Global Gathering 2014 Review

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Global Gathering the festival that sets the benchmark for Top Dance festivals in the UK is back this year at the prestigious long maston airfield in Stratford Upon Avon. This festival goes back 14th year and has won many previous awards for Best Dance Festival. DJ mag were responsible for naming this baby giant and it has always lived up to the name year after year. 

2014’s headliners are set to be big with the likes of Prodigy heading up the main stage on Saturday evening and Chase & Status on Friday . Global is set on Long Maston Airfield giving it a post apocalyptic and industrial feel. The stages here are of true brilliance and are by far one of the best parts of the festival, with unique simplicity stages like The Global Freight Depot and the Bunker always turn a DJs set to stun. 2014 at Global Gathering brought a number of tents such as the returning BBC 1XTRA stage , the futuristic GodsKitchen , UKF Stage , The mighty new Hanger arena and Defected in the House along with many more smaller stages dotted around the landing strip.

Taking the main stage just before sunset, the 25 year old Belgian known as NetSky took the crowd by storm to give them the injection of pure energy, while the hot orange glow of the afternoon sun dropped into the hills around the airfield gearing up the masses ready for the headliners that evening. Playing some of his new material like ‘ Running Low’  due to be released inside a new album sometime this year and available to listen to via the official Youtube channel for NetSky. 

Dusk is here and its time for the ever powerful electronic sounds of Chase & Status. Production and stage precedence this year made for an incredible set from the two British Producers Saul Milton (Chase) and Mr Will Kennard (Status) playing all the big tracks such as ‘Time’ Feat Delilah as well as ‘Take me away’ To fit in with all the base and hands in the air what finale would be complete without lasers and fireworks. Exploding to the sounds of ‘Fool yourself’ lighting the crowd for the final time that day and completing what was a truly perfect hot summers day. 

Clearing the main stage theres still plenty going on and depending on your music palette you can head to a range of different artists and stages. Heading up the Hanger stage in the after hours the chart topping David Guetta performs at the top of the towering wall of light situated in this oversized super tent. This stage would rival many main stages and despite its size was full to the edges. If Guetta isn't for you though don't worry you've got visual delight of Subfocus sitting proud amongst the giant rings of light over at the 1Xtra Stage. Happening all around the top DJs like Aly & Fila , Hot Since 82 , James Zabiela, Alesso and so many more converge for 1.5 days worth of pure magic. 

Waking up to yet more sun beating down on the masses the day was off to a great start. Global is an action packed weekend with little down time. Acts are on from 12 mid-day and go all the way into the wee hours of Sunday morning. The main stage started to fill out early afternoon with the masked DJ Jaguar Skills. Next to entice the masses was the RAM Records Heavy weight Andy C & MC 2SHY, seeing Andy perform in sunlight was a strange experience as normally confined to the early hours of a set list. Never the less a set filled with all the right tracks including the Andy C Remix ‘Get Free’ with all the heat and pumping base the security were constantly handing out a good supply of water to the crowd and making sure anyone who needed fluids got a drink of water. 

Leading on to the penultimate act of the day Knife party were set to get the crowds ready for the headline act. Sitting behind a pretty impressive LED Bank located centre stage Knife party originally formed of Rob Swire and Gareth McGrillen which you might remember from The Drum & Bass superstars Pendulum, Knife party was a side project that went main stream. 

To Headline this year Global Gathering pulled out the stops for one of the biggest most widely known electronica big beat acts around. Prodigy are a phenomenal act to witness and had great little surprises through the set. Red flares lit at certain points within songs like Fire Starter and ‘ Smack your bitch up’ illuminating the crowds hands and a sea of iPhones and mobile phones taking video could be seen. Keith Flint lead for Prodigy got the crowds running in circles at 3 points within the main area creating a tornado of people all under his control. The stage consisted of a semi circle of tribal symbols and lights, flickering stage lights to imitate fire and plenty of disorienting strobes to give it that truly cereal experience! All the original hits previous mentioned as well as ‘ Their Law’ including the new creations from Invaders Must Die, singing along to OMEN the atmosphere and energy was relentless. Global Gathering as a festival is truly a one off masterpiece and to its credit has survived and battled its way through the financial crisis and out the other side its 14 incredible years are a testament to its amazing DJs, stages and organisation. 


Created with flickr slideshow .

www.James-Bridle.co.uk

Secret Garden Party limited early bird tickets on sale now!

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Early bird tickets avaliable now for Secret Garden Party! 

Inline image 1
 

Following a sold out weekend the Secret Garden Party puts a limited number of Early Bird tickets on sale, from Monday 28th July, for next year’s event, which takes place 23rd-26th July 2015.

They will be available from www.secretgardenparty.com

http://sgp.seetickets.com/event/secret-garden-party-2015/mill-hill-field/807299

With its theme of ‘Goodbye Yellow Brick Road’ revellers enjoyed a hot and sunny weekend with a range of music including Public Enemy, Fat Freddy’s Drop, Little Dragon, Foxes and Martha Reeves and the Vandellas and secret dj sets from the likes of Chase & Status and Nero.

The Saturday Spectacular, which included water holograms, a huge firework display and flames of fire, also featured new technology never before used in the UK. The ‘Falling Stars’ section had 5,000 papers helicopters, each carrying flashing red and blue flashing LED, dropped from c.350ft by a single paramotor pilot spinning gently to the ground, some had free tickts for Secret Garden Party 2015. Other spectaculars included the ‘Make A Rainbow’ paint gathering, a Spitfire flypast and this specially grown sunflower field accessed via an ‘out of order’ portaloo.

Create Festival 2014 Review

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This was my second year shooting Ashford’s Create Festival, although my first year shooting for the Summer Festival Guide. This is also my first written review!

So, what can I say?

For a start, it’s free to gain entry – anyone and everyone can attend. It is promoted as a family day out and it is exactly that! With a great range of entertainment for the kinds, ranging from a giant inflatable slide, so water-zorbing and a beer tent for the adults, it’s fun for all!

Create is held in Ashford’s Victoria Park and is easily accessible by car and train networks. It boasts four stages; Main stage, the Right Track Music Stage (which is sponsored by a local music business called… you guessed it, Right Track Music), the Revelation Stage (which houses acoustic acts and this year, poetry) and the Create @ Canterbury College DJ Stage. Supporting local bands, acts and artists, it actively gets the public involved in the music culture that surrounds Kent which they may not have otherwise seen and has BBC Radio Kent turn up to help introduce the acts, provide radio interviews and a little Dj set.

This year, Create celebrated it’s nineteenth birthday and had an expected turn out of 13,000 people, which is impressive by any means. The weather was perfect, for about an hour. Then the clouds rushed to the main stage and let loose their contents for a solid five to six hours. Although this put some people off, an estimated 2,500 people stayed at the main stage during the torrential down pour, which has absolutely no protection. The other three stages housed around 100 people all in all and no one could quite believe that people would hang out in the rain, for free, just to help support local acts. It was breath taking. We are all used to seeing images from Glastonbury of people covered in mud from head to toe without a care in the world, but those festival-goers have payed hundreds of pounds to see international artists. So for a free festival which is mostly populated with local artists is heart warming and touching. It provides hope and support to those acts.

Besides, let’s be honest. It’s not really a festival if it doesn’t rain, right?

For eight hours, Victoria park [in which it is situated] is the epicentre for local talent – right down to the stalls selling clothes, or raising money by cycling on static bikes. There is something for everyone – acoustic to rock, a little death core metal to BBC Radio Dj’s, Create has it all.

Headlining the Right Track Music Stage were the trio known as Old Town Souls, who's blend of excellent guitar shredding and wide vocal range, provided an energetic and powerful hour-long set end to day before handing over to the Main Stage to close the day. Covering artists from AC/DC and Black Sabbath, to proving the can write music as well as they play it, but showing us some original material. The crowd where won over by the front man’s very young son, all of four years old, who kept wanting to get on stage and join in with his Dad on the microphone! Some superb talent from these guys, definitely worth keeping an eye out for!

Of course though, everyone was there to see the Main Stage’s headliner act, known other than Nizlopi! Wearing what I can only describe as very colourful, very baggy trousers and no shoes, the lead singer, Luke, brought a torrent of passion to the closing forty-five minutes of the day. Joined with his back up singer/guitarist/treble bassist, the due wowed the crowed right from the off. I lost count how many times the lead singer jumped off stage to meet the crowd, even jumping the barrier to hand out hi5’s and hugs! They of course played the song they’re probably best know for – the JCB song but actually ended their set with a song about bringing peace to all man-kind, saying that we are all fundamentally the same and how we should all stand up to the Government to defend our rights. It was also eluded that a little known artist – by the name Ed Sheeran – used to be Nizlopi’s rodeo before his career took off!

Luke of Nizlopi

Latitude Festival 2014 Review

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The 9th Latitude Festival in Suffolk, England drummed up great interest after winning Best Line-up at the 2013 Festival awards.  Trying to live up to expectations this year, they enlisted big acts like Damon Albarn, the Black Keys, Robyn & Röyksopp, as well as up and coming bands like Jungle, Childhood, and Bondax. Aside from the comprehensive bill of musicians and bands, Latitude also had a wide variety of cultural offerings ranging from theatre, comedy, cabaret, to literature, poetry, and dance. 

Photo courtesy of Latitude Festival – Marc Sethi

Day 1

The festival opened with a huge surprise last Thursday but not exactly of the good kind.  Friday headliner and crowd favorites Two Door Cinema Club cancelled the very last minute leaving plenty of fans heavily disappointed. Vocalist Alex Trimble was reported to have collapsed at Seattle Airport en route to England due to stomach problems.  With many traveling from as far as Japan just to see the trio, the cancellation led to an uproar and a huge pile of heatbreaks.  TDCC was the first band to be announced to headline the festival– as early as December 2013. It was supposed to be their first festival headline after touring for 5 years and climbing up the ranks.   

Filling up that glorious headline slot, Lily Allen agreed to step up to do the job; but not without getting loads of backlash from disappointed festival goers.     One twitter user compared the change as paying to sleep with Keira Knightley and ending up with Susan Boyle.  Tired of the negative reaction the change elicited from fans, Allen wrote on twitter:  “If you’re going to be rude about my replacing @TDCinemaClub on here, can you just un @ me please ? I’m so exhausted by the nastiness”

Despite that, Lily Allen’s courage to still show up was commendable.  She paid tribute to the trio by wearing a Two Door Cinema Club shirt and doing a cover of ‘Something Good Can Work.’  This seems to be an olive branch offering to TDCC fans and it was gracefully received.  The main stage didn’t end up a disappointment and the night ended with the crowd chanting her name. 

At the BBC Radio 6 Stage,  festival goers were treated to some excellent show of guitar skills starting with Anna Calvi and Slowdive.  Calvi treated fans with some new songs from her album ‘One Breath’ and with classics such as ‘I’ll be Your Man’ and ‘Desire’.  There was a silence of deep awe during the last few songs, and the following band, Slowdive proved worthy of the momentum.  The band from Berkshire had their own strong following with their announcement of a comeback this year after more than a decade of absence.

Headlining on the same stage was Scotland’s well- respected guitar band Mogwai.   The set was expected to be an attack to the senses and they certainly lived up to expectations.  More than an attack to the senses though, it was also an attack to the ear drums, with Stuart Braithwaite cheekily saying “I hope any children in the audience are wearing earplugs” before playing 'Master Card.' 

Other acts to note on the first day was the surprise show by Rudimental on the main stage and the highly energized performance by the Editors.  

 

Day 2

The second day provided some dilemmas to festival goers as to which stage to go to.  It started early with Simon Amstell packing the Comedy stage with almost triple its capacity.  The Essex local gave fans a peek of the show he will be touring this coming autumn. It was slightly peppered with some past materials but it sure didn’t leave fans short of laughter. 

After that, all roads led to the BBC Radio 6 stage where the legendary duo Hall & Oates were welcomed with much gusto after almost 10 years of absence in the UK.  They started with ‘Maneater’ which got the audience and even the BBC cameramen up to their feet.  They followed it up with huge hits like ‘I Can’t Go For That’ which included a breathtaking 5-minute solo (forgive the pun)  by saxophone player Charles "Mr. Casual” DeChant.  They came back for an encore playing  ‘You Make my Dreams Come True’ which prompted mass sing alongs from the old and young alike. 

Photo courtesy of Latitude Festival

It was also a big day for Swedish musicians, with First Aid Kit bringing sunshine to the Oberlisk Arena with some delightful harmonies from their new album and a beautiful rendition of Simon and Garfunkel’s ‘America’.  Swedish singer Robyn & Norwegian electronic duo Röyksopp also fired up a party at the BBC Radio 6 stage.  The 2-hour set probably saw the most excitable crowd that day and they proved worthy of the adulation.  The audience danced along to  the long string of hits and went wild to ‘Dancing On My Own.’  The light show and production were far from bad too.

The night ended with some thunderstorms and with Damon Alborn capping the night by bringing Blur band mate Graham Coxon onto the stage, much to the delight of fans.  They played a captivating performance of the Blur song ‘Tender’ amidst all the lightning and heavy downpour.  Simply memorable. 

Photo courtesy of Latitude Festival

Day 3

The thunderstorms from the previous night didn’t seem to dampen the spirit of festival goers.  The last day of the festival saw the new chart-topper George Ezra croon fans at the BBC Radio 6 Tent.  The 21-year old seemed to be overwhelmed by the amount of people who came to see him, but managed to meet and beat all expectations with beautiful melodies from ‘Budapest’, ‘Cassy O’, and ‘Leaving It Up To You.’

Hardcore fans of American bands Phantogram and Tycho didn’t mind the muddy trek up to the iArena stage to watch the bands from New York and San Francisco do their take on synthpop music.  Sarah Brathel of Phantogram unleashed her inner beast and performed singles like ‘Falling In Love’ and crowd pleaser ‘Black Out Days.’  They were immediately followed by Tycho, aka Scott Hansen, which along with his band, brought his design works and projected them on the wall to accompany their music.  To say it was a hauntingly beautiful set was to say the least.

The big responsibility of closing up the festival was left up to The Black Keys.  The backdrop to this much-anticipated show was an elaborate set-up including multiple screens and painted theatre curtains.  The crowd which was eager for a great send-off sang along to hits like ‘Lonely Boy’, 'Howlin' For You' and ‘Fever’.  Although the set was mostly well-received, it was also noticeably lacking in energy compared to the previous nights’ headliners.  One festival goer quipped, “They don’t seem to have much chemistry between the two of them tonight.”

Overall, it was a successful festival. It had minor glitches and the wellies were certainly put to use, but what would be an English music festival without those? 

Truck Festival 2014 Review

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“Truck Festival? What’s that?” This has largely been the response when telling the tales of my whereabouts on the 18th-20th of July. With our music calendar at saturation point with all the festivals happening during this popular time, you can easily be forgiven for knowing nothing about this harmonious little gathering on a farm in Oxford.

But Truck is not your usual festival. It started 17 years ago as a small alternative to the big names such as Glastonbury, Reading or Leeds; all of which have become corporate, money-spinning beasts. Truck has a refreshingly low ticket count, which means that even though it was a sell-out, there was still plenty of breathing space and an obvious lack of hippies and try-hard rockers.

The weekend vibe was completely laid back and inclusive. It was in no way about wearing the right clothes or being seen, but rather about kicking back and enjoying the atmosphere while soaking up the vitamin-D. There was no fancy VIP area: backstage was purely functional. Instead, everyone mingles. The artists roam the site, picking up beers at the bar just like us “normal folk”. A distinct bohemian quality; Truck is clearly about the people and the music.

Typically claiming the third weekend in July, this year the two-dayer kicked off its Friday with the ‘Tropical Groove’ and Indie vibes of the four-piece HABITATS, making their Truck debut on the festival’s Main/Truck Stage. One of the fabulous things about Truck is that it’s a showcase for the area’s local scene at the same time as bringing in acts both small and big from further afield.

It’s a proper all-round arena: the same stage sees the popular rock back, The Dreaming Spires, with their clashing drums and almost-shouting-but-you-think-I’m-singing vocal sound (resulting in constant sound), immediately preceded by the relaxed and more feminine vibes of Fickle Friends singing to their soft keyboards and jingling tambourines.

Wider afield, the festival plays host to five stages, all very different in the music they were churning out over the fun-filled weekend.  The Barn Stage was focused on psychedelic noise rockers, such as Canterbury and Blood Red Shoes. Set against a corrugated steel roof, and with the scent of manure easing its way up the nostrils, it soon became obvious that we were watching psych-punk wraiths perform on a stage erected in a working barn. It was a surreal experience to say the least.

A mix of haunting sounds, hypnotic, pounding drumbeats and winking strobes were the enticing aspects which drew you into the stage amusingly labelled as The Veterans and Virgins Stage. Hosting bands such as Ralfe Band and the Brickwork Lizards, both of which offering unique experiences, often involving banjos and tambourines, the stage was both unique and alluring, tantalising the musical tastebuds. Similarly, the close-by Saloon Bar lured  people in with its refreshing western atmosphere. Set up as something out of a cheesy western movie from the 50’s, this stage offered a different experience from the other stages with a more acoustic and folk feel to all the acts, which included sets from BMW and The Buffalo Skinners.

Finally, often described as the ‘Second-in-Command’ to the Truck Stage, the Market Stage was a stage which offered a whole range of musical genres from Dance a la Plage with their Indie-Rock ambiance to the folk-electro solo artist, Dan Croll.

With every act, bar the day’s headliners, allotted a half-hour performance slot, it’s nothing if not fair. You can power through bands and stick with sets you might otherwise leave, meaning you get a great idea of each carefully edited set list designed by each band to show themselves at their best.

Friday’s headline act, the much loved The Cribbs, take to the Truck Stage at 10pm, delighting the crowd with a medley of their top hits – they’ve more than you remember after realising five studio albums – before their spectacular closing song, which left the crowds begging for more and sadly dispersing back to the camping site, or for those more eager to other stages, such as the Market Stage which offered an all-night “Silent Disco”. There is no doubt about the fact that this band knows how to rock a festival and plays a pitch-perfect set to a crowd that appreciates their longevity and experience.

When Saturday comes, eager festival goers await Truck Stage sets from M+A and As The Elephants Are. As the day goes on, things get really lively.

When the final act at the Truck Stage for the weekend, White Lies, take to stage they muster an infectious energy. People from outside the tent file in and there are heads nodding right the way to the back of the assembled throng. As they launch into the fast-and-furious first song, all pulsating drums, rumbling bass, blissful synths and deep vocals wrapped up in lyrical genius, the London trio ignite a flame within the audience which refuses to die out until the early hours of Sunday morning.

Truck is unique. Mellow, friendly and under-crowded. It’s like the best village fete you’ve ever been to. Complete with a diverse selection of bands, this is how festivals should be. You can’t help but hope Truck never gets big and becomes the commercialised spawn of the modern music industry.