Wychwood Festival 2015 Review

Wychwood festival returned for its 11th year in the beautiful Prestbury Hills of Cheltenham. Set on the famous Cheltenham Racecourse, the location boasts great transport and parking facilities, while still being on acres of well maintained luscious land. The friendly atmosphere brings in a mix of all ages with its main priority focusing on a family feel. With activities including arts and crafts workshops and improvised comedy, as well as an eclectic range of music on offer it is easy to keep every member of the family happy. Although it is family friendly Wychwood does not compromise on the festival experience. With headliners from the funk and soul Craig Charles to the legendary UB40 there is music for all tastes.

Friday kicked off to a dreary start, but the rain and grey clouds soon settled into a delightful afternoon of blue skies with the occasional cold wind. This gave people a chance to seek shelter in the smaller tents which hosted a range of entertainment from acoustic sets to clay modelling classes and comedy. The biggest bar of the festival was inside the Hobgoblin tent, where americana/ folk band, Loud Mountains gave a stellar performance on the Friday afternoon. With awesome guitar riffs, catchy rhythms and clever harmonies, Loud Mountains gave the crowd a heartwarming performance which all ages could sing along to and enjoy.

With a huge selection of drinks, local ales and food stalls on offer- there was plenty of choice for all tastes. Tasty pulled pork, nutella smothered crepes, ostrich burgers and Mr Whippy ice creams were a few of the many popular choices that Wychwood had to offer. Despite the festival being well tailored for families, the Pimms and Real Ale was also flowing, with adults enjoying themselves as much as the children.

After the impressive set from Loud Mountains, it was over to the main stage for ‘The Undertones’ who played a set made up of more songs than many bands write throughout their entire career. It was a punk rock treat with the Derry band choosing to let their music do the talking as they treated crowd to songs like ‘Jimmy Jimmy’ and ‘Teenage Kicks’. The latter of the two songs brought almost a sense of relief throughout the crowd, as they played that ever recognisable riff. Once they had finished, it was time to prep the stage for the headline act, which left just enough time inbetween to check out ‘Darlia’ over on the second largest of Wychwood’s stages. 

Darlia– the Blackpool based 3-piece were really impressive. Walking around between the crowd, the words ‘Nirvana’ and ‘Kurt Cobain’ were mentioned so many times by onlookers, it gives a good picture of their sound. Sadly this somewhat draws away from the fact that the band actually have their own nailed-on balance of gritty guitars and catchy melody lines, which is almost an evolution of the Seattle grunge sound of old, without being at all tacky or cliché. Their set was really impressive with the song ‘Candyman’ being a stand out favourite.

It was now time for the headline act for the Friday and much like the range of people who attended this fantastic little festival – it could not have been any more different! It was time for the crowd to go wild for ‘Boney M’. With their back catalogue of disco tracks, they entertained the masses with the likes of ‘Daddy cool’, ‘rasputin’ and ‘brown girl in the ring’ and at one point even played a rendition of Bob Marley’s ‘No Woman No Cry’. Boney M were 110% fun from the word go and played with the professionalism of a group that has been together for just short of 40 years. Maizie Williams  was the only original member who performed in this line-up, her star quality such that she stood out like a diamond. A great choice of headliner from the festival and a job well done from Boney M.

The weekend’s sun continued to shine down on Wychwood festival as the family-friendly vibes started up for the second day. The afternoon crowd which gathered at main stage for the Electric Swing Circus was a mixture of all ages and the band was the perfect fit for a such a varied audience. The vocal double act of Laura Louise and Bridget Walsh’s energy was infectious, and Guitarist Tom Hyland entertained the kids with his ringmaster attire and killer dance moves. But the band were not all about the visuals, as their ‘Electro-Swing’ music was Saturday’s real show-starter; a sound to match the diversity of the crowd with heavily sample based tunes backed up by solid double-bass lines and swing rhythms – it worked really well.

 

 A small break on the main stage was enough time for the crowd to multiply ten-fold for one of the most recognisable acts of the past 30 years – both visually and sonically! It was the turn of the Proclaimers to take to the Wychwood stage. Identical twins Charlie and Craig Reid played through their back catalogue as well as throwing in a few songs from their latest album. Their set was hugely entertaining and was a singalong from the beginning to the end. At one point, Charlie read out a dedication they had received before bursting into ‘Let’s get married’ – The dedication proved to set the scene for a marriage proposal on the front row and she said yes! The duo completed the song and wished the happy couple the best of luck before Charlie said (tongue firmly in cheek) ‘ Just the one time, I’d like someone to say no and for there to be a little fight in the corner.’ After many a classic, they courteously wrapped their set up with ‘I’m gonna be (500 Miles)’ before making way for the headline act – UB40’S Ali Campbell, Astro and Mickey Virtue.

 

 UB40 Hoodies seemed to be the clothing of choice for many throughout the day and this was reflected by the size of the crowd for the headline act. Accompanied by a saxophonist, trumpet player and trombonist, the band stormed through a set of their classics, whilst also throwing in some songs from their latest albums. Starting the proceedings with ‘Here I Am (Come and take me)’ they flew through a hugely entertaining set including ‘Red Red Wine’ and even an Elvis Presley cover!

Sunday brought with it a tiredness to the crowds, but this was in no way reflected in the music with stellar performances from DJ Craig Charles and Rusty Shackle. Justin Fletcher also made an appearance on mainstage for the children and was received with much jubilation by the crowd.

The highlight though for Sunday, possibly even the entire festival, was the South African male choir group, Ladysmith Black Mambazo. Formed in 1960, this band certainly lived up to its platinum disc honoured status. With the ravishing harmonies and joyful atmosphere- every child to every adult danced in awe as the sun set amongst the Prestbury Hills. Gleeful children on parents shoulders waved their arms in time to the flawless rhythms of the choir. The uplifting experience worth watching in the flesh was definitely the best way to end a brilliant weekend. Despite the bitter cold of night, Ladysmith Black Mambazo had defiantly left a warm mark of Africa on Wychwood Festival 2015.

 

 

Live At Leeds Festival Review

The first event on the festival calendar saw a multitude of British and international bands and artists descend to a number of venues across a sunny Leeds on Saturday, with an expansion of sounds fitting the bill – from chart topping electronic with strings quartet, Clean Bandit to two-man rock duo, Royal Blood, both drawing massive crowds.

Aren't there a lot of bands that sound like the toilet music”, says a man commenting on Nation of Shopkeepers choice of bathroom music, saying “I’m into my experimental electronic music but this just sounds like Fuck Buttons”.

Three-piece ‘NME Radar’ guitar band, Blaenavon, drew an unexpectedly busy crowd to cool bar-come-gig-venue, Nation of Shopkeepers, with an early 1pm set. Performing tracks from their Koso E.P, the young and impressive trio sound like a mix of Maccabees-esque gliding riffs in Prague, which are contrasted with the emotive Wu Lyf-like atmosphere in tracks, Gods, and Wunderkind. With just a handful of songs under their belt, an album is surely in the pipeline for the talented Hampshire trio.

Swiftly pacing across the city to catch Wet’s debut visit to the UK at cool underground venue, The Hifi Club, the Brooklyn trio supply futuristic dream-pop for the Soundcloud and Apple Mac generation. Performing the entirety of their debut Dreams E.P, they mix the electronic synths of Chvrches with the chilled out melancholic storytelling of The XX. Set opener, "Don’t Wanna Be Your Girl" and new track "Bad Idea" showcase singer, Kelly Zutrau’s effortless crystal vocals before she explains to the music-savvy crowd: “This is out first time in Leeds and in the UK – we’re having a lot of fun." Dreams and No Lie, also of the E.P, create a swaying, breezy fantasy atmosphere before penultimate single, You’re The Best, which is currently receiving daytime support on Radio One from Fearne Cotton and Zane Lowe. With added house synths, it receives an impressive reaction with most of the crowd singing along – it’s sure to be a future hit, especially with the major label bidding war which is currently engulfing Wet’s futuristic R&B productions.

Next up, London based Gengahr performed to a busy crowd at the Belgrave Centre. With pitch-shifted vocals sounding similar to Unknown Mortal Orchestra, this is one of their first live shows. Summery foot-tapper, She's A Witch is a perfect indie track which sees the floppy haired young singer bop on the spot. Huw Stephens supported single, Fill My Gums With Blood, sounds sweet and soft despite the grizzly connotations of the tracks title. Clocking in at just 20 minutes, it’s a short-but-sweet set of endearing and exciting tracks – hopefully we’ll hear more from Gengahr in time for the summer.

SFG take an hour break to recharge batteries (physical and phones) before arriving back at the Hifi club to see electronic producer, Tourist who has recently toured with Disclosure play a late afternoon set. His blend of chill-wave house and electronica translates well to a packed, mixed-age crowd. William Philips aka Tourist introduces himself, saying: "I'm Tourist, I haven’t been here for a while, and it’s nice to be back”, before building electronic synths silence whispered murmurs in the crowd. Opening with Lies, a crowd pleasing remix of popular Glasgow synth-poppers, Chvrches, it’s a clever start. It could be expected that Tourist’s house beats and bass popping grooves are more night time friendly but the crowd still seem to still love it. Meanwhile, William energetically bops around behind his synth touch-pad and laptop. Later, I Can't Keep Up and Together from the new Patterns E.P bring him the biggest crowd of the day so far, with people still piling in during the last song. The penultimate track, a remix of Haim’s, The Wire, which featured on the LA sisters deluxe album ignites a carnival like energy with Jamie XX-like percussion beats soaring through the room before final E.P title track, Patterns ends the impressive set. With impressive sets like this one, Tourist’s atmospheric, forward-thinking sound will sit perfectly at outdoor festivals this summer. Make sure to catch him at one.

Darlia, who perform to a busy Cockpit crowd at the other end of the city, are three young lads from Blackpool making Nirvana influenced 90’s rock revival – lead singer Nathan Day, even looks like Kurt Cobain. Pronounced by Radio 1’s Playlist boss Nigel Harding, as “the most exciting new guitar band in the UK”, it’s difficult to argue against the statement. Playing a 30-minute set of heavy guitars and drums, they sound a lot heavier live than on record. Animal Kingdom and the infectious Queen of Hearts, the latter harkening to the sound of Smells Like Teen Spirit. Later, the audience revel in joining in for the chorus of current single Candyman, which translates far rawer, grittier and scuzzier in a live environment. The sweaty and loud, Cockpit is the perfect venue for their rock ‘n’ roll barrage to really make you take notice before they hit the big-time with a slot booked at Leeds Festival in August.

Two-piece rock outfit, Royal Blood, who have just announced a support slot on The Pixies US tour, attracted the biggest crowd of the day, with the queue stretching far beyond the confines of Leeds Metropolitan Univeristy, where the duo were unleashing their faultless energy. SFG were even lucky to get in, with press restricted to a one-in-one-out rule. New single, Come On Over’s heavy riffs make it sound as though there at least four band members before the singles Little Monster and Out of the Black encourage a circle pit in the crowd centre. Royal Blood really are the next big thing, ever since their NME Award Show and SXSW slots, they've multiplied in fans wanting to see them.

Running over half hour late due to technical problems, R&B crooner/ rapper Raleigh Ritchie, says they must keep the set quite short but doesn't let that dampen his spirit. He bounces across the stage telling engaging stories of growing up and gaining independence in Stronger Than Ever and Freefall, the latter about being sad in a cit. Later, before Keep It Simple, Raleigh tells his debut album will be out by the end of the year. Ending with set highlight, 2013 single, Bloodsport, the technical problems have been forgotten and he’s managed to captivate the crowd with an emotive, ‘give it your all’ vocal performance.

Later, Circa Waves expectedly pack out The Cockpit with a circle pit ensuing ten minutes in to the set during popular single Good For Me. Catch My Breath sounds like if The Vaccines stamping choruses met Vampire Weekend’s catchy indie riffs. The upbeat indie-pop of Stuck in My Teeth and Fossils quickly follow, before frontman Keiran Shuddall teases the crowd saying: "It's been very special for us – anyone going to Leeds festival? Well see you there.”

Chart-topping electronic with classical strings quartet Clean Bandit, headlined the 02 Academy with an important hour set, justifying their soon-to-be big name festival headlining status. Chilled openers, Rihanna and A&E impress with effortless guest vocals. It’s been a long time coming for them, but the success of Rather Be, which stole the top of the charts for a month is set to be followed up by new single, Extraordinary – both of which get an outing tonight. The Cambridge-graduates fit the large stage perfectly with colourful visuals of their EP covers placed neatly behind the set while pulsing house beats move the crowd throughout new track, Heart on Fire. Older tech-house track, Mozart’s House asks the question whether electronic music is boring? Certainly not, judging from tonight’s crowd who lap up every chart ready track. Later, Nightingale is mixed into the deep-house Gorgon City remix before they mix things up with their own rendition of Show Me Love. Clean Bandit are impossible to dislike, fusing every genre of music into their own concoction of strings, house, pop and R&B, their live shows have become a phenomenal spectacle.

Catering for the masses with a range of acts across a multitude of genres and a friendly atmosphere throughout, Live At Leeds, showcased new bands in their prime, most of which will be playing big-player, Reading & Leeds Festival – be sure to catch them there!

Photos by Heather Berrisford