Parklife Festival have announced the line-up for their hotly-anticipated 2015 edition on Saturday 6th and Sunday 7th June at Manchester’s Heaton Park. Showcasing an incredible selection of the best chart-topping live acts and world leading DJs, confirmed acts include Disclosure, Ben Howard, Rudimental, Nas, George Ezra, Fatboy Slim, Grace Jones, Wu-Tang Clan, Caribou, Metronomy, Mark Ronson and Jessie Ware – all of whom will cater to over 140,000 music fans across the two days.
Two of the UK's hottest dance acts, Disclosure and Rudimental, will head up the festival line-up, which will also feature one of the UK’s biggest dance music exports in Fatboy Slim. A rare performance from iconic singer and model Grace Jones is also confirmed –famed for her pioneering artistry that constantly blurs the line between performance and art.
Hip-hop royalty Nas will be performing tracks from his seminal album Illmatic at this year’s festival – as well as Wu-Tang Clan & The Roots, plus young claimant to the throne Earl Sweatshirt also featuring. James Bay – named Critics Choice 2015 by the Brit Awards panel – is also amongst the first live artists announced and will be joined by Ben Howard and George Ezra, alongside leftfield popstars Metronomy and Jungle.
Legendary electronic music pioneer Richie Hawtin will also be heading to Manchester alongside Hot Creations label head Jamie Jones, Radio 1 tastemaker Annie Mac and chart topper Duke Dumont (playing live) to spearhead a stellar DJ line-up across the two days. With appearances from the likes of Nicolas Jaar, Seth Troxler, Maya Jane Coles, Eats Everything and Hannah Wants – plus rising stars Lapsley, Novelist and Blonde – already confirmed, Parklife’s 2015 DJ program is shaping up to be it’s most varied and expansive to date.
The eclectic nature of this year’s line up is only bolstered by the number of artist-curated arenas across the weekend. Soulection affiliated superstar Kaytranada has added his own personal touch to Parklife this year by curating his own Kaytranada and Friends stage. The same honour has also been bestowed to drum & bass veteran Andy C as he presents his label RAM, as well as MK bringing his Area 10 brand to Heaton Park. Reggae, Dub and Dancehall royalty David Rodigan will also be further cementing his legendary status in the UK by bringing his world-renowned Ram Jam party to The Temple arena – the largest of the festival’s stages. This very special Super Ram Jam comes complete with an all-star line up, including Nas performing his seminal ‘Illmatic’ album in full.
Having launched back in 2010, Parklife is curated by the same set of promoters behind Manchester’s game-changing series The Warehouse Project, who have adapted the festival year on year to make it one of the UK’s most significant music events – all set in the iconic surroundings of Heaton Park.
Now five years since the festival’s launch, Parklife also remains one of the best value festivals in the UK – with weekend tickets at just £89.50 and day tickets at £54.50. Festival goers also have the opportunity to purchase VIP packages priced at £145 for a weekend ticket and £85 per day – which unlocks a range of luxury offerings such as fast access to the festival, a private viewing platform over the temple stage and exclusive areas from a host of national club brands.
With 10,000 pre-registration tickets selling out in minutes and the next wave of tickets set for release on Friday 13th February 2015, Parklife’s fifth anniversary is on course to deliver their best year yet.
The full line up is below: LIVE DISCLOSURE * RUDIMENTAL BEN HOWARD * GEORGE EZRA * NAS performs ILLMATIC MARK RONSON * FATBOY SLIM* GRACE JONES * WU TANG CLAN CARIBOU * METRONOMY * JESSIE WARE * JAMES BLAKE THE ROOTS * JAMES BAY * FKA TWIGS * JUNGLE * LABRINTH DUKE DUMONT * JAMIE XX * NICOLAS JAAR * MODESELEKTOR EVERYTHING EVERYTHING * HUDSON MOHAWKE * KAYTRANADA TODD TERJE & THE OLSENS * MAC DEMARCO * CHET FAKER TEN WALLS * TIGA* ACTION BRONSON * EARL SWEATSHIRT * BAAUER* HERCULES & LOVE AFFAIR * JESS GLYNNE * FUSE ODG * VIC MENSA * LAPSLEY * TALABOMAN * GHOSTPOET * TENSNAKE * ELLA EYRE * HENRIK SCHWARZ * MADLIB * RONI SIZE REPRAZENT * CRAZY P * BURAKA SOM SISTEMA* *TOURIST* JIMMY NAPES * BOB MOSES * J.E.T.S* * SEVEN DAVIS JR * BLONDE * NOVELIST* BADBADNOTGOOD * DUB PHIZIX & STRATEGY * OUTFIT * TOM MISCH * KIKO BUN * BECKY HILL * KAREN HARDING * SANGO * TEI SHI * BERNARD & EDITH
DJ RICHIE HAWTIN * ANNIE MAC * JAMIE JONES * MK * ANDY C SETH TROXLER b2b EATS EVERYTHING * MAYA JANE COLES * TALE OF US * THE MARTINEZ BROTHERS * DIXON * SASHA b2b JORIS VOORN HANNAH WANTS * DUSKY * ADAM BEYER * JULIO BASHMORE JACKMASTER * HOT SINCE 82 * DAVID RODIGAN * OLIVER HELDENS HEIDI * SKREAM * GEORGE FITZGERALD * JOY ORBISON * WILKINSON BEN UFO & PEARSON SOUND * OLIVER DOLLAR & JESSE ROSE * BENJI B DANIEL AVERY * RICHY AHMED * CATZ 'N’ DOGZ * PAUL WOOLFORD * DJ EZ * SHADOW CHILD * PATRICK TOPPING * WAZE & ODYSSEY * JOHN TALABOT & AXEL BOMAN * BICEP * BTRAITS * MADLIB dj * DJ EZ * JUSTIN MARTIN * JIMMY EDGAR & MACHINEDRUM * MIDLAND * CRAIG CHARLES ROUTE 94 * BRODINSKI * BEN PEARCE * BONDAX * RANDALL vs DILLINJA FRIEND WITHIN * CHRIS LORENZO * JONAS RATHSMAN * SPECIAL REQUEST * HORSE MEAT DISCO * JAGUAR SKILLS * JOSH BUTLER * WOOKIE & DJ Q * FCL * CALYX & TEEBEE * RENE LAVICE * SG LEWIS* VENUM SOUND *LOADSTAR * KRYSKO * GREG LORD * WORK IT * NOW WAVE DJs * RICH REASON * JUICY * WORK IT * ZUTEKH DJS * PIRATE COPY * NORTH BASE * JONNY DUB * SIAN BENNETT * NIC BAIRD * LEMMY ASHTON * NICOLA BEAR * HACKETT * PETE ZORBA * DANCE LADY DANCE * WILL ORCHARD * ED NORRIS & many more still to be announced…
Now in its fourth year, Sundown festival has played host to many of the biggest names in music, and this year was no exception. Returning as headliners for the second time, Chase & Status closed the Saturday night, while Ellie Goulding closed the festival on Sunday.
FRIDAY
But all the fun actually begun on Friday night. After waiting nearly 2 hours in the queue for my friends to get their wristbands, we eventually made it to the campsite, with aching bodies from carrying everything for so long.
We weren’t going to let that stop us though, as the Big Top opening party proved to be one of the highlights of Sundown. New to 2014, the action kicked off at 5pm, but after a few drinking games, we joined the growing crowd of energetic teenage ravers a few hours later. Commercial house tracks and big room EDM bass drops were the soundtrack to the party, consisting of ‘Backstreet’s Back’ being mixed into Martin Garrix ‘Tremor’ – certainly not something you hear every day, a dubious Nirvana remix and some old classics in ‘You’ve Got The Love’. It all made for a great night, with an impressive laser light show shining up the packed tent.
We also checked out some of the stools selling funky sunglasses, hipster shirts, bum-bags galore and the festivals best-seller, judging from all the lads wearing them, – black printed bandanna’s.
SATURDAY
The morning after, the campsite looked like a bomb had hit it – especially the far from sanitary toilets located at the bottom of the campsite. But that’s all to be expected, in fairness there was the option to pay an extra £25 to get some brilliantly titled and much cleaner VIPee toilets for the weekend if you wished.
Entering Sundown’s main site just in time to see Disclosure and Tinie Tempah collaborator Sasha Keable perform on the main stage, it was a nice ease back into the party spirit to cure our near-hangovers. Sasha Keable’s sound is mainly synth led electronica with an impressive vocal laid over the top of each track. Performing tracks from her debut ‘Lemongrass and Limeleaves’ E.P, ‘Living Without You’ showcases her powerful vocal range and ‘Sweetest Talk’ takes influence from Jessie Ware’s soulful R&B sound. ‘Careless Over You’ creates the first sing-a-long moment with Sasha’s voice climbing over the rolling drum and synth beats. It’s the collaborations with Zinc and Disclosure which get the biggest cheers and sing-alongs. ‘Only For Tonight’ pumps up the party atmosphere with air-horn sounds just in time for set closer ‘Voices’, with the crowd jumping and singing back every word. Already signed to Tinie Tempah’s Disturbing London label, a few more releases and Sasha Keable will soon be a household name.
Also on Tinie’s label are All About She, who perform next. The London based UK garage three-piece are made up of record producers James Tadgell and Jon Clare and singer Vanya Taylor. It’s Vanya who grabs everyone’s attention though, with a similar stylish appearance and voice to Estelle, she wastes no time in showing off her vocals. ‘I Can’t Wait’ is a highlight, while new feel good track ‘Beyond Heaven’ hears Vanya work the crowd singing “Sundown you take me there” before asking “where are all the lovers at, put your hands in the air.” ‘Like That’ sees Vanya dedicate the track to a birthday girl on the front row before the trio end their set with the song everyone’s been waiting for. ‘Higher (Free)’ still sounds as fresh as when it was released last November and reached the top 20 in the UK. Sung a capella for the first chorus, it’s given an emotive re-work before the garage beats kick in which return ‘Higher’ to its original club-ready state.
Before Foxes takes to the stage, there is an unwilling yet entertaining twerk off to Nicki Minaj’s new single ‘Anaconda’ between Kiss FM DJ’s Michael and Tania, who introduce each act and deserve praise for building the hype effortlessly. Foxes bounces onstage, looking ever the pop star, in a dress and massive sunglasses. Aside from the music, Louisa is loved by, females who want to be her, and males who want to be with her. The whole set is a highlight. Performing the main singles from her debut album ‘Glorious’, including ‘Youth’, ‘Let Go For Tonight’ and ‘Holding On To Heaven’, each song receives mass sing-a-longs with fans arms waving in the air. She’s not bothered by the worsening weather either, which she has experienced the worst of after a storm engulfed her set at Nottingham’s Splendour festival in July. Instead she shouts to the crowd, “fuck the rain”, and they oblige, continuing to jump with her. ‘Clarity’, her massive Grammy award winning collaboration with Zedd goes down a treat and proves one of the weekend’s biggest sing-a-longs.
Meanwhile, over at the Big Top tent, house music lovers are being treated to the best in the business, with the whole day hosted by Defected Records! Earlier in the day Copyright and Cristoph have bass heavy sets before Food music label boss Shadow Child. But it was Second City and Mark Kinchen who provided the best sets of the day. Second City aka 27-year-old producer Rowan Harrington took the crowd on a journey of commercial to more underground house hits including a remix of Breach’s ‘Jack’ (who would play the same stage later), his collaboration with Route 94 ‘Freak’ and his own track ‘I Enter’, but sadly his brilliant new collaboration with Ali Love ‘What Can I Do’ doesn’t get played. Ending with his recent number one piano-house smash ‘I Wanna Feel’, everyone’s hands wave while their lungs are given a full workout much to Harrington’s happiness.
Later, Marc Kinchen, whose set is swapped with Sam Devine’s, draws a massive crowd to the tent. Opening with a dub of ‘My Head Is a Jungle’ before recent single ‘Always’, MK is joined by four less than covered dancers waving fans in front of their face, creating the Ibiza atmosphere, when in reality we’re inside a sweaty tent.
Chase and Status, who headlined Sundown festival back in 2011 returned to close proceedings on Saturday night. And what a show it was. An intense laser light show, a number of unexpected special guests and some insanely heavy drum & bass, dubstep and everything in between made it the show-stealer of the weekend. Performing tracks from all three of their albums and some older material, it was a career spanning set with each track sending the crowd absolutely crazy. I’ve actually never seen more mosh pits throughout a set. And it just gets even more out of control when Tempa T pounces onstage to rap his part in ‘Hypest Hype.’ Later, British singer Jacob Banks is welcomed onstage to provide his soulful sing-a-long vocals to ‘Alive’. Moko appears large as life in the background video appearing to jump out of the screen during ‘Count On Me’, similarly with Plan B seeming to smash the screen during ‘End Credits’ and ‘Pieces’. Set closer ‘Smash TV’ from the duo’s 2008 debut album ‘More Than Alot’ made for the perfect end to their genre defying set!
SUNDAY
Sunday hosted a far more pop orientated line up on the main stage while well respected drum & bass label Ram Records took over the Big Top. On the main stage, three-piece M.O, who are receiving regular plays on Radio One from the likes of Mistajam, are bringing the 90’s girl band back! They’ve toured with Little Mix and recently signed with Universal in the US – and it’s not hard to understand why. Arriving just in time to catch the last two songs of their set, the first is an impressive cover of Beyonce’s ‘Drunk in Love’, made completely their own. The second is new single ‘Dance On My Own’ with a garage beat which samples Sweet Female Attitudes ‘Flowers’ – one of the biggest UK garage hits from the 90’s.
Ex-The Voice contestant, Becky Hill, bounces onstage in a white crop top and sparkling Aztec skirt, making the most of the British sunshine. She described her sound recently as “leftfield, alternative, cool pop” and that seems fitting. Two Inch Punch-produced opener ‘Caution to the Wind’ is the perfect solo introduction to the world for Becky who I have been a fan of ever since she appeared on The Voice. Since then, she has achieved two number one singles in the form of drum & bass Wilkinson collaboration ‘Afterglow’ and recent house hit with Oliver Heldens ‘Gecko (Overdrive)’ – both of which receive mass sing-a-longs during her set. You can’t help but love how down to earth she is, there are no airs and graces as she admits “my onstage chat is rubbish” after she cracks a joke about the sun being up for Sundown. She later tells the crowd “I’ve got a bottle of vodka in my room so I’m going to the RAM tent to rave it up” – she comes across as a typical partying teenager. Becky’s rise to the top has been stratospheric but she’s still the same loveable singer, as she tells the crowd, “I was recently working in LA and I got a call from my manager and he said, ‘Becky you’re number one”. She proves that she’s a real pop-star in the making during her next disco infused single, the MNEK-produced ‘Losing’ which she says is out in a few weeks. It’s safe to say that she gave the best live vocal performance of the weekend and I’ve already bought tickets to see her again!
Looking like Annie Mac and sounding similar to Katy B, Jess Glynne is the next rising female vocalist to perform. With two backing singers, a drummer, guitarist and keyboardist, Jess performs a set full of catchy pop hits in waiting. She asks the crowd, “did you enjoy my fellow husky, Becky?” much to the crowd’s applause. Jess gets straight into her recent number one with Route 94 in ‘My Love’ before it’s mixed into her second worldwide number one with Clean Bandit ‘Rather Be’, with both attracting mass sing-a-longs and smiling faces. “This is the last festival for us, so let’s go out with a bang”, exclaims Jess. Gorgon City-produced Set closer ‘Right Here’ which reached the top-ten saw the crowd swaying their arms and dancing along to the house beat.
John Newman appears like a young Elvis with slicked back hair and perfected dance routines from the start of his penultimate set of the weekend. Backed by a seven piece band made up including three female singers. The longtime Rudimental collaborator performs the majority of his debut number one album ‘Tribute’, taking the ever-growing crowd on a journey of soulful pop. Each track comes complete with John showcasing his beyond impressive footwork throughout set opener ‘All For You’, ‘Try’, and ‘Cheating’. It’s obvious that he’s a real showman with plenty of onstage confidence, treating the gig like a real show, saying “welcome to this evening’s entertainment”. During ‘Losing Sleep’ he throws himself and the mic around the stage before he pauses the song to shame a member of the crowd. “This guy’s trying to start a fight during my set. We’re not here to start a fight, we’re here to enjoy the music. Let’s put our middle finger up to him” – and everybody does. Back to proceedings and John gushes about his girlfriend, asking, “Did anyone see Ella Eyre earlier? That’s my other half” – of course everybody cheers. Later, John thanks the crowd for getting him where he is now, “We’ve done 38 festivals this season. It all started for me with Rudimental and it’s taught us that we’re ‘Not Givin In’”. The Rudimental collaboration sees John and the backing vocalists sing their heart out with John running along the front row of the audience to the lucky fans delight. Set closer, and number one single, ‘Love Me Again’, sees him fall to his knees at the end. John’s energy and showmanship far exceeded my expectations and I’d definitely recommend anyone to go and see him.
Ending the weekend was Ellie Goulding, who barraged through tracks from both albums ‘Lights’ and ‘Halycon’. Songs like ‘Figure 8’ and recent single ‘Goodness Gracious’ showcase Ellie’s unique breathy vocals. ‘Starry Eyed’ is dedicated to all of Ellie’s fans who have been with her from the beginning. Madeon-produced track ‘Stay Awake’ pushes Ellie’s vocal range to its highest and most impressive point. After a quick costume change, Ellie performs a chilled electronic cover of Alt J’s ‘Tesselate’ before switching to James Blake’s ‘Life Round Here’ – two breathtaking, somewhat haunting renditions. Picking up the guitar for an acoustic version of ‘Guns and Horses’, Ellie shows off her unmistakable vocal capabilities. Laughing she says, “It’s about the time where I like to do some voluntary movements which some people may call dancing” before pop hit ‘Anything Can Happen’. Teasing the crowd she jumps down to run across the front like John Newman did during ‘I Need Your Love’. Then comes the sad news, “This is my last show for quite a while and I’m not sure when I’m going to be back on tour”, Ellie genuinely seems upset but powers on through ‘Lights’ which sees everyone light up their camera phones, creating a special memory for everyone there. Finishing with ‘Burn’, Ellie signs off hinting at a return for the following year.
Ellie certainly won’t be the only one coming back to Sundown festival if this year’s brilliant event is anything to go by!
St. Georges Hall has been transformed for tonight's event, the statues and pillars are hidden away with black curtains, the beautiful tiled floor is covered in artificial grass, and with the white picket fences in front of the stage, it has the feel of a rural village fete. Material is draped above the audience and glows with the magenta coloured lights. The wonderful original architecture and decor of the ceilings and stain glass just peak through.
Steve Levine was commissioned by Liverpool International Music Festival (LIMF) to produce this collaborative event, hand picking performers, including artists he's produced, Boy George and Natalie McCool,along with Mark King, Bernard Butler, Tim Burgess, Hollie Cook and Mary Epworth. Each would perform a mini set backed by the others, with the night being finished off with a headline set from Boy George.
First up was Level 42'sMark King who opted to go with a cover of the Cream song 'Sunshine of your Love' and didn't leave the mixed audience disappointed with the pensioners rocking along with skinny jeaned teens.
Natalie McCool, Liverpool Music Awards' female artist of the year and possibly the hardest working live performer on the local circuit was next, performing 'Thin Air', an obvious choice for tonight as Bernard Butler supplied additional guitar on the track from her brilliant debut album. Bernard and Natalie were then left alone on stage to perform a track he produced and co-wrote for Duffy, 'Syrup & Honey' was one of the highlights of the night and showed just what a great vocalist Natalie McCool is.
If the audience were happy with what they had seen so far then they were about to be blown away with a full on onslaught of stomping Rock from Mary Epworth performing another of the nights highlights 'Black Doe' with the addition of almost every performer along with a horn section.
Hollie Cook certainly has a good musical pedigree, her Mother being Culture Club vocalist Jeni Cook, her Father Paul Cook, was the drummer in that little punk band The Sex Pistols and her Godfather is none other than tonight's headliner. Following a stint doing backing vocals for the reformed Slits in the late 2000's, Cook went on to release her tropical pop sounding debut in 2011 and released her second album using PledgeMusic this year. Her performance tonight is a little change from the rest of the acts, infusing her unique blend of reggae and pop to great effect on tracks such as 'Postman'.
By the time Tim Burgess hit the stage the audience had already been treated to what felt like a real celebration of music both old and new. With his blonde bowl cut almost covering his eyes his 4 song set list was stripped down, acoustic and laid back which was slightly disappointing at this stage of the night, although it was well executed and probably more suited to this one off event. 'The Only One I Know' being the stand out track.
Following a short interval it was Boy George's time to step into the limelight for his headline slot. If the set list was picked to please an indifferent festival crowd then he certainly achieved it. Mixing old solo tracks with a few Culture Club bangers, along with his newest solo tracks such as 'My Star' and even classic rock covers in the form of 'Knockin' on Heaven's Door' and T.Rex's 'Bang a Gong' a song he recently collaborated on with The Black Lips. He never left out the obvious, if you could pick one of your favourite Boy George songs then it probably made an appearance, whether it be 'Hare Krishna', 'Karma Chameleon' or 'Everything I Own'. Boy George kept the crowd thoroughly entertained throughout, ending by inviting the rest of the performers on stage for a final bow.
A little clunky at times which is expected at this type of event with little rehearsal time. It felt a little like a one off live T.V. special. Directed by Steve Levine, and presented by Radio 6 DJ Chris Hawkins, the event had everything, interviews between sets and also the recording of a track throughout the night with performers (and the audience acting as a choir) adding overdubs to a new version of Gerry Marsden's 'Ferry Across The Mersey' in Steve Levine's stage side studio. As far as collaborative one off, one night only live music spectaculars go, this was a massive success.
“Truck Festival? What’s that?” This has largely been the response when telling the tales of my whereabouts on the 18th-20th of July. With our music calendar at saturation point with all the festivals happening during this popular time, you can easily be forgiven for knowing nothing about this harmonious little gathering on a farm in Oxford.
But Truck is not your usual festival. It started 17 years ago as a small alternative to the big names such as Glastonbury, Reading or Leeds; all of which have become corporate, money-spinning beasts. Truck has a refreshingly low ticket count, which means that even though it was a sell-out, there was still plenty of breathing space and an obvious lack of hippies and try-hard rockers.
The weekend vibe was completely laid back and inclusive. It was in no way about wearing the right clothes or being seen, but rather about kicking back and enjoying the atmosphere while soaking up the vitamin-D. There was no fancy VIP area: backstage was purely functional. Instead, everyone mingles. The artists roam the site, picking up beers at the bar just like us “normal folk”. A distinct bohemian quality; Truck is clearly about the people and the music.
Typically claiming the third weekend in July, this year the two-dayer kicked off its Friday with the ‘Tropical Groove’ and Indie vibes of the four-piece HABITATS, making their Truck debut on the festival’s Main/Truck Stage. One of the fabulous things about Truck is that it’s a showcase for the area’s local scene at the same time as bringing in acts both small and big from further afield.
It’s a proper all-round arena: the same stage sees the popular rock back, The Dreaming Spires, with their clashing drums and almost-shouting-but-you-think-I’m-singing vocal sound (resulting in constant sound), immediately preceded by the relaxed and more feminine vibes of Fickle Friends singing to their soft keyboards and jingling tambourines.
Wider afield, the festival plays host to five stages, all very different in the music they were churning out over the fun-filled weekend. The Barn Stage was focused on psychedelic noise rockers, such as Canterbury and Blood Red Shoes. Set against a corrugated steel roof, and with the scent of manure easing its way up the nostrils, it soon became obvious that we were watching psych-punk wraiths perform on a stage erected in a working barn. It was a surreal experience to say the least.
A mix of haunting sounds, hypnotic, pounding drumbeats and winking strobes were the enticing aspects which drew you into the stage amusingly labelled as The Veterans and Virgins Stage. Hosting bands such as Ralfe Band and the Brickwork Lizards, both of which offering unique experiences, often involving banjos and tambourines, the stage was both unique and alluring, tantalising the musical tastebuds. Similarly, the close-by Saloon Bar lured people in with its refreshing western atmosphere. Set up as something out of a cheesy western movie from the 50’s, this stage offered a different experience from the other stages with a more acoustic and folk feel to all the acts, which included sets from BMW and The Buffalo Skinners.
Finally, often described as the ‘Second-in-Command’ to the Truck Stage, the Market Stage was a stage which offered a whole range of musical genres from Dance a la Plage with their Indie-Rock ambiance to the folk-electro solo artist, Dan Croll.
With every act, bar the day’s headliners, allotted a half-hour performance slot, it’s nothing if not fair. You can power through bands and stick with sets you might otherwise leave, meaning you get a great idea of each carefully edited set list designed by each band to show themselves at their best.
Friday’s headline act, the much loved The Cribbs, take to the Truck Stage at 10pm, delighting the crowd with a medley of their top hits – they’ve more than you remember after realising five studio albums – before their spectacular closing song, which left the crowds begging for more and sadly dispersing back to the camping site, or for those more eager to other stages, such as the Market Stage which offered an all-night “Silent Disco”. There is no doubt about the fact that this band knows how to rock a festival and plays a pitch-perfect set to a crowd that appreciates their longevity and experience.
When Saturday comes, eager festival goers await Truck Stage sets from M+A and As The Elephants Are. As the day goes on, things get really lively.
When the final act at the Truck Stage for the weekend, White Lies, take to stage they muster an infectious energy. People from outside the tent file in and there are heads nodding right the way to the back of the assembled throng. As they launch into the fast-and-furious first song, all pulsating drums, rumbling bass, blissful synths and deep vocals wrapped up in lyrical genius, the London trio ignite a flame within the audience which refuses to die out until the early hours of Sunday morning.
Truck is unique. Mellow, friendly and under-crowded. It’s like the best village fete you’ve ever been to. Complete with a diverse selection of bands, this is how festivals should be. You can’t help but hope Truck never gets big and becomes the commercialised spawn of the modern music industry.
The New Forest was brought to life by Festibelly. Located in one of the most beautiful areas of the South, the breath taking scenery dotted with wildlife makes for a pleasant journey to Lymington. Taking place from the 11th to the 12th of July, this small-scale festival really does cater for all.
On arrival, the short queuing time and onsite camping made for a quick and easy start to the weekend. Once the tent was pitched, I explored the array of stalls. Festibelly offers something for everyone, with children’s entertainment including games and crafts. While the kids were occupied, adults could enjoy the music only a few meters away. However, this festival isn’t just for families, it caters for all ages.
The vibe was chilled on Friday, with musical highlights from Laurel, Amber Run and Lewis Floyd Henry. The atmosphere picked up as Skinny Lister took to the stage, with upbeat sing along songs that got the whole crowd involved. The Cuban Brothers headlined Friday night and had the whole crowd captivated with their dancing and humor. I didn’t know what to expect when watching them, but they defiantly entertained!
Saturday welcomed in more festival goers, with the crowds drawing in to watch Jus Now and DJ David Rodigan. Entertainment was also on offer at the Massive In China and Terrapin Station tents through out the day, with a variety of comedy, music and dance workshops to participate in. Although slightly limited in choice, the food on offer was delicious with produce being sourced or grown locally. Delicious Orange Rooms cocktails were also available to buy from their teepee.
The main stage showcased FEMME and Mausi, who brought the pop vibes to the festival with dance beats blasting out in the sun. Hudson Taylor was the perfect end to such a family friendly festival in a beautiful location. I’d highly recommended this festival to anyone!
Originating from the USA, Electric Daisy Carnival, or EDC as it is more widely known, made its second trip across the pond to the UK this weekend, transforming Milton Keynes outdoor National Bowl into an entertainment spectacle.
Riding on the success of last years London based event, EDC 2014 offered a who's who of chart-topping EDM, (electronic dance music) producers, best known for their knob-twiddling skills and dance music know how.
Aside from the music, one of EDC's unique selling points (persistently featured in the promo videos) was the scale of special effects on offer. Promising the UK's largest ever 360 degree LED light display, pyrotechnics and hundreds of weird and wonderful performers, the organisers clearly aimed to make their event just as visually appealing as the music itself.
Musically, this years EDC boasted a diverse line up of British and European producers, with EDM duo Bassjackers opening the main stage at midday before Avicii's headline set in the late evening, with chart hits 'You Make Me' and 'Wake Me Up' lighting up the bowl.
Earlier in the day, Calvin Harris played a mid-afternoon set, including recent number ones 'Summer' and 'Under Control', with the majority of the crowd on each other's shoulders early on. It was a busy day for Harris, who hurried off to play a main stage set at T in the Park where he was joined and introduced by Will Smith! Not a bad day for Calvin, who achieved eight top-ten hits from his 2012 album, '18 Months'.
Meanwhile, over on the Cosmic Meadow stage, house music was the order of the day if EDM drops became too much for some. Route 94, who scored a number one earlier this year with his piano house track 'My Love' featuring vocals from Jess Glynne, opened the stage at 1pm with a well received set. Later on, Leeds success story Hot Since 82, real name Daley Padley, performed an evening set of deep house drawing on tracks from his album 'Little Black Book'.
Back at the Kinetic Field main stage, 19-year-old Dutch producer Martin Garrix, who topped the chart with the inescapably catchy 'Animals', which is given an outing today, as well as follow-up top-ten track 'Wizard and a remix of Empire of the Sun's 'Alive' drew a large crowd. Mixing Naughty Boy and Sam Smith's number one 'La La La' with his own new single 'Tremor', the chorus bass drops team with confetti and smoke machines going off in unison.
Next up was Steve Aoki, who is currently hosting his Aoki Play House residency in Ibiza, here making a rare UK appearance, dropping bass heavy tracks, 'Boneless' and a new collaboration with Afrojack, before scaling the grand DJ podium set up. While stood high, he threw numerous cakes at the crowd, something which has become synonymous with the 'Beat Down' producers energetic sets.
For only it's second visit to the UK, it's safe to say that Electric Daisy Carnival is here to stay, fulfilling a gap in the British festival market and offering a world class line-up! Next year's event can't come quicker!
Hideout Festival; a sun-drizzled Croatian exploit that welcomes an influx of avid music lovers to its beaches annually, the promise of sun, boat parties and beats enticing a plethora of clubbers and DJs alike. Croatia is now home to an abundance of festivals, including both Dimensions and Outlook, yet Hideout is one of the first to see the strobe lights, decks and welcome ravers to the country. Held over Zcre beach, the four day festival promises an unforgettable time – and this year? It couldn’t have got any better.
Now in its 4th year, 2014 played host to over 60 world class DJs, providing a fantastic line-up for any raver; from Maceo Plex to MK to David Rodigan, there was a different vibe at every set. The huge stages of Papaya, Calypso and Aquarius provided immense pool parties in the day, to deep and exotic raves during the night, playing right up until sunrise – and even then, the crowd would keep chanting for one more song, never once wanting the night to end; this is Hideout Festival, after all.
Monday:
From wherever you leave from in the UK, it’s a long distance to travel – be it by coach or plane, it’s a bit of a tricky location, and everyone we spoke to seemed to have had a similar problem. However, arriving on the Thursday in Zagreb gave us a little time to really explore the beauty of Croatia, and with pre-parties in abundance, we were never short on things to do. We headed to the Doorly boat party Sunday evening, who blasted track after track on a four hour boat ride; if this was anything to go by, then the rest of the week was bound to be spectacular.
Opening day saw a realm of acts ready to build up the festival; the likes of Cassy and Apollonia provided a chasm of deep house interludes, alongside an atmospherically rich display of beats that certainly got fists pumping throughout the day. A surprising highlight came from Berlin based duo Tale of Us; the pair eased the crowd into their day-closing set, playing a mix of slow, deep tech that paved the way for a more up-tempo sound. We stood at the front of the pool, the sun beaming down in an incredible atmosphere that validated the duo as a superb and intense pair that evoked the crowd into a truly euphoric wave. As they entailed Josh Winks ‘Are you there’ within their set, their versatile range and combination of tech house and pure techno worked wonderfully, and the crowd was certainly warmed up and ready for the evening ahead.
As night fell, it was London based quartet Rudimental that were first to take the headline spot. You couldn’t help but feel they were the odd ones out at this festival; their mainstream, chart-topping genre ranges from soft drum and bass to garage – much different in contrast to many of the other tech/house acts present. There were whispers of disappointment amidst the crowd that this was a DJ set rather than a live performance, but as soon as they stormed onto the heaving stage of Aquarius at a peak time of 3am, this was all forgotten. From a previously solemn crowd, it was incredible to see the transformation the arena had undergone; an atmospheric buzz of hysteria and excitement drove the crowd into a frenzy as classics such as ‘Not Giving In’ and ‘Waiting all night’ were performed, with a sudden blend of jungle breakbeats and even a hint of motown validating them as one of the UK’s greatest breakthrough acts of recent years. Their stage presence and energy was automatically intense from the word go, and they showed a real passion for their music throughout the set. The climax of the event was when ‘Feel the love’ began to play, and a saxophone player hit the stage to play to the revel of waiting and enthusiastic fans simply lapping up every minute; Rudimental had certainly put on a hard act to follow, and I highly recommend anyone to see them if they get the chance.
Tuesday:
After a stuffy and rowdy shuttle bus, we arrived at Zcre beach early to take in most acts of the day. Hot Creation’s wAFF was one of the first to open Papaya; only in his early 20’s, he certainly proved to have talent beyond his years as he played track after track of up-tempo beats that kept a clearly hung-over crowd alive and excited. I stood alone at the front of the stage, and was amazed to see within minutes that crowds began to surplus forward and join me in excitement, ultimately awakening as Infinity Ink hit the stage. The duo put on a fantastic performance, the sunlight and visuals surrounding the stage being perfectly in sync with the beats, adding yet another dimension to an experience you can’t get anywhere else but a festival like Hideout. Guti and tINI similarly put on a flawless performance over at the Aquarius pool, which is nothing unexpected from the Desolat artists. They thoroughly dominated the stage, providing a non-stop combination of Guti’s Latin tech side with tINI’s deep indulging sounds, both making use of vinyls in a dynamic, exciting and fluid set that most DJs strive to achieve.
As day became night, and another sterling appearance from Tale of Us, It was Maceo Plex who closed the Papaya stage at an ideal 4am slot. Maceo immediately launched into lavishly layered beats as his main synth developed slowly, experimenting into a more tribal style that echoed intensely throughout the coliseum-like stage. Known for his dark material, the audience certainly lapped up the set with ease. There was a slight air of disappointment that like many DJs present, Maceo chose not to play any of his own productions within his set, to which I overheard a few mumbles of frustration. However, with a stellar and liberating set such as this, it wasn’t too much of an issue for the Ellum Audio boss, and the focus on the quality of the set was certainly not lost.
Wednesday:
As day 3 of the festival arrived, we chose to go on a boat party; as many party-goers said to us, this is certainly the best way to see your favourite artists in such a close proximity. We opted to go on the Digital Soundboy boat. Shy FX, Stamina MC / B-Traits and Dismantle all played back to back, playing an absolutely brilliant and colourful drum and bass set with favourites such as Golddust, Somebody New and My Bassline, and finishing off with Celebration by Kool and the Gang – not something you’d expect from Digital Soundboy, but the masses absolutely lapped it up and it was ultimately one of the highlights of the week.
Back on the beach, and the pioneer of ska, reggae and dancehall sounds took to the Aquarius Pool to show the crowd that even after four decades, he still knows how it’s done; this was David Rodigan MBE, an icon in his own right. He unleashed his long-anticipated reggae magic to an awaiting crowd, with songs such as Toots & They Maytals ’54-56 was my number’ echoing in the arena, Rodigan stopping swiftly to say: “GIMME SOME SIGNAL!’ to a crowd that most definitely responded. It was a bizzare change of pace to the festival, but the crowd were simply amalgamated by Rodigan’s pure passion, extenuating why he is such a figurehead within the reggae scene today.
After a swift and exciting ride on a jet ski – just one of the great activities available on Zcre beach – we saw a plethora of artists that certainly secured their place on the lineup. Justin Martin and Waifs and Strays delivered a delicious house set at Kalypso, with Dense and Pika nicely closing the Papaya pool for the day. But as night came, it certainly belonged to one man. As Loco Dice took to the Papaya stage at 3am, the Desolat guru proved to be the highlight of the evening. With a warm progression of deep beats bellowing through the crowd, the German maesto blended an abundance of deep and dark sounds, including Radio Slave ‘The Clone Wars’ and Jimmy Edgars ‘Strike’ to perfection. The set staggered primarily between tech house and pure techno, with impressive and ambitious build-ups that are unparalleled by any DJ that I’ve witnessed throughout the week.
Thursday:
The final day of the festival saw a sea of hangovers attempting one last final push as the sunny week drew to a close; house giant MK took to the Papaya stage at 5pm, Hideout being one of many on his list of festivals through the year. Ever the crowd pleaser, MK made sure to mix his own songs such as Burning and Look Right Through to a screaming, wild and absolutely heaving crowd. It was a certainly a different scene at the pool today; underwear was thrown. A home made banner was held up. Screams could be heard for miles. MK was certainly making his mark on the festival, in a much different way than anyone else had this week. But oddly enough, the set made for an incredible time, and everyone I spoke to said it was one of the best they’d seen all week.
After a plethora of fantastic acts, it was time for Surrey dance duo Disclosure to take the main stage at Papaya. The queue reached far beyond the arena, with hundreds of moaning and disgruntled fans having to turn away and opt for another venue. But inside, the towering projections of the glorious Disclosure signature were morphing into animation, as the pairs set effortlessly took off, much to the pleasure of the fans that had queued for so long to see them. Across the previous year, Disclosure have cemented their name firmly within the charts, and it’s easy to appreciate why; effortless songs such as ‘Latch’ and ‘You and Me’ are pure lyrical gems, and when played cause an eclipse of singing voices hitting a hollow of incomparable intensity. The crowd were full of smiles as hit after hit was played, blended with upbeat dancefloor hits that proved the pinnacle of Disclosure’s success; the boys certainly put on a fantastic show, and one that was certainly worth the wait.
Berlin based DJ Scuba played the final set of the weekend at Kalypso, a much darker contrast to previous acts across the day. With deep emphatic songs such as Dense and Pika’s ‘Black Deep’ and Pele & Shawnecy ‘You And Me’ mixed with ease, Scuba certainly bid the crowd a good morning as the sun began to rise in the distance in an irresistible environment of a rave. Scuba’s distinctive vibes combined with drum sounds was almost euphoric, and the sunrise revealing the realities of everyone’s weird faces around us was almost brushed aside. He was certainly leading the pack, and closing down what had been one of the most unforgettable, intense and impressive festivals we had the pleasure of attending.
All in all, it’s certainly been a prosperous journey for Hideout; celebrating its 4th anniversary, this year’s line-up was essentially a who’s who of the most relevant house and bass acts all over the world. With a bungee jump, a clear sea, a revel of party goers and DJ’s to match, it certainly delivered an experience above and beyond my expectations, and one that has proved to be absolutely unforgettable.
Temperamental wet weather didn’t dampen the spirits of 70,000 festival goers at last weekend’s sold-out Parklife Festival, which now in its fourth year, saw Snoop Dogg, A$AP Rocky, Disclosure and Sam Smith prove to be essential highlights.
Arriving at around 1pm, SFG headed straight to the Hospitality tent for some early afternoon drum & bass with flashing strobes, courtesy of Logistics and later, Camo & Krooked.
Heading to the main stage for Kiesza, who is accompanied by two male dancers, her 90’s influenced choreography and funk tracks prove an early treat. Giant In My Heart fuses disco and funk perfectly, before the Canadian ex-navy recruit takes to the piano for a stripped down cover of Haddaway’s, What Is Love, showcasing her powerful vocal range. Ending with number one track, Hideaway, she lifts everyone’s spirits despite the grey clouds looming up above. Catchy “ooh’s” and “ahh’s” and house-y beats provide the first sing-a-long of the weekend (with many more to come), before the track is mixed into Gorgon City’s deep-house edit. Now recording her debut album, expect another catchy chart-bothering track to go viral in the coming months.
Spending around 20 minutes struggling to find the Colonnade presents: Drop the Mustard stage, where the majority of the main house draws performed, SFG caught some of Hot Natured’s, Lee Foss’ Ibiza-cum-Manchester house set at the hilltop Kaluki stage. Eventually, finding the Greek coliseum-like Colonnade stage, SFG caught house duo Waze & Odyssey’s set, including their now infamous house remix of R Kelly’s timeless classic, Bump & Grind as well as a remix of Robin S’, Show Me Love. Later at the Colonnade, it was Route 94’s turn on the decks. Performing a mostly obscure but impressive house set, with the exception of Defected Records releases, Fly 4 Life and Tell You Why, the young London-based producer drew a large crowd, with one fan feeling the need to scale a tree, receiving a smile from the producer and applause from the audience below. But it was number one house crossover hit, My Love, which saw everyone take out their iPhone’s to record the sing-a-long moment before 94 imminently takes his sound to Ibiza for the summer.
Pacing back to the opposite end of the site, to the Red Bull Academy Presents stage, Gold Panda’s hotly-anticipated set proved essential for the eyes and ears. Synth-led electronics impressed the large crowd during cutting-edge debut album offerings, Vanilla Sky, Snow & Taxis and early track Marriage before a chopped up reinvention of fan favorite, You, with its pitch-shifted vocals circling around the tent.
Back at the main stage, Grammy –winner, Foxes, attracted a large crowd with tracks from her debut album Glorious, including Youth and recent single, Let Go For Tonight, while another Hot Natured label-mate, Richy Ahmed, continued the Amnesia Ibiza-ready house vibe with 808 hi-hats and drum machines aplenty during his mid-afternoon Kaluki stage set.
Later, the sun shined while Radio One DJ Annie Mac drew the biggest crowd so far with a house orientated set including Ten Walls’ new track, Walking With Elephants and Gorgon City’s collaboration with Laura Welsh, Here For You as well as Second Citys’ I Wanna Feel which rocketed to number one two weeks ago. Later, before Sigma’s, Nobody To Love, she tells the crowd to, “grab your friend, boyfriend, or a total stranger”. Its sets like these, demonstrating which tunes to play to get thousands of people dancing, which stand testament to why she is such a hot DJ commodity.
Rudimental, who, trumpets included, perform album tracks, Spoons and Baby, show a softer side to the Black Butter Records collective. Dedicating Not Givin’ In, to his son, DJ Locksmith pulls on the crowds heartstrings before the drum & bass beats kick in, but are soon cut off due to a technical problem. It’s all back to normal though after the crowd chant “Rudimental, Rudimental, Rudimental” to give them the support to carry on, which they do oh so professionally, continuing with album tracks, Free, and later, Feel The Love.
It’s A$AP Rocky however, who delivers the best and most charismatic performance of the weekend, as a more than deserving replacement to Kendrick Lamar, who cancelled his slot. Weed promotion, referring to women as “hoes” and a whole lot of swearing, but what else would you expect from song’s titled, Hella Hoes and Fuckin’ Problems which are performed with a fifteen-man-strong A$AP Mob watching him from the side of the stage. Bassier and rowdier than on record, Palace and Wassup take the Now Wave tent to Rocky’s hometown, Harlem, New York City. “Put your hands up if you smoke fucking weed ‘cos that’s what I stand for”, demands Rocky, real name Rakim Mayers, before Purple Swag where he toys with the crowd saying, “are you people ready to get turnt up or what?” New A$AP Mob track, Hella Hoes, results in a mosh pit before taking it to a “whole new mother fucking level” during Skrillex-produced Wild For The Night and Lana Del Rey-featuring Hands On The Wheel. Thanking the audience for getting him so far, he exclaims, “I can’t wait to get on them rides tonight” before a quick run through of his part in final track, Fuckin’ Problems. If you ever get the chance to see A$AP Rocky live, TAKE IT. You won’t be disappointed.
Weaving back into the middle of the main stage crowd for Saturday headliner, SFG didn’t know what to expect from the legendary Snoop Dogg’s headline set. “Who’s getting blazed in the house tonight?” asks Snoop’s DJ during a ten minute prelude to the iconic rapper coming onstage. Dressed in a USA stars and stripes jumper and yellow shades, Snoop stalks the stage with everyone taking his picture. He dedicates Supa Dupa Fly to “all the girls in the house” before rapping his part on Justin Timberlake collaboration, Signs, and his brief part on Katy Perry’s, California Girls. The only thing he could be blamed for, is looking relatively bored and indifferent, but it is Snoop Dogg after all, why should he be bothered?
Ending the night back at Kaluki in Marc Kinchen provided early evening house, in his number one remix of Storm Queens, Look Right Through, which is quickly followed by his Medicine remix of Shadow Child's, Friday and his edit of Hot Natured’s, Reverse Skydiving.
Sunday would prove to be better weather on the whole, aside from one insane downpour during Warpaint’s set which saw everyone flock to the nearest tent.
Opening the Disclosure Presents: Wildlife stage, Kanye West-collaborator Pusha T, performed tracks from his acclaimed debut album, My Name Is My Name as well as his part on the aforementioned Kanye hit, Mercy. Stalking the stage, which looks like brown lego bricks stacked high, Pusha runs through the trap beats of King Push and Nostalgia. Promising a new album in the not-so-distant-future, he continues with Numbers on the Board, seeing arms in the air pulling back and forward – an impressive debut at Parklife for the hotly-tipped ex-Clipse rapper.
Next up, are classical-cum-electronic Cambridge graduates Clean Bandit, who remained at the top of the charts for a month earlier this year with their single Rather Be. An early afternoon set time doesn’t seem to affect the eager crowd, growing by the minute. Arriving onstage to classical music alongside two guest vocalists, the quartet open with older track, A&E, before Dust Clears, with Jack Patterson leading the vocals over a synth-y beat. Tracks from their debut album New Eyes soon follow. Up Again, begins as a hand-swaying, blissed-out production before drum beats and classical chords intrude, culminating in a full on drum and bass climax while Come Over hears cellist Grace Chatto’s sweet vocals soar over a Caribbean, almost reggae beat. Mid-set, it’s clear that new single Extraordinary could become their second number one judging from the crowd’s reaction. Heart on Fire, featuring vocals from Elizabeth Troy is dedicated to “all the garage heads” before the lyrics of Mozart’s House ask, “so you think electronic music is boring?” Following this genre-crossing set, they’ve proved that that their sound is far from boring. Nightingale is then mixed into Gorgon City’s deep-house edit before feel-good festival anthem, Rather Be, which stayed at number one for a month, ends their set with the crowd on each other’s shoulders singing along word perfect.
Unexpected pop star Sam Smith, arrives for his 5pm slot to screams of excitement. Opening with Nirvana, he shows his powerful voice off straight away before Disclosure collaboration Together, complete with Chic-esque funky bass guitar lines. Leave Your Lover slows the set to a mellower, emotional halt, with some female fans starting to tear up, before further winning them over by telling the crowd that Manchester is his favorite place. Before new track, Restart, Smith informs the audience that he’s filming the music video right now, and of course everyone is more than happy to clap and sing-a-long for it. An unexpected cover of Arctic Monkey’s track, Do I Wanna Know breaks up the set with a unique take on the indie hit. Money On My Mind and Lay Me Down follow with emotional lyrics, while the heavens fittingly starting to open, before ending with recent number one single, Stay With Me. It’s obvious that Smith is providing the definitive sound of 2014, after his vocal talent was first discovered by the mainstream on another Disclosure collaboration, Latch, which is given a flawless acoustic rendition.
Later, over in the Heidi Presents: The Jackathon tent, Hot Since 82 brings deep house and techno beats to a sweaty strobe light flashing tent, delivering arguably the best bass orientated set of the weekend.
Over in the Sounds of the Near Future tent, SBTRKT gives an astonishing live set. Opener, Pharaos, gets the packed tent going before the masked man says, "It's so good to be back. It's been like two years since we've been here.” New lasers and synths track Temporary View, which went up on Soundcloud just two days ago, receives a great reaction as a taster of what to expect from the impending second album. Debut album tracks, Never Ever, Trials of the Past and Wildfire follow with tribal drum beats and feature Drake-collaborating, Sampha’s recorded vocals and Little Dragon’s in the latter, which echo around the at-capacity tent.
Pacing back to the Wildlife stage to catch headliners Disclosure, it was shockingly easy for SFG to get near the front – probably because Oxford indie-types, Foals, were headlining over on the main stage. The wunderkind production duo of house revivalists, Guy and Howard, open with synth led F For You featuring on record vocals courtesy of Mary J Blige. Preacher lyrics and simplistic house beats follow in When a Fire Starts to Burn and newer Friend Within collaboration, The Mechanism, with the background screens showing the duo playing in real time while Guy picks up the bass guitar to play the funky chords in the former, while pyrotechnics shoot from the top of the stage. Checking with the crowd that they are okay to play some older material, they bounce into older E.P tracks, Boiling, Tenderly and Flow before inviting guest vocalist, Sasha Keable, onstage during album track Voices and later Sam Smith to join them for the song which started it all off, Latch.
It’s only in its fourth year, but soon enough Blur’s iconic single won’t be the only thing which comes to mind when thinking of Parklife. Providing a great line up, the organisers delivered great variety at an affordable price, SFG cannot wait until next year!
All American Rejects set the fans in to a world wind of cheers, screams as they hit the main stage in the civic hall yesterday. They came out playing all the classics like, Dirty Little Secret, Move Along and Gives you hell. Tyson Ritter had such a stage presence, throughout the whole set keeping banter with the fans and even taking a trip into the crowd when he got down off the stage and walked around the barrier into the screaming fans while still singing away.
Gracing the Main stage as well was pop rockers We Are The In Crowd, I was really psyched to see this band after hearing good reviews before hand and the build up various publications were producing, but I couldn’t help notice that Tay Jardine voice sounded a bit “Horse” and after speaking to a few fans they thought the same. That aside they had a good set that got fans singing along.
Here’s what some fans had to say.
Steve Brand Said: I enjoyed seeing We Are In The Crowd, Downside for me was that the stage lighting was crap, It was mainly shining it into the crowd which really ruined the view because you could barley see.
Viktoria Kohajdova: The festival has been fun and I loved seeing We The Kings and The All American Rejects overall I really enjoyed them the most. I got to go to a few signings too, but it was a shame that we the kings didn't do one but I did get to meet Tyson Ritter from TAAR and that really made my day.
The Monster stage had a lot happening and it was definitely the place to be with some killer bands they had performing on it.
Headlining band Bury Tomorrow came out to the stage with a huge amount of fans waiting for them. They played there newest track Man On Fire off the new album RUNES which dropped that day, they played plenty of older tracks including scepters which set the fans surfing and even had a couple of fans climbing up a tree and hanging off it screaming lyrics back at the band.
Also on the Monster stage were I Killed The Prom Queen they came out with big choruses and even bigger breakdowns, playing a mixture of old school tracks as well as new material from beloved. The Devil Wears Prada blew me away with the sheer number of people that had turned up to see them play. The band’s set was tight with elegant clean vocals and guitar parts blending together with the aggressive vocals.
Over at the UPRAWR DJ stage MC Lars was ready and waiting for Chunk! No Captain Chunk to finish their set on the Monster stage. While waiting a good size crowd started to grow turning up in merchandise, you could tell these were big fans of his work. As soon as Chunk! No Captain Chunk finished seamlessly MC Lars started his set playing tracks, Download This Song, Space Game. The crowd grew and everyone starting to dance and really vibe off the set, he was definitely one of my favorites of the night.
Before finishing up I spoke to one last visitor to the festival who had this say.
Amanda Fry: This was my first time at Slam Dunk and it was great, I'm already contemplating for next years line up". I enjoyed seeing We The kings, We Are The In Crowd and All American rejects. I didn’t like that Roaring S#!T.
