SFG: How are ya John, what’s been happening?

JOC: I’m good, it’s a nice sunny day!  It’s been raining at home so its nice to see its sunny here and hopefully it stays like that.

SFG: It’s a busy weekend for you, today at SW4, then Creamfields tomorrow?

JOC: Yeah we have Creamfields tomorrow but we are driving up tonight.  Going to get there nice and early as its always very enjoyable, and I have been there the last few years.  Its my first time at SW4 so it will be interesting to see the difference in style of festivals.

SFG: Talking about the difference in festivals, what can the crowd expect from your sets today?

JOC: I don’t know yet cause I was at the arena and it was quite empty.  It depends on how many people are there, that will effect what I play so ill find out 2 minutes before 3.

SFG: You play a number of festivals every year, what’s been your highlight so far?

JOC: The best one so far has been Global Gathering in the UK.  It was a great atmosphere, great crowd.  I was playing just as the sun was coming down, there was great trance music and a really good vibe.

SFG: What are you looking forward to for the rest of the year, anything special coming up?

JOC: I have a track with Aly & Fila, also with Agnelli and Nelson, a remix for Armin Van Buuren and my own vocal single which should be released around October time.  I haven’t given it a name yet, there are still a few tweaks to get it finished.

SFG: Anyone special on the vocals?

JOC: Well it’s all secret for now.  It’s cool and fresh.

SFG: What’s next from your Subculture label?

JOC: The current release is by Chris Metcalfe, a UK producer with a melodic trancer the next release.  There’s also a release from Full Tilt, a progressive house tune with a Jorn Van Deynhoven remix, a really good uplifting vocal trancer.  Armin’s played it on his radio shows, it’s a tune, one of my base tracks, its massive.  Then of course we have my new vocal track, got plenty of stuff coming in but we only do one release a month, only 12 songs a year.

SFG: You have been on the Trance scene for a number of years now, how has your sound evolved from the trance of old times?

JOC: I would say BPM and genre wise it’s pretty much kind of the same. I stuck to trance and still enjoy the trance that I was playing years ago.  I suppose the music itself has developed, I am just playing what’s out there.  There is a lot less tech-trance now.  You know years ago there used to be Katana, Pascal, Marco V and others, remember that stuff?  It seems to have disappeared.  Its either trance or house, no kind of in-between.  I kind of miss that you know, people like Mark Norman and stuff like that, there seems to be a gap and only a couple of people filling it so next year I might look at doing something like that myself.

SFG: If you could play back to back with anyone in the music industry, who would it be?

JOC: At the moment to be honest, some of the best back to back sets I am doing are with Aly & Fila.  We have done it twice so far.  We never discussed it or planned it or talked about it, we just turn up and press play and that seems to work best.  We did it at GodsKitchen and the atmosphere was amazing.  A lot of people there gave us good feedback.  It’s kind of like we are long lost brothers in a way.  We both have the same interests but we are from completely different backgrounds and we do really well on the decks.

SFG: London was home of the Olympics this year, did you manage to catch any of it?  

JOC: No didn’t see one thing, only what I have seen in the news or the papers.  I’m busy at home with work and have a little baby so TV comes like 4 down the line.

SFG: We have a SW4 Olympics event we are playing with the artists this year, Rock Paper

Scissors, it’s the best of 3, let’s go!

RESULT: SFG takes the gold winning by 2 – 0.

JOC: No medal for Ireland *laughs all around*

SFG: It’s been a pleasure John, thanks for your time and we look forward to your set at SW4.

SFG: Markus, its great to see ya, how is everything, and more importantly how is your eye?

Markus Schulz: It’s not healing quite as quickly as I was hoping, you know, it hasn’t kept me away from any of this weekend’s festivities.

SFG: It’s a massive month for you with your latest album Scream being released, how has it been received so far?

MS: Fantastic, we just did the album release special on my radio show yesterday and the feedback was fantastic!  There are a lot of tracks on the album that people are surprised at, in a positive way.  I am really happy with the album, especially the balance.  There are 12 vocal tracks and 11 instrumentals.  People that are into instrumentals have an entire album of instrumentals, and those that like vocals, there’s a whole album of vocals for them. 

SFG: What were your personal highlights of making the album?

MS: I started the album a couple of years ago when I was working with different artists and writing.  The cool highlights for me are some of the new artists that I discovered on this album.  One of the first singers I worked with on this album was Adina Butar.  Adina and I really clicked in the studio so we wound up doing three or four tracks but only two tracks made it on the album.   She also has her hand in production as well, she has a good ear for it.  She was chiming in and giving her opinion on some of the other tracks on the album and it was a lot of fun. 

SFG: That’s quite different to have an artist to assist in production?

MS: It was great because she did have some great ideas.  Working with artists like Khomha, Mr Pit, Ferry Corsten, Dennis Shepard, Wellenrausch was a lot of fun on this album.

SFG: We caught you at Global Gathering last year, and heard some of the new tracks.  The crowd were loving it, how does that feel seeing the reaction from behind the decks?

MS: To be honest with you, I’m not up there enjoying the moment as much as I should, I am more analyzing what can I change to fix it.  If I’m looking at the audience and feel that there is a dead spot, then I am analyzing why and what I can do to pick up this dead spot in the track, maybe I should be enjoying the moment a little bit more but the critical artist in me is up there analyzing.

SFG: Your almost at the end of your residency at Privilege, how has that gone this summer?

MS: Fantastic, I am part of the residency for A State of Trance night on Monday nights.  To be honest with you, I think it’s fantastic for both Ibiza and the trance scene.  Nobody really expected us to do what we have been doing, selling out the club week after week, 7000 strong.  The whole island is kind of like looking at us going ‘what’s going on, how are they able to do this’.  It’s really just put the spotlight on trance music again.

SFG: Like bringing it back?

MS: Well it never really went anywhere. It was out of the spotlight for a little bit, and it was really showing people that trance music is big and has a massive following and here we are, were still here.

SFG: Coming from a trance background myself, I noticed the decline in the popularity of trance, however over this past festival season, it seems to have picked itself back up?

MS: We are sitting here backstage and the music from the main stage sounds like trance to me.  What was trance is now labeled as progressive house but those melodies are unmistakably trance.

SFG: You’re performing at Creamfield’s later on this evening, what’s been your festival highlight so far?

MS: Obviously in the United States, the Electric Daisy Carnival was fantastic.  The ordeal that we had to deal with there, with the weather, there was high winds so they had to shut down the stages because the trusses were moving.  So about an hour into my set they had to shut down all the stages.  That made it quite memorable.  Nature One this year was amazing for me, last year it was one of the best gigs of the year for me and this year it was even better!

SFG: You live in Miami now right, how does that differ where you have lived before in Europe?

MS: First of all Miami is nothing like the rest of the United States, it has much more of a South American feel, it’s a lot more ‘caliente’.  As far as Europe vs the United States right now, I think the biggest difference is that in the United States, a lot of the scene is composed of the new generation of clubbers.  You start to see that in Europe slowly, there is a youth movement starting up and over the last two years there has been a huge youth movement over in the United States and its made the scene very exciting.  New ideas, new passion, new DJ’s and new artists are coming up.  There is definitely a change and this new generation has brought his change on.

SFG: This new generation that you talk about, is the same generation that was coming up say around 12-15 years ago when trance really took off?

MS: That’s a great analogy.  What I am seeing happening in the United States right now is kind of what happened in Europe in 1999.  In 1999 it was definitely a youth movement in the UK and Europe and now that generation has now grown up and it’s time for a new generation to bring their new ideas into the scene and that’s what’s happening right now.  A lot of the old school are elitist and snobby about it sometimes, and I think that for the new generation, if we can remind them that the scene was built on blood sweat and tears and passion and hand that down, then I think the scene will be very healthy moving forward.

SFG: In terms of newer DJ’s and producers coming up, where do you see yourself sitting in between the new and the old.

MS: My thing has always been to try and give a platform to the new up and coming artists.  On all of my artist albums and mix compilations, I always try to find new artists to expose.  To me that is more exciting than working with the established guys and pop stars.  For me it’s really nothing new seeing this new change as I am constantly working with new up and coming people.

SFG: What’s next for Markus Schultz

MS: Well having just finished my artist album, I will be promoting that, very happy with the way it turned out, 12 vocal and 11 instrumental tracks, a little bit for everybody!

SFG: You will be touring the new album worldwide?

MS: The album release party is August 31^st in Miami, and September 1^st in New York City. Then we will start some select album tour dates.  In the first quarter of 2013 we will do a massive tour with full production.

SFG: With London being the home of the Olympics, did you manage to catch any of it?

MS: Yeah of course, I watched every single game that the USA Men’s Basketball team played.  I love basketball and to see that was a lot of fun.  The gold medal game against Spain was really competitive and great to watch.

SFG: We have a SW4 Olympics event we are playing with the artists this year, Rock Paper Scissors, there are only 2 medals, a winners and losers, lets go!

WINNER: Markus Schultz 
Markus won the SW4 Olympics Rock Paper Sisscors event as it went to a tie breaker and he pulled out the ‘Firecracker’ which totally took me by surprise!

SFG: Thanks for your time Markus, we look forward to your set!

We got to speak to Joe Hoare, guitarist to stoner metallers Orange Goblin, and this is what he had to say:

SFG: Have you been enjoying Bloodstock so far this year?

J: Yeah it’s great, since we’ve came here we’ve literally been doing press for the last few hours, but already it’s a great atmosphere, like always it’s fun, people are here to have a good time, as opposed to the other  bigger festivals which are also fun, but this is a bit more intimate and its nice.

SFG: Are you looking forward to any bands playing or caught any you wanted to see yet?

J: Yeah we saw a bit of Crowbar that is the only band I’ve seen any of y’know for like 20 minutes. Of course they were awesome as always! Later on, we’re clashing with Testament which I would have liked to see, everyone I know has been saying ‘ah I don’t know what to do!’, fair enough if people want to see them I wouldn’t blame them at all. Yeah Machine Head of course I would like to see, I always like to see their set, but apart from that I don’t have enough time to absorb everything so I’m just going to grab whatever bands I can when I get a chance.

SFG: Going on about clashes, last year at Sonisphere (2011) you clashed with the mighty Slipknot and still managed to pull a good crowd, was that a good feeling?

J: Yeah it was a great feeling, it was a fantastic crowd and we are still getting over how many people there were last year! Same thing we thought okay yeah we’re on the same time as Slipknot, we kinda have to expect not to play in front of many people but a couple hundred fans turned up and it fantastic, was a really good feeling. I guess at a festival that big, you kind of really appreciate the fans that do come to see you because they’ve come to see you as Slipknot are a great band, and yeah it’s been a good year for us!

SFG: Hopefully you’ll get that with Testament then! Onto other things, you’ve just had Eulogy Of The Damned out earlier this year, how was that like recording?

J: It was brilliant, it was the 7^th album we’ve done, and to be honest it’s been the best one we had received, it’s just gone down so well. The way we recorded it we used a guy called Jamie, who’s just a young producer, done some good stuff but nothing big. We used him because we recorded a Sabbath song for a CD mount on a magazine; we liked what he did then so we just said ‘look, do you want to do the album for us?’, and he did, he made a great job of it. The response we had like I’ve said has been phenomenal. We didn’t expect to have such a good response.  17 years down the line you kind of hit a steady flow and all of a sudden to be elevated a little bit is kind of unexpected! It’s been a great year so far.

SFG: I’ve heard you’re going to be re-releasing some of your earlier albums on vinyl again, what was the decision behind that?

J: Yeah we’ve never had the first couple of albums ever released on vinyl. It’s always something the band and Lee, and Will at Rise Above have always had in the pipeline it just never happened for whatever reason. We got speaking to Lee, we’re on very good terms with Rise Above so the time came where he just went ‘okay I wanna do this now’,  yeah its looking good, there’s gonna be a few different coloured vinyls coming out. Not sure when they’re being released yet, its great to finally have them out.

SFG: So what else is in the future for you?

J: The future, next year it’s looking pretty busy. We’re hoping, not definite yet but we want to do a world tour, but again that’s in the pipeline, not 100% sure about that yet.

SFG: Bit more on the album, it’s a lot heavy than the previous albums, its quite a lot heavier than the previous album, a more bassier tone to it, is that something you were moving towards or was it just what happened in the studio at the time?

J: It was pretty much what we just did in the studio at the time. If you look back at the album like The Big Black; that was pretty heavy, pretty bass heavy. I think every album subconsciously has got a different kind of sound and theme running through it. This one has is pretty much a bit of everything, it wasn’t intentional we just went in there with a lot of riffs. Whether it sounded like a Southern Rock song or a whether it sounded likea  Sleep song, whatever band we decided to rip off at the time! (laughs). The reason we started a band was to do what we love doing, so this album, if anything is more polished than others. As for the heaviness, we wanted it to be heavy but clear. We weren’t bothered about it being extra extra heavy and sludgey or whatever. We wanted people to hear what we were doing, and make it as clear and pristine as possible but at the same time but be as heavy as we could make it! Again, Jamie did a great job producing it; we spent a bit of time on the sounds. Yeah but we never intentionally set out to do anything any different to any other album, it’s just what ever come out at the time, and this is what came out this time!

SJM: well I think that’s all for today, thanks for your time!