Blissfields Festival 2013 SOLD OUT

While Friday day tickets for the award-winning Hampshire event are still available via www.blissfields.co.uk, Saturday day tickets and all weekend festival tickets are now sold out.
 
Founders Paul and Mel Bliss have said, “we are so excited to be selling out so far in advance of the festival this year, and for the first time at our new home on Vicarage Farm, bringing back such sweet memories of the much smaller festivals we ran on our own farm which used to sell out like this. The Blissfields family may have grown but it still feels just like that – our festival family getting back together in a field again!

To have sold out this year with the difficult economic climate makes us even more elated and gives us real faith in the future and the amazing team that have put the event together with us, and for festivals in general. There’ve been so many wonderful festivals cancel over the past few years, some big and some small – even we had to cancel in 2008 – making it especially humbling to be back with our biggest capacity, strongest line-up and in a position where we can now put on the most exciting show we ever have done.”
 
Under the banner ‘The Director’s Cut’, the award-winning Hampshire festival will be celebrating all things film in its 13th year, from the early talkies to VIP Hollywood parties. Expect a weekend full of red carpets, interactive games, popcorn-throwing dance-offs, film screenings, the best soundtracks, visual treats, hidden treasures and all the usual fun that Blissfields has become synonymous with… topped by an incredible music bill.
 
Bastille’s Dan Smith has said, "we're massively excited about our first ever headline slot at a festival. Particularly because we love Blissfields so much, and because they've been so supportive to us over the last couple of years”.
 
Mystery Jets added, "It's been a long time Blissfields and we've missed you. The last time involved some happy mis-adventures, not forgetting of course the incredible show of warmth from the Bliss kids as we played our songs. Sunshine, cider, music and many other things are gonna mix together to make this a real blast and we're very much looking forward to joining you all on that. Thank you for having us, L O V E."

Bastille

Elsewhere on the festival program, this year sees the launch of the Blissfields Independent Film Festival inviting new film-makers to showcase their shorts before a panel of expert judges, and the Blissfields Beer Festival in association with Hobgoblin, offering pairing on some wonderful local ales.
 
There’s also a highly acclaimed children’s and family area, an arts and crafts villagesecret parties, art sculptures and installations, an acoustic café, and so much more on offer within the tree-lined site of the intimate, friendly Blissfields Festival. 

MYSTERY JETS ~ BASTILLE
 
THE DOT FEAT MIKE SKINNER + ROB HARVEY ~ FRIENDS ~ MATT CORBY
THEME PARK ~ MAN LIKE ME ~ THE STAVES ~ CLEAN BANDIT
DUB PISTOLS ~ LONDON GRAMMAR ~ CHLOE HOWL ~ JOSEF SALVAT
BONDAX ~ FAMY ~ MARIKA HACKMAN ~ FAR TOO LOUD
SAM SMITH ~ ZION TRAIN FEAT PERCH + DUB DADDA ~ ARLISSA
POST WAR YEARS ~ DRENGE ~ PUBLIC SERVICE BROADCASTING
THE OTHER TRIBE ~ SUBGIANT ~ SUBSOURCE ~ THUMPERS
TRANSGRESSIVE SOUNDSYSTEM ~ JIM LOCKELY & THE SOLEMN SUNS
BLAENAVON ~ GENERAL ROOTS ~ LISTENING PARTY
ALLY WOLF ~ ALEX THE KIDD & ENVIOUS MIND ~ ALEX WALKER ~ ANDY COMLEY ~ ANIMAL
ARTFUL & RIDNEY ~ AXIS MUNDI  ~ BEANS ON TOAST ~ BELLYEYESMILE
BEARD OF WOLVES ~ BEAT CLEVER  ~ BELLIGERENCE ~ BEN GODDARD ~ BEN PAUL
BIG FIN (MATT REYNOLDS)  ~ BITR8 ~ BOMBS ~ BOSCH STACEY ~ BOULE ~ BRYONY MARIE FRY
CHARLIE AYLIFFE ~ CHARLIE FOX ~ CHARLEY MACAULEY  ~ CHOLOMBIAN ~ CHROMA TOUCH
DAN HAYES, ANGRY & DAN MUNRO ~ DANZAI ~ DAVE MIATT ~ DEADPROUD ~ DELAMERE
DEM HUNGRY ~ DIARMO & L'AUBAINE ~ DISCO'S OUT MURDER'S IN ~ DJ GREY JUMPS
DR. STRANGELOVE'S BURLESQUE DISCOTHEQUE ~ EDDY ROCKSTEDDY ~ ELIZA SHADDAD
ELLA JANES  ~ FILTHY FUNK FUNK ~ FISH HOOK ~ FLIGHT BRIGADE ~ FLOELLA GRACE
FLYING ALEXANDERS ~ FERVENT ~  GALLERY 47 ~ GILES WHITELEY ~ HABITATS ~ HAMMY
HAIRY HANDS ~ HARPER ~ HASH ~ HEATHWARD ~ HOLY VESSELS ~ HOOCH DJ
IAN WILKINSON ~ IS BLISS ~ IT'S A SIN DJS ~ JACKO HOOPER ~ JAFR0 ~ JAMIE PARISIO  ~ JAY B
JETPACK ASSASSIN ~ JOE RAYGUN ~ JOSH SAVAGE ~ JUNGLE DOCTORS ~ KASSASSIN STREET
K1R3Y ~ KEMP ~ KILL EM DEAD COWBOY ~ KOIN DJs ~ LITTLE CHIEF ~ LOVELESS DJS
LUCA PILATO ~ LUCY KITCHEN  ~  LUKE FERRE ~ LUXE  ~ MARY MISS FAIRY ~ MATT CLARK
MATT JARVIS  ~ MATT PERRIMENT ~ MATTY LAH ~ MAXIN DJ's  ~ MEGAN THOMAS
MORGAN HISLOP ~ MR HUW  ~ NATHAN LAMBERT ~ NELLY B PAGE ~ NEON M3 ~ NICK TANN
ONE STEP TOO LATE ~ PAUL DIELLEO  ~ PHAT PAT  ~ PSYCHEDLIA DJS
THE QUICKANDTHEDEAD ~ REMNANT PSYCHE ~ REVENTURE ~ REX DOMINO
SAM BROTHERS  ~ SAM SALLON  ~ SEAN MCGOWAN ~ SEB MARX
SHUDDERVISION WITH DIGITS MCPHEE ~ SOUNDTRACKS ~ SO8L ~ STONE THEM CROWS
SUICIDE PARTY ~ TERMINAL FEAR ~ TROPICS DJ ~ THE CADBURY SISTERS ~  THE CRAMATICS
THE GREAT ONE ~ THE HARLEQUIN  ~ THE RAGED ~ THE WIDOWMAKER ~ TOM JAMES
TOM LOWMAN ~ TYDE ~ UPON THE SHORE ~ VISULANTE  ~ WILL CHUMP ~ WILLOW
WINTERHOURS  ~ WUB WORLD  ~ YOUNG SKIN ~ ZENTHETIX

15 Afterparties announced for Parklife Weekender

The Parklife Weekender is known for it's phenomenal afterparties and 2013 is no different, taking over Manchester for two nights the festival will be hosting a unbelievable 15 parties to keep revellers up until dawn. With a line-up that includes French underground icon Dyed Soundorom, Crosstown Rebels' head honcho Damian Lazarus and born and bred London beatsmith George FizGerald. The festival is working closely with local promoters Drop The MustardKalukiGold Teeth as well as famed Manchester venues GorillaThe Deaf InstituteJoshua Brooks and many more on the Afterlife offerings. Parklife Afterlife tickets from just £3 available at www.afterlifemcr.com

The Parklife Weekender Afterparties have been carefully created to include some of the biggest and best acts across a variety of genres offering something for everyone. With advance tickets ranging from £3 – £10 organisers expect them to sell out incredibly quickly. To avoid missing out visit www.afterlifemcr.com.  

Saturday 8th June welcomes Radio 1Xtra regular MistaJam who will be taking to the Juicy Stage over at Ruby Lounge as bass advocate and Manchester idol Madame X drums out the beats until the early hours at The Deaf Insitute. Saturday also features bass and techno maestro George Fitzgerald as well as a host of special guests that are still to be announced. The 9th June heralds the return of the epic From Manchester With Love afterparty, known for being the favoured party for the stars, this year's event features a flurry of special guests as well as Rinse FM regular T.Williams. Ending on a bang, Sunday also features colossal Drop The Mustard and Under afterparty at Gorilla with Damian LazarusFrancesca Lombardo and Matt Henshaw among others. Metropolis and Ape offer up an equally mouth watering line-up with Andy CNorth Base and special guests still to be announced. 

2013 also welcomes the Parklife Express, making it as easy as possible to travel to and from inside the festival site to Manchester City Centre for all the afterparties. A continuous service will be running from 10:30am on Saturday 8th June and 11:30am on Sunday 9th June and a reduced advance ticket is available for just £4.50 per day. This is the fastest way to travel to Parklife. For more information and to purchase visit PARKLIFE.UK.COM

AFTERPARTY LINE-UP: 

SATURDAY
 
DROP THE MUSTARD & KALUKI PRESENT:
………………………………………………………………
DYED SOUNDOROM 
SPECIAL GUEST
SPECIAL GUEST
DROP THE MUSTARD DJS
KALUKI DJS
 
GORILLA
54-56 Whitworth St W, M1 5WW
10PM-4AM
£8 Earlybird /£10 Advance
Buy Tickets www.afterlifemcr.com

JUICY PRESENTS:
………………………………………………………………
MISTAJAM (1XTRA)
SPECIAL GUEST
JUICY DJS
 
RUBY LOUNGE 
28-34 High St, Northern Quarter, M4 1QB
10PM-4AM
£5 Earlybird/£6 Advance/£8 Standard
Party Hip-Hop & Classic R&B

Buy Tickets www.afterlifemcr.com
 
IDIOSYNC PRESENTS:
………………………………………………………………
GEORGE FITZGERALD
SPECIAL GUEST
GUY RICHARDS
EOIN THOMAS
ASLAN
JAY MURT
 
JOSHUA BROOKS
106 Princess St, M1 6NG
10PM-4AM
£6 Earlybird / £8 Advance
Buy Tickets www.afterlifemcr.com
 
JUST SKANK
………………………………………………………………
SPECIAL GUEST
COMPA
JUST JORGE
TOMFOOLERY
MANUVA & RAASCLARKE
HOSTED BY ZYKKLON
 
DRY LIVE 
28-30 Oldham Street M1 1JN
10PM-3AM
£6 Earlybird/£8 Advance
Dubstep/Drum&Bass/Garage/House/Hip-Hop
Buy Tickets www.afterlifemcr.com
 
GOLD TEETH 
………………………………………………………………
SPECIAL GUEST
MADAME X (1XTRA/BPM)
GIN & CHRONIC
DJ MIXED RACE
SONIC
TINGLEY TERROR
JAMES PRETERSON
JALSH
TYPE DJS
 
DEAF INSTITUTE 
135 Grosvenor St, M1 7HE
10PM-4AM
£5 Earlybird/£6 Advance
Hip-Hop/Garage/House/Gdisco
Buy Tickets www.afterlifemcr.com
 
FRESH FRIDAYS 
………………………………………………………………
SPECIAL GUEST
SPECIAL GUEST
SO FRESH DJS
 
UNDERDOG 
13 New Wakefield Street M1 5NP
10PM-4AM
£5 Earlybird / £7 Advance
Fresh Old School Hip-Hop & R&B
Buy Tickets www.afterlifemcr.com
 
BASS FACE & DEVIATE 
………………………………………………………………
SPECIAL GUEST
LUCAS CHRISTIANO
HENRY RYMER
MADEN
 
AVICI WHITE 
4a Ridgefield, Manchester. M2 6EQ
10pm – 5am
£6 Earlybird /£8 Advance
Deep/Tech House/Future Garage
Buy Tickets www.afterlifemcr.com

WHY ALWAYS ME 
………………………………………………………………
SZAJNA
SPECIAL GUEST
WHP ALWAYS ME DJS
 
256 256 Wilmslow Rd, M14 6LB
10PM-3AM
£3/£4 OTD
Throwback/90s Party Tunes/Chart
Buy Tickets www.afterlifemcr.com
 
 

SUNDAY
 
FROM MANCHESTER WITH LOVE
………………………………………………………………
SPECIAL GUEST
ADAM SHELTON
T.WILLIAMS
SPECIAL GUEST
ZUTEKH DJS
THICK AS THIEVES DJS
WILL ORCHARD
ANTON FITZ
 
DEAF INSTITUTE 
135 Grosvenor St, M1 7HE
10PM-4AM
£6 Earlybird/£8 Advance
House/Disco/Techno/`Future
Buy Tickets www.afterlifemcr.com
 
DROP THE MUSTARD & UNDER PRESENT:
………………………………………………………………
DAMIAN LAZARUS
FRANCESCA LOMBARDO
SPECIAL GUEST
MATT HENSHAW
FRAN FITZGERALD
 
GORILLA 
54-56 Whitworth St W, M1 5WW
10PM-5AM
 £8 Earlybird/£10 Advance
House/Techno
Buy Tickets www.afterlifemcr.com
 
METROPOLIS & APE PRESENT:
………………………………………………………………
ANDY C
NORTH BASE
SPECIAL GUESTS
 
RUBY LOUNGE 
28-34 High St, Northern Quarter, M4 1QB
10PM-4AM
£8 Earlybird/£10 Advance 
Buy Tickets www.afterlifemcr.com 
 
OXYMORON PRESENTS:
………………………………………………………………
FIELDS SHOWCASE:
MAX COOPER
GHOSTING SEASON
SPECIAL GUEST
OXYMORON DJS
 
SOUTH 4A S King St, Manchester M2 6DQ
10PM-4AM
£5 Earlybird / £6 Advance
Buy Tickets www.afterlifemcr.com
 
HOYA:HOYA
………………………………………………………………
JACKMASTER
SPECIAL GUEST
KRYSTAL  KLEAR
JONNY DUB
ILLUM SPHERE
 
ROADHOUSE 
8 Newton St, Manchester, M1 2AN
10PM-4AM
£6 Earlybird / £8 Advance
Underground music old and new
Buy Tickets www.afterlifemcr.com
 
HI KU 
………………………………………………………………
Andrés
SPECIAL GUEST
SHOLA
DRY BONES
RESETTI
 
JOSHUA BROOKS 
106 Princess St, M1 6NG
10PM-4AM
£6 Earlybird / £8 Advance
House/Garage/Techno/Future
Buy Tickets www.afterlifemcr.com

DRY HUMP 
………………………………………………………………
HENRY BIRD
SPECIAL GUEST
DRY HUMP DJS
 
TROF NQ 
8 Thomas St, Manchester, M4 1EU
10PM-3AM
£3/£4 OTD
Disco/Funk/Boogie/House
Buy Tickets www.afterlifemcr.com
 
RUM & BASS
………………………………………………………………
SPECIAL GUEST
SPECIAL GUEST
RUM & BASS DJS
 
UNDERDOG 
13 New Wakefield Street M1 5NP
10PM-4AM
£4 Earlybird / £6 Advance
Bass/House/Disco/Future
Buy Tickets www.afterlifemcr.com

Extreme Games lineup set for Beach Break Live

Today Beach Break Live announces the Extreme Sports taking place at this year's event set in the surfing paradise of Newquay. Returning to their spiritual home, the four day festival extravaganza is making use of its stunning location. Revellers can compete in Windsurfing,KitesurfingSurfing and Wakeboarding as well as a host of beach based activities from beach rugby to beach football. Competition application opens this Friday at 12:00pm, visitwww.beachbreaklive.com for more details. With tickets starting at just £40, the new music holiday is set to be the summer highlight for 2013.
 
Well known for being the surfing capital of the UK, Newquay has attracted hundreds of thousands of surfers and water sports fans for the past 40 years. From 20th – 24th June, Beach Break Live will take over the town, beaches and waves to bring the best in new music and extreme sports. Taking place over two of the most famed beaches in England, Beach Breakers can take to the water at either Watergate Bay or Fistral Beachbetween 20th – 24th, competing against hundreds of semi-professional, professional and country wide societies for the title of Extreme Sports Champion. Last year's winner and Professional Kitesurfer, Ali Barrettsays "I'm stoked about the move down to Newquay, it's such a perfect setting for Beach Break. Music on the beach, kiting competitions at Watergate bay and we've got the wake board pool gap right next to the campsite! What more could you ask for!"

This year The Pool Gap returns and festival goers will be able to watch the danger filled Wakeboardingcompetition right from their tents as Beach Break Live brings the two pool set up to the Golden Ticket campsite. 2013 sees Watergate Bay play host to the most incredible Windsurfing event ever, The Student Windsurfing Association – SWA will be putting on an awesome show with both a team racing competition and an Expression Session style competition where competitors will be judged on wave riding, jumping and freestyle moves. Kitesurfing returns to Beach Break Live at Watergate Bay this year, through both a spectacular competition and free beginner taster sessions all weekend! The famous Fistral Beach will be a wash with Surfers throughout Beach Break Live as they compete for the title of Surfing Campion, all whilst listening to the likes of Jake Bugg, AlunaGeorge and Lucy Rose on the first ever main stage on Fistral. 

 

LINE-UP SO FAR…
 
Abigail Hubbard / Adam Burridge / Albert Jones / Alex Davies / Alice Amelia / Alice Jemima / AlunaGeorge / Andy H / Annaca / Astroid Boys / Auction For the Promise Club / Audio Sleaze / BackBeat Soundsystem / Badger / Battle of You / Bear Arms / Bela Takes Chase / Ben & Lex / Ben James / Benji Boko / Bim / Blair & the Mackichan Band / Blue Rose Code / Boddika / Breakage / Bremond / BRIDGES / Brown Bear / B-Traits / Budos / By The Rivers / Callum Beattie / Captain Backfire / Chaka Chaka / Charlie Wingfield / Chloe Foy / Chunky / Club Peel / CODA / Corp / Cuban Brothers / Danny Byrd / David Rodigan MBE /  Devlin / Dismantle / DJ Boundski / DJ Chamber / DJ Demonise / DJ Dubman / DJ Edge / DJ Format / Dr Kotch / DJ Shockproof / Drakelow / Drumachine Project / Drop DJs / Dub Pistols / Duro / Dusky / Eats Everything / Ed Solo, Dekline, JFB / Ejeca / Ellie Rose / Emily & The Woods / Empire of Fools / End of Level Baddie / Erin K / Eton Messy / Felix Fables / Felix Hagan & The Family / Fjokra / Foreign Beggars / Freerange / Freestylers / French Wives / Frett / Fringe Man / Frisky Nippa / Funky Drop / Gang Colours / Gareth Lee / Gentlemens Dub Club /Gentlemen Duke / George Fitzgerald / Ghouls / Glot / Great Plain Sundance / Greta Isaac / Grudge / Hanna Jacobssen / Helen & The Sirens / Hidden Riddim / High Contrast / Hoi / Honey / Honeyfeet / Hong Kong Ping Pong / Huxley / Iago / Iller Instinct b2b Shortson / Ilona / Imperial Leisure / Injured Birds / Intermission Project / Island Cassettes / Jack Light / Jack Wallen / Jackmaster / Jacob Curtis / Jakarta Club / Jake Bugg / Jamie Lawson / Jasper in the Company of Others / Jay Bee / Jello / Jenna Bennett / Jman / Joseph / J Robot / Jungle Doctors / Kezia / Killamonjambo / Klose One / Kola / Krafty Kuts / Laid Blak / Land of the Giants / Laura Fletcher / Laurence Fox / Lazy Habits / Leanne Smith / Le Chat / Leroy / LFM & Mali / Little Arrow   /  Lion The Weak / Loefah / Loose People / Lovelight Soundsystem / Lucy Rose / Luke Ritchie / Lulu James / Magnus Puto / Major Triadz / Maribou State / Mark Nichols / Martin Vital / Matt Anderson / Mele / Metrik / Minuten /  Modu / More Like Trees / Moriaty / Mystery / N.U.M.B. / Natasha North / Nathan Ball / Neil Halstead / Nu:Logic / Obliqka / Olee & Mr Morri / Olos / Only Joe / Panda / Passport to Stockholm / Pedestrian / Phrixus / Planes / Polar Caps / Polly Money / Prospero's Judgement / Rag & Bone Man / RAPHAELLA / Reckless / Redefeat / Richie T / Riddim Fruits / Riott Jazz / Robb Maksimcyz / Rock & Oben / Rogue Elements / Rory Hoy & Kitten & The Hip / Rosie & the Vandals / Roska / Rushil / Sam Beeton / Sam Supplier / Sam Williams & the Flock of Bats / Scratch Perverts / Seattle Yacht Club / Sebastien /  Seizure / Shadow Child / Shark Bait / Shout Timber / Shy FX / Sion Russell Jones / Si Roxwell / Six Kinds of Wednesday / Skream & Sgt. Pokes / Sky Murphy & The General / Snatch the Wax / Sneaky Nuts DJs / Sophie Scott / South / Spy / Steve Moore / Submotion Orchestra / Suitenoir / Swiss Elf / Tall House / Tankus The Henge / Ten Story / The Attic Project / The Boston Tea Party / The Boxettes / The Dark Lights / The Daydream Club / The Great Nothing / The Icarus Youth / The Intermission Project / The King Regards / The Magnet / The Nextmen / The OxBox / The Peoples String Foundation / The Shallows / The Skints / The Soul Circle Gang / The Standards / The Vertigos / The Winter Olympics / The Worries / The Zookeepers / This Calamity / Those Damn DJs / Tom Aux / Tom Bradley / Tom Brady / Tom Dibb / Tom Figgins / Tom Gall / Tom James / Tom Jarvis / Tom Staniford / Trick the Fox / True & FalseTwo Fold / Urban Folk Quartet / Vendetta / Victoria / Waylayers / We, The Undersigned / Whisky Jax / Will & the People / Wiseman / Wokka / Wrec & Dynamite MC / Xander Rawlins / Xeno / Xhosah  / Yannick / Ygnve & the Innocent

 

YO1 Festival 2013 Review

“This is the drunkest I’ve been at a gig for a long time!” The drifting garbles of a wobbly frontman on the rockabilly Please Please You stage may be as off-putting as those hearing it from the queue to get in- particularly if you're not happy with treating the outdoor festival just as an extension of the University of York's out-on-the-lash experience. The heavy influence of the nearby uni- exhibited by the second stage being named after campus music mag Circulation- might be enough to make one fear the day will be packed with struggling student pet projects and their supportive (rowdy) mates. But with such big-name acts as Rudimental and AlunaGeorge, YO1's lineup is a mix of the chart-topping with the uni-bopping. And with the promise of York's first taste of summer sun comes the promise of a diverse crowd; families rub elbows with locals, students and lovers of house, rock and reggae at the one day dance and indie event.

Holding up the baton for pleasant acoustic sentimentality is Bison Coffee Stage starter Travels By Telephone, whose haunting guitar stops short of the mawkish. His guitar sticker, happily proclaiming “you're doing better than you know”, provokes an unorthodox response from an onlooker: Wrong. a) I have syphilis. b) I don't like Talking Heads.

Meanwhile over on the main, Dub Barn Collective's white beards, tans and suits are giving off a distinctively Alabama 3 vibe, while being just as funky. It's a shame their 12pm slot means they can't gather the sort of numbers New York Brass Band draw in. Brass instrumented pop covers of 'Forget You' and a shaky rendition of 'Never Gonna Give You Up' appeal to the wider university crowd, despite the fact that the tartan-clad 7-piece don't capture of the soul of its New Orleans inspired roots.

The ripening summer rays pose an issue for sunbathing enthusiasts, as the lack of an entirely outdoor stage is particularly problematic for The Marzec Group, who find most of their fanbase prefer sitting outside the tented main stage, rather than in its musty depths. Perhaps this is why their usually enlivening multi-instrumentalist performance is somewhat muted.

One cannot be blamed for not trusting a dry day in Yorkshire spring time considering recent snowstorms, but other signs of YO1's greenness come across in its portaloo policies. By 4pm, the portaloo queues would have given the toilet lines racked up at major festivals a run for their money, leaving desperate punters squatting in nearby fields.

Other problems involving YO1's crowd numbers surfaced among the bars, as they were soon experiencing influxes of epic proportions. London's Tusk Wax suffer over on Circulation due to a significant clot; that is, a clot made up of bar goers encroaching upon the less than ample dance space for Tusk's bangin' tunes as the tent can't hold both. And, despite the fact that a £3.60 pint of cider is relatively unheard of in the cheap and cheerful pubs of York, this didn't prevent the good selection from selling out before the evening properly took hold.

Luckily this clears the way for Medlar, whose fast-paced house attracts dancers who begin to monopolise the tent area. However, choices have to be made on where to next move your feet. Fox North Coalition provide a cheery southern American vibe to the festival, with great big hats, crooning and an effective utilisation of a mouth organ. Radio One sweetheart AlunaGeorge pulls such a crowd over on the main that its too difficult to huddle in and hear her sugary sweet tones.

With food running out as well as drink, ducking into the Irie Vibes tent is never a bad idea. The darkening skies give an extra energy boost to Cojo of Bushrock Hifi's set, as the reggae dub begins to transform into ragga jungle. A patter over to main stage headliner Rudimental is a perfect complement, as the relatively new drum and bass collective exhibit the pizazz that drove them to fame so rapidly. Hit “Waiting All Night” cause an uproar but it's “Feel The Love” that add an electric quality to the air.

Once their set has finished at the seemingly early time of 10pm, only the Irie Vibes Soundsystem is of any merit. The sampling of such great artists as Panda Dub a highlight to more disappointing sets over on the other stages, though unfortunately the lack of basic amenities and food stuffs prompts early removal from the festival for many. For a festival in its second year and only just moved to a big site, it's somewhat understandable. However, if YO1 wants to pull in such a crowd next year, more foresight and preparation is essential to allow everyone to enjoy the event to its fullest..

Make Believe Festival … Anything can happen!

London, a place where some of the best and most widely known festivals are held drawing in millions but deep within the heart of Islington, an alternative festival is stirring and let me tell you, quirky and unique are just the start!

It began on Friday 3rd May as I approach the doors with club like bouncers, I cannot help but wonder what is going to be behind the doors and without a doubt, it was indeed different to any festival that I have encountered before.

Located in Islington Metal works, North London, the festival ran for 3 short days only and I can honestly say that without a doubt, it was a truly remarkable experience.

Walking through the doors, I instantly felt that I had time warped , surrounded by people in Victorian gear, it felt somewhat surreal yet comfortable at the same time to completely distance myself from modern day life.

The main room (although slightly small) was cramped full of people 100% engrossed and enjoying the atmosphere. A good job was done with the space they had, with ruby red curtains reminiscent of Aladdin’s cave and seating areas to chill out to the music.

Not only was Make Believe a 3 day excuse for childhood dress up, it also showcased some amazing bands with a banging head for music. With the main headliners including The men that will not be blamed for nothing, Sunday driver, Beatrix Players and The hall of mirrors to name but a few . The music although not what I would instantly listen to, surprised me by plenty of unique instrument playing and high note hitting. I found myself humming along and having them going around repeatedly in my mind for the rest of the night.

As well as live music, the festival also offered theatrical performances in the style of theatre, circus, art and puppetry so there was something for everyone to get stuck into.

The best part of the whole experience was the atmosphere of the room. As soon as you stepped over the threshold, it was like escaping 2013 and entering a new magical world where everything is possible and the possibilities are endless.

That simply sums up their title: Make Believe… Over those 3 days, you can be anyone!

Bingley Music Live add The Human League and more!

The Human LeagueSummer CampThe Struts and The Electric Swing Circus are the latest acts to join the line-up for this year’s Bingley Music Live.

They will appear at Myrtle Park between August 30th-September 1st alongside Primal ScreamThe Cribs, The Wonder Stuff, The FratellisLucy SpragganCharlie BrownThe Lake PoetsThe Temperance MovementLoveable Rogues, Natasha HawsRose and the Howling North, and Holy Moly and the Crackers. With such an eclectic mix of artists already confirmed, this year’s festival once again offers something for everyone AND all at the purse-pleasing price of £45 (+ booking fee) for a three day ticket.

We’re thrilled to welcome synthpop royalty The Human League to Bingley Music Live.  With an exceptional back catalogue that spans nine studio albums, four EPs, thirty singles and several compilations, they remain as credible and relevant as they were in 1981, when landmark album Dare was released. A shining light on the electronic New Wave scene, the group has not only achieved huge commercial success but also been responsible for influencing everyone from Madonna, Lady Gaga, Little Boots through to the acclaimed dubstep act Darkstar.   Sing your heart out to Don’t You Want Me, Love ActionFascinationThe LebanonHuman and Tell Me When… the list of hits just goes on and on!

Human League

Bringing their beautiful bubble-gum kitsch to this year’s festival is the aptly named boy-girl duo Summer Camp. Their lo-fi, nostalgia-driven, electro grooves cherry-pick samples and cultural references from the 60s – 80s and crafts them into gloriously upbeat, sing-along tunes with an underlying darker narrative. Released in 2011, their debut album Welcome to Condale received many positive reviews with NME awarding it 8/10 and claiming ‘they're back to (re)make hand-holdy couple-pop their own.’

If you’re looking for a healthy dose of rock and roll in both style and substance come and see The Struts. The four-piece from Derby will parade their vintage-clad swagger on stage with a collection of self-penned songs and an ingenious array of covers. Expect the unexpected! The band make pop-belters such as Cheryl Cole’s Under The Sun truly their own.  Sensational live; the lead singer, Luke’s vocal talent is quite unique… so check them out this summer.

Another up and coming band appearing at Bingley Music Live is The Electric Swing Circus. With their debut album scheduled for release later this year, the 6 piece band from Birmingham have been stunning audiences with their unique blend of cool 20's swing, stomping electro beats and soaring harmonies. Fusing everything from breakbeat and house to jungle and dubstep in a dazzling live show these guys are definitely one to watch.

Big Heart, Big Sounds

Weekend tickets have been frozen at last year’s prices making Bingley Music Live incredible value for money.  A three day ticket costs just £45 (+ booking fee), we also have a limited number of children’s tickets at £30 (+ booking fee) for 3-12 year olds (under 3s are free). Tickets are available online at www.bingleymusiclive.com/tickets or call the ticket hotline 0871 220 0260.

Jersey Live Festival add Example as Sunday headliner

Following the announcement that legendary dance producer Fatboy Slim will headline the Main Stage on the Saturday (31st August) of the festival, we are delighted to now reveal Jersey’s Live’s Sunday night (1st September) Main Stage headliner as chart-topping rapper Example.

Example, real name Elliott Gleave, makes his Jersey Live debut as a certified star; with two chart-topping singles and a chart-topping album (2011’s Playing in the Shadows) under his belt, Example has truly made the step into A-list territory, and with a reputation for a live show that transforms any arena or festival into the ultimate party, he’s a headliner befitting of Jersey Live’s 10th anniversary event.

ExampleWith the Main Stage headliners in place, we’re pleased to announce the latest wave of confirmed artists for the Hospitality, Folklore and Dance Stages. First up is hotly tipped twenty year-old singer-songwriter Lewis Watson, recently signed to Warner Brothers Records, who will perform on the Folklore Stage and JT Live Lounge Stage over the weekend; legendary performance poet John Cooper Clarke performs on the Folklore and Hospitality Stages; The Specials frontman/singer Neville Staple performs on the Folklore Stage with the Neville Staple Band, and will also perform an acoustic set on the Hospitality Stage; last but by no means least, counterculture icon Howard Marks will be reading his favourite children’s stories on the Folklore Stage on the Saturday 31stAugust and will deliver a ‘grownup’ spoken word set on the Hospitality Stage on Sunday 1st September; finally, the latest addition to the Dance Stage Saturday lineup is beatboxer extraordinaire and residing World Loopstation Champion Shlomo.
 
Plenty more artists will be announced to perform across Jersey’s Live’s six stages in the coming weeks! For more information, please visit www.jerseylive.org.uk

FULL LINE UP TO DATE: 
FATBOY SLIM / EXAMPLE 
THE CRIBS / PETE TONG / NETSKY & MC DYNAMITE
TOM ODELL / ZEDS DEAD / JOHN COOPER CLARKE 
HOWARD MARKS / SHLOMO / DOCTOR P / DUSKY / HOT SINCE 82
WAZE & ODYSSEY / RUSS CHIMES / THE NEVILLE STAPLE BAND
CRAIG CHARLES / LEWIS WATSON / COUNT SIZZLE / FUZZBOX INC / KANKA / WARREN LE SUEUR / WARREN HOLT
MANY MORE TBA

Nina Kraviz & Simian Mobile Disco lead dance lineup at Standon Calling

Standon Calling today adds a plethora of dance music gems to their line up, crowned by Audio Doughnuts stage headliners Nina Kraviz and Simian Mobile Disco. For night owls, electronic and DJ talent will also feature Gilles Peterson, DJ Format and Greg Wilson. The dance floors are calling at Standon Calling for the weekend 2nd – 4th August with tunes spinning right up until 5am.
 
Nina Kraviz has had the attention of tech and deep-house aficionados for the best part of a decade. The young Russian star’s profile is ever increasing since the release of her debut album, awarded 4/5 by top dance music community, Resident Advisor. Kraviz makes for a bold headliner for the Audio Doughnuts stage at Standon Calling. Similarly, Simian Mobile Disco, another heavyweight of the electronic world now tops the bill at the Hertfordshire festival. The duo’s original material is a staple of both dance and indie club playlists, SMD have also infiltrated the pop world with tracks featuring the likes of Gossip’s Beth Ditto.
 
Nina Kraviz
 
From London to Chicago via Leeds, taking in live Afro dub, soul electrica, African-inspired electronica and bass sounds, the Audio Doughnuts stage brings a global sounds to this year’s Standon Calling. Their vibrant offering inside The Big Top also includes Benin City (live), Roy Davis Jnr + special guest TBA, Tuesday Born (live), Two Inch Punch, Mêle, SOPHIE, Debian Black, Shox and Pusherman.
 
Atop Count Sizzle’s Whoop Whoop circus stage, house in the much-loved Cowshed, will be Gilles Peterson. Club DJ, A&R and radio show host, Peterson’s career was born from the pirate radio movement of South London in the 1980s. His global tastes, love of Cuban sounds and passion for new music make Peterson a prime attraction behind the decks. Also signed up to Count Sizzle’s party are DJ Format, hip-hop DJ, producer and Jurassic 5 collaborator, plus Greg Wilson, champion of electro-funk and former Hacienda resident. Also taking to the stage and the decks will be Ross Allen, Natty Bo (Ska Cubano), Count Sizzle himself, Count Skylarkin, Leo Beckford and Cleen Boys.
 

Paul Van Dyk brings his Politics of Dancing Project to SW4

Paul Van Dyk’s list of accolades reads like a bar bill from a night out with Charlie Sheen. It is without question an endless catalogue, with  highlights including being voted #1 in DJ Mag’s ‘Top 100’ poll twice, a feat that only a small handful of acts have achieved, including our Saturday night headliner Armin van Buuren. Growing up in East Berlin, Paul was obsessed with the music coming from the West, which strayed away from the techno that the region is famed for. With no record shops where he grew up and of course no internet, he would get his fix by listening to radio show’s which endorsed the sound he loved. When the Berlin Wall fell in 1989, an abundance of empty buildings and warehouses kick-started a raucous party scene and gave him the platform to perform to thousands of people every week. PvD is a pioneer not just of trance but of electronic music as a whole and consistently sells out tours across each and every continent. With over four million records sold in his career to date, there is little that he hasn’t accomplished. In 2012 Paul hosted his ‘Evolution Arena’ at SW4 and this year he turns the spotlight to his new project ‘The Politics of Dancing’. We couldn’t be more thrilled to welcome him back.

Paul Van Dyk

With a career spanning three decades and showing no signs of slowing down, Paul Oakenfold is the elite statesman of British electronic music. From residencies in Las Vegas to jaw dropping spectacles on each and every continent, Oakie’s colossal fanbase travel the world to catch one of his sets. Luckily for you, we have him back at South West Four for the first time since his emotional homecoming in 2010. Never afraid of pushing boundaries, Paul has enjoyed countless standout moments during his incredible career including help shape the infamous ‘Madchester’ scene of the late 80s, produce an album for U2 and pioneer the explosion of dance music in America. At one point Paul even lived in Clapham, making his return to South West Four more significant than ever.

After bursting onto the scene in 2003 with their dance floor anthem ‘Eye of Horus’, trance obsessed Aly & Fila have become the most successful group to emerge from the mystical land of Egypt. With productions as hot as the Sahara and playing show’s across the globe to crowds as big as the Pyramids, the duo have gained support from the biggest names in the scene. Their own brand ‘The Future Sound of Egypt’ operates on a variety of platforms, including a radio show which has recently reached its 300th episode. In celebration of this landmark broadcast, the duo have embarked on a major world tour. The other platform comes in the shape of a record label which is a sub-division of Armin’s seminal ‘Armada Music’. The pair have achieved a sensational sweep of dance floor domination in recent years, so make sure you catch their uplifting ideals as they once again inspire the crowds on Clapham Common.

Aly & Fila

Grammy award nominated DJ and producer Andy Moor certainly has his fingers in a lot of pies. He is one half of melodic house duo Leama & Moor, a third of influential progressive house act Tilt, but it’s his own productions through his birth name that he is most renowned for. His ‘Moor Music’ podcast is extremely popular and is continually downloaded on every continent, loaded with exclusive tracks from his own ‘AVA’ imprint. For our 10th Anniversary, Andy will be performing a special B2B set with Lange, something that was recently showcased to critical acclaim at The Gallery at Ministry of Sound. This tag team will take the crowd to dizzying new heights as they fuse styles, trade dance floor anthems and generally work the audience into a state of chaos. Quite simply this is not to be missed.

For the past 15 years Lange has remained at the very forefront of the trance realm and throughout his career has continued to push the boundaries of the genre. He is the producer behind no less than an astonishing twenty Top 40 hits, including classics such as top 10 triumph ‘Drifting Away’ and SuReal’s ‘You Take My Breath Away’. In 2008 he launched his ‘Intercity’ radio show, with this quickly becoming a staple for trance fans worldwide. A year later it evolved into a podcast and regularly sits in the iTunes top music podcasts, with the 100th episode marked by a 24hr broadcast which trended on Twitter for an incredible thirteen hours. He has carefully honed his style into a cutting edge blend of hard hitting electro, tumbling bass lines and beautifully crafted melodies, resulting in some of the most memorable records of recent years. This year his very special B2B set with Andy Moor certainly looks like it will be one for the history books.

After a chance meeting in 2007, Ward van der Harst and Willem van Hanegem aka W&W could have no idea that six years later they would be one of the leading lights in trance. Famously tipped by Armin van Buuren as “The best up-and-coming production duo out there” W&W were since signed to his label and now even run a sub-division label called ‘Mainstage Music’, whilst their namesake radio show is syndicated to every corner of the globe each week. Since taking the world by storm with their debut offering ‘Mustang’, the duo have never looked back. Their latest work is a rousing interpretation of Armin van Buuren’s new single ‘This Is What It Feels Like’. Sharing a stage with Paul Van Dyk, trance fans can rest easy knowing that they are well and truly catered for!

In their own words, Super8 & Tab are leading the charge of the Scandinavian trance revolution. Since their inception in 2005, the Finnish duo have firmly pushed themselves to the very forefront of the pack, with the pinnacle of their career being the 2010 debut album ‘Empire’. An album so good, it led to Mixmag saying: “It’s a rare and wonderful thing to be blown away by an album on first listen. And that’s exactly what Super8 & Tab’s debut artist album does”. Their innovative approach and intricate production values blend deep brooding vocal anthems with futuristic trance and has gained them rave reviews reaching from their native land to the other side of the world. Here at SW4 HQ we are delighted to welcome back Super8 & Tab back to Clapham Common once again, as we look forward to some of their epic Scandinavian stylings.

Orjan Nilsen is a Norwegian DJ and producer who grew up well north of the polar circle, far away from most things. His cultured productions however would suggest he grew up somewhere with a far more accessible music scene. The talented young Scandinavian shot to the worlds attention in 2011 when he stormed into the DJ Mag top 100 chart at #49 and a IDMA nomination for ‘Best Breakthrough DJ’ soon followed. Since then has gone on to gain support from SW4 favourites Gareth Emery and Armin van Buuren, with the aptly named ‘Belter’ a collaboration with the latter. Known for his flawless ability to bring life to any dance floor, we welcome him to South West Four for the first time in 2013, as he plays to the biggest dance floor of them all.

Simon Patterson is one of the most in demand DJs and producer’s of the last decade. Famed for his incredible run of a whopping eleven consecutive #1’s on Beatport, his creative offerings have become some of the most sought after productions of recent years. As a DJ he has performed at the biggest festivals on the planet and plays an intelligent blend of deep tech-trance and roof raising electro, drawing from influences far and wide. His weekly radio show ‘Open Up’ allows him to showcase the latest psychedelic, trance and techno records. This year he will be making his South West Four debut. Cue dance floor pandemonium and mass hysteria.

Londoner Lee Osborne has had an astonishing rise to stardom over the past few years. Since bursting onto the scene in 2010 he has released over twenty diverse and innovative productions on every significant label that matters. This includes Armin van Burren’s ‘Armada’, Gareth Emery’s ‘Garuda’ and Lange’s ‘Lange Recordings’. Gaining support from Radio1 and acts like Tiesto and Deadmau5 has helped his cause greatly, resulting in him becoming resident at The Gallery at Ministry of Sound. Here at South West Four we are excited to hand a debut to one the brightest new stars in trance.

Liverpool Sound City 2013 Review

Liverpool Sound City is a determinedly different festival. The line-up reads like a roll call of this summer’s biggest acts, and though it runs awkwardly from Thursday to Saturday (it’s an industry conference, much like South by Southwest), there’s enough programmed outside of the working week to make decisions hard.

I’m sidled up by a buzzing espresso machine in Bold Street Coffee, as one half of the Collectors Club give their third performance of the day. On a Friday night in Liverpool, I’m aware this is a pocket of relative calm. “You say you don’t but you want to go out tonight.” Billed as indie-pop, it’s an acoustic set: two guitars, two mics, two men. Or boys, the median age of the room 21 at best.

Lead singer Joe Smithson says he’s pretending to be Justin Timberlake, by way of acknowledging a vague similarity between single ‘Wanna Be You’ and the pop royalty’s ‘What Goes Around… Comes Around’. A sense of humour seems to characterise the Middlesbrough band. “Don’t you want me, want me like I want you?” Understated songs about tears and longing suite the space, and music spills through an open door into the busy street. Outside, it’s as alluring as the smell of just-made coffee (or of garlic mayonnaise from various takeaway spots lining the road).

The café sings along to a pleasing cover of Fleetwood Mac’s ‘Everywhere’, and afterwards people clap, something I’ve noticed increasingly absent in live settings. We’ll cheer, yes, but people tend not to want to put down their drinks to applaud. The room erupts with good-time classic ‘Under Pressure’ at the end of the set. It’s a smooth transition with the kind of high production values that typify this festival.

Next up on Bold Street is Dan Croll, whose latest release ‘Compliment Your Soul’ aims to do just that. I hear Phoenix, but unlike Paul Simon, Burt Bacharach, and the Dirty Projectors, the French outfit are not among his known influences. The band play a few bars of ‘Wonderwall’ (Oasis, no other), as Croll quips “We’ve all had a bit to drink.”

Buttoned-up and bespectacled, the sometime Liverpudlian sings folkily from the heart – “Oh mother, it’s all thanks to you… I’m gonna miss you.” ‘Home’ gets me too. It’s plucking at heart strings, but Croll offsets any melancholy by instructing guests to take their shoes off at the door, “‘cause it’s impolite not to, you’ll be damaging my floor, ‘cause it’s my home.” This track smacks of Australian singer-songwriter Josh Pyke, but that’s mostly my homesickness talking.

Croll’s is a talent that makes you want to pick up an instrument and learn, goddammit! Fans shout for ‘Marion’ and he obliges. He’s interested to hear what other acts the audience has seen so far, and even gives the café’s breakfast menu his endorsement. It’s a mighty wholesome musician that references porridge mid-set. There’s a smile as he thanks the band – “Nobody introduces me, but that’s okay.”

A few streets over and pushing midnight, French natives Concrete Knives are working the Kazimier Gardens stage. Six-strong, they sound their full number with thick bass, edgy synth and ample reggae throwbacks. A cover of Ini Kamoze’s ‘Here Comes the Hotstepper’ rounds out their cool credentials, as do school yard echoes in tracks like ‘Brand New Start’ and ‘Greyhound Racing’.

Around the block, headliners Everything Everything can be heard long before they are seen. I spot the queue first of course, the warehouse that is Liverpool Academy of Arts already at capacity. Theirs is a complex sound borrowing from many genres, which goes someway to explaining a wide appeal. Dressed in trademark boiler suits, there’s something unignorably Coldplay about the group. It’s likely a comparison they hate, but it’s only praise.

Rapid-fire delivery from fontman Jonathan Higgs is also something of a signature, his voice not classically appealing but captivating all the same. “Yeah, so, um, wait a second!” The urgent pace of breakthrough single ‘Cough Cough’ is in sharp contrast with lilting piano on ‘The Peaks’, but each is entertaining.

My night ends with Temples fronting a packed-out second storey Leaf. It’s enjoyable enough, and a fan in the crowd tells me emphatically that their neo-psychedelic rock is melodramatic. “Melodramatic,” he yells over the reverb, “can you spell it?” Yes, I can, though I suspect he means theatrical. It’s hard to see the bands’ faces for hair.

As with any festival, the interest is as much in journeying between stages, friendships forged waiting for a toilet cubicle or at the bar, and the random exchange of hats, sunglasses and other sundry attire. The beauty of an in-city event might be that you can go somewhere else entirely during those inevitable programme gaps.

Saturday brings bright skies and an excuse for a courtyard barbeque at Heebie Jeebies pub. Aussie act Deep Sea Arcade look and sound rock and roll, right down to bassist Nick Weaver’s finger gloves. ‘Girls’ is an easy favourite, and the all-male act display a knack for taking things to double-time, then back again with ease. The set ends quickly, a teaser for debut album ‘Outlands’ (although ‘If The Devil Won’t Take You’ sounds distinctly better live).

Finnish elctro-folk lady Sansa follows, and I’m amazed by what she can do with her voice (and feet). Lyrics trade primarily in matters of the heart, most overtly in the track ‘Boys’ – it goes “boys, boys, boys, boys, boys.” Her real talent is in recording live guitar and vocal samples, singing with two mics at times, and mixing these on-stage. Her jazzy scatting is equally impressive.

Night brings the frantic garage of local boys Broken English, who look as slick as they sound. The audience knows every word, too. I so often worry for drummers – do they get the recognition they deserve? This drummer looks disarmingly young, but he’s skilled and owns the role. The Kazimier plays host to London-based Mind Enterprises, appearing here as a duo. These guys could play a much later set, their chest-thumping, bassy electronic chords reminiscent of an abstract, more melodic Totally Enormous Extinct Dinosaurs.

Mind Enterprises

Popular indie act French Films are on form in requisite leather and denim jackets, so it’s a shock when singer Johannes Leppänen confesses he feels sick. “I actually threw-up on the way here.” How very rock and roll. Along with the festival’s second Justin Timberlake reference, Thomas J. Speight offers one of Sound City’s most memorable moments when he takes his set off-stage and into the audience for lovesong ‘Joni’. He offers to play a “quiet or a fast one” to close his spot, and two lads at the front shout “Both!” in perfect unison.

Toward the end of Liverpool Sound City Delphic’s set is fittingly showy, three minute singles drawn-out to six and seven minute long tracks. I stay long enough to hear ‘Red Lights’ and ‘This Momentary’, where jack-knifing beats build to the refrain “Let’s do something real.” Mount Kimbie are playing across the street, lauded as one of the festival’s best. It’s the first time I’ve heard them, and their eclectic electronica demands a second sitting (and a third, and fourth – you get the gist).

Transforming familiar urban spaces with those things about festivals we love best, Liverpool Sound City is an emphatic win. Leave your cares at home, and enjoy.

Check out the photos here