Bloodstock Open Air 2016 – Full Review

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It’s that special last month before Autumn sets in, the high summer sun shines down on the most inappropriately weather-attired crowd of the entire year, yes, It’s Bloodstock Open Air. I will never stop being equally amused and proud that the metal community rocks black tshirts, heavy denim, sticky leather and a mass of metalware regardless of temperature, or indeed comfort.

Though this year’s Bloodstock line-up has been the topic of much forum debate and there are some rather under-represented groups (female musicians on the main stage anyone?) this year, you can’t deny there is first-class metal on offer this weekend. Friday sees a beautiful site-wide crab-athon (Crabulon) with Evil Scarecrow, and Corrosion of Conformity tear up the Ronnie James Dio stage with their gritty bluesy metal, to a decent crowd having overcome some mishaps on the route here. “In case you guys don’t know, we lost our guitars in fucking Paris… we’re kind of winging it” the guys let us know, before a calling Donald Trump a dickhead and dedicating the beautifully relevant ‘Vote With A Bullet’ to him.

Over on the Sophie Lancaster stage, the comedically named Foetal Juice hailing from Manchester, sound pretty much exactly as you’d expect – extreme but a little bit silly. Everyone in the tent seems to love them though, which is pretty good going for group of mates who started this for fun.

Heading over to the Kraken Rum garden for a spot of black ice-cream (good work guys, you know this is exactly the crowd to appreciate a gothic dessert) we take the opportunity to check out the merch stall and pop into Lemmy’s Bar to raise a glass (well, plastic cup) to the man, the legend. Back on the Sophie stage XII Boar are absolutely killing it, yelling out “You’re here! You’ve made it to the party” to us latecomers joining them mid-set. It’s a bit of a shame about the noise-pollution next door, the music on the fairground rides is offensively loud and unnecessary. No-one needs to hear Sweet Child O’Mine more than once in half an hour.

Home grown heroes Venom are a massive Friday highlight with their thrashy, wild child behaviour and obvious love of what they do. Calling out “It’s great to see the fucking UK legions” to a roaring crowd, it’s nice to see a proper homecoming. Demon-faced Behemoth are kind of a BOA staple now right? The band are over from Poland, presumably to promote Satanism and murder… *snigger* and for a band who’ve done every trick in the goth manual to seem dark and gloomy, they look like they’re having a pretty amazing time.

Last up is the final ever (yes really, EVER) UK Twisted Sister show on their ‘Forty & Fuck It’ tour, and it’s an absolute blinder. Playing 15 minutes over the curfew, with every single hit you wanted to hear, and a gigantic crowd singing alongside them – Twisted Sister go out with a bang. Like the music or not, you can’t deny they’ve got amazing showmanship and the ability to engage with a crowd on a funny and personal level. They will be hugely missed.

Read our full Twisted Sister review HERE

 

Saturday sees the likes of The Raven Age, off the back of their supporting role in Iron Maiden’s Book of Souls world tour, carving out a name for themselves on the Sophie stage, and Rotting Christ have the main stage under a veil of darkness with their unique melodic metal and some synchronized headbanging. Fear Factory pull in a huge crowd and those 90’s sounds are just so nostalgic it makes us want to buy some of those huge jeans again, you know the kind with safety pins all up the seam and one of those giant ball-chains attached to your wallet.

Grabbing some grub is much more difficult than we had anticipated, this festival has come a long way on the food front since it’s early days of scary burger vs. scary hotdog options. We opt for a Bi-ella (It’s not sexual, it’s just both kinds of paella – meat and veggie. Actually I take it back, that is pretty sexual.) and chilli-inna-bun, which is much less Dibbler than it sounds. Both were awesome and actually worthy of high price tag we’ve come to expect from UK festivals.

Paradise Lost playing in the late evening sun is an absolute treat, but the stunningly beautiful guitars ring out across a sleepy crowd, there are a lot more people sitting down in a post-dinner sun-drenched haze. Only the astoundingly tall Kraken diver is dancing around like a lunatic, presumably taking an in-suit bath in his own sweat.

Over on the Sophie stage One Machine are throwing down hard, their sound is interesting and fresh and there’s a pretty decent crowd in there enjoying it. In the Hobgoblin New Blood tent, Warwickshire band The Face of Ruin have In Flames vibes and we are loving their rowdy set. Let’s hope they return to BOA soon… next year even… on a bigger stage…

On the main stage it’s time for the truly incredible Gojira, and judging by the sheer size of the crowd that has turned out to see them, they could just have well bumped Mastodon from tonight’s top spot. There’s something so strangely hypnotic about Gojira, it’s hard to put your finger on it, but as the sun sets on day two of BOA it’s clear they’re one of the true highlights of the festival already, and ‘L’Enfant Sauvage’ is the anthem. Shouting out “Are you having a great day at the festival? Are you drinking enough beer? Are you happy?” It’s kind of adorable that they care about our festival welfare, and everyone is more than appreciative of the brand new tracks from Magma.

In comparison it’s hard to watch Mastodon’s entrance onto the main stage, with dodgy sound and a do-the-job attitude, the magic dwindles a little. Sure, they’re musically strong but there’s less of the awe and more of the ought about them. However, as the night pulls on Mastodon appear to get comfortable and the last half an hour is considerably, thankfully better.

Read our full Mastodon review HERE

 

As the hungover masses drag their butts outta bed (well, sleeping bag) for one last day of metal mayhem, the Sunday lineup sees the likes of Satyricon, complete with forked mic stand and altogether too much white face powder – makeover the main stage with their black metal in the rather overcast afternoon. It’s sort of appropriate. On the Sophie stage, Derange deserve a bigger crowd than they’ve got – I mean, no their sound is nothing exactly new, but they execute well and vocalist Cat Pereira is commanding centre stage.

Outside after a bloody (literally, one guy had his head cut open) battle reenactment, it’s time for the final challenges of the Bloodstock’s Strongest Man competition, and get this… the trophy is Thor’s Hammer! Amazing. After a lot of grunting, sweating and swearing, a little crowd participation and some free tshirts being thrown about, a champion is crowned. It’s been a brilliant little event, hope to see it back bigger for next year.

On the main stage there’s a kicking of heels as we wait patiently for Dragonforce to appear. Technical difficulties are blamed and it’s a blistering, albeit short show from the power-metal heroes. Despite the crowd chanting ‘Herman Lee’ rather than Dragonforce before they came on, it really doesn’t seem to have phased the rest of the band, and frontman Marc Hudson yells “We are Dragonforce from London England, and it’s nice to fucking play at home for once”. ‘Cry Thunder’ and ‘Through The Fire And  Flames’ have the entire crowd wailing along as crowd surfers flail overhead, which is pretty great considering that’s all we got. Five songs seems hardly enough.

Symphony X are somewhat underwhelming but New Blood’s Valous, immediately followed by amusingly named Footprints in the Custard – are anything but. Both bands are energetic and enthusiastic, an atmosphere that spills over into their rowdy crowds who are loving it.

As the many… many Judges circle the site telling you not to take photos of them, or pretending to terminate delinquents, they can only herald one band. Anthrax hit the stage with all the raw power you’d expect from a band twenty years their junior, they just make it look easy. ‘Antisocial‘ has the entire arena thrashing, and as they close out with ‘Indians’ shouting “This is the war dance, bang your fucking heads! Everyone move ok?” it’s unsurprising to see the BOA crowd comply, hard.

Following up with another of the ‘Big Four’ thrash metal bands, Slayer are here to re-conquer Bloodstock and with a stage top to bottom bathed in real actual fire (how they sustained playing in that direct heat, I have no idea) it’s almost as if they’ve come out to prove they’re children of the underworld. Last time Slayer topped the BOA bill was just after the death of Jeff Hanneman, three years later we see a fresher, stronger Slayer with a giant Hanneman tribute flag, and something to prove. With the massive and iconic riffs of ‘South of Heaven’ and ‘Raining Blood’ reverberating around Catton Park, it’s hard to imagine a better way to close Bloodstock 2016. Here’s to 2016, and wondering what the next lineup will bring…

Read our full Slayer review HERE

Check out our full photo gallery HERE

All photos © A. Hyams 2016. Do not use without permission.

All the cyborg-ladies… What to wear to Bestival 2016

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The Future is almost upon us! With just three weeks until Bestival 2016, you've got just enough time to pull together a killer outfit, so get cracking.

Every year amazing fancy dress concoctions are on display and this year's theme 'The Future' is sure to continue the tradition. Expect to see steampunks, planets and moonpigs, aliens and astronauts, dystopian delinquents and galactic rulers… but if you've missed the creative boat, don't fret!

Check out our mini-collection of some cyborg pieces you can pick up quick online…

Ebay: Alien ring, refraction goggles, biohazard mask and light up shoes

Cyberdog: Cage dress, silver dress, holographc backpack and alien necklace

Breo: Tron-style watch

Primark: Metallic nail polish

Amazon: Star Trek tshirt

 

See you in the future, cosmic cuties!

Boardmasters 2016 Review

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BOARDMASTERS 2016.

 

Boardmasters is undoubtably Cornwall’s biggest festival. Much like it’s partner, Nass, Boardmasters thrives off its love for music and sport. This year I had the pleasure to head down to the beautiful coastline of Newquay to soak in the sun, the surf and the music.

For anyone who has yet to go to the festival, it is located over two main beaches, Fistral Beach and Watergate Bay. Surfing competitions including Men’s and Women’s Open and Men’s and Women’s Longboard (LQS1000) located at Fistral and the music located at Watergate, with this year’s headliners being Chase & Status, Deadmau5 and James Bay. Other sports include BMX and Skateboarding which took place over the course of the weekend at Fistral as well as music ranging from Eliza & The Bear to Rat Boy at Watergate.

Walking into the festival arena on Friday, it was clear that it was something special. With the main stage to my right and the never ending sea on the horizon to my left, the atmosphere and energy was a completely different level to that of a city based festival. The air was fresh, the sun was out and the music was loud. With a buzz of people heading down from all over the country to go and embrace the popular festival, the diversity of families, students and children meant this festival was welcoming for all. One of the first acts which caught my attention was Nahko and Medicine for the People who really captured the alternative melodic music scene which is ever increasing down in Cornwall. Having played London’s KOKO in Camden a few days prior, the Oregon-native and percussion heavy artist drew a surprisingly huge crowd for such an early time slot.
Another up and coming band which caught my attention were the blues rock ’n’ roll trio Smokin’ Durrys. All three bands members spent their university lives down in Cornwall and where brought together by their love of classic rock and blues music. After their performance at Boardmasters, they are hoping that because of the positive reaction from their set that they are in the hopes of securing a slot in next years Truck, Y Not and 2000 Trees Festival.
As the day drew on all I could hear around the arena was the anticipation for Catfish and The Botttlemen. Having played Truck and Y Not Festival this year, they have definitely been one of my favourite acts of the summer and their crowds do not disappoint. Having been announced for Lollapalooza, Berlin as well as touring USA with Mumford & Sons, it is clear that they could easily be headlining festivals next year.
Chase & Status however proved that they deserved that headline slot. Drawing the biggest crowd of the day making the perfect end to the first day of the festival by playing some of their most classic and popular tunes.

I headed down to Fistral Beach for the majority of Saturday to witness the Surfing Men’s Open competition. As you walk down to the beach the paths are crowded with stalls selling all kinds of food and surf related clothing and merchandise. The sun and the clear blue sky, the clear water and the plan trees made Newquay look like California.
The beach was packed with spectators, photographers, and families, all soaking up the beautiful weather proving why Cornwall is one of my favourite places in the UK. The men’s open consisted of over 50 surfers battling it out for the grand prize. The semi-final consisted of Heat 1 between Shane Campbell and Tomas Fernandes and Heat 2 between Angelo Bonomelli and Bruce Mackie. With 0.57 difference Bonomelli managed to take lead in his heat taking him to the final alongside Campbell. However when it came to the final, an interference on Bonomelli’s second wave meant that Shane Campbell with a final score of 13.50 took the winning title of Boardmasters Men’s Open 2016. All scores from the other surfing events as well as video highlights from the 5 days at Fistral can be found on the official Boardmasters website. (http://www.boardmasters.co.uk/surfing/results)

 

By the evening I had made it back to the arena at Watergate to continue with the music, starting with Gabrielle Aplin. Famous for her feature in the 2012 John Lewis advert with her Frankie Goes to Hollywood cover of ‘The Power Of Love’. Her music is a lot more relaxed than the rock headliners of the Land of Saints stage, Maximo Park, but none the less her music brought a beautiful innocence and relaxation to the festival. Her voice so pure and strong for a 23 year old, drawing a huge crowd and performing songs for her first 2012 EP Home and her 2015 Album Light up the Dark.
Kaiser Chiefs undoubtably had a staggering, if not bigger crowd than Chase & Status. They are a band who have been around for many years but have proven they can bounce back with strong force. Bringing all kinds of characters together to enjoy the classic Brit-pop band, they played songs such as Ruby which drove the crowd wild.
Headlining on the Saturday of Boardmasters was Deadmau5. (I have never heard so many people pronounce his name incorrectly at a festival). His electronic dance music brought a beach rave element to the Newquay Festival. Having been a fan of his music for a long time, his set did not disappoint with a spectacular light show which took you into a trance with his melodic tracks. With many waiting impatiently for Craig David’s set after, it was much to his disappointment that he had to cancel his appearance due to a flight cancellation which left his fans upset. Nevertheless, Example performed his heart out to make up for this over at the Land of Saints stage.

 

 

 

Boardmasters had a range of different stages including Unleashed which centred around DJ and dance music, The View which turned an old metal camper into an acoustic stage and the forever famous Keg and Pasty Stage, which essentially summed up the Cornish atmosphere brilliantly.
The final day of the festival had a more rock and alternative lineup with Primal Scream performing main stage and James Bay finishing the night. With the previous headliners bringing electronic music to festival, having the folk-pop style of James Bay on the final night proved to be an excellent finale. Boardmasters is one of the most beautifully located festivals in the UK, and it is definitely worth the travel to far ends of the UK to visit.

 

 

 

Reviewed: Slayer’s firey finale at Bloodstock Open Air

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A packed arena tentatively awaits the dropping of the giant white screen across the front of the BOA stage, as we prepare to close out Bloodstock Open Air 2016 with one of the biggest metal bands of all time, the almighty Slayer.

As the curtain drops the thrash legends throw down hard, opening with titular track of their most recent album ‘Repentless’ amidst a stage almost sagging with the weight of the insane pyrotechnics they’ve rigged. Flanked by two humongous inverted crosses made from amps, which are actually there to shoot massive bursts of flame out onto the stage, it’s frankly amazing that drummer Paul Bostaph still has eyebrows.

When the flame cannons aren’t firing the back of the stage is alight with flame runners behind the band and the backdrop depicting an artistically creepy Christ image is reminder that Slayer one hundred percent do not give a fuck about offending anyone. Hell, the multiple law suits brought against the band have merely become a woven part of their society-defying history, so it’s pretty much par for course.

Kerry King, wielding his fork-headed axe and a belt of swinging chains shreds through the likes of ‘Disciple’, ‘When The Stillness Comes’ and ‘Mandatory Suicide’. Yelling out “You guys having fun today? Another year at this bloodfest!” it’s clear the guys are enjoying this one, and the thousands of windmilling heads in the crowd seem to agree.

King calls out “Thank you very much for coming today, cause we’re all here to have some fucking fun right?” before introducing ‘Die By The Sword’ with a quick quip on recent terror events around the world “The words are kinda fitting with all this crazy shit going on. I believe in karma, what comes around, goes around”. This is a band with such presence and power, you could bottle and sell it. As the Christ curtain drops to reveal the band’s famous eagle logo, an almighty roar goes up in the crowd before the band smash through ‘Seasons in the Abyss’ and they joke “You guys are here because you love music right? So we’re gonna do a love song…” for ‘Dead Skin Mask’.

After a short cut of the lights, Slayer pull out the big guns for the encore. ‘South of Heaven’ has one of the most memorable refrains of all time but it’s ‘Raining Blood’ that gets every single one of our little black hearts beating, and you just don’t know whiplash unless you’ve headbanged to Slayer.

A final banner drop shows a giant Heineken style logo with the words ‘Hanneman, still reigning’ to commemorate Slayer’s late founding member and guitarist, Jeff Hanneman who passed away in 2013. Going out with enough pyro to feel the warmth from the sound desk Slayer hit hard with ‘Angel of Death’ and it’s all over too soon. There is often much dispute over which bands could or should headline Bloodstock and to some extent it all comes down to preference, but Slayer are and have always been one of those bands you just can’t argue with. Tonight, they proved once again why they are metal royalty.

All photos © A. Hyams 2016. Do not use without permission.

Reviewed: Mastodon headline Bloodstock Open Air 2016

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With a UK legacy of great shows already behind them and a fanbase that can be measured in the sheer number of their tshirts on display in the crowd today, Mastodon have stake their claim on Bloodstock’s Ronnie James Dio Stage as headliners.

Throwing down with moody opener ‘Tread Lightly’ Mastodon come out strong, unfortunately the sound does not. Luckily it’s quickly remedied and the melodic guitars of ‘Feast Your Eyes’, ‘Blasteroid’ and ‘Oblivion’ shine through. The crowd density of last night isn’t quite replicated tonight, you can pretty much wriggle to the front with relative ease, but Mastodon’s lighter sections seem to conjure a sort of sombre reverence where everyone is just appreciating the music.

Amusingly (albeit for those who are old enough to remember…. Sigh…) the five giant light panel installations behind the band, appear to be playing the entire Windows 98 screensaver catalogue. You know, the one with neon electricity or trippy tie-dye patterns that everyone thought they were super edgy and cool for having instead of the standard windows one your Dad used.

In a rare moment of crowd-interaction in Mastodon’s twenty-song onslaught, bassist Troy Sanders yells out “You guys are music hungry lovers, thank you” before the band swing into the harmonic vocals of ‘High Road’. However on a few of the others the words seem to be coming out so distorted you could almost swear the band are fluent in whale.

As the stage lights up in yellows and reds for ‘Ember City’ and the band call out “Are you fucking alive?” to the headbanging crowd, Mastodon seem to relax slightly into the show. Speaking of their first UK gig sixteen years ago at Camden Underworld, the band want us to know that they love us… “We knew we were going to have a special relationship with this country, you metalheads. When we’re home or on vacation… we talk about you guys! You nice British people”. Aww, isn’t that adorable?

Finishing up with ‘Megalodon’, ‘Colony of Birchmen’ and to an almighty roar of appreciation from the BOA arena, the huge ‘Blood and Thunder’ – Mastodon close the RJD stage for Saturday night with style. “Thank you for an unforgettable experience, we’re Mastodon, we love you”.

With their own unique brand of slowed down psychedelic sounds vs. hyper and heavy eardrum challenging metal, you could be forgiven for being on the fence about Mastodon, but tonight’s extremely tightly rehearsed set does everything to prove that above all else this band cares about music.

With a set that sounds almost identical to their album tracks (bar some vocal blurring from a production point of view) you almost with they’d break character a bit, interact in a less forced way. There’s a grittiness missing for sure, but Mastodon make up for it by being, well, precisely beautiful.

All photos © A. Hyams 2016. Do not use without permission.

All photos © A. Hyams 2016. Do not use without permission.

Reviewed: Twisted Sister’s final UK show at BOA 2016!

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Over the years, Bloodstock Open Air has been the stage for some seriously special and one-off performances, but this surely takes the win. For the last time ever on UK soil, playing their farewell tour ‘Forty and Fuck It’, glam metal heroes Twisted Sister are here to melt our faces off, fifteen minutes fashionably late of course. A photo montage of old tour memories plays over AC/DC’s ‘It’s a long way to the top (if you wanna rock and roll)’ and the tightly packed arena is already clapping along in anticipation.

Taking to the stage with his signature permed silver mane, ferociously pink mic stand and a flowing denim tailcoat, Dee Snider hasn’t lost a single bit of that performance quality that we’ve come to expect from those original great frontmen, and the band power up with ‘Stay Hungry’ and ‘The Kids Are Back’.

Lying on his back at the edge of the stage, Dee lets his hair dangle towards the crowd before racing around amidst giant flame cannons for ‘Burn in Hell’. Yelling out to the crowd “Bloodstock! The only true metal festival in the whole fucking UK… not those fucking assholes at Download…” to a mighty roar of appreciation from the crowd, Dee strikes gold. There’s always been a bit of banter (and backlash) between the two festivals so team BOA is suitably rowdy in response.

Looking out at the stage-lit sea of faces (and questioning the gustatory offerings at BOA – “Mexican doughnuts sounds delicious, is that not one thing?”) Dee’s easy going patter has everyone on side, it’s hard not to like a band who don’t take themselves too seriously. ‘Destroyer’ and ‘Like a Knife in the Back’ go down a treat but it’s ‘You Can’t Stop Rock and Roll’ that really gets the arena jumping, in the words of Dee – “hashtag fuck yeah”.

Speaking of their late drummer AJ Pero who sadly died last year, the band introduce Dream Theatre legend Mike Portnoy, who came on board because AJ reportedly said “If anything ever happens to me… I want Mike to do it”. Sailing into classic hit ‘I am (I’m me)’ Twisted Sister are as loud, proud and rowdy as they ought to be, especially as they were subjected to being on Top of the Pops the first time round for this song in the UK. However, ‘I Wanna Rock’ – the anthem of rock fans on road trips the world-over is what we’ve been waiting for. There’s nothing quite like a whole arena full of people throwing horns up and yelling their little black hearts out.

Promising this is a real ‘final tour’ Dee jokes “…this is no Scorpions, Judas Priest, Ozzy Osbourne last tour… who’s got a final tour tshirt? I know I do… Twisted Sister is saying goodbye FOR REAL” and as the crowd, trained in the very British tradition of pantomime reply booo’s in response, the band laugh and say “Yes! That’s the appropriate reaction! Sometimes people clap!”.

Likening their farewell to an Irish funeral instead of a sad affair and lamenting on the greats we’ve lost in the last couple of years, Twisted Sister pay tribute to Dio, AJ and Lemmy “It doesn’t feel like festival season without Lemmy and Motorhead doing shows” and dedicate ‘The Price’ to all of them, asking the crowd to light up the arena with phone screens and lighters.

‘I Believe in Rock and Roll’ and ‘Under the Blade’ sees the band engage in a bit of synchronized headbanging, we approve, we’re traditionalists, and after a quick statement on the recent events in Orlando and Paris “There are people out there trying to stop us having a good time… Twisted Sister says fuck them!” it’s onto the next huge hit ‘We’re Not Gonna Take It’. Finishing up with Rolling Stones cover ‘It’s Only Rock n’Roll (But I like It)’. The crowd participation element of screaming ‘but I like it’ “kinda death metally” has Dee and the band in stitches (clearly Bloodstock is the only place this would work) and they return triumphantly for an encore of ‘Come Out and Play’, ‘Shoot Em Down' and their swan song ‘SMF’.

Going out in a wave of on stage sparks and toasty pyro, it’s the perfect farewell show, Forty and Fuck It is right – this is a band who sound so good they could probably have gone on forever. After Forty years of metal mayhem, maybe it’s time they went and did whatever the hell they want, knowing that their last tour was probably one of their best. Thanks for the music and the memories Twisted Sister, you sick motherfuckers.

All photos © A. Hyams 2016. Do not use without permission.

All photos © A. Hyams 2016. Do not use without permission.

Soundwave Festival Review 2016

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With an array of Croatian festivals on offer, we were hard pushed to choose which one was right for us, especially as we were trying to combine a festival with a holiday. Researching into Soundwave Festival, it seemed to have everything we were looking for; an eclectic range of music from hip hop, DnB, dub, jazz, house, afro-beat, reggae, funk and soul, chilled vibes, glistening blue seas, boat parties and oodles of relentless sunshine.

We arrived at Split airport in blistering heat on the morning the festival. With just over an hours taxi transfer to the historic old town of Tisno, we dumped our bags and walked along the scenic Dalmatian coastline to the site. After the naff British summertime and a bunch of soggy festivals so far this year, we were banking on this one to be ‘the festival of the 2016’.

Soundwave Festival

Now in its 8th year, Soundwave is spread over five days and three stages. Hosted by The Garden resort, this idyllic slice of paradise with a natural beach cove provides an intimate festival setting for 3,000 like-minded partygoers. Crystal clear waters lap around the beach stage while DJs play laid-back beats as people splash around on inflatables in the afternoon sun. As the sun blazed down the way to keep cool was to dip in and out of the water and sip on slush cocktails.

Seminal Soundwave attendee Craig Charles was always going to bring the party vibes to the island, and it was evident from the swelling crowd that this was one of the highly anticipated DJs of the weekend. Bringing the sounds of the summer in his record box, his set featured the very best funk and soul grooves. We danced the night away under the enormous glitter ball to D-lite, Earth, Wind and Fire, Rick James, 6ix Toys, Grandmaster Flash, Stevie Wonder, and Marvin Gaye. Craig’s 13-year-old daughter Nellie Rose stole the show when invited onto the stage to sing an incredible rendition of Michael Jackson's classic ‘Loving you’.

Craig Charles

Famished from dancing, we ate a late night pizza at the on-site restaurant Magnolia’s before heading back to the main stage to catch American rapper Pharoahe Monch. This is raw; no nonsense hip hop at it’s best, and he pleased the crowd by pulling out favourites ‘Simon Says’ ‘ ‘Oh no’, ‘My Life’ and ‘Clap’.

Friday daytime was more of the same, frolicking in the sea, lazing on the beach, craft ales, champagne corks popping, smells of smoked ribs from the House of Ribs and beats provided by French D.J, Russ Ryan, and Harri Pepper. Through the day we saw the live art program taking shape as street artists Artez, and Fat Heat created murals. More graffiti sprung over the weekend from the caliber of Smack184, Lunar, and Sebastian Velasco.

The sunset created stunning lens flares, and it was hard to pull ourselves away from the beach. We proceeded to the main stage to catch Eglo Records soul diva Fatima and the Eglo Live Band, followed by a powerful set by Akala who urged the crowd the jump to Double XL. He pounded out ‘Absolute’, ‘Another Reason’ and ‘Fire in the Booth.'  The main stage was closed by with the tribal beats of Clap Clap. Soon after the skies gave way to the most epic thunderstorm I've ever witnessed. The lightning flashes and sonic booms felt like we were caught in a war zone. 

Fatima and the eglo

No trip to Soundwave is complete without a trip on the good ship the Argonauty, and we were fortunate enough to bag tickets to the hip-hop boat party. Saturday lunchtime arrived and like many, we were giddy with excitement. In our eagerness showed as we queued up early to get a good spot on the authentic vessel. Punters climbed aboard with sailor hats and glittered faces. As soon as we set sail the champagne corks began popping, and the party got going. Beats provided by the DJs Menendez Brothers, DJ Mylz, TwoGood and beat boxers Bloxxed Beats. We sailed around the Adriatic coastline for four hours partying to hip hop classics from Kanye, Jay-Z, Pharoahe Monch, Nelly, Public Enemy, Snoop, Dr Dre, NWA, and Missy Elliot.  As the boat docked we partied harder, refusing to get off until everyone on the beach realised they had missed out on an unforgettable party. Friends were made, and hugs exchanged. This was undeniably the best festival boat we had been on and a sure fire festival highlight.

Later that day we caught a perfectly crafted sunset house set from LTJ Bukem on the Beach Stage, along with liquid drum and bass DJ Calibre. MC DRS urged revellers to jump up on shoulders in a bid to break Croatian records. I reckon he did a pretty good job.

LTJ Bukem

Sunday was even more laid back than previous days. Punters arose later after a night of hedonism in Barbarella’s Discotheque after party. The order of the day was chilled vibes provided by Kid Gorgeous and then picking up the pace Emerald and Shut the Front Door.

Sunday’s main stage action was provided by Eglo record beatmakers Henry Wu, Chunky and Alexander Nut, who’s sets crossed soul, jazz and hip-hop influenced joy. The generator packed up, and the site was plunged into darkness just before Gentleman’s Dub Club headlined. Thankfully we didn’t have to wait too long before it was back up. Leeds based Gentleman’s Dub Club have been steadily carving out a solid reputation as one of the UK’s foremost reggae bands fusing ska and dub influences. Lead vocalist Jonathan Scratchley bounced onto the stage to deliver the most exciting live performance we witnessed all weekend. The whole audience jumped in unison singing along to crowed pleasers ‘Music is the girl I love,' ‘Emergency,' ‘Fire’ and catchy chorus number ‘High grade.'

Gentleman's Dub Club

The final day we jumped aboard the Argonaughty for one last boat party. Riot Jazz, Taste The Diff'rence DJs, Chunky, and Rich Reason provided the perfect sound track to a blisteringly hot Monday. As we set sail on the sun-kissed waters DJ Cutterz, Stu Morley, and Misc Jockey span break beats, hip hop, soul & funk. Next up were Manchester based Riot Jazz, a nine barrelled Balkan to Brooklyn brass band who made the whole boat bounce up and down to their barnstorming, raw energy renditions of Britney Spears – ‘Toxicated’, Aha’s -‘Take on Me’, Human League’s – ‘Don't you want me baby. It was a perfect end to an incredible festival.

It's the balance of art, music and holiday is what makes Soundwave an idyllic and enchanting festival. It’s undoubtedly one of the most beautiful locations in the whole of Europe, and with so many special memory-making moments with like-minded kindred souls, you can see why punters return year on year.

Corey Fox-Fardell Interview at Leefest 2016

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Backstage at Leefest, Ella caught up with Corey Fox-Fardell, who fresh after playing a set on the mainstage was ready to discuss his new musical direction, Brit school and what would have happened if he hadn’t have pursued music.

 

Ella: So you just played a set on the mainstage, how do you think it went?

 

Corey: yeah great, quite a few people there, yeah loads of people, people moving, it was like a mad rush before I went on, my drummer said he didn’t have a click in his headphones and I didn’t have a lead, so I had to run backstage to get one, then the stage manager was like you have 30 seconds to get on, and I hadn’t even touched my guitar yet, but I think we got through it.

 

Well, I was there and I really enjoyed it! So you’ve been playing music for quite a long time, what made you want to be a musician?

 

I’ve always been playing the guitar, since a young age, I was in school bands and that kind of stuff, then I went and studied music for a couple of years at Brit school.

 

How did you find Brit school?

 

It was amazing! It was two years, full-on music, every day, which was great. It was just such an amazing experience and I met so many amazing people, musicians that I still, that come and play with me today. It was a crazy couple of years actually.

 

Was there a time where you wanted to be anything else?

 

Yeah actually, I was homeschooled for a couple of years when I was about 13, and in those years I did a lot of guitar playing, but also I really got into magic! I used to love, and still do, Derren Brown, David Blaine, all those magicians, so I started to really want to be a magician, then I really got into filmmaking, and wanted to make films, but then I got into Brit school, and that was a big thing, so if I didn’t get into Brit maybe I would have done film, but that was it- you get into Brit, it’s gotta be music.

 

You said this is one of the biggest stages you’ve played on,  have you been doing any other festival touring this summer and do you plan to?

 

Yeah, I did a tour with Hannah Trigwell, early summer; we did a mini UK tour where I was supporting her, I also did a festival a few weeks back in Kent which also had a Neverland theme, so that was a bit confusing!

 

Maybe there’s something about Kent and Peter Pan!

 

Yeah maybe! I’ve actually been doing mainly London shows, playing a lot of venues.

 

Are you local to London?

 

No, actually I live on the south coast. – But I spend so much time in London, so I kind of spend half my time in London and half down there.

 

I guess if you want to be a musician then you’ve got to spend a lot of time in London!

 

Yeah, well there’s just so many places to gig there, there’s a lot of stuff happening, it’s exciting. But Brighton’s a real ‘hubby’ place as well, for music.

 

Do you have a favourite place to play?

 

Corey: Yeah, at least I used to! I think my sounds changed a lot since then. I used to be a lot more acoustic and folky, so I used to play in smaller venues, there was one venue called the troubadour, that was such an intimate, beautiful venue.

 

Anywhere in Brighton that you played that you really liked?

 

Well I played the Great Escape this year, at the Fiddlers Elbow, which is a great place, I’ve played the Hope and Ruin as well, I haven’t actually played many venues down in Brighton, just every year at the Great Escape really.

 

How would you describe your sound now?

 

I describe it as half electronic and half natural, it’s got elements of soul and hip hop. You know, I'm influenced by so many styles of music, but within using those different elements, I try to put my stamp on each track so it feels like me.

 

Do you have any strong artist influences?

 

There’s so many, again, if I had to choose maybe one, I used to love Eminem when I was younger, he was my biggest idol. He got me into the lyrics, I used to rap as well.

 

Really! Would you ever incorporate rap into your new music?

 

No, no, I used to, but no.

 

Why not?

 

Ah well, you never know, maybe one day. There’s so many other people I’m inspired by, Prince, D’Angelo, Alabama Shakes. I’m loving Jack Garrett at the minute, Kanye West. Such a mix! At the minute actually I’m actually loving older, more funky stuff, George Benson, the brothers Johnson, Stevie Wonder, Al Jerome, I’m loving all that.

 

I think that comes through, if you listen to a lot of different styles, you’re able to create your own personal take on everything. Have you got any new music coming out?

 

Yeah, actually I do have some new music coming out, I’ve been in the studio recording, producing, we’re putting out a new single next month, it’s been a couple of years since I released anything. It hasn’t actually got a release date yet, but it will be out end of August.

 

So everyone’s going to have to stay tuned otherwise they’ll miss it

 

Yeah exactly, I meant there’s some big changes, new music, new name.

 

Well we’ll definitely be looking forward to that, have fun and enjoy the rest of Leefest,

 

Yeah, I’m really excited, and I will, thanks!

Corey Fox-Fardell will be releasing new music at the end of August, stay updated with him and his music via his website http://www.coreyfoxfardell.co.uk/