The Saturday starts off warm, but things are about to get even hotter, as Pink brings her Summer Carnival Tour to Hyde Park.
Opening the Great Oak stage was Gayle, self-described on her YouTube channel as ‘bassive aggressive dyslexic’ – unusual choice of words, especially as she finished with her hit ‘ABCDE-FU’.
Next up was Eurovision wonder Sam Ryder – it’s impressive he’s playing BST as a support artist, as he’s booked to headline many events this summer himself, including Camp Bestival. Dressed in a knitted smiley outfit, he encourages the crowd to join him in a singalong of ‘better to have fought and lost than never fought at all‘ from his hit song from Ted Lasso tv-show, but the crowd are clearly here waiting for his galactic hit ‘Spaceman‘. It was his birthday over the weekend and what a way to celebrate!
When you’re Pink, you can call upon the biggest artists to support you. They don’t come much bigger than Gwen Stefani, fresh from her own headline appearance at Warwick Castle. To promote the tour, she’s appeared on BBC’s flagship The One Show, as well as This Morning and touted her love of British Music, Madness and The Selecter and it’s clear to see her 2Tone influences with her impressive outfits and costume changes.
As well as solo hits ‘Hollaback Girl‘ and ‘The Sweet Escape‘, she introduces her new song ‘True Babe‘, with the video and lyrics shown on the large screens. The sh!t really is bananas as she mixes Alice in Wonderland visual sets with Harajuku Girls and throws in a few classic No Doubt songs for good measure. On ‘Rich Girl‘, she was also joined by American rapper Even to the delight of the crowd.
What You Waiting For? Well there’s only one act that could possibly follow Gwen Stefani, and she certainly doesn’t disappoint.
P!NK likes to make a big entrance and at Hyde Park, there is simply no exception.
In front of a 65,000+ crowd, she appeared at the very top of the stage and proceeded to bungee down to greet her adoring fans.
What a way to get the party started. For almost two hours, she sling-shotted herself across the stage in a series of impressive leotards. But it wasn’t just the aerial acrobatics. She has an incredible singing voice, but also a voice which refuses to be silenced when she wants to make a clear message and speak up for what she believes in. Talking with the crowd, many people threw gifts, including chocolates and a vast array of soft-toy frogs. By far the most impressive, and (also most pungent) gift she was presented with though was a whole wheel of cheese – god only knows how the audience member managed to get that past the security into the coveted gold-circle.
Her daughter Willow Sage Hart joined her onstage for a version of ‘Cover Me In Sunshine‘, and she impressively covered First Aid Kit’s song ‘Kids in Love‘, and Sade’s ‘No Ordinary Love’, added her own unique style onto each.
Finishing the show, she literally took to the air again high above the crowds, singing ‘So What‘ and finished to a backdrop of fireworks. Such an impressive audio and visual show.
Following P!NK next weekend will be two polar extremes – Guns’n’Roses fresh from their triumphant set and Glastonbury on Friday, while Take That will shine brightly on Saturday.
Kite: Self-described as ”a festival like no other’, this truly was one of the most eclectic and exciting line-ups of the summer.
Where else could you see Dame Joan Collins as support act for Hot Chip? Or Tony Blair’s former PR guru Alastair Campbell on stage before former Conservative PM Sir John Major?
Mel Giedroyc kicked off proceedings, interviewing Adam Kay, best selling author of ‘This Is Going to Hurt’. Cheekily, Michael Gove was conducting a newspaper review next door, so Mel encouraged the crowd to cheer ‘Gove is Guilty’ – quite!
Boris Johnson’s resignation as MP following his shameful lying dominated proceedings all weekend. Sir John Major stated ‘Johnson has attacked a bedrock of our democracy, by ransacking and ignoring the convention of behaviours in parliament’. In the ex-PM’s words: ‘The worst enemy of Boris Johnson is in fact Boris himself.’
Headliners Hot Chip had the crowd dancing Over-and-Over, in the words of their pop song. Truly, they remain one of Summer Festival Guide’s favourite live bands.
Elsewhere, Alison Goldfrapp was truly breathtaking in her sequinned dress, with an elaborate cast of choreographed backing dancers, but the 10,000 strong-crowd reaction was a little lacklustre. Later, Grammy Award winning Candy Staton delighted fans on her farewell tour with hits ‘Young Hearts Run Free’ and ‘Stand By Your Man.’
Sunday morning began with Shadow-chancellor Rachel Reeves answering questions from the crowd in a confident manner.
Don’t get me wrong, it wasn’t just speeches and politics all weekend. The Pretenders still have the swagger and great true rock’n’roll tunes. Unfortunately their set was cut short by the overhead electrical storm, but they still played crowd pleasers ‘Stop Your Sobbing’ and ‘Back on the Chain Gang’. It’s a surprise The Pretenders weren’t booked as headliners.
Django Django followed after the thunder passed with their unique electronic blend of synthesisers and guitars, before Britpop legends Suede stormed on stage. Truly loving the crowd reception, Brett Anderson gets better with age and clearly put everything into his performance, leaving the stage dripping head-to-toe in sweat.
Ciro Romano, festival director, summed the event up well:
“The long-awaited second-ever KITE brought immense joy and a renewed sense of togetherness. The enthusiastic response from our passionate audience reaffirmed the festival’s unwavering ethos. Against the stunning Kirtlington Park backdrop, attendees revelled in a weekend of unforgettable music, thought-provoking cultural experiences, and delightful new discoveries.”
End of the Road is the UK’s most diverse medium-sized music and arts festival.
The line-up proved the Dorset event continues to attract a high calibre of artists and musicians from all over the world. From Tinariwen, who came all the way from the Sahara Desert region of Northern Mali to Sudan Archives from Los Angeles, the line-up was as wide-reaching as it was eclectic.
This year, there was also the introduction of the disco ship – a boat eerily abandoned in the middle of the woods, serving as a pirate station for late night DJ sets, including 6 Music’s Tom Ravenscroft.
Headlining the opening night was Khruangbin, with their effortless psychedelic funk from Houston, Texas. As well as their own engrossing guitar noodling, they mixed in classic instrumental covers of Warren G’s ‘Regulate’, Snoop Dogg’s ‘Nuthin’ but a G Thang’, and Bowie’s timeless ‘Let’s Dance’ – well it would have been rude not to throw some shapes.
On Friday, the wealth of music, arts and cinema at Larmer Tree gardens really opened up. Durand Jones & The Indications continued the retro-soul revival on the main Woods Stage. Later, Tinariwen were an inspired booking with their nomadic desert blues and beautiful heartfelt delivery, which wouldn’t have been out of place headlining nearby Womad festival.
Elsewhere, across the weekend, literature talks and comedy were welcome at the Talking Heads stage…author Tom Cox discussed his new novel which combines his love of three things, which could also describe the festival treats on offer – music, nature and folklore. Later, soul legend and First Lady of Soul, PP Arnold tried to cram in all her life adventures in a talk on the same stage, but regrettably had to be cut short due to her extensive and abundant charm.
Headlining Friday night was a clash between Fleet Foxes on the Woods Stage and Black Midi, who entered the Garden Stage to the sound of Pavarotti’s Nessun Dorma. Until you see them live, you won’t appreciate the energy of the insanely tight music.
Saturday began slowly which gave chance to explore the myriad of art exhibitions, workshops, life drawing and more importantly, exquisite food stalls for breakfast. The Wave Pictures stepped in for a late cancellation mid-afternoon, much to the delight of the crowd. Later, The Weather Station played to beaming sunshine despite the forecasts incorrectly predicting thunderstorms.
Arguably (and definitively the correct answer in any debate), the highlight of the weekend was Perfume Genius. Fresh from a surprise Q&A session earlier at the mysterious piano stage, Mike Hadreas confessed the name of his band was pure nonsense, but the music was a pure electrifying display. Mixing in disco pop crowd pleasers such as On The Floor, with his dramatic Queen, he went from an initially reserved showing when he entered the stage to a transformative tour-de-force by the time he wrapped himself in his stage dressing at the end.
Very few bands could match or outshine Perfume Genius. Pixies came close, beginning their set with classics for forty minutes, but soon after, they began to make the awful festival mistake of playing so many songs from their new album, not those anthems which made Bowie such a fan of one of the most inspirational bands of all time. As the last show of their two month tour, Pixies still had an abundance of energy and finished with Neil Young’s classic, Winterlong.
Sunday began in full energy with angry Glaswegian poet Stephen Durkan & Acid Commune before the unmistakeable Deathcrash blew away the hangovers with their post-rock.
Later Hurray For The Riff-Raff celebrated the outsiders and supposed weirdos who don’t fit in, while Kurt Vile brought his unique stoner Americana to the main stage. The real treats lay on the Garden Stage with Lucy Dacus delighting the crowd with her charming guitar playing again this year. It’s clear she’s as fond of End of the Road as the festival curator and the crowd are of her, as she described the Larmer Tree Gardens as her second home.
Finishing in the perfect way possible were Bright Eyes, encouraging everyone to finish the weekend with a dance & sing. Like the rest of the festival, it was the most beautiful experience.
Chaotic, loud, charming and inspirational, it was the perfect way to finish before heading back to the normality of the outside world. While regrettably, the end of the road for another festival season, it was the perfect way to finish.
The stars at night, are big and bright, deep in the heart of… Leicestershire. Yes folks, it’s finally time to return to the grounds of Stanford Hall in the UK, for three days of Country and Americana at The Long Road festival. Driving down the country lanes through picturesque thatched villages and ye old pubs, we’re talking about a very different kind of ‘country’ here in the UK. This feels more ‘there are a lot of murders for such a small place’ than ‘we brew moonshine in our tub’ but the essence is kind of the same – our sunbleached fields after a summer of heatwave might not be giving full Texas but eh, it’s not far off.
We head around to the marked carparking looking for day parking, only to be waved down by an angry steward telling us there’s no such thing (despite the GIANT sign 5 metres away from him saying it does) and get directed into the weekend camping car-park instead. So we do as we’re told only to discover that this isn’t the way to the main box office… there should be day-parking, and we now have to walk through camping fields to find it/our way in. I don’t know what was going on with Friday’s site staff but absolutely no-one seemed to have a clue what was happening or where anything was. However, after some grumpy shuffling we finally make our way past the beautiful Stanford Hall itself, and into the festival.
Since there isn’t any main stage action today, we decide to take a full tour of the site and see what’s what. We are greeted by an absolute plethora of stuff-to-do which I take as the mark of a good festival actually, and the site itself is really pretty. Over at The Showground, there’s a flamboyant pink and yellow garbed Cowboy sitting for a Life Drawing Class, whilst next door the Yeti stand is giving lasso lessons (it’s very cute, the ‘bulls’ are little horned heads stuck on the side of Yeti coolers) and axe-throwing.
Ⓒ Anna Hyams for SFG
We take a minute to check out the merch tent, and are pleased to find the range has grown considerably since last time we were here and most of it is available up to a 4XL which is really nice to see. The best t-shirt by far though is the Hot-Dog Showdown one, I’m coming back for it for sure. Around the corner and through a little woodland path is the new home of Buddy’s Good Time Bar, which this year is two tents in a little arena. One the bar itself, one the stage – as well as some seating and a bank of toilets nearby. Last time Buddy’s was a really fun indoor saloon set up in a faux village, and this definitely feels more generic festival, but the stage is bigger and it’s a nice little area to hang out in.
Over on The Front Porch – a stage dressed as a country cabin, complete with smoking stack chimney – where performers quite literally do their set on the front porch, we take some time to sit down and listen to the soothing sounds of Kevin Daniel’s acoustic set. There are people splayed out everywhere in the sunshine just taking it all in, and Kevin’s voice is stunning – this is my favourite stage at TLR.
Ⓒ Anna Hyams for SFG
Jess Moskaluke’s soulful voice seeps out of The Interstate stage tent, and I actually quite enjoy her Kelly Clarkson ‘Since U Been Gone’ cover, despite not actually liking the song itself. London based Misty River is excellent on The Front Porch stage amongst the twinkling fairy lights and the hay bales, with her shimmering sequined dress and beautifully unusual voice. “What a joy to be here” she says but sadly the next few songs are all but drowned out by the noise pollution from The Interstate. The two stages really are too close together when one is playing big beats and the other is acoustic.
Behind us the Moonshine bar seem to be doing a roaring trade, and they have Cornhole and Horseshoe throwing competitions set up for people to play. Around the back of the arena there are a few choice shops to peruse, with some incredibly detailed and interesting cowboy boots and hats up for grabs, as well as floral jewellery and an absolutely incredible stall selling repurposed fabrics such as fancy tablecloths – made into tops and dresses. In the centre of this area is the adorably named ‘Lil Possum County’ kids area which is a hay-baled arena of things to do for your critters. Our lil possum gives the obstacle course a red-hot go, and then promptly falls over a space hopper – excellent fun for all.
Would it even be a festival review from me if I didn’t discuss the food options here? Today’s shout out goes to the amazing Texas Smokers, whose BBQ’s are built into an old American fire truck, with axes for handles. Epic. Their dirty-fries are loaded with so much brisket and cheese sauce that I actually couldn’t finish it – unheard of for festival food.
After the snake-like rest I required following my giant dinner, it’s into The Interstate for Priscilla Block. The tent is absolutely full and she puts on an awesome rowdy show with hits ‘My Bar’ and ‘Peaked In High School’ yelling “This is a song for anyone who made me feel like shit about myself…”.
Ⓒ Anna Hyams for SFG
On The Front Porch, Ilana Zsigmond aka St. Catherine’s Child is having some sound issues but gives a stunning mellow performance anyway, before bluegrass troupe The Vanguards get everyone up and dancing in the twilight. The chimney of the shack smokes red to match their very dapper outfits, as they harmonize over the twanging banjo melodies. “We’re gonna play you one by the Stanley Brothers… any Stanley Brothers in the crowd? Oh. Wait. I should say Stanley Brothers fans… because they’re all dead” gets a snort from me – there’s nothing like a blooper to round out a show, but they’re funny and graceful, and it’s a really enjoyable set on the auspicious day of their album release.
Ⓒ Anna Hyams for SFG
The last act of the night for us is Drake White in The Interstate, which is absolutely packed to the seams with adoring fans whooping as he takes to the stage. “It’s so nice to be here, to be free, to be wearing Ray Bans in a tent and singing for you” he quips, the freedom part presumably in reference to two cancelled years of TLR, but also noting that there is absolutely no reason to be wearing Ray Bans in dark tent full of people. Anyway the set is amazing, he has an undeniably fantastic voice, with that unmistakable Alabama drawl, and the band are rocking – a great first night closer.
Ⓒ Anna Hyams for SFG
As the fire-pits around the site are lit and we head out, it truly smells like we’re on the cusp of Autumn. The crackling logs uplighting giggling golden faces, the crisp cold evenings coming in and the sounds all around us are uniquely Long Road. There’s a magic in the careful curation of experiences which transport you elsewhere in time or space – I feel like I could be laying under the stars on top of a Wagon in the old west right now.
Saturday
Starting off today with a bit of mellow soulfulness in the sunshine is Sam Williams on The Front Porch, followed by a walk around the Lucky Dice Classic Car Show over the lake – I particularly liked the yellow Harley Davidson, and there’s a bit of me that wanted to take the Bronco on a joyride, but I quash the desire in favour of watching some Cowboy Olympics in The Showground. A young lad is standing on a bale of hay trying to catch flung frisbees and stuff them down his top, whilst being unceremoniously jabbed by the horns of buffalos on sticks. 10/10 very entertaining, as was part two which involved throwing hay bales with little regard to rules or safety, excellent sights.
Ⓒ Anna Hyams for SFG
Hudson Taylor on The Interstate give me countrified-Weezer vibes, very boppy and fun, but we’re heading over to the New Orleans Kitchen for some of their incredible blackened cajun shrimp and fries bowls. This is the second festival we’ve had their food at and I just know I’m going to dream about it in the dead of winter and be mournful.
After eating we head back over to The Showground for possibly my most anticipated highlight of the festival – The Hot Dog Showdown. It’s a full house around the picnic tablecloth set-up, there are 6 willing participants and 60 hot-dogs on the deck. As many as you can eat in 3 minutes is the timeframe (which I personally think is a very short window for what look like extremely bready buns) but the countdown goes and the contenders start chomping. There are a few doing the renowned dip-the-bun-in-water technique, but only the ultimate winner is standing up and doing a little wiggle in the grand tradition of Matt Stonie – and it pays off. Let this hereby be my petition to bring Matt Stonie and Joey Chestnut to TLR next year, make this event bigger and better, get a trophy. I’m off to buy a tshirt.
Ⓒ Anna Hyams for SFG
Round two for Priscilla Block this weekend, this time on the main stage. She arrives in her signature jorts and a sparkly scrunchie, brandishing a Yeti cooler cup and yelling “We have a saying where I come from – holler and swoller! You shout, then you drink” as the crowd join her in a toast. The set-list isn’t the same as yesterday’s, so Block fans are getting a good second innings here, but she does still play ‘My Bar’, and then “To anyone who ever told me I needed to lose weight to be up on this stage… This one’s called Thick Thighs”. It’s absolutely clear the crowd love her, and she has definitely been a highlight of TLR for me – both times.
Ⓒ Anna Hyams for SFG
Cassadee Pope is up next, hot off the back of a social media dispute involving other members of the country music scene – in which she and Maren Morris trash Brittany Aldean’s transphobic nonsense online. Since the festival, Morris has also translated this ridiculous saga into tshirts with ALL profits going to Trans charities, and Cassadee was first in the queue to purchase one – we love to see it. Bursting onto the stage in a patterned white suit, Cassadee calls out “I’m sure everyone out here has gone through something so so tough, and you thought you might not make it… but you’ve gotten through it and you’re here. Be proud of yourselves” to rapturous applause. She’s a ball of energy, entertaining and bright – one of the best performances of the weekend.
Ⓒ Anna Hyams for SFG
Up next, Brandy Clark in a very sparkly sequined green blazer – has been moved up from the Interstate to the main stage, and is talking about how Marty Stuart (playing later) is a hero of hers, and the honour of sharing a stage. “Here’s a song I wrote about a pawn shop, do you have those? It’s not the only song out there about a pawn shop, but I hope it’s your favourite” she smiles. Brandy has a fantastic voice, and is clearly a crowd favourite.
Ⓒ Anna Hyams for SFG
Charly Lowry is over on the Front Porch wearing red cowboy boots and bringing the energy back up, and later the gorgeously smooth voiced Rissi Palmer wraps up the ‘Colour Me Country’ takeover, bringing all the other artists up on stage to thank them.
Marty Stuart & His Fabulous Superlatives are closing the Rhinestone stage tonight, stepping up to a much longer set than originally intended due to the cancellation of original headliner Chris Young – who pulled out of the festival (and his entire UK tour) on the 24th of August. The official line was that there were cases of Covid in the Chris Young touring party, but rumors abound of poor ticket sales on the tour have been circulating online, leaving a lot of disappointed fans who were attending specifically to see him.
However, this extended Marty Stuart jam session – with a heap of special guests – is a rare treat outside of Nashville, for country fans. Having toured with Johnny Cash in the 80’s, and having a career filled with amazing highlights in general – Marty is an institution in country music, and swaggers onto the stage in black, with all the confidence of someone completely at home under the show-lights. Marty’s touring band The Fabulous Superlatives are resplendent in matching powder blue rhinestoned floral suits (very apt for the Rhinestone Stage) as they launch into the set. It’s melodic, the harmonies are perfect, it’s a tour through classic country rock, and the crowd are having an absolute ball.
Ⓒ Anna Hyams for SFG
We can’t get by without at least one quick pandemic reference here either; “It’s called Sitting Alone. I didn’t know what this song was about when I first wrote it, but I do now… for your consideration” Marty jokes, but I’ll let it slide because I really like the song. Going completely off script and just jamming along however they want, Marty yells “Wanna do a Johnny Cash song?” and of course it’s ‘Ring of Fire’ to the joy of everyone in the arena, before heading in a completely different musical direction. “I’ve been thinking about it… and I declare The Long Road Festival to be the surf music capital of the World… what do you think?” the crowd yells in agreement but I can’t help myself laugh at the fact that we’re in just about the most landlocked part of the UK and definitely aren’t ‘surf people’. Oh well, everyone is giving this Beach Boys cover a go anyway.
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After this strange interlude, we are treated to a few special guest songs starting with Andrew Combes who honestly looks absolutely miserable but works with the crooning I guess. Guest two is Kezia Gill “Finally something pretty on stage” quips Marty as she laughs, and they up the tempo with a rendition of Nancy Sinatra’s ‘These Boots Are Made For Walkin’ with about 3 extra verses over massive crowd cheers. Guest number three is Sunny Sweeny for the kind of sweet country sounds you can sing along to – and the entire arena certainly is. All in all it’s been a pretty special night, and yeah it’s disappointing that Chris Young cancelled, but there’s a part of me that is really grateful for the opportunity of watching a session instead of a prescribed set for a change. It feels intimate and personal – not something you can usually say about a headliner at a festival.
Ⓒ Anna Hyams for SFG
Sunday
The final day at the festival and a little sun relief this morning, it’s not quite as hot today which is a blessing. After another skirt around the site to see what’s going on, and a little sit down in the very plush High Falootin’ VIP area (sofas, tables, wooden recliners, a bar, cute lanterns everywhere, nice loos and a cracking view of the main stage) we head out to see Kyle Daniel hit the main stage. Kyle is inexplicably dressed as Shaggy from Scooby Doo, and I am absolutely dying to know if it’s intentional, but either way – I’m into it. ‘God Bless America (Damn Rock ‘n’ Roll)’ might be the most antithetic statement I’ve ever uttered as a predominantly rock and metal fan, but it’s a very catchy song that I find myself singing along to regardless, and the whole affair is exactly what I hoped I’d find here – fun. Kyle’s touring guitarist David Henriksson is equally exciting to watch (and to photograph) kicking his long legs all over the stage, and Kyle himself is no stranger to a headbanging guitar moment so I feel quite at home with them, they’ve been a real highlight of the festival for me.
Ⓒ Anna Hyams for SFG
Over on the Front Porch, Reya Jane is lamenting her “…cursed song. Every time I’ve released it I’ve ended up having to move back into my mother’s house”, and a quick jaunt through the woods to Buddy’s has us getting down to Gangstagrass who I just straight up LOVE immediately. “If you think there’s no space for violence in Bluegrass… remember all those killing ballads” gets the crowd giggling, before they make me a number one fan with ‘Appalacia Love’… “Appalacia knows how to party” is just, chef’s kiss. Don’t get me wrong though, they’re not just funny – they’re actually a fantastic talented band, and I’m here for the fusion, especially love ‘I’m Gonna Put You Down’.
Ⓒ Anna Hyams for SFG
Over at the Showground, people are gathering for the Spicy Wings challenge – which is surprisingly being co-hosted by Kelby Ray of The Cadillac Three, who apparently makes his own hot sauce, and kinda looks like he wishes he was in on the challenge. Six wing contenders step up to the plate and I am positive I am in for photos of crying, maybe even vomiting here, but alas. Either the spice levels aren’t up to scratch or these guys are all made of steel because they ALL finish ALL rounds and it has to eventually come down to a fastest-chomp-first situation. In conclusion – next year I would like to see pain and tap outs, so a spicier spectacle is needed.
Sara Evans floats out onto the main stage in a flowy floral jacket, to a huge crowd. She’s a darling of country who has won many different awards, but I’ll be honest – it’s kinda static and not really my jam. She has a beautiful voice but I’ve been hyped by Gangstagrass and I’m looking for some energy. At Buddy’s, Harleymoon kemp (Martin Kemp of Spandau Ballet’s daughter, no less – and yes we did keep an eye out for him in attendance but don’t think he was there) is both talented and funny, joking about a guy on tinder “…the only thing that’s coming tonight is an Uber to take me home”.
Ⓒ Anna Hyams for SFG
Lindsay ell brings the momentum I’m looking for, she is stomping and dancing wildly across the stage, throwing herself into staggering back bends whilst wielding her guitar, and getting the whole crowd jumping. Throwing in her No Doubt/Queen medley of ‘I’m Just A Girl’ into ‘Bohemian Rhapsody’ is a little fun treat but I appreciate her whole set, and definitely applaud a gal who can run around on those wicked tall boots she’s wearing.
Ⓒ Anna Hyams for SFG
Following Lindsay is another burst of energy with duo LoCash, who I can best describe as Country-Pop. They’re upbeat and know how to pull a crowd, joking around about their attempts at English accents and then playing a cover of Backstreet Boys ‘I Want It That Way’ – this is the kind of cheesiness that will always win you a British crowd, to be honest. There are a few other snippets of covers chucked in there – ‘Pour Some Sugar On Me’, ‘Twist and Shout’, ‘Summer of 69’ and ‘Stacy’s Mom’ all make their way into the set to get countrified into TLR history.
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Tonight’s eats include a dose of possibly the most incredible Buttermilk chicken I’ve ever eaten in my life, and the ridiculous ‘bucket o’churros’ which was even hard for 5 of us and a toddler to finish. Is there anything better than eating delicious food in a field listening to great music? I’m gonna have such festival blues the whole of winter I just know it.
Well, the final sun has set on an incredible weekend, and closing out the main stage are Southern rockers The Cadillac Three, who I believe the last time they played a UK festival were at a very different sort of event – Download at Donington. The stage is set with huge stack amps and three podiums – one for drums (with a kick-drum image of the band portrayed as skeletal heads), one for keys, and one for frontman Jaren Johnston. The lights dim and the band enter the stage to a huge roar from the crowd, which I wasn’t really expecting to be honest. TC3 are right on the edge of being more rock than they are country, so I was surprised to see how many people had come out for this tonight.
Ⓒ Anna Hyams for SFG
Jaren does a quick shout out to previous guests around the site, and says that they’ll be hitting up the Everett after party over on the Interstate after they’ve performed – which honestly is really nice. It’s great that bands feel comfortable enough to walk around and enjoy the festival as well as performing at it, something I think The Long Road gets really right is the easy-going feel of the event. They play through a plethora of hits including the brilliant ‘Peace Love & Dixie’ and the very fitting hot wings related content ‘Tabasco & Sweet Tea’. ‘Down to the River’ is a favourite of mine but ‘The South’ is an epic closer tonight – a little commentary and wrap up on this weekend that really has celebrated all things Southern and country.
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So what did I think of my first full weekend experience at The Long Road festival? Well, despite it’s small size, you do get a lot of bang for your buck here. There is always something fun to see or do, everyone is friendly, the food is epic, there’s heaps to have a go at, kids are catered for, hell you can even bring your dogs and nothing is very far to walk between either. If you’ve always wanted to go to a festival but the big ones make you nervous, this festival is definitely for you – even if you don’t identify as a country music fan. If you are a country music fan and weren’t there… what is wrong with you? This is your mecca. Book your 2023 tickets immediately you absolute spoon. I had a bloody great time, and feel I’ve had the privilege to see some really special acts this weekend, so – see ya next year y’all…
Victorious Festival returned to Southsea with its most impressive line-up yet.
Incredibly, Victorious began each day with a band capable of taking top-bill at any festival.
On Friday, Primal Scream kicked off proceedings in their own unique style, having headlined Glastonbury earlier this summer. Taking to the stage in a red suit made from the classic Screamadelicasunburst album cover, Bobby Gillespie launched into Swastika Eyes – although the band began with with a few rarities, they soon launched into their singalong anthems, before being joined by the local Southsea Alternative Choir for a heavenly rendition of Come Together.
The only trouble with beginning a festival with a band so good as Primal Scream and a frontman as enigmatic as Bobby Gillespie is how to follow them…Self Esteem brought the choreography to the main stage, while Anna Calvi came with classic style and impressive guitar solos, but it wasn’t until 90’s legends James took to the stage that anyone came close to their stage presence. Diving into the crowd multiple times and even trying some crowd surfing, frontman Tim Booth is still at the top of his game, finishing inevitably with Sit Down.
Bombay Bicycle Club were fairly bland with their indie-pop, but Stereophonics reignited proceedings, for yet another triumphant headline slot at Victorious. Playing a mix of new songs from their brilliantly named album Oochya, along with classics such as Traffic and Thousand Trees, they left to a firework finale with the sublime Dakota.
Reiterating the point that headliners aren’t only there for the evenings, Sugababes began proceedings on Saturday lunchtime – no wonder the roads around Portsmouth and Southsea were gridlocked so early. Playing hit-after-hit, the original three girl line up reformed earlier this year with style, glitz and glamorous catsuits.
The Sugababes were definitely the highlight of the day, although Bastille were a close second, despite vocalist Dan Smith frequently reclining on a chez-lounge (yes) throughout his energetic set. During Shut Off The Lights, it was truly impressive to see all the iPhones (and Androids) flashlights fill the sky with stars, before the band finished with the pounding drums of anthemic Pompeii.
Sunday was arguably the best day of the weekend, with not only The Libertines taking to the stage at 1pm on the Common Stage, but Example opening proceedings on the separate Castle Stage. What a choice to make after breakfast at one of the hundreds of food stalls. Pete Doherty played the festival previously as a solo artist in 2017, but was far more coherent and in fine form with Carl Barat and the rest of The Libertines. Carl graciously gave a heartfelt shout out to local mental health charity Tonic also.
Sam Ryder followed with his amazing flowing locks, concluding with Eurovision runner-up song Space Man, joined by the local Portsmouth Batala band.
Suede later strutted onstage with their brattish attitude and swagger of their former selfs still seamlessly intact. Elsewhere, Becky Hill drew in a huge crowd at the Castle Stage after disco queen Sophie Ellis-Bextor brought the glitch, glamour and sequins.
Finishing off the weekend was a true battle of headliners. Sam Fender brought his strong Geordie accent and crowd pleasing rock to the main stage, while The Voice’s Anne-Marie took over the Castle Stage, with multiple songs about her numerous ex-boyfriends and catchy singalongs – she is clearly born to be a performer with no back up dancers or dance steps needed.
When I tell you I screamed when I heard Camp Bestival was coming to Shropshire, I mean you could have heard me from the moon. As a long-time fan and attendee of the original IOW Bestival, as well as the later Dorset version, and having been to one CB-BC (before Child) – travelling for an hour to a Besti-vent instead of around 5 including a ferry trip… is a LUXURY. Praise be to the DaBank fam for deciding to give us a shot up here. The location is Weston Park, we’ve got a car full of rainbow clothing, and one very excited toddler – let’s go!
Arriving through Green gate, we’re pleasantly surprised to find ourselves parking so close to the campsites that we can literally see our car from where we’re setting up camp, though there’s a part of me that thinks both this orientation and access may change a bit next year with bigger ticket sales. We’re definitely not early doors, there are heaps of tents here already and the family set up is WAY plushier than your regular festival garb. A family near to us genuinely has a whole dining room and kitchen set up, it’s wild!
I do feel I need to address the toilet issue… this year there are no portaloos to be found on site (except for the single accessible toilet in each camp), instead we have long drop compost loos that look like proper Aussie dunnies/redneck moon-and-stars style toilets, which are very tall, and feel very unstable if I’m honest. The smell isn’t bad due to being largely open to the wind, but there’s a bit of me that thinks they would be absolutely deadly slippy and dangerous if the rain really came down. There’s absolutely no grip on the steps inside, and the chained up loo roll runs along a wall which would almost certainly get soaked in any sideways weather. My main complaint was the fact that there were 10, yes only 10 – for the entire Green campsite. No kids ones either, despite these being available in the main arena.
We took a walk around the campsite and into the main arena, after being confused and disappointed that what looked like an entrance on the map between Green camping and the Big Top – just doesn’t exist? There seems to be absolutely no rhyme or reason to not putting another entrance through from Green camp to the arena, and making everyone walk the entire uphill loop of camping to get in, especially when carting around wagons full of children and their gubbins. Please just make it easier on everyone I beg, festivals with kids are already tiring – and this is a family festival.
Anyway, as we walk into the arena we are greeted by the beautiful and familiar sight of the flowy silky rainbow flags waving in the wind, pretty fairy lights everywhere and just… colour. Every Bestival site is beautiful, but there is so much crammed into a small space here, it is just joyful to the eyes. It’s definitely not busy yet though, I’ve a sneaking suspicion that a lot of sales this first year are non-camping people who are testing the waters before committing – I feel next year could be very busy in comparison.
Ⓒ Anna Hyams for SFG
We decide to amble around and look at everything, before grabbing some of the most incredible festival food I’ve ever consumed from Mexican Seoul. Barbacoa beef tacos, and gochujang fried chicken… it feels like I’m at some trendy Shoreditch restaurant not a field in the Midlands. The site isn’t huge, you can basically walk everywhere within 5 minutes (except for the Temple Wood) but there are some nice little pockets which feel distinct and separate enough to change the experience as you move around. Roll on tomorrow…
Friday
After the saga of ‘Toddlers-first night-in-a-tent’, we are up bright and early to don rainbow colours and head out into the festival for day one proper. Over in the Ha Ha Land area, there are already heaps of kids in the Tic Tac Skate Workshop learning to land board flips on the grass, and the shop seems to be doing a roaring trade in board set-ups as well. The level of ‘festival souvenir’ has really peaked since the days of bootleg tshirts outside the gates hasn’t it? The Extreme Bike Battles Show has a bmxer and motorbike rider facing off doing tricks in an impossibly small area, to a sea of tiny awed faces, wondering if they can do a bar spin off the park bench at home. Good luck with the inevitable slew of injuries, fellow parents!
Ⓒ Anna Hyams for SFG
Dungaree darlings Lucy and Yak have a veritable social media palace set up including a huge shop, lounge, and a pink campervan for taking selfies. We grab a festival wristband from them and a free tote bag for signing up which is nice, everyone loves a festival freebie – so then we head next door for to the Thatchers sampling lounge for some cold cider from the very cute Barrel shaped bus.
Heading over to The Feast Collective, a giant marquee full of delicious eats with a DJ booth, and lots of outdoor seating areas to chow down – we are caught in the drift of the most incredible smell, and as we come over the rise it’s clear where it’s coming from… an entire side of beef cooking in a giant rack over and open flame. Shropshire Lad’s pre-order beef sandwiches with something that sounds absolutely magical ‘three-day-gravy’. There were some slots up for grabs without pre-booking but the queues were understandably vast so we missed out this time.
Ⓒ Anna Hyams for SFG
Anyway, It’s such a hot day we sneak ourselves under a shady canopy and grab a fruit platter from The Lille Fruit Cabin with Vietnamese spiced salt to dip into, and a ridiculously good strawberry smoothie which saved our souls. I also feel particularly smug that the toddler is eating something healthy at a festival, 10/10 parenting thanks. While we eat we are treated to the sound of a fairground band… who are on stilts playing Eye of the Tiger. Nothing surprises me at Besti anymore, but it definitely delights me.
Nearby in the same field is the Wonky Bikes park where children are attempting to vehicularly assault each other and their parents (very entertaining chaos), The Scouts are giving demos and letting kids toast marshmallows in their fire-pits, and there seem to be kids wielding bubble guns all around us so it’s just bloody beautiful everywhere. It’s quite hard to describe actually because it feels like you’re never not looking at something interesting or pretty, it’s a little bit overwhelming at times, until the next exciting thing happens to distract you.
We check out the World’s Biggest Bouncy Castle, but determine it to be way too chaotic for small beings (it looks like the Hunger Games in there, I’m scared) and instead opt for watching people having a go at swinging on the giant Trapeze. Again, where else can you possibly walk from one experience to the next like this? The vintage fair ground rides are absolutely full of gleeful kids, proving that the classics never disappoint, it’s all very twee and makes my soul sigh.
Over in Temple Wood we head to the absolutely gigantic adventure playground which is positively teeming with shrieking wildlings. There are three sizes of play equipment so all ages are catered for, and there’s even a tiny steam train giving rides around the park (for a small fee) which is full of excited children and their equally excited Dads.
Ⓒ Anna Hyams for SFG
Elsewhere in the forest in a little secluded dell, a joyful cacophony can be found at The Orchestra of Objects – a playful pile of tubes, pipes, wood and jangly things for kids to bash around and make music. Just another of these thoughtful little playspaces that take Bestival events to another level and makes it feel immersively fun, like you’ve just stumbled upon something magical and secret. If nature itself is your jam, you can join in on one of the tree identification guided walks, stop at one of the little tents offering wood weaving workshops, or give whittling a go.
Ⓒ Anna Hyams for SFG
Even if you spent a full week at this festival, you wouldn’t be able to do everything there’s just so much. I’m going to have to be more brief to fit as much in as possible here. Elsewhere in the woods we tried out some circus skills like stilt walking, diablo and poi spinning, before catching an absolutely stunning acrobatic show by Cirque Bijou who had beautifully feathered ‘birds’ doing daring displays hanging from the trees. We tried our hand at tie-dye which was quite messy and very fun – you take your creation home in a Ziploc bag for washing, and I can tell you that despite the child rather excessively tipping half a bottle of dark violet ink on hers, it actually turned out really nicely and she was so proud to wear it to nursery after the festival.
Ⓒ Anna Hyams for SFG
Coming out of the woods back into Ha Ha Land, we take a chill half hour to play in the Pirate Ship Sandpit, across from a huge under 5’s Soft Play tent, a Baby Chill Out Zone, and a tent entirely dedicated to giving festival makeovers like glitter, facepaint, henna and hair braiding. I genuinely can’t think of an age group that isn’t catered to in some way here.
After that little interlude we hit up the H&M Kids Science Stage and Workshop Tent and were met with a host of things for (slightly bigger) kids to do, all aimed around STEM learning. Lego, tower building, slime making, colouring sheets, architectural drawing… you name it. They also thoughtfully gave out certificates and badges, and there was even a Camp Bestival special edition of The New Scientist magazine which my inner nerd was very impressed by.
Before heading over to the Park Stage to actually you know, see some bands play (we kind of forgot that we were even at a music festival today) we caught a bit of Karauke in Pig’s Big Ballroom, which is a really cute tent full of comfy old sofas and a little stage. Karauke is exactly what it sounds like by the way – a Ukulele band plays covers for you to Karaoke over. Paint It Black was a personal favourite, shout out to whoever chose that one, I’ve never heard it on the Ukulele before and possibly never will again in my life.
On the Park Stage, The Proclaimers are tempting me to walk 500 miles in the opposite direction… no that’s not fair, they’re good just not my vibe. Plenty of people out there were having a lovely time, they were just all over the age of 50. Luckily there’s a plucky child giving the plant-based sausage rodeo bull a go, and it is absolutely bound to end in tears, so I’m off to watch a bit of that.
Ⓒ Anna Hyams for SFG
After popping back to The Feast Collective to grab some dinner (fried oyster mushrooms and chimichurri from The Cajun Rainbow – JFC they were good), we catch a bit of Scouting for Girls, or to be more precise we catch a lot of drunk parents caterwauling ‘She’s So Lovely’ right over the top of Scouting for Girls. Yeah they’re pretty cringe but quite fun, there’s lots of ‘oggie oggie oggie’-ing and telling people to hug each other, Drop Dead Fred would barf everywhere at this mush.
Now for something completely different. We head over to my soul-space, my favourite place, the place a little bit of my festival heart will forever reside in – Caravanserai. How can I explain this to you. The front doors are unassuming, a little dark entryway under a beaten up sign, flanked by high walls made of roughshod steel and boards. Inside however, is the junkyard circus-runaway, 70’s caravan park of dreams. Around the edges are little open fronted houses with psychedelic wallpaper and velvet lampshades, cut in half caravans with chandeliers, and vintage waltzer booths or little tea tables everywhere to be sat at. The day is dimming and Caravanserai is lit by hundreds of bulb and fairy lights, we grab ourselves a fancy cocktail from the bar and head into the old carousel towards the stage adorned with more tasseled and bejeweled lampshades, to see the gorgeously talented Mr. Bruce (of Correspondents fame).
Ⓒ Anna Hyams for SFG
Mr. Bruce is Besti fan favourite, for very good reason – he is one of the most intensely electric performers you will ever see in your lifetime and it’s both a crying shame AND absolutely perfect that he’s out here playing on one of the tiniest stages at the festival. Being up close and in the moment with him is unforgettably fantastic. The mix of electro-swing, hip-hop, drum & bass… it’s weird and wonderful and so completely unlike anything else out there. New song ‘I am Disaster’ is excellent and his chaotic dancing has the entire tent whipped up into a frenzy along with him. There’s an inevitably sad shout out to Correspondents band mate Tim ‘Chucks’ Cole who died unexpectedly in 2020, and a brilliant cover of Whitney Houston’s ‘I Wanna Dance With Somebody’ and I just can’t rave enough about him. If you ever have the chance, do not miss the opportunity to catch Mr. Bruce.
On the main stage, London girl Mae Muller is out in a two piece outfit that looks like it’s made from a towel (but she looks great in it, how dare she) and she’s shouting out a fan in the front row who she chats to on Instagram. It’s the teen’s Birthday and it’s an adorable interaction that kid is going to remember forever, even if Mae quips that she’s been told she isn’t allowed to swear in the Birthday song she’s about to sing titled ‘HFBD’ – iykyk. It’s her lyrics from another song that really get me though “…you don’t need a girlfriend, you need a therapist” – I am absolutely all about this being the narrative our female youth are getting instead of the crap we were fed as kids. Big up Mae Muller, it’s going on my playlist.
Ⓒ Anna Hyams for SFG
In the Big Top, Gok Wan’s DJ set is going off to a pretty decent sized crowd, before our (extremely late billing – why so late CB?) headliner: Becky Hill. Under a swirling LED backdrop and amid clouds of smoke, a spraypainted old style phone box stands in the centre of the Park Stage – lit with the name ‘Becky Hill’ where ‘telephone’ should be. If she turns out to be the next Doctor Who, I may actually watch it.
There’s a fairly long winded little conversation act in the phone box, in which we can hear her saying something like “…yeah I’m about to headline a festival can I call you later” which I suppose could be considered a subtle Dom Joly tribute (who incidentally is also performing here this weekend). Anyway, despite the fact that it’s a little stilted, when she pops out of the phone-box aided by her dancers, she is clearly here to party and definitely looks the part – in the most eye poppingly bright neon green and pink jacket, skirt, corset top, and monster stacked platform rainbow boots. Two female acts to close the first night at CB, and a female DJ on the decks – those boots were made for stomping, the patriarchy.
Ⓒ Anna Hyams for SFG
Becky shouts out to Shropshire and the Midlands in general, saying this is the closest she’ll ever get to playing a home crowd, as she’s from Worcestershire – before the stage is lit up with sparklers and fire cannons as she dances around on her enormous death shoes. The crowd is about 80% teenage girls at the moment, who are screaming their heads off, and Becky’s deep melodic voice is absolutely incredible. She calls out “Who here likes drum and bass? I like drum and bass, it’s my favourite genre of music. We’re going to take the tempo up to 174 finally” for ‘Here For You’ but the standouts for me were the big beats Gecko ‘Overdrive’ and ‘Afterglow’. There’s nothing like a night full of lasers and dancing with wild abandon though, is there. I personally think Becky Hill absolutely smashed that performance, and by the sheer amount of people who were out jumping in that crowd, I’d say she did her home region proud.
Ⓒ Anna Hyams for SFG
Saturday
Saturday morning brings a light rain shower, but nothing is going to dampen our spirits and it soon brightens up for us to walk the colourful site again. Today we pop in on the African Activities tent to give some group drumming a go (very fun), then we laze about on the soft chairs in Bollywood for a while listening to Mr. B – Gentleman Rhymer in the Big Top (also very fun). The arena is definitely busier today, it seems like a lot more day tickets have been sold, which is understandable with tonight’s headliner.
Into the woods we go to check out the Wild Swimming and Paddleboarding area across the water from Slow Motion. Extremely jealous as it’s hot today – why oh why didn’t I pack the swimmies. Slow Motion itself is a lovely quiet tucked away area, with everything from wood fired hot tubs to extreme ice-baths, slow flow yoga sessions and even a tent specifically for napping. If I was a different kind of person, I think getting up early for yoga and a dip in the lake would be flipping lovely. Alas I am the kind of person who crawls out of the tent nest groaning and eats a kitkat.
Ⓒ Anna Hyams for SFG
Under the Sharp’s Doom Bar canopy, we stumble upon a gang of kids attempting to bury a Dad in the sandpit – which covers the entire dancefloor of the space, and includes a rather jazzy little desert island DJ booth. After a little while people come round with free samples of beer, and of Chef Niall Keating’s beer battered sausages with curry sauce. Now that is service.
Over near the Lovebot (I love you Lovebot, what an icon) we catch a leek juggling/acrobatic performance at Rimsky’s Yard, check out Junior Jungle in the Bollywood tent to throw some shapes, and see a bit of a slightly confused parade go by – complete with an entire Dalmation family in tow. Actually the costumes today have been brilliant, we saw a host of Minions as well but our favourite was the family who came as Freddie Mercury in different guises. The Dad was in the pink cleaning outfit – epic.
Ⓒ Anna Hyams for SFG
Up next on the main stage, not to be missed EVER – The Cuban Brothers. Spinning tunes is Kengo on the decks, with Juan joining him for synchronised dance in their snazzy red suits, before “…everyone’s Uncle Miguel” hits the stage. Half Hip-Hop, half drug-baron is the vibe I feel – laughing “We’re the only band who’ve had the privilege of being at every single Bestival and Camp Bestival ever” before getting the crowd full of kids to shout “Kenny que pasa” instead of ‘The Bastard’. “Thank you all for not swearing… this could have been really fucking bad” almost makes me spit my drink out – especially since backstage he had told me there were actually signs in their dressing room asking them not to swear, because this is a family festival.
Ⓒ Anna Hyams for SFG
Ahh well, you’re never going to reign these boys in – their set is full of hip hop, break dancing, flips and fun, and as expected, during ‘Ante Up’ Miguel takes his trousers off to reveal a pair of pants with a tiger face on. “Sorry for the wardrobe malfunction, it’s the eye of the tiger” he quips before shouting out to all the parents bringing their kids here this year. Miguel notes that this is the future of music – and why Camp Bestival was made in the first place. The small moment of sincerity is short lived though. So their set isn’t the filthiest I’ve witnessed by a long shot, and they’ve been bloody brilliant as always, but I can’t help but notice some parents covering children’s ears while he rambles on about his 4th penis reduction surgery in Zurich this year and wonder if they’ve written them off as trouble (which I assume is their ultimate goal to be honest) but my child is currently attempting to do all of Juan’s breakdancing moves on the floor, so I’m going to give them a solid thumbs up as always.
Ⓒ Anna Hyams for SFG
Next up Sara Cox (of radio 1 fame), is giving a DJ set, and although she looks absolutely resplendent in a sparkly outfit – is reminiscent of every hateful school disco I ever went to. The tunes are classic cringe and yes, I do know everyone else loves that but honestly, I wish she’d been on in a tent somewhere instead. I will allow for one amendment to that though – watching a huge crowd of people sit down and do ‘Oops Upside Your Head’ was quite funny, especially all the people dressed as morris dancers.
Ⓒ Anna Hyams for SFG
Eventually the last peaks of burning sun die down, and we are met by the extremely bright pulsing lights of Example. Wearing Mc Hammer pants and a smiley acid tee he is clearly full of energy for this tonight as he jumps and runs around the stage. The crowd is going absolutely bonkers for it, a writhing mass of teens bouncing as one as he yells “kids on shoulders, kids on shoulders” to get as many in the air as possible. It’s a great amped up set to get everyone in the mood.
Ⓒ Anna Hyams for SFG
Next up: the man, the legend, Fatboy Slim. You absolutely cannot live in this world without being a fan of something this man has produced, and although 10.15pm is a very late start for a headliner – the Park Stage area is absolutely rammed with people – and yes, kids galore, mostly wearing ear defenders in preparation.
Bursting on stage in an inflatable blue parrot costume (unsure as to why), Norm is immediately into the fray with ‘Eat Sleep Rave Repeat’ and some bone crunchingly loud bass. There’s too much to mention really, the set is beyond incredible, and I say that as someone who has seen him perform multiple times. It’s not a ‘press play on the hits and let it ride’ sort of affair, he is mixing up every single bit of his work and live mashing it into other things – something totally unique and special. Zombie Nation gets a feature, as does his Nancy Sinatra cover ‘Bang Bang’ and in contradiction to CB’s ‘rules’ he is caught yelling “IT’S BESTIVAL BITCH” over the mic. Ok ok so he didn’t play more than a tiny clip of ‘Fucking In Heaven’ but it was funny.
Ⓒ Anna Hyams for SFG
There are visuals, there are lasers, the crowd is going berserk… his Abba ‘Gimmie Gimmie Gimmie’ mix is absolutely epic and there’s a little nod to the Stranger Things crowd (there were a lot of Scoops Ahoy employees around site today) with the inclusion of Kate Bush’s ‘Running Up That Hill’. We also get some Underwold ‘Born Slippy’, the Ukrainian flag on the screens and then Greta Thurnburg’s soliloquy that very helpfully ends in her saying ‘Right Here, Right Now’ – which sends everyone into an absolute frenzy. It’s truly an immaculate set – we get a bit of absolutely everything. Finishing up with mixes of ‘Praise You’, ‘The Rockafella Skank’ with a bit of The Stones ‘Satisfaction’ and then The Ramones ‘Hi Ho Let’s Go’ – it’s a long one, but so so worth it. I find it truly fantastic that the daytimes here can be so kid oriented but the nights can feel exactly like my original hedonistic Bestival memories.
Ⓒ Anna Hyams for SFG
Sunday
On Sunday we head over to see the progress of the Woodland Tribe Big Build (an area full of bits of wood, hammers, and some very questionable DIY skills) but holy wow it’s amazing! There’s a huge Tower Bridge type construction which children are carefully hammering bits onto, even if the people in charge of making sure it’s safe do have the faintest look of concern on their faces at times, colour me impressed.
Ⓒ Anna Hyams for SFG
Everywhere tired parents are doing their last ditch efforts to drag festival trailers around the place (some are decorated to a very high standard, one is a full on pirate ship that blows bubbles from the mast) and almost everywhere you turn people have colourful braided hair or sequins all over them. It may have taken a few people a day or so to get into it, but I expect next year to feel even more like Bestival now that they’ve got the spirit of it.
We take a peek into The Grand Indian Art Bazaar, and unfortunately realise that we’ve missed the opportunity to sign up for things, BUT it really is amazing in there. You can watch cooking demos, have Mehndi done, dress up in beautiful clothes, have a go at wood block printing or even take a textiles class – as they have an entire sewing machine set up in there. There truly is something for everyone at this festival.
We take a quick squiz at the Above and Beyond arial performers doing some beautiful moves on hoops and straps, before heading to the main stage for a bit of afternoon movement with Mr Motivator, who looks and sounds quite literally the exact same as he did 30 years ago. The man is a machine, and as always is wearing one heck of a leotard.
Ⓒ Anna Hyams for SFG
Later on Rascal Raves are giving the soundtrack to Bollywood, before an Indian walking band stroll over to play us some more beautiful music around a tuktuk. Sentences you can only write at Camp Bestival for 100. Taking our final opportunities to sample the incredible festival food today, I opt for Bayou – Blackened cajun shrimp with a creole sauce on top of spicy fries, cheese sauce and slaw. I could eat this every day of my life I tell you. However it is spicy enough to warrant another strawberry smoothie so we head back up to The Feast Collective, only to find party curator and main man Rob Da Bank playing a DJ set in the corner. Smooth tunes and food in the sunshine – heaven.
Ⓒ Anna Hyams for SFG
After this pitstop it’s back to the main stage for Elvana (Elvis fronted Nirvana), who jokes that he sometimes sounds like Nick Cage, sometimes like Matthew McConaughey, and hopefully with a little luck, a bit like Kurt Cobain. Elvis’ red caped outfit is extremely jazzy, he spends the entire time rocketing around the stage and jumping up and down, before getting into the crowd to see all his fans. It’s actually bloody brilliant music – not just a fun show. I’ll never get to see Nirvana or Elvis, so I’ll take it thanks.
Ⓒ Anna Hyams for SFG
Over in the Big Top, Dom Joly is talking about how nothing good comes from France and that actually Belgium is the best, but refuses to go all Trigger Happy TV (which let’s face it, is what most people know him from). We take a trip to Caravanserai under a rapidly darkening sky, to hide in a quirky cubby before the rain sets in, and OH but it does. It’s a brief but heavy downpour and we end up singing nursery rhymes with a lovely family we appear to have squashed ourselves in alongside. Eventually the rain dies down and we ruffle our feathers to head off again, but not before catching a bit of Doghouse Derelicts in the Carousel, who are excellently funky.
Ned’s Atomic Dustbin in the Big Top pull a decent crowd, but the lion’s share of people appear to be in the Park field for Sister Bliss’ Faithless DJ set. Rocking a sparkly bomber jacket, she gives us exactly what we want in the form of classic Faithless sounds ‘We Come 1’ and ‘Insomnia’.
Out of nowhere we’re suddenly at the Sunday headliner – Rag’N’Bone Man, a definite change from the hyperactive club feel of the previous two nights. Making his way on stage wearing a Raiders jersey and a giant smile, Rory just looks so happy to be here. There’s no denying that he has an absolutely incredible voice but it is a bit of a culture shock after the big beats of Sister Bliss amping everyone up half an hour ago. Regardless the entire crowd is joining in on the likes of ‘Skin’ and ‘Human’ and his voice carries across the entire site. It’s pretty clear he’s got a lot of fans here, the site is absolutely packed with people, carts and kids still up dancing.
Ⓒ Anna Hyams for SFG
I wish we weren’t going home, I feel like I’ve only scratched the surface of what CB Shropshire has to offer – the sign of a great Bestival. Alas it ends, in the most incredible fireworks show over the Castle which is lit up in rainbow colours. See you next year CB – what a successful and ridiculously overwhelming debut. I need to lie down in a dark room for a few days now.
It’s August. It’s hot. It’s so hot you guys. It’s too hot. It’s uncomfortably hot. I don’t know how we’re supposed to Goth in this weather. Yeah ok, in all other dimensions I’d be complaining about the drizzle putting a dampener on things – but I’m not convinced UK festivals are cut out for this Satan’s armpit version of events.
This weekend, SFG are at Bloodstock Open Air – the UK’s premier heavy metal fest, in the hallowed grounds of Catton Park in Derbyshire. Thousands of sweaty freaks in a field (thanks, that’s my band name now) getting raucous to some of the best bands on the scene, it’s like coming home.
As we head into the arena it’s pretty clear the sun has done a number on the usually green Catton Park. It looks like the scrub of the wild west, and there isn’t much in the way of shade anywhere to be seen. The site looks like it’s old sturdy self though, heaps of shops for whatever takes your fancy – Viking drinking horns? Got you covered. Body cages and chains that would make even Melanie Rose blush? Yeah how tied up d’ya wanna be? There’s a plethora of rare band tees, records and chunky jewellery to choose from alongside all the usual festival tat, and I am likely to part with a large portion of my savings if I hang around too long.
On the main stage, New Delhi metal is blasting our eardrums courtesy of Bloodywood. A heady mix of tech/nu metal and background bhangra drums, they’ve come a long way from the original YouTube parodies, this is just damn good fun. Hopefully we see them on more line-ups in the future, it’s about time we had some new life injected into the genre.
Doyle’s crowd levels on the main stage suffer from being on at the same time as the secret (read: not remotely secret) Sophie Stage act – Machine Head. Now, them being the secret act is awesome. That is undeniable. What isn’t awesome is the fact that absolutely everyone knew in advance, (which may have had something to do with the merch stalls selling the tshirts at 10am this morning) and they’re all crammed buttcheek to buttcheek into the sweatlodge that is the big tent. The band are incredible and the atmosphere is electric, buuuut… on a weekend like this, it’s inviting heatstroke to the party in a big way. I wish it had been a main stage secret slot instead, but I guess there were reasons.
In other news, slushie sales are high and even the smallest patches of shade have become precious territory for people to escape the burning sun. They’re few and far between – just the spaces around the Red Bull bars, or little corners between food vendors. The best efforts of the festival seem to be some camouflage netting draped over some flagpoles to create a dappled shade area, but it really isn’t much for how many people are here.
GWAR Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
On the main stage our friends/overlords from outer space GWAR are ripping into American culture like there’s no tomorrow – something we Brits, just unashamedly enjoy. ‘Joe Biden’ gets his head taken off with a giant foam machete and sprays blood into the whooping crowd, then a Trump supporting redneck gets his guts unceremoniously gouged from his body while the band rock on. “This is the most bloodthirsty country of conquerors in the world, and I bet even they think this is racist” frontman Blothar the Beserker remarks about an awful Chinese stereotype accent in a joke, before the Imperial March plays while they cut the tits off the Queen. You heard me. If you haven’t seen Gwar before, you’d be forgiven for thinking this was all just theatre and silliness, but they are actually just a solidly good metal band outside of all the masks, horns and penises. Anyway, I love them, so there.
GWAR Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
Gothenburg’s own freak-show-circus-cabaret Avatar have come to town, wearing leather daddy Lederhosen and giving us perfectly choreographed hair windmilling. “We’re gonna sing, we’re gonna dance, and we’re going to have a jolly good time” shouts mime-faced frontman Johannes Eckerström and that is exactly what they give us. It’s hot and it’s humid inside the tent but we can’t help but join in – Avatar should have been on the main stage though, they’re certainly well known enough.
Avatar Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
Exodus return to BOA in full force, “Keep that pit violent but look after each other” calls frontman Steve ‘Zetro’ Souza, but pleas for more crowd surfers seem to fall on deaf ears. “We’re getting bored up here so you’d better start sending people over…” It’s absolutely scorching and the people are weary. Plus who wants to pass someone elses’ sweaty arsecrack above their heads? Nevertheless, it’s a great set as expected from the band. Next up Testament battle with the direct sunlight bleaching the stage white, it’s a hot one for bands who favour denim and leather but they’re giving it everything. Visibly pouring with sweat is the code of heavy metal bands in general, but you can see everyone struggling today.
Testament Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
Luckily the sun starts its descent and we manage to grab ourselves some dinner before the headline act. Having been a Bloodstock/festival goer for decade now, I am extremely thankful for how far festival food has come. We opt for Salt and Chilli chicken, and a Bunnychow – both of which I would happily devour in any other setting. Long gone are the rat-burgers and suspect ‘meat & noodles’ offerings of yesteryear, bless everyone involved in this process.
Bringing Friday night to a close are Polish extreme metal connoisseurs Behemoth who appear behind their signature serpentine mic stands in ghoulish corpse paint, before enormous flame cannons at the front of the stage erupt to burn every side of us the sun didn’t achieve earlier. With an uncompromisingly brutal tour of tracks like ‘Off to War!’ and ‘Conquer All’ it’s clear they have come to BOA with a purpose. ‘Slaves Shall Serve’ draws us in, and encore closer ‘O Father O Satan O Sun!’ seems a very fitting herald after the day we’ve had. Though I can’t pretend they’re my favourite closing act I’ve seen at Bloodstock, I can honestly say they deserved that spot through and through – there is nothing short of mastery in their sound, and the crowd was in the palm of their vampiric hands all night.
Behemoth Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
SATURDAY
Saturday if you can believe it is even hotter, even stickier, even worse to venture outside in. We go anyway, because there’s no missing Bloodstock, no matter the stakes. Heavy but melodic Lorna Shore are an absolute highlight, and have gathered a massive crowd in the inferno that is the main stage area.
Sylosis are heavy and fast, despite looking extremely unassuming until, “How are you doing, are you guys hydrating? We know it’s fucking hot but this next one is a fast one, we’d love to see a circle pit” they say, which is all jolly well and good when you’re heading straight back to your fancy air conditioned tour bus but… oh fuck it, here we go, yolo. “Thanks for sticking with us in this horrible weather” they acknowledge, as the security hand out cups of water from ever refilled bins along the stage. The people on the front row look positively raisin-shriveled and like they would enjoy being put to bed by their mothers. Never mind all that though, because now Sylosis want to see a circle pit around the sound tent too. Um, hard pass, I’m out, I need to sit down now thank you.
Jinjer Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
After a break we’re ready to go again with Ukrainian metal band Jinjer who are welcomed onto the stage to a sea of their blue and yellow flags in the crowd. Vocalist Tatiana Shmailyuk is visibly touched by the gesture and takes time to thank the UK for our frankly minimal governmental efforts in helping their country. Regardless the “Fuck Putin” chant is very enjoyable and the sold out Jinjer merchandise on display, tells you that the people at least, do care. Jinjer also end up being one of my absolute highlights of the weekend, brutal but melodic and unswervingly metal to the core.
Southampton lads Bury Tomorrow bring a different vibe to the lineup today, lots of jumping around and being generally rowdy. “I don’t care if you know us, I don’t care if you like us, I’m just glad you’re here and showing respect for live music after 2 years away” laments frontman Dan Winter-Bates. I’m into the excessive energy, but when he suggests that they want to ‘break records’ with 1000 crowd-surfers on this scorched-earth godforsaken day… I can but laugh. Not a hecking chance son, but love your optimism. In the end there were probably about 30 brave souls.
Bury Tomorrow Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
On the tiny Jägermeister stage, Solar Sons are giving classic metal meets #tinyhouselife – jamming their equipment onto the polly pocket step, but it is good and they’ve got a decent circle of people around them.
After a quick perusal of the merchandise offerings, and a jealous side-eye to the Bloodstock Rock Society tent which looks shady and comfortable, it’s on to Norwegian black metal titans Dimmu Borgir. Firm favourites of the festival, another corpse paint posse, all I can think is they must be effing boiling like microwave dinners in all their layers of clothing this evening. Despite some technical difficulties and a bit of a late start, they come good and it’s an overall excellent show.
Dimmu Borgir Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
As day two comes to a close, we are greeted by a giant sheet covering the main stage. The arena is decently filled, and the sun has finally left the damn building. Tonight we see the return of King Diamond fronting Mercyful Fate, after the band had to pull out of last year’s Bloodstock. The Danish doom-peddlers of the black metal hall of fame throw down the gauntlet for exciting stage sets, as the curtains drop to reveal a massive tiered alter and staircases for King to run around on. There are inverted neon crosses, pentagrams and props everywhere, and King is dressed in a giant red cloak and demonic ram mask. It’s all very theatrical – something I really enjoy in a headline act, frankly.
As the band fire up with ‘The Oath’ it’s clear they mean business, though I must admit that King’s seagull squawking isn’t for everyone and it’s certainly true that it isn’t the busiest main stage crowd we’ve ever seen. Soon King pops into his little stage-top changing room and swaps out of the ram mask (it must have been bloody hot to be fair) into a giant black crown. Now that we can see his face, and those signature panda-eyes, the whole look gives big Moira Rose energy – I wonder if she was inspired by Mercyful Fate?
Addressing the crowd, King tells us “We’re going to play a new one. It’s not finished yet, but I think you deserve to hear it. It’s about nine minutes long…” before launching into ‘The Jackal of Salzburg’ which is quite honestly already a saga, even if it is unfinished. The band weave their way through early tracks like ‘Curse of the Pharaohs’ and ‘Melissa’ as the appreciative fans headbang along, and there’s an air of genuine appreciation from the fringe who wouldn’t consider themselves part of the coven.
Encore song ‘Satan’s Fall’ rings the arena in the glow of satisfaction, love them or loathe them – it’s pretty clear they’re a great BOA headliner.
Mercyful Fate Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
SUNDAY
Ok, so it’s still hot. I feel like we’re being trolled at this point, but it’s really not stopping the very fashionable day three attire of Pink outfits in memory of Sylvia Lancaster, of the Sophie Lancaster Foundation. It’s a lovely tribute, and a cause that is held dear by so many in the Bloodstock family.
On the main stage classic thrash legends Vio-lence are up. Credited with influencing a plethora of metal bands, they’re no strangers to a crowd of eager-to-rage pit goers, but it’s clear the situation stands that a lot of people seem to still be back at the campsites avoiding this infernal heat. It’s a great set regardless, but a bit of a shame more people weren’t out for them.
Vio-lence Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
Over on the Jägermeister truck stage, Lore of The Woodman (instrumental math rock, apparently?) are a beautiful interlude in all the shouty loudness of the weekend. Clever and melodic, it’s absolutely no wonder the tiny tent was bulging with people enjoying their unique sound.
Back to the eardrum smashing with Venom Inc. and some good solid metal riffs on the main stage, and it’s a fun and a bit silly show. There’s a small interlude due to an equipment malfunction “It’s so hot I broke a string”… “It was his G-string” (pause for laughs) and they hit the feel of the festival spot on, joking “It’s hot but it’s Bloodstock, you could stay here forever if only they’d let you, right?” to a roar from the crowd.
Venom Inc. Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
Elsewhere over on the Sophie stage, Orbit Culture ooze melody into our souls while we snatch some much needed shade. Not to say that they aren’t heavy – ‘Strangler’ is an absolute war-call and the crowd in there are eating it up.
Another foray into corpse-paint and uncomfortable looking leathers for this heat, is Dark Funeral, making the understatement of the year “We heard you’ve had a couple of warm days”. New album song ‘Leviathan’ is a banger, and it’s a good set in general, but we are tired and sweaty and end up sitting down at the back for a break. Can’t help but wonder if they have to have a team of helpers to peel them out of their outfits after they get off the stage…
Dark Funeral Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
Acid Throne are up next on Jägermeister, interesting melodic stoner metal – which brings me to realise that there’s been a bit of a diversity split between the stages this year, with lots of thrash and black metal making it’s way to the top of the main stage bill, but little of other styles. I would like to hereby request the return of Viking, Folk, Power and Hair – all the silly ones please.
Okay okay, so post-punk/industrial kings Killing Joke are next on the main stage with frontman Jaz Coleman clawing about in a black boilersuit and red face paint reminiscent of crap 80’s Halloween costume efforts. Yes I know they’re hugely influential, and they are entertaining don’t get me wrong, it’s just… not my jam. In fairness, neither are Belphegor (Austrian blackened death metal) but I do just really appreciate the balls of a band who decide they want that much pyro on a tiny stage in a tent. Zero fucks given about personal safety but it makes for a very fun show let me tell you.
Killing Joke Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
So we arrive at the final main stage headliner of BOA 2022, and thankfully the temperature has actually dropped significantly tonight – still don’t need a jumper though. Wild times for a UK festival I know.
Lamb of God, returning after many years to the BOA stage are immediately, unabashedly going for it with the full force of a band confident in their stature. I am so drawn in, taken by surprise at how much I’m enjoying myself. There’s pyro, Randy Blythe is a swirling nebula headbanging with his long dreads, and the entire band is driving the sound out hard and fast. This I feel, is the energy I’ve been missing – something encapsulating that I can’t separate myself from to think about, the thing that makes music punch you right in the gut. ‘Walk With Me In Hell’ is truly epic, and ‘Omerta’ is devastatingly heavy and perfectly executed.
I’m even gonna let the guitar widdling and unnecessary solos slide because I’m enjoying myself, but they could sincerely have left the “…this heat is nothing compared to where we’re from” mockery at home… OK RANDY WE DON’T HAVE AIRCON IN OUR TENTS YOU KNOW (eyerolls dramatically). It’s fine, they do make amends “Thank you so much for being here, I know we’re the last band and you’re sweating your English asses off…” before shouting out some of the other bands over the weekend such as Gwar, and Killing Joke whom they have previously credited as an influence of theirs.
Calling for the crowd to “…destroy this fucking place” they incite an absolute hoard of crowdsurfers – all those people who were too tired and hot to go for it the rest of the weekend. If your eyes haven’t witnessed crowd surfers at a metal gig, you’re honestly missing out on a key life moment. Better yet if you’re brave enough to go over yourself, just hold onto your pants.
Another heartfelt shout out, this time for Sophie and Sylvia Lancaster, alongside a request that we – the metal community – look out for each other and have each others’ backs. It resonates with so many of us here, there is a stuck moment of introspection, before reality snaps back and it’s time for Lamb of God’s finale and an absolutely ragingly huge circle pit. Seriously go look at a YouTube video, it’s nuts. They go out on ‘Redneck’ with a bang, no winding down here – I can safely say that’s the best I’ve ever seen them.
Randy Blythe – Lamb of God Ⓒ A. Hyams for Summer Festival Guide. Do not use without permission.
Well Bloodstock… apart from an accidental pit stop into some very suspect Britney karaoke in the Serpent’s Lair, here we are again at the end. It’s been real, it’s been fun, it’s been real fun. I don’t know how else to characterize this festival if you’ve never been here before – except that, you should come.
Despite this year’s line-up not being my general taste in metal overall, I had a fucking great time, as I always do. I saw some new things, I saw some things that surprised me, I saw old friends, I made new friends, I talked to total strangers like they were my best friends. Bloodstock is family. Come and join us.
Camp Bestival is the best family festival of the year.
As well as being the ultimate festival for children of all ages, this year, Camp Bestival went one step further.
It smashed the Guinness World Record for the World’s Largest Disco Dance in Dorset!
In celebration of this year’s Desert Island Disco theme, on Saturday 30 July, 598 disco dancers headed to the festival’s giant glittering ball, where kitchen-disco legend Sophie Ellis-Bextor danced with the crowds into the record books, smashing the previous record by over 274 people.
Sophie Ellis-Bextor said in an interview “From my own Kitchen Disco to a fully-fledged all-sequin disco extravaganza in the glorious grounds of Lulworth Castle, I am so thrilled to have played a sparkling part in helping Camp Bestival achieve the official GUINNESS WORLD RECORDS title for the Largest Disco Dance. Congratulations to all you fabulous disco Kings and Queens!”
Camp Bestival curator Rob da Bank added: “It was amazing to see families and people of all ages come together and show off their best disco moves under the dazzling glitter ball. As well as having a huge amount of fun, we’re incredibly proud that the attempt has raised funds for the Ellen MacArthur Cancer Trust. Huge congratulations to all dancers involved!”
From extreme bike battles, the world’s biggest bouncy castle, flying trapeze artists, a science tent, yoga retreats, through to educational workshops and an incredible musical line-up including Rag’n’Bone Man and Rudimental, Camp Bestival really does have something for everyone.
On Friday, festival favourites The Cuban Brothers shocked crowds with their own unique style of breakdancing mixed with semi-nudity, before joining the crowd in an attempt to create the world’s largest conga line. Unfortunately the Guiness World Record adjudicators weren’t on site to verify this hilarious attempt.
Later Jo Whiley played her crowd pleasing 90’s anthems, mixing all the best tracks from the arguably the greatest decade for music. Think Blur vs Oasis, Fatboy Slim, Primal Scream, The Verve, The Chemical Brothers, Faithless, The Prodigy and a whole lot more.
Saturday at Camp Bestival always begins with acts for the younger fans and this year was no exception with Mr Tumble, Brainiac Live, and Dick & Dom for the older kids who have never grown up or get tired of shouting ‘boggies’.
The disco theme continued throughout the day with the Earth Wind and Fire Experience and headliners Kool and the Gang – neither band understandably had the energy of their former years, but very few people in attendance would have even been born when both groups enjoyed their biggest successes in the 70’s.
Sunday at Camp Bestival is always a more relaxed family affair, but Mr Motivator ensured that everyone got on their feet and re-energised.
Shed Seven took to the stage in the late afternoon, and it appears the singer must have a fountain of youth in his garden and he doesn’t seem to have aged a day since their big hits in 1996. Saying this, at one point he thanked Big Feastival so possibly he didn’t realise where he was.
Clearly touched with emotion at the young crowd, while his own children were thousands of miles away in Australis, Example proclaimed this was the best family festival in the world. While he used a few extra expletives, he’s not wrong.
Rudimental played hit after hit before the annual fireworks are always such an amazing site over Lulworth Castle. The castle itself was lit up with images of the festival’s icon Lovebot, while One Love rang out.
Next year is the festival’s 15th anniversary and it’s clear why so many return each year.
I can’t wait for the next Camp Bestival, and fortunately the wait isn’t too long this year. As well as the annual festival which takes place in Dorset, the festival is expanding!
Those in Shropshire can now look forward to their own Camp Bestival later in August. With an incredible musical line-up including Fatboy Slim, Rag’n’Bone Man and Becky Hill, Camp Bestival Shropshire really does have something for everyone.
Ultra Europe 2022 took place across three days (or should I say, nights) from July 8th to 10th this year in the idyllic coastal city of Split in Croatia. Split is known for its ancient old town, glimmering blue waters, and buzzy nightlife scene – making it a wonderful destination for Ultra Europe.
I’d heard about the epic Ultra festivals that take place all around the globe and had always been keen to attend one of the events myself. So, I was more than happy to make my debut, especially in Split, one of my favourite cities.
Ultra is renowned for hosting many of the globe’s most recognized and talented DJs, and this summer in Split, there was no exception. Ultra Europe 2022 welcomed the likes of Armin Van Buuren, Alesso, Tiësto, Martin Garrix, and many, many other top-name DJs.
With the music starting at 7 pm each day and powering on until the early hours of the morning at 5 am, I mentally prepared myself for a long, eventful weekend – and I was right to.
Day one Ultra Europe 2022
Ultra Europe was hosted in Park Mladeži football stadium, so there was plenty of space for dancing. We entered the festival around 10 pm, and the crowds were slowly growing. Flitting through the swarms, we could see the excitement plastered across everyone’s faces, ready for a full weekend of EDM music and revelry.
One thing we noticed on day one of Ultra Europe was that there was only one set of toilets – far from ideal for a festival designed for over 140,000 people.
We made a beeline to the end of DJ duo Sofi Tukker’s set at the main stage, and I was soon mesmerized by the bright, flashing colours and thudding beats. The main stage kept us well and truly captivated for the night, with a string of high-energy sets, including from Israeli psytrance duo Vini Vici, Dutch DJ Afrojack, and American EDM producer Marshmello.
Renowned for protecting his identity by wearing a distinct Marshmallow mask (surprise), we bounced around to Marshmello’s famous hits, including his popular collaboration with Brit pop-rock band Bastille’s, ‘Happier’.
Of course, we couldn’t miss a closing set from legendary Dutch DJ Armin Van Buuren. The misty, hypnotic lights and trance tunes kept us moving until the wee hours of the morning – in fact, we wanted more.
Ultra Europe
Day two Ultra Europe 2022
The late start to the festival meant we could sleep in without missing any music, which was very necessary after leaving the festival grounds at 5 am.
A little slower than the day before, but just as excited, we made our way to Park Mladeži just in time for Oliver Heldens’s set – another talented Dutch DJ.
I hadn’t known much of Oliver Heldens’s music previously, but I was instantly impressed as we snaked our way into the crowds. Oliver Heldens spun an animated, gripping set filled with fun remixes of well-known popular chart songs – the types everyone knows the words to.
Next up was Swedish DJ Alesso, who put on a spectacular show with all the works – flames, fireworks, you name it. Alesso even played ‘Heroes’ – one of my favourite songs of his.
We barely strayed from the main stage for the second night in a row, letting loose to two more performances from French DJ Snake and Australian musician Timmy Trumpet. As you may or may not already know, the latter is famous for DJing with the trumpet live, something I’d never experienced before.
Ultra Europe
Day three Ultra Europe 2022
After another morning of dancing until sunrise, day three was the biggest struggle yet. But, this was the night I was keenest for, with sets from Above & Beyond, Tiesto, and Martin Garrix.
After a lie-in and another much-needed nap on the beach, we managed to take our sorry bodies to the Ultra Europe grounds for the third day (night?) in a row.
With the entry queues taking significantly longer than the previous two nights, we only managed to get into the venue in time for the end of Above & Beyond’s set. But fortunately, some luck was on our side as the group played one of our favourites – the euphoric ‘Blue Sky Action.’
By the time Tiesto was hitting the decks, the crowds were thick and thriving, but we still managed to wind our way into our usual spot. As expected, it was one of my favourite sets of the weekend.
Tiësto’s well-known hits were teamed with vivid, flashing lights and, of course, plenty of glittering fireworks. We threw our hands up with the rest of the fans, jumping and flinging ourselves around to exhilarating beats, including my personal Tiësto favourite, ‘Wasted.’
The euphoria of the evening continued as Martin Garrix took to the decks spinning hit after hit after hit. We danced and sang along to the likes of ‘Follow’, ‘Scared to be lonely’ along with the rest of the vigorous celebrators. At one point, a circle had formed for a ‘mosh pit’, but it ended up being pretty harmless and innocent.
Riding high from the sets on the main stage, we decided it was time to venture further afield. Feeling the early morning chill (yes, I even get cold during the summer in Croatia), we joined the masses of heaving bodies at the tented Resistance stage to bop around to Italian DJ Marco Carola.
Exhausted yet wanting to make the most of the elusive festival atmosphere, we tiredly attempted to move around to Hardwell’s heavy tunes before making one last early-morning trip home.
While it’s not the best-organized festival I’ve ever been to, Ultra Europe 2022 gifted me incredible memories of dancing to some of the planet’s most famous DJs with old and new friends I’ll never forget. And if you decide to take on Ultra Europe yourself – buckle up because you’re in for a rollercoaster of a ride (don’t worry, it’s a very, very fun rollercoaster).
It’s a busy London Saturday, the tube is hotter than satan’s armpit, but we’re on our way to Hyde Park for BST today… let’s go.
As we head into the arena via the south entrance, we’re filtered straight into the VIP area which is a tree covered shady sanctuary in the heat, along with a few food carts, a bar and an ice-cream truck. It’s a small area but it’s quite cute and has nice loos.
On the way into the arena we hit up the merchandise stall for t-shirts, and there are some incredible Pearl Jam art prints on sale – specific to this event, a really special and interesting merchandise option. They even helpfully have a heap of tubes so you can transport one home safely/let your child use it as a lightsaber. There’s also a little bandstand stage here called ‘The Birdcage’ and absolutely heaps of food choices and water refill points. So far so good!
On the Great Oak stage, Dublin-based singer-songwriter Imelda May is a vision in flouncy Victorian mourning dress. She has such a dynamic stage presence and a stunning voice, we thoroughly enjoyed the Meatloaf ‘I’d Do Anything For Love’ cover, and hope to see her on many more festival bills in the future.
Punk rock fury from Petrol Girls on the Birdcage feels particularly prominent after the last few weeks in world events, and it’s pretty great to see them pull a decent crowd of young faces – punk has always existed as a call to arms, and we need it back more than ever.
Welsh rockers James & The Cold Gun give us that shoulder-to-shoulder sticky-club-floor teenage rebellion feeling, very fun but ever so slightly strange in the setting of belting summer sun under the light of a dappled tree canopy.
Elsewhere on site the South London Samba Band hit that sunshine beat with utter perfection, they are absolutely full of energy, which spreads into the crowd around them in the form of some very questionable but joyful dancing. After all of that, it’s time for a drink, and wow are you spoilt for choice here at BST. The bars are shipping containers all made up to look like a row of Santa Clara Cuban restaurants, colourful and interesting with enough different serving fronts to ensure there’s never a horrendous queue.
As we take a walk around the back of the arena, the presence of advertising partners is pretty overwhelming compared to other festivals. Maybe it’s a London thing, or the fact that it’s a small space, but it’s a bit of a bombardment. Having said that, some of it is quite sympathetically done, like AmEx giving out free water bottles and tote bags (as well as access to cold water filling stations, and the option to go into a private rooftop viewing area) seems quite welcome on such a hot day.
Around the corner there is another bar area which looks like something pulled straight from Snow White, a faux beamed pub called ‘The King’s Head’, then there’s the florally adorned Hard Rock area which directly overlooks the Rainbow stage. The Hard Rock Shop is obviously full of their own merch rather than BST stuff, but next door they’ve brought a sample of café items to an indoor food stall, surrounded by roadie cases of BST-relevant memorabilia, like you would see in the real Hard Rock Café. We took a peek at Eddie Vedder’s signed wetsuit, Elton John’s Union Jack biker jacket, and a choir robe signed by Mick Jagger. Oh and, it’s shady and cool in there. Magic.
Up next on the Giant Oak we see the iconic Johnny Marr (of The Smiths fame) powering through a fabulous set with his vibrant yellow guitar. It’s a mix of works from various eras of Marr’s musical career – ‘Spirit Power and Soul’ is epic, but honestly the thing I’m most excited about – is getting to hear my favourite Smiths songs sans unavoidable Morrissey bullshit. Johnny sings them well, ‘Please Please Please Let Me Get What I Want’ and ‘How Soon Is Now’ have the entire arena singing along, and ‘There Is a Light, That Never Goes Out’ is so upliftingly, I suppose canonically bright.
During a small break, Marr notes someone standing in the front section on their phone and snarks “I hope you’re texting ‘Johny Marr is a fucking bad-ass’” we all laugh, as the person in question red-faces it to the cameras. “It feels good to be doing this again after all this time, and to see your lovely faces” he tells us, before dedicating his last song to Pearl Jam for inviting him.
On their very own stage in the corner, the chaos creators themselves, arbiters of festival mischief since the dawn of time, The Cuban Brothers – are pied-pipering the hell out of BST. As their set begins with Kengo on the mix, Juan Erection throwing shapes and as he noted to all the kids ‘Uncle Miguel’ brandishing a hosepipe at the crowd. There’s something very comforting about seeing them back on the festival scene, albeit sans iconic brother Archerio who retired last season.
Yelling “I’m gonna pump some gas into you in the correct fashion” Miguel is as much of a bawdy menace as ever, I love it. He manages to cheekily forget that tonight is Stereophonics not last nights’ The Pixies… “I don’t keep an eye on who’s supporting us!”, sing us a verse of Even Flow and get us all to chant ‘Boris Is a Dickhead’ in the space of about 15 minutes. We’re treated to old school hip-hop, Kengo on rollerskates, Juan doing crazy flips and Miguel yelling “Goodbye Boris you narcissistic fucking clown!” which honestly, is just excellent fun. I’ll never not want to see The Cuban Brothers at a festival.
Up next, Stereophonics on the Great Oak stage. As someone who listened to a lot of Stereophonics as a kid but not much since, I don’t know that I was expecting too much from them. A bit of nostalgia sure, but maybe not greatness? Happily proven wrong, Kelly Jones’ voice is still grittily excellent and they give us the most epic tour of the classics that we want to hear.
“It’s nearly 30 years to the day I first saw Pearl Jam, supporting Neil Young at Finsbury Park…” says Kelly, before joking that they themselves only have an hour to fit in 25 years and 12 studio albums worth of music to fit in.
‘Bartender and the Thief’ is followed by ‘Hanging On Your Hinges’ but it’s the likes of ‘A Thousand Trees’, ‘Have a Nice Day’ and ‘Pick a Part That’s New’ which really hits you in the memories. The wistfulness for the optimism of the early noughties is ripe for twanging that emotion string, things definitely feel heavier this side of a global pandemic.
‘Just Looking’ flows into closing track ‘Dakota’ with the band squinting into the still scorching hot sun to say “Thank you, it’s been amazing… have a brilliant time tonight!” before leaving to rapturous applause.
We decide to check out the dinner offerings before the main act, and it is absolutely peak London in here. Truffle burger? Bhaat? Steak frites? You got it. Wash it down with some Perrier or a can of Pinot? We chose paneer wraps and churros, both of which were excellent. Festival food has come a loooong way, and I am grateful.
Ⓒ Sandra Sorenson for BST
The heat haze is still shimmering over Hyde Park, the arena is suddenly packed with warm bodies, and every face is turned towards the Giant Oak stage for tonight’s headliner, Pearl Jam.
There mega lighting rig above the stage reconfigures to a honeycomb style backdrop as the band take to the stage to a huge roar from the crowd. Then 10-Club VIP area at the front is definitely the best perk of the upgrade packages, as they get a full close up of Eddie Vedder emerging to The Beatles ‘All You Need is Love’, and images of themselves plastered on the giant wraparound stage screens above.
Without a huge amount of fanfare, the band rolls straight into the first song ‘Corduroy’ and its clear that Eddie’s voice, and the band as whole have lost absolutely none of what made them famous in the first place. It’s as raw and powerful an intro as I’d hoped for. “…hope this night goes nice and slow, we’re so grateful to be here and do it again, we’re gonna try and play everything we didn’t play yesterday” Vedder says, and having looked at yesterday’s set-list already – I know we’re in for a very special and unusual set. ‘Why Go’ is one of my favourite Pearl Jam songs of all time, and it seems I am not in the minority, it absolutely sets the crowd ablaze, with people singing and dancing all around us.
We slip under for ‘Deep’ which is crushingly heavy, another Ten hit, followed by Vedder lamenting on how damn hot it still is this evening, when he notices a situation unfolding in the crowd. It seems like someone needs assistance and Vedder directs medics into the crowd saying “…make a little tributary, everyone clear some space’, making sure the music doesn’t start again until they’re safely out. With the 2021 Travis Scott/Astroworld situation making for very bad headlines last year, I take great comfort that most artists out there do take concert safety seriously, and notice what is happening at their shows.
Not only this, but the well-known and expected outpouring of political and moral opinion by the band is also welcome – we stan a band who use their platform to raise awareness, to comment on what is happening in the world. Eddie talks about gun violence in the US, and about how it affects his family, in relation to track ‘Garden’ which he explains is about tombstones in a cemetery. Following this “…a song [they] wrote and performed with a legend, Neil Young. Tonight we play with another legend, Manchester’s own Johnny Marr” for ‘Throw Your Hatred Down’. It is nothing short of epic to see these legends grace the stage together, this is an unforgettable rock moment.
‘Do The Evolution’ showcases the bands unmistakable delight in playing live, the energy is infectious and seeps into the crowd – contrastingly heavy, under the rainbow pastel summer skies of London. Van Halen tribute cover ‘Eruption’ is fittingly brilliant, and out in the front row the camera pans across a young lad with a “1st Row” sign, dances along as Eddie uses his plaid shirt as a cape for ‘Black’ and manages to snag himself one of Eddie’s tambourines, I am intensely jealous of a child.
A second tributary mention goes to the late great Taylor Hawkins, and is dedicated to his wife and children by the band. ‘River Cross’ is another thoughtful dedication to the people of Ukraine, and as the lighting rig snakes and changes to slither over them, the band drop into arguably their most famous song ‘Alive’. Hearing this live, is a full body experience, the ridiculous bone shaking power that this song has over everyone is absolutely wild. If you didn’t love it, I’m sorry to say, there’s something wrong with you.
Closing out with The Who cover ‘Baba O’Riley’ wouldn’t have been my number one choice to be sure, but adding in a return from Johnny Marr and Andrew Watt, I can’t deny it’s pretty special. It’s been such a different and varied set from last time I saw them, many moons ago at Leeds fest 2006. Grateful doesn’t even cut it – how lucky are we to be back outside after the absolute shitstorm of the last couple of years, witnessing something like this?
Live music isn’t just fun, isn’t just entertainment, or diversion. It’s the lifeblood of what it means to be humans with shared experiences. Pearl Jam tapped into that reservoir tonight, it was clear on so many awed faces leaving the arena. Thank you BST for making sure this happened, despite every setback.