The Long Road Festival 2022 – REVIEWED!

Friday

The stars at night, are big and bright, deep in the heart of… Leicestershire. Yes folks, it’s finally time to return to the grounds of Stanford Hall in the UK, for three days of Country and Americana at The Long Road festival. Driving down the country lanes through picturesque thatched villages and ye old pubs, we’re talking about a very different kind of ‘country’ here in the UK. This feels more ‘there are a lot of murders for such a small place’ than ‘we brew moonshine in our tub’ but the essence is kind of the same – our sunbleached fields after a summer of heatwave might not be giving full Texas but eh, it’s not far off.

We head around to the marked carparking looking for day parking, only to be waved down by an angry steward telling us there’s no such thing (despite the GIANT sign 5 metres away from him saying it does) and get directed into the weekend camping car-park instead. So we do as we’re told only to discover that this isn’t the way to the main box office… there should be day-parking, and we now have to walk through camping fields to find it/our way in. I don’t know what was going on with Friday’s site staff but absolutely no-one seemed to have a clue what was happening or where anything was. However, after some grumpy shuffling we finally make our way past the beautiful Stanford Hall itself, and into the festival.

Since there isn’t any main stage action today, we decide to take a full tour of the site and see what’s what. We are greeted by an absolute plethora of stuff-to-do which I take as the mark of a good festival actually, and the site itself is really pretty. Over at The Showground, there’s a flamboyant pink and yellow garbed Cowboy sitting for a Life Drawing Class, whilst next door the Yeti stand is giving lasso lessons (it’s very cute, the ‘bulls’ are little horned heads stuck on the side of Yeti coolers) and axe-throwing.

Ⓒ Anna Hyams for SFG

We take a minute to check out the merch tent, and are pleased to find the range has grown considerably since last time we were here and most of it is available up to a 4XL which is really nice to see. The best t-shirt by far though is the Hot-Dog Showdown one, I’m coming back for it for sure. Around the corner and through a little woodland path is the new home of Buddy’s Good Time Bar, which this year is two tents in a little arena. One the bar itself, one the stage – as well as some seating and a bank of toilets nearby. Last time Buddy’s was a really fun indoor saloon set up in a faux village, and this definitely feels more generic festival, but the stage is bigger and it’s a nice little area to hang out in.

Over on The Front Porch – a stage dressed as a country cabin, complete with smoking stack chimney – where performers quite literally do their set on the front porch, we take some time to sit down and listen to the soothing sounds of Kevin Daniel’s acoustic set. There are people splayed out everywhere in the sunshine just taking it all in, and Kevin’s voice is stunning – this is my favourite stage at TLR.

Ⓒ Anna Hyams for SFG

Jess Moskaluke’s soulful voice seeps out of The Interstate stage tent, and I actually quite enjoy her Kelly Clarkson ‘Since U Been Gone’ cover, despite not actually liking the song itself. London based Misty River is excellent on The Front Porch stage amongst the twinkling fairy lights and the hay bales, with her shimmering sequined dress and beautifully unusual voice. “What a joy to be here” she says but sadly the next few songs are all but drowned out by the noise pollution from The Interstate. The two stages really are too close together when one is playing big beats and the other is acoustic.

Behind us the Moonshine bar seem to be doing a roaring trade, and they have Cornhole and Horseshoe throwing competitions set up for people to play. Around the back of the arena there are a few choice shops to peruse, with some incredibly detailed and interesting cowboy boots and hats up for grabs, as well as floral jewellery and an absolutely incredible stall selling repurposed fabrics such as fancy tablecloths – made into tops and dresses. In the centre of this area is the adorably named ‘Lil Possum County’ kids area which is a hay-baled arena of things to do for your critters. Our lil possum gives the obstacle course a red-hot go, and then promptly falls over a space hopper – excellent fun for all.

Would it even be a festival review from me if I didn’t discuss the food options here? Today’s shout out goes to the amazing Texas Smokers, whose BBQ’s are built into an old American fire truck, with axes for handles. Epic. Their dirty-fries are loaded with so much brisket and cheese sauce that I actually couldn’t finish it – unheard of for festival food.

After the snake-like rest I required following my giant dinner, it’s into The Interstate for Priscilla Block. The tent is absolutely full and she puts on an awesome rowdy show with hits ‘My Bar’ and ‘Peaked In High School’ yelling “This is a song for anyone who made me feel like shit about myself…”.

Ⓒ Anna Hyams for SFG

On The Front Porch, Ilana Zsigmond aka St. Catherine’s Child is having some sound issues but gives a stunning mellow performance anyway, before bluegrass troupe The Vanguards get everyone up and dancing in the twilight. The chimney of the shack smokes red to match their very dapper outfits, as they harmonize over the twanging banjo melodies. “We’re gonna play you one by the Stanley Brothers… any Stanley Brothers in the crowd? Oh. Wait. I should say Stanley Brothers fans… because they’re all dead” gets a snort from me – there’s nothing like a blooper to round out a show, but they’re funny and graceful, and it’s a really enjoyable set on the auspicious day of their album release.

Ⓒ Anna Hyams for SFG

The last act of the night for us is Drake White in The Interstate, which is absolutely packed to the seams with adoring fans whooping as he takes to the stage. “It’s so nice to be here, to be free, to be wearing Ray Bans in a tent and singing for you” he quips, the freedom part presumably in reference to two cancelled years of TLR, but also noting that there is absolutely no reason to be wearing Ray Bans in dark tent full of people. Anyway the set is amazing, he has an undeniably fantastic voice, with that unmistakable Alabama drawl, and the band are rocking – a great first night closer.

Ⓒ Anna Hyams for SFG

As the fire-pits around the site are lit and we head out, it truly smells like we’re on the cusp of Autumn. The crackling logs uplighting giggling golden faces, the crisp cold evenings coming in and the sounds all around us are uniquely Long Road. There’s a magic in the careful curation of experiences which transport you elsewhere in time or space – I feel like I could be laying under the stars on top of a Wagon in the old west right now.

Saturday

Starting off today with a bit of mellow soulfulness in the sunshine is Sam Williams on The Front Porch, followed by a walk around the Lucky Dice Classic Car Show over the lake – I particularly liked the yellow Harley Davidson, and there’s a bit of me that wanted to take the Bronco on a joyride, but I quash the desire in favour of watching some Cowboy Olympics in The Showground. A young lad is standing on a bale of hay trying to catch flung frisbees and stuff them down his top, whilst being unceremoniously jabbed by the horns of buffalos on sticks. 10/10 very entertaining, as was part two which involved throwing hay bales with little regard to rules or safety, excellent sights.

Ⓒ Anna Hyams for SFG

Hudson Taylor on The Interstate give me countrified-Weezer vibes, very boppy and fun, but we’re heading over to the New Orleans Kitchen for some of their incredible blackened cajun shrimp and fries bowls. This is the second festival we’ve had their food at and I just know I’m going to dream about it in the dead of winter and be mournful.

After eating we head back over to The Showground for possibly my most anticipated highlight of the festival – The Hot Dog Showdown. It’s a full house around the picnic tablecloth set-up, there are 6 willing participants and 60 hot-dogs on the deck. As many as you can eat in 3 minutes is the timeframe (which I personally think is a very short window for what look like extremely bready buns) but the countdown goes and the contenders start chomping. There are a few doing the renowned dip-the-bun-in-water technique, but only the ultimate winner is standing up and doing a little wiggle in the grand tradition of Matt Stonie – and it pays off.  Let this hereby be my petition to bring Matt Stonie and Joey Chestnut to TLR next year, make this event bigger and better, get a trophy. I’m off to buy a tshirt.

Ⓒ Anna Hyams for SFG

Round two for Priscilla Block this weekend, this time on the main stage. She arrives in her signature jorts and a sparkly scrunchie, brandishing a Yeti cooler cup and yelling “We have a saying where I come from – holler and swoller! You shout, then you drink” as the crowd join her in a toast. The set-list isn’t the same as yesterday’s, so Block fans are getting a good second innings here, but she does still play ‘My Bar’, and then “To anyone who ever told me I needed to lose weight to be up on this stage… This one’s called Thick Thighs”. It’s absolutely clear the crowd love her, and she has definitely been a highlight of TLR for me – both times.

Ⓒ Anna Hyams for SFG

Cassadee Pope is up next, hot off the back of a social media dispute involving other members of the country music scene – in which she and Maren Morris trash Brittany Aldean’s transphobic nonsense online. Since the festival, Morris has also translated this ridiculous saga into tshirts with ALL profits going to Trans charities, and Cassadee was first in the queue to purchase one – we love to see it. Bursting onto the stage in a patterned white suit, Cassadee calls out “I’m sure everyone out here has gone through something so so tough, and you thought you might not make it… but you’ve gotten through it and you’re here. Be proud of yourselves” to rapturous applause. She’s a ball of energy, entertaining and bright – one of the best performances of the weekend.

Ⓒ Anna Hyams for SFG

Up next, Brandy Clark in a very sparkly sequined green blazer – has been moved up from the Interstate to the main stage, and is talking about how Marty Stuart (playing later) is a hero of hers, and the honour of sharing a stage. “Here’s a song I wrote about a pawn shop, do you have those? It’s not the only song out there about a pawn shop, but I hope it’s your favourite” she smiles. Brandy has a fantastic voice, and is clearly a crowd favourite.

Ⓒ Anna Hyams for SFG

Charly Lowry is over on the Front Porch wearing red cowboy boots and bringing the energy back up, and later the gorgeously smooth voiced Rissi Palmer wraps up the ‘Colour Me Country’ takeover, bringing all the other artists up on stage to thank them.

Marty Stuart & His Fabulous Superlatives are closing the Rhinestone stage tonight, stepping up to a much longer set than originally intended due to the cancellation of original headliner Chris Young – who pulled out of the festival (and his entire UK tour) on the 24th of August. The official line was that there were cases of Covid in the Chris Young touring party, but rumors abound of poor ticket sales on the tour have been circulating online, leaving a lot of disappointed fans who were attending specifically to see him.

However, this extended Marty Stuart jam session – with a heap of special guests – is a rare treat outside of Nashville, for country fans. Having toured with Johnny Cash in the 80’s, and having a career filled with amazing highlights in general – Marty is an institution in country music, and swaggers onto the stage in black, with all the confidence of someone completely at home under the show-lights. Marty’s touring band The Fabulous Superlatives are resplendent in matching powder blue rhinestoned floral suits (very apt for the Rhinestone Stage) as they launch into the set. It’s melodic, the harmonies are perfect, it’s a tour through classic country rock, and the crowd are having an absolute ball.

Ⓒ Anna Hyams for SFG

We can’t get by without at least one quick pandemic reference here either; “It’s called Sitting Alone. I didn’t know what this song was about when I first wrote it, but I do now… for your consideration” Marty jokes, but I’ll let it slide because I really like the song. Going completely off script and just jamming along however they want, Marty yells “Wanna do a Johnny Cash song?” and of course it’s ‘Ring of Fire’ to the joy of everyone in the arena, before heading in a completely different musical direction. “I’ve been thinking about it… and I declare The Long Road Festival to be the surf music capital of the World… what do you think?” the crowd yells in agreement but I can’t help myself laugh at the fact that we’re in just about the most landlocked part of the UK and definitely aren’t ‘surf people’. Oh well, everyone is giving this Beach Boys cover a go anyway.

Ⓒ Anna Hyams for SFG

After this strange interlude, we are treated to a few special guest songs starting with Andrew Combes who honestly looks absolutely miserable but works with the crooning I guess. Guest two is Kezia Gill “Finally something pretty on stage” quips Marty as she laughs, and they up the tempo with a rendition of Nancy Sinatra’s ‘These Boots Are Made For Walkin’ with about 3 extra verses over massive crowd cheers. Guest number three is Sunny Sweeny for the kind of sweet country sounds you can sing along to – and the entire arena certainly is. All in all it’s been a pretty special night, and yeah it’s disappointing that Chris Young cancelled, but there’s a part of me that is really grateful for the opportunity of watching a session instead of a prescribed set for a change. It feels intimate and personal – not something you can usually say about a headliner at a festival.

Ⓒ Anna Hyams for SFG

Sunday

The final day at the festival and a little sun relief this morning, it’s not quite as hot today which is a blessing. After another skirt around the site to see what’s going on, and a little sit down in the very plush High Falootin’ VIP area (sofas, tables, wooden recliners, a bar, cute lanterns everywhere, nice loos and a cracking view of the main stage) we head out to see Kyle Daniel hit the main stage. Kyle is inexplicably dressed as Shaggy from Scooby Doo, and I am absolutely dying to know if it’s intentional, but either way – I’m into it. ‘God Bless America (Damn Rock ‘n’ Roll)’ might be the most antithetic statement I’ve ever uttered as a predominantly rock and metal fan, but it’s a very catchy song that I find myself singing along to regardless, and the whole affair is exactly what I hoped I’d find here – fun. Kyle’s touring guitarist David Henriksson is equally exciting to watch (and to photograph) kicking his long legs all over the stage, and Kyle himself is no stranger to a headbanging guitar moment so I feel quite at home with them, they’ve been a real highlight of the festival for me.

Ⓒ Anna Hyams for SFG

Over on the Front Porch, Reya Jane is lamenting her “…cursed song. Every time I’ve released it I’ve ended up having to move back into my mother’s house”, and a quick jaunt through the woods to Buddy’s has us getting down to Gangstagrass who I just straight up LOVE immediately. “If you think there’s no space for violence in Bluegrass… remember all those killing ballads” gets the crowd giggling, before they make me a number one fan with ‘Appalacia Love’… “Appalacia knows how to party” is just, chef’s kiss. Don’t get me wrong though, they’re not just funny – they’re actually a fantastic talented band, and I’m here for the fusion, especially love ‘I’m Gonna Put You Down’.

Ⓒ Anna Hyams for SFG

Over at the Showground, people are gathering for the Spicy Wings challenge – which is surprisingly being co-hosted by Kelby Ray of The Cadillac Three, who apparently makes his own hot sauce, and kinda looks like he wishes he was in on the challenge. Six wing contenders step up to the plate and I am positive I am in for photos of crying, maybe even vomiting here, but alas. Either the spice levels aren’t up to scratch or these guys are all made of steel because they ALL finish ALL rounds and it has to eventually come down to a fastest-chomp-first situation. In conclusion – next year I would like to see pain and tap outs, so a spicier spectacle is needed.

Sara Evans floats out onto the main stage in a flowy floral jacket, to a huge crowd. She’s a darling of country who has won many different awards, but I’ll be honest – it’s kinda static and not really my jam. She has a beautiful voice but I’ve been hyped by Gangstagrass and I’m looking for some energy. At Buddy’s, Harleymoon kemp (Martin Kemp of Spandau Ballet’s daughter, no less – and yes we did keep an eye out for him in attendance but don’t think he was there) is both talented and funny, joking about a guy on tinder “…the only thing that’s coming tonight is an Uber to take me home”.

Ⓒ Anna Hyams for SFG

Lindsay ell brings the momentum I’m looking for, she is stomping and dancing wildly across the stage, throwing herself into staggering back bends whilst wielding her guitar, and getting the whole crowd jumping. Throwing in her No Doubt/Queen medley of ‘I’m Just A Girl’ into ‘Bohemian Rhapsody’ is a little fun treat but I appreciate her whole set, and definitely applaud a gal who can run around on those wicked tall boots she’s wearing.

Ⓒ Anna Hyams for SFG

Following Lindsay is another burst of energy with duo LoCash, who I can best describe as Country-Pop. They’re upbeat and know how to pull a crowd, joking around about their attempts at English accents and then playing a cover of Backstreet Boys ‘I Want It That Way’ – this is the kind of cheesiness that will always win you a British crowd, to be honest. There are a few other snippets of covers chucked in there – ‘Pour Some Sugar On Me’, ‘Twist and Shout’, ‘Summer of 69’ and ‘Stacy’s Mom’ all make their way into the set to get countrified into TLR history.

Ⓒ Anna Hyams for SFG

Tonight’s eats include a dose of possibly the most incredible Buttermilk chicken I’ve ever eaten in my life, and the ridiculous ‘bucket o’churros’ which was even hard for 5 of us and a toddler to finish. Is there anything better than eating delicious food in a field listening to great music? I’m gonna have such festival blues the whole of winter I just know it.

Well, the final sun has set on an incredible weekend, and closing out the main stage are Southern rockers The Cadillac Three, who I believe the last time they played a UK festival were at a very different sort of event – Download at Donington. The stage is set with huge stack amps and three podiums – one for drums (with a kick-drum image of the band portrayed as skeletal heads), one for keys, and one for frontman Jaren Johnston. The lights dim and the band enter the stage to a huge roar from the crowd, which I wasn’t really expecting to be honest. TC3 are right on the edge of being more rock than they are country, so I was surprised to see how many people had come out for this tonight.

Ⓒ Anna Hyams for SFG

Jaren does a quick shout out to previous guests around the site, and says that they’ll be hitting up the Everett after party over on the Interstate after they’ve performed – which honestly is really nice. It’s great that bands feel comfortable enough to walk around and enjoy the festival as well as performing at it, something I think The Long Road gets really right is the easy-going feel of the event. They play through a plethora of hits including the brilliant ‘Peace Love & Dixie’ and the very fitting hot wings related content ‘Tabasco & Sweet Tea’. ‘Down to the River’ is a favourite of mine but ‘The South’ is an epic closer tonight – a little commentary and wrap up on this weekend that really has celebrated all things Southern and country.

Ⓒ Anna Hyams for SFG
Ⓒ Anna Hyams for SFG

So what did I think of my first full weekend experience at The Long Road festival? Well, despite it’s small size, you do get a lot of bang for your buck here. There is always something fun to see or do, everyone is friendly, the food is epic, there’s heaps to have a go at, kids are catered for, hell you can even bring your dogs and nothing is very far to walk between either. If you’ve always wanted to go to a festival but the big ones make you nervous, this festival is definitely for you – even if you don’t identify as a country music fan. If you are a country music fan and weren’t there… what is wrong with you? This is your mecca. Book your 2023 tickets immediately you absolute spoon. I had a bloody great time, and feel I’ve had the privilege to see some really special acts this weekend, so – see ya next year y’all…

Ⓒ Anna Hyams for SFG

Bedouin Announce Saga Ibiza Closing Party with Luciano

http://www.bedouin.us
https://www.facebook.com/BedouinOfficial
https://www.facebook.com/sagaibizaofficial

Order Tickets

After its big move to Pacha, Ibiza Bedouin’s enchanting Saga party has been the most talked about on the island and now it announces a huge closing on October 5th with Swiss-Chilean legend Luciano. Between now and then, the likes of DJ Koze, Audiofly and more are all still to play.

Formed by Rami Abousabe and Tamer Malki, Miami-based duo Bedouin has been bringing their own fresh sound to the scene for years. Their unique mix of spellbinding melodies, fresh rhythms and a mix of their Middle Eastern heritage and Western upbringing has made them into a globally renowned duo.

At the same time, their own Saga party has gone from strength to strength since starting in 2017. For the first time this year, the party arrived at Pacha and scaled-up its ambition with a magical Middle Eastern-inspired experience infused with incense, soft and warm lighting and an enticingly beautiful, dramatically fresh and infectiously blended soundtrack each and every Wednesday.

There have been many highlights already this summer such as an epic Deep Dish reunion that saw house heroes Dubfire and Sharam reunite in style, a magical back-to-back between Bedouin and Crosstown rebels boss Damian Lazarus, a next level live show from Innervisions man Henrik Schwarz and Nathan Daisy appearing as a special guest.

Now, the special Saga series rolls on with many standout parties to come: in September sees Bedouin play an extended set and more from ANDHIM, DJ Koze, Ageless, Audiofly and Serge Devant. The grand finale is on October 5th with Cadenza label head Luciano bringing his stripped back and Latin tinged minimal sounds next to Hoomance.

Later in the year, the acclaimed pair are also set to unveil their long awaited debut album. It will be a deep dive into their famously rich and musical house sound with all of the worldly influences and cultural references that are now expected from the innovative producers. It shall also be including some widely acclaimed international artists (to be announced very soon)

Amongst the rest of their headline sets for Saga at Pacha, the pair have also had a busy tour diary that has taken them to Mykonos, Egypt, Marseille, Marbella, Düsseldorf, DC-10 and Hï Ibiza amongst many more places between now and the end of summer.

It has been a ground breaking year for Bedouin, but there is still plenty more to come from the influential pair.

Lineup for the rest of the season:

September 7: Bedouin, andhim, The Soul Brothers
September 14: Bedouin, DJ Koze, and Ageless
September 21: Bedouin, WhoMadeWho, Santiago Garcia
September 28: Bedouin, Audiofly, and Serge Devant
October 5: Bedouin, Luciano, and Hoomance

https://instagram.com/bedouin_official?igshid=YmMyMTA2M2Y=
https://www.instagram.com/bedouinsaga

La Troya, the most original party in Ibiza, arrives at Club Chinois

https://www.instagram.com/clubchinoisibiza

https://www.clubchinoisibiza.com/

To celebrate the end of the season, Club Chinois, the incredible 360° immersive experience with state-of-the-art systems, will present every Monday in September the best polysexual party on the island, La Troya. Resident DJs spin an electrifying mix of electronic sounds that will have you dancing contagiously across the dancefloor at what is already considered to be Ibiza’s most original party.

La Troya originated in the 78s at Ibiza’s KU discotheque and has since become one of the most famous and celebrated LGBT-friendly parties in the world. Created by Brasilio de Oliveira, the island’s longest running, most respected and loved promoter, it has close ties to the island’s gay community, and is notoriously uncontrollable, famous for its flamboyant and unique themed productions to elevate the chosen weekly theme. Brasilio’s flamboyant style is clearly influenced by its country of origin, Brazil, with immense and spectacular decorations reflecting the colours, materials and vibrancy of that wild nation, all directed today by, Eduardo de Oliveira.

5 September
LA TROYA OPENING PARTY
LINE-UP:
Oscar colorado
Paul Dary
Tower
& Friends

12 September
THE TROJAN TEMPLE OF LOVE
LINE-UP:
Oscar colorado
Felix da funk
Karol Garcia

19 September
LA TROYA BABILONIA
LINE-UP:
Oscar colorado
Franco moiraghi
Julian fox

26 September
LA TROYA THE END
LINE-UP:
Oscar colorado
SPECIAL GUEST

SPECIAL GUEST
& Friends

Victorious Festival 2022 – Review

Victorious Festival returned to Southsea with its most impressive line-up yet.

Incredibly, Victorious began each day with a band capable of taking top-bill at any festival.

On Friday, Primal Scream kicked off proceedings in their own unique style, having headlined Glastonbury earlier this summer. Taking to the stage in a red suit made from the classic Screamadelica sunburst album cover, Bobby Gillespie launched into Swastika Eyes – although the band began with with a few rarities, they soon launched into their singalong anthems, before being joined by the local Southsea Alternative Choir for a heavenly rendition of Come Together.

© Graham Tarrant

The only trouble with beginning a festival with a band so good as Primal Scream and a frontman as enigmatic as Bobby Gillespie is how to follow them…Self Esteem brought the choreography to the main stage, while Anna Calvi came with classic style and impressive guitar solos, but it wasn’t until 90’s legends James took to the stage that anyone came close to their stage presence. Diving into the crowd multiple times and even trying some crowd surfing, frontman Tim Booth is still at the top of his game, finishing inevitably with Sit Down.

Bombay Bicycle Club were fairly bland with their indie-pop, but Stereophonics reignited proceedings, for yet another triumphant headline slot at Victorious. Playing a mix of new songs from their brilliantly named album Oochya, along with classics such as Traffic and Thousand Trees, they left to a firework finale with the sublime Dakota.

© Graham Tarrant

Reiterating the point that headliners aren’t only there for the evenings, Sugababes began proceedings on Saturday lunchtime – no wonder the roads around Portsmouth and Southsea were gridlocked so early. Playing hit-after-hit, the original three girl line up reformed earlier this year with style, glitz and glamorous catsuits.

The Sugababes were definitely the highlight of the day, although Bastille were a close second, despite vocalist Dan Smith frequently reclining on a chez-lounge (yes) throughout his energetic set. During Shut Off The Lights, it was truly impressive to see all the iPhones (and Androids) flashlights fill the sky with stars, before the band finished with the pounding drums of anthemic Pompeii

Sunday was arguably the best day of the weekend, with not only The Libertines taking to the stage at 1pm on the Common Stage, but Example opening proceedings on the separate Castle Stage. What a choice to make after breakfast at one of the hundreds of food stalls. Pete Doherty played the festival previously as a solo artist in 2017, but was far more coherent and in fine form with Carl Barat and the rest of The Libertines. Carl graciously gave a heartfelt shout out to local mental health charity Tonic also. 

Sam Ryder followed with his amazing flowing locks, concluding with Eurovision runner-up song Space Man, joined by the local Portsmouth Batala band.

© Graham Tarrant

Suede later strutted onstage with their brattish attitude and swagger of their former selfs still seamlessly intact. Elsewhere, Becky Hill drew in a huge crowd at the Castle Stage after disco queen Sophie Ellis-Bextor brought the glitch, glamour and sequins.

© Graham Tarrant

Finishing off the weekend was a true battle of headliners.  Sam Fender brought his strong Geordie accent and crowd pleasing rock to the main stage, while The Voice’s Anne-Marie took over the Castle Stage, with multiple songs about her numerous ex-boyfriends and catchy singalongs – she is clearly born to be a performer with no back up dancers or dance steps needed.

© Graham Tarrant

What an epic end to another summer. Happy and glorious, Victorious!

Words: Graham Tarrant

Luciano extends residency at Ibizas Club Chinois from September 3rd to October 1st

https://www.clubchinoisibiza.com/
https://www.instagram.com/clubchinoisibiza

Luciano has been a figurehead in Ibiza’s clubbing culture for over two decades, previously holding residencies at DC10, Pacha, Space to Amnesia, Destino and Ushuaïa. However, in 2022 the Cadenza frontman performed every Saturday at Ibiza’s new marina venue Club Chinois from Saturday 2nd July to Saturday 27th August.

By popular demand, the Vagabundos head honcho will extend his weekend slot from Saturday 3rd September to Saturday 1st October, bringing the best underground talent to the club. Attendees can expect an intimate vibe and high-class sound right up until its finale.

Stating his excitement ‘My team and I are happy to announce that due to the incredible success of our Saturday nights at Club Chinois this Summer, we will continue our residency all the way through September until 1st October. Our Saturdays have made Club Chinois Ibiza’s number one destination for intimate vibes, joyful grooves and of course, our own brand of unique magiK. With the scene demanding more, it was only natural that our partnership with Ibiza’s most talked about new nightclub would continue.’

The series continues on Saturday 3rd September where he is back on the decks together with good friends Manda Moor and Ahales. Following that on Saturday 10th September Louie Vega, Anane will present The Ritual, whilst dear friends of Luciano – Alex Kennon and Reboot will headline on Saturday 17th September. Luciano himself will return on 24th September and will close the season out on 1st October.

Club Chinois will announce the lineups below for the following Saturdays on their social media channels.

03.09
LUCIANO
ANTONIO HALES
MANDA MOOR

10.09
THE RITUAL WITH ANANÉ & LOUIE VEGA in collaboration with FRIENDS BY LUCIANO
ANANÉ & LOUIE VEGA
CHRISTIAN MANTINI

17.09
FRIENDS BY LUCIANO
Alex Kennon
Reboot
Francesca Lombardo
Michel Cleis

24.09
LUCIANO
LUCIANO
DJ Reas
TUCCILLO

01.10
CLOSING LUCIANO
LUCIANO
TBC

Ocaso Festival to Return to Costa Rica’s Stunning Pacific Coast with Solomun, Adriatique and more

Ocaso Festival
January 6-9th, 2023
Tamarindo, Costa Rica
https://ocasofestival.com/

@ocasofestival

Costa Rica’s original and best electronic music festival is back and supersized from January 6 – 9th, 2023: this most idyllic gathering is a place to be spellbound by majestic sunsets, left in awe by the natural beauty of the jungle and a place to have your soul soothed by dancing around a sun-kissed landscape. This year Ocaso will host the only North American performances of Solomun and Adriatique before March 2023, with the full artist programme set to be announced next month. Secure your place at this dreamlike underground gathering now by getting your early bird tickets from https://ocasofestival.com/.

This year’s event will be the biggest yet, with all new night parties in the jungle as vines hang down and humid and lush green flora and fauna provide the backdrop. There will be sunset parties on the beach with sand between your toes and the ocean stretching out to infinity in front of you and a new purpose-built festival arena in the local town of Tamarindo.

Tamarindo is on Costa Rica’s Pacific coast and is world renowned for its beaches with strong surf, local major nesting sites for huge leatherback turtles and mangrove-lined estuary of Tamarindo Wildlife Refuge which protects animals such as howler monkeys and crocodiles. This means festival-goers can look forward to a week full of performances featuring DJs from across the world as well as some local favourites with many hours of dancing, positive community vibes and plenty of local connections to wonderful wildlife.

Musically, Ocaso strikes gold once more this year with none other than global house icon Solomun headlining and bringing with him his uniquely melodic sound. The Diynamic label head and feature of the GTA game series is now on a level of his own, and will be joined by label mates Adriatique. The full 2023 lineup will be revealed in September.

Ocaso is a “leave no trace” event. Attendees clean up the beach in Tamarindo before and after the festival every year and are constantly looking for ways to reduce the carbon footprint of the festival. While in Costa Rica everyone is mindful of water conservation, wildlife, and the trash they create while visiting. These things are very important to Costa Ricans, and to everyone involved with Ocaso, as is the fact that it is a safe, diverse and welcoming space for all genders, sexualities and races. Ocaso is a place where freedom of expression is embraced as a defining characteristic. Everyone is welcome, and costumes are encouraged.

There is a wealth of vibrant colour and culture to explore away from the music. The many natural wonders of Costa Rica are there to be explored as part of a group outing during the festival making this the most unmissable music-holiday experience of the year.

Highfield Festival 2022!

While we were travelling there, the festival app warned those already there that heavy rain was expected in the night to Friday. By the time we got there, things had dried up a bit and it was fairly warm, but it was still very cloudy, and the threat of rain was ever present.

The rap group Neonschwarz opened the Blue Stage with a mix of hip-hip, rap and pop. The lead trio had great chemistry on stage with a general vibe of leaving behind responsibilities and chilling in the sun. Not saying I felt seen, but I did feel seen.

Juju took to the stage next with her high energy rap set. At one point the mosh pit opening up cleared most of the space in front of the stage and Juju invited anyone who could do the splits to come demonstrate. Later, during Hi Babe she came down into the pit for high fives. Her song Bling Bling featured a sample from Linkin Parks Numb and she performed a medley of her songs which normally have features, said features being played from recordings.

Unfortunately, half the sound was missing for Sondaschule at the start of their set on the Green Stage, the only thing we could hear in the front right was the trombone. They kind of fixed it during the first song, but it still cut out occasionally. The band wore matching black polo shirts with the band logo. Considering that crowd surfing is technically banned at the festival there was a lot of non-band-encouraged crowd surfing, possibly the same guy over and over again. It was great ska set, perfect for dancing and singing along.

Austrian band Wanda all came dressed for different events, one with clear 70s vibes in patterned waistcoat, ripped jeans and tinted glasses, one in a blank tank top and trousers and the lead singer in leather jacket, white shirt and jeans. The lead singer had a very chill yet passionate vibe about him; walking to the side of the stage to get his cigarette lit by a roadie at one point then throwing beers into the crowd and jumping in after at another. The last song seemed to include all crowd activities throughout: a mosh pit opened up near the beginning (promptly leading to the demise of some lost sunglasses), then later half the crowd sat down calmly while a circle pit raged over in one corner.

The sun was setting, and it was impossible not to move during Electric Callboy’s electro/metal fusion set. With pyro, lasers and mosh pits all the way to the back it definitely re-energised everyone for the rest of the night.

Bring me the Horizon followed on the Green stage with a fantastic set picking up the energy where Electric Callboy left off. The stage had a several levels made of screens and several songs were accompanied by two dancers in various costumes including hazmat suits for Parasite Eve and cybermen cheerleaders for Happy Song. Lead singer Oli Sykes came on wearing a skin tight long sleeve shirt and what looked like suit trousers and did a fantastic job hyping up the crowd, inviting people to come crowd surf over for a hug, leading to absolute chaos and a little crowd forming in the pit. The set ended 15 min early, which was a shame as the crowd definitely had more to give. The guy next to me caught a drumstick and was celebrated accordingly by the group around him.

In the interval before the Friday headliners, Kraftklub, the securities distributed water into the crowd, refilling bottles and cups that were passed forwards and back. Kraftklub came on in long black coats over their usual white shirts with red braces, as if to challenge the skies. The skies won, it was tipping it down by the end of the set. Not that that deterred anyone in the crowd. The band bought several new songs, but felt the need to play an old song in exchange for every new song because they didn’t know how the new songs would be received. They really did not have anything to worry about, the fans were with them all the way. Later in the set a fan was invited on stage to spin a wheel to decide between an old song, a new song of a three-minute cigarette break, a task that I would find far too stressful. The old song won but after enough crowd vocalising, they played another new song too. While encouraging mosh pits, frontman, Felix, also made sure everyone was ok and back up as well as specifically decrying people using mosh pits as an opportunity to molest people and called for anyone doing so to be reported to the securities.

Saturday

We woke up to the continued patter of rain on the tent and several mysterious wet spots. Was it us flopping soaked into the tent last night? Is the tent leaking? Who is to say. It’s been so long I’d forgotten this part of festivals. Luckily the drizzle was light enough we could still have cereal and make coffee.

Marching band Moop Mama played the Blue Stage dressed all in red. The front mad thanked everyone for being here so early in the morning. It was 13:30. However the vibe was one of drowsy, content dancing in the mud across the field. There was a range of footwear choices on show, we had your classic wellies, trainers and bougie shoe covers. But we also had some who opted for barefoot or complicated contraptions of duct tape and binbags. As everyone woke up a bit more things heated up a bit with a big circle pit in the middle. And a two-man circle pit next to me. It was a great, energising way to start the day.

100 Kilo Herz were playing over on the Green Stage with the ever present “punk with trumpets genre” which we know and love. The first 10 minutes of the set were spent sound checking themselves, taking turns to sing and everyone who could hear them raised their hands. Once everything worked, they were off, playing a great set full off heart. During the show, the lead singer explained that he was invited to go to the last Highfield festival with a friend but was struggling too much with depression and financially to bring himself to buy tickets and go. But he wanted to say something cool, so he said he’ll go when he’s playing there. Luckily that worked out and it fantastic to see them perform together. Considering Giant Rooks cancelled for mental health reasons, I think it’s good that people are talking about these kinds of things and will take time out to look after themselves.

Provinz had a whole recording of a song playing before they came on stage. A simple set up, just the band and a banner with their name as backdrop. They still drew a large, enthusiastic crowd though, singing along to pretty much all choruses. Next to me, two girls banded together to lift a dude onto their shoulders for a song.

Donots were filling in for Bad Religion, funnily enough the same as they were in 2018. When frontman Ingo was orchestrating the biggest circle pit™ from within the crowd he chose a woman to lead it because she was wearing a bad religion shirt and was covered in confetti. Turns out she was also the circle pit leader in 2018. Antilopen Gang joined on the stage while Ingo was making his way back over the crowd. They managed to bring the sun back, even though it took up their whole production budget as they claimed. Huge energy and always welcome to fill in for any band.

Kraftklubs front man performed his last festival gig as his solo project Kummer on the Blue Stage. His previous show had to be cancelled during the 2nd song due to extreme weather so it was a good thing Donots stopped the rain in time. The general lighting for his songs was the blue of the album cover, for the Kraftklub songs he performed the stage changed to red and for Alles Wird Gut the stage was bathed in yellow. Provinz’s frontman came to sing on the latter. It’s a shame the project is over, but I’m very glad to get the chance to see it live after waiting since 2020 to do so.

Annenmaykantereit were the second to last act on the Green Stage, and while very very popular, you could argue that it’s a little low energy for a sub-headliner slot. As the masses moved over from Kummer they could hear the Annenmaykantereit set starting and got frustrated at the speed at which they could leave the crowd, luckily, they vented some of that frustration by singing along. It was a beautiful set that had people swaying together arm in arm with their neighbours. There were tearful hugs and long kisses in the crowd, it was very emotional. At the end, the crowd threw flowers into the crowd, some of which were gifted back to the security guards who stuck them in their hats. Immaculate vibes all round.

I’d seen Deichkind from further back in the crowd at a previous festival, so knew it was worth getting there early for a good spot. I was not disappointed. The absolutely chaotic energy of the show defies description. It started off with the band behind a white sheet, lit from behind as the beat built up gradually and sporadically. Several choreographed dance routines later things descended into (amongst other things too weird to put into words) office chair races, mini trampoline intervals and a giant barrel filled with the band being pushed through the crowd before the front row got a generous amount of alcohol via several tubes. It was a spectacle that I would recommend to anyone if they get the chance. The set also included a new song that had been teased in trailers on the stage screens throughout the intervals of the festival, which was cool, it was more of a lyrics than beat based song, still very good though. A chance to slow down for a bit. There was a kid next to me in the crowd and it was great to see that the securities made sure he and his parents knew how to get their attention if the crowd got a bit rowdier. The securities in general were fantastic during the show, cheering the crowd on and singing along themselves.

The sensible thing would have been to go to bed when we finally got back to the tent after 2am. HOWever. We could hear the Beach Stage playing absolute bangers from our tent. So that was the obvious choice. Also, sand is great for removing mud from shoes, right?

Sunday

Sunday morning was the first time it felt safe to put clothes up to dry and the ground was solid enough to walk on barefoot. We could hear Casper and Broilers sound checking in the distance which only increased the anticipation for the day.

I headed over to Kaffkiez who were filling in for Montreal who were filling in for Turbostaat. The band was one of my recent spotify discoveries and were well worth the effort of heading over a little early. The crowd was a consistent mosh pit and it was a fantastic way to start the day.

Afterwards we headed to the beach for a swim as the sun was clearly trying to make up for something. Vaguely refreshed we headed back to see Montreal who played the last Highfield in 2019. Their set included a few covers, including one from an album they had recorded over lockdown, celebrating bands that don’t exist anymore. Madsen’s drummer joined for one song, while their own drummer went and had the front row’s beer.

For a bit of lighter sunshine dancing, Joris was the perfect choice on the Blue Stage. The singer songwriter was accompanied by a large band and performed a song on only instruments made out of drinking glasses or bottles.

Back to a little more chaos, Die Orsons filled in for You and Me at Six. One of the four at the front had a fish on his belt, which I don’t think was ever explained. They share the stage with an inflatable winged shrimpy-seahorse creature which flailed wildly for some songs. There was wild waving of whatever-you-had-on-you and asking everyone to put on their mobile phone light in broad daylight.

Leoniden were surprisingly rowdy on stage for their music. Kicking over cymbals and wildly swinging guitars, the energy rubbed off on the crowd as the set went on. The percussion stand was taken into the crowd at one point, who made room for the drummer to come in, but he did have to crowd surf back, clasping it between his legs for dear life. The band covered Watershed by Giant Rooks as a tribute since they could not make it due to mental health reasons which was a lovely gesture.

Clueso’s set was stopped after a few songs due to an approaching storm when he last played at Highfield in 2017. This year he thankfully managed to get through the whole set. He was accompanied by a band including a brass trio which gave all the songs a funk spin. Great for dancing. The set span Clueso’s catalogue, with a wonderful rendition of Cello, the intro ironically played on trumpet. There was the usual everyone-sitting-down crowd antics, but this time everyone got up in a wave, back to front. That was a new one to me and genuinely felt link when you’re in the sea and a wave builds up towards you. As one of the mosh pits opened, a girl, having misunderstood the assignment, sat down in the middle to start rowing. Luckily her friend pulled her up just in time for the mosh pit to collide. The group I was standing with managed to reunite a gentleman with his wallet as he dropped it while walking past, so our good deed for the weekend was also ticked off.

Casper followed Clueso on the Blue stage and the crowd stayed pretty full between the acts, normally things did empty out a bit more. Casper appears to have lightened up a little since his last album where the general vibe was barbed wire, angst and nihilism. Instead, the new album has a more flowery, hopeful feel. The stage was covered by a pink curtain before the show and opened to reveal a meadow of flowers across the front. I loved the way the way the spotlight shone through the colourful petals. The set was divided into three acts, each being introduced on the screens with a single word and a dictionary definition. The acts were “doubt”, “rage” and “hope the songs that followed shared those themes. There was a beautiful crowd chorus at the end of Hinterland, with Casper directing the two sides of the crowd, playing them off against each other to see who could be the loudest. Clearly our side won.

Broilers were stepping into the headliner slot for Limp Bizkit who couldn’t make it. The stage was covered with a black banner proclaiming “Nobody left behind” while If the kids are united by Sham 69 was playing. The excitement was building. Then the banner dropped, and we were off. 90 minutes of punk bliss followed. Continuous mosh and circle pits. Crowd surfing. It was fantastic. The crowd etiquette was on point, people protecting anyone when needed to bend down to tie shoes or look for something. Helping each other up before falling over together. It was a wonderful way to end the weekend and definitely a much need catharsis after three years of abstinence.

We started our drive home after the headliners, being directed out onto the road by security guards with glow sticks. It was incredibly smooth and well managed, and we were out in no time. Every rest stop we stopped at for the next 4 hours had a gentle trickle of tired, happy people with Highfield shirts and wristband trickled in for supplies and toilet breaks.

All in all, it was a wonderful weekend at a much-missed festival. The organisation was great, the bands were clearly having a great time being back and the crowds welcomed them with enthusiasm. I can say with, with considerable confidence: Same time next year?

Camp Bestival Shropshire 2022 – REVIEWED!

Camp Bestival Shropshire 2022

Thursday

When I tell you I screamed when I heard Camp Bestival was coming to Shropshire, I mean you could have heard me from the moon. As a long-time fan and attendee of the original IOW Bestival, as well as the later Dorset version, and having been to one CB-BC (before Child) – travelling for an hour to a Besti-vent instead of around 5 including a ferry trip… is a LUXURY. Praise be to the DaBank fam for deciding to give us a shot up here. The location is Weston Park, we’ve got a car full of rainbow clothing, and one very excited toddler – let’s go!

Arriving through Green gate, we’re pleasantly surprised to find ourselves parking so close to the campsites that we can literally see our car from where we’re setting up camp, though there’s a part of me that thinks both this orientation and access may change a bit next year with bigger ticket sales. We’re definitely not early doors, there are heaps of tents here already and the family set up is WAY plushier than your regular festival garb. A family near to us genuinely has a whole dining room and kitchen set up, it’s wild!

I do feel I need to address the toilet issue… this year there are no portaloos to be found on site (except for the single accessible toilet in each camp), instead we have long drop compost loos that look like proper Aussie dunnies/redneck moon-and-stars style toilets, which are very tall, and feel very unstable if I’m honest. The smell isn’t bad due to being largely open to the wind, but there’s a bit of me that thinks they would be absolutely deadly slippy and dangerous if the rain really came down. There’s absolutely no grip on the steps inside, and the chained up loo roll runs along a wall which would almost certainly get soaked in any sideways weather. My main complaint was the fact that there were 10, yes only 10 – for the entire Green campsite. No kids ones either, despite these being available in the main arena.

We took a walk around the campsite and into the main arena, after being confused and disappointed that what looked like an entrance on the map between Green camping and the Big Top – just doesn’t exist? There seems to be absolutely no rhyme or reason to not putting another entrance through from Green camp to the arena, and making everyone walk the entire uphill loop of camping to get in, especially when carting around wagons full of children and their gubbins. Please just make it easier on everyone I beg, festivals with kids are already tiring – and this is a family festival.

Anyway, as we walk into the arena we are greeted by the beautiful and familiar sight of the flowy silky rainbow flags waving in the wind, pretty fairy lights everywhere and just… colour. Every Bestival site is beautiful, but there is so much crammed into a small space here, it is just joyful to the eyes. It’s definitely not busy yet though, I’ve a sneaking suspicion that a lot of sales this first year are non-camping people who are testing the waters before committing – I feel next year could be very busy in comparison.

Ⓒ Anna Hyams for SFG

We decide to amble around and look at everything, before grabbing some of the most incredible festival food I’ve ever consumed from Mexican Seoul. Barbacoa beef tacos, and gochujang fried chicken… it feels like I’m at some trendy Shoreditch restaurant not a field in the Midlands. The site isn’t huge, you can basically walk everywhere within 5 minutes (except for the Temple Wood) but there are some nice little pockets which feel distinct and separate enough to change the experience as you move around. Roll on tomorrow…

Friday

After the saga of ‘Toddlers-first night-in-a-tent’, we are up bright and early to don rainbow colours and head out into the festival for day one proper. Over in the Ha Ha Land area, there are already heaps of kids in the Tic Tac Skate Workshop learning to land board flips on the grass, and the shop seems to be doing a roaring trade in board set-ups as well. The level of ‘festival souvenir’ has really peaked since the days of bootleg tshirts outside the gates hasn’t it? The Extreme Bike Battles Show has a bmxer and motorbike rider facing off doing tricks in an impossibly small area, to a sea of tiny awed faces, wondering if they can do a bar spin off the park bench at home. Good luck with the inevitable slew of injuries, fellow parents!

Ⓒ Anna Hyams for SFG

Dungaree darlings Lucy and Yak have a veritable social media palace set up including a huge shop, lounge, and a pink campervan for taking selfies. We grab a festival wristband from them and a free tote bag for signing up which is nice, everyone loves a festival freebie – so then we head next door for to the Thatchers sampling lounge for some cold cider from the very cute Barrel shaped bus.

Heading over to The Feast Collective, a giant marquee full of delicious eats with a DJ booth, and lots of outdoor seating areas to chow down – we are caught in the drift of the most incredible smell, and as we come over the rise it’s clear where it’s coming from… an entire side of beef cooking in a giant rack over and open flame. Shropshire Lad’s pre-order beef sandwiches with something that sounds absolutely magical ‘three-day-gravy’. There were some slots up for grabs without pre-booking but the queues were understandably vast so we missed out this time.

Ⓒ Anna Hyams for SFG

Anyway, It’s such a hot day we sneak ourselves under a shady canopy and grab a fruit platter from The Lille Fruit Cabin with Vietnamese spiced salt to dip into, and a ridiculously good strawberry smoothie which saved our souls. I also feel particularly smug that the toddler is eating something healthy at a festival, 10/10 parenting thanks. While we eat we are treated to the sound of a fairground band… who are on stilts playing Eye of the Tiger. Nothing surprises me at Besti anymore, but it definitely delights me.

Nearby in the same field is the Wonky Bikes park where children are attempting to vehicularly assault each other and their parents (very entertaining chaos), The Scouts are giving demos and letting kids toast marshmallows in their fire-pits, and there seem to be kids wielding bubble guns all around us so it’s just bloody beautiful everywhere. It’s quite hard to describe actually because it feels like you’re never not looking at something interesting or pretty, it’s a little bit overwhelming at times, until the next exciting thing happens to distract you.

We check out the World’s Biggest Bouncy Castle, but determine it to be way too chaotic for small beings (it looks like the Hunger Games in there, I’m scared) and instead opt for watching people having a go at swinging on the giant Trapeze. Again, where else can you possibly walk from one experience to the next like this? The vintage fair ground rides are absolutely full of gleeful kids, proving that the classics never disappoint, it’s all very twee and makes my soul sigh.

Over in Temple Wood we head to the absolutely gigantic adventure playground which is positively teeming with shrieking wildlings. There are three sizes of play equipment so all ages are catered for, and there’s even a tiny steam train giving rides around the park (for a small fee) which is full of excited children and their equally excited Dads.

Ⓒ Anna Hyams for SFG

Elsewhere in the forest in a little secluded dell, a joyful cacophony can be found at The Orchestra of Objects – a playful pile of tubes, pipes, wood and jangly things for kids to bash around and make music. Just another of these thoughtful little playspaces that take Bestival events to another level and makes it feel immersively fun, like you’ve just stumbled upon something magical and secret. If nature itself is your jam, you can join in on one of the tree identification guided walks, stop at one of the little tents offering wood weaving workshops, or give whittling a go.

Ⓒ Anna Hyams for SFG

Even if you spent a full week at this festival, you wouldn’t be able to do everything there’s just so much. I’m going to have to be more brief to fit as much in as possible here. Elsewhere in the woods we tried out some circus skills like stilt walking, diablo and poi spinning, before catching an absolutely stunning acrobatic show by Cirque Bijou who had beautifully feathered ‘birds’ doing daring displays hanging from the trees. We tried our hand at tie-dye which was quite messy and very fun – you take your creation home in a Ziploc bag for washing, and I can tell you that despite the child rather excessively tipping half a bottle of dark violet ink on hers, it actually turned out really nicely and she was so proud to wear it to nursery after the festival.

Ⓒ Anna Hyams for SFG

Coming out of the woods back into Ha Ha Land, we take a chill half hour to play in the Pirate Ship Sandpit, across from a huge under 5’s Soft Play tent, a Baby Chill Out Zone, and a tent entirely dedicated to giving festival makeovers like glitter, facepaint, henna and hair braiding. I genuinely can’t think of an age group that isn’t catered to in some way here.

After that little interlude we hit up the H&M Kids Science Stage and Workshop Tent and were met with a host of things for (slightly bigger) kids to do, all aimed around STEM learning. Lego, tower building, slime making, colouring sheets, architectural drawing… you name it. They also thoughtfully gave out certificates and badges, and there was even a Camp Bestival special edition of The New Scientist magazine which my inner nerd was very impressed by.

Before heading over to the Park Stage to actually you know, see some bands play (we kind of forgot that we were even at a music festival today) we caught a bit of Karauke in Pig’s Big Ballroom, which is a really cute tent full of comfy old sofas and a little stage. Karauke is exactly what it sounds like by the way – a Ukulele band plays covers for you to Karaoke over. Paint It Black was a personal favourite, shout out to whoever chose that one, I’ve never heard it on the Ukulele before and possibly never will again in my life.

On the Park Stage, The Proclaimers are tempting me to walk 500 miles in the opposite direction… no that’s not fair, they’re good just not my vibe. Plenty of people out there were having a lovely time, they were just all over the age of 50. Luckily there’s a plucky child giving the plant-based sausage rodeo bull a go, and it is absolutely bound to end in tears, so I’m off to watch a bit of that.

Ⓒ Anna Hyams for SFG

After popping back to The Feast Collective to grab some dinner (fried oyster mushrooms and chimichurri from The Cajun Rainbow – JFC they were good), we catch a bit of Scouting for Girls, or to be more precise we catch a lot of drunk parents caterwauling ‘She’s So Lovely’ right over the top of Scouting for Girls. Yeah they’re pretty cringe but quite fun, there’s lots of ‘oggie oggie oggie’-ing and telling people to hug each other, Drop Dead Fred would barf everywhere at this mush.

Now for something completely different. We head over to my soul-space, my favourite place, the place a little bit of my festival heart will forever reside in – Caravanserai. How can I explain this to you. The front doors are unassuming, a little dark entryway under a beaten up sign, flanked by high walls made of roughshod steel and boards. Inside however, is the junkyard circus-runaway, 70’s caravan park of dreams. Around the edges are little open fronted houses with psychedelic wallpaper and velvet lampshades, cut in half caravans with chandeliers, and vintage waltzer booths or little tea tables everywhere to be sat at. The day is dimming and Caravanserai is lit by hundreds of bulb and fairy lights, we grab ourselves a fancy cocktail from the bar and head into the old carousel towards the stage adorned with more tasseled and bejeweled lampshades, to see the gorgeously talented Mr. Bruce (of Correspondents fame).

Ⓒ Anna Hyams for SFG

Mr. Bruce is Besti fan favourite, for very good reason – he is one of the most intensely electric performers you will ever see in your lifetime and it’s both a crying shame AND absolutely perfect that he’s out here playing on one of the tiniest stages at the festival. Being up close and in the moment with him is unforgettably fantastic. The mix of electro-swing, hip-hop, drum & bass… it’s weird and wonderful and so completely unlike anything else out there. New song ‘I am Disaster’ is excellent and his chaotic dancing has the entire tent whipped up into a frenzy along with him. There’s an inevitably sad shout out to Correspondents band mate Tim ‘Chucks’ Cole who died unexpectedly in 2020, and a brilliant cover of Whitney Houston’s ‘I Wanna Dance With Somebody’ and I just can’t rave enough about him. If you ever have the chance, do not miss the opportunity to catch Mr. Bruce.

On the main stage, London girl Mae Muller is out in a two piece outfit that looks like it’s made from a towel (but she looks great in it, how dare she) and she’s shouting out a fan in the front row who she chats to on Instagram. It’s the teen’s Birthday and it’s an adorable interaction that kid is going to remember forever, even if Mae quips that she’s been told she isn’t allowed to swear in the Birthday song she’s about to sing titled ‘HFBD’ – iykyk. It’s her lyrics from another song that really get me though “…you don’t need a girlfriend, you need a therapist” – I am absolutely all about this being the narrative our female youth are getting instead of the crap we were fed as kids. Big up Mae Muller, it’s going on my playlist.

Ⓒ Anna Hyams for SFG

In the Big Top, Gok Wan’s DJ set is going off to a pretty decent sized crowd, before our (extremely late billing – why so late CB?) headliner: Becky Hill. Under a swirling LED backdrop and amid clouds of smoke, a spraypainted old style phone box stands in the centre of the Park Stage – lit with the name ‘Becky Hill’ where ‘telephone’ should be. If she turns out to be the next Doctor Who, I may actually watch it.

There’s a fairly long winded little conversation act in the phone box, in which we can hear her saying something like “…yeah I’m about to headline a festival can I call you later” which I suppose could be considered a subtle Dom Joly tribute (who incidentally is also performing here this weekend). Anyway, despite the fact that it’s a little stilted, when she pops out of the phone-box aided by her dancers, she is clearly here to party and definitely looks the part – in the most eye poppingly bright neon green and pink jacket, skirt, corset top, and monster stacked platform rainbow boots. Two female acts to close the first night at CB, and a female DJ on the decks – those boots were made for stomping, the patriarchy.

Ⓒ Anna Hyams for SFG

Becky shouts out to Shropshire and the Midlands in general, saying this is the closest she’ll ever get to playing a home crowd, as she’s from Worcestershire – before the stage is lit up with sparklers and fire cannons as she dances around on her enormous death shoes. The crowd is about 80% teenage girls at the moment, who are screaming their heads off, and Becky’s deep melodic voice is absolutely incredible. She calls out “Who here likes drum and bass? I like drum and bass, it’s my favourite genre of music. We’re going to take the tempo up to 174 finally” for ‘Here For You’ but the standouts for me were the big beats Gecko ‘Overdrive’ and ‘Afterglow’. There’s nothing like a night full of lasers and dancing with wild abandon though, is there. I personally think Becky Hill absolutely smashed that performance, and by the sheer amount of people who were out jumping in that crowd, I’d say she did her home region proud.

Ⓒ Anna Hyams for SFG

Saturday

Saturday morning brings a light rain shower, but nothing is going to dampen our spirits and it soon brightens up for us to walk the colourful site again. Today we pop in on the African Activities tent to give some group drumming a go (very fun), then we laze about on the soft chairs in Bollywood for a while listening to Mr. B – Gentleman Rhymer in the Big Top (also very fun). The arena is definitely busier today, it seems like a lot more day tickets have been sold, which is understandable with tonight’s headliner.

Into the woods we go to check out the Wild Swimming and Paddleboarding area across the water from Slow Motion. Extremely jealous as it’s hot today – why oh why didn’t I pack the swimmies. Slow Motion itself is a lovely quiet tucked away area, with everything from wood fired hot tubs to extreme ice-baths, slow flow yoga sessions and even a tent specifically for napping. If I was a different kind of person, I think getting up early for yoga and a dip in the lake would be flipping lovely. Alas I am the kind of person who crawls out of the tent nest groaning and eats a kitkat.

Ⓒ Anna Hyams for SFG

Under the Sharp’s Doom Bar canopy, we stumble upon a gang of kids attempting to bury a Dad in the sandpit – which covers the entire dancefloor of the space, and includes a rather jazzy little desert island DJ booth. After a little while people come round with free samples of beer, and of Chef Niall Keating’s beer battered sausages with curry sauce. Now that is service.

Over near the Lovebot (I love you Lovebot, what an icon) we catch a leek juggling/acrobatic performance at Rimsky’s Yard, check out Junior Jungle in the Bollywood tent to throw some shapes, and see a bit of a slightly confused parade go by – complete with an entire Dalmation family in tow. Actually the costumes today have been brilliant, we saw a host of Minions as well but our favourite was the family who came as Freddie Mercury in different guises. The Dad was in the pink cleaning outfit – epic.

Ⓒ Anna Hyams for SFG

Up next on the main stage, not to be missed EVER – The Cuban Brothers. Spinning tunes is Kengo on the decks, with Juan joining him for synchronised dance in their snazzy red suits, before “…everyone’s Uncle Miguel” hits the stage. Half Hip-Hop, half drug-baron is the vibe I feel – laughing “We’re the only band who’ve had the privilege of being at every single Bestival and Camp Bestival ever” before getting the crowd full of kids to shout “Kenny que pasa” instead of ‘The Bastard’. “Thank you all for not swearing… this could have been really fucking bad” almost makes me spit my drink out – especially since backstage he had told me there were actually signs in their dressing room asking them not to swear, because this is a family festival.

Ⓒ Anna Hyams for SFG

Ahh well, you’re never going to reign these boys in – their set is full of hip hop, break dancing, flips and fun, and as expected, during ‘Ante Up’ Miguel takes his trousers off to reveal a pair of pants with a tiger face on. “Sorry for the wardrobe malfunction, it’s the eye of the tiger” he quips before shouting out to all the parents bringing their kids here this year. Miguel notes that this is the future of music – and why Camp Bestival was made in the first place. The small moment of sincerity is short lived though. So their set isn’t the filthiest I’ve witnessed by a long shot, and they’ve been bloody brilliant as always, but I can’t help but notice some parents covering children’s ears while he rambles on about his 4th penis reduction surgery in Zurich this year and wonder if they’ve written them off as trouble (which I assume is their ultimate goal to be honest) but my child is currently attempting to do all of Juan’s breakdancing moves on the floor, so I’m going to give them a solid thumbs up as always.

Ⓒ Anna Hyams for SFG

Next up Sara Cox (of radio 1 fame), is giving a DJ set, and although she looks absolutely resplendent in a sparkly outfit – is reminiscent of every hateful school disco I ever went to. The tunes are classic cringe and yes, I do know everyone else loves that but honestly, I wish she’d been on in a tent somewhere instead. I will allow for one amendment to that though – watching a huge crowd of people sit down and do ‘Oops Upside Your Head’ was quite funny, especially all the people dressed as morris dancers.

Ⓒ Anna Hyams for SFG

Eventually the last peaks of burning sun die down, and we are met by the extremely bright pulsing lights of Example. Wearing Mc Hammer pants and a smiley acid tee he is clearly full of energy for this tonight as he jumps and runs around the stage. The crowd is going absolutely bonkers for it, a writhing mass of teens bouncing as one as he yells “kids on shoulders, kids on shoulders” to get as many in the air as possible. It’s a great amped up set to get everyone in the mood.

Ⓒ Anna Hyams for SFG

Next up: the man, the legend, Fatboy Slim. You absolutely cannot live in this world without being a fan of something this man has produced, and although 10.15pm is a very late start for a headliner – the Park Stage area is absolutely rammed with people – and yes, kids galore, mostly wearing ear defenders in preparation.

Bursting on stage in an inflatable blue parrot costume (unsure as to why), Norm is immediately into the fray with ‘Eat Sleep Rave Repeat’ and some bone crunchingly loud bass. There’s too much to mention really, the set is beyond incredible, and I say that as someone who has seen him perform multiple times. It’s not a ‘press play on the hits and let it ride’ sort of affair, he is mixing up every single bit of his work and live mashing it into other things – something totally unique and special. Zombie Nation gets a feature, as does his Nancy Sinatra cover ‘Bang Bang’ and in contradiction to CB’s ‘rules’ he is caught yelling “IT’S BESTIVAL BITCH” over the mic. Ok ok so he didn’t play more than a tiny clip of ‘Fucking In Heaven’ but it was funny.

Ⓒ Anna Hyams for SFG

There are visuals, there are lasers, the crowd is going berserk… his Abba ‘Gimmie Gimmie Gimmie’ mix is absolutely epic and there’s a little nod to the Stranger Things crowd (there were a lot of Scoops Ahoy employees around site today) with the inclusion of Kate Bush’s ‘Running Up That Hill’. We also get some Underwold ‘Born Slippy’, the Ukrainian flag on the screens and then Greta Thurnburg’s soliloquy that very helpfully ends in her saying ‘Right Here, Right Now’ – which sends everyone into an absolute frenzy. It’s truly an immaculate set – we get a bit of absolutely everything. Finishing up with mixes of ‘Praise You’, ‘The Rockafella Skank’ with a bit of The Stones ‘Satisfaction’ and then The Ramones ‘Hi Ho Let’s Go’ – it’s a long one, but so so worth it. I find it truly fantastic that the daytimes here can be so kid oriented but the nights can feel exactly like my original hedonistic Bestival memories.

Ⓒ Anna Hyams for SFG

Sunday

On Sunday we head over to see the progress of the Woodland Tribe Big Build (an area full of bits of wood, hammers, and some very questionable DIY skills) but holy wow it’s amazing! There’s a huge Tower Bridge type construction which children are carefully hammering bits onto, even if the people in charge of making sure it’s safe do have the faintest look of concern on their faces at times, colour me impressed.

Ⓒ Anna Hyams for SFG

Everywhere tired parents are doing their last ditch efforts to drag festival trailers around the place (some are decorated to a very high standard, one is a full on pirate ship that blows bubbles from the mast) and almost everywhere you turn people have colourful braided hair or sequins all over them. It may have taken a few people a day or so to get into it, but I expect next year to feel even more like Bestival now that they’ve got the spirit of it.

We take a peek into The Grand Indian Art Bazaar, and unfortunately realise that we’ve missed the opportunity to sign up for things, BUT it really is amazing in there. You can watch cooking demos, have Mehndi done, dress up in beautiful clothes, have a go at wood block printing or even take a textiles class – as they have an entire sewing machine set up in there. There truly is something for everyone at this festival.

We take a quick squiz at the Above and Beyond arial performers doing some beautiful moves on hoops and straps, before heading to the main stage for a bit of afternoon movement with Mr Motivator, who looks and sounds quite literally the exact same as he did 30 years ago. The man is a machine, and as always is wearing one heck of a leotard.

Ⓒ Anna Hyams for SFG

Later on Rascal Raves are giving the soundtrack to Bollywood, before an Indian walking band stroll over to play us some more beautiful music around a tuktuk. Sentences you can only write at Camp Bestival for 100. Taking our final opportunities to sample the incredible festival food today, I opt for Bayou – Blackened cajun shrimp with a creole sauce on top of spicy fries, cheese sauce and slaw. I could eat this every day of my life I tell you. However it is spicy enough to warrant another strawberry smoothie so we head back up to The Feast Collective, only to find party curator and main man Rob Da Bank playing a DJ set in the corner. Smooth tunes and food in the sunshine – heaven.

Ⓒ Anna Hyams for SFG

After this pitstop it’s back to the main stage for Elvana (Elvis fronted Nirvana), who jokes that he sometimes sounds like Nick Cage, sometimes like Matthew McConaughey, and hopefully with a little luck, a bit like Kurt Cobain. Elvis’ red caped outfit is extremely jazzy, he spends the entire time rocketing around the stage and jumping up and down, before getting into the crowd to see all his fans. It’s actually bloody brilliant music – not just a fun show. I’ll never get to see Nirvana or Elvis, so I’ll take it thanks.

Ⓒ Anna Hyams for SFG

Over in the Big Top, Dom Joly is talking about how nothing good comes from France and that actually Belgium is the best, but refuses to go all Trigger Happy TV (which let’s face it, is what most people know him from). We take a trip to Caravanserai under a rapidly darkening sky, to hide in a quirky cubby before the rain sets in, and OH but it does. It’s a brief but heavy downpour and we end up singing nursery rhymes with a lovely family we appear to have squashed ourselves in alongside. Eventually the rain dies down and we ruffle our feathers to head off again, but not before catching a bit of Doghouse Derelicts in the Carousel, who are excellently funky.

Ned’s Atomic Dustbin in the Big Top pull a decent crowd, but the lion’s share of people appear to be in the Park field for Sister Bliss’ Faithless DJ set. Rocking a sparkly bomber jacket, she gives us exactly what we want in the form of classic Faithless sounds ‘We Come 1’ and ‘Insomnia’.

Out of nowhere we’re suddenly at the Sunday headliner – Rag’N’Bone Man, a definite change from the hyperactive club feel of the previous two nights. Making his way on stage wearing a Raiders jersey and a giant smile, Rory just looks so happy to be here. There’s no denying that he has an absolutely incredible voice but it is a bit of a culture shock after the big beats of Sister Bliss amping everyone up half an hour ago. Regardless the entire crowd is joining in on the likes of ‘Skin’ and ‘Human’ and his voice carries across the entire site. It’s pretty clear he’s got a lot of fans here, the site is absolutely packed with people, carts and kids still up dancing.

Ⓒ Anna Hyams for SFG

I wish we weren’t going home, I feel like I’ve only scratched the surface of what CB Shropshire has to offer – the sign of a great Bestival. Alas it ends, in the most incredible fireworks show over the Castle which is lit up in rainbow colours. See you next year CB – what a successful and ridiculously overwhelming debut. I need to lie down in a dark room for a few days now.

Art With Me announce 2022 dates and initial line up – Moderat, Bedouin, Magdalena Bay, Lee Burridge & DJ Seinfeld headline

https://artwithme.org/
https://www.instagram.com/artwithmelife/

Tulum’s large scale arts and cultural festival is coming to Miami Saturday and Sunday November 26th and 27th with large scale art installations and musical acts including SG Lewis, Moderat, Bedouin, Elderbrook, Parra for Cuva, Henry Green

The Art With Me Festival is returning to Miami and bringing jaw-dropping installation art pieces, top-tier international musicians and performers, and a comprehensive wellness program designed to feed your soul.

Founded by David Graziano in Tulum in 2018, the Art With Me Festival was Tulum’s first large-scale arts and cultural festival. This brought in artists from around the world, which meant guests came in from all over the world as well. As this festival grew, expanding into other countries, it became quite the charitable organization.

“To me, the city of Miami has always had flavor and great culture with its diverse communities and the never-ending movement in its tourist sector. Art With Me is not just a festival. It is a lifestyle brand with a clear road map of bringing highly creative experiences filled with unique activations, events, and sculpture parks,” said Graziano.
This year, the family friendly festival will be held at Virginia Key, an 863-acre barrier island in Miami, located in Biscayne Bay, south of Brickell and north of Key Biscayne. It is accessible from the mainland via the Rickenbacker Causeway.

The immersive two-day event will bring together local businesses through thoughtful art initiatives, workshops, and panel discussions.

The events—spanning music, art, food, and culture—will include performances from SG Lewis, Moderat, Bedouin, Big Wild, Elderbrook, Parra for Cuva, Henry Green, Gone Gone Beyond, Magdalena Bay, Lee Burridge presents All Day I Dream, Audiofly, DJ Seinfeld,, QRTR, Paraleven and Matt Caines. and art from multidisciplinary artist South African Daniel Popper, Belgian contemporary artist Michael Benisty, California-based, American contemporary artist Laura Kimpton and many more to be announced.

Art With Me’s innovative approach focuses on well-balanced and complete experiences across six- core pillars: Art With Me, Dance With Me, Eat With Me, Breathe With Me, Play With Me, and Care With Me.

Art and creativity are central, guiding themes for Art With Me and eloquently tie together the adjacent pillars within the events. The organization brings together a huge array of visual artists who build jaw-dropping installations that seamlessly integrate with the surrounding areas. Showcasing these amazing works sparks important dialogues about their origins, where art is headed in the future, and how creativity is the purest outlet for the human experience.
Art With Me brings together artists from around the world to participate with our installations, workshops, talks, environmental design experiences, and create a space for our guests to enjoy one-on-one interactions and dialogues with our creators.

The most fundamental human experiences have been tied to music for centuries. Dance With Me harnesses this power, celebrates the splendor of different cultures and embraces our beautiful planet while creating unforgettable experiences around the world with international and local artists.

Few activities connect us more directly to the Earth than the act of eating. Eat With Me events serve to reinforce community within the Art With Me family worldwide. Guests will take part in premium culinary experiences with juice bars, food truck vendors and concessions.

BreathWithMe, another core pillar, will offer participants a full array of wellness programs from drum circles to yoga, from temazcales to plant medicine healing. You’ll come face to face with a new vision of what it means to care for yourself—and others.

Providing children the opportunity to engage with art in a meaningful and immersive manner is a critical step toward preserving the artist in each of us. Play with Me’s instructors create and oversee a curriculum that gives children an experience that will positively impact them throughout their lives.

Care With Me is a 501c3 Non-Profit Organization that is here to bring awareness and positive change through cultivating inspirational art and educational experiences for local communities and the environment. So while you take in the sights of Miami and enjoy some art, you’ll be helping out a charity do some good in the world. Soothe your soul while you soothe others.

Tickets:
Two-Day General Admission at $80 + tax
Two-Day Premium at $215 + tax; TICKETS HERE

ABOUT DAVID GRAZIANO, FOUNDER

Artist, creative visionary and hospitality pioneer. David has founded and designed some of the most known nightclubs and restaurants in New York such as Pink Elephant, Bagatelle, Gansevoort 69, Kiss & Fly, and RDV. David visited Tulum for the first time in the early 2000s and set out to design Ahau Tulum hotel. Since then The Ahau Collection has grown to include: Alaya Tulum , Villa Pescadores Tulum, Kai Hotel and Beach Club Tulum, Canzul, and Aluna.

BEON1X Announces New Names for Debut Cyprus Festival

Gonçalo, Matador, Maceo Plex, Nick Warren & more all added

This year’s much anticipated BEON1X Open Mind Music Festival today adds global house and techno talents Gonçalo, Matador, Maceo Plex, Nick Warren and more to the lineup. The game-changing events in Cyprus run from 23rd – 25th September and 30th September to 2nd October, with other names like Carl Cox, Boris Brejcha, Jamie Jones, Luciano, Paul Kalkbrenner live, Satori live, Sasha / John Digweed, Sven Väth, Deborah De Luca, Chelina Manuhutu, Fatima Hajji, Guy J and more all playing. Tickets are available now at beon1x.com.

This festival is set to change the scene in Cyprus for good. It is a bold and ambitious new project that takes place at this oceanside spot in Larnaca district (CTO Beach), on the southern coast of Cyprus. It is a sandy paradise with a range of buzzing bars and lots of local cultures and customs, as well as a backdrop formed from rolling hills, plenty of pine trees and breathtaking views out to sea. It is easily accessible from all of Europe, and for this festival will have a range of superbly designed stages with next level lighting, sound and visuals that will sink dancers into an immersive musical world.

The music covers a broad range of house and techno styles from some of the best in the game. The latest additions include Portuguese star Gonçalo, who is the Dreambeach Villaricos resident and artistic director and an artist on labels such as Tronic and Stereo Productions. Then comes Irish minimal techno tastemaker Matador, the legendary Ellum Audio boss and astral techno explorer Maceo Plex, as well as Global Underground mainstay and long time prog house champion Nick Warren.

All this is on top of live shows from heavyweights like Paul Kalkbrenner and Satori, techno from Boris Brejcha, Carl Cox, Deborah De Luca, Luciano and Sven Väth and house from Jamie Jones, Sasha b2b Digweed, Chelina Manuhutu, Fatima Hajji and Guy J.

Between all the musical fun there is plenty to do such as water sports, beach football, volleyball and yoga, plenty of mouthwatering food and drinks offerings and more besides.

More than 12000 people are set to attend BEON1X Open Mind Music Festival each day so make sure you are one of them.

Follow BeOn1x on socials:
https://www.facebook.com/BeOn1x/
https://www.instagram.com/beon1x/
https://beon1x.com/