Described in some quarters as setting a new benchmark for music festivals, Houghton announces a progressive and eclectic group of names for its third edition on 8th-11th August 2019.
After making arguably one of the most successful debuts of recent times in 2017, the festival opted to make only minor improvements to its simple and refined approach in 2018. In 2019, the festival is staying true to its ethos and is continuing to incorporate art, music and sculpture into the beautiful surroundings of Houghton Hall, Norfolk.
The musical programme reflects Craig Richards’ eclectic taste, while continuing the festival’s tradition of encouraging long extended sets and unique live acts, across bespoke and cutting edge sound systems from German manufacturer d&b audiotechnik.
As always, Houghton casts a spotlight on an array of rising talent and experimental artists. They have also confirmed plans to expand and develop the Pinters stage format, offering a unique 360 soundscape listening environment for jazz, ambient and experimental sounds and inviting artists that promise to explore all of the corners of the musical spectrum. Estonian violinist and vocalist Maarja Nuut, the rapidly rising Object Blue, UK jazz pioneers Matthew Halsall and the Elliot Galvin Trio, German dubtronica trailblazer Pole, and the abstract and beautiful musings of Soundwalk Collective are all appearing
After extraordinary sets last year, the heavyweight returnees include Ricardo Villalobos, Helena Hauff, Ben UFO, Optimo, Hunee, Seth Troxler, Jane Fitz, Pearson Sound, Andrew Weatherall, Joy Orbison, Powder, Midland and C
Jensen Interceptor is one of Australia’s finest electro exports and Mark Ernestus’ Ngadda Rhythm Force is an unmissable live band prospect from the hugely influential techno producer. There are also sets from Carl Finlow as Silicon Scally, Vancouver protege D. Tiffany, Floating Points and uniquely Jerry Dammers of The Specials. Palms Trax showcases his deep-digging gems, Calibre and dBridge