Star Names Confirmed For Cheltenham Jazz Festival

Cheltenham Jazz Festival returns at the end of April with a bold programme featuring a range of exclusive one-off performances, unique collaborations, special commissions and debut UK appearances from a heady mix of established stars and emerging talent.

 

Taking place across 6 days from April 29th – May 4th, this year’s festival will present a smart balance of classic and contemporary jazz, blues, soul and pop from a string of pioneering acts including million-selling singer-songwriter Rumer, Dutch superstar Caro Emerald, experimental producer and composer Squarepusher, one of the queens of soul Martha Reeves, world-renowned DJ and broadcaster Gilles Peterson, former Dr Feelgood guitarist Wilko Johnson, Californian blues-rocker Beth Hart, and consummate jazz singer and broadcaster Clare Teal.

 

Once again returning as Guest Director is Jamie Cullum who, alongside handpicking a selection of events for this year’s programme, will perform with trailblazing US jazz funk jam band Medeski, Martin & Wood. Other high profile acts on the bill include venerable jazz-fusion star John Scofield, whose collaboration with German pianist Pablo Held’s trio is currently receiving rave reviews (“a fascinating fresh setting for a unique guitarist who always means business” The Guardian), the mystical sounds of the Sun Ra Arkestra, master ngoni player Bassekou Kouyate, the UK premiere of jazz heavyweight Lee Konitz’s new quintet featuring virtuoso trumpeter Dave Douglasand a treat for fans of Afrobeat in the form of two contrasting but equally outstanding concerts – a Saturday afternoon show from legendary African drummer Tony Allen, who performs music from his acclaimed 2014 album Film of Life, followed that evening by Joe Lovano’s Village Rhythms Band, an inventive 7-piece outfit which explores the connection between West African music and jazz.

 

BBC Radio 2 continues its long-term association with the festival and has confirmed a range of activity across the week. Alongside live festival-themed shows recorded onsite by Jamie Cullum on Saturday May 2nd and Clare Teal on Sunday May 3rd, the network will air Caro Emerald’s concert on Thursday April 30th, a Frank Sinatra-themed ‘Friday Night Is Music Night’ featuring appearances from Kurt Elling, Clare Teal and Anthony Strong on Friday 1st, and a world premiere to close the festival on Monday 4th, a celebration of the music of George and Ira Gershwin featuring Laura Mvula and Gregory Porter.

 

Justifying its reputation as one of the most forward-thinking festivals in Europe, a varied collection of the next generation of global jazz stars are represented this year by the likes of Anglo-French trio In Bed With, Suiss trombonist and composer Samuel Blaser, Spanish singer and multi-instrumentalist Andrea Motis, the first ever UK performance by the inimitable Surnatural Orchestra, and European trio Phronesis, whose Pitch Black project will be performed in total darkness.

 

A wide range of top UK-based talent will appear on the bill including East London’s unique take on the brass band Hackney Colliery Band, Mercury-nominated piano trio GoGo Penguin, who will join Gilles Peterson at the festival’s much-anticipated club nightfunk favourites Average White Band, Neil Cowley Trio, the Rachael Cohen Quartet featuring Phil Robson, soul diva Natalie Williams, a double bill featuring the soulful vocals of Si Cranstoun and Purdy, and the Julian Arguelles Septet, a band formed especially for the festival.

 

Wychwood, Beer, Cheer and Bubbles.

This is the 9th Wychwood festival to take place, which is a tragedy for me as it means I have missed 8 years of this fun filled, family friendly, yet modest event, that gently launches you into the summer festival period.  Set in the grounds of Cheltenham race course and overlooked by the Cotswold Hills, this venue is used to horseplay of a four-legged nature, but with neigh a nag in sight, Prestbury Park comes alive with a wide spectrum of characters.

The first days sound track set the pace for what would shape up to be quite the eclectic mix.  Early evening The Beat proved how they secured their rightful place high up the Ska tree. With Rankin Roger & Son getting the crowd stomping to the ever popular Ska beats. Toploader followed with their breezy, sing a long songs, that keep the crowd on a high.  Friday night headliners Soul II Soul with their blend of R&B, Soul and Electronica, surprised many who thought them a one song band (Back to life). With each song played you couldn’t help regret not paying more attention 25 years ago. But better late than never!! They exit the stage, leaving the crowd craving for more.

Saturday sees the music shift to a broader range. Unfortunately the delectable Kate Nash pulls out poorly. The Wedding Present are a crowd pleaser as they work through some of their phenomenal body of work. A French twist next from festival favourites The Caravan Palace, who’s zany Gypsy Jazz, Electro swing, is a sight and sound to behold, a big band wall of music fronted by the mesmerising stage presence that is ZoĆ© Colotis a must see. The night’s headliners are 80’s Electro New Wave sensation The Human League and with a catalogue of hits, the crowd were on their feet from the opening “Mirror Man” to the ever popular “Don’t You Want Me” ending another great night with “Together in Electric Dreams”. The set and backdrop pay homage to the futuristic approach of the 80’s, that seem just as futuristic and relevant today, Little wonder so many artists since, have voiced this Flamboyant and eccentric group as an influence.

Sunday becomes a field of laughter with the humorous yet skilful take on classical and popular songs by the Ukele Orchestra of Great Britain.  Smiles a plenty but with admiration from this musically talented troop.  The laughter continues as Bill Bailey and his side splitting comedy take over.  Nobody being prepared for the music, jokes and insanity of this middle-aged madman. This massive force could have easily have been the finale for the main stage, but the organisers decided to bring the evening to a close by treating an appreciative crowd to the Dub Powerhouse that is Dreadzone.  This reggae tinged set was the perfect end to a fabulous weekend, having the crowd bounce and groove out the evening.

 A couple of standout performances on the smaller but no lesser stages included Becky Rose, with her one gal, synth based beats and Craig Charles funk and soul show, where the crowd were whipped up in to a frenzy to match that of the energetic, multi-talented showman.

When the main attractions have finished and the majority of the crowd have turned in for the night, one stage is determined to party on regardless. As I approach the big top tent with strobes escaping from the entrance I can’t help but think that there is something missing?   Upon entry I am handed a pair of wireless headphones and as I walk on through to a sea of crazy revellers it is apparent that I have entered a nut house.  This is the silent disco, a room full of clubbers and two DJ’s but no music through the loud speakers.  I put the headphones on and find myself instantly condemned to the madhouse as I flick between the two DJ’s and adjust my dancing style accordingly.

Music for all genres means that young or old you will at some point find your dancing shoes and at the very least discover new and exciting sounds.  There are over 100 workshops to choose from, complimented with cuisine from the four corners of the world.

A lasting memory of the festival will be that of a  man releasing  another wave of bubbles they glisten like the northern lights as they pass over the light filled stage.  Wychwood really captures the essence of what a festival is about with a great energy and atmosphere.