Alex Mackworth-Praed

Fierce Panda Summer Showcase- Longfellow & Masakichi

by

Last night Fierce Panda hosted their Summer Showcase in The Oak Room at Covent Gardens 'The Hospital Club; comprising of two of their signings, 'LONGFELLOW' and new signing, ''MASAKICHI'.

 

Having heard their new single, 'Spring' on Soundcloud I was eager to see 'Masakichi' live, to see if they were able to recreate the dynamic range from their released tracks, and put simply- I was not disappointed. The five piece from London played a flawless set from start to finish, combining soft droning verses with shatteringly heavy choruses, laced with tonnes of groove and subtle uses of compound time signatures, the harmonies between Hannah Cartwright and Hattie Williams really polishing off what was a tight, and solid performance.

 

If you are like me, and you can't really listen to vast amounts of Post-Rock instrumental bands without yearning for vocal melodies and harmonies, I would recommend checking out Masakichi. Their instrumental arrangements have all the epicness and dynamism of atmospheric Post-Rock, while filling the void often left by other bands through their use of melodic vocal lines, and harmonies.

 

Their Album is out September 18th, and can be pre-ordered from Fierce Panda Here.

 

Check out MASAKICHI HERE.

 

LONGFELLOW, an established Fierce Panda act took to the stage shortly after, and cracked straight into a set full of incredibly well written, upbeat pop songs from their latest release. Having been blown away by Masakichi's set, I had high expectations for Longfellow. Although I wasn't disappointed by their performance, I felt that there was a lack of emotion and passion during the first half of their set, their cover of 'Elastic Heart' by Sia not managing to capture the raw emotion of the original and falling into the back of the room, Owen Lloyd's vocals unfortunately getting lost in the arrangement.

 

New single 'Choose' introduced a welcomed melancholy and emotional track into their set which really stood out and addressed my prior issues, the downbeat song really conveying the pain of emotional stalemate and cyclical relationship routines in a raw pop song. Ending their encore with 'Medic', Longfellow managed to prove themselves as a versatile act, thoroughly dismissing my prior reservations, and providing me with songs stuck in my head while on the train home.

 

Longfellow's New EP is available to pre-order from Fierce Panda Here.

 

Check out LONGFELLOW HERE.

 

 

NozStock 2015 Review

by

Have you heard of Nozstock before? I wouldn't blame you if you haven't. This modest 5000 capacity festival, aptly sub-headed 'The Hidden Valley' is hidden deep within the Herefordshire countryside- near the Hamlet of Bromyard. Now in it's Seventeenth year, Nozstock has established itself a dedicated fanbase of locals, and those from increasingly further afield. Each year has a theme, and this year's- A Hitch-hikers Guide to the Galaxy, saw the site lovingly decorated in everything space. The theming did stop there though, with space related workshops and activities for the younger members of families and the audience, those tired from listening to music could retreat to any of the activities area to participate in Jetpack making, building spaceships, rockets, blacksmithing, to the vaguely advertised 'Space crafting' (at the Enchanted Glade 17:00 Sunday).

In my now seemingly traditional festival journey, a gruelling 8 hour drive down to Bromyard at lunchtime had me pitching my tent in darkness, in the hammering rain, undeterred from enjoying ourselves, we set off to explore the site and listen to some music.

Nozstock festival has an intriguing demographic, due to it's diverse acts -as you will hopefully read throughout this writeup- and as the night draws on, the crowd grows wilder, heading down to the COPPICE, BULLPEN, and CUBICLES stages, all dedicated to different styles of Dance, Electro, Dub, 2 Step, Hip-Hop, Garage, Basscore and Drum 'n' Bass. Admittedly, upon arrival; and without any prior knowledge of the festival I was worried that my only dance move 'Big fish, Little fish, Cardboard box' wouldn't last me throughout the weekend and I would be ousted as an impostor of dance and electro music. Much to my relief, the friendly crowds didn't catch on.

Heading to the Orchard Stage for NEVILLE STAPLE BAND's headline set, we caught a jam packed performance full of crowd skanking in the mud, churning up the sodden floor, kicking the first night of music off with a energetic and tight performance. It has to be noted however- that this festival breaks the tradition of curfew by 11, or half past, with headline sets on the mainstage starting as late as 23:45, with smaller bands playing throughout the site to as late as 2:40, before music stopping around 3:30. The site however is fantastically laid out with sound from each stage not spilling over into over crowds, and bearing in mind that it only takes 10 minutes to complete a circuit of the site, this is a seemingly impossible but well realised feat.

SATURDAY

We kicked off Saturday with HIPICAT, winners of the 'Gigslutz PlayNoz 2015' competition, who brought the new day in with easy to process (for those hungover) Psychedellic rock. Luckily the rain for Saturday had abated, and throughout the day, the churned mess in front of the stage dried out enough to sit down and enjoy the weather. As mentioned earlier, before around 8pm the day had a completely different vibe to the night time, becoming more diverse musically, and more appealing to families with younger children. South African loop pedal artist, JEREMY LOOPS wowed the afternoon crowd with multilayered tunes consisting of massive harmonies, beatboxing, harmonicas and guitar arrangements that have taken him around the world, picking up bits of culturally diverse sounds and mashing them up into a impressive set.

It has to be said about the hospitality of the NozStock press team, which was second to none. Instantly upon arrival, Damo and Nolly were on hand to answer any questions about the site or anything else, and organising a press picnic on Saturday was the icing on the cake. ROZELLE treated an unfortunately modest crowd to an expertly crafted set of Indie Rock tunes, and personally I thought they would have been better suited to a later slot than they were given, or been allocated a place on one of the bigger stages at a similar time. As the evening grew cold, back on the Orchard Stage SKINNY LISTER kept the crowd warm with their pub folk tunes, rallying mass dance offs, swaying, and mass cheers to a highly energetic set.

As are most festivals, NozStock is not just limited to stages for music, with the Wrong Directions Cinema Tent providing short and feature length films throughout the day, the Laughing Stock stage promoting comedy, and Bantam of the Opera & Velveteen Valley offering magic, theatre and late night cabaret to indulge in. Saturday's comedy headline came from Seann Walsh, who through his blend of current topics, anecdotes about living with his girlfriend and stand up comebacks gave the audience 40 minutes of non-stop laughter.

WU-TANG CLAN's set was flawless, apart from the fact that they didn't actually show up. Pulling out of the festival late last week, they had yet to provide a reason for this late and very unprofessional cancellation by Saturday. The disappointment throughout the crowd was noted, with expletives slamming Wu-Tang's to be found scrawled on toilets around the site. Fortunately DE LA SOUL was on hand to provide a heavy and incredibly well received set, expertly encouraging crowd response, easily drawing the biggest crowd of the weekend.

SUNDAY

The clouds burst early Sunday morning, turning the just dried ground back into a sloshy mess. This however didn't dampen spirits, as the crowds were back out in full force come 4pm for TANTZ's high octane Yiddish dance music set. Combining elements of reggae, electro swing, power-klezma, rock, dub and upbeat insanity, Aaran Kent riled the crowd up into a frenzy between -and whilst- on Clarinet duties. TANTZ, despite the miserable weather were able to deliver a hard hitting set that was without fault, and one of my favourite of the day.

The eclectic mixture of artists over the stages was impressive, and NozStock seemingly taking pride in promoting a lot of local and nearby artists, giving the crowds the opportunity to take a punt on many bands that they may not have heard of. This is a great attitude to have when organising a festival, as the promotion of smaller artists is invaluable to those working as musicians.

MR B THE GENTLEMAN RHYMER graced NozStock with two sets on Sunday, one at the Orchard Stage, and a later set on The Bandstand. The well spoken ambassador of rhythmic lyricisms split his catalogue for the event, self notedly playing more of his pop ditties earlier in the day, before giving a more chap-hop set in the evening. MR B's one man quest to 'introduce Hip-hop to the manners of the Queen's English' went down a treat, building a solid rapport with the crowd throughout the duration of his set. We stopped to eat later by the Orchard Stage whilst BROKEN BRASS EMSEMBLE's expertly arranged set of swing tunes drew an active crowd, an act I couldn't have even imagined playing at the same festival as the one I had initially seen upon my arrival on Friday. The brass troupe from Holland would transcend from swing into funk and Hip-hop styling flawlessly, and then come straight back into big band arrangements as though it was nothing, with slick professionalism.

Sunday night drew to a close with Motown legend, MARTHA REEVES AND THE VANDELLAS on the Orchard Stage. Unfortunately getting off to a late and rocky start- Martha Reeves called a abrupt end to her opening number within the first 15 seconds of coming on stage, before complaining to the sound engineers and starting over again. Martha Reeves' voice sounded a bit strained throughout their performance, but held up well regardless. Appealing to an audience of older and younger fans, it's lovely to see that the Motown Veteran's music has crossed the generations and was being sung along to, danced to, and enjoyed by such a diverse audience.

If I had to summarize NozStock 2015 in one word, it would be: Crazy.

Allow me to explain, and since being back for 12 hours (at time of writing) the 2 examples I have used to explain the unprecedented madness of this weekend to friends and family are: Firstly, the penultimate act for me this weekend involved me having to follow a guy dressed as a badger into a small room covered in zigzags where we had to dance to gain access to a secret stage, where I watched a three piece post-rock band who consisted of a Peter Serafinowicz doppelgänger and a mannequin torso on stage. And secondly, whilst out and about I saw a person dressed as a button being chased by a pack of kids with sparkly wooden spoons, attacking him under the command of a woman dressed as what looked like a salt shaker.

This weekend has been fantastic, and I would like to thank the team at NozStock for their hospitality and for such an unexpected experience, which I'd hope to experience again next year!

 

 

2000Trees 2015 – Full Review

by

If I was going to tell you that I knew anything about the 2000Trees festival as I was stuck on a hellish drive down from London on Thursday, it would be an outright lie- the small festival on the outskirts of Chelt enham has managed to evade my personal radar for 8 years since it’s inception and having learnt about it last year, I can count myself lucky enough to have attended this year. Still, besides all of the hype from previous years’ attendants, I had not entirely decided on what I should expect.

The modest capacity festival is hidden deep in the Gloucestershire countryside, complete with rolling hills, bleating flocks of sheep, and and an idyllic river running around the edge of the site, and even though we were lucky with the weather (A welcome change from the usual rain of the UK festival scene) the scenery would have stood up and still looked beautiful regardless.

Unfortunately arriving later than anticipated, and due to the lack of advertising for Thursday’s acts, we missed some of the earlier performances. However, Thursday night saw the Indie rock and rollers, THE SUBWAYS draw close to the day’s music with their explosively energetic performance at ‘The Cave’ while ANDREW O’NEIL headed up ‘The Croft’ with his Schadenfreude style of comedy, somewhat appropriately referencing to the late Bill Hicks in his set, to warm reception.

FRIDAY

I kicked off Friday’s music with a punt on a completely new band to me – BITE THE BUFFALO, and how glad I was that I did. Comparing the 2 piece from Bath, England; to Royal Blood would be short sighted, as the Blues outfit brought filthy riffs, bluesy overdrive, and confident ballsy attitude and stagemanship, yet an honest humility that cemented them as my favourite act of the weekend.  ALLUSONDRUGS treated a modest crowd to their blend of Indie rock and acid infused prog, switching seamlessly from one to the other.  Heading up to ‘The Croft’ I had planned to catch some of SAM RUSSO’s set whilst escaping the peaking sun- the Singer-songwriter providing a nice contrast from Allusondrugs, allowing those who chose to get respite from the sweltering sun with a calm background of songs about love, friendship and moving on. Having only intended to catch a bit of his set, I ended up staying for the whole thing. Back on the main stage, TAX ON HEAT continued the stage’s bluesfest with sweaty and groovy 70’s era licks, with a stage presence that wouldn’t be out of place on a bigger stage, with a bigger crowd. Catching a bit of DEAD HARTS set over lunch at the Cave Stage, a welcomed heavy and tight performance was only dampened by the Sheffield rockers insistence on perpetually insulting the crowd, and trying to goad them into movement. NOTHING BUT THIEVES brought a massive crowd to ‘The Axiom’, the first act of the day to pack out the tent, fans sprawling around outside singing along to their set.

The main convenience of 2000trees scheduling is that most of the line up is staggered over the stages, meaning you only ever have to choose between 2 acts to see or easily catch half of both sets enabling whole days of tent hopping and the potential to (talking in extremes here) see every act (or if you realise that you are in the wrong place entirely, to avoid every act.) I spent a bit of time in the hidden ‘Room No.7’ to sit down and chill out on a sofa, with the sounds of ACOLLECTIVE bouncing across the site.

Back to the Main Stage, and YOUNG GUNS had already seized control of their crowd, with frontman Gustav Wood commanding their crowd with professional bravado that one would expect of a band of this caliber, while the band behind ran a tight ship, as the stadium filling hits kept coming. Headliners DEAF HAVANA, making a welcome return after a self realised absence kicked off their set with ‘The Past 6 Years’, before packing out their set with most of their more recent hits, with the whole crowd throwing back the lyrics right back at them. Humbled by the crowd’s staggering response, an emotional James Veck-Gilodi apologised for their recent absence and with the promise of a new album, a headline tour and new drive and enthusiasm for Deaf Havana, before closing off their night with nostalgic anthem, Hunstanton Pier.

The night didn’t end there for the people of 2000Trees, however. Silent discos then kicked off across the site at the Main Stage and The Cave, whilst The Axiom provided silent cinema until 3am, and acoustic sets around the site on the various busk stops and down at The Forest kept those who missed out on headphones for the silent activities entertained until around 1am, or until they staggered off into the night.

SATURDAY

Saturday’s music kicked off with an unusual act on the Main Stage, HUMAN PYRAMIDS. Described as Neo-Classical meets Post-Punk, Axe’s Paul Russell’s brainchild soothingly eased everyone into the day’s music, starting with a melodic introduction from their String quartet and horns section, before gradually coming to a crescendo with roaring guitars and heavy bass. Opening up ‘The Cave’ at 12:25 were Blackpool’s BOSTON MANOR (check out the interview HERE), who didn’t see fit to spare audiences hangovers, and bust straight into a flurry of fast paced punk hits from the go, not relenting until their time was up, having been a fan of BOSTON MANOR for a while, I am glad to have caught their set, before interviewing them later in the day.

Through other people’s suggestion, I headed over to check out MILK TEETH (on ‘The Axiom’), but was unable to get closer than the side of the tent, due to their massive pull for their time slot. The Stroud based group cranked out grungy punk, often showing their very heavy Nirvana influence, but unfortunately failed to capture my attention for all that long, as their (maybe purposefully, and fitting with the grunge genre) set sounded unpolished and loose. I caught a bit of BOY JUMPS SHIP’s set back on ‘The Axiom’, which keeping in the ‘Pop-Punk’ theme of the stage going, managed to play their faster, more intricate set than the preceding band with a lot more technical proficiency and enthusiasm, creating a more enjoyable experience for the casual music fans loitered in between stages for their lunch.

On the subject of lunch, 2000trees has a modest selection of food vendors dotted around the site, by each of the 3 main stages. Festival food for me seems like it has a bad rep, but the team at 2000trees only seem to have booked vendors who would offer a fair service for non-extortionate prices. Grilled Halloumi burgers and sweet potato fries kept me sustained throughout Friday, while a chunky bacon butty and fresh scotch eggs kept me alive Saturday. Monmouth Coffee being served as well was a really big surprise, and you’d get change from a tenner for a meal, which when coming from London is a rarity.

After lunch, songstress ALICE PHEOBE LOU dazzled the crowd with her beautiful voice, serenading the crowd with angelic highs with a bit of Sia-esque grit hidden behind. Forgetting lyrics aside, as she bonded with the crowd over the weather, and treated us all to a chilled, eerie set. As the day edged to an end, and after an outstanding genre spanning set from THE SKINTS, I found myself back up at ‘The Croft’ for THE BIG SIXES, only due to the fact they had spent the day attaching terrible posters to everything across the site advertising their set, and not knowing what to expect initially, my doubts were swept away by a tide of harmonies, expertly crafted songwriting, and top notch inter-song conversation, before their encore consisting of a couple of songs in the crowd, surrounded by a mass of singing fans. THE BIG SIXES managed to work up a predominantly neutral audience into a hyped crowd, a feat that would be natural for an established fast paced Pop-Punk band, but not for a slow and groovy act such as The Big Sixes.

Saturday’s headliners ALKALINE TRIO took to the stage at 21:45 just as the clouds began to burst, having held out -threatening rain- for the latter half of the day. The initial swell of excitement quickly died out, as those who were not diehard fans were let down by what was a lethargic performance, frontman Matt Skiba giving an uncomfortable appearance, whilst he murmured out lyrics to songs with little emotion. Bassist Dan Andriano however was giving a lot more to the crowd, interacting well with drummer Derek Grant and moving around the stage between swapping vocal priorities with Matt. Unfortunately for ALKALINE TRIO, and what may have be exacerbated by a disappointing lack of crowd compared to their stateside presence, or what Matt Skiba may now be used to playing for Blink 182, a more instant degree of stagemanship is necessary to win over a crowd that may not only be there to see you, as not to fade into the background.

So what would I say about my first experience at 2000Trees?

I’m going to be bold with this statement, the attitude at 2000Trees reminds me of that at Glastonbury, albeit on a tiny scale. You get the real feeling that the people around you haven’t just come to see their favourite band, and will spend the rest of their time getting into as much trouble as possible, but more that it’s an annual tradition for them. The nine year old festival caters for everyone, and whilst running about the site this weekend, the amount of friendly faces I would bump into at each act astounded me, only to bump into them 20 minutes later at a different tent.

The site itself is relatively tiny, but not cramped. Even those arriving half way through Friday were finding spots to camp up with ease, with enough room for stoves, barbecues or extra gazebos to sleep under when their tents got too hot.

I’m not sure what my favourite part of this weekend has been- whether it’s the terrific atmosphere from the punters in the know and relish the intimacy of this little festival, the picturesque surroundings that the festival is lucky enough to have, the fantastically located Forest stage or what has been a fantastic line up, bringing some names such as Deaf Havana, We Are The Ocean, MClusky* and Alkaline Trio, and providing emerging and underground UK music a proving ground on the UK festival scene. This weekend at 2000Trees has been one that shall be remembered, relished, and hopefully repeated in the coming years.

Tickets for 2000Trees 10th year are now on Sale, and can be picked up on their site.

Boston Manor Interview at 2000Trees

by

Having caught Boston Manor at 2000Trees opening 'The Cave' on Saturday, I caught up with Henry and Jordan for a chat about their plans, past 10 months, and what is upcoming for one of 2015's rising 'Pop-Punk' stars.

Hi guys. First of all, how has your 2000Trees experience been? 

Henry: Yeah, really good- we've never been to this festival before and we're really enjoying it. 

Jordan: As we're up in Blackpool, we've never come down here, we usually go to places like Leeds, Kendal Calling, but I was expecting it to be a lot smal ler than it is- I was really surprised at the size of the arena, and we've been having a great time. 

Have you had enough time to see anyone?

Henry: Here and there, I didn't get here until yesterday.

Jordan: The rest of us have been here since Thursday, we watched CREEPER, on The Cave- where we played, and saw DEAF HAVANA last night and THRILL COLLINS- they were great, they're a cover band, and everyone was loving it. 

Since your Driftwood E.P came out, (Available on Failure By Design Records) you've had a pretty non-stop schedule- What have the highlights of the last 10 months been?

Henry:  The last two tours we've been on (with Moose Blood and As It Is/This Wildlife Co-headline) that was awesome, they're both really great bands and they were fantastic tours to be on, a lot of people were checking us out for the first time but it was just a really great opportunity for us.

Jordan: It was a massive step up for us as we were playing larger rooms that were selling out- that's new for us, it's such a difference compared to last year, where we would be playing to 3 guys in a pub basement. 

Henry: It's been quite a quick transition, really. Today is our first outdoor festival, so that in itself has been a new experience for us- it's definitely different, it's a whole different animal. 

What has been your main influences in your songwriting process and have they changed while being on the road? 

Jordan: I think when we're on tour we mainly focus on that, as when you're on the road you want to be concentrating on playing well and what you are doing each night. A bit of writing may happen on tour, and we know band who do that a lot; but when we come home, that's when we focus on writing.

Henry: Everyone thinks that touring is just having a laugh with your mates, it's great, but it is hard work- so you're busy with that. We're writing at the moment, but we haven't had to write on tour yet. In terms of inspiration, and not to sound generic, but it is just lots of stuff- it's constantly changing, When we write, we never set on exacting a sound, we just write what we want to hear, play how we want to play and let it evolve from there.

In a genre that can be so vicariously therapeutic for your audience and fans, and for fan loyalty and inclusion, what is your opinion on paying for meet and greet with bands?

Henry: It's fucking bullshit, anyone who does that is a dickhead- you're only able to be doing what you're doing because of the people who want to meet you, and you don't deserve to get paid just to grace someone with your presence, It's arrogant and I don't agree with it at all.

Jordan: Yeah, we're all human beings at the end of the day, and should be equal.

Henry: I know Avril Lavigne does it, and you have to stand two feet away from her, it's ridiculous.

The UK is having a bit of a moment for 'Pop-Punk' currently, and giving that you have had such a great year, what advice would you give younger musicians who are starting on their own musical journey? 

Henry: Never aim to emulate another band, listen to as much as you can, and play how you want to. I see so many bands just trying to mimic other bands, from everything- their music, their aesthetic and their branding. You have as a person so many facets to your own creativity and your life, channel that into what your band is, instead of echoing it into what other bands have done. You'll feel more creatively fulfilled, and it'll stand you in better stead.

Saying that, what would you go back in time and avoid?

Henry: Get breakdown cover when you go to Europe. We were there for a long time.

Jordan: Stuck in a tent, on concrete.

Henry: For three days, the fourth in a hotel, but we were there for a while. It was stupid. Apart from that, nothing. It sounds cliched but I think of the mistakes we've made, we've learnt so much from them that it was worth making them in the first place. 

Jordan: I kind of do believe that everything happens for a reason, and if it's got us to where we are now, then fair enough.

Henry:  If you're going to start a band, you're going to make a billion mistakes -and that's important- learn from them, we're still making mistakes every day. 

How do you spend your days off on tour?

Henry: They are a rarity, you have to make the most of them. On the last tour, we had two days off- The first we spent swimming, playing 3 on 3 American Football, watched American History X, and then went to bed. The next one was in Manchester, and we went to a trampoline park.

Jordan: It was a massive warehouse full of trampolines, you just jump around- it sounds a lot more fun than it is.

Henry:  Your reckon? I loved it! 

Jordan: After 5 minutes, you're absolutely knackered, and you just want to sit down, but you cant, because there's trampolines everywhere!

Henry: Yeah, we did that then had a Wagamamas, we try not to just sit around, but sometimes you're just knackered and want to play xBox all day.

What are we looking forward to for the rest of the year- can fans expect new music soon? 

Jordan: There is a new E.P recorded that we want to get out.

Henry:  Im going to say Autumn, that it will hopefully come out- that's what we're aiming for. We're really excited about it, and we're actually writing an album which we're taking a lot of time to do that. We have some show throughout the summer, and some other festivals. Hopefully there will be a tour in the late Autumn/early Winter time.

Jordan:  That could be in line with the E.P release

Henry: Yeah, there will be some shows for that, and then hopefully another tour- but that's all up in the air at the moment.

You can check out Boston Manor Here

Nozstock: Wu Tang Clan, Martha Reeves & the Vandellas to headline.

by

Nozstock is thrilled to reveal a very special headliner for this summer: NY-based Wu-Tang Clan, who not only proved to be the most revolutionary rap group of the mid-'90s but are arguably the greatest ever hip-hop group of all time. Individually its family of members are all lyrical stars, including RZA, Ghostface Killa, GZA and Method Man, and together they are a thrilling, provocative and wild stage presence. Last year’s Once Upon A Time In Shaolin album, which only had one physical copy, further illustrated their continual reinvention. Wu Tang Clan are taking Nozstock to a different level in July.  

The festival is also very proud to announce true Motown sensation Martha Reeves and the Vandellas as one of the headliners on the Orchard Stage. They have charted over 26 hits, ten Billboard R&B singles chart Top Ten hits and two Number Ones, and their classic ‘Dancing in the Street’ entered the Grammy Hall of Fame in 1999. True veterans of soul, they headline a bill that focuses on top talent across multiple genres.

Across the weekend trail-blazing hip-hop, bass music, grime, dubstep and raucous beats come from a brilliantly diverse range of DJ and live acts. Dr Syntax and Pete Cannon have produced for Action Bronson and Punchtown, whilst the Dead Players trio of Jam Baxta, Dabbla and Ghost Town are the chameleons of rhyme. They are joined by Ruffnek Diskotek w/Dub Boy, Dutty Inspectors and Ghost Writerz, Mr Woodnote & Eva Lazarus, Smokey Joe and The Kid, Gypsy Hill, Solko, Sounds of Harlowe, Octo Pi & Koncept, Scope, Modify Perspective, Remidy M.C and Trafic M.C and many more to be announced.

 

Across the whole weekend, Swing Theory stages action from Electric Ballroom Promotions, Swingmajig and Ragtime Records. They are hosting the likes of Wolfie Razzmatazz, Madam Electrifie, C@ In The H@, Jenova Collective, The Chicken Brothers, Clan Dextine, F Block, Velocity Raptor, M.O.B, Mr Jay, Sir Jasper, Jest FX and Billy Chillfingers who between them cover everything from electro-swing, vintage rock and roll, breaks, techno, glitch hop, ghetto funk and loads more.

Final bands announced for 2000trees Festival!

by

The final raft of bands has been revealed for the 2000trees Festival, as organisers confirm they expect the event to sell out.

 

Joining the likes of DEAF HAVANA, ALKALINE TRIO, IDLEWILD, WE ARE THE OCEAN, THE SUBWAYS and YOUNG GUNS are…

 

Errors / Skinny Lister / Honeyblood / Kiran Leonard / ROAM / Tax the Heat / Boy Jumps Ship & Oh Boy!

 

The award-winning 2000trees Festival celebrates its ninth year near Cheltenham, on 9-11 July. It features the very best new and underground music on six stages, plus comedy, DJs, a silent disco, quality food and drink and children’s entertainment.

 

Other acts among the 100-strong bill include And So I Watch You From Afar, Mclusky*, The Skints, Future of the Left, Kerbdog, Pulled Apart By Horses, Arcane Roots, The Xcerts, Bury Tomorrow, The Twilight Sad, Benjamin Booker, We Were Promised Jetpacks, Turbowolf, Feed the Rhino and Defeater.