



We arrived at the Global Gathering at around 5pm and to my surprise a good crowd was already building in the grounds of Long Marsden Airfied. It is overcast above and there is no sight of the sun, it is warm and the ground is dry and that is all that matters! Walking into the grounds, past the tight security complete with police dogs, I immeditately noticed that the arena’s were now more spread out than in previous years. One thing that will never change is the great array of people that come out to Global each year. The costumes are out again in force this year, we run into some bananas, a large group of tigers, chickens and more!
Heading over to the main stage, we are just in time to see the infamous Jaguar Skills who always performs behind a ninja mask. Little is known about the man behind the mask, but this doesnt take away the fact that Jaguar can rock a crowd with his skills on the decks.
One of my favourite area’s at Global is the outdoor Toolroom Knights arena, there is always a great crowd here and Friday’s lineup was immense. Rocking the decks was Micheal Woods, coming straight off his success with Example’s ‘Changed The Way She Kissed Me’, he had the entire crowd jumping with hands in the air. As we look over from the front of the stage, all we see is a crowd full of smiles, they have a massive weekend of great music ahead and this is the perfect way to start. Special guest Benny Benassi kept the crowd going with his uplifting house set before making way for Toolroom Knights head honcho Mark Knight.
With Above and Beyond having their ‘Group Therapy’ tent at Global this year, we were expecting nothing but uplifting trance and it was supplied by some of the heavy hitters in the scene, Super8 & Tab, Gabriel and Dresden, Gareth Emery, Sander van Doorn and of course Above and Beyond all graced the decks in this tent. Above and Beyond showcased their Group Therapy show with a spectacular music, video and lighting production and played a blinding set to a full house.
Underworld still promenintely play the festival circuit each year and we catch the trio, Karl Hyde, Rick Smith and Darren Price in the Global tent. With Karl on vocals and Rick and Darren on mixing, the trio certainly know how to whip a crowd into shape. Eric Prydz brough his EP/IC show to the Global tent this year and really only one word can describe it ‘Epic’. With a massive LED wall which curves around the stage and displaying amazing visuals, the show is on another level of production I have never seen before. As a massive fan, I knew that Eric would deliver a brilliant uplifting house and electo set, and that’s exactly what he did!
The main stage at Global is set totally seperate from the rest of the arenas giving plently of space to enjoy the headliners that hit the stage over the weekend. With Professor Green cancelling due to health reasons, and Steve Angello and Pendulum to perform, this was defintely the place to be. As night begins to fall, Steve Angello takes to the stage to huge applause. The crowd are massive Swedish House Mafia fans and Steve takes to the mic, ‘Are you guys having a good time, my names Steve Angello from the Swedish House Mafia, are you guys ready!’ As the bass drops and the pryotechnics blast out from the front of the stage, the crowd is jumping, and Steve drops banging track after banging track, including the massive ‘Save the World Tonight’, ‘Miami to Ibiza’, and ‘One (Your Name)’
Pendulum headline Friday night at Global Gathering and they have a huge stage rig complete with huge LED screens and a pryotechnics setup. Pendulum have featured on the lineup’s of festivals all around the world this year and they have the Global main stage crowd well and truely in the palm of their hands. With the energetic front man Ben Mount on the mic, their set are so full of energy you could actually power half the site with it! Hits like ‘The Island’ and ‘Salt In The Wounds’ have the crowd going insane and you can feel the crowd’s excitment as they plow through hits from their latest album Immersion, and the rest of their back catalouge.
Although the sun did not come out to play, Global Gathering delivered yet another fine lineup and the crowd was on hand to enjoy every single moment of it.
Catch our interview with Above and Beyond before they took to the stage at Global Gathering 2011.
Sonisphere Festival is probably the most important Metal/Rock Festival in Europe despite only being in its third year.
When arriving at the Festival’s site you soon understand the shear enormity of the place. In front of you stands the entrance and on both sides are what seems to be an endless sea of tents. To reach the top of the hill, where the stages are located, you have to walk through them along a path. In every corner you see band flags, t-shirts, people singing and drinking. Everyone is in the right mode despite the threatening weather.
Once inside the main area, you can’t help wondering ‘how it will be this evening when Metallica will perform?’. The main stage, called Apollo, is majestically facing the whole area. On the opposite side there is the second stage, called Saturn. There are other 3 stages, on site, Bohemia, Jagermeister and RedBull.
The first band to play, what it is going to be three days of Rock, is ‘The Japanese Voyeurs’ on the Bohemia Stage. 15Mins later on the opposite side ‘Diamond Head’ are officially opening the main stage. Finally there is a break in the rain which is a welcome relief and everyone is gearing up for the Big Four; Anthrax, Megadeth, Slayer and Metallica. These bands are all legends and is a 60,000 strong crowd who have come here for that exact reason. People are singing along, head banging and moshing not caring about anything except having a rocking good time. James Hetfiled and co. made it through a long setlist, finishing with Enter Sandman and a spectacular fireworks display lighting the skies above Knebworth.
Earlier in the afternoon American band Train took the main stage, fighting the burning air. Their set is probably one of the highlights of the afternoon along with Adam Ant and his post punk melodies.
Meanwhile on Pepsi Max Stage after a brilliant set from Mike & The Mechanics at around 7:40p.m. Lighthouse Family begin their set in front of a full house. Their easy listening music lit up the spirits of all the attendees. On the notes of probably their most popular song “High” the crowd chorus fills the tent with a good mood, typical reaction to this amazing band.
Back on the main stage it’s time for Rod Stewart to start his performance. He appears on stage looking like the Rockstar he is. The cheers coming from the crowd are testifying to what everybody knows already. It is going to be huge! The whole set is highly concentrated on his last covers album of popular American rock/soul songs. While Rod performs a rendition of the song “Downtown Train” by Tom Waits. Fans are left with nothing else to do than dance and sing their hearts out.
From Piccadilly station, across the city centre, and over to Fallowfield, a buzz of anticipation spread across town, as Manchester geared up for the return of Parklife Festival. Only in its second year, Parklife has a growing reputation for a party that you won’t soon forget. If waking up in a soggy sleeping bag isn’t your style, then this urban festival offers the best of both worlds; a weekend crammed with great music, without the pain of figuring out how to set up a tent. Relatively small, with only seven venues over two days, Parklife does all it can to pack as much as possible into that short time. From the relentless beats of the Chibuku tent on Saturday, to the best sounds coming out of Manchester in the Now Wave venue on Sunday, not to mention, the massive acts lighting up the main stage; Parklife may look small, but it’s one big weekend.
Following the crowds pouring into the park on Saturday afternoon, we were welcomed by Everything Everything, giving it their all up on the main stage, to an already pumped up crowd. As we explored the rest of the park, walking past the Chibuku tent, whose heavy bass already had the place packed out, we came across the secret garden; fabric art installations by Donna Jevens and the Elephant collective, as well as bath tubs to sit in and watch as spoken word acts, and buskers perform on their own stage. This slightly surreal, dreamscape installation was alive with people enjoying a rest from the unyielding party that continued on just around the corner. If that wasn’t already enough to spark our curiosity, past the spoken word, circus acts and tunnels of love, we came across the Truly Treemendous Treehouse Stage, which housed silent disco DJ’s in a tree, as well as a dance floor and some giant vegetable seating for everyone else to enjoy.
Back to the main stage, and Beardyman had replaced Everything Everything, enchanting crowds with his almost unbelievable beat boxing skills, cross over to the Now Wave tent to catch Jamie XX start off his set, and as the audience throw themselves into the rhythms, it was hard to believe that it was only six o’clock. Katy B’s clear vocals cut across the park, and drew the crowd back to watch her perform tracks like Broken Record and Perfect Stranger, with a completely different feel to her recorded work. Live band, coupled with a small brass section gave the set a more soulful feel than her latest album allowed for.
With the sun setting over the festival main stage, and the carnival atmosphere continuing, before we knew it, debut festival headliners Two Door Cinema Club, began their electrifying set. Playing tracks from their album, Tourist History, as well as new materiel with an infectious beat, they left the crowd screaming for more. As the throng poured out of the park and into numerous after parties, we were left to wonder, how could tomorrow top a night like this?
Day two broke with the sun rising over the city, but soon gave way to a more traditional UK festival climate. The rain transformed green grass pathways into mud planes, and we rejoiced as mudslides and wrestling commenced and the multitude turned from an array of colour to slimy brown. It was inevitable really, and nothing was going to get in the way of a great line up for day two.
In the Juicy tent, rammed all the way to the entrance, one of our Parklife highlights was Riot Jazz, a ten piece brass band, who pumped out a combination of punchy jazz, hip-hop, and funk beats, in true style. Making it impossible for anyone to be standing still, as tune after high energy tune blasted out in ecstasy before the rain drenched audience. The energy was astounding and just as we thought the crowd couldn’t dance any longer Broke n English took over to prove us wrong. Torn between staying to watch the set, and catching Labrinth’s debut festival appearance, we pulled ourselves away to head to the main stage, but before making it there, we crossed paths with a samba band and crowds dancing behind them.
The rain had stopped, but the mud was rising with Labrinth’s opening song to his first ever festival crowd. And after a bass heavy set from Skream & Benga, two thirds of legendary magnetic man, the air was heavy with anticipation as the crowds waited expectantly for day two main stage headliners, Chase & Status. With pounding rhythms, and heavy bass, soaring melodies, and awesome visuals, not one person was standing still as the main stage lit up for the final act of the year. And though sweat poured down their mud caked faces, the audience were swept away by a performance that kept getting better. Before leaving we popped into Now Wave to find a crowd of dancers falling in love with the crushed harmonies, and catchy melodies of Mystery Jets. And as our tired legs left Platt Field Park for the final time, we couldn’t help but think that Parklife, will only keep getting better.
As we head well and truely into the festival season, L.E.D returned for its second installment at Victoria Park in London with L.E.D presents deadmau5 Live.
After selling out shows all over the world and more recently becoming the first electronic artist to sell out London’s Earls Court in December 2010, we expected a mammoth crowd to grace the grounds of Victoria Park to see the DJ who doesnt like to be called a DJ, deadmau5.
We stroll into Victoria Park around 3pm to the sounds of Retro/Grade who have taken to the Main Stage. Immediately we head to the Let’s Go Crazy Arena to check out one of D&B’s finest acts Netsky and MC:AD. If its was ear ringing D&B you wanted to hear, then this was the arena for you! The speakers were smashing out the sounds from Netsky, Skrillex, Modestep, DJ Hype and all the other DJ’s in this arena. As we walked around the crowd, the amount of energy in this arena was insane, the D&B massive was definetly representing.
As 4pm approached, we headed back to the main stage to see Skrillex, label mate of deadmau5 on mau5trap records. An extremely talented young man, Skrillex is a electro / dub-step producer, he is welcomed to the stage with large applause from the crowd. His DJ set is full of head banging tunes, and with microphone in hand, Skrillex announces that “London is my second home and I f*ckin love it here”
With the sun well and truely shining, the grass crisp and dry, Radio 1’s Zane Lowe is next to send the main stage crowd into euphoria. Zane has a massive presence on the stage, his DJ skills and crowd pleasing ability is second to none and he plays a huge mix of music in his sets. Zane really does know how to whip a crowd into shape!
Having just released his new single Bounce, Calvin Harris is next to take to the main stage before the main event. Calvin takes it straight to the L.E.D crowd with his massive hands in the air anthem I’m Not Alone. Everytime I have seen Calvin he never disappoints, his sets are consistently brilliant with the right amount of electo-pop numbers to please the crowd, a number of them his own productions!
For those that do not know, deadmau5 is full on techie, his shows and music are created using cutting edge technology and are constantly pushing the boundries. His current setup consists of a mind-blowing led cube and his iconic led mousehead. Being a tech-head myself, its amazing to see how Joel brings his show together using the latest tech.
With the Lets Go Crazy arena closed, the main stage area packs out with about 25,000 fans who have been here most of the day to see deadmau5. As the music fades, deadmau5 runs to the front of the stage in a ghost outfit before taking his place at the top of the famous cube structure that has been a part of his shows for about a year now.
Starting out with the uplifting “Some Chords”, deadmau5 knows how to gear up the crowd, and we expected the next 90 minutes would follow suit.
Moving out of sight for a minute, deadmau5 returns to the Cube with his famous LED mousehead! As he takes us through his musical journey, his mouse head lights up with all sorts of images. The visual spectical of deadmau5’s shows are amazing, with a massive L.E.D backdrop as well as the full blown cube and mouse head, no expense is spared when it comes to putting on this production.
Needing no introduction onto the stage, we hear the build up of one of the tunes I was most waiting to hear, “Sofi Needs a Ladder” starts to arise from within the speakers, and as the beat kicks, Sofi comes out and there is a massive roar in the crowd. Struting her dance moves in front of the cube, Sofi makes her way down the catwalk to take it to the waiting crowd. Sofi sounds just as good live as she does on the album!
deadmau5’s live shows never disappoint, and as with last year at Earls Court, this was another stormer of a show, once again showcasing why deadmau5 is one of the most in-demand electronic artists in the world. I dont suspect it will take long to see him back in London again very soon.
We very much look forward to see what L.E.D has in store for us next summer!
For more photos check out our L.E.D presents deadmau5 album in our Facebook page