Electric Fields, Scotland’s most exciting new music festival, is proud to announce that Fat White Family, Field Music, Honeyblood and Eliza & The Bearwill join the two day bill at 17th Century Drumlanrig Castle in Dumfries & Galloway on Friday 26th and Saturday 27th August.
“Electric Fields is all about bringing the best music to our audience in this incredible location,” says festival co-founder Nick Roberts. “We’re proud to welcome these amazing bands to the lineup. They each bring something unique and powerful to a bill that we think is the best for music lovers, and the best value, anywhere in the country this summer.”
Electric Fields also announces today that the second stage will be renamed The Stewart Cruickshank Stage in association with Tenement TV. Stewart, who sadly passed away late last year, was a champion of new music throughout his long career as a radio producer at the BBC and beyond.
“Stewart Cruickshank was a true Scottish music hero,” says Nick. “He was part of the fabric of music radio in Scotland and the UK for 35 years, giving a much-needed platform to new bands from Scotland and bringing us the best new music from wherever he could find it. With the blessing of his wife Lorraine, we’re proud to acknowledge his exceptional contribution to our musical heritage by naming our second stage in his honour.”
Fat White Family have built a formidable reputation for putting on the most uncompromising and anarchic live show in the world right now. Their unrelenting passion and commitment to their craft, bourne out on their 2013 debut album Champagne Holocaust and this year’s Songs For Our Mothers, has seen them thrill audiences across the globe in a way few other bands can challenge.
The smart money’s on Field Music being one of the highlights of Electric Fields 2016. Impossible to pigeon-hole, rooted in indie but branching out into all kinds of rarely-explored territory, the band’s sixth album Commontime is melodic but never obvious, lush but never overblown and spiky in all the right places. With an endorsement last year from Prince, no less, they are undoubtedly one of the most excitingly creative bands around right now and a perfect addition to this year’s lineup.
Honeyblood are no strangers to Electric Fields, having played a blinder at the festival in it’s first year in 2014. Drawing influences from The Breeders, PJ Harvey and Throwing Muses, they were hand-picked to support Foo Fighters at Murrayfield in Edinburgh last summer and are currently working on their eagerly anticipated second album.
The addictive chant from ‘Friends’ the opening track fro Eliza and the Bear’s self-titled album could have been written with Electric Fields in mind: “I got friends, I got family here.” It’s the calling card for a band who deliver festival-friendly, indie-pop anthems with a joyous inclusivity which lifts the spirit, even as it occasionally touches a melancholy nerve. We advise getting the album in advance – you don’t want to miss out on the inevitable sing-alongs they will inspire.
PLUS TODD TERJE LIVE BOOKA SHADE CHRONIXX & ZINCFACE REDEMPTION DIGITALISM MIIKE SNOW DONOVAN
A GUY CALLED GERALD / ANDHIM / B.TRAITS / CLAUDE VONSTROKE DERRICK CARTER / DOORLY / FORMAT:B / GENERAL LEVY / GREG WILSON JAUZ / JESSE ROSE / JUSTIN MARTIN / MARSHALL JERFERSON MR SCRUFF / RITON / SONNY FODERA / STANTON WARRIORS TC FEAT MC JAKES
BEARDYMAN FT MCS LEEN & SEROCEE / DUB PISTOLS EASY STAR ALL STARS / GENTLEMANS DUB CLUB & many more
COMEDY LINE UP: TOM STADE, ROB RUSE, FERN BRADY, JACK EVANS
You can’t deny it, something out there really has it in for Download Festival. It’s the same story every year – burnt for the first two days camping and then incessantly soaked for the rest, it’s like… metal is the music of the devil… or something…
Campers have been steadily pouring in since Wednesday, setting up epic tent-collectives with all manner of décor (bra-bunting is a particular favourite of mine) and it’s set to be a belter of a weekend, even though we’re probably all going home with trench foot and hypothermia. The Village, the hub of the camping area, is home to weird and wonderful acts such as The Wall of Death, The Inflatable Church, The Circus of Horrors, Zorbing and the fire-wielding Area 51. Oh and hilariously British pursuits like Bogan Bingo, a quiz and five-a-side football, if that’s more your speed. Head over there at night for after-hours bands, DJ’s and even catch a movie in the Cinema or laugh your arse off in The Side Splitter comedy tent.
It’s clear Download’s commitment to becoming a bit more of a well-rounded festival is working, the out of hours entertainment, things to do and see and the much improved food options mean a nicer festival experience for all, without taking the emphasis off the music at all. With the now extensive shopping and food outlets you’d better have cash on you this weekend, as despite last years’ ‘breakthrough’ technology claiming to take all the hassle out of on-site payments (which of course did not go to plan) Download have well and truly ditched the idea of RFID tags and have gone over to… er… all normal methods that you can do in the real world.
FRIDAY
Friday sees a dry start and Alien Ant Farm are failing to get anyone interested in anything other than Smooth Criminal, and Babymetal (half an hour late) draw a massive crowd for their J-Pop inspired metal, which is frankly just about the oddest thing ever. They’ve stuck to their goth-loli look and eardrum piercingly high vocals for Gimme Chocolate but actually the new album tracks seem a bit more developed and musically interesting rather than gimmicky. We do wish Herman Lee could have popped up for Road of Resistance, but the two girls down the front who have made a massive effort to dress like the band seem to be loving it, alongside some very big bearded men who appear to know ALL the words.
On the Encore stage, Christian rock band Skillet are killinit (see what I did there?) but the Lemmy/Motorhead tribute video on the main stage is in all honestly a bit lame. We all know Lemmy partied hard, but is it really necessary for people to recount exactly what variety of drug he offered them? Only Brian May appears to talk about him in a painfully honest way, saying “I miss him very badly”. Apart from a stage naming and a tshirt on the merch stand, it’s weirdly unspoken for the most part… maybe it’s all a bit soon for most of the bands.
Grabbing possibly the most English food available for lunch (Duck fat roast potatoes with gravy, followed by apple crumble…) we hit up the absolutely packed Maverick stage for Geordie rockers The Wildhearts who have everyone jumping to I Wanna Go Where The People Go. Over on the main stage we’re treated to a dose of Jonathon Davis’ chicken dance (hold mic, flap arms) as Korn blast out the likes of Coming Undone and Freak On A Leash. The rain is absolutely hammering down now and it kinda fits the grungy nu-metal feel, the arena is full of swamp-people whipping their hair everywhere. Amidst the seriousness of purpose that Korn portray, it’s hard not to giggle at the Lebowski-esque rug that has been laid down to stop Davis stacking it in front of everyone.
Finally it’s on to the main event, and the bedraggled but excited masses have gathered for the ever sinister yet playful German powerhouse that is Rammstein. Running through scores of hits like Sonne, Du Hast, Ich Will and Feuer frei there’s nothing missing from this incredible set. The expected but always insane pyrotechnics just keep coming, with fire breathing face-cages, firework body suits and a giant pair of angel wings, there’s just nothing these guys won’t do for a show.
Entering the arena today it’s obvious some effort has been made in the way of soaking up the sludge, using a ton of hay and woodchips, there’s a much boggier/safer quality to the underfoot feel, but it probably won’t last.
Over in The Kennels area, a queue is already forming for new addition WWE NXT stage, live wrestling shows hosted by Triple H, whilst self-proclaimed Swedish circus freaks Avatar are bringing some life to the main stage. Wearing what I can only describe as resplendent outfits inspired by the Vatican Guard and yelling “Bang your heads English men!” they put on a rowdy first set of the day, and gain a few more followers with their tight riffs and synchronized hairwhipping.
Beartooth’s punky tones soar across the arena to a decent sized crowd for In Between and Black Peaks are totally smashing the Maverick stage. Turbowolf take the baton next yelling “For the next half an hour, this is our home” before tumbling headlong into the likes of Rabbit’s Foot and Solid Gold.
Danko Jones starts out with classic Play The Blues which actually gets kind of a cold reception from the crowd, but soon he’s telling us “…everybody at Download gets to call me… delicious” and saying “I am a whore for that sound you make with your hands” everything starts to get lively. A fan in the front row passes up a flag requesting Sex Change Shake but Danko goes on to play Cadillac instead citing “…it’s the same three chord structure anyway… so this is like, Shake Change Sex”. There is something ridiculously fun about Danko Jones, in an overwhelmingly cheesy way. They are so uncool they’re cool. They’re the Fonz of rock.
Lawmower Deth however, are exactly the kind of godawful rubbish we should (and do) love, this time with an added Brucey Bonus of being joined by… and I can’t believe I’m writing this… Kim Wilde for Kids in America. It could not be more bonkers and everyone LOVED it.
Rival Sons bluesy cali rock has the arena up and dancing with their beers, soaring vocals and a stellar set – we loved closer Keep On Swinging. On the Encore stage Juliette and the Licks hit hard with Hot Kiss and Credence Clearwater Revival cover Proud Mary, J-Lew is just as enigmatic on stage as on screen. Megadeth are joined on stage by Nikki Sixx for Anarchy in the UK before Nikki steps out with his own band Sixx: AM for a completely different sound. It’s a strong set and a hell of a lot of people have come out to watch. Despite the sea of hair and black tshirts this weekend, it’s clear the pop-punk kids have been hiding in plain sight as the hoarde heads towards the Maverick stage for rowdy Welsh band Neck Deep, but they aren’t even going to win Taffy of the day with Skindred tearing it up over on the Encore stage. Despite the now constant rain, Skindred have drawn a huge crowd for their completely-weird-but-totally-works reggae-metal and the whole crowd is getting down and dirty for Doom Riff and Pressure. With an unsolicited play of Bieber’s ‘Sorry’ mixed into Trouble, they’ve singlehandedly outlined exactly which people we should push in the mud later, but not to worry as there’s an epic and extremely wet swirling of tshirts for Warning. We love a bit of a Newport Helicopter we do.
The rain is now unashamedly heavy and regardless of the plastic ponchos, raincoats and really fucking annoying golf umbrellas, pretty much everyone is soaked through. The crowd is built right up the main stage hill and the anticipation is palpable. Fan or not, there’s no denying that seeing Black Sabbath on their last ever tour (no really, it will be the last this time… right?) is pretty special and important. Though it’s clear throughout the set that Ozzy’s voice isn’t the best (was it ever?) the songs are heavy and hit the nerve of nostalgia so hard. Snowblind, War Pigs, Iron Man and Paranoid are obvious highlights, but no less great because of it. With the downpour drastically thinning the crowd, the views are spectacular and it’s the kind of closing show you hope for – full of hits, none of the new stuff. They will be missed.
With the early morning news that GHOST have cancelled their set today and nightmarish state of the main arena (seriously, it’s the kind of goop bodies arise from in the Walking Dead) today’s bands have to compete with the drowned-rat temperament of all those who’ve camped. Luckily there’s crepes for breakfast, a champagne tent and… hold up, what? I’m down with crumble but there’s no place for Moët in Metal. Come on.
Looking about as country as you can get, Whiskey Myers ease us in gently with Early Morning Shakes on the Encore stage before Amon Amarth give us growly Viking battle tunes from their dragon longship style stage set-up and giant fire canons. It’s even more awesome than it sounds, honestly. Whiplash back to bluesy rock with an inexplicably American sound for Glasgow vocalist Phil Campbell and The Temperance Movement. It’s an unrelentingly great set with a few tracks from the new album but finishing up with Ain’t No Telling from their first, we’re glad to see them back at Download.
On the Maverick stage, Frank Carter & The Rattlesnakes are, well, doing what they do. There’s a huge mosh pit and lots of people seem to be enjoying themselves, but lots of other people seem to be screwing their noses up and walking away. So we head on over to the main stage for the eponymous Halestorm who have grabbed a massive crowd and are belting out Amen, I Am The Fire and I Miss The Misery. There’s no doubting Lzzy Hale’s vocal prowess but there’s something very Nickelback about them, massively produced and clean, it’s hard to put your finger on it.
Shinedown have that crowd-participation approach that we Brits love to hate, like panto – they want us to jump, so at first we do it sarcastically… then again to reinforce the joke… before you know it everyone is pogoing like a complete tosspot to a band they don’t even really like. Either we’re a very very susceptible nation, or Shinedown are actually doing a good job. I’ve no idea at this point. Delain on the Encore stage have drawn all the raven haired goth girls for a good old headbang but there’s a bit of power missing behind it all. On the Maverick stage Electric Wizard are heavy in a way that makes your stomach drop but it's Gojira who really make our skin crawl, in the best kind of way.
Disturbed are actually forcing joy out of otherwise non-fans today with the likes of Simon & Garfunkel’s The Sound of Silence – a stalwart of their tour repertoire. In an epic hit-to-hit continuous play we get; U2’s I Still Haven’t Found What I’m Looking For with Lzzy Hale, The Who’s Baba O’Riley with Blaze Bayley and RATM’s Killing In The Name with Benjamin Burnley of Breaking Benjamin. Where else are you gonna see that kind of mash up? Let’s be honest though, we’re all waiting for Down With The Sickness, and Disturbed give it to us with a cry of “I think it’s apparent the entire United Kingdom has been infected with sickness…”
Nightwish are plagued from the off with the heaviest downpour of the weekend but that’s never done anything to quiet this truly epic band before. Lords of the symphonic circuit, Nightwish have been the subject of more drama than any other band, public shamings and bootings aside – they seem to have bounced back each time. In Floor Jansen they’ve found a vocalist capable of traversing Tarja Turunen’s operatic realm and the rock sound they’ve been moving steadily towards over the last few albums, and she hits the stage dressed like a Valkyrie, which I guess, is the point really. With giant bursts of fire from stage canons, Nightwish (and the now extraordinarily drenched fans) power through some of the strongest numbers of the entire weekend. Nemo’s the one everyone has been waiting for, and though it will never quite be the same without Tarja, it packs a punch and remains a fan favourite. It seems Download loves Nightwish, no matter who’s fronting. Especially that dude vogue-ing the shit out of it at the back.
Headlining the Maverick stage Saxon get more than they bargained for – the tent is bursting at its seams with the soggy and groggy, warming themselves up for Maiden with the Yorkshire boys. 747 (Strangers in the Night) is melodic-shreddingly amazing, And The Bands Played On is the perfect description of what Saxon seem to intend to do… forever… and Wheels of Steel has every single person singing along. Biff’s voice and determination is as strong as ever.
As is typical of Sunday headliners at Download, there is very little crossover of other stages, and Iron Maiden also joining us a little later than intended means the arena is absolutely COVERED in bodies. Thankfully the rain has stopped just in time for the screens to switch over to Eddie TV and Bruce Dickinson to emerge from centre stage for If Eternity Should Fail. Through a Book Of Souls heavy set we are well and truly smacked with the fact that Bruce’s throat cancer surgery has done nothing to dull his vocals or his enthusiasm, he races the stage with the same wild abandon he has always had. In the wake of Black Sabbath’s ending, it’s sort of comforting to know that Maiden have no plans to quit any time soon. Hell, they just got a new plane.
Old favorites The Trooper, Hallowed Be Thy Name and Fear Of The Dark are every bit as heart-stoppingly brilliant as we’ve come to expect, the stage sets and animatronics just can’t be rivaled. With an epic encore of The Number Of The Beast, Blood Brothers and Wasted Years, Maiden came, saw, conquered. With a long speech regarding this weekend’s tragic events in Orlando, an incredible set and more energy than any one of us can muster after three days in a field – Bruce may as well have done an actual mic drop.
So what to make of Download 2016? As always controversy over headliners is rife for this sort of festival. With a genre so diverse, with arguably warring factions – there’s always going to be something you love, and something you hate. That’s kind of the point right? If you loved the whole lineup everything would clash. If you hated the whole lineup, you wouldn’t buy a ticket. This year, Download seemed to have secured bands from a whole heap of genres without one heavily dominating the others and let’s be honest – seeing Rammstein, Black Sabbath and Iron Maiden on the same bill is really pretty incredible when you think about it. But who the hell is going to top this? Roll on DL2017’s announcements and the ensuing forum arguments we will inevitably be part of…
Today, Friday 17th June, the UK’s finest multi-arts festival Latitude is delighted to announce further names joining the Comedy Arena line up at this year’s event, which takes place from Thursday 14th to Sunday 17th July 2016 in the stunning grounds of Henham Park, Suffolk.
Latitude is thrilled to announce that one of Britain’s most celebrated comedians Bill Bailey will headline at Latitude this year. Known for the astounding musical knowledge that saw him become a panel show staple on Never Mind the Buzzcocks, as well as starring in Channel 4’s sitcom Black Books – Bill Bailey is an internationally acclaimed stand-up comedian, renowned for his trademark intelligence and wit. Bailey will be delighting Latitude audiences with his uproariously funny blend of show-stopping musical comedy as his famous Limboland world tour makes a stop at Henham Park next month.
Also performing this year will be Silver Sony Award winner Milton Jones. The pun-loving comedian is best known for delivering “beautiful one-liners so skilfully sculpted, you don’t know whether to laugh or put them on your mantelpiece” Guardian. Milton Jones is regularly on Mock the Week (BBC2), has appeared on Michael McIntyre’s Comedy Roadshow (BBC1), Live at the Apollo (BBC1) and has headlined Dave’s One Night Stand (DAVE).
Katherine Ryan will be entertaining audiences with her acerbic, razor sharp critique of pop culture. Originally from Canada, Katherine is a stand-up who has taken the UK television and live comedy scene by storm as a team leader on comedy roast show Safeword and a presenter on Heir, alongside being a regular fixture on panel shows, including appearances in Mock the Week, Never Mind The Buzzcocks, 8 Out Of 10 Cats and Have I Got News For You.
Creator, writer and actor of the multi-award-winning The League of Gentlemen, Reece Shearsmith, and comedian, actor and presenter Rufus Hound will be the special guests for Robin Ince&Josie Long’s Festival Shambles: a very special take on their hit podcast, Book Shambles. Previous guests and topics have included quantum physics with Charlotte Church, Charlie Chaplin and Eddie Izzard, and what to read when you’re in outer space with astronaut Chris Hadfield.
With over 12 million YouTube hits to his name, Piff the Magic Dragon has performed to hundreds of thousands in Shakespeare’s Globe, the O2, London and Sydney Opera House. Along with his Chihuahua, Mr. Piffles, Piff’s mixture of magic tricks and deadpan comedy has received high critical acclaim from the likes of Sir Ian McKellan, who called him “the hit of the party” and a “hugely entertaining hour of grumpy magic” from Time Out.
Also performing this year is Radio 4 stalwart and one of Britain’s finest comedian’s Marcus Brigstocke, who will host Prince Fest, a performance in tribute to an artist who changed the world. Join Marcus and special guests for an evening of conversation and celebration, culminating in a fittingly eclectic, flamboyant finale.
Hot on the heels of his new BBC 3 sitcom Sunny D, Dane Baptiste has had incredible success with his stand up shows Citizen Dane and Reasonable Doubts, and is already being hailed as one of the most exciting acts to break through in years.
American comic and New York Times bestselling author of I Can Barely Take Care of Myself,Jen Kirkman will also be performing, following the release of her Netflix comedy special I’m Gonna Die Alone (And I Feel Fine) – which was named one of the top ten stand-up specials of 2015 by The Atlantic and Time Out New York.
Further acts include musical comedy duo Jonny & The Baptists who will be delivering their seemingly light-hearted yet satirical take on right-wing politics and media hysteria; Jonathan Pie will bring a cutting parody of broadcast journalism, performing as a UK News reporter with brutally honest views on the world of politics; plus technophobe Jimmy McGhie, who has just finished a string of sell out shows during his second tour of Asia, following a welcomed return to Edinburgh Fringe.
Award-winning comedian and warm-up for The Graham Norton Show Joe Bor will be performing as Jasper Cromwell Jones, a hapless climber who retells the story of a treacherous climb, including a video cameo by TV favourite Jack Whitehall. The hugely talented Lou Sanders will be performing this year, having been featured in The Times ‘Witty Women To Watch 2014’, along with hopeless romantic comedic poet Micky P Kerr, the unpredictable risk-taking Luke McQueen, and Joey Page, who has been named by Chortle as “one of comedy’s most unique and exciting new talents”.
Finally, Thom Foole’s Shed Party will be delighting the Latitude crowd this year, providing an evening of clowning, comedy, storytelling, mischief and party games in the Shed of Stories, hosted by absurd character comedy acts, cabaret performances and DJ’s.
Joining the already announced headliners Rudimental, Noel Gallagher’s High Flying Birds, Madness and The Charlatans and a supporting cast including Catfish and the Bottlemen, Eagulls, Kelis, Everything Everything, Spring King, Ghostpoet and Peter Doherty are MC of the moment Novelist alongside grunge stars The Wytches, Yak, Nimmo, Kloe, Brawlers, Mind Enterprises, Prose, Kioko, Broadway Sounds and special DJ sets from Slaves, Rat Boy, Phil Taggart and M.A.X.
Set in the stunning surrounds of the Lake District’s Lowther Deer Park, this innovative, independent festival is renowned for more than just music and festival lovers will also enjoy 4 days of artsinstallations, comedy,gourmet food, kid’s entertainment and a real ale festival all within the confines of what is widely regarded to be the most beautiful festival site in the UK.
As one of the undisputed highlights of the busy summer calendar, Kendal Calling 2016 is not to be missed. Tickets always sell out for the festival well in advance and for the first time Kendal Calling is not increasing it's capacity so grab one of the final tickets now and see you in the fields!
Bags ready tent purchased and we were ready to hit the road for an epic weekend of random antics, filled with laughter, good friends and live music, a line-up so large, that no one could contain their excitement.
Thursday evening has arrived tents up and its time to see what the Isle of Wight Festival 2016 has to offer. The 'Big Top' stage opens up with performances from 'The dolls', 'Maxi Jazz and the E-Type Boys' and 'The Cast', who were getting the audience ready for the headliners of the evening 'Status Quo'.
'Status Quo' hit the stage at 9:30 to perform to the festival goers, filling out the 'Big Top', and leaving fans to listen from the sidelines, filling the area around the Big top, creating some members of the audience to suggest they should have opened up on the main stage as the sound was distorted by the carnival in the background. 'Status Quo' performed songs such as ‘Down, Down’, ‘Caroline’, 'In the army now’ and 'Rocking all over the world’ Starting the festive antics with a powerful and electric performance, the audience roared in excitement which created a great atmosphere that thrived over the weekend at Isle of Wight Festival 2016; lining the stomach for the acts that will be hitting the stage in the days to come.
Friday was the first official opening of the main stage with performances from bands such as 'Reverend and the makers', 'Busted' and 'Everything Everything'. Just many of a great line up.
Photo courtesy of Isle of Wight Festival
Charlie Simpson and Matt Willis share a joke as Busted perform on the main stage on Friday 'Busted' took us back the noughties performing hits such as ‘what I go to school for’, 'Air hostess’, 'Crashed the wedding’, and ending the performance with ‘Year 3000’. This was a nostalgic performance, creating a great atmosphere through the field as people interacted with the band and danced like no one was watching.
They were followed by 'Jess Glynne' a British female artist, Who took the crowd on a powerful journey opening up with ‘don’t be so hard on yourself’, and performing hits from her latest album such as ‘Hold my hand’, 'Real love' and ‘Take me home’ her vocals were flawless and her performance created a stamp on how the evening would continue.
Photo courtesy of Isle of Wight Festival
For me the performers of the night were ‘Stereophonics', the crowd were waiting in anticipation as the welsh boys were getting ready to come on and perform to thousands of fans across the isle of wight, the weather was holding out and the sky was drawing in and they arrived, the crowd went wild and the anticipation was over, 'Kelly Jones' has such stage presence that captured and got the crowd to their feet, performing songs such as ‘Handbags and Gladrags’, 'Have a nice day’, 'local boy in a photograph’ and ‘A thousand trees’ hit after hit just blaring from the stage, getting better and better and each song bringing the audience to life. They ended with 'Dakota' getting the crowd to join in and get crazy for one last hit of the night before introducing their co-headliners 'Faithless'.
'Faithless' closed the night with and electric performance, performing hit such as ‘God is a DJ', ‘insomnia’ and ‘Fatty Boo’ just closing the night in the right way, Lights, good music and dancing all you needed was the glow sticks and you were set, this got the crowd ready for the rest of the weekend, for the acts to follow.
Photo courtesy of Isle of Wight Festival
Saturday brought many artists to ‘The Big Top’ and ‘The Main Stage’ the festival was picking up and the bands were getting ready to perform for the many crowds surrounding them today.
The ‘Big Top’ seen many artists such as the ‘Simon Townsend’, ‘The Damned’ and ‘Pendulum’ perform throughout the day, Two artists stood out for me the most ‘Bang Bang Romeo’ and ‘Adam Ant’.'Bang Bang Romeo’ performed at the Isle of wight 2015 on the 'Jack Rocks Stage', they were invited back and given a space on the 'Big Top'stage for 2016, they gave a dynamic and creative performance, the Vocals were powerful and edgy, which created the atmosphere of their music and got the audience supporting the Yorkshire based band, performing songs such as ‘Chemical’, ‘Johannesburg’ and their new release ‘Invitation’.
The legendary ‘Adam Ant’ gave an eccentric performance, performing songs such as ‘Kings or the wild frontier’, ‘Dog eat Dog’, ‘Stand and Deliver’ and ‘Goody two shoes’. He bought the eighties to the festival, giving the crowd quirky and stand alone performance. To Help bring awareness Spandau Ballets 'Gary Kemp' and The Corrs 'Andrea Corr', performed 'Starman’ in a touching tribute to the late 'David Bowie’ for Stand up for cancer who are raising awareness and supporting those who have been affected by cancer. At 3:45 there was a short video celebrating 'David Bowie's’ Life and capturing hundreds of fans, bringing awareness for the course, by wearing 'David Bowie’ masks and posing for a picture on the MainStage.
Photo courtesy of Isle of Wight Festival
The MainStage gave the crowd artists from ‘The Kills’,‘Turin Brakes’, ‘Alabama 3’ and ‘Polly Money’ warming up the audience for the headliners of the evening ‘The Who”. Before 'The Who’ we had some amazing acts perform ‘Iggy Pop’ hit the stage his character larger than life and his movements creating an interesting view as he performed hits such as 'Wild Thing’,‘Sweet 16’ and ‘Passenger’ the audience joined through the performance creating an atmosphere that leads on to the next performer to grace us with his presenc 'Richard Ashcroft’ performed songs from his album ‘Urban Hymns’ performing songs such as ‘Out of my body’, ‘Breaking the night with colour’ and two new ones ‘Hold on’ and ‘This is how it feels’ whilst performing classic such as ‘The drugs don’t work' and ending with the classic ‘Bittersweet Symphony’ the audience went crazy for this and it was an amazing way to introduce ‘The Who’.
'The Who’ headlined the isle of wight on Saturday night performing to a verity of individuals, people who have been following them since the sixties and the younger generation who has been influenced by their music from their parents of even their grandparents. ‘Peter Townsend’ and 'Roger Daltery’ performed for over 2 hours, performing hits such as ‘My generation’, ‘Behind blue eyes’,‘The Kids are alright’ and ‘Pinball Wizard’. They opened up the show with “who are you’ getting the crowd worked up and ready for the night ahead. After 5 decades of being together they still can put together a great live performance, even though at times there were moments of strain In ‘Roger Daltery’s’ voice but this overcame by the commitment to the performance, by showing that he still could hit those high notes in the song 'love reign O'er me’, put those moments of strain behind the crowd the ended a night with a high.
Photo courtesy of Isle of Wight Festival
Sunday was the Day to celebrate the Queens 90th Birthday but not only celebrate one 'Queen', but to celebrate legend we know as ‘Queen’ the one and only 'Freddie Mercury’. With 'Queen with Adam Lambert' Headlining the final show of the weekend. The show everyone has been waiting for.
Photo courtesy of Isle of Wight Festival
On the Sunday 'The big Top’ welcomed artists such as ‘The Novatones’, ‘The Carnaby's’,‘Reef' and ‘The Second Sons’. The Big Top was closed by the Welsh band known as‘Feeder' after 'Queen' had closed the MainStage, ‘Feeder' performed songs such as ‘Buck Rogers’, ‘Just the way I am feeling’ and ‘Just a day’ bringing the audience that was already buzzing to their feet, dancing and bouncing around the tent intertwining and celebrating the end of an amazing festival. Their performance was electrifying, loud and on point. A fab close to a fantastic day. The Main Stage was warming up and bring the sunshine out, acts such as ‘Twin Atlantic’, ‘Half Moon Run’ and ‘The Cribs’ performed alongside Former ‘Genesis''Mike Rutherford’
With the band ‘Mike and the Mechanics’ performing some of the classics from ‘Genesis’‘I can’t dance’ and 'Land of confusion’ bringing the sun out with every song, the crowd building up and joining the band on a sunny but yet cloudy day. This was a great way to start the Sunday line up for me. 'Ocean Colour Scene’ set of the evening with ‘Hundred Mile High City’ bringing the audience to their feet, one hit after another ‘The RiverboatSong’, ‘The day we caught the train’ and ‘You’ve got it bad’ this got people pumping and ready, even with the rain this did not stop the crowd from jumping up and down and enjoying themselves at the Isle of wight festival.
Now that we were warmed up, rained on and waiting in anticipation…. 'Queen' was about to come on, the music starts and the crowd roars, the field was packed to the edges, from everyone finding their perfect spot, so they could enjoy the celebrate the life and legend of 'Freddie Mercury'captured through the Vocals of 'Adam Lambert'. This is the closest we will ever get to seeing Queen as a whole, 'Brian May', 'Roger Taylor' and the flamboyant singer 'Mr Lambert'. 'Lambert' from the start made it known that he was not there to replace 'Freddie Mercury' as no-one could, but to bring the songs that were once created and performed by a legend to life, and to honour and celebrate his life. With Rock Legends 'May' and 'Taylor'.'Lambert' captivated the audience with his outgoing and eccentric performance, starting the night off with ‘One Vision’ and from their belting out hit after hit such as, ‘Fat Bottom Girls’, ‘Another One bites the dust’, ‘I want to break free’ ‘Don’t stop me now’ and ‘Somebody to Love’. Whilst Performing ‘Lambert’ dedicated a song to the Victims of the Orlando shooting and anyone affected by acts of terrorism, he performed a beautiful and heart warming version of ‘Who wants to live forever’. 'Brian May’ Performs ‘Love of my life’ asking the audience to join in, dedicating this song to the late 'Freddie Mercury', at the end of the performance a video Clip of ‘Freddie Mercury’ finishing the song to the audience is introduced. This is closest that we would come to witnessing the Legend Perform. This was used in one more song ‘Bohemian Rhapsody’ using ‘Lambert’ and Clips of ‘Mercury’ to perform parts of the song to the crowd. This was done just right, not overdone but capturing the man that helped to build such great Anthems. The crowd joined in for every song and captured every moment together ‘Radio Ga Ga’ was a highlight of my evening everyone in the audience clapping and creating that moment When they sing “Radio Ga Ga ( Two Claps) Radio Go Go" and the audience clap in the middle , that for me was epic and immense, it is something I have always wanted to be involved in and now I can tick this moment of my bucket list. They Finished the show with such power and energy that we were still buzzing even when they were no longer on, They performed ‘We Will Rock you’ and ‘We are the Champions’ Everyone joined in sang their hearts out and enjoyed the show-stopping, breathtaking band of the weekend, they truly finished with a Bang.
A Show turning event for the Isle of Wight festival 2016!
Well, the arena is awash with the kind of sludge you dream up monsters emerging from and everyone we pass is in varying states of ‘fuck-it’ at this point. Little has been done to calm the quagmire overnight it seems and as the rain poured steadily throughout the day (and then horrifically during Nightwish’s set) there are actual rivers becoming moats between the stages. If you were the guy throwing yourself down the hill with wild abandon after the first falling-over incident, because why the hell not – you sir, I salute you.
However, it is with sheer luck that we stand here tonight waiting for Iron Maiden and only a tiny speckle of rain is upon us… obviously the weather-gods knew that we’d need to ditch our umbrellas to properly rock out for this. As the sky begins to darken and the thousands upon thousands of bodies cram the main stage area, a Mayan temple backdrop and stage set are unveiled which look rather like a section of The Crystal Maze. Bruce materializes from the centre stage gangway for If Eternity Should Fail and below him Nikko takes to his drum nook to begin the show. Seriously – a drum nook. It sounds like something I should have at home.
Yelling “England, how the fuck are you?” was probably only going to incite sarcasm at this juncture, as the soggy crowd snark back “fucking wet”, but Bruce has probably spent his afternoon in a cushy hotel following his flight over on Ed Force One. With visuals of the plane being hurled out of jungle vines by Eddie and a raft of fire cannons going off, it’s clear Maiden are going to put on the kind of show we were hoping for and as the notes ring out for Children of the Damned it’s pretty much a given that Bruce has lost none of the power or range after his surgery for throat cancer.
Dubbing it ‘Downpour festival’ Bruce seems to be keen on interacting with the crowd more this tour, quipping “I usually have a go at people texting in the pit… and I look down and it's our fucking manager! What a cunt! He has a hotline to the weather… we said please stop the rain for Maiden”. Though we are British and used to a rain-lashing at Download, it is pretty nice to not watch through the crackle of a crap poncho.
Next up is Tears of a Clown – a song written about and dedicated to the late Robin Williams, a song Bruce says the band “never thought they’d play live”, followed by The Red and The Black. I mean, I know it’s a stop on The Book of Souls tour, but they really are going heavy on the new album songs. It seems a shame that anyone new to Maiden here won’t get to fully experience the complete rush of hearing 85 thousand people singing along to every single word of every single song. The new tracks just haven’t sunk in yet.
Not to worry too much though, as The Trooper – with Bruce in his red jacket racing around the stage with his flag, is absolutely brilliant as always, leading into heavy Powerslave. Hallowed Be Thy Name is shouted into the night by everyone in the arena and Fear Of the Dark is accompanied by the traditional ‘ooohs’ and what once were lighters held aloft is now a sea of phone screens.
Some joking about monkeys, a very unstable Eddie (on stilts) and many “Scream for me Donington”’s aside, it’s been a non-stop show, and as a flipping GIANT Eddie head emerges from the back of the stage to stare his red eyes out into the crowd, we know that we still have twenty minutes and an epic encore to go.
Joining the band on stage for Number Of The Beast is… well, the beast. Sporting a sometimes crooked set of horns and a countenance reminiscent of battle-worn teachers during ofsted, the giant bust oversees a rampage of fire from the stage and sound tent. There’s something cathartic about screaming “666” into the sky with thousands of other people, maybe it’s the teenage rebel inside.
Bruce tells us “We’ve done this six times… frankly it’s got to stop.” to a rousing ‘boooo’ from everyone in the arena, but a promise of a giant stadium show next year for 80 thousand people (it’s definitely Wembley then…) raises a roar of appreciation. Going on to talk about the fresh news of the awful mass shooting in Orlando this weekend as “Senseless and stupid” Bruce assures us that “Maiden is one big musical family…. I don’t care what gender, what colour, what creed, what religion…” which gets the biggest applause of the night from this crowd many of whom are on the margins of society in everyday life themselves. Bruce also speaks of the Bataclan attack and urges everyone to not be like that and retaliate but to spread “music and love” instead, saying “…my friends, we are all Blood Brothers” bringing them around to one of Maiden’s grandest showpiece songs. The magnitude of the meaning is not lost on anyone, after the horrific reports we have seen on the internet today.
With a starry night backdrop and a circle of stars around Eddie’s head (which could be mistaken for an EU reference if we were looking for one…) Maiden finish up with Wasted Years which also seems especially poignant. “It’s more of a heavy metal waltz this one” jokes Bruce, but it does seem odd to end on such a sombre note, without fanfare or fireworks, just a quick “We will be back next year” and the standard Monty Python Always Look On The Bright Side Of Life, to usher us from the arena. Traipsing through the sticky mess of swamp and chair-graveyards towards the exits, we are leaving with a sense of elation that always comes with Maiden shows – you know you’ve just seen something extraordinary, and that is worth all the mud you could have thrown at us.
Well what can you say about the finality of one of the most prolific bands in history’s last ever show at their spiritual home of Donington Park? The band have played here time and time again, Monsters of Rock, Ozzfest, Download – Donington in all it’s incarnations. Black Sabbath are sewn into the fabric here and the arena is awash with black shirts in all shapes and sizes, from a tour history spanning decades and generations. Families making sure their kids get to experience this once in their lifetime, the younger crowd who may not be die-hard Sabbath lovers but are here nevertheless, and those original fans with a tear for the end of an era. Everyone feels the gravity of tonight’s performance, and that’s a pretty big weight to put on any band’s shoulders.
As the sky darkens ominously and the purple Black Sabbath logo lights up the big screens, there is a hush of anticipation for the Birmingham band, one city over from where they were formed – this always feels like a homecoming. With visuals depicting the birth of Satan from an Aliens-esque egg the band alight the stage to an almighty roar and thousands upon thousands of hands thrust into the air in horns.
Starting off with namesake Black Sabbath (we really enjoy it when artists sing about themselves… well, maybe not Craig David…) it’s clear that Ozzy’s voice is ahem, off. The difference between this show and their last Donington stint is pretty noticeable and there’s a lot of chatter in the crowd to that effect. It also seems like they’ve purposefully slowed down their already trademark slow heavy metal, to accommodate Ozzy’s vocals, but hey, we’ve been listening to upbeat bands all day… that must be it… right?
Yelling his standard “I can’t fuckin’ hear you” there’s a little nostalgic twinge as someone nearby retorts an unheard “That’s cause you’re fuckin’ deaf”, I think I’ve heard that every single time I’ve seen Ozzy live and this will be the last time. Fairies Wear Boots is a fan favourite and everyone is singing along but the wind and rain have notched up and the 4 speaker stacks in the middle of the arena just aren’t good enough to travel it up the hill. Every year the same argument – it’s fine for the earlier bands when the crowd is split, but for the headliners it leaves at least half the arena with shockingly poor audio.
Into The Void and Snowblind are fantastic, with Iommi shredding the hell out of his guitar in his nonplussed style, and despite the constant rain (maybe there was a market for changing the name to Rainblind…), the swishing of ponchos and smack of wet hair on cheeks says that everyone is having a headbangingly excellent time. Sabbath anthem War Pigs however is absolutely epic, due to the thousands strong crowd singing every bit of it at the maximum capacity of their lungs.
We get a traditional gratuitous drum solo and then everything we wanted to hear; N.I.B, Hand of Doom, the heart-stoppingly good Iron Man (complete with flaming pyrotechnics on the stage and sound tent) and Children Of The Grave.
With an encore of Sabbath’s biggest hit Paranoid, and a tear-jerking ‘The End’ plastered on the big screens, it’s time to say goodbye to arguably the most important band in heavy metal, the forefathers of everything you see here. Though it might not have been the best we’ve ever seen Black Sabbath, there is an overwhelming sense of importance, that we were there, the very last time the godfathers of heavy metal played the most iconic location in heavy metal. It almost makes you want to get a commemorative tattoo. Or, you could go snatch up a ticket for their final UK tour dates EVER. Whimper. Sniff. Sabbath – we will miss you, always.
Despite a day of heavy downpours over a now very boggy Donington Park (yes yes, we’ve heard the monikers… Drownload… Downpour Festival…), thousands of expectant faces are turned towards the main stage for tonight’s headliner – German heavy metal powerhouse, Rammstein. There’s nothing quite like a side of S&M or pyrotechnics alongside learning how to count to vier whilst headbanging, and Rammstein promise a whole lot more than just their stage show.
As a cinematic countdown begins, video screens send a message “Enjoy the show, please do not be preoccupied with recording it” and instantly Go-Pro’s are thrust into the air on ridiculous, view-ruining monopods. I mean come on, what the hell are you actually going to do with that footage man?
Regardless of the moronathon, Rammstein smash their way onstage as only they can – with giant showoff billowing clouds of pink smoke, which when combined with the ongoing drizzle turns quickly into a spatter of blood on anyone wearing lighter than black outfits. First up new song Ramm 4 sees giant firework laden platforms lowering guitarists Kruspe and Landers onto the stage and the always enigmatic frontman Till Lindemann emerges in a childcatcher-esque outfit and his patent white painted face.
The stage look for Rammstein has always been industrial but this time steps over into the cyborg realm with giant stage-high light bars which respond to the band’s instruments. Reise, Reise is absolutely gut churningly heavy, and Till sports a very fetching duffel coat over his flash-bang adorned waistcoat which explodes, quite obviously right in his face. How this band have not sustained more serious pyrotechnic related injuries I’ll never know.
The electronic intro bleeps for Feuer Frei raise an enormouse guttural roar from the crowd, and there is no shortage of actual fire alongside the music, their signature flamethrowing face cages are everything Batman’s Bane wishes he was. Keyboardist/freak on a leash Lorenz is hastily shoved into a box after being dragged around the floor, emerging later in an extremely spangly sequined suit to walk off his horrors on a treadmill whilst Till wields a giant flaming arc that sort of looks like a crossbow. You really couldn’t make it up. A crackly speaker on the right side of the stage threatens to dull Mein Hertz Brennt but as Till’s heart (flare) lights up, every single person in the arena is singing their lungs raw. Following up with Links 2, 3, 4 this is shaping up to be a stellar performance from Rammstein.
Guitar flamethrowers, fireballs erupting from the sound tent in the middle of the crowd and zip-wire fireworks streaking back and forth – every time you think you’ve seen it all, Rammstein amp it up a little more. Ich Will has everyone yelling back the required replies ‘Wir hören dich’ and so on, Du Hast is heavier than a heavy thing and Depeche Mode cover Stripped just couldn’t sound more seedy than in a German accent.
For the Encore, we are treated to the completely epic Sonne followed by an acoustic Ohne Dich but it’s Till’s ascension into angel-dom that is the real icing on this weird and wonderful cake. Giant metal wings loaded with white sparking fireworks lift Till into the air above the stage floor for Engel and it is motherlovin’ glorious. Leaving us with a brief “Thank you. Danke schoen, you’re amazing” the stage erupts in a backdrop of massive rocket fireworks and the arena is engulfed in smoke. There’s nothing more to say except that Rammstein are arguably one of the best metal acts of our time and here’s hoping they don’t leave it too long before returning with even more incredible shows.
Staying south for its second year, Found brings the daytime party alive with a spectacular line up. Arriving early has its benefits, stumbling across some up and coming talent is always a bonus.
Walking through the site I headed towards what can only be described as a secret garden, enclosed by trees was Feelings, a glitter ball decorated van. Playing disco and soulful house to an intimate audience was Daniel Wang, interacting with his crowd for most part of his set and ending with Sunshine After The Rain by Salsoul Orchestra, appropriately timed as the sun began to shine through the trees and lifted the spirit of the revellers.
As I moved across the site the crowds began to flood in, whilst the sounds of deep house waved through Brockwell Park. Theo Parish took to the renowned Secret Sundaze tent playing an array of nu disco with a mellowed out undertone. Whilst the main stage pulled in a decent crowd as Dyed Soundorom electrified the crowd with garage infused deep house shortly followed by British duo Paranoid London and their sleazy mix of up tempo acid house.
Dipping in and out of both the Find Me In The Dark and Friends Of Found, both tents were skewered for the techno fans, with the likes of Zenker Brothers, Yume Records, Flux Showcase, Kassem Mosse and Legowelt closing to a good turnout, however the atmosphere lacked soul in both these tents.
Heading back through the trees and consistently good throughout the day my favourite glitter ball van. Mood II Swing played soulful house including a live PA towards the end of the set, which got everyone in the mood for their finale seminal remix with Ultra Nate's Free, the track that launched them into popularity.
As the day progressed revellers made their way to main stage for the two favourites of the night Derrick May and his sound of balearic prepped the crowd for headlining act Keri Chandler who opened his set with Rain as the heavens opened on Brockwell Park. Whilst over in the Secret Sundaze tent Secretsundaze played homage to Prince with I Want To Be Your Lover. Overall the sound could have been improved across all tents however the lack of volume didn't deter fans from making the most of it. Found packed in 40 DJ's and with all festivals, clashing set times that will have you moving across a manageable but rainy Brockwell Park.
