A1 @ 02 Islington Academy-03/11/2019

Sunday 3rd November was a day that I had waited to experience for a long time. I was going to see a music act that I had been excited to see perform live since I was around 10 years old! That act is nineties and noughties boy band A1.

The band originally formed as a quartet in the late nineties. Consisting of band members Mark, Ben, Christian and Paul, they had seen huge success around the world after releasing well known singles Everytime, Summertime, Like A Rose, Same Old Brand New You, Caught In The Middle and the huge hit Take On Me – a cover single of the well known classic by Aha! A1‘s version of the track actually went straight to number one in the UK music charts while Aha only reached a number two position! In that time the band had also released three albums.
Sadly, around five years into their expanding career and shortly after the release of their third album ‘Make It Good’, band member Paul Marazzi had announced his departure from A1 due to personal reasons. The fan base were left feeling concerned for the future of the band since the news broke.

Thankfully, remaining band members Ben, Christian and Mark had come to a decision to keep the act going under their original band name as trio. Since then they have seen a huge increase in fans over in Norway and Asia. They have also since released a few more albums and worked on their own solo material too.

Just a short time ago, in mid 2018, former singer Paul decided to reach out to band member Christian during A1’s brief period of appearances in the UK at the time and had asked arrange to meet the guys to catch up, in which they all did. Thankfully for both original and new fans, the band decided to reunite as the original line up and hit the road once again. So A1 The Reunion Tour was announced including shows in three UK locations. The guys had purposely chosen to play at smaller venues with just a few select dates as they weren’t sure just how well the Reunion shows would be recieved in the UK as they hadn’t fully persued their careers there for a number of years. Oddly enough, due to popular demand a fourth show was added to their UK dates, which to the band’s surprise, later meant that all of their UK shows had completely sold out in just four minutes!

It’s very clear that the guys of A1 and their management team were keen to really make the reunion work, they seem happy and enthusiastic about the future of the band. I was lucky enough to be given the opportunity to meet and interview them before they went on stage at their second London show, the Islington 02 Academy. Honestly, all four band members seemed very comfortable with each other and quite at ease and excited about all of the reunion shows in general. It appeared like Paul had never even departed at all. Upon first meeting the band, our photographer and I were greeted by management and taken to the VIP lounge where the meet and greets were taking place before the show. And there they were, all four original members of a band that I had admired for years just standing by the bar smiling for photos.

It wasn’t long until the two of us were introduced to the band and then taken downstairs to their two small dressing rooms to conduct a full interview. Now, I have only done a handful of interviews before as I’m usually too nervous to bring myself to actually do them, let alone perform in a professional manner. And in all honesty this is the one I was most anxious about doing. However, I’ve never been made to feel so welcome, calm and relaxed at a show that I have attended and reviewed. Ever! I have never met a nicer group of people! Christian provided us with traditional Norwegian spiced Christmas biscuits and bottles of water, I had discussed parenting and the wonder of baby wipes with Paul, Mark made sure we were comfortable by moving things around to make room for us to sit down on the leather sofa within the dressing room and Ben was talking to us as casually as you would speak to your best friend while doing his hair for the upcoming show.
Fortunately, I was able to record the chat I had with the band as I asked them a variety of questions about their reunion, performing again as four members on stage and the potential of new music and future tours. I have used our photographer’s photos to create a video showcasing the live show and the interview that took place. Very kindly, both management and all members of A1 were happy to allow me to publish the audio recording for all of you to hear. The audio clip video and images will be linked in with this review, but here are a segments that I have picked out to share with you!

I expressed how excited that fans (including myself) were to see the original line up back together and once again performing live too. So of course I had to ask them how they felt about the big reunion.

Q: So how are you feeling about it being back as four?
Ben: “It feels great! It’s a bit like riding a bike, it was a bit strange at first, Christian, myself and Mark had continued on for ages and ages and it had been about fifteen years since you joined (looking at Paul), initially it was a bit like oh, ok it feels a bit familiar and a bit weird, but like no time had passed really.”

Q: How are you feeling about all of your reunion shows?
Mark: “Really good!”

Ben: “Really Great! The fans have been frickin brilliant because we’ve been tryingto work out what to do with the set, it’s funny, we’ve had big songs that were different in different countries so one song has been number 1 in the Phillappenes and over here (UK), they’ve never heard of it. So we just thought lets do everything! Everybody knows the words to pretty much every single song and that’s the beauty of Spotify and things like that now.”

Paul: “We knew it was going to be big as it sold out so quick.”

So now over twenty years on since the beginning of A1, of course I was curious to know how being in the band differs now compared to back in the day.
Christian: “One of the biggest differences is that before, we would literally wake up to a sheet coming in under the door of our hotel rooms saying what we are going to do that day, starting at like 6am! Then we’d have dinner while doing other interviews getting ready for another gig and then fly to the next country. Now we are much more in control of our day. Generally we now have more control over our lives and what we say. We also have a better attitude this time around as there was a lot of pressure and money invested in us, so there was a lot expected from us.”

Ben: “Now, no one expects anything”

Christian: “Everything is just a bonus now and we are having a lot more fun. We are better songwriters now and better musicians than we were twenty years ago.”
Just like any other A1 fan, I of course have my favourite tracks. I expressed to the band that I remember spending a lot of time in my bedroom during my early teen years playing ‘Caught In The Middle’ on my acoustic guitar, but there is one song of theirs in particular that will always have a special place in my heart, their ballad ‘Like A Rose’. So I was intruigued to see if the band members themselves had any preferences of their own.

Christian: “To me, it’s always ‘Everytime’. It was one of the first songs that broke us internationally, I remember so clearly when we wrote it and the thoughts that we had. I remember this dream I had in my head thinking wouldn’t it be so awesome if one day this melody and these lyrics that started in our little heads, if someone on the other side of the planet knew them, and that’s what happened! We had the biggest dream come true moment!”

Q: What else have we got to expect from A1?
Ben: “The Boys Are Back tour next year, a new album, then booking in more and more concerts and we love doing the full hour and a half concerts with all the songs that fans want to hear. They don’t just wanna hear the hits, they wanna hear all the album tracks, all the B sides and everything like that.”

Christian: “It’s quite mind blowing that people still want to hear us all over the world. Over the years A1 has become a bit of a side project for us, but now it’s taken over as the main project for all of us.”

So there you have it, it’s official. There’s still plenty more of A1 to come!

The Reunion Show
As the gig was completely sold out, this meant the venue at the London o2 Islington Academy was completely jam packed with excited fans! Both newcomers (including partners that had clearly been dragged along to the event, admit it you know you had a great time!) and original fans from all twenty years ago.
Originally, a support act was planned to get the crowds ready for the main event! However due to unforseen circumstances there was a cancellation of their appearance. However many didn’t mind as this meant that A1 were due to come on stage earlier in the evening.

Around 9pm, the lights dimmed, a screen at the back of the stage displayed a variety of graphics and a gentle accapella tone could be heard, Yep! This was it! Time for Ben, Paul, Mark and Christian to open their long awaited reunion show! The band opened their show by performing before even appearing on stage with their beautiful ballad ‘Forever In Love’. As the track faded out they appeared on stage with lots of enthusiasm as they continued on to perform one of their biggest hits ‘Same Old, Brand New You’ with original chorepgraphy while under bright flashing lights, which was quite something to see!

The band went on to perform ‘Be The First To Believe’ and ‘Summertime’ before taking a moment out to talk to the audience and welcome back Paul to the line up. He proved to be very popular with the audience and all were glad to see him return. He was applauded and met with screams and a lot of appreciation. Marazzi then introduced a song of his choice that he was really looking forward to perform back with the rest of the band. And he made a good choice (yes, slight pun there), he chose the title track from their third studio album ‘Make It Good’.
All four members interacted with the fans with such ease, continuously checking in with everyone there, asking where fans had travelled from, encouraging interaction through choreography, the works!

Of course we got to hear all of the hits as expected which included ‘No More’, ‘Everytime’ (which was met with a room of swaying lights from torches on mobile phones), ‘Ready Or Not’ and many more, but when the band had told me in their interview before the show that they had tried to fit in everything, they weren’t joking around. I’ve never been to a live show for a band where they have managed to perform as many tracks as A1 did there that evening. One clever way to fit in so many of their songs was to perform a medley, but no ordinary medley. They titled this selection of tracks ‘The Songs We Never Did’ a play on words referring to their track ‘The Things We Never Did’. This medley included ‘Here Comes The Rain’, ‘Tomorrow’, ‘Make It Through The Night’ (which was brought to an abrupt, yet amusing end as singer Ben decided he “didn’t like that one much”), ‘Learn To Fly’, ‘Living The Dream’, When I’m Missing You’ as well as a the more upbeat songs ‘Hey You’ and a snippet of a personal favourite album track of mine ‘Scared’. You see? They really did put in a lot of effort to get everything in, which of course went down very well with the audience there that evening.

For the majority of the medley,the four members were sat on stools, and one band member decided to share what we were all thinking during this segment of their set. Yes, Ben Adams made that very obvious musical link to Irish based band Westlife. In his own words he announced “I can see why Westlife like to do this!”. This simple and amusing statement was met with a huge roar of laughter from the crowds stood before him.

What was great to see was that the band performed the songs that the UK fans know very well and love too, however to show how they have progressed as musicians they also showcased some of their material that was released in other parts of the world which included their singles ‘Don’t Wanna Lose You Again’, ‘In Love And I Hate It’, their latest release – the beautifully written ‘Armour’ and also a brand new track which was exclusive to their UK reunion shows. The new song ‘Can We Go Back’ is very personal to all of the band members as it is a song about looking back on past fond memories. This composition was so exclusive that we were politely asked not to film or record them while performing it.

In an attempt to round off the night’s performance A1 performed one of their biggest hits to date, ‘Caught In The Middle’ before then exiting to the right side of the stage. I say an attempt to bring the evening to a close, as everyone there that evening had realised that there were a couple more very well known A1 hits that hadn’t yet been mentioned. The entire audience were very much in demand of hearing more music as the room was taken over by fans chanting “We want more!” and “three more songs!” As we had anticipated Paul, Mark, Christian and Ben returned to the stage once more to perform an encore segment of their set. This segment included the stunning ‘Like A Rose’ and most likely their biggest hit to date ‘Take On Me’ which brought the show to an actual close.

This show had everything that I had expected it would, great music at a huge variety, fantastic lighting and graphics on stage, amazing audience interaction, nostalgia for many and most importantly four happy, energetic and very talented band members that fans clearly still adore twenty years on! All A1 band members, management and their families should feel incredibly proud of these reunion shows, not just in the UK but all around the world. And I for one am so excited to hear new material from them in the future! Thank you A1 for being “The Same Old, Brand New You”.

Review by Kimberley-Anne Simmons

Photos by Kane Howie

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Wilkestock Festival In Photos

Our photographer Kane Howie popped down to Wilkestock just outside of Stevenage and took some photos. The weekend was headlined by We Are Scientists, Slaves and The Dutty Moonshine Band. The three day event had a variety of different genres of music for everyones taste. There were bands, solo artists, DJ sets and more. The main stage had recycled sofas for people to chill out on. In the food court there were burgers, hot dogs, curly fries, pizza, Malaysian curry, toasties, ice creams, waffles and pancakes. A huge thanks to everyone who was involved in making the festival great. Roll on next year!!

The Downs Festival, Bristol – Review

The Downs festival returned to Bristol and was Gurt Lush (or, for those who don’t speak native Bristolian, pretty incredible).

The festival was headlined this year by Ms Lauryn Hill – the first female singer to top the diverse line up. As a founding member of The Fugees,  she may have only one solo album to her name, but the Grammy award winning songs have stood the test of time and remain unparalleled among her peers. Incredibly, Lauryn took to the stage on time, playing classics ‘Killing Me Softly‘ and finishing with the classic ‘Ready or Not

Lauryn had to give one of her best performances, taking to the stage after fellow icon Grace Jones. With hits such as “Pull Up to the Bumper” and “Slave to the Rhythm,” Grace delivered a jaw-dropping spectacle. With a stunning, if extremely revealing, costume change between each song, she defied her 71 years by showing more energy than any other singer all day.

Grace Jones © Graham Tarrant

IDLES played their largest ever gig in their home town when they return to the main stage at The Downs. After an incredible year headlining Glastonbury’s Park Stage and their well-deserved nomination for the 2019 Mercury Music Prize, the crowd chanted their name while they tuned up. Singer Joe Talbot admired the huge crowd with awe, while mutton chopped guitar player, Mark Bowen, danced around the stage in his finest Calvin boxers.

IDLES © Graham Tarrant

Introducing each song with the sentence ‘This is an anti-fascist song’, their energetic punk anthems blew away the crowd, with the band stage diving throughout. As well as playing song ‘Danny Nedelko’ to his immigrant blood brother, they also played unique snipers of ‘Nothing Compares 2 U’ and ‘Build Me Up Buttercup’.

Elsewhere, on the Avon Stage, fellow Glastonbury star Loyle Carner proved why he’s a unique talent in the world of hip hop. Down-to-earth and with less macho bravado than his contemporaries, his honest lyrics stand out in the social media age. His sound has been described by NME as “sensitive and eloquent” and by The Guardian as “confessional hip-hop”.

Loyle Carner – © Graham Tarrant

The festival also hosted ‘The Information’ area, with speakers including Desree, award-winning Charlie Craggs and Extinction Rebellion highlighting how we can make a positive impact on local and global issues.

 

Skunk Anansie Live – Bournemouth O2 Academy

Skunk Anansie Live – Bournemouth O2 Academy

Tuesday 27 August. Review – Graham Tarrant

Celebrating their 25th anniversary together, Skunk Anansie are back on the road touring – it’s clear why they’re described as one of the greatest live bands the UK have produced as they blew away the Bournemouth crowd at the O2 Academy.

Skin burst onto stage in mesmerising fashion like a rock goddess wearing her spiked hoodie. Opening with ‘Charlie Big Potato’, she flicked her hood back to rapturous applause from the adoring crowd hypnotised by her energy.

Skunk Anansie © Graham Tarrant

It’s tricky to know how Skin should follow such an electric start, but she turned it up a notch further – during the following song ‘Because of You’, she leapt from the stage, surfing while held aloft by her adoring crowd still singing her cut-throat love song.

Skunk Anansie © Graham Tarrant

As the first first black British woman to headline Glastonbury in ’99, she hasn’t aged a day. In fact, she joked that while the audience were exhausted and sweating, she still remained cool and relaxed. Sickeningly, it was true despite her diving from the stage throughout the set.

The band remain as relevant as ever in the troubled divided times we live in, playing classics such as ‘Intellectualise my blackness’ and ‘Yes it’s f*ck*ng political’, along with a new song tonight ‘This Means War’. Along with recent single ‘What You Do For Love’ , these songs were highlights of the set – which is often rare when fans want to hear the classics from their 25 year career. If there’s anything good to come out of the shambles that is Brexit, it’s the possibility that the band will continue to be re-energised and write powerful tunes reflecting the disgusting rise of populism, not only in the UK but across the world.

Skunk Anansie – © Graham Tarrant

As well as their own vast catalogue, Skunk Anansie played a great rendition of Highway to Hell. Even when screaming above Ace’s guitar, her voice remains note perfect, and on softer songs, such as ‘Hedonism (Just Because You Feel Good), the tenderness remains.

Skunk Anansie – © Graham Tarrant

Skin asked the crowd what song should finish the set, and there was only one correct answer – ‘Little Baby Swastikkka’. Not to be outdone by the adoring crowd, the singer again joined the audience in the mosh-pit, before surfing from the back of the packed crowd back onto the stage in impressive fashion.

This country has produced few better female voices and live, they are a sight to behold. Having bought their live album 25live@25, the band have to be seen to truly bring the sense of awe to life.

Skunk Anansie © Graham Tarrant

Victorious Festival 2019 – Review

Victorious Festival 2019 – Southsea

Review: Graham Tarrant

You can always tell how good a festival is based on how many clashes and must-see bands there are on the line up. With Clean Bandit, New Order, the Wonder Stuff and Basement Jaxx all playing at the same time on the Sunday night, it meant Victorious was an absolute stunner this year.

Much of the line-up could have headlined Glastonbury in the late 90s. Dodgy opened the festival on Friday afternoon with hits ‘Good Enough’ and ‘Staying Out For The Summer’. It truly felt like summer had returned with the sun beaming down throughout the weekend.

The Zutons also warmed up the crowd, playing their energetic original version of ‘Valerie‘, which Amy Winehouse covered and made her own.  The Specials were brilliant from start to finish.  Playing all the old 2Tone classics plus a selection from the recent Encore album. Discussing Brexit, austerity, racism and poverty. Terry Hall stayed grounded despite the party going on around him, finishing with ‘Too Much Too Young‘, ironically recorded over 40 years earlier.

The Specials © Graham Tarrant

Festival favourites The Dub Pistols played the smaller Beats and Swing stage shortly afterwards, and based on the size of their merry crowd, surely they should have been booked for the main stage. Party starter Barry Ashworth blew away the crowd like the seasoned pro he is. Often described rightly so as the hardest working and performing singer on the festival circuit, he pogo’d around the stage with more energy than any other younger pretender. Among the hits was Mucky Weekend with its appropriate chorus: “Oh, no here we go again, I’m off my face another mucky weekend. One day I’m gonna have some kids and a wife, but until then, I just wanna live my life”

Dub Pistols © Graham Tarrant

Two Door Cinema Club clashed on the main stage and while the Irish band may have had a bigger platform to perform and more visual effects, it felt like The Specials should have been headlining the Friday night based on the crowd reaction.

Fireworks finished the night in spectacular fashion along Portsmouth seafront but the major drawback of all these bands was the car park – trying to get out of the car park each night was a true challenge. The stewards didn’t seem to know what day it was, yet alone where exit was as they seemed pretty full of festival spirits themselves.

Saturday began on a high particularly early, with All Saints taking to stage at 1.15pm. Crowds arrived early to ensure they didn’t miss the foursome begin with ‘I Know Where It’s At’. The set was hit-after-hit and they seemed timeless, having aged far less than most. Maybe there’s a secret potion, or not so secret personal trainers, make up, lotions and potions.

All Saints © Graham Tarrant

Elsewhere on Saturday, Republica played crowd pleasing ‘Ready to Go’ and ‘Drop Dead Gorgeous’, while Badly Drawn Boy questioned whether he was at the right festival with his Mercury Music Prize winning folk after following the girl bands.

Fun Lovin’ Criminals received the award for biggest crowd singalong not only for Reservoir Dogs influenced Scooby Snacks, but also for playing Sinatra’s ‘New York, New York’ – even the security team couldn’t resist joining in swinging to the crooner’s tune.

Fun Lovin’ Criminals © Graham Tarrant

With mods Ocean Colour Scene playing at the same time as Lewis Capaldi, the clashes really began. The crowd for Lewis was unbelievable with no way to enter or exit from Southsea Castle within 30 minutes of him taking to the stage. St John’s Ambulance and emergency services deserve full credit for helping the adoring fans, and Lewis didn’t let down all those in attendance. Clearly he was moved too, filming the vast crowd himself for his Instagram channel.

Later, James Bay clashed with The Hives. Two extremely different performers – James’ hit ‘Hold Back The River’ competed for the crowd against the vastly different ‘Tick Tick Boom’ from the Swedish rockers.

Bringing Saturday to a close on the main stage were Rudimental with their vast stage presence, or on the Castle Stage, Bloc Party who played their masterpiece debut Silent Alarm in full, but in reverse, so the hits ‘Helicopter‘ and ‘Banquet‘ were anticipated by the huge crowd. Finishing with ‘Flux’ and ‘Ratchet’, they truly deserved their headline slot.

Bloc Party © Graham Tarrant

Sunday began with a more relaxed reggae vibe. Ziggy Marley, the son of reggae icon Bob Marley. While playing a mix of his own songs, the biggest cheers went out for the legendary Jammin’ and One Love.

Throughout the day, the lineup again basked in the bank holiday sun, with local Southampton group Band of Skulls blowing away any tiredness. Razorlight‘s Johnny Borrell still has all the energy from the early 2000’s and, having not listened to them in over a decade, the songs still sounded fresh and exhilarating.

The clashes on Sunday night were interesting, and  made choosing who to see extremely difficult. Ash were booked to play the Castle Stage almost at same time as The Vaccines on the main Common Stage. Ash won out everyday with their intergalactic sonic 7 inch singles such as ‘Girl From Mars’, ‘Burn Baby Burn’ and ‘Oh Yeah’ but The Vaccines charm made the energetic sprint worthwhile to catch their opening 20 minutes.

Ash © Graham Tarrant

Plan B felt a little out of place at the family friendly festival, with his Ill Manors, but the crowd sung along for ‘She Said‘ and ‘Mercy’, while failing to keep up with rappers Defamation of Strickland Banks.

New Order brought the party to a close on the main stage, saving their biggest songs True Faith, Blue Monday and Temptation for the devoted fans willing to brave leaving the car park at close.

Clean Bandit meanwhile finished proceedings on the Castle Stage with their mix of classical and dance pop music. They’ve become one of the most strongly supported radio pop acts in the country with a Grammy under their belts.

The set ended with a joyous rendition ‘Rather Be‘, which was an appropriate high to end the weekend on.

 

All words and photos: Graham Tarrant

 

 

Highfield Festival – 2019!

Friday

Most people’s “home festival” is the one near their city. Ours is a modest (30,000 guest) festival in the east of Germany. The weather was warm and muggy as we arrived. It was Friday afternoon, so most people had already arrived and pitched camp. Luckily, we spotted a spot in the corner of the campsite, introduced ourselves to our neighbours and erected our abode for the next three days.

As we headed to the arena for the first time, three-piece punk rock band Montreal was already warming up the crowds. All the way from the security queue to the front of the stage, people were singing along. A solid block of moshers and dancers were enjoying themselves in the first wave while many people sat further back, enjoying the afternoon sunshine. My personal favourite was a cover of “Katharine” by new wave band Steinwolke. Yonas, Montreal’s lead singer, admitted that they had previously got in trouble with the band for covering their song, but figured that a) the crowd wouldn’t tell on them and b) if the crowd sang loud enough the band couldn’t be identified on the tv coverage anyway, so we’re all good to go. The audience upheld their end of the bargain and belted out the chorus with all their might.  The band invited two members of the audience on to the stage to hold a large digital clock to time the song “2 minuten”. They searched specifically for a woman and a man, you know, for fairness. However, they did not consider choosing based on height as the chosen man was much taller, leading to a somewhat wonky clock. Despite the diagonal timepiece, they performed the song in two minutes on the dot. The performance was the perfect icebreaker, getting us in the mood for the weekend to come.

The evening program started with the Swedish funk-rock band Royal Republic. The large neon lightning bolt and general Miami casino vibe were promising. What it did not prepare us for was the fact the band would walk on stage in red dinner jackets, white collared shirts and pearl necklaces. The lead singer’s impressive moustache completed the ensemble perfectly. Definitely an up and coming look. It took a single bar to get the whole crowd dancing. Lead singer Adam Grahn moved across the stage with fantastic flamboyance, directing the crowd with a drumstick he stole from the drummer. For the first part of the set, one song chased the other, leaving no chance of recovery. The continued dancing combined with the dry weather meant huge clouds of dust were kicked up, especially when the intro to “Full Steam Space Machine” played and everyone went crazy. In the run-up to the festival, Grahn had given decided on a record we could break together: most circle pits. According to his logic, three is the minimum number of people required for a circle pit. So theoretically, 30,000 people can make 10,000 circle pits. After telling everyone to get acquainted with their neighbours the band was off into “Stop Movin’”. Chaos ensued. Whether we really did break any records I don’t know, but we had a damn good time.

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Over on the Blue Stage Von Wegen Lisbeth were getting ready to play. Two years ago, their stage décor could be described as kitsch suburban garden, complete with fake grass everywhere and plastic flamingo. This year, they started off with a dark canvas covering the whole stage. After a few bars of the first song, “Wieso”, the canvas dropped, revealing the band and their more standard tech and lighting set up. Having just released their second full album the set was a split between old and new songs. The older songs were greeted with a chorus from the crowd, almost taking over from the band. The lead singer was clearly overwhelmed by the response, recalling their last time here at two in the afternoon.

In complete contrast to the fun, bouncy, xylophone accompanied Von Wegen Lisbeth Feine Sahne Fischfilet kicked off on the Green Stage. Feine Sahne Fischfilet performances are always a dirty, high energy experience. Today’s show was no exception. The immediate, crowd-wide mosh pit made getting to the second row very easy. Within two songs, the band and various locations in the crowd had erupted with smoke flares, making the field look like an ongoing riot. Throughout the set, signal flares were set off in the crowd, keeping the high-octane atmosphere going. Lead singer Monchi had a crate of beer bottles with him at the edge of the walkway and frequently distributed these amongst fans. Famous for passing around a large bottle of peppermint liquor, this year they upgraded to pump dispensers they could spray straight at open mouths. There were two opposing reactions to this. Half the crowd wanted in and rushed forwards, because, you know, free alcohol. The other half backed off due to the combination of very sticky alcohol and the very low accuracy of the pumps. I was part of the latter. The band dedicated many songs to people working for political causes including sea rescue in the Mediterranean and people standing up to far-right groups.

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Punters had two styles to pick from for their headliners on Friday night. The chilled rapper Cro, famous for always wearing a panda mask and the jazz-funk-reggae Jan Delay & Disko No.1. On the Blue Stage, Cro started off with the relaxed summer anthem “easy”. The spotlight casting his shadow on the huge, white, low poly version of his panda mask on stage behind him. The majority of the set had a laid-back feeling, with Cro sitting or kneeling on the edge of the stage, bathed in blue light as the full moon rose over the arena. The energy picked up for “Traum” and “Meine Gang”, with people dancing from the front row right back to the food stalls. The set ended with Cro standing on the giant panda head singing “Bye Bye” with galaxies projected behind him.

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Straight afterwards, Jan Delay & Disko No.1 were starting on the Green Stage. The stage was covered in leopard print with pink outlines, somewhat reminiscent of Hamburg’s famed red-light district. The band played as Jan Delay introduced them from offstage before finally appearing himself. Dressed in a suit, sunglasses and a trilby, Jan Delay spent the show dance-walking across the stage, firing up the crowd. The band included a brass section and backing singers and worked various riffs into their jazz-funk songs including Red Hot Chili Peppers and Mackelmore’s “Thriftshop”. At one point he taught the crowd a “classic disco move”, two claps, two jumps to the right and the same again to the left. It worked surprisingly well, the crowd moved as one, like an oversized cha cha slide. The whole set was great, people dancing all over the arena, with some impressive moves on show.

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As we walked back to our tent the gazebo-rave we had walked past 8 hours earlier was still going, or perhaps going again. We could hear the beach stage playing favourite after favourite and so we drifted to sleep accompanied by the soothing sound of Backstreet BoysEverybody”.


Saturday

The overcast Saturday morning sky was threatening rain, but it was still very warm. After a decent breakfast of eggs and bacon, we threw ourselves back into the fray.  Walking around the arena, the lively trumpet riff of Talco caught my attention. The Italian Ska-punk band had everyone dancing clapping and chanting. They won me over, so I stayed. Clearly, I wasn’t the only one as more and more people danced up and into the crowd during the set. A fun and loud way to start the festival day.

Monsters of Liedermaching provided a new take on the traditional “man with guitar” by going in the “6 men with guitars” direction. The band sat in a row of two benches, any number of them playing acoustic guitar and singing at any given time. What the crowd lacked in physical volume they made up for with vocal volume, singing along with everything. The band encouraged and celebrated audience participation, handing out cups of beer and promptly turning an audience thrown toilet roll into a fashionable scarf.

As we got lunch and sat to watch the Green Stage, Skindred played “Out of Space” as a tribute to The Prodigy who were meant to headline Highfield this year before the tragic passing of Keith Flint.

Die Orsons bought their hyperactive rap to the Blue stage accompanied by a giant inflatable moth-squid (?). The four frontmen had outfits matching the eccentricity of the show: one in a suit jacket, purple leggings and a green open-faced ski mask, one in a red suit and white shirt, one in matching, brightly patterned shorts and shirt and one in a bright pink jumper and tracksuits. The crowd jumped and moshed, fired up by the contagious energy of the band.

All members of Enter Shikari came on stage wearing matching grey-beige shirts and trousers. Within a few songs, lead singer Rou Reynolds was on a small platform at the first crowd dividers. After sitting on the bar while singing “Anaesthetist”, he ran into the crowd to dance with his fans.

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On the green stage everyone’s dad, Thees Uhlmann & Band, played a homely, down to earth set peppered with new songs. Wine glass in hand, insisting we all text him when we get home safe, Thees Uhlman put his best Dad moves on show. He dedicated a song to Avicii, for whom he had a lot of love, and was overcome with emotion when the crowd started an impromptu chorus after “Zum Laichen und Sterben ziehen die Lachse den Fluss hinauf”. He even stopped the drummer, who had started paying the next song, to conduct the crowd.

The clouds darkened as we headed over to Bones MC & RAF Camora. The slow countdown on the screens interspersed with images of fast cars, pet alligators, guns and bling neatly summarised the theme of the show going forward. The 60 minutes of gangster rap culminated in fireworks and a giant animatronic alligator with glowing eyes taking up half the stage.

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The penultimate band on the Green Stage today were AnnenMayKantertereit. Baby-faced with a voice like 60 years of whisky and cigarettes, lead singer Henning May’s soulful ballads were not what you would expect from the main stage at 9 pm. However, the band had paid their dues, working their way up the line up over the past years. The arena was packed for this mellow, laid-back set. A great warm-up for Thirty Seconds to Mars.

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My personal highlight were the headliners of the blue stage, the hip-hop/pop duo SDP. Starting off behind a canvas, a remix of their new album opener (“Übertreiba”) playing, the band gave 110% from the moment the canvas dropped. Running and jumping across the stage, they teased out every last ounce of the crowd’s energy. Giant beach balls were released into the crowd for “Leider Wieder Da” and the set was accompanied by flames and fireworks. Things slowed down for a couple of ballads in the second half, both singers coming down into the crowd to sing “So Schön Kaputt”. The final song finished with sparks flying over the crowd and the band took their customary photo with the audience.

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Jared Leto, frontman of Thirty Seconds to Mars came on stage for their headlining slot dressed in sparkly white robes with a long cape. I was expecting a costume change at some point, but he stayed with this “Glam-Jesus” look for the duration of the show. The first wave of the crowd was covered with flags, an unusual sight for a German festival. This was all well and good until a load of large balloons were released during “This Is War”. These promptly got stuck between the flag poles. It was amusing to watch, though probably not the intended effect. The same happened again with the myriad of animal pool inflatables that were thrown into the crowd a short while later during “Rescue Me”. There was a certain dissonance between the vibe of the music and the flamingos, unicorns and dolphins bobbing around in the crowd. At one point, Jared Leto was picking fans from the crowd to join him on stage before getting distracted by a red balloon hovering behind him on stage, presumably caught in the airflows on stage. Leto stood there mesmerised for a moment before returning to picking fans to join him. The show finished with a large group of fans running on to the stage behind him while he sang “Closer To The Edge”.

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Sunday

Temperatures reached 30°C on Sunday, so we took a break at the festival beach, complete with ice cream and a swim in the lake.

Up bright and early, Schmutzki played a wake-up gig on the campsite at 11 am, which is as good as 6 am by festival standards. There were no amps but the gathered crowd sang everything, including the guitar riffs. They even managed to get a crowd surfer all the way around the little platform the band was on. That afternoon, Schmutzki returned to the Blue Stage, as did the crowd, which had now doubled in size. I did not expect to see the biggest circle pit of the weekend in the last 20 seconds of a show at four in the afternoon on a Sunday, but there you go. The backdrop was a small, red banner with the band logo, hanging at a jaunty angle behind the stage, perfectly encapsulating the band’s scrappy attitude.

After a brief afternoon downpour, the sun was back for Frank Turner & Sleeping Souls. The smartly dressed British folk-punk band addressed the crowd in near-perfect German and encouraged them to join in by jumping and clapping along. Turner explained that at past festivals he had the issue of explaining what mandolins were to punk crowds and what circle pits were to folk crowds. Luckily, the Highfield crowd were familiar with both and duly formed the latter. As per Turner’s instructions, everyone walked slowly at first before speeding up as the song got going. Very Fun.

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Old punk favourites The Offspring attracted a huge crowd as the weather darkened. They played a couple of new songs including “It Won’t Get Better” and turned the arena into a field of stars during “Gone Away” as fans held up lighters and phones. As the set moved on to fan favourites such as “Pretty Fly (For a White Guy)” and “The Kids Aren’t Alright”, lightning forked in the distance. The organisers declared a weather warning, but the party went on. Due to the slight overlap between acts on the two stages, a large section of the crowd started moving towards the Blue Stage during “You’re Gonna Go Far Kid”, dancing and singing along the whole way.

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Just as Blue Stage headliners Fettes Brot began playing the thunderstorm arrived and the heavens opened. The performance was temporarily suspended, and the arena evacuated. The storm passed and the show was back on the row within 45 minutes. Fettes Brot put on a fun, high-energy hip-hop show backdropped by a selection of large neon signs. Like many other performers of the weekend, the band encouraged everyone to vote in the upcoming state election as well as join the upcoming Friday’s for Future event. In general, the festival had a very pro-democracy message, with large banners encouraging punters to vote and get involved with politics.

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Sunday night headliner Steve Aoki’s stage design was simply a screen across the whole stage, continued across the front his decks. After the intro, he popped up in the centre of the stage and kicked off with “Bella Ciao”. Thanking everyone for staying through the rain he set off into a visually intense set including streamers and pyrotechnics. The screens created a seamless image across the whole stage with him in the middle and showed a concoction of weird and wonderful video clips. Alongside various 3d rendered visuals, he also sampled clips from Game of Thrones, Pokemon and Lion King. For the latter, he used the circle of life scene but with his face on Simba’s face. Aoki was visibly having a great time on stage, climbing on his decks and inciting a lot of audience hand waving. The show was a rollercoaster of emotions, with moving tributes to Linkin Park’s Chester Bennington and Avicii as well as Aoki throwing giant cakes into the audiences face during “Cakeface”. The rave EDM style was unusual for the Highfield festival, and the crowd was a little thinner than you would expect for a headliner. But those that stayed were treated to a psychedelic party to see off the weekend in exuberant style.

Highfield Festival is a perfect little festival with a huge range of acts. The lakeside setting and the international mix of bands make it a gem in the festival calendar, and one not to be missed.

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RFM SOMNII – REVIEW

Wit so many choices when it comes to festivals around the world, it can be hard to make up your mind about which deserves your cash. If you like sun, beaches, big scale events and some superstar names, there can be nowhere finer than RFM SOMNII.

This one goes down on a magical and seemingly endless 33km beach on Portugal’s coastal resort of Figueira da Foz. The teary by town is great to stay in and it is easy to get to from local airports. Once you arrive you will be blown away by the scale of the main stage. It literally grows up out of the sand, towers down on you and hurts your neck as you crane to see it all.

The speakers stacks that hang down next to it are giant, the screens awesome, the whole experience will blow you away, even before you hear the music. The music comes from big name EDM stars such as the main man Alesso, plus Dutch titan Afrojack and DJ Snake. Their sun kissed sets bring big drops, singalong moments and plenty of the sort of synths that get hands in the air.

The crowd is young, keen and good looking. They come from all over Europe and are not afraid to get stuck in dancing. They lap up the newer additions for this year who come in the form of hip hop and reggaeton acts like  Tyga and Ozuna. Their different sounds keep things fresh across the weekend, as do the extras.

Primarily these include the new for 2019 Casino, which is great place to go and lose loads of money but have loads of fun. A safer bet are all the myriad food and drink stalls that keep you fuelled under the hot sun. RFM SOMNII, then, is a mega festival on a mega scale that is mega fun, and should be on your to do list.

Camp Bestival 2019 – REVIEW

CAMP BESTIVAL 2019 REVIEW

Graham Tarrant

Camp Bestival is often described as the ultimate family festival, for kids big and small, from 8 months to 80, and it’s easy to understand why.

For the little ones, children’s TV royalty Mr Tumble, entertained with his catchy singalong and slapstick set, Mister Maker brought his favourite shapes and moves, and Shaun the Sheep came with his own Vegetable Orchestra and farmyard frolics.

There was so much else for the whole family – from Rak Su showing why they won the X Factor, to Lewis Capaldi who will surely be a headliner in in future years due to size of the crowd, Scottish charm and melancholic hits.

Dads squeezed into their now ill-fitting t-shirts to sing along to Ash, Shaun Ryder’s Black Grape and the Human League. Shed 7 made the fateful mistake of uttering the words no fan of revival music likes to hear, namely “Here’s a song of our new album’– the audience shivered despite the sun, wanting more of their 90’s gold.

Nile Rodgers, Chic, and Sister Sledge rolled back the years with their timeless disco hits and good times. During Sister Sledge’s slot, they tested who truly was the greatest dancer and no one could hold a candle to young Rupert’s smooth moves in front of a sell-out crowd.

As well as the main stage, there was also such a wide mix of entertainment for all other family members across the site. From Napalm Death’s ear-splitting head-banging set in the Big Top, Vengaboys arriving on their party bus, Mr Motivator’s energising session for the fitness bugs, to The Cuban Brothers hilarious (if somewhat inappropriate) funky acrobatics and breakdancing on stage.

The theme of the weekend was Superhero’s and Jess Glynne came on stage with pyrotechnics to her No. 1 hit ‘Hold Me Hand’– dressed as her own idol, Cher.

Spectacular fireworks over Lulworth Castle brought the weekend to a close.

After leaving the magic of the festival, the outside world feels very Black and White – without the colourful fields painted with a bright hullabaloo of sequins, glitter, inflatable, and colourful flags, everything feels beige in the surrounding fields of Dorset.

In addition to the music, Camp Bestival brought even more enchantment across the site this year.  There was so much else to see, that you could visit for the weekend and have a great time and not even visit any of the main stages. The Wild Tribe area offered drumming circles, leafy adventures, and an escape from any technology and computer screen, Sleep Retreat provided free yoga workouts to recover from the hedonistic previous night, and a feast of food stalls where you could eat something different for the next month, provided you didn’t venture to the world’s biggest bouncy castle afterwards.

This is all without mentioning the Caravanserai, which can only be described as a festival itself within a festival. Aerial performers hustled high above the quirky mix of ramshackle caravans, Wurlitzers, carnival DJ’s and Victorian fairground rides among other curiosities and oddities.

Fortunately, the sun shone on the crowd all weekend and the superhero theme was warmly received, with all family members getting into the spirit and squeezing into costumes.

Full credit must go to Rob Da Bank and Josie’s superhuman effort for coming back again this year and hosting the incredible party in the south.

Roll on next year’s Camp Bestival – let’s hope the party continues for many more years to come.

Review and photos: Graham Tarrant

 

Folk By The Oak 2019

With being the first time attending Folk By The Oak I wasn’t too sure what to expect as I am so used to a lot more rock music than folk. Attending the festival I entered the grounds of Hatfield Park which is just North of London. The site is filled with grasslands and woodland areas. Entering the festival was really quick and first thing I saw was a huge selection of food and drink vendors from roast pork and stuffing rolls to vegan cakes and tea to freshly made lemonade. There were gazebos and tents with people chilling on their chairs and blankets with picnics. Folk By The Oak had 2 stages which was the main stage and the Acorn Stage both showcasing some amazing acts throughout the day.

My most notable acts were The Trials Of Cato a power-folk trio from Wales. I first heard of these guys from a family member who has seen then busking around the city of Cambridge so I made sure to check them out. The trio put on a fantastic performance with songs such as ‘Tom Paines Bones’ ‘Gloria’ ‘Haf’ and more. I will definitely be checking these guys out again when I can. Their album Hide and Hair is out now and worth having a listen to.

Another band I really enjoyed was the Acorn Stage headliners the Scottish band Elephant Sessions an indie folk band who infuse folk, funk and electronica together. They had the whole tent dancing to their music and I could definitely see them playing the main stage one day.

Another big thing at the festival was The Lost Words: Spell Songs which is a book for children to help learn lost words that are not used as often anymore. They had the book for sale and had an area which had little shows performed by a cast under some trees. Also a musical companion piece to The Lost Words was performed by a collaboration of folk artists on the main stage which was bringing nature back to life through the power of music, poetry, art and magic.

There was plenty of activities for everyone to enjoy including archery, bubbles, arts and crafts, wood carving and then stalls selling nic nacs.

The festival closed with Frank Turner and the Sleeping Souls a punk folk style band. They were a little confused as to why they had been picked to play the festival but were very happy to play. A great moment was when Frank mentioned that they usually get the crowd to do a circle pit but considering it was a folk festival they were to do a circle jig, which is probably the first one to be done at a show.

I will definitely be coming back next year to see what more delights Folk By The Oak can offer.

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Review and photos by Kane Howie 

Download 2019 – Slayer’s final UK show REVIEWED!

Ahh, it’s that time of year again. The last stand of the big bands. With Black Sabbath, Aerosmith and countless others over the last couple of years doing their ‘final’ tours and including Donington as a must-do stop, we seem to have these epic/ sad endings coming thick and fast. Honestly though, given I’m about half a generation behind the curve of these bands, I’m pretty glad I’ve had the opportunity to see them at all. Tonight it is the turn of the mighty thrash merchants Slayer to bid us farewell, in their last ever UK show, and the Zippo Encore stage area is awash with black tshirts as far as the eye can see. This is hands down the fullest this arena has ever been in the whole of Download history, and I can see half a dozen kids-on-shoulders who have yet no idea how insanely lucky they are to be at this show, given that these guys have been playing for almost 40 years.

The stage is set with all the trappings you’d expect of metal royalty, pentacles, skulls, chains, fire… and the crowd are already chanting ‘Slayer’ in unison. Walking onto the stage with all the clear purpose and confidence of a band who have made performing live their home, it’s a sobering moment to think that we are about to see this for the very last time, that this is our metal history we’re saying goodbye to. We can’t wallow for long though, ‘Repentless’ is wild and immediately gathers a hot and chaotic mosh pit, before the band break into early track ‘Evil Has No Boundaries’. It’s certain that tonight we’re getting a history lesson.

We’re spoilt with a list of raw, furious shredding from ‘Disciple’ to ‘Seasons in the Abyss’ as pyro cannons shoot flames across the inside of the stage and inverted crosses burn in the darkening night. Rocking a ‘Kill the Kardashians’ tshirt, guitarist Gary Holt is ripping Donington a new one alongside Tom Arya and Kerry King in his signature belt chains, and as the first ominous notes of ‘South of Heaven’ shimmer across the arena, I feel actual chills. Slayer played at the first festival I ever went to – here at Donington for Ozzfest 2002 and those notes, that moment will be forever etched into my memory – now, alongside this one. As the band scream into the iconic ‘Raining Blood’, thousands of people are windmilling their hair and headbanging like their necks aren’t over 30 and going to be immobile by work on Monday, it’s a sight to behold.

Shutting Donington down with ‘Dead Skin Mask’ and ‘Angel of Death’ is exactly the fire fueled, gut-punch of an ending I expected of Slayer, they are masters of their craft and Gods of the genre, that much is undeniable. With a final “Thank you for being here” and Tom Arya reluctantly leaving the stage, with what looks to be tears in his eyes, we in the crowd can only chant their name in appreciation and thanks. I think it’s testimony to their legacy that everyone is just still standing, still throwing horns into the air – instead of legging it straight to the main stage. This night is too important to so many, and I hope we gave Slayer the farewell they deserved.

© Photo courtesy of Download Festival, do not use without permission.
© Photo courtesy of Download Festival, do not use without permission.