Eutopia Warehouse: East London’s New 4000-Capacity Music, Arts & Cultural Destination

Eutopia fully awakens this Halloween – transforming its interconnected warehouses and canal-side courtyard into a living, breathing cultural playground.

East London’s famous nocturnal landscape is set for transformation with the arrival of Eutopia – a bold new 4,000-capacity indoor–outdoor music, arts and cultural space set across three interlinked warehouses and a sprawling open-air courtyard on the River Roding in Barking.

Following a £1.5 million reimagining of a former industrial site, Eutopia blends raw architectural heritage with contemporary design and world-class d&b Audiotechnik sound systems. A series of soft launch test events have already taken place at the site which is now fully operational. The result is a multi-dimensional venue built for exploration – where music, art and community collide under one roof and out into the open air.

Designed as a flexible, future-facing hub for the next generation of London’s cultural landscape, Eutopia will host everything from large-scale live shows, club events and festivals to exhibitions and local community events – each experience shaped by high-spec production, immersive design, and a community-first ethos.

Eutopia has already enlisted some of the most respected names in UK and international music culture. Promoters confirmed for the first wave of programming include; 51st State Festival, AEG, Appetite, Back to 95 (25th Anniversary), Breakin Science, Centerforce, Dance On Arrival, HOWL, Moon Dance, Recess, Sankeys, Space Ibiza, World Dance and Zulu Nation, spanning everything from minimal and house to bass, Afro, amapiano and beyond.

Eutopia is multi-dimensional venue consisting of four large-scale arenas; 

  • The Yard (1700 capacity) sits by the river – an open-air playground of sound, light and energy. With full staging, a bespoke pergola installation, raised dance platforms and elevated viewing areas, it’s designed for both intimacy and impact. Lined with seasonal foliage, art installations and street food traders, The Yard brings festival-scale atmosphere to a permanent East London setting. From sunlit afternoons to high-energy nights, The Yard is a place to explore, eat, dance and get lost. Inside, three unique warehouses each offer a distinct experience and capacity.
  • WHS 1 (800 capacity) – An immersive, tunnel-like room inspired by the golden age of New York club culture and London’s underground heritage. Precision-tuned d&b Audiotechnik sound, raised dance platforms and bespoke lighting make it the heartbeat of Eutopia. 
  • WHS 2 (1,200 capacity) – A vast, reconfigurable space built for scale and versatility. With both 360° and end-stage formats, it’s designed for club nights, live concerts, brand launches and large-scale cultural events.
  • WHS 3 (800 capacity) – The most intimate and design-led of the trio, this warehouse will host curated performances, exhibitions and social gatherings. The next phase of development will see WHS 3 evolve into a cocktail bar and listening space, hosting listening sessions, label launches and community-focused culture and lifestyle events.

Eutopia is led by a powerhouse team with more than a century of combined experience across music, events and culture:

  • Michael Hughes – A pioneering figure in UK club culture and radio, founder of landmark events Garage City, Back to 95 and Groove Odyssey, and a long-standing advocate for authentic house music.
  • Nikki Gordon – Co-founder of We Are FSTVL and former Head of Ministry of Sound, bringing almost three decades of creative and operational leadership.
  • Will Paterson – Veteran promoter behind over 20 festivals and 11 London venues, known for his work in artist development, large-scale events and mentoring future talent.
  • Tom Ranger – Acclaimed curator and programmer behind Dreamland Margate, Oval Space, Annabel’s, Percolate Live and Live Nation’s Soundcrash division, now consulting and programming events globally through Something Goes Right.

Combining world-class production with a community-first vision, Eutopia is set to redefine large-scale venues in London – a creative sanctuary built from the bones of East London’s industrial past, looking firmly to the future. Eutopia opens fully from Halloween 2025.

For upcoming event listings and information, visit www.eutopiawhs.com/or follow at https://www.instagram.com/eutopiawhs

Carl Cox @ Space Ibiza..The last hurrah

Have you heard about a club called Space in Ibiza and bloke by the name of Carl Cox? Well if not then you must be living in a bubble because these two things go hand in hand and are synonymous with club goers all around the world. Having come into its current form in 1989, Space has grown a reputation for one of the best clubs on the planet. With its uber famous outdoor terrace blearing out tunes with planes flying overhead during the fantastic nights put on, it's a shame that this will be the final year we get to enjoy this unique setting.

Space will be shutting it's doors for good come the end of the 2016 summer season and hence we have come to Ibiza to witness personally one of my favourite artists Carl Cox complete his legacy at his Music is Revolution night which takes place every Tuesday.

Walking up to Space you can't miss the blue neon lighted signs for Cox's night. Called the Music is Revolution: The Final Chapter, Carl is sending Space out in style by bringing together some of the biggest electronic music artists in the world like Masters at Work, Sasha, John Digweed, Fatboy Slim and many more! You really do have to wonder how they can replace an icon like Space and a night that has been growing from strength to strength for 15 years, I am not sure they can.

Lucky enough we are here on the 5th July and treated to a pretty special lineup with Adam Bayer B2B Ida Endburg and Nic Fanciulli B2B Carl Cox in the Discoteca area whilst Andy C and more perform on the terrace.

Kicking off the start of the night, Adam and Ida quickly shift into the gears and before you know it the room is rammed with bodies warming up before the main event. Adam and Ida work great together going back to back, treating the crowd with driving baselines and spine tingling breakdowns complete with CO2 cannons and a mind blowing light and lazer display. Their 3 hour set concludes with the room at pretty much full capacity, it's hot and sweaty, but what else would you expect from a night where you have thousands of people dancing away for hours on end.

The crowd ruptures into cheers and claps as Carl and Nic take their positions. With a intro video kicking off their set, Carl Cox's famous deep banging bass line style kicks in and the crowd goes absolutely insane. With the CO2 Cannons and lights and lazers doing their thing, you can tell we are in for a good few solid hours of dancing and plenty of fist pumping hands in the air opportunities. The one thing that I love about Carl Cox is the energy he brings to every set. Having seen him for the first time circa 2001 out in New Zealand, his persona behind the decks is what makes him an extraordinary artist and performer. You can tell Carl loves what he does and the passion shows through his bouncing around and interacting with the crowd in every set he does. Team this up with another talented performer in Nic Fanciulli, and you got an amazing group of people performing for this crowd behind the decks.

The set is exactly what I expect from these guys, driving baselines, sick drops and breakdowns and the type of music to keep you grooving all night into the early hours. Combined with an extrodinary visual setup hovering above the decks, an up for it crowd, and the fact that we are in the legendary Space Ibiza venue, it makes for quite an emotional experience that many have yet and will ever get to experience in this lifetime.

It was an absolute pleasure to witness Carl Cox playing at Space in his "Final Chapter" and if you have yet to see him here then I highly suggest you book your flights to Ibiza and tickets to Space for one of the upcoming Music is Revolution nights which take place every Tuesday.