Summer Festival Guide

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36 Crazyfists Interview by Rachael Broadhurst

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It’s the first stop on the 36 Crazy Fists’ album tour. The venue is practically overflowing with nu-metalheads eager to welcome back the US-based band after a 5 year break from the scene. I manage to grab lead vocalist Brock Lindow for a quick chat before they hit the stage.

So your seventh album Time and Trauma is on the horizon and last year marked your twentieth year together as a band. Is it difficult to come up with new material?

I don’t think so. I love music and it’s been a huge part of my life. We definitely won’t be touring forever, but creating and writing songs has got to be something I do forever because it’s been such a huge outlet for me. It’s not easy but it’s what I really dig.

Is it quite hard to find inspiration now, or is it just as easy as when you first started?

My inspiration all comes from my life. I don’t write about really religious or worldly topics; maybe somewhat, but only how they relate to me. The entire album Time and Trauma is about the process of losing a loved one. My mum passed away from cancer three years ago and so the entire record is about that piece of my life. The inspiration for songs is just what is going on in your life. It’s like a time-vault. With every album, I know exactly where I was at that time. It’s not hard to come up with inspiration.

It has been about 5 years since the last album. Is Time and Trauma quite different from your previous work?

I think it’s more comparable to the early stuff as opposed to the last couple of albums. That’s mostly because I wanted to get back to the singing style instead of just screaming all the time. So the vocal approach was a little different.   We have released three songs now on itunes before the launch of the album and a lot of people are excited that it sounds like the early stuff which makes me happy.

I absolutely love the track Also am I. I have been singing it all day and torturing everyone! Was that always going to be the single or did you decide that later on?

I didn't even decide it. It was more of a collective idea because the people outside of the band who work for us thought that it showed all of the facets of our sound. I love the song, so I'm cool with it.

This is the first date of twenty eighty in the tour. Is there anywhere in particular that you’re looking forward to?

I have been counting down the seconds on the clock for weeks to start this tour. There is a reason that we started in the UK; it’s the first country that really embraced our band outside of Alaska where we’re from. I don’t think we've ever played here in Plymouth before, so that’s great. Years ago we went to a place called Yeovil and sadly we never went back. It was the most insane show! It was this little clubhouse and there were kids diving off of the balcony. We have been touring the UK since 2001, and I dig going to places we haven’t been to before. Bristol and London really go off. They are all good. UK rules.

So who is the most likely member of the band to act up on the tour?

I think everybody is pretty good. We like to have a good time. We flew in yesterday morning and when we got here at 7:30am, it’s really 10:30pm where we were the night before. It’s closer to either going out or bedtime, one of the two. Yesterday, we just powered through the whole day in London and went out. I almost got hit by a car! Today, the work starts and everybody is a little under the weather so you've got to have your hip-flask with you. But everybody is ready to have fun.

Finally, what is your favourite thing about being on the road?

Playing the shows, definitely. The connection with the people. Getting to hear your songs sung back to you is always killer and the UK seems to one of the best at that for sure. The rest of the tour; some is really fun and the rest is a bit like Groundhog Day. But the one hour of the day when you’re doing the show is the best part for sure.

Well thank you very much for giving me your time and good luck with the rest of the tour.

No problem. Thank you for the coverage.

36 Crazyfists new album Time and Trauma is available in the UK from February 16th 2015.

Check out all of the Rachael's photos here: http://www.facebook.com/martianartsimages

Star Names Confirmed For Cheltenham Jazz Festival

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Cheltenham Jazz Festival returns at the end of April with a bold programme featuring a range of exclusive one-off performances, unique collaborations, special commissions and debut UK appearances from a heady mix of established stars and emerging talent.

 

Taking place across 6 days from April 29th – May 4th, this year’s festival will present a smart balance of classic and contemporary jazz, blues, soul and pop from a string of pioneering acts including million-selling singer-songwriter Rumer, Dutch superstar Caro Emerald, experimental producer and composer Squarepusher, one of the queens of soul Martha Reeves, world-renowned DJ and broadcaster Gilles Peterson, former Dr Feelgood guitarist Wilko Johnson, Californian blues-rocker Beth Hart, and consummate jazz singer and broadcaster Clare Teal.

 

Once again returning as Guest Director is Jamie Cullum who, alongside handpicking a selection of events for this year’s programme, will perform with trailblazing US jazz funk jam band Medeski, Martin & Wood. Other high profile acts on the bill include venerable jazz-fusion star John Scofield, whose collaboration with German pianist Pablo Held’s trio is currently receiving rave reviews (“a fascinating fresh setting for a unique guitarist who always means business” The Guardian), the mystical sounds of the Sun Ra Arkestra, master ngoni player Bassekou Kouyate, the UK premiere of jazz heavyweight Lee Konitz’s new quintet featuring virtuoso trumpeter Dave Douglas, and a treat for fans of Afrobeat in the form of two contrasting but equally outstanding concerts – a Saturday afternoon show from legendary African drummer Tony Allen, who performs music from his acclaimed 2014 album Film of Life, followed that evening by Joe Lovano’s Village Rhythms Band, an inventive 7-piece outfit which explores the connection between West African music and jazz.

 

BBC Radio 2 continues its long-term association with the festival and has confirmed a range of activity across the week. Alongside live festival-themed shows recorded onsite by Jamie Cullum on Saturday May 2nd and Clare Teal on Sunday May 3rd, the network will air Caro Emerald’s concert on Thursday April 30th, a Frank Sinatra-themed ‘Friday Night Is Music Night’ featuring appearances from Kurt Elling, Clare Teal and Anthony Strong on Friday 1st, and a world premiere to close the festival on Monday 4th, a celebration of the music of George and Ira Gershwin featuring Laura Mvula and Gregory Porter.

 

Justifying its reputation as one of the most forward-thinking festivals in Europe, a varied collection of the next generation of global jazz stars are represented this year by the likes of Anglo-French trio In Bed With, Suiss trombonist and composer Samuel Blaser, Spanish singer and multi-instrumentalist Andrea Motis, the first ever UK performance by the inimitable Surnatural Orchestra, and European trio Phronesis, whose Pitch Black project will be performed in total darkness.

 

A wide range of top UK-based talent will appear on the bill including East London’s unique take on the brass band Hackney Colliery Band, Mercury-nominated piano trio GoGo Penguin, who will join Gilles Peterson at the festival’s much-anticipated club night, funk favourites Average White Band, Neil Cowley Trio, the Rachael Cohen Quartet featuring Phil Robson, soul diva Natalie Williams, a double bill featuring the soulful vocals of Si Cranstoun and Purdy, and the Julian Arguelles Septet, a band formed especially for the festival.

 

Beacons Festival 2014 Review

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It’s now two o’clock on Monday morning. My feet are numb, my ears are ringing and my tent is full of water and STILL this has been the best weekend I’ve had BY FAR since I sat in almost exactly the same spot this time last year.

Beacons festival is now in it’s third year and long may it continue. Aswell as being tucked away between some of the most perfect countryside I have seen and boasting lineups which have consistently excited me like a child on Christmas morning, the festival has another certain magic about it that is difficult to put into words until you experience it for yourself. It boasts an eclectic mixture of hipsters, underground music fans, families and artsy types, bringing in people from all walks of life and yet keeping focus on enjoying beautiful music and art. The Yorkshire Dales allow a wonderful setting to nurse a hangover and an excellent excuse to chomp on a succulent locally sourced hog roast.

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Thursday was all about getting reaquainted with Beacons festival. Our first stop was for food, which took us on three laps of the arena before finally deciding on a fantastic little street food stall called Fish& for some delicious sweet chilli battered fish and chips. After this, we wandered into the ‘Impossible Lecture’ tent and caught the end of the previous performance. We were greeted by a naked, purple-haired lady, crowd surfing her way out of the tent. Welcome back!

Our Friday began to the washing ambient sounds of backwards facing ‘British Sea Power’ inside the main stage, which was hosted by ‘Loud & Quiet’ and ‘Last.fm’. This was certainly not a case for starting as we mean to go on though, as the next artist we saw was the person I was most looking forward to from the whole weekend. The much anticipated Dan Snaith (aka- Daphni) entered the Resident Advisor stage at 6.00pm to an eager crowd. Luckily for us, the tent was designed with blacked out windows, making it feel almost like the middle of the night. The green strobe lighting was mesmerizing and the atmosphere was certainly not negatively affected by Daphni’s early set time. A wave of excitement passed through the crowd as Snaith dropped his latest Caribou release, ‘Can't do without you’ from under the guise of his alter-ego. It was a noticeable turning point for the resident advisor tent, which went on to host blistering sets from first Daniel Avery, straight off the back of Drone Logic and finally the techno/house inspired Roman Flugel. Friday’s headliners over on the main stage were Daughter, who seemed a little uninspiring after the electric atmosphere within the Resident advisor tent. Although they sounded beautiful, with their haunting minimalist sound and the raw emotion portrayed through Elena Tonra’s vocals, it was a slight downer on the fun I had experienced in the Resident Advisor tent earlier. I am sure on another day, perhaps at a different festival, Daughter would have blown me away with exactly the same set.

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Saturday catered for the house lovers over at the Red Bull Tent. The party started with Pariah, an R&S labelman from London, who would get any electronic underground fan nodding their head with his approach in the current wave of British dance music. The DJ entered the part-open stage at 6:00pm – allowing festival goers to ease themselves into Saturday evening whilst the glorious sunshine brought warm party moods well into the sunset hours. The critically acclaimed ‘Huxley’ kept the beats going into the night, leaving the crowd screaming in excitement with the much unexpected addition of ‘Space Cowboy’ by ‘Jamiroqui’ emerging through his heavy house beats. Joy Orbison continued where Huxley left off and finished the night in style.

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Saturday’s headliner was Jon Hopkins and once again, he did not disappoint. Blowing the crowd away with his explosive and bass heavy, kaoss pad inspired soundscapes. His set was an unsettling, yet completely soothing experience. A master of his art, Hopkins is known for his intriguing aesthetic performances. Halfway through this particular set, an unexpected sea of colourful giant bouncy balls sailed through the crowd as excited fans punched them into the air creating a colourful explosion of orbs floating over the stage. After the initial excitement of feeling like you are a big kid in a ball pit (and of course the fantastic visuals) the excitement wore off and we realized that being banged in the head by those things actually quite hurt…

Sunday came and the heavens opened. The rain was torrential and so our day was planned around keeping dry, as well as who we would like to see. Tall Ships were the first band on our list and they played one of my favourite performances of the entire festival. T=0 being a highlight and it’s guitar hook has been stuck in my head ever since. After this we took position inside the Resident Advisor for Mano le Tough and then Dixon. Both of whom played quite similar sounding sets. Tough bordered more on house and modern disco, with Innervision’s founder Dixon edging towards progressive house and techno at times. The weather had put a downer on the day for me and although some people I had spoken rated Dixon as their highlight of the festival, I was not in the same mindset. The DJ seemed a little too similar to the artist previous which wasn’t his fault, but I found myself glad to move on from this tent by the time we needed to leave.

Once we had walked over to the final headline act, we were freezing and soaked to the bone. The rain was pouring and spirits were low. Darkside were make or break.

The guitar/electronica duo of Nicolas Jaar & Dave Harrington have some amazing tracks and there was a lot of hype around this performance, with Nicolas Jaar’s live set being one of the best around at the moment. The stage plunged into darkness for their entrance, before Jaar & Harrington took to the stage, which was a cloud of smoke. Spotlights set behind the stage made the two visible only as silhouettes, as they treated the rain-soaked crowd to a show that they will not forget in any hurry. Harrington’s live guitar added complimentary ambient textures to Jaar’s driving analogue synth sounds. A clued-up individual standing near me noted his use of max/msp for drum programming, which went completely over my head but sounded very impressive indeed.

I was completely blown away by Darkside. They were well worth persevering through the cold and rain; their expert shifts in tempo throughout their set shadowing the rollercoaster of a weekend we had experienced. ‘Paper Trails’ was magnificent and Jaar’s live vocals were such a refreshing thing to see and hear.

The fact that Beacons festival still kept it’s magic, even after one of the worst downpours I have experienced at a festival, speaks volumes for the place. Looking back now, as I sit in my little tent with my freezing toes, the past four days have been completely mind-blowing.

Thanks again Beacons festival…. see you next year.

Truck Festival 2014 Review

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“Truck Festival? What’s that?” This has largely been the response when telling the tales of my whereabouts on the 18th-20th of July. With our music calendar at saturation point with all the festivals happening during this popular time, you can easily be forgiven for knowing nothing about this harmonious little gathering on a farm in Oxford.

But Truck is not your usual festival. It started 17 years ago as a small alternative to the big names such as Glastonbury, Reading or Leeds; all of which have become corporate, money-spinning beasts. Truck has a refreshingly low ticket count, which means that even though it was a sell-out, there was still plenty of breathing space and an obvious lack of hippies and try-hard rockers.

The weekend vibe was completely laid back and inclusive. It was in no way about wearing the right clothes or being seen, but rather about kicking back and enjoying the atmosphere while soaking up the vitamin-D. There was no fancy VIP area: backstage was purely functional. Instead, everyone mingles. The artists roam the site, picking up beers at the bar just like us “normal folk”. A distinct bohemian quality; Truck is clearly about the people and the music.

Typically claiming the third weekend in July, this year the two-dayer kicked off its Friday with the ‘Tropical Groove’ and Indie vibes of the four-piece HABITATS, making their Truck debut on the festival’s Main/Truck Stage. One of the fabulous things about Truck is that it’s a showcase for the area’s local scene at the same time as bringing in acts both small and big from further afield.

It’s a proper all-round arena: the same stage sees the popular rock back, The Dreaming Spires, with their clashing drums and almost-shouting-but-you-think-I’m-singing vocal sound (resulting in constant sound), immediately preceded by the relaxed and more feminine vibes of Fickle Friends singing to their soft keyboards and jingling tambourines.

Wider afield, the festival plays host to five stages, all very different in the music they were churning out over the fun-filled weekend.  The Barn Stage was focused on psychedelic noise rockers, such as Canterbury and Blood Red Shoes. Set against a corrugated steel roof, and with the scent of manure easing its way up the nostrils, it soon became obvious that we were watching psych-punk wraiths perform on a stage erected in a working barn. It was a surreal experience to say the least.

A mix of haunting sounds, hypnotic, pounding drumbeats and winking strobes were the enticing aspects which drew you into the stage amusingly labelled as The Veterans and Virgins Stage. Hosting bands such as Ralfe Band and the Brickwork Lizards, both of which offering unique experiences, often involving banjos and tambourines, the stage was both unique and alluring, tantalising the musical tastebuds. Similarly, the close-by Saloon Bar lured  people in with its refreshing western atmosphere. Set up as something out of a cheesy western movie from the 50’s, this stage offered a different experience from the other stages with a more acoustic and folk feel to all the acts, which included sets from BMW and The Buffalo Skinners.

Finally, often described as the ‘Second-in-Command’ to the Truck Stage, the Market Stage was a stage which offered a whole range of musical genres from Dance a la Plage with their Indie-Rock ambiance to the folk-electro solo artist, Dan Croll.

With every act, bar the day’s headliners, allotted a half-hour performance slot, it’s nothing if not fair. You can power through bands and stick with sets you might otherwise leave, meaning you get a great idea of each carefully edited set list designed by each band to show themselves at their best.

Friday’s headline act, the much loved The Cribbs, take to the Truck Stage at 10pm, delighting the crowd with a medley of their top hits – they’ve more than you remember after realising five studio albums – before their spectacular closing song, which left the crowds begging for more and sadly dispersing back to the camping site, or for those more eager to other stages, such as the Market Stage which offered an all-night “Silent Disco”. There is no doubt about the fact that this band knows how to rock a festival and plays a pitch-perfect set to a crowd that appreciates their longevity and experience.

When Saturday comes, eager festival goers await Truck Stage sets from M+A and As The Elephants Are. As the day goes on, things get really lively.

When the final act at the Truck Stage for the weekend, White Lies, take to stage they muster an infectious energy. People from outside the tent file in and there are heads nodding right the way to the back of the assembled throng. As they launch into the fast-and-furious first song, all pulsating drums, rumbling bass, blissful synths and deep vocals wrapped up in lyrical genius, the London trio ignite a flame within the audience which refuses to die out until the early hours of Sunday morning.

Truck is unique. Mellow, friendly and under-crowded. It’s like the best village fete you’ve ever been to. Complete with a diverse selection of bands, this is how festivals should be. You can’t help but hope Truck never gets big and becomes the commercialised spawn of the modern music industry.

T in the Park 2014 – Friday Review

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There’s very few things I expected to happen in my lifetime; meet the queen, find the pot of gold at the end of a rainbow and for Scotland to be so hot my eyelashes are even sweating (they pay be pity tears for my poor ginger skin). If only the free tap water was free factor 50 and we would all be sorted, unfortunately the only thing someone has thrown my way is a cup of warm pee.

A woman who won’t need to worry about looking like a juicy, home grown tomato by the end of the day is Foxes. The dark haired, golden skinned beauty graced the main stage with her soft voice teamed with a bubbly, flirtatious stage presence made for an enjoyable watch. Going from one extreme to the other I then found myself in front of possibly the three fiercest women I have ever seen. Haim are made up of three sisters from LA with enough attitudes to put any old Rock and Roll band to shame. They’re absolutely and utterly off their rocket. The energy they put in to their live performance means that if you’re going to see them live, you’re definitely getting your money’s worth.

Imagine Dragons aren’t a band I would have paid money to see but after watching them today I’m willing to admit I’m an idiot. Every member is a completely different character, all full of confidence and grabbing your attention, with that much stage presence there’s always something to watch whether it be Daniel’s envy worthy hair, his golden guitar or lead singer Dan Reynolds strong strides across the stage. They played King Tut’s Wah Wah tent last year and this year, rightly so, were promoted to the main stage.

So since Rihanna deleted her Instagram, we’ve all been creeping on Ellie Goulding’s right? (If you’re answer is no, you’re doing Instagram wrong). Seeing her a few years ago, she was a quirky wee blonde; she has now taken on a completely different stage persona on and is now an uncompromising sex symbol, this teamed with her angelic voice makes her an unstoppable force.

Now I’m not going to lie to you, I did do a skip, a hop and an unintentional slip on the way to Ed Sheeran. My excitement was not without reason. Alone on the stage with nothing but a guitar and a loop pedal this man managed to get the crowd pumped up more than all other acts put together. Playing a few new songs from his breathtaking new album “X” Ed is one of the most genuine talents in the music industry today and with quick witted banter with the crowd in between songs this man could also possibly be one of the most likable guys in music.

I ended off the night with Steve Angello and if my sun burn wasn’t keeping me warm, his flame cannons definitely did. Proving he doesn’t need fellow Swedish House Mafia DJ’s he had the sun stroked crowd going crazy.

If you’ve not already got a ticket there are still some left on Ticketmaster http://www.ticketmaster.co.uk/packages/t_in_the_park_2014.html. Acts for Saturday include Twin Atlantic, Rudimental, Pharrell Williams, John Newman, Elbow, The 1975 and Calvin Harris. Sunday you have Disclosure, Tine Tempah, Sam Smith, Example, Passenger, London Grammer and Bastille to look forward to. Come and join in the fun (remember your sun cream!).

 

Sonisphere Review 2014

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Sonisphere made a triumphant return after being cancelled for the past two years, due to a mix of financial problems, getting the right line up and bad luck. So this year it was time for Sonisphere to pick back up and the people of Sonisphere to finally reunite. A weekend of The Prodigy, Iron Maiden, Metallica from fist pumping to moshing, circle pits to expensive beer, dam good burritos, disgusting toilets and pretty good weather these past few days have been incredible. 

The layout of this years main arena was a fantastic and cleaver set up with the two main stages (Apollo stage and Saturn stage) opposite each other, being such a small festival fans could easily move from one to another within a few minutes. If stood in between the two stages there were some spots which you could see both stages from a reasonable distance. I believed this helped promote the bands on the second stage (Saturn stage) more as it wasn't any effort to switch between the two stages. To walk around the whole festival aswell has having a cheeky look into some of the market stalls it would take around ten minutes. 

The market and food stalls have an excellent selection to choose from. The market stalls include festival clothes, festival gear, temporary tattoos, face paint, shoe stalls, as well as tones more. Food wise, Sonisphere went a little on the gourmet/ bohemian style food, with the desert bar, the Hippy chippy, I <3 Ostrich and Milkshake bars. However there has been an uproar on the expense of the beer. Being at £4.90 a pint and allowing no alcohol of your own into the main area this proved to be a disappointment to the people of Sonisphere. 

Friday
Tents up and the sun shining Defiled kicking off this years main stage, this wasn't there only slot, they also performed Nivarna covers on the Bohemia stage later on in the weekend. Next up Anti Flag, who enticed the audience by making them sing back, clap their hands, and of course start circle pits. Without a doubt Anti Flags audience participation was defiantly there. As well as getting the crowd involved witty banter from lead singer Chris Baker shouts "the mother fucking pink power ranger wasn't singing, don't you dare fuck this up for the rest of us." Their last song 'Power to the Peaceful' was performed with Chris surrounded by the crowd. HIM singing behind their signature brand image, I believe there could of been more enthusiasm from the band it's self as there was very little audience participation which let there performance down. Limp Bizkit started out by saying "Now you know what time it really fucking is? Limp Bizkit in the house, you ready for this" 'Rollin' starting their set everyone stood up and began moshing and head banging. A lot of toilet roll was thrown around the crowd, was this a sign of a bad performance or just typical festival discourse? Awkwardly saying it was Saturday when in fact it was Friday, there were a few other blips throughout the set. "You guys ready to get you're Saturday night on?" Left the crowd a little silent and confused. But this was styled out with a cover of George Michael's Faith. To finish was the first headliner of the weekend, The Prodigy. Lights and smoke filled the stage, building the suspense for the fans. The atmosphere was electrifying, hands were in the air, everyone was dancing, and when it begin to rain during the second song this was a massive relief (especially to the sunburnt people) after the insanely hot weather that whole day. Thunder was slowed down and changed to fit the crowd which was good as it was a metal festival but made Prodigy loose abit of its originality.  

Saturday 
Alestorm took the Saturn stage early this morning and with pirate metal being such a niche market the turn out was pretty big. Fans embraced the music and danced to fit the genre. Alestorms advice to the crowd was "Let's drink a lot of shit." Baby Metal blew everyone away at this years festival, if they were to receive a on award from the crowds feedback, it would defiantly be most upcoming band of the year. The three sweet Japanese young looking trio contrasted with the hard metal instrumental but it worked and was a fantastic performance that everyone couldn't stop talking about and was singing the whole weekend. The bands visuals spoke of no bullying and not hurting one another this may have been contradictory after the trio then told the crowd to do the wall of death. Ghost gave out a passionate performance and excelled on there on stage presence which the band is recognised for. Lead singer Papa Emeritus mimics the Roman Catholic Pope although the greatest difference is the anti Christ symbol on his head piece, the image representing the worship of Satan. The guitarist were also dressed mimicking Priest. Anthrax turn out was pretty much the same as an a headliner maybe this is a hint for Sonisphere in the future, but this wasn't there only set, on Friday they played their 'Playing Among the Living' on the Bohemia Stage but the tent was packed full the security had to monitor people going in and out of the tent. Their main stage performance, the crowd was really going for it. Sonisphere sure did love Anthrax. Deftones and Slayer both had similar audience engagement, everyone was moshing, circle pits were forming and head banging was taken place which concluded these two bands really pulled it off. If you weren't in an Iron Maiden top for today then you would stick out like a saw thumb because literally everyone had them on. Overhearing a lot of people talking about Bruce Dickinson and were jokes going round that every plane that flew past, it was Bruce flying it, (even if it was an easy jet plane.) To end the day of this crazy line up, Iron Maiden took the stage and completely ripped it apart. The visuals were continuously changed throughout the set, with Eddie in his few forms. "It's you that's makes it real" Bruce proposes to the crowd. Lights, fire, sparks, everything and more in a performance you could wish for, this was by far the performance that completely owned this years Sonisphere.
 
Sunday
Sadly the last day of Sonisphere, but the wait for Metallica tonight was sure to hold the crowd up from their hangovers. After Gojira noticed the crowds half hearted dancing (as this was an early set,) they soon got the crowd back up, by shouting, "Still a little sleepy, let's makes some noise," which woke the crowd up and circle pits started appearing and more fist pumping was taking place. Devin Townsend Project was all about the love at this years Sonisphere as he told the crowd, "Group hug everybody, it's all about the love." Devin pulled off a fantastic performance and even hinted he may be back next year. "Maybe see you next year, love you all, see you and have a good night." Airbourne hitting the stage next and we all know this is going to be an exciting performance after the expectations of Joel O'Keefee goings on, on stage. Airbourne completely took the stage and had everyone gripped. "Even though the toilets are leaking, you lot still having a good time…You lot look great, you are rock and roll." As of tradition Joel did start climbing the scaffolding of the main stage and began to swing his guitar about whilst up in the air. At the end of the set Joel kindly threw a few beers into the crowd. Reel Big Fish on next, the crowd did experience about a minute worth of sound missing from the main speakers but the bands humour and charm pulled this off. The song 'Fuck You', resulted in "47 fucks in a row." Everyone was soon up singing and dancing when they played a cover of Ah Ha's Take On Me. Alice in Chains on before the final headliner of Soniphere was another kickass performance. "How you doing Knebworth?" got the crowd buzzing and was a consistent performance from start to finish. Wrapping up this years Sonisphere Metallica held the fans waiting a eager 15 minutes after their scheduled time. This really built up the climax to the final big performance. Typically some great facial expressions from James Hetfield as they played fans request for the set list. The bands classics were played along with their new songs Lords of Summer which seems a little strange that this was requested, but the bands performance was truly astonishing. The visuals and props were a little disappointing at the beginning but this got better as balloons and lasers appeared later on in the set. 

This years Sonisphere was a thrilling return and a complete success. Lets hope Sonisphere lives up to its amazing weekends like this one for the future. 

Metallica Review Sonisphere 2014

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After the incredible performance from Iron Maiden last night, can Metallica generate the same results?  With the crowds pouring towards the Apollo Stage and people packed tightly together, this long weekend was tiring but everyone was so ready for this grande finale of Metallica By Request. Part of their 'By Request' tour allowed fans to vote the set.

Starting the set with "Battery" this got the crowd going wild. "Are you alive, tell me what it's like to be alive?" Screamed lead singer James Hetfield making the crowd roar with excitement. The visuals included three different screens showing the band live as they play. This was a little disappointing, however this was only the start and it sure kicked off in the end with giant inflatable beach balls filling the main stage, lasers hitting the night sky, fireworks and the whole shabang. "You've saved all your best fun for tonight right?" James shouts, getting the crowd revved up again.

James called someone up on stage which was pretty exciting and asked them to present the next song. Up came a bohemian looking chic Kate from London who introduced the next song but the crowd had a different idea and she did get a few boos. This happened a second time with a gentleman called Craig also from London, but again this didn't go down too well with the crowd.

Photo courtesy of Sonisphere

But of course Metallica being Metallica easily pulled this off and got the crowd back on track. Most of the favourites songs were played such as "Enter Sandman", "Master of Puppets", "Nothing Else Matters", and strangely "Lords of Summer", one of the bands new songs, which was pretty surprising that it got requested.  

After a short encore and the crowd crying out for more they returned on stage and ended with "Seek and Destroy". Hanging about the stage for quite a while with Union Jack flags the band was messing about abit but then disappeared. Metallica and Iron Maiden are clearly equally as talented but in terms of performance, the visuals and effort but in of the presentation of the performance it has to be Iron Maiden trumps as headliner of the weekend at Sonisphere.

Sonisphere 2014 Saturday brings a mix of acts to Knebworth

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Sonisphere wasn't shy to mix up the line up they had in store today. Starting with Ale Storm from 11.35am, an early start for an incredible turn out. Many pirate dance moves later "Lets drink a lot of drink." Shouts LEAD. Followed by sound checks in Japanese ready for Baby Metal to hit the stage for their first UK tour, the performance surly had a complete different feel compared to what is usually played. Baby Metal kicked off there set with a star war themed visuals with a narrator telling a fictional story about the band. Next up was Chas and Dave, then Ghost with Antherax and Frank Turner following behind. Although Frank Turner claimed "This music is what I fucking come from" after him mentioning he grew up listening to Iron Maiden. None of these bands even touch on a similar genre type but I guess the one thing they all have in common was there invitation to perform here. So, was this the weirdest binary of sets Sonisphere has ever had?

Photo courtesy of Sonisphere

Sonisphere 2014 Friday Review – Prodigy

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Limp Bizkits' fail of the night.

"Now you know what time it really fucking is. Limp Bizkit in the house, you ready for this." Screams lead singer Fred Durst after three lovely ladies harmoniously sang Rolling, introducing the band to the stage. Enticing the audience with Faith, the crowd enthusiasm rose. The excitement from fans came to a slight stop after a little hiccup from Durst, completely messing up what day it is. "You guys to get your Saturday night on?" Confusion, and a short moment of silence from the crowd the singer quickly styled out a response of "Well it's Saturday night in my book." This wasn't the only blip the Durst randomly shouted 'Oh, Shit' in the middle of his set. Whether these mistakes were a result of one too many, or just a lack of communication from the bands media side we will never know. I have to admit these were soon forgotten after the bands incredible stage presence and claiming thing such as "What a pretty fucking crazy crowd tonight." Anthrax over lapping their time slot with Limp Bizbit and performing on the Bohemia tent which was proving to be pretty dam popular after the tent was so full security was stopping people from entering, surely Anthrax needed a bigger stage.

Friday's Headliner: Prodigy.
The band everyone has been anxiously waiting for all day, 21.20 finally arrived and the fans loudly welcomed tonight's first headliner Prodigy. Entering the stage with a epic entrance, creating suspense after emerging from the smoke covering the stage the crowd were ecstatic to see and hear the first glimpse of the band. 'I can't fucking hear you!'  Sending the crowd into euphoria with "Breathe", the rain starts to lightly fall as Prodigy head into "Jetfighter".  This did not put a downer on the crowd epically after seeing all of the burnt faces in the crowd. Forcing the crowd to go crazier than they already were, it was fair to say the people of Soniphere did not stop moshing, dancing, jumping, fist pumping, air guitaring, which could of been to do the metal cover the band slightly adjusted a few of their own songs to fit with the genre of Sonisphere. The band defiantly pulled this off after slowing down "Thunder" giving it a deeper bass, Prodigy defiantly get points for these adjustments. Finishing their set with the massive anthem "Smack My Bitch Up", Prodigy return with the crowd still buzzing with an encore of 'Take me to the Hospital', "Hyperspeed", "New Beats", "Their Law".  Keith Flint is forever engaging the crowd with phases like "I know you know what to fucking do and All you people at Sonisphere where the fuck are my prodigy people, A little more music, turn the fucker up". The stage presence of the band as a whole were truly incredible; the visual topped it off. With little stage art but the way the band was shown on the screen was edited in a surreal kind of way. Showing the band live in different effect such as negative, black and white and mirroring, which made it look as if this was pre recorded as a short art film. The array of coloured lights reaching the night sky gave the band greater performance. This band lived up to its name, and was for sure the best performance  of the night.