Download Festival 2024 – THE BIG REVIEW!

Return to the Castle! Donington, we’ve missed you – but we are home on your hallowed fields for Download Festival XXI, and it feels like the beginning of a new era.

There’s a new production company running the site this year, who when quizzed at the DL Press Conference earlier this year, mentioned that they had a lot of plans in place to avoid the colossal road issues of 2023. As it stands, we sailed right in with no traffic whatsoever, which means something has gone right. Sure last year was a bit of an outlier with an extra day to contend with and a considerably higher volume of people entering, but still – this may be the smoothest it has ever gone.

One notable dark stain on this year’s event though, is the fact that a cadre of bands have pulled out of the line-up due to the ongoing sponsorship of Download by Barclays, who have clear financial links to companies supplying arms to Israel. The bands who have pulled out up to this point are; Speed, Scowl, Zulu, Ithaca and Pest Control who commented “We cannot sacrifice the principles held by this band and by the scene we come from and represent, just for personal gain.”. As it stands, Download have made no comment on the boycott, but it is later announced that Barclays have pulled sponsorship from all of Live Nation’s 2024 events, which include Download, Latitude and the Isle of Wight festival.

Following this announcement, Enter Shikari posted on their social media that they had previously been in talks with Download, expressing their objections about the sponsorship and working with other bands to exert pressure, through ‘Bands Boycott Barclays’ and that they are satisfied with this result.

Aside from all that news, the one other thing we are all keeping a worried eye on is the weather. We’ve had a good run of a few dry years, but it seems we aren’t going to escape the Midlands monsoon season this time around. As we pull into the lush greenery of the carparks, the ground is looking decent but the skies are looking ominous.

FRIDAY

Starting our day off at The Village to check out the Download Megastore, we are greeted by an absolutely torrential downpour to really get the weekend going, and we watch as people start racing for the queue-free Co-Op store across the tarmac. One meal deal and a poncho please.

Inside, the store is chock full of fun merchandise, interesting displays and even a tiny café and some arcade games. The basic point of it seems to be, as a place to sell some of the more niche products that Download have started offering over the years, but I have to say, it’s a helluva trek for anyone on a weekend or day ticket who isn’t camped out this way – especially since external bus terminals are about an hour and half walk in the opposite direction.

For those that do make it out here though, you can spend your hard earned cash some some really silly brilliant stuff like; a full DL bedding set, a rock-duck (stored inside a giant rock-duck), jewellery, posters, boiler suits and an array of special edition tshirts. If that doesn’t tickle your pickle, how about a Grandad Skateboards deck which looks like one of the stage Totem poles? Or maybe a bottle of Lou’s Brews bright green Download hot sauce, and a Father’s Day ‘Rockin’ Dad’ tshirt? Actually I did try and purchase one of these but a lot of sizes had already sold out.

One thing I did go in for, was some of the once again excellent collaboration of Mary Wyatt x Download. The designs are really interesting and unique, and the quality of the clothing is second to none. I could have spent a fortune (especially after I missed out last year, the merch sells so quickly!) but I ended up with a cropped vest featuring Donington Castle and a black-metal style Download logo. Long may this collaboration continue, it’s a perfect match.

As we head into the arena, it’s pretty clear that the ground isn’t going to survive. There’s already mud, we’re putting on and taking off raincoats every half hour, but you know what? It’s damn good to be back in a field with the gang. On Apex we catch a bit of Welsh rockers Those Damn Crows who are putting on a lively set in the face of some pretty wild wind, followed by local Derbyshire talent The Struts whose vocalist Luke Spiller is indeed strutting about the stage confidently in his white cowboy boots, despite the rain slick. It does kinda seem like classic rock has been pushed to the early slots this year, but there are a lot of people out having a damn good time.

Unfortunately the storms keep comin’ and it isn’t long before the arena is swamped. Standing in the rain isn’t the end of the world or anything, but not being able to sit down between sets or eat a non-soggy burger it is kind of annoying. Luckily we are too awestruck to care when Polyphia hit the Apex stage. Wow is an understatement for this band, the euphoric and intricate guitar-work is unrivalled in current rock music. Sure there’s a bit of pyro and guitarist Tim Henson calls out “Let’s see some fucking crowd surfers” to tick off some festival bingo boxes, but honestly most people seem to just be standing around mesmerised. I’d be happy if they played every year.

© Toddow Young for Download Festival

Over on the Opus stage Soft Play (formerly known as Slaves) are having a delightfully rowdy time, telling everyone they “…used to play to absolutely no-one, now we’re here” and making everyone chant “fuck the hi-hat” for no apparent reason. It’s a decent crowd but I’ll be honest – not really my jam.

© Andrew Whitton for Download Festival

Slip-sliding back over to main for Black Stone Cherry who are trying their very best to bring some Kentucky warmth to the UK, “Download! Are we having a good time yet? Even in the rain and cold?” elicits a roar. We might be good at whinging, but we’re also good at just getting the fuck on with things here. ‘Soul Creek’ and ‘In My Blood’ are excellent but it’s the very singable ‘White Trash Millionaire’ and ‘Blame It On The Boom Boom’ that get everyone going, it’s a great set.

I do have a bone to pick with the arena set up though. Why does the sound tent centre stage keep getting taller and taller. The Liquid Death plastered monolith now completely eclipses an entire runway up the hill, there’s no peak point you can see over the top of it from. With the huge sound towers (of Babel as Andy Copping puts it) as well, there’s quite a lot of view obstruction in the arena now, but especially of the artist runway into the centre.

©Matt Higgs for Download Festival

Great strides have also been attempted when it comes to accessibility after last year’s fiasco – there’s a clear run of festival flooring between routes in from camping and stages, but I suspect that they won’t last long unencumbered as the weather continues.

Before the next biblical downpour we fight our way around some of the stalls and food outlets in the centre to grab some delicious gyoza and have a mooch around the Mysticum Luna shop for some jewellery.

Next up, Royal Blood are fun and upbeat jumping all over the damp stage, but they are plagued by technical issues throughout their set. I guess the weather situation is affecting all areas. We make the trudge back over to Opus, (which is already getting difficult) to see our favourite Horrible Histories nostalgia band Heilung… aaand so has everyone else. It is jam-packed out here, spilling across the road and right up to the shops. There is something undeniably hypnotic about Faust’s throat-singing overlayed with the rhythmic percussion of cursed instruments (no really, there’s a rattle filled with human ashes dontcha know) and it is utterly enthralling to watch. To be completely honest though, there is one point where it sounded exactly like the music that plays in the steam/forest room at a fancy spa, and you can’t convince me otherwise. I also wonder if it takes hair and make-up a long time to make it look like they’ve been dragged through a bush, because I already look like that and I’ve only been here a few hours. Anyway, Viking dance party? 10/10, I’m here for it.

© Matt Higgs for Download Festival

At Avalanche, Wheatus – the little band that could are brining the noughties nostalgia for a change-up and we LOVE it. Their line-up might have almost completely changed over the years, but Brendan B Brown’sunique vocals still sound exactly like the Teenage Dirtbag we all loved. Last year they played a stonking 42 date tour, with entirely crowd-curated sets spanning their entire recording history and it seems so fitting that they get to crown that here at Donington, singing “I’ve got two tickets to Iron Maiden baby…” at the very location Iron Maiden have inhabited many times over.

Following that, the queue for Busted at avalanche is impassible. There’s a long history of Download booking enormously popular bands in tents that aren’t able to adequately house the numbers, and it seems like this year is no different. Though Busted might seem like a controversial line-up inclusion, the times they are a-changing, and they probably represent quite a large number of people’s gateway into the rock and metal scene from the now core age group of Download. At any rate, the bangers are there of course, but it seems like a much heavier version of them that has come to play, and I’m never not going to giggle at swearing from wholesome people.

© Matt Higgs for Download Festival

Unfortunately some set time changes meant we missed all but the last little snippet of Biohazard over on the Dogtooth stage, but they did end strong and fantastically chaotic as always.

Queens Of The Stone Age take to the Apex stage to bring home night one, with a very aesthetically pleasing stage set up. Receding neon lights form a sort of pyramid shaped tunnel for the band to stand inside as they kick off with ‘Little Sister’ and ‘Burn The Witch’.

“What beautiful English weather were having” laughs Josh Homme before he yells“Repeat after me, I’m so fucked up I feel amazing” and “You cunts are alright” but really it all sounds a bit forced.

‘Go With The Flow’ and ‘The Lost Art of Keeping a Secret’ go hard, but as the set progresses I can’t help but think it’s a bit samey and not the kind of exceptional show I expect to see from a headline act. Yes they’re really good at what they do, but something feels off and flat in the crowd – indeed a lot of people seem to be heading off early.

Yelling “Girls get on the boys shoulders, tonight the security works for me.. this place is ours” is maybe the most lively it has gotten tonight, as people clamber on top of their friends to acquiesce. Closing out with ‘No-one Knows’ and ‘A Song For The Dead’, gives QOTSA a brighter uptick to end on but I don’t know if it really saved the whole set. They weren’t bad by any means, they just weren’t spectacular – and we have come to expect spectacular from Download headliners.

© Danny North for Download Festival

SATURDAY

On our way into the arena this morning, we spoke to a couple of members of the car park management team who were just being radioed to put their golf umbrellas away, as one of their members elsewhere on site was struck by lightning this morning. Thankfully they’re ok and on their way to hospital, but given the tropical weather we’ve been having I’m surprised we’ve seen nothing struck in the actual arena up til now. In the Press area we go visit the Liquid Death pink hearse and grab a couple of cans from the cooler-casket (where can I get one, what a rad idea for a Halloween party) and visit the Mary Wyatt pop-up who are handing out ponchos both there and out in the crowd. They are sincerely doing the lord’s work, this poncho saved my life.

Unfortunately yet another announcement mars this morning, with Electric Callboy cancelling their hotly anticipated set due to vocalist Nico Sallach being ill. I think this would have been one of the busiest sets of the weekend, after last year’s tent fiasco where people were crammed into the oven-like Avalanche stage like lightly baked sardines.

Bambie Thug up first on Apex has really suffered from the weather situation, there are a lot less people eager to arrive before the morning’s downpour has concluded, but they put on an engaging and fun show, ending with the brilliant ‘Doomsday Blue’ off the back of their Eurovision entry. Wargasm also deserved a rowdier crowd, but alas the rain was relentless at this point.

© Sarah Louise Bennett for Download Festival

A brief reprise of sun heralds Frank Carter & The Rattlesnakes but the arena is now an absolute state. Whilst site crews have been skimming the arena to remove some of the mud, the rain is just making for an impossible task – and unfortunately there’s nowhere near enough hay to make headway in the high traffic areas. Frank fans make no concessions however, and seem to be going hard down at the front, as Frank himself – wearing a pink cardigan, yells “I fucking love you Download” and leaps into the crowd for a quick surf.

© Matt Higgs for Download Festival

Karnivool on Opus are just good solid metal with a decent turnout, but following that, Bleed From Within’s set was severely delayed, and basically ended up as just a performance of Metallica’s ‘Enter Sandman’ with comedians Rob Beckett and Romesh Ranganathan, for their Sky TV show. Yeah sure it’s funny and something special but, I’m fairly sure the people we actually came to see the band weren’t super pleased that’s all there was.

Also unfortunately for RØRY (an artist who has actually been making music for a long time, but has recently blown up on social media for her and her partners’ posts about living with ADHD) she has been scheduled at the exact same time as Babymetal, in an area that is accessed only via mudslide.

Sadly, we probably should have been over there instead since Babymetal went a little something like; They walk slowly on stage like they’re bridesmaids at a wedding, wearing rainbow warrior outfits. They play one and a half songs before the music screeches to a standstill and they’re ushered off stage. The deluge begins, and is so strong we have to crouch to avoid getting knocked over by the sideways barrage. Fifteen minutes elapse, the rain finally ceases. We get three more songs when they finally re-emerge, but the last one is ‘RATATATA’ which probably should have included a cameo from Electric Callboy but obviously couldn’t. Sigh. They also decided to ask everyone to “Get down low” and crouch after a massive storm shower which just seems a little ridiculous, and I am more than a little miffed that this is the second time I’ve stood in the rain to watch Babymetal at Download.

© Toddow Young for Download Festival

Luckily the sun actually begins to shine and the clouds are replaced by bright blue skies – at least for now. I am especially thankful for this at the start of Enter Shikari, with Rou Reynolds practically catapulting himself onto the stage with glee, wearing extremely risky white trousers and a pink Shikari footie shirt. Starting off with his ‘System…’ monologue, and then launching straight into ‘Meltdown’ there is no doubt that this is going to be an absolutely stellar show.

‘Live Outside’ might not be aimed at being taken literally, but I do not in fact want to live outside this weekend thanks. Sorry to everyone camping. We love the ‘Sssnakepit’ circle pit that strikes up in the absolutely sodden front lines, and as Rou finishes his classic mid-show banana (not a euphemism) he shouts out “Make some noise for Wargasm right now” and is joined on stage by the duo for ‘The Void Stares Back’. We also get a snippet of their tour with Rou scaling a ladder and then falling backwards into one of the lighting effect towers, to be replaced by a dancing thermal image as he sneaks to the other side of the stage for a crowd surfing moment.

© Andrew Whitton for Download Festival

“I’m so tempted…” he says, being filmed frantically by the tech crew, and then launches himself backwards off the gangway right into a mud swamp. A true man of the people. Later, I found a tiktok of Rou’s stylist watching this in abject horror – a beautiful thing. After the inevitable changing of the fucked monitor he had on him, the band finish up with an expected Rou soliloquy “Enter Shikari would like to stand with our Jewish friends, our Muslim friends, our atheist friends, all of you. I hope to God there’s a Gaza left when this fucking atrocity ends.” to a huge roar of solidarity from the crowd. Closer ‘A Kiss For The Whole World’ seems entirely fitting, and is crowned by a huge double rainbow over the arena. I would very much endorse a Shikari headline set here.

© Andrew Whitton for Download Festival

On Opus, Tom Morello is giving a masterclass in Rage Against The Machine and Audioslave hits, and thanks everyone for all the times he’s been able to play Download festival. I for one would probably throw up with joy if Rage decided to reunite for return to Donington – the last time they played was absolutely mindblowing. As a former touring guitarist with Bruce Springsteen (wild diversity I know) it’s fitting to hear a cover of ‘The Ghost of Tom Joad’, especially when he flips it over to play with his teeth, revealing a giant ‘Ceasefire’. Finishing up with “…an old English folk song” – the best Christmas Number 1 we ever had ‘Killing In The Name’ and ‘Power To The People’ with guest drummer, 14 year old sensation Nandi Bushell, secure Tom’s set as one of the best of this weekend.

© Abbie Shipperley for Download Festival

Pantera have a large crowd despite Phil Anselmo’s pretty well recorded history of well, saying racist shit. It’s an interesting booking to be honest, especially in a punk/activist stacked lineup. They seem to be having a nice time and keeping it schtum, but I do wonder if their ‘fuck the Tories’ exit music is an attempt at reparative lipservice.

On the main stage, The Offspring deliver one of the best shows of the entire weekend, it’s like mainlining pure nostalgia right to the heart. They look as cool as they ever did to me as a teenage punk, and they sound phenomenal. ‘All I Want’ is screamed at the top of everyone’s lungs, and Dexter and Noodles joke around like we’re hanging with them at a jam session “Can you feel the love coming off this audience?”“I can feel a lot of stuff coming off this audience…”. Each song gets it’s own digital backdrop of which album it has come from, the true Eras tour. Dex yells “Download Fest you are fucking beautiful once again” before they up the ante with ‘Staring At The Sun’ and a cover of Ramones’ ‘Blitzkrieg Bop’.

© James Bridle for Download Festival

“Do we have any classic metal fans… this is a classic metal song…” did not lead where I thought it would lead, and instead to Edvard Grieg’s ‘In The Hall Of The Mountain King’ otherwise known in the UK as, the Alton Towers theme music, which was quite fun as a punk rock song. ‘A Million Miles Away’ from Conspiracy of One and ‘Why Don’t You Get A Job’ from Americana are both iconic, and this is the most crowd interaction I’ve seen for a band all weekend.

“They don’t care if they got rained on, they’re out here rocking their ass off” shouts Noodles, before they throw giant marble-like inflatable balls out into the crowd and give us ‘Pretty Fly (For A White Guy)’. The Offspring are just consummate showmen, something I think a lot of punk rock bands have in common – they’re comedians as well as musicians and it really gives them the edge in crowd engagement. ‘You’re Gonna Go Far, Kid’ is a lot of fun, there are quite a few giddy kids who are excited to sing the word ‘fuck’ out here, but ‘The Kids Aren’t Alright’ and ‘Self Esteem’ are the absolute cherry on the cake of this truly brilliant set. They are the anthem to my youth and I’ve loved every second.

© James Bridle for Download Festival

Tonight’s headliner Fall out boy, are hotly anticipated – off the back of last year’s sold out stadium tour the arena is full right back to the big wheel ready for them. Starting off with some interesting staging we see Patrick Stump on the screens, dressed in… a hospital gown. He is let loose from his backstage hospital bed onto the main stage with the rest of the band, where there are giant video walls and a curiously large black sofa.

There’s no adaptation to a heavier style here whatsoever, they are unapologetically themselves and I love that. ‘Grand Theft Autumn/Where Is Your Boy’ is an immediate throwback, to easier times of sideways hair and multiple studded belts. ‘Sugar, We’re Going Down’ hits a lot of people right in the singing-at-house-parties-with-your-mates feels and ‘Dance, Dance’ with those keyhole logos splashed all over the screens, is absolutely iconic.

The Infinity on High portion of the night comes with a flying sheep (yes really) and a ton of pyro to really solidify that headline slot production value. Also, if you aren’t singing the misheard lyrics of “Golf cart arse face” to ‘This Ain’t A Scene It’s An Arms Race’ then we can’t be friends.

“Thank you for trusting us with your entertainment this evening. Last time we played here was 10 years ago, and we were kinda nervous to play this festival… but there’s 80 thousand of you making us feel better” laughs Pete Wentz, “I used to watch VHS tapes of Metallica playing Donington. The dream. This is so fucking special” he saysbefore giving us the fantastic ‘Thanks Fr Th Mmrs’.

Not to be outdone by other bands who have graced this stage (Kiss, Rammstein) Pete rocks a flame-cannon attached to his bass guitar for ‘Phoenix’, there’s an angry inflatable bear, heaps more pyro for ‘My Songs Know What You Did In The Dark (Light Em’ Up)’ of course, then scary cheerleaders and even a little Munsters riff to pass the time. Truly I feel like they could play for half the night and I wouldn’t get bored.

© James Bridle for Download Festival

‘Immortals’ is another arena-wide singalong, with a sassy social media comment backdrop joking “Wow a one-word song title from Fall Out Boy” which racked up likes as they played. Can’t fault their eye to detail on this set, they’ve made it fun to watch as well as fun to listen to – something I really feel sets those great headliners apart from the average ones.

There’s a beautiful starry backdrop with a giant moon hanging above the stage for  ‘So Much (For) Stardust’, and then a fan throws a Ziploc bag with a card inside up onto the stage to ask the band to do their gender-reveal live. “Oh ok a gender reveal? Will it be a Fall Out boy or a Fall Out girl?… you’re having a boy!”.

‘Centuries’ is absolutely perfect and could easily have been the closer, but they give us one more with ‘Saturday’ – and, I’ll admit there’s something very brain-itchingly pleasing about ending with the namesake of the day you’re headlining, bravo. What I enjoy even more is the bonkers scene of a bunch of doctors and nurses helping Pete Wentz fly into the air on a bunch of balloons, surrounded by confetti and streamers blasted into the crowd. I’m not sure I really got the full screenplay of the night but I liked it regardless. What an incredible headline choice, this really was a highlight.

There’s a few fireworks to end the night but they’re mostly caught inside their own crowd of smoke so it isn’t that impressive, and of course it is beginning to rain once again.

SUNDAY

Cursed with the state of the arena, Download issue a statement that the arena will open an hour later today so that they can get a handle on the ground work – after yet another blast of rain this morning. Unfortunately with a big walk to the arena from shuttles and camping, shortened sets to accommodate and the now drying mud creating a shoe-sucking trench to go anywhere, it’s looking difficult to fit many bands into our schedule today.

We head off to see Royal Republic who play one of the most lively and fun shows of the weekend, we loved dancing with them to ‘Tommy Gun’ and ‘Ratatata’ (no not the Babymetal one). Zebrahead follow up with some pop-punk to a respectable sized crowd, but we decide to check out some of the shops along the back of that area. Amazingly, this whole section is on the dry stone standing and is relatively mud free.

We check out chains and rings at Tomfoolery, frog hats and silly sunglasses, patches, a vintage clothing store selling heaps of blank battle jackets for you to curate, and a Viking drinking horn shop. It reminds me that I really miss the (age) old set up of having all the shops along the racetrack itself – it was nice to have a shopping destination if you had a gap in your plans.

© Gobinder Jhitta for Download Festival

Over on Apex Kerry King is obviously slaying (ahem) but it does feel a bit strange that we said goodbye to Slayer at Download 2019 on their farewell tour, but today we get… well, basically a Slayer set. In the Dogtooth tent the must discussed secret act turns out to be a roaringly intense set from Aussie metalheads Parkway Drive who almost blast the roof off – I’m expecting to see them on the main stage next year and certainly for more than a very short thirty minutes. On Opus, Elvana have yet again pulled a huge crowd for their Elvis/Nirvana mash up silliness. I love them but they’ve pulled the short straw going up against Bowling For Soup in the beautiful sunshine.

I’m absolutely convinced that ‘Girl All The Bad Guys Want’ is Bowling For Soup’s response to The Offspring’s ‘Want You Bad’, but it’s such an ingrained iconic song that we are all singing along at the top of our voices. “It’s so weird being up here without Chris (Burney). He had to fly home to Oklahoma for some health stuff” the guys lament their missing member, before bringing a special guest onto the stage.“Isn’t that the guy from wheatus over there… the teenage dirtbag?” BBB does indeed come on stage to sing a little, and announce their joint tour coming in 2025. What a fun nostalgic collaboration to make January a little nicer next year.

After rudely Rickrolling us, they also bring out Zebrahead for ‘Punk Rock 101’ and then end with ‘1985’ – singing the absolutely perfect line for sharing the stage with another band today She rocked out to Wham, not a big Limp Bizkit fan”.

Sum 41’s final performance at Download is a bit of a tear-jerker, they like others on this bill were part of the pop-punk makeup that was so many people’s teenage gateway to rock and metal. I’d say they’re one of the big reasons I ended up here myself, and the huge crowd around me suggests a lot of people feel the same way.

Deryck Whibley is looking better than he has in a long time, jumping around the stage with wild abandon in his signature red creepers. ‘Motivation’, ‘In Too Deep’ and even a cover of Queen’s ‘We Will Rock You’ are all excellently performed, but it’s Deryck’s words that catch us in the feels “We are so honoured to be here, this festival and these crowds hold a very sacred space in our hearts. It’s the last record we’re gonna make”. Cue the loud boos across the arena.

© James Bridle for Download Festival

“Your boos are so heartwarming… It’s been almost 30 years hasn’t everyone had enough of sum 41?” as the resounding ‘No’ is screamed back at them they tell us“We’re gonna fucking miss You we promise you. Thank you for all these years. There might be one more chance this year we can see you. Keep your ears peeled.” and launch into ‘Fat Lip’ and finally ‘Still Waiting’. The refrain “This can’t last forever” is a nice little note to remind you, go see your favourite bands while they’re still around.

A giant travesty of the weekend is putting Limp Bizkit, Corey Taylor and Hoobastank on all at the same time, with impassable mud trenches in between.

In the end we can’t help but choose Limp Bizkit – mostly for the memories. Swanning in wearing baggy white trousers, a baseball jersey and a baby blue bucket hat, Fred Durst struts to ‘Sweet Home Alabama’ before throwing down with ‘Break Stuff’. He might have a grey beard these days but damn does he sound just the way I remember. It’s powerful, it’s nostalgic, and it does indeed make you want to break stuff.

© Danny North for Download Festival

“I hope you don’t mind we brought the California Sun with us” Fred jokes, but quickly notices those rowdy front centre pits “If someone falls down we pick em back up. Help each other out”. We are also made to sing-along with Oasis’ ‘Wonderwall’ a cheeky little diss from Fred, who once said that he was a big Oasis fan and even had Liam Gallagher’s autograph, despite Liam publically labelling Limp Bizkit as “Shite”. “Liam, you hear that? We are fucking waiting on you Oasis!” Fred quips, but the laughs subside and we are given what we really came for – ‘Rollin (Air Raid Vehicle’. Suddenly half the crowd seems to be wearing a red hat (remember when they were cool, before MAGA idiots co-opted them?) and we are all dancing the moves like true noughties kids.

Rollin’ is outtro’ed with a little bit of ‘Proud Mary’, because the rain this weekend really has us rollin’ on the river, and it’s onto hit after hit with ‘My Generation’ and ‘My Way’. There is a short stoppage mid-song for Fred to make security aware of an issue in the crowd “There’s something wrong over there, get someone in there”, but he then brings someone from the crowd up onto the stage to sing with him – “Great job brother let’s hear it for the Loco!”.

The band play a fun little request section with snippets of George Michael’s ‘Faith’, Nirvana ‘Come As You Are’ and Metallica’s ‘Master of Puppets’, then spin up a circle pit frenzy with ‘Take A Look Around’ – “Let’s do that weird song Tom cruise likes”. Bookending the set with a second blast of ‘Break Stuff’ is a great choice, it goes even harder the second time, and Download head honcho Andy Copping hitting the stage in his own red-hat is extremely joyful. I kinda wish they’d headlined instead of QOTSA in all honesty, maybe next time.

Headlining the Opus stage Machine Head give an absolute masterclass in how to bring a full showcase experience. I find it hard to express how incredibly powerful and impressive this set actually was, this band have proved time and time again that they have the capability and the crowd support to headline the main stage but here we are. You just know that if they start the show with a visible Fireman at the side of the stage, there’s a good chance you’re going to get your eyebrows singed.

© Matt Higgs for Download Festival

In true Moshy Ned style, there is so much pyro in the opening ‘Imperium’ that you can barely even see the band, which probably doesn’t matter as everyone around us seems to be moshing, screaming and throwing their middle fingers up in reference to the song.

Rob Flynn yells “Scream for me Download” (someone has to do it, Bruce Dickinson isn’t here) and “Download are you ready to lose your minds with Machine Head tonight?” before inciting circle pits and a giant wall-of-death “push back, push back”, for ‘CHØKE ØN THE ASHES ØF YØUR HATE’.

‘The Blood, The Sweat, The Tears’ sees bright red ticker tape confetti raining down like a cloud of blood, and there’s a very providential rainbow just to the right of their stage during ‘Is There Anybody Out There?’. I can dig a god who loves Machine Head.

“I went crazy at download festival, chant with me!” is the scream that ends the show, ‘Davidian’ and ‘Halo’ are beyond sublime, and this is the first time this weekend I’ve seen some proper old school hair-windmilling and headbanging – it’s a comfort. I have no notes, it was perfection.

So, we sacrificed most of Avenged Sevenfold for Machine Head, and I’m not sorry about it. Getting across the arena in the waning light, with even the access roads now covered in a sucking gloop of mud… treacherous. We didn’t make it far down the hill but I can totally appreciate the reason A7X were booked onto that Sunday headline slot – they are smashing it. Sadly they seem to have been hit with a couple of unfortunate coincidences this evening, as the field is nowhere near as full as it was for last night’s FOB set.

The weather has done a number on people’s resolve, I think a lot have favoured heading off early or following Machine Head, and there is information circulating already about car-parking being horrendous with cars stuck in the mud. At any rate there’s a steady stream of people heading for the exits.

Regardless, there’s a lot of people down the front having the time of their lives still, and you can’t overstate A7X’s incredible melodic guitar work for a great way to cap this weekend of amazing musical talent. ‘Hail To The King’ was dedicated to all the Dads in the audience, on Father’s Day, a nice moment – especially when so many have brought their children with them this weekend.

© Andrew Whitton for Download Festival

“We’ve played many times…. Download festival, and we are honoured. You have so much great fucking music that comes to the UK, so much.” Shouts vocalist M. Shadows, but unfortunately as they dive into ‘Nightmare’ the main stage suffers from a power outage issue that seems them summarily cut off, only to be karaoke’d by the crowd. It does seem like there have been more than a few issues with sound this weekend.

Luckily it is fairly quickly resolved so that the band can come back for ‘Unholy Confessions’, ‘A Little Piece of Heaven’ into ‘Save Me’ and finally ‘Cosmic’. They might not be on my personal highlight menu for the weekend, but it was a great show.

It would be remiss of me to note a few things that have come up post-festival, even though it isn’t all good news. Rob Kellas (of the now infamous TPDTV gang) reported that his sister Mary Kellas was hit with food poisoning after eating one of the giant yorkshire pudding meals, and had to leave the site early due to being so ill. Photos have also arisen of raw chicken being served to punters, and a brisket stall also being the culprit for multiple food poisoning incidents this weekend. Apparently environmental health had been contacted and the affected outlets were shut down once it had been reported to them.

I must also note that there has been yet another significant and obvious price hike on the arena food, there now aren’t many meals available under the £12 mark. The inclusion of an alcohol-free cocktail bar has been a great one, but I do wish that this was part of their regular bar options instead of having to take a trek to the specific area to get one. Merchandise offerings were decent, and the queues to get stuff was nowhere near as bad as last year due to seemingly having a lot more staff on board. I do however wish DL would take a leaf out of Wacken’s book, and offer some cheaper small items for sale – or bring back the reusable branded beer cups that can be taken home as souvenirs.

Thefts seem to also have been a massive issue this year, with one photographer working the festival asking for help online as someone had actually unclipped and stolen a lens off her camera as she was walking through the site. A huge number of phone thefts have also been spoken about online, and even Frank Carter had a sentimental item – a gold chain, stolen from around his neck whilst crowd surfing; “Which one of you c***s stole my f***ing chain. I’m fuming. I’ve had that chain for 10 years. And do you know what, I’ve sacrificed it to the mosh pits of Download. If 24-carat gold doesn’t buy us some f***ing love…”.

All in, I’d say there were some significant issues that need to be addressed following the festival this year, but despite that and the unfavourable weather – we still had a fucking magnificent time. This is testimony to the family, the ethos, the vibe of this festival, long live Download. See you next year!

Leeds Festival 2014 Weekend Review

Leeds Fest 2014 began with an extra-early bang, with the introduction of bands and comedians on the Thursday night.

I myself plumped for the madcap comedic stylings of Adam Buxton, the bearded half of 90's comedy duo Adam & Joe, as a result of the tirade of rain which unleashed itself on the site on Thursday evening. Whilst the comedy tent itself offered shelter from the elements, Buxton's wacky style of humour failed to warm many of the on-lookers, although his unique blend of using his laptop to show us all strange goings-on from the internet, to his own home videos was a great idea for a comedy show- I can imagine if it wasn't the precursor to a weekend of music and camping, it would be pretty enjoyable. 

As it was, once the rain had cleared, it was over to the Relentless Stage, situated in a tree-lined strip inbetween the thriving campsites of Red and Orange, following the closure of the stage during 2013's torrential weather. DJ's like Zane Lowe, DJ Fresh and Klaxons were due for the three days, but we had fun nonetheless as the riotous atmosphere was a great set-up for the upcoming weekend.

With a few bleary eyes and banging heads (althoughI like to blame that on camping just a tad too close to the campsite DJ!), Friday was kicked off for me with a slice of the ultra-cool Jungle. A mysterious act made up of an array of vocalists, guitarists, keyboardists and drummers, many of whom do some serious multi-tasking, the West London band were pretty excellent. Sure extensive falsetto vocals can wane on even the most hardened of fans after a while, but when the beats were as fresh and bouncy as they were in the NME/Radio tent, you don’t mind. After an excellent LP and summer festival shows, they have proven there worth, even getting a pre-Clean Bandit crowd to loosen up and lose themselves in the sultry grooves.

Band of the moment, Clean Bandit were next up, and showed surprisingly that there is more to them than mega-hit ‘Rather Be’. No, their live show was assured, confident and FUN! Their unique twist on the genre is intriguing, throwing in classical music influences alongside the bass beats we’re more accustomed too, aswell as the familiarity of guest vocalists peppering the majority of tracks. They weren’t mind-bending, but packed out the tent and offered heaps of fun and innocent pop music for those who wanted it.

The Kooks are another band that bring back memories of adolescence for those of a certain age, and their new wave of sound, with increased R&B influences did certainly not disappoint. Infact, whilst they didn’t match solid favourites ‘Naïve’ and ‘Seaside’ for the sing-a-long aspect, it’s arguable that new singles ‘Down’ and ‘About Town’ were the best performances of their set. The new album releases this week, and it’ll be very interesting to see whether it can revive what many thought to be another band lost to the ages. Based on this performance, the Kooks could stay with us for while.

To many Macklemore & Ryan Lewis seem wildly out of place on a Reading & Leeds bill, their chart-friendly beats and raps surely not acceptable at such a venue? Such things are simply not true though, as Macklemore proved with a friendly, yet humoured stage presence and half a set of gold. That is the one issue I had with this set, it was far too long for the one album rapper, who actually, rather embarrassingly, played the same song twice. But that aside, his song introductions may have been to mask the extended set length, but he made it work- just.

Man-children, Blink-182 made it three times they had headlined both Reading and Leeds sites, the first for four years and ahead of a new album rumoured to be released to the world by the turn of 2014.

Kicking off with ‘Feeling This’, the US rockers breezed through their set, peppering song breaks with some genuinely crude, hilarious humour and entertaining the masses excellently with their extensive back catalogue.The crowd of course reacted magnificently to all-time hit ‘All The Small Things’, but then this was Friday night of Leeds 2014, it was heaving and pits were breaking out all over the inside barrier.

The trio of songs that made up the encore summed up the evening for the Americans; ‘Violence’ a breath-taking tune that allows every band member to step up to the plate, ‘Dammit’ a veritable classic that the first strokes of the guitar riff sent everyone into a fit of excitement, and ‘Family Reunion’, a 40 second tune that manages to pack in all of the band’s trademark crude humour in an expletive-ridden blast.

One way to blast out any morning cobwebs are Derbyshire duo, Drenge. The much-hyped two are loud and fast, known for thrashing away at their instruments and barely stopping to acknowledge their audience. This mid-afternoon slot was not dissimilar to the expectations, they were impressive if straightforward, more new tunes alongside those from their self-titled LP would’ve been nice, but after a year of touring, I’d expect them to hit the studio and get more content to take their live show truly to the next level.

Firm R&L festival favourites, Enter Shikari appeared for their sixth straight festival (in more than one guise!), with circle hits in abundance as frontman Rou Reynolds took time to sprint across the Main Stage, kick out at amps and generally cause a bit of a racket- but a good racket nonetheless! Shikari have grown at this festival, as has their sound, but they know how to work their crowd and how to entertain the masses, even if they’ve never truly broken out into the mainstream, but you know what…I think they prefer things that way!

Vampire Weekend were a band I had been waiting to see ever since their inception as an act, a trio of album in and the NYC collective were incredible. They hit every right note, from Exra Koening having the nerve to play the set in a full grey tracksuit, to the imperious moods they created, from the heart-melding ‘Walcott’ the riotous ‘A-Punk’, to an exclusive track never played live before, ‘California English’, they were exceptional. The start of the set saw one of the day’s torrential downpours, but by its crescendo, the sun was beating down on a magnificent performance.

Josh Homme and Queens of the Stone Age were up first, having closed the previous night at Reading. The band put on a simply brilliant rock show, with thrills in the shape of some impressive laser-shows and some mind-melting guitar-driven beasts of songs. The energy from the band was subtle, growing and growing with each tune. ‘No One Knows’ as song number two was a daring choice, but paid off handsomely as newbies ‘My God Is The Sun’ and ‘Smooth Sailing’ more than benefitted from the buzz generated. Classics like ‘Feel Good Hit of The Summer’ and ‘Make It Wit Chu’ ensured that ardent fans were catered for too, although personally I felt that the fresher songs from 2013’s ‘…Like Clockwork’ were those more warmly received and those better performed generally.

The last coupling of ‘Go With The Flow’ and ‘A Song For The Dead’ were awesome. The latter allowed drummer Jon Theodore to take centre stage, with a sizzling drum solo, it was a song that the band performed with such intensity and vigour, it was hard to take your eyes away from it. And that was that from Queens, a band who managed to surpass my sky-high expectations.

Hoping to shake off the electrical problems which had plagued them the previous night at Reading, Hayley Williams and Paramore, started off by complimenting QOTSA and brought out an extensive light show as they closed the night. The first half of the show was full of the old fan favourites, with a big sing-a-long for ‘The Only Exception’. As a result, the second lacked the punch of the first, with many of the recent self-titled record, which featured a distinct change of sound, making it up. I felt Williams was as good a leader as a band could hope for, fully of charisma and energy, but the performance didn’t connect with myself as much as it did with the ravenous crowd, who screamed and applauded for Williams and co in their droves.

Closing off the night the co-headliners rocked with a stint in the Silent Disco was a good choice. The tent, which had to be closed in 2013 due to high winds, was packed to the brim and offered great variety of current and past pop hits on one channel, with the other devoted to the rock the Reading & Leeds fanbase are more accustomed too. However, it was nice mixing it up every now and then, the atmosphere crackling into life every time a sing-song came on, with each DJ encouraging their sides to make some noise, always a great experience.

The last day of Leeds Fest 2014 saw the much-anticipated Royal Blood finally play, ahead of their just released debut LP. It was a fast, frenetic set which saw the bass and drum duo tear apart the Radio 1/NME tent, packing it out and then some at two in the afternoon, a pretty decent achievement at the end of a weekend chocced full of live music. I can certainly see them making their way up the R&L bill in the future.

Another band I’ve kept my eye on for a while are Brummie starlets, Peace. Possibly the most popular of the current crop of B-town talent, the indie rock outfit made their maiden Main Stage appearance and had a sizeable crowd, their fans amongst the most passionate of the modern day indie era. It was nice for new single ‘Money’ to get an outing, and their new material may swing towards a more poppy sound, but if the UK is to re-start its Britpop scene, look no further than these guys.

Next up was a guaranteed party with the madcap antics of The Hives. Sure they’d released no new material since last appearing at the festival in 2012, but they really didn’t need to, as they performed a masterful set dripping full of favourites like ‘Main Offender’ and ‘Walk Idiot Walk’, beginning with the customary ‘Come On!’, descending into a crowd sit-in and ending with the front section losing it to ‘Hate To Say I Told You So’. Sure, I heard some complaints about frontman Howlin’ Pelle Almqvist’s extended crowd interaction…but I loved it!

I caught only the backend of Foster the People’s Main Stage set, but from what I saw I regretted not seeing the previous half-an-hour. A more mellow version of ‘Pumped Up Kicks’ was pretty memorable, but more than anything they were a band full of confidence and had some good crowd interaction, you got the feeling they were genuinely excited and ecstatic to be with thousands of us in a field in Yorkshire.

One band who’ve had an incredible 12 months are Imagine Dragons, going from a smallish spot on the NME tent last year, just before they made it big, to collaborating with Kendrick Lamar, selling bucketloads of their debut record and making it up to third on the bill on the Main Stage. Again, frontman Dan Reynolds was immensely likeable and thankful for being up there, complimenting R&L for believing in them when no one else would and taking a chance on them. Crowd favourites, ‘Demons’ and ‘Amsterdam’ peppered the set, before a cover of Blur’s ‘Song 2’ paved the way for the rendition of ‘Radioactive’ Leeds had been waiting for. Album number two should bring more exciting times ahead for the Las Vegas act.

Bombay Bicycle Club were as charming as ever as they headlined the NME/Radio 1 Tent, packing it to the rafters, as slices were taken from 2014 album ‘So Long, See You Tomorrow’, most notably ‘Feel’, ‘It’s Alright Now’ and ‘Luna’. I’d seen the polished show around the time of the album’s release, but it was nice to see it having been developed and smoothed out for a festival crowd. Collaborators Rae Morris and Liz Lawrence added that little bit extra to one of the most satisfying hour the weekend had to offer.

From the NME tent, it was a mad dash to see the band most had been waiting for the entire weekend; Arctic Monkeys. The Main Stage field was packed as far as the eye could see, as the Yorkshire quartet cemented their status as one of the biggest rock bands in the world, even if their set wasn’t entirely perfect.

One look at the setlist would tell you the Arctics dusted off all the favourites, alongside extended coverage of latest record ‘AM’, but the performance was rather erratic, as frontman Alex Turner was occasionally slurry in his delivery and a bit out of it, plus the performances of songs like ‘Brianstorm’ and ‘I Bet You Look Good On The Dancefloor’ lacked their usual rapid rhythm, for whatever reason. But come the end of the set, it was hard to come away having not enjoyed at least a portion of the set, whether you were an old or a new fan, there was something for everyone in this intriguing 90 minutes.

And that was that for Leeds 2014, another grand Bank Holiday weekend with stacks of memorable moments and top performances by some of the most exciting acts on the planet, Leeds '15 can't come quickly enough!

 


Photos by Gary Mather

 

Leeds Festival 2014- Queens of the Stone Age and Paramore Review

The second night of Leeds Festival saw one of the more intriguing partnerships around; Queens of the Stone Age and Paramore split the honour of playing to the biggest crowd of the evening.

Queens were up first, having closed the previous night at Reading. Josh Homme and his extensive band put on a simply brilliant rock show, with thrills in the shape of some impressive laser-shows and some mind-melting guitar-driven beasts of songs. The energy from the band was subtle, growing and growing with each tune. ‘No One Knows’ as song number two was a daring choice, but paid off handsomely as newbies ‘My God Is The Sun’ and ‘Smooth Sailing’ more than benefitted from the buzz generated.

Classics like ‘Feel Good Hit of The Summer’ and ‘Make It Wit Chu’ ensured that ardent fans were catered for too, although personally I felt that the fresher songs from 2013’s ‘…Like Clockwork’ were those more warmly received and those better performed generally.

The last coupling of ‘Go With The Flow’ and ‘A Song For The Dead’ were awesome. The latter allowed drummer Jon Theodore to take centre stage, with a sizzling drum solo, it was a song that the band performed with such intensity and vigour, it was hard to take your eyes away from it. And that was that from Queens, a band who managed to surpass my sky-high expectations.

Closing Leeds on the Saturday night meant a shot at redemption for Paramore, whose Reading set had show-stopping delays of up to 15 minutes after a power shortage saw Hayley Williams have to resort to an acapella version of ‘The Only Exception’.

However, there were none such issues during the Americans set, featuring just over a dozen songs and a heap of Williams have a general chat with her adoring fans, one of whom she plucked from the front barrier and brought on stage to share the chorus of ‘Misery Business’.

Photo courtesy of Leeds Festival – Giles Smith

It was a slick show with pyro, confetti cannons galore and a couple of ‘I had to be there’ moments; the band’s newer material didn’t bring the same sort of attention and clamour that the classics did, but Williams has an endearing quality about her, as she represents that you can be who you want and rock out to 90,000 in a field in Yorkshire.

The experiment between two American rock-bands worked; both Queens and Paramore had some cracking moments, and I wouldn’t really be surprised to see extended full-headliner status for them over the next few years.

Queens of the Stone Age & Paramore to headline Reading and Leeds Festival

This year sees amazing Main Stage co-headliner shows from rock heroes Queens Of The Stone Age and pop-rock trailblazers Paramorewho share the prestigious stage on Friday at Reading and Saturday at Leeds in their only UK performances of 2014. They join headliners pop-punk legends Blink-182, who perform their only UK shows of 2014 on the Sunday at Reading and Friday at Leeds, and the inimitable multi BRIT and NME Award winning Arctic Monkeys who will grace the stage in an England and Wales festival exclusive set on Saturday at Reading and Sunday at Leeds.
 
With festival veterans You Me At Six returning to Reading & Leeds and Jake Bugg making a well-deserved step up to the Main Stage, the line-up is certainly taking shape! The Grammy Award winning, Vampire Weekend and multi Grammy Award-winning hip-hop duo and one of the biggest breakthrough acts of 2013, Macklemore & Ryan Lewis hit the Main Stage for what promises to be an incredible set alongside fellow Americans Imagine Dragons and Foster The People, and the UK’s Deaf Havana.
 
Over on the NME/Radio 1 Stage alongside previously announced headliners Disclosure and Courteeners are the incredible Bombay Bicycle Club,who return to the Festivals with their exceptional new Number One album ‘So Long, See You Tomorrow’, as well as catchy electronic pop groupChvrches, UK single chart toppers Clean Bandit and mysterious London hype duo Jungle.
 
This year’s BBC Radio 1 Dance Stage is shaping up to be as exciting as ever with already confirmed headliners Netsky Live joined by Australian superstar Flume and a special DJ set from drum ‘n’ bass heavyweights Pendulum.
 
Across the festival there will be performances from KlaxonsDavid Rodigan MBELower Than AtlantisBoys NoizeDanny BrownEagullsThe Fat White Family and many more.
 
With many more acts to be announced in the coming weeks across these stages, as well as the Festival Republic Stage, Lock Up Stage, The Pit, BBC Introducing Stage and the Alternative Stage, this year promises to be one of the best yet for the UK’s best Festivals!
 
A-Z of Artists announced so far for Reading & Leeds Festivals 2014
 
A Day To Remember **
Eagulls
Neck Deep
Andy C
Enter Shikari **
Nero (Live) **
Annie Mac
Flume
Netsky Live
Architects
Foster The People
Of Mice & Men **
Arctic Monkeys *
Giggs
Paramore **
Basement
Gorgon City
Peace
Ben Pearce
Hacktivist
Pendulum (DJ set) *
Blink-182 **
Hozier
Pusha T
Bombay Bicycle Club
I Am Legion
Queens Of The Stone Age **
Bondax
Imagine Dragons
Royal Blood
Boys Noize
Issues
SBTRKT
Breach
Jacob Plant
Sleeping With Sirens **
Cage The Elephant *
Jake Bugg *
Temples
Chvrches
Jimmy Eat World
The 1975
Circa Waves
Joey Bada$$
The Fat White Family
Clean Bandit
Jungle
The Hives **
Courteeners **
Klaxons *
The Neighbourhood
Danny Brown
Krept & Konan
Vampire Weekend *
David Rodigan MBE
letlive.
Vic Mensa
Deaf Havana
Lizzo
Warpaint
Die Antwoord
Lower Than Atlantis
Wilkinson
Disclosure
Macklemore & Ryan Lewis **
Wolf Alice
Don Broco *
Marmozets
You Me At Six **
Drenge
Metronomy
 

Rock in Roma 2014 presents headliners Metallica, Arcade Fire and more!

The Rock in Roma is a summer musical event that takes place annually in Rome at the Ippodromo delle Capannelle usually from June to August.

This year will see headliners, The Black Keys, Metallica, Arcade Fire, Queens of the Stone Age as well as many many more!

Metallica

Now on its sixth edition, Rock in roma is one of the major international rock festival.

With more than a month of schedule, the event is a must for rock music lovers and for all the people who enjoy good music.

Feature of the festival is the quality and variety of the line-up thus allowing the meeting of different cultures and musical genres

About 800.000 people have attended the previous 5 editions of the festival, in a trend that has seen exponential growth, which led to a great increase both for the national and the international public.

Primavera Sound announce full lineup for 2014

Primavera Sound has just revealed the full line up of its fourteenth edition, distributed from Monday 26th May to Sunday 1st June, through their film “Line-Up”, that has just been released in cinemas and on Internet, having already announced the presence of the Canadian band Arcade Fire, Neutral Milk Hotel’s stage comeback and Frank Black’s band, Pixies. The latter are now joined by an extensive list of artists who will play on the multiple stages of the Parc del Fòrum from 29th to 31st May. Among all of these newly confirmed names Trent Reznor’s band Nine Inch Nails, the American band The National, the mythical desert rock formation Queens of the Stone Age, Justin Vernon’s new project (with Bon Iver) Volcano Choir, the Californian rapper Kendrick Lamar and the legendary and influential Brazilian singer songwriter Caetano Veloso really stand out.

Arcade Fire

The first festival shows for newly reformed British band Slowdive, house from the British band Disclosure, Television from New York playing their greatest album “Marquee Moon", math-pop from the powerful Foals, the presentation of the Scottish band Mogwai’s new album, electro pop from the highly successful Metronomy and Darkside, Nicolas Jaar’s new project, all join the line up of the Barcelona event.

A large number of the participants at this edition will be visiting Spain for the first time. This is the case for the hidden gem of feminine folk Linda Perhacs, The Julie Ruin (new band of Kathleen Hanna, former Bikini Kill member), the explosive cult band Chrome, the loud British band Loop and Body/Head, Sonic Youth’s Kim Gordon’s new project.

Other cutting edge artists will come to Primavera Sound to present their most recent albums: From Australia Cut Copy and their dance pop, the funny and outrageous Black Lips, the British genius Blood Orange, regenerator of the most contemporary black music, the 90s rock veterans Superchunk, Drive-By Truckers and their classical rock and dance floor funk from the Duo Chromeo.

A multitude of musical styles will fill the stages of the Barcelona event: afrobeat by Seun Kuti & Egypt 80 and the New Yorkers Antibalas, cosmic jazz from Sun Ra Arkestra, post rock from The Canadians Godspeed You! Black Emperor, metal by Kvelertak and Deafheaven, noise from Wolf Eyes, the stunning electro pop of Helen Love, neo classical music by A Winged Victory For The Sullen and soul from Charles Bradley.

The national section is headed by Standstill who will perform their spectacle Cénit, the Granada band Grupo de Expertos Solynieve and the presentation of the Barcelona band Mishima’s new album, the consecration of El Petit De Cal Eril as one of the most robust groups in our country, the alliance between Sílvia Pérez Cruz and Raül Fernández Miró, the revelations of 2013 León Benavente and El Último Vecino, the Catalan singer songwriter Joana Serrat presenting her new album, the analogical-electro duo Svper and Oso Leone from Mallorca.

As for the electronic music programme, it will be headed by the world famous French DJ Laurent Garnier, who will be followed by a long and varied list of artists: the Germans Moderat (the union of Modeselektor and Apparat), the deep rhythms of SBTRKT, the revelation of electronic dance music Daniel Avery, Jamie xx from the UK (member of The xx), from Madrid comes Pional, Lasers from Barcelona with their impeccable live show, house by Julio Bashmore and the experimental sound of Demdike Stare and The Haxan Cloak.

Primavera a la Ciutat will flood the whole city of Barcelona with a series of complementary proposals in parallel with the main event. Among these the day of free concerts on Wednesday 28th May in the Parc del Fòrum stands out. On that day there will be concerts by Sky Ferreira, the Belgium revelation Stromae, the Argentinians Él Mató a un Policía Motorizado, the electro pop duo Holy Ghost!, the up and coming British band Temples and the Madrid band Fira Fem. During the week of the festival, clubs such as Apolo, BARTS and the Teatre Principal will host all types of performances amongst which Darren Hayman and the Trial Separation, Full Blast, Shellac, Angel Olsen, Juana Molina, Paus, The Brian Jonestown Massacre, Har Mar Superstar and the showcases by the Catalan labels Bcore and La Castanya stand out. Els Vermuts del Primavera in Parc de la Ciutadella with concerts by bands such as Speedy Ortiz, Dum Dum Girls, Boogarins, The Mark Eitzel Ordeal and La Sera on the 31st May and 1st June, merit a special mention.

CONFIRMED ARTISTS 28.01.2014

MONDAY 26th MAY
– Apolo: Darren Hayman & the Trial Separation, The Free Fall Band, Tigercats

TUESDAY 27th MAY
– Apolo: Antibalas, Chicha Libre

WEDNESDAY 28th MAY
– Parc del Fòrum: Él Mató a un Policía Motorizado, Fira Fem, Holy Ghost!, Sky Ferreira, Stromae, Temples
– Apolo: The Brian Jonestown Massacre, Har Mar Superstar, Holy Ghost! Djs, Niña Coyote eta Chico Tornado
– La [2] de Apolo: Showcase La Castanya: Aries, Beach Beach, Me and the Bees
– Teatre Principal: Jamie xx & friends
– El Teatro Latino: The Ex, Full Blast, Paus, Shellac

THURSDAY 29th MAY
– Parc del Fòrum: A Winged Victory for the Sullen, Andy Stott, Antibalas, Arcade Fire, Bo Ningen, Caveman, Charles Bradley, Chrome, CHVRCHES, Colin Stetson, Disclosure, El Petit de Cal Eril, El Último Vecino, The Ex, Föllakzoid, Fort Romeau, Gang of Youths, Glasser, Grupo de Expertos Solynieve, Jamie xx, John Wizards, Julian Cope, Julio Bashmore, Kosmos, Lasers, LNripley, Lunice, Majical Cloudz, Metronomy, Midlake, Moderat, Móveis Coloniais de Acaju, Neutral Milk Hotel, Pond, Queens of the Stone Age, The Range, Real Estate, Rodrigo Amarante, Shelby Grey, Shellac, Single Parents, St. Vincent, Standstill, Sun Ra Arkestra, Svper, Touché Amoré, Warpaint, William Dafoe, Wind Atlas

FRIDAY 30th MAY
– Parc del Fòrum: !!! (Chk Chk Chk), Angel Molina, Astro, Black Drawing Chalks, Body/Head, C+C=Maxigross, Darkside, Deafheaven, Demdike Stare, Dominick Fernow, Dr. John and the Nite Trippers, Drive-By Truckers, Factory Floor, Dj Fra, The Growlers, Haim, The Haxan Cloak, Jagwar Ma, Jenny Lewis, Jesu, Joana Serrat, John Grant, Julia Holter, The Julie Ruin, Kvelertak, The Last 3 Lines, Laurent Garnier, Lee Ranaldo and the Dust, León Benavente, Linda Perhacs, Loop, Mas Ysa, Mick Harvey performs Serge Gainsbourg, The National, Oso Leone, Pional, Pixies, Prurient, Refree, SBTRKT, Sharon Van Etten, Slint, Slowdive

SATURDAY 31st MAY
– Parc del Fòrum: Belako, Black Lips, Blood Orange, Boogarins, Caetano Veloso, Chromeo, Cloud Nothings, Dj Coco, Cold Cave, Connan Mockasin, Courtney Barnett, Cut Copy, Dani Baughman, Daniel Avery, The Dismemberment Plan, Dum Dum Girls, Earl Sweatshirt, Foals, Genius of Time, Godspeed You! Black Emperor, Hebronix, Helen Love, Hospitality, Islands, Jonathan Wilson, Junkfood, Jupiter Lion, Kendrick Lamar, Kronos Quartet, La Sera, Marc Piñol, The Mark Eitzel Ordeal, Mishima, Mistakes Are Ok b2b Mattis With, Mogwai, Nine Inch Nails, Seun Kuti & Egypt 80, Sílvia Pérez Cruz & Raül Fernández, Spoon, Superchunk, Teho Teardo & Blixa Bargeld, Television performing Marquee Moon, Ty Segall, Univers, Volcano Choir, Za!
– Els Vermuts del Primavera (Parc de la Ciutadella): Flamaradas, Renaldo & Clara, Speedy Ortiz, Súper Gegant, The Twilight Sad

SUNDAY 1st JUNE
– Apolo: Chromeo, Cloud Nothings, Dave P, Ty Segall, Vàlius
– La [2] de Apolo: Showcase BCore: Cuello, Fuckin’ Bollocks, No More Lies
– BARTS: Angel Olsen, Grouper, Joana Serrat, Juana Molina
– Els Vermuts del Primavera (Parc de la Ciutadella): Berlinist, Boogarins, Dum Dum Girls, Hospitality, La Sera, The Mark Eitzel Ordeal

Queens of the Stone Age, Calvin Harris and more for Sziget 2014

We are excited to let you know that the first acts for this years Sziget Festival have now been announced.  Queens of the Stone Age, Calvin Harris and Placebo are just a few of the massive artists that will be performing in Budapest, Hungary this year at the world famous Sziget Festival.

Queens of the Stone Age, the legendary rock band from Palm Desert, California, is known for its riff-oriented, heavy rock music. The cornerstone and charismatic leader of QOTSA is the singer-guitarist, Grammy Award winner, Josh Homme. Their latest album from 2013…Like Clockwork has an amazing list of contributors like Joey Castillo (former drummer), Mark Lanegan (regular collaborator and former member) and also Trent Reznor (Nine Inch Nails). This year they are going to rock Sziget Festival for sure.

Calvin Harris is one of the biggest names in mainstream electronic music today. We can associate uncountable first class EDM songs to the Scottish singer, songwriter, producer and DJ. These masterpieces are not just well-known to everyone, but are 100% party anthems featuring all stars. Now he is even more popular with his newest third album, 18 Months.

Calvin Harris

Placebo, enjoys an ever growing level of success around the world with their unique blend of music and outstanding live performances. Their dark and melodic trademark sound featuring singer Brian Molko’s instantly recognizable vocals has become one of the strongest brands in rock over the past decade. Last year they have released their seventh studio album Loud Like Love.

The American alternative rock band, Imagine Dragons, becomes more and more successful. They do not only have a unique sound, but they create an own world with romantic, solid, fascinating atmosphere thanks to the passion and professionalism of its members. This year they won the award for ‘Newcomer of the Year’ at the European Festival Awards.

Formed in London by Dan Smith, Bastille, is a highly popular alternative rock band today. The band was started out as a solo project of the singer/songwriter Smith, but later expanded to a quartet. Their debut album, Bad Blood, was released last year and received a good reception. Their most successful single “Pompeii” and their whole show will be a must-see at Sziget.

Bastille

Stromae, the Belgian singer-songwriter is a very charismatic personality, who merges electronic, hip-hop, eurodance and traditional African vibes in his music. He is not only popular, but received many important awards from the industry. He has released two albums so far and has made dance millions with his singles as Alors on danse or Papaoutai.

The British indie rock band, Klaxons, will bring the audience something very special and unique. They merge some materials from post-punk and pop with the vibe of psychedelic rock’n’roll. Their last album Surfing the Void was a great success and hopefully this year Szitizens can enjoy some songs from their forthcoming album as well.

Laidback Luke is a real innovator in dance music, who will be powering dance music to the crowd at Sziget this year. The Dutch DJ has works together with Dimitri Vegas & Like Mike or Hardwell, but he is also responsible for EDM’s most sought after remixes as a recent demand on Martin Solveig’s ‘Hey Now’, ‘Thinking About You’ featuring Ayar Marar for Calvin Harris and Robin Thicke featuring Pharrel and T.I on chart busting ‘Blurred Lines’.

As an exciting element at Sziget, Starlight Girls, will make an appearance with their unique and alternative sound. The Brooklyn-based group lives in a swirling fun house of everything you don’t hate about music, drawing their influence from the 20’s, 30’s, 40’s, 50’s, 60’s, 70’s, 80’s, 90’s and the future.

Miguel added to Poland’s Open’er Festival

The line-up for this year's Open’er Festival is ever expanding as more outstanding major acts confirm for 2013’s edition.
 
Each year, the Grammy Award ceremony needs it's quiet, surprising hero. In 2012, it was Bon Iver, while at this year's ceremony the role was played by Miguel, a 28-year-old Los Angeles singer. With the surprising five nominations, until the ceremony, known only to a small handful of fans, he gave a fiery interpretation of his hit single "Adorn", later receiving a Grammy award for it as Best R’n’B Song. He was just a little short from returning home as author of "Song Of The Year", yet, the American market wasn't ready for him yet.
 
Miguel Pimentel debuted in 2010 with a decent, yet unnoticed album "All I Want Is You”. While the LP gained its faithful listeners, its high quality deserved a far better reception. In 2011, Miguel broke the contract with his label at the time, signing to the renowned RCA Records, who understood the potential in the young singer. In October 2012, he released "Kaleidoscope Dream", deemed one of the best albums of the year straight away. Perfected to the last detail, sung in a way to strike only one comparison – Prince, the album did not only gather words of praise, but also checked in at top positions in the charts. The comparisons to Prince appear in nearly all "Kaleidoscope Dream" reviews, as Miguel has another advantages but exquisite songwriting: good looks and untamed stage antics.
  
Hip-hop beat and the use of rock instruments make Miguel not only one of the creators of the so-called "new r'n'b" (along Frank Ocean or The Weeknd), but also an artist to refresh the entire genre, while keeping faith to the classical sound. It is acknowledged by the growing crowd of fans, award juries and the greatest stars. We believe that on July 6, the Open'er audience will acknowledge it too.

Hurricane and Southside Festival Preview 2013

In recent years more and more Brits are heading out to European Festivals. Sometimes it's for the experience of visiting different country, often for the (usually) better weather and line-ups, but surely the major reason is most European festivals are much better value, with tickets often half the cost of their UK counterparts.

Hurricane/Southside festivals are twin three day music festivals and takes part from Friday 21-23rd June. Hurricane is a long established fixture on the European Festival calendar and his has been held near the picturesque town of Scheeßel in Northern Germany since 1997. It's slightly smaller sister festival Southside, located in Neuhausen ob Eck in the very south of Germany, has been held since 2000. Reading and Leeds festivals would be the obvious UK comparison, with the line up being shared between the two twin festivals, their size, the variety of bands playing and the fact they're all about the music.

Hurricane is a cheap festival to get to from the UK. Although located in a rural area, Hurricane is located near the cities of Hamburg, Bremen and Hannover which makes getting to the festival relatively easy thanks to Germany's super efficient train system, and also means you can extend your trip with a visit to one of the cities before/after the festival.

Whereas many European Festivals don't get going until the evening and run right through the night, Hurricane/Southside's timings are more similar to the British festivals and start at midday, running throughout the day, with the head liners (This year The Arctic Monkeys, Sigur Ros and QOTSA) playing from 10pm until midnight.

The line up is quite possibly the best in Europe this summer and features many UK and international bands, as well as local German bands and includes:

Arctic Monkeys/ Queens of The Stone Age/ Sigur Ros/ Smashing Pumpkins,/The National/ Kasabian/ Bloc Party, Alt J/ Portishead/ NOFX/ Rammstein/ The Gaslight Anthem/ The Vaccines/ Editors/ Tame Impala/ Peace/ I am Kloot/ The Hives/ Modest Mouse/ Frightened Rabbit/ Frank Turner/ Chase and Status/ Darwin Deez/ Of Monsters and Men/ Gogol Bordello/ The Maccabees/ British Sea Power/ Miles Kane/ Ska-P and Steven Wilson..

The full 4 stage clashfinder for it's 4 stages has been published at http://www.hurricane.de/de/line-up/#!programmation=timeline$ to allow you to plan your weekend already, though with so many great bands playing, clashes are inevitable.

Weather:

Hurricane being situated in Northern Germany, has suffered from the odd downpour in previous years so wellies, and waterproofs are recommended, just like with UK festivals. Southside being situated near the Swiss border, usually has slightly warmer, drier weather.

Bars/toilets:

Friends who have frequently attended Hurricane in previous years report minimal queues for the bars, toilets etc and the whole festival run with German efficiency! It's not a gourmet boutique festival but the usual festival grub of noodles, burgers, falafel etc is available.

Transport

Both Hamburg and Bremen are relatively close to Hurricane Festival with Easy Jet and Ryanair having cheap flights to Hamburg and Bremen from many UK cities. (My Manchester to Bremen return flight has cost less than £50 !). It's slightly more expensive to fly to Hannover but is well served by Flybe and German Wings. Train-wise advance group tickets are available (Länder-Ticket) for transport on all transport systems for up to 5 people anywhere in the region for a day for a bargain 22 to 38 euros)

Tickets:

Hurricane Festival's tickets were priced at a great value 137 euro (around £117). Reading and Leeds's weekend tickets by comparison are £202 this year. Both Hurricane and Southside's tickets have sold out already, which is testament to their fantastic line up and reputation.