyone was really at fault for that.
A brief but substantial downpour sees herds of people diving into bars and tents for shelter, which Amy MacDonald finds highly amusing “It seems a lot of people are scared of a little bit of rain… that’s a drizzle in Glasgow… southern softies eh?”. Standing in front of a broadway-esque red ruched curtain, the Scottish musician plays a storming set highlighted by recent hit ‘This is the Life’ but the rowdy contingent of Common People are squished side by side into the rainbow-ribboned Uncontained Stage area for Fat Man Scoop. Stalwart of the school disco, Fatman Scoop is of course playing an absolute cheese-fest of hits. Rocking lounge shorts and pool slides he leaves the decks to dance with three stunned kids who’ve been pulled from the crowd for DMX’s ‘Party Up’ but decides to get them to cover their eyes for his brief bout of topless shimmying. Good call Scoop, good call. ‘Be Faithful’ is exactly as obnoxiously loud and fun as you’d imagine, and with the appearance of Goldie, it’s just what we needed to get out of the grim weather funk.
Over on the main stage the House Gospel Choir are giving huge club hits in their distinctive style, notably a cover of Robin S’ ‘Show Me Love’, to a massive crowd. Up next British Sea Power aren’t garnering the same sort of response due to their softer, melodic sounds, but the front few rows seem to be die-hard fans who are absolutely loving them and their strange selection of stage-foliage.
Natives are shredding the Uncommon Stage with loads of people dancing and jumping around in the tent, and the bouncy castle has been dried and re-opened to hordes of terrifyingly fearless children. With a single experimental bounce and what thankfully was a minor collision with a manically grinning cannonball of a small girl, it’s time to escape to safety. Off to a less violent affair, lashings of glitter makeup from Dust & Dance and obligatory hair braiding, before heading over to see Wild Beasts. Flanked by flashing panel lights and a giant backdrop from their latest album ‘Boy King’ they have a distinct electronic rock sound that is definitely piquing some interest in the now quieter arena. I think they’re going to be the hot playlist add following the weekend, but I’m not sure they’re quite what everyone was waiting for.
Groove Armada pick it back up with a solid set of classic dance music, and I know it’s specifically listed as a DJ set but they really are holed up at the back of the stage behind a giant table. Why can’t DJ’s be at the forefront and engage with the crowd in any way other than that wistful sort of pointing into the sky reminiscent of Steve Zissou? Anyway… as they continue through the set the crowd builds and gets increasingly rowdy, during a remix of Breach’s ‘Let’s Jack’ security are rushed into the main stage pit to hold the barriers as people push against them whilst dancing.
After a couple of choice cocktails at The Day of the Dead Bar it’s down to Sean Paul to close out Common People 2017. Swaggering onstage in a dusty trenchcoat and a pair of sunglasses, Sean Paul looks every bit the nonchalant celebrity, but as ‘Get Busy’ begins it’s clear he is here to move and shake that thing as much as the crowd is. Flanked by two extremely energetic dancers, Sean Paul makes his way through a plethora of his classic hits such as ‘Baby Boy’, but it’s his version of Sia’s ‘Cheap Thrills’ that we are both wincing at, and simultaneously loving. It also then mixes into Ed Sheeran’s ‘Shape of You’ and honestly It’s hard to assign one feeling to something like that. To explain, he changes the words… a lot. Enough to have no idea what’s going on except for the tune.
Calling out “We’re bringing you music from around the world tonight… we’ve got music from Jamaica, we’ve been to Australia with Sia… the UK with Ed Sheeran… who wants to go to Trinidad and Tobago with me?” we can’t help but think he’s playing the metaphor because his driver (easily spotted by being the only one at the back of the crowd sporting a full suit and tie) is looking horrified at the idea of driving anywhere other than home after this.
The crowd is getting considerably louder and wilder as the show goes on, and during ‘Temperature’ two girls are hauled over the barrier by security for having a scrap over which one can get closer to Sean Paul. It’s 50-50 on the funny/baffling ratio. Ending with a chant of “Say no no no, we ain’t going home” is fun until it’s actually time to go home and return to the real world, but at least there’s a bank holiday tomorrow to recover. Oh Common People you have once again been superb, with your eclectic mix of music, beautiful décor and incredible extra-entertainment options you are really anything but common, and you know it. Roll on 2017, and if you can’t wait that long for your fix, there’s always the larger scale Camp Bestival and Bestival to continue those CP feels.
Ariana Grande is returning to Manchester to headline a special One Love Manchester benefit concert on Sunday 4 June to honour and raise vital funds for the victims and families who were tragically affected by the Manchester attack after her show last week. The concert will take place at the Emirates Old Trafford Cricket Ground. General admission and hospitality tickets will be on sale through Ticketmaster (ticketmaster.co.uk/arianagrandemanchester) from Thursday 1 June 2017 at 10:00AM BST.
Ariana Grande has called on the biggest international names in music to join her for this unforgettable evening, including Justin Bieber, Coldplay, Katy Perry, Miley Cyrus, Pharrell Williams, Usher, Take That, Niall Horan, and others. The concert will be broadcast on BBC Television, and on BBC Radio and Capital Radio Networks. The BBC will be the host broadcaster for international television networks. The show will also be streamed with a digital partner worldwide, to be announced soon.
All net ticket proceeds of the show will go directly to the We Love Manchester Emergency Fund which was set up by the Manchester City Council in partnership with the British Red Cross, in aid of grieving families and victims of the horrific attack.
Ariana is offering fans who were at the Manchester show on Monday free tickets to this benefit concert. Customers who would like to attend will need to follow this link (http://www.ticketmaster.co.uk/arianagrandemanchester) and register before Wednesday 31 May 2017 at 4:00PM BST. Ticketmaster will be in touch via email within 36 hours of registrations with instructions on how to process your free ticket.
Ariana Grande said, in an open letter posted on her social media accounts:
“My heart, prayers and condolences are with the victims of the Manchester Attack and their loved ones. There is nothing I or anyone can do to take away the pain you are feeling or to make this better. However, I extend my hand and heart and everything I possibly can give to you and yours, should you want or need my help in any way.”
She continued: “We will not quit or operate in fear. We won’t let this divide us. We won’t let hate win… Our response to this violence must be to come closer together, to help each other, to love more, to sing louder and to live more kindly and generously than we did before.”
“Music is meant to heal us, to bring us together, to make us happy. So that is what it will continue to do for us. We will continue to honour the ones we lost, their loved ones, my fans and all affected by this tragedy. They will be on my mind and in my heart everyday and I will think of them with everything I do for the rest of my life.”
The attack – which took place after Ariana’s Dangerous Woman concert at Manchester Arena on Monday 22 May – killed 22 people, seven of whom were children, and injured hundreds of others.
ONE LOVE MANCHESTER
LOCATION: Emirates Old Trafford, Talbot Road, Stretford, Old Trafford M16 0PX
For speed of entry, we are requesting that concert-goers do not attend with bags.
