NASS Festival 2015 – Our Festival Round Up

With this years NASS festival now being over a week ago, for many people the infamous ‘festival depression’ is slowly starting to sink in with many already looking forward to the next dose of the drum and bass festival next year.  We here at Summer Festival Guide had the chance to attend the festival for the second year running, documenting the event through images and words. Attempting to compare the two trips to the festival is almost indescribable, with team NASS stepping up their game so much this year there NASS 2015 will definitely be one of the main highlights of our festival season.



Opening the weekend up on the Friday’s main stage, We Are The Ocean (3.5) started of on a mellow tone trying their best to get the drum and bass lovers to swap their addictions for beats and drops for guitar and drum solos. Managing to draw a few in for the crowd favourite ‘Young Heart’ the band performed a strong set to a very inactive crowd. Moving forward, Modestep (5) got the crowd going from the first tones presented to them. With ‘Sunlight’ and ‘Freedom’ sending the participants into a frenzie, the NASS three day party was well and truly underway. Being one of the controversial headliners, Enter Shikari (4) drew in a medium sizes crowd for their set, however this didn’t stop the band giving it their all to win over the few still sitting at the back of the field. Clearly catering their setlist towards the festivals drum and bass roots, the band moved away from their rock genes with focusing on the more electronic tracks in the bands backlog with ‘Anaesthetist’ generating the most crowd participation.

With ‘The Slammer’ possibly being considered as the outcast stage from the others with the acts originating in the rock genre, many of the bands received a less than deserved minimal crowd. Saturday’s line up including Shvpes, Heck and The One Hundred with each of them putting on a strong set despite the almost empty tent. Many of the bands involved on the stage except the headline act for each day experienced the lacking crowd, and with that we sympathise as had it been any other festival each of them would have had a good sized crowd which the more than deserve with their individual talents.

The Summer Festival Guide favourite Wilkinson (5) returned to NASS Festival for yet another performance at the festival. Playing the crowd favourites ‘Too Close’ and ‘Dirty Love’ to close the set, the crowd reaction alone can easily prove why the festival promoters keep bringing back Wilkinson, with the guaranteed party that he puts on the table for all festival goers. Heading over to Lower Than Atlantis (3.5), the comparison between the two is non existent. Despite having a good sized crowd gathering for their set, the band played a setlist which was far too short for a headlining set, containing only seven songs the band performed an average set which could easily be improved if the sound quality within was controlled. Rebel Sound (4.5) being the side project of Chase and Status left many wondering what the hour would hold with this being their first festival headlining performance. Producing their own remixes on the crowd favourite ‘Stay With Me’ by Sam Smith and a lighting show brighter than any other, Rebel Sound will never be forgotten in the history of NASS.

With the closing day of NASS almost being a complete wash out, many of the festival goes seeked refuge within the covered Southbank and The Slammer stages. Giving everyone a dose of much needed pop punk, ROAM (3.5) brought their usual high energy to the stage hoping to lift everyone's spirits, earning a lot of bobbing heads and even their mini mosh pits. Hactivist (4) also managed to almost fill the tent with their rock infused version of the ever so popular Jay-Z track ‘Paris’. Closing the weekend, the chilled out Public Enemy (3.5) managed to secure a crowd despite many waiting for the highly anticipated set from popular DJ Hannah Wants. With a stage show based performance, the act was one that many would agree should not have closed the festival main stage with the major comparison to the popular Rebel Sound and the crowd pleasing performance that they delivered.


Agreeing that this is the best line up NASS have produced, with a few lineup changes in terms of the closing set at this years event, the festival would be one that more than many would not forget, however ending the festival on a mellow note on the main stage could have improved the overall weekend. Bring on NASS Festival 2016!   

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